Six Dumb Questions with Hair of the Dog

Posted in Six Dumb Questions on September 6th, 2017 by JJ Koczan

hair of the dog

Across a skillfully constructed six-track course, Edinburgh trio Hair of the Dog smoothly brought together influences modern and classic on their third album, This World Turns. Released through Kozmik Artifactz this past July, it’s an unpretentious 41-minute rocker that comes out swinging with the semi-garage riff of its nine-minute opening, longest and title-track (immediate points), opening to a rolling groove that’s just the first of many by the time the record is done — its emphasis on sonic clarity as much as organic chemistry, songwriting as much as execution.

And if the world is turning — spoiler alert: it is — so too is the craftsmanship of Hair of the Dog, who fluidly transition between the parts and pieces of the follow-up to 2016’s The Siren’s Song and play between classic guitar-led impulses, the near-metallic shuffle of cuts like “Ctrl-Alt-Delete” — where Scorpions and Iron Maiden come together at last — and the key-laced-but-still-post-Thin Lizzy low-end groove of “In Death’s Hands,” unfolding a deceptive breadth of approach that ties together easily via clean production value courtesy of an ongoing collaboration with engineer and obviously benefits from the band’s work since making their self-titled debut in 2014. An ongoing collaboration with producer/engineer Graeme Young of Chamber Studios is only bolstered by the mixing work of James Atkinson of Gentlemans Pistols, and as they make their way toward the classy, smoothly realized crescendo of closer “4AM,” the three-piece of guitarist/vocalist Adam Holt, bassist Iain Thomson and drummer Jon Holt continue to easily draw a line between rocker soul and heavier push, resulting in a style that’s timeless in its refusal to belong to any single era or another.

With a performance slated for next month at the potentially-lethal-sounding-or-at-very-least-liver-taxing Riffs and Rum 5 in Manchester, England, a live album upcoming, and work already started on a fourth long-player to answer the growth on display throughout This World Turns, Adam took some time out to discus Hair of the Dog‘s mission on the record, the progression across their three outings to-date and the writing and recording processes from which This World Turns‘s righteous, heavy-rock-for-heavy-rockers moments in songs like “Keeping Watch over the Night” and “The Colours in Her Skin” resulted.

Please enjoy the following Six Dumb Questions:

hair-of-the-dog-this-world-turns

Six Dumb Questions with Hair of the Dog

You’ve said that these songs are more personal for you than The Siren’s Song or the self-titled. What kind of experiences are you expressing on This World Turns, and now that the album has been released and you have a little distance from it, how do you feel about that expression? What is This World Turns ultimately saying about Hair of the Dog as a band and as people?

I wouldn’t say they are more or less personal than our other songs. All of our songs stem from our life experiences, from a real place — but with This World Turns, the subject matter is definitely more mature in nature. This is just a reflection of where we are in our lives as three men. Jon is married and has two young children. Iain is now married and has a cottage out in the countryside. And I am soon to be married this October. These things — especially bringing new life into the world — force you stop and view your life in a new light, as well as the world around you, which I’m sure we can all agree, is a fucked up mess right now!

Before I had the lyrics and title for This World Turns, I had the idea for the cover. The reaper staring out over the sea towards earth. I liked that image, to me there is as sort of comfort in that image which reflected the ideas I had floating about for the lyrics. I’m the reaper looking at the world, you the listener are the reaper looking at the world – is this how you want your life to be? Is this how you want your world to be like? You never know when that scythe will swing, so would you be happy with what you have if it did, right now? And I think that’s ultimately what This World Turns is about. It’s a record about reflection.

This World Turns — tomorrow is a new day, don’t take your life for granted, life can change – but the world will always continue to turn regardless.

Tell me about opening with the title-track. When did you know that was the one you wanted to leadoff the record, and was that before or after you had named the album? How did that song come together?

“This World Turns” was the first song we wrote for this album. I think we started jamming the various riffs for it very soon after The Siren’s Song was sent off to Kozmik. We even premiered it and “Ctrl-Alt-Delete” at Roadburn Festival in April 2016, so that gives you an idea as to how far along we were with the record even by then!

Like most bands, we have our own “pet names” for our songs so we can identify them – “This World Turns” was naturally called, “The Big One” and remained that way right up until the week before we recorded it, when I wrote the lyrics. I am pretty shit when it comes to writing my lyrics, often leaving them to the very last moment – I like to worry the other two, keep them on their toes! But sometimes it just takes longer for me to hear and feel what the lyrics should say.

The music itself was very natural, I think we wrote it over the space of a few jams – each riff just seemed to naturally lead to the next. It is such a fun song to play from a musician’s point of view. It definitely set the bar for how we wanted the rest of the record to sound, which is why I felt it should be the song to kick the whole album off, set the tone sort of thing – it just had that feel to it, and we always go with what feels right to us.

Talk about your experience in the studio making This World Turns. How long were you recording? What was it like working with Graeme Young again to get the songs down and then bringing in James Atkinson from Gentlemans Pistols to handle mixing? Was that the result of something specific you wanted to do differently coming off of The Siren’s Song?

We recorded the music for This World Turns in four days, then I took a two-week break to write the lyrics – an approach I haven’t used before. This was partly because I didn’t have any solid lyrics by the time we started recording, but also because I wanted to really take time to let the songs settle with me and see if that brought something new to my writing – which it did.

I always write my lyrics in my local pub. I sit with my headphones in, with the songs on repeat and basically wait until one or two words, perhaps even a phrase, comes to me. Once I get that starting point, I just go with them and the rest of the song follows. For example, with the song “This World Turns,” I kept hearing this phrase “keeps you safe inside its lies,” I’d sing it over and over all day. It’s hard to describe, there’s a definite click moment with my lyrics, when everything just comes together and flows.

Working with Graeme is awesome. I’ve known G as a friend for many years and worked with him on various bands. We call G the secret fourth member of HOTD because, as well as working with us on all of our records, he is the man that plays any keys or synth on the records. He is an extremely skilled recording engineer and as a musician himself, has a great ear for music. He pushes us really hard and always gets the best performance from us. Not to mention he also puts up with a lot of shit from us — mostly me — during the recordings too. We like to drink in the studio and this can often lead to the recordings taking back seat to our antics.

As for James, that was really just to bring something fresh into the fold, try something new. I had got chatting to James after we both played Roadburn 2016, and I asked him if he’d like to mix the album. I’m a big Gentlemans Pistols fan, and really love his work on their albums, so I knew he’d bring some magic to our record – and he didn’t disappoint.

One of the aspects I find most striking about This World Turns is the classic feel of the riffs and the construction of the songs still has a deeply modern sound. Three albums in, do you feel like you know what you want to get out of a recording experience with Hair of the Dog? What were your goals for the sound of This World Turns?

That’ the HOTD sound… We take pride in that, so when people pick up on that it’s rewarding. We love those bands, Zeppelin, Sabbath, Cream, Deep Purple, Hendrix. Our parents and teachers introduced us to these bands — one of the first songs I ever learned on a guitar was “Hey Joe.” But we also grew up on a diet of Pantera, Rage Against the Machine, C.O.C., Down, Metallica. The list goes on.

When we started, over 15 years ago, we just jammed songs by all of these great bands we liked – extending riffs, adding in parts, making songs heavier — and from these jams, we eventually started to write our own songs. We never sat down and decided we’d sound like this or that… we just developed this sound over many years jamming together. We just wish the audience was there for us when we started, because back in 2001 nobody wanted to hear our music!

In terms of recording, we love it, it’s like a holiday for us – time to hang, have some beers, do what we love and annoy Graeme as much as we can. We didn’t have any goals as such for This World Turns, as I have mentioned, we record live for the most part and we always enter the studio with the songs polished – so it’s just about having a good time, enjoying it, letting the creativity flow and make something we are proud of.

We like the spontaneity and experimentation that only manifests in the studio. Sometimes the best parts of our records come from stupid jokes and conversations we have after a few beers: “This song needs an orchestra; The Beatles had an orchestra, why can’t we?” Next thing you know, we’re dialing up some string sounds and adding them in. The studio is a musician’s toy box. Once you have those songs recorded, you start to hear all the melodies and counter-melodies hidden within the song that you couldn’t hear in the practice room – it’s a magical time.

How do you feel about what you’ve accomplished across your three records to-date, and is there anything in particular you’ll look to change next time?

We are incredibly proud of the three records we have put out so far, and we are extremely humbled by the positive response each record has received around the globe. With each album we grow as a band, as does our fan base. We love to play our music and doing so with that support and encouragement from our fans is a dream come true.

Next time? Well here’s an exclusive for you, we already have around three songs for our fourth album. We are going a bit heavier on this one. It will still have that HOTD sound to it, but we are experimenting with darker, heavier riffs.

You’re playing Riffs and Rum 5 in Manchester in Oct. with Pist, 1968 and others. Any other plans or closing words you want to mention?

Yeah we are looking forward to that show, we haven’t played England that much, which is shameful considering it’s right on our doorstep. But we will certainly put on a killer show, that’s for sure – free rum all night and three Scotsmen?! What could go wrong!

Plans, plans, plans… we have quite a lot coming up actually…

Our track “My Only Home” which had to be dropped from the vinyl version of The Siren’s Song is being featured on an up-and-coming double-vinyl project between several prominent independent labels – think that’s all I can say about that at the moment.

We are putting out live album in between This World Turns and our next studio album. I’ve had the pleasure of hearing it and it rocks, definitely one for the HOTD super fans! More on that to come soon.

And finally, the wheels are in motion to get the Dog back over to Europe in 2018. We hope to play a few of the summer festivals and dot a few headline shows around those.

Hair of the Dog, This World Turns (2017)

Hair of the Dog on Bandcamp

Hair of the Dog on Thee Facebooks

Hair of the Dog on Instagram

Kozmik Artifactz website

Kozmik Artifactz on Thee Facebooks

Tags: , , , , , ,

DVNE Announce New Album Asheran Due in July

Posted in Whathaveyou on May 25th, 2017 by JJ Koczan

dvne

Edinburgh-based four-piece DVNE have been playing shows steadily around the UK since the 2014 release of their last album, Aurora Majesty, so they haven’t been completely absent or anything like that. Their name tends to pop up in all-dayer lineups and things like that. Still, with three years between that record and the forthcoming Asheran, which the band touts as being an hour-long concept piece set to a story about a lost empire (about which you can read more below), the sense I get is that maybe this record took longer to come together than the standard “well, we’ve got eight songs and here they are”-type release might. Call me crazy.

With just over two months to go before the July 28 release through Wasted State Records, there’s no audio unveiled as yet, but you can see the Eli Quinn cover art and the tracklisting here, courtesy of the band’s Bandcamp page, where both Aurora Majesty and the prior Progenitor EP (review here) are streaming. Dig it:

dvne-asheran

DVNE – Asheran

Asheran is a 60 minute tapestry of music, an epic narrative following the tale of the rise and fall of civilisations, the return of an empire thought millennia lost, and the world-spanning events that unfold as a consequence.

Rich with themes of science fiction, environmental issues, and both dystopic and utopic visions for the future of humanity, listeners can expect the album to bring the pure heaviness vaunted during Aurora Majesty, whilst at the same time being tempered by the combination of more mature progressive, genre-spanning, and often at times melodic song-writing the band are quickly making their hallmark approach.

Releases July 28, 2017.

— I —
The Crimson Path
Viridian Bloom

— II —
Thirst
Descent Of The Asheran

— III —
Sunsets Grace
Rite Of Seven Mournings

— IV —
Edenfall
Scion

Recorded and produced by Graeme Young at Chamber Studios
chamberstudio.co.uk

Mixed and Mastered by Tom Dring at Vagrant Recordings
vagrant-recordings.co.uk

Artwork by Eli Quinn
Facebook.com/eliquinnart

DVNE is:
Victor Vicart – Guitar, Vocals, Keys
Dan Barter – Guitar & Vocals
Dudley Tait – Drums
Allan Paterson – Bass

Jenni Sneddon – Vocals (Edenfall)

Release date: 28 July 2017 by Wasted State Records
wastedstaterecords.bandcamp.com

https://songs-of-arrakis.bandcamp.com/album/asheran
https://www.instagram.com/dvne_uk/
https://twitter.com/SongsOfArrakis
https://www.facebook.com/DvneUK
wastedstaterecords.bandcamp.com

DVNE, Aurora Majesty (2014)

Tags: , , , , , , ,

Hair of the Dog Release New Single; This World Turns Due in Summer

Posted in Whathaveyou on March 30th, 2017 by JJ Koczan

hair of the dog

No exact release date as yet, but following up on the chat had in the early hours of 2017 with Hair of the Dog‘s Adam Holt about the band’s next album, This World Turns, and work the Edinburgh three-piece did with James Atkinson of Gentlemans Pistols in bringing it to life, the title-track of the record has been posted as a free download. Now, the tentative issue date through Kozmik Artifactz is “summer” — in case you missed it in the headline above — so whenever it actually surfaces in the season, it’s a while off from right now, but one can hardly begrudge Hair of the Dog wanting to give listeners an early glimpse. They’ve been playing the song live for a time too, so it seems all the more reasonable they’d be eager to get the finished version out to the public.

Free tuneage awaits:

hair-of-the-dog-this-world-turns

Hair of the Dog – “This World Turns”

Returning this summer with their third studio album, “This World Turns” is Scottish riff rockers, Hair of the Dog – today releasing the title track as a FREE downloadable single!

Recorded and produced with Graeme Young of Chamber Studios (Hair of the Dog, The Siren’s Song) and mixed by James Atkinson of the Gentlemans Pistols (Nuclear Blast), This World Turns is easily the trio’s most experimental and adventurous album to date. As always, “This World Turns” snapshots the bands progression and journey through life – this time focusing on themes of maturity, responsibility and reflection.

Speaking exclusively to The Obelisk, Adam Holt said:

“This World Turns is an album of reflection, taking a pause to view the world through aged eyes. When we started HOTD, we didn’t have many responsibilities in our lives, I certainly didn’t. Now I’m engaged and due to be married later this year, Iain is also now married and Jon has had two awesome kids – making me a pretty cool uncle! These things naturally cause you to stop, reflect and re-access your life. I always write from a personal point of view, every song acts as diary entry for me, so you can see and hopefully identify with a lot of these themes within “This world Turns”.

On the sound of “This World Turns”:

“Musically our sound has also matured. At the core we retain the HOTD sound that our fans have come to know, but we set out to create a record that truly showcases where we are NOW as a band; as well as push us forward in terms of where we are going.”

On working with James Atkinson:

“One of the biggest changes to our sound, was enlisting the skills of James Atkinson (Gentlemans Pistols). This was the first time we have ever worked with anyone other than Graeme, but it felt right to bring in some fresh ears and experiment. I had seen the Gentlemans Pistols play whilst we were over playing Roadburn 2016, and when I found out James had his own studio, I was extremely keen to get him on board with “This World Turns”. I am so glad I went with my gut because the finished record is beyond what I had imagined”

This World Turns will be released on digital, CD and Vinyl via Kozmik Artifactz this summer.

“This World Turns” is available as a FREE DOWNLOAD single from the band’s Bandcamp page, follow the link below to download today:

https://hairofthedog.bandcamp.com/track/this-world-turns

Track Listing
1. This World Turns
2. Keeping Watch Over The Night
3. Ctrl-Alt-Delete
4. The Colours in Her Skin
5. In Death’s Hands
6. 4AM

https://hairofthedog.bandcamp.com/
https://www.facebook.com/hairofthedoguk/
https://www.youtube.com/edit?o=U&video_id=ocBdl3CSRvA
https://www.instagram.com/hairofthedog_uk/

Hair of the Dog, “This World Turns”

Tags: , , , , , ,

The Cosmic Dead to Release Psych is Dead April 21

Posted in Whathaveyou on March 3rd, 2017 by JJ Koczan

the cosmic dead

Glaswegian heavy psych jammers The Cosmic Dead will release their new album, Psych is Dead, on April 21 through Riot Season Records. It’s a pretty bold declaration for a band to make, particularly a band who are so, you know, psych, but they’d probably know better than most as to the life-status. Dead or alive, one imagines the three extended tracks Psych is Dead will follow suit with the band’s past work in being soaked in lysergic vibes, and if there is indeed a radical turn to be found, it will be duly weird one way or another. You can see the limited CD and vinyl editions below, and it seems like a pretty safe bet they’ll go shortly after their release, if not before it.

Which I suppose would be an argument for psych being alive. Funny how that works.

Riot Season sent the following down the PR wire, tour dates included:

the-cosmic-dead-psych-is-dead

The Cosmic Dead New Album // 2017 Spring Euro Tour

‘Psych Is Dead’ is the sixth full length album from the band, the glowing embers of a a few days spent recording in a sweaty Sardinian kitchen overlooking the Mediterranean Sea. Soon to be available on LP and CD via Riot Season Records, ‘Psych Is Dead’ is an aural exploration of their tumultuous universe.

Formed in 2010, The Cosmic Dead are a quartet from Glasgow, Scotland who share their music through good vibes and better vibrations. Known for their improv, chaos strewn, Buckfast smashed against the wall take on space music, they have roamed from Roadburn to Las Vegas, Dundee to Bangalore with each album offering a meditative window into a certain time and space.

The album will be coming out on CD (Digipack 500 copies) and two vinyl editions. The main vinyl release will be a white vinyl edition limited to 700 copies for the world. Along with that will be a mail order only edition of 300 copies pressed on swanky silver vinyl via the webshop and bandcamp site. Full details on preorders and all that stuff will follow soon.

artist: THE COSMIC DEAD
title: ‘Psych Is Dead’
catalogue # REPOSELP420/REPOSECD420
format: Vinyl LP & CD
label: Riot Season
release date: April 21st 2017

Tracklisting
A. Nuraghe (21:54)
B1. Psych Is Dead (8:23)
B2. #FW (15: 28)

The band will be embarking on a selection of dates across Europe to celebrate the release

APRIL
22 UK – Liverpool – Wrong Fest
23 UK – Prestatyn – Safe As Milk
25 BE – Brussels – Magasin 4
27 DE – Dresden – Sabotage
28 PL – Warsaw – Klub Hydrozagadka
30 DE – Berlin – Deserfest

MAY
02 DK – Copenhagen – KB18
03 SE – Malmo – Plan B
04 SE – Stockholm – Obaren
05 SE – Gothenburg – Truckstop
06 DK – Aalborg – 1000FRYD
07 DE – Kiel – Die Kieler Schaubude
09 DE – Leipzig – AKKO
10 AT – Vienna – Das Bach
11 HR – Zagreb – Vintage Bar
12 SI – LlubLjana – Klub Gromka
13 AT – Innsbruck – PMK
14 AT – Salzburg – Rockhouse
16 IT – Zero Branco – Altroquando
17 IT – Parma – Titty Twister
18 IT – Torino – Blah Blah
19 IT – Ravenna – Bronson
20 IT – Milano – Bloom
23 FR – Paris – Gibus
24 BE – Ghent – Psych9000 Fest
25 UK – Brighton – Green Door Store
27 UK – London – Raw Power Festival
28 UK – Leeds – Karma Fest

More dates TBC

https://www.facebook.com/events/1809616272695568/
https://thecosmicdead.bandcamp.com/
http://www.facebook.com/thecosmicdead
http://thecosmicdead.com/
http://www.riotseason.com
https://www.facebook.com/riotseasonrecords
https://twitter.com/riotseasonrecs

The Cosmic Dead, Psych is Dead album trailer

Tags: , , , , ,

Kurokuma and DVNE Announce UK Tour Dates

Posted in Whathaveyou on March 1st, 2017 by JJ Koczan

Next month, as the world turns its attention toward the coming onslaught of spring and summer festival season, UK sludgers Kurokuma and DVNE will head out together on a short round of dates to herald new releases. In the case of Kurokuma, it’s a single, a cover of Kraftwerk‘s “Radioactivity,” which I won’t even pretend to be familiar with, and for DVNE, it’s an impending full-length to follow-up on their 2014 two-songer, Aurora Majesty, and the preceding 2013 EP, Progenitor (review here). Bands, obviously, have toured for less reasonable causes.

As a side note, Kurokuma‘s Joe Allen was recently announced as having a new drone project with Jon Davis from Conan called DOS. Info is sparse as yet, but there’s a Thee Facebooks and that’s a place to start. Kurokuma also have a few killer live dates before the tour that you can see in the update below.

Dig it:

kurokuma-dvne-poster

Kurokuma and DVNE, two imposing figures in UK sludge join forces for five dates in April this year. The trail starts off with two dates in Scotland before rolling down to England for three shows there.

DVNE will be playing tracks from their upcoming album, Asheran, which will see the light of day this summer – the band’s first release since 2014’s Aurora Majesty.

Kurokuma’s next output is set to be a prodigious cover of Kraftwerk’s “Radioactivity” along with fitting visuals. Kurokuma will also feature heavily in the upcoming documentary on UK doom, The Doom Doc (www.facebook.com/thedoomdoc).

Kurokuma & DVNE UK tour:
Friday 14th April – Musical Vision, Aberdeen (w/ Death Watch)
https://www.facebook.com/events/773008732850857/
Saturday 15th April – Bannerman’s, Edinburgh (w/ Seas, Starry and Somaesthesia)
https://www.facebook.com/events/1427787527292620/
Friday 21st April – Pi Bar, Leicester (w/ Temple of Lies)
https://www.facebook.com/events/1852908281589863/
Saturday 22nd April – Doom Over Dewsbury all-dayer at The Old Turk, Dewsbury (w/ Foetal Juice, Battalions and more)
https://www.facebook.com/events/1314224735336355/
Sunday 23rd April – Stag and Hounds, Bristol (w/ Lacertilia and CTBKM)
https://www.facebook.com/events/651351828358443/

Kurokuma live dates:
Saturday 4th March – Star & Garter, Manchester supporting Slomatics
Friday 17th March – Plug, Sheffield supporting Crowbar
Friday 31st March – Chameleon Arts Cafe, Nottingham supporting Alunah
Saturday 8th April – Ritual Festival, Leeds w/ Ihsahn, Anaal Nathrakh, Bossk, Serpent Venom and more

www.facebook.com/kurokumauk
kurokumauk.bandcamp.com

www.facebook.com/dvneuk
songs-of-arrakis.bandcamp.com

Kurokuma, Advorsus (2016)

DVNE, Aurora Majesty (2014)

Tags: , , , , , ,

Hair of the Dog Talk New Album Recording and More; This World Turns out this Summer

Posted in Whathaveyou on January 4th, 2017 by JJ Koczan

Comprised of brothers Adam (guitar/vocals) and Jon Holt (drums) as well as Iain Thomson (bass), Edinburgh trio Hair of the Dog have set a Summer 2017 release for their third album, This World Turns. Set for issue through Kozmik Artifactz, it follows 2015’s The Siren’s Song and their 2014 self-titled and finds the three-piece working once again alongside engineer Graeme Young — if it ain’t broke — as well as with vocalist James Atkinson of UK heavy rock magnates Gentlemans Pistols, who came aboard to mix the tracks after meeting the band at Roadburn 2016 in the Netherlands.

It’s a bit of a story, and Adam Holt was kind enough to offer to tell it, as well as to grab some word from Atkinson about working with Hair of the Dog, and you’ll find all of that below, as well as a live clip for the title-track to This World Turns, about which I hope to have more as we get closer to the release.

Dig it:

hair of the dog

Hair of the Dog – This World Turns

Back in April 2016, we were honoured to be invited to play Roadburn Festival. Whilst there my fiancee and I had the opportunity to watch Gentlemans Pistols perform; a UK band I really dug, but had not yet managed to see live. On return to Scotland, I got chatting to James Atkinson (singer of GP) and mentioned that we were going to be recording a new album that summer and if he would be interested in taking a listen to our previous material to see if mixing the new record would be something he would be interested in — we were delighted when he keenly agreed.

I am a big fan of the Gentlemans Pistols album, “At Her Majesty’s Pleasure”, I loved the honest solid rock’n’roll sound captured on that record and to have someone like James, who is a true fan of the music and genre work with us, has been a huge privilege.

That summer, we re-entered Chamber Studios with Graeme Young who has worked with us on the recording of both previous albums, only this time around we sent the tracks to James where they have been being mixed.

“It’s an absolute pleasure to be working on the mix of the new Hair of the Dog album. When Adam asked me to work with the band, I was very keen as they have released some quality rock music and their last album, The Siren’s Song only served to increase the quality of the band’s output. After initially listening to the latest album, I am happy to confirm that the band have excelled themselves and have created a very cool, well crafted rock ‘n’ roll album that I’m very happy to be working on and I’m sure people will be excited to hear.” — James Atkinson.

On the 23rd of December we announced that our new album will be titled “This World Turns”. The album focuses around the theme of viewing the world through aged eyes. We’ve been playing for over 15 years now, and as such have grown from boys into men who now have our own young families to look after, this naturally causes anyone to pause and reflect on their life, and this album acts as an audible snapshot of that point in our collective lives. Musically, we have also grown, so “This World Turns” is a much more progressive album overall, with many more adventurous riffs packed into each track, and a stronger focus on musical dynamics and overall song direction, whilst still maintaining that classic Hair of the Dog sound that our fans have come to expect. One of the most notable differences from the last record to this record is a new found confidence in my own ability to sing, I think a lot of people will be surprised by the vocal range and styles that I explored on this record.

As well as teaming up with James, we will be reuniting with Dominic Sohor who created the phenomenal artwork for our last record, “The Siren’s Song.”

We are extremely proud of the record we have created and cannot wait for it to be released summer 2017 via our label, Kozmik Artifactz.

https://www.facebook.com/hairofthedoguk/
https://hairofthedog.bandcamp.com/
https://www.facebook.com/kozmikartifactz/
http://kozmik-artifactz.com/

Hair of the Dog, “This World Turns” live

Tags: , , , , , ,

Dead Otter Release Debut EP Pathfinder

Posted in Whathaveyou on November 2nd, 2016 by JJ Koczan

First of all, it’s not like Dead Otter are advocating for otter murder. They make a point to mention their otter-friendliness, but they never called themselves Kill Otters or something like that. Maybe bassist Gav Riddell had a pet otter at one point and it died and he decided to name the band in its honor. Or maybe Omar Aborida, who also plays in The Cosmic Dead, journeyed into the woods outside Glasgow — note: find out if there are woods outside Glasgow; don’t there have to be? — and made a special otter friend. I’m just saying, the name Dead Otter calls to mind a pretty gruesome image, roadkill and all that, but could be worse.

The Scottish four-piece’s debut EP, Pathfinder, builds off jammy impulses toward heavy psychedelic rock that retains an open feel — see “The Whangy,” which feels as much indebted tonally to Ween as Hendrix — and is available now to stream in full. You can see its flat-out amazing cover art below, and while I hope it gets pressed to CD for that alone, I wouldn’t mind a copy of these tracks for the archive either. Take a listen on the player below and you’ll hear why. Some potential here:

dead-otter-pathfinder-700

Dead Otter – Pathfinder

Dead Otter are an exploratory rock outfit based in Glasgow, crafting jams since rock music was invented in 1995. Influences range from such pre-95 heavyweights as Hawkwind to Gong, Black Sabbath, Captain Beyond, Led Zeppelin and The Sensational Alex Harvey band.

Over time the band has evolved into the current line up of John Riddell on Guitar and Vocals, Gav Riddell on Bass, Scott Falconer (Skeleton Gong, Los Destructos) on drums and Omar Aborida (The Cosmic Dead) on Guitar. This line up has just released a selection of Otter classics (Pathfinder EP) and are looking to follow up with a full length LP in 2017.

PS. Also should be noted that we’re 100% Otter friendly

Dead Otter, Pathfinder tracklist:
1. Stoner Devil 06:24
2. Open my eyes.. seen enough now 06:49
3. The Whangy 03:07
4. Pathfinder 07:53

Band Members:
John Riddell – Guitar / Vocals
Gav Riddell – Bass
Scott Falconer – Drums
Omar Aborida – Guitar

https://www.facebook.com/deadotterband/
https://dead-otter.bandcamp.com/releases

Tags: , , , , ,

Headless Kross to Release Projections I Nov. 18

Posted in Whathaveyou on September 15th, 2016 by JJ Koczan

headless-kross

Heavy heavy heavy heavy heavy. You got another word — or five? — for Headless Kross? Dig into the leadoff track from their new album, Projections I, and see what comes to mind first. The record is the beginning of a trilogy according to the PR wire, and in part to herald its coming, they’ve made their 2015 release, Volumes (discussed here), available as a free download. So that’s nice. If you didn’t hear that record, once you get a handle on “…Does Not Equal Time,” by all means, take that one on. I doubt you’ll regret spending the time and complete lack of money.

Projections I is out Nov. 18 on At War with False Noise. Info follows:

headless-kross-projections-i

Scottish Doomsters HEADLESS KROSS Announce New Album ‘Projections 1’

Projections 1 first part in a trilogy of albums

Within the realms of extreme music, there are paths few bands dare to tread, masochistic auditory experiences enjoyed by a select few, feared and misunderstood by many. Glasgow’s HEADLESS KROSS are terrifying, dishing out grim music that’s an exercise in primeval tension and paranoia. Their forthcoming offering Projections I is released on November 18th via At War With False Noise.

Ahead of their release the band have debuted their track …Does Not Equal Time for listening. Check it out here: https://headlesskross.bandcamp.com/album/projections-i and have made their 2015 album Volumes available for free (grab it here).

Comments Vocalist/Bassist Derek Sexton: “Projections I is the first in a trilogy of albums whose fractured narrative examines this distorted yet strangely cyclical world we live in through equally distorted yet strangely cyclical psychedelic doom. We recorded it as part of a psychogeographical experiment in which we conducted a series of field recordings in various ritualistic areas of Glasgow and we feel we are embracing an increasingly polarised sound – the riffs are heavier, the monolithic groove is catchier, the freak-outs are space-ier and the fragmented lyrics descend into an infinite regress as time seems to collapse in upon itself.”

Recorded and mixed by the band themselves at guitarist Tommy Duffin’s own 16 Ohm Studio in Glasgow and mastered by James Plotkin (Khanate, Isis, Conan, Palms), the result is a menacing album that embodies avant-garde invention and unstoppable aggressive creativity throughout. Envisaged as the first part of a trilogy, this new record sees HEADLESS KROSS heading toward further extremes – heavy bits are heavier, trance-y bits are tranc-ier, this is a band that has honed its sound to vicious effect. The album’s four songs explore ideas related to projectivism, psychogeography and psychochronography. These growing obsessions were reflected in the very recording process of the album, which included a ritualistic tour of various significant areas of Glasgow to both gather field recordings, and map out an altar of sorts across the city, upon which the album could be created.

Having perfected their grippingly bleak and abrasive sound on stages across the country with bands such as Slomatics, Conan, Bast, Jucifer, Samothrace, Inter Arma, Orange Goblin and Ufomammut to name a few, the new year will see the band touring the length and breadth of the UK in support of their trilogy of releases, with parts 2 and 3 being released within the next 12 months.

Projections I will be released on November 18 via At War With False Noise.

Projections I track listing:
1: …Does Not Equal Time
2: Practical Mental Effects
3: Church of the Fifth Season
4: The Map is Not the Territory

https://www.facebook.com/headlesskross/
http://headlesskross.bandcamp.com/
http://www.atwarwithfalsenoise.com/

Headless Kross, “…Does Not Equal Time”

Tags: , , , , ,