Quarterly Review: Saviours, Dave Heumann, The Dead Nobodies, Old Man Lizard, Kalamata, Unimother 27, Electric Magma, Mane of the Cur, Major Kong, Hellhookah

Posted in Reviews on January 7th, 2016 by JJ Koczan

the obelisk quarterly review winter

This, I suppose, is where things get interesting. As I normally would’ve been putting these reviews together, my laptop decided it had apparently had too much of riffs and decided to unceremoniously shit the bed. Naturally, this is a bummer of considerable proportion. As to what it means to the rest of this Quarterly Review, I guess we’ll find out over the next two days. For now I’m using an old machine of The Patient Mrs.‘ which, among other charms, has no battery in it and can only run when plugged in. Hope that cable doesn’t come loose. A goodly portion of the music I was going to review in this and tomorrow’s batch, of course, is on my busted, hopefully-soon-to-be-repaired laptop, but with Bandcamps and the fact that it’s not my first time hearing any of these records, I should be able to get by. Still, an element of adventure. Unexpected and shitty. Whether it’s repair or replace, I do not anticipate it will be a cheap fix, so I’ll relieve stress the best way I know how, which is by reviewing 10 albums in a row.

Quarterly Review #31-40:

Saviours, Palace of Vision

saviours-palace-of-vision

Strange to think of the decade that has passed since Oakland dual-guitar four-piece Saviours offered up their first EP, Warship, and yet it’s difficult to imagine the sphere of underground heavy rock without them. Particularly on the West Coast, their skate-thrash-meets-thick-grooves has had a marked influence, and their fifth full-length, 2015’s Palace of Vision (also their debut on Listenable Records), affirms their hard-driving take on classic metal even as “Flesh of Fire” and “Cursed Night” show an acute melodic awareness, the latter in doom-caked guitars and a rolling groove that, for many bands, would be enough to base their entire sound. For Saviours, it answers the gallop of the prior “The Beast Remains” and precedes 6:38 closer “The Seeker,” a vast departure from how raw they once were, but another example of the righteousness that has held steady throughout their growth. They’re an easy band to take for granted, mostly because they’re so damn reliable.

Saviours on Thee Facebooks

Listenable Records

Dave Heumann, Here in the Deep

dave heumann here in the deep

The solo debut from underrated vocalist/guitarist Dave Heumann from likewise underrated Baltimore fuzz-folkers Arbouretum, Here in the Deep (on Thrill Jockey) basks in a glow of ’70s singer-songwriter intent, but tends to surprise with just how much is going on at any given moment. A solo album in name, it’s by no means minimal, even though it sometimes veers into guy-and-guitar methods, as on the sweet instrumental “Leaves Underfoot.” Elsewhere, arrangements of strings, drums, acoustic and electric guitars create a rich variety of mood and depth of mix, wistful on “Ides of Summer” and “Here in the Deep,” joyous on “Greenwood Side” and the pointedly psych-folk “Holly King on a Hill.” The seven-minute penultimate “Ends of the Earth” is as close as Heumann – who’s joined by a swath of players throughout, including the rest of Arbouretum on this track – comes to his main outfit stylistically, but by then the context is so much Here in the Deep‘s own and between that and the sonic clarity permeated all the while, it just becomes one more turn on an album that makes difficult ones seem effortless. Heumann remains a more accomplished songwriter than people know.

Dave Heumann on Thee Facebooks

Thrill Jockey Records

The Dead Nobodies, The Wake

the dead nobodies the wake

Between their underlying currents of grunge in the guitar, metal in the drums and an air of Foo Fighters in the vocals (“Blues in You”), Massachusetts trio The Dead Nobodies are up front about their ’90s influence. The 10-track, Tad Doyle-mixed/mastered The Wake is their third album behind 2014’s Return of the Tide and 2012’s Ride in with Death, and some of the material has been released by the band before on demos and other short offerings. Still, there’s an air of cohesion to the melodies that surface in “Somatic Complaints,” “Pancakes” and the later “Joel Returns.” Self-released on CD, the album eschews the trappings of genre – or at least of subgenre – for the most part and takes a more overarching approach to not-quite-metal, but what they’re doing seems to work for them, so I’m not inclined to argue. More hard rock than heavy rock for those inclined to split hairs, but accessible enough anyway.

The Dead Nobodies on Thee Facebooks

The Dead Nobodies on Bandcamp

Old Man Lizard, Old Man Lizard

old man lizard old man lizard

Making their debut on Heavy Psych Sounds, UK-based Old Man Lizard revisit a 2012 EP with what’s become their self-titled sophomore full-length. All the tracks from that five-song outing are included here, the order adjusted, and two more are added on in the closing duo “Craniopagus Parasiticus” and “A Gruesome Mess,” and what I don’t know is if the entire album was re-recorded, or it’s the old recording with two new songs tacked on, or all of it was recorded prior to the release of Old Man Lizard‘s 2014 debut LP, Lone Wolf vs. Brown Bear. It matters mostly because Old Man Lizard is good, and it’s a question of which came first to see how their progression is playing out, whether the techishred of “El Doctor” is the latest step or a first. Either way, the band skillfully brings together twanging riffs, neo-prog post-Mastodon crush and a swing that brings to mind the scope of Elder circa Dead Roots Stirring, sounding even more patient on the aforementioned “Craniopagus Parasiticus” than anything before it. If I continue to have questions about the release, the quality isn’t one of them.

Old Man Lizard on Thee Facebooks

Heavy Psych Sounds

Kalamata, You

kalamata you

An instrumental three-piece based in Hildesheim, Germany, Kalamata make their message pretty plain in the seven tracks of their debut album, You (originally released in 2014, with vinyl new from Pink Tank Records), which line up to form the sentence, “You have to die soon mother fucker.” The music is somewhat less aggressive, Peter Jaun leading the trio with open-spaced riffs as Maik Blümke fills those spaces — see “Have” — with an engaging rumble and drummer Olly Opitz holds tension until the gradual payoff hits. Never an easy thing for a band whose sound is by necessity based on dynamic to make a debut, but Kalamata pull off You without a second thought, making the centerpiece, “Die,” a highlight of classic semi-desert heavy rock that unfolds a patient linear build that leaves closer “Fucker” the task of rolling out the record’s largest nod. No doubt this material would make more of an impact live, but particularly on repeat listens, the depth of tone comes across well and the trio match their aggression to a crisp delivery.

Kalamata on Thee Facebooks

Pink Tank Records

Unimother 27, Frozen Information

unimother 27 frozen information

Italy’s futuristically named Unimother 27 – which sounds like the futurebot that raised some dystopian antihero protagonist of a novel/film franchise; I’m sure it’s a reference I’m too ignorant to know – is populated only by multi-instrumentalist and sometimes-vocalist Piero Ranalli. Ranalli, who also plays bass in Insider with his brother, Marco, progs out hard on the solo-project’s fourth full-length and first in eight years, Frozen Information (on Pineal Gland Lab). One expects a certain amount of indulgence on an album of keyboard-laden krautrock explorations, and “Clear Light Healing” certainly delivers on that, but from the opening “Moksha (to Huxley)” through the closing pair of “Hymn to the Hidden God” and “Brief Moments of Eternity,” which features an extended if vague spoken word from Ranalli, Frozen Information remains immersive and, with its quiet, maybe-programmed drums, hypnotic across its span. It is enduringly and endearingly weird, and experimental in a genuine way that most could only hope to be.

Unimother 27 on Thee Facebooks

Pineal Gland Lab

Electric Magma, Silverball

electric magma silverball

The wah that shows up in the second half of “Tad” on Toronto instrumental trio Electric Magma‘s seventh full-length, Silverball, has a distinct mark of Clutchitude to it, but the band owe more to the Fu Manchu pastiche of trad heavy fuzz. Karma to Burn are a name that comes to mind out of necessity more than direct comparison, but the three-piece of guitarist Tim Reesor, drummer Neil Lukewich-Pheaton and bassist Tryg Smith aren’t quite so straightforward, “The Oscillator” tossing a Sleep-style riff into its middle and the later “Sidebar” finding itself on funkier ground altogether. The eight-track/32-minute release seems to set pinball as its central theme, starting with the intro “Silverball” and ending with the harmonica’d “Multiball,” but more than that, they’re preaching a riff-led gospel that the converted should have no trouble getting on board with, the band putting up no pretenses as to doing anything more than having a good time.

Electric Magma on Thee Facebooks

Electric Magma website

Mane of the Cur, Three of Cups

mane-of-the-cur-three-of-cups

Portland, Oregon’s Mane of the Cur would seem to be making a reboot with the three-song Three of Cups EP, some shuffling of lineup establishing them as vocalist Melynda Amann, guitarist Shawn Mentzer, bassist Cory DeCaire, keyboardist “Nasty” Nate Baisch and drummer Blaine Burnham (ex-Lamprey). The five-piece outfit are quick to establish themselves somewhere between classic doom and cult rock, but while Three of Cups doesn’t have the most elaborate production I’ve heard this week, it seems to avoid a lot of the ’70s traditionalism that much of the style embraces so wholeheartedly. That’s not to say the gradually-deconstructed “Kiss of Neptune,” the lightly progressive “Prehistoric Bitch” and the noddingly ethereal “Foolish are Magic” don’t sound natural, just that they don’t sound like it’s 1972. This is to their credit, ultimately, since it only helps Three of Cups give a more individual impression overall, which can’t hurt leading to whatever the band decides to do next.

Mane of the Cur on Thee Facebooks

Mane of the Cur on Bandcamp

Major Kong, Galactic Cannibalism

major-kong-galactic-cannibalism

Polish instrumentalists Major Kong oversaw a vinyl release of their 2012 debut, Doom for the Black Sun (review here), in 2014 on Transubstans, but they’re once again working under their own banner for the four-song Galactic Cannibalism, a 24-minute (or thereabouts) riffpusher that’s set its controls for the heart of oblivion and is happy to tone-crush anything in its path. Guitarist Misiek, bassist Domel and drummer Bolek also released a split with Dopelord in 2015 on which the EP’s closer, “Magnetar,” also appeared, but Galactic Cannibalism has them all on their own, and unsurprisingly they nail it. They’re not doing anything outlandish stylistically, but they effectively conjure and capture big riffs and big nod, varying pace between “Supercluster,” “Diabolic Mind Control” and the mega-chugging “Morlock” to give a sense of flow, but keeping in mind the next plus-sized groove, which seems always to be right around the corner. With two full-lengths out, I’m a little surprised they went for a shorter release rather than a third album, but they make it hard to argue.

Major Kong on Thee Facebooks

Major Kong on Bandcamp

Hellhookah, Endless Serpents

hellhookah endless serpents

Lithuanian two-piece Hellhookah make their debut with the full-length Endless Serpents, a seven-track/35-minute collection of tracks that’s shy neither about showcasing its influences — it caps with a cover of Saint Vitus’ “Born too Late,” for example — nor about rolling molasses-thick grooves one into the next. Recording as guitarist/bassist/vocalist Arnas and drummer Gintare, they meter out dense tonality and traditional formulations in the mission-setting title-track, which follows the somewhat quicker opener “A Storm in the Hidden World.” Rhythmically, they add some shuffle to “No Brakes,” “The Overman’s Eye” and even the midsection of “The Way,” which is the longest cut here at 6:34 and presumably the end of what would be a vinyl side A, but the core sensibility and atmosphere of doom is maintained throughout, and as the instrumental “Free Fall” leads into that aforementioned take on “Born too Late,” there’s no doubt as to where Hellhookah’s heart lies. Formative and raw it may be, but Endless Serpents hits its marks as the beginning of the band’s progression.

Hellhookah on Thee Facebooks

Hellhookah on Bandcamp

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Saviours on Tour Now with C.O.C., Brant Bjork and Mothership

Posted in Whathaveyou on November 18th, 2015 by JJ Koczan

saviours (Photo by Rick Rodney)

I said at some point after all this madness began that I would probably be posting the same tour dates from the four different perspectives of the four bands involved, and as of this post, I’ve done just that. First was Corrosion of Conformity (posted here), then came Brant Bjork (posted here), the Mothership (posted here), and now Saviours. Think maybe I’m trying to get the point across that this tour is fucking awesome? Yeah, maybe.

As fate would have it, the run is underway now. Saviours are on it supporting their new album, Palace of Vision (review forthcoming), which is out on Listenable Records. They have a couple off-night headlining gigs booked as well, and more dates after the Monsters of Riff is done, so as you peruse the PR wire info below, don’t expect just the same old list.

Dig it:

look at this frickin tour

SAVIOURS: North American Tour With Corrosion Of Conformity Underway

Still building upon the foundation that Black Sabbath, Iron Maiden, Thin Lizzy and Motörhead laid decades prior, California volume abusers, SAVIOURS, enters their second decade in a new partnership with Listenable Records and their long anticipated new full-length, Palace Of Vision.

Rooted in hardcore punk but preferring to cruise in outer space, SAVIOURS have always brought an infectious swing and swagger to their forward-charging heavy metal. The band melds the prime tenets of the New Wave Of British Heavy Metal, progressive rock, and proto-doom, and delivers it all with a snarling, West Coast hardcore edge. The result is a rugged beast of a sound that is singularly SAVIOURS.

Palace Of Vision is the band’s first proper full-length in four years and picks up where the molten manifestations of 2011’s Death’s Procession left off, spewing forth nine fiery tracks of towering riffs, monolithic rhythms, infectious guitar harmonies and an obsession with the end of times, the occult, psychedelics and the arcane. From fast-paced road ragers to lumbering doom pounders, SAVIOURS’ Palace Of Vision is perpetually hell-bent on taking listeners away to an entirely new dimension of volume abuse.

Following the release of Palace Of Vision, SAVIOURS will kick off a North American Fall tour supporting Corrosion Of Conformity and Brant Bjork And The Low Desert Punk Band. The trek will commence on November 16th and run through December 10th with additional support provided by Mothership. From there the band will level ten more stages from December 11th to December 20th to close out the year.

SAVIOURS w/ Corrosion Of Conformity, Brant Bjork And The Low Desert Punk Band, Mothership:
11/18/2015 Slim’s – San Francisco, CA
11/19/2015 High Water Marl – Portland, OR * SAVIOURS only
11/20/2015 Venue Nightclub – Vancouver, BC
11/21/2015 Neumo’s – Seattle, WA
11/23/2015 The Summit Music Hall – Denver, CO
11/24/2015 The Riot Room – Kansas City, MO
11/25/2015 Mill City Nights – Minneapolis, MN
11/27/2015 Rtr 20 – Racine, WI
11/28/2015 The Odeon – Cleveland, OH
11/29/2015 Underground Arts – Philadelphia, PA
11/30/2015 Firehouse Saloon – Rochester, NY * SAVIOURS only
12/01/2015 Opera House – Toronto, ON
12/02/2015 Machine Shop – Flint, MI
12/03/2015 Altar Bar – Pittsburgh, PA
12/04/2015 Gramercy Theater – New York, NY
12/05/2015 Brighton Music Hall – Allston, MA
12/07/2015 9:30 Club – Washington, DC
12/08/2015 Orange Peel – Asheville, NC
12/09/2015 Shaka’s Live – Virginia Beach, VA
12/10/2015 Lincoln Theatre – Raleigh, NC

SAVIOURS Headlining Dates:
12/11/2015 The 529 – Atlanta, GA
12/12/2015 The Nick – Birmingham, AL
12/13/2015 Siberia – New Orleans, OR
12/14/2015 Boondocks – Houston, TX
12/15/2015 611 E. 7th – Austin, TX
12/16/2015 Three Links – Dallas, TX
12/18/2015 Launchpad – Albuquerque, NM
12/19/2015 Flycatcher – Tucson, AZ
12/20/2015 All Star Lanes – Los Angeles, CA

Since the 2005 release of their debut EP, Warship, SAVIOURS has worked relentlessly, touring North America, Europe, and Japan with the likes of Mastodon, Corrosion Of Conformity, The Sword, High On Fire, Saint Vitus and Clutch. In just a few short years, SAVIOURS had risen to become stalwarts of the world’s metal scene, ambassadors of an aggressive-yet-stoned West Coast vibe, inspired by the ‘70s but totally real and relevant in 2015.

Palace Of Vision was captured at Type Foundry in Portland, Oregon with Billy Anderson (Neurosis, Brothers Of The Sonic Cloth, Eyehategod, Taurus, Ommadon etc.) and comes sheathed in the fittingly dark, intricately transfixing cover renderings of Derrick Snodgrass (Obliterations, Lecherous Gaze).

http://www.facebook.com/Saviours
http://www.killforsaviours.blogspot.com
http://www.saviours.bandcamp.com
http://www.facebook.com/listenablerecs
http://www.listenable.net

Saviours, “Palace of Vision”

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audiObelisk Transmission 053

Posted in Podcasts on October 19th, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

Yeah, it hasn’t been that long since the last podcast, I know, but my thinking on it was like this: Doesn’t matter. First off, not like anybody’s keeping tabs to see how long it’s been between one and the next. Second, I had the time to do it and I never really know these days when that’s going to happen, so I figured better to take advantage while I could. Third, screw it, it’s music. Who’s gonna complain?

I won’t say I never know what to expect when I put a podcast together like this, but sometimes these things take unexpected turns, and that definitely happened this time. Things got pretty heavy, pretty quickly, and while there are a couple sharp cuts between sounds, I kind of wanted to make that happen to offset how far things got. Noisy, thrashy, doomy, and that’s really all in the first hour, because in the second, it’s pretty much all space. I very much enjoy the second-hour-is-psych-as-hell thing, and I gotta say, this might be the best one I’ve arranged. I’m willing to wager that as you make your way through you won’t be able to tell where one song ends and the next one starts without looking at the time stamps below. Obviously, that’s the whole idea.

Enjoy:

First Hour:
0:00:00 Gentlemans Pistols, “Time Wasters” from Hustler’s Row
0:05:46 Irata, “March by Tens” from Sweet Loris
0:10:25 Skraeckoedlan, “Gigantos” from Sagor
0:17:47 Tombstones, “Barren Fields” from Vargariis
0:27:05 With the Dead, “Crown of Burning Stars” from With the Dead
0:33:23 All Them Witches, “Open Passageways” from Dying Surfer Meets His Maker
0:36:35 Vhöl, “Red Chaos” from Deeper than Sky
0:41:37 Saviours, “Hell’s Floor” from Palace of Vision
0:45:49 Jess and the Ancient Ones, “In Levitating Secret Dreams” from Second Psychedelic Coming: The Aquarius Tapes
0:49:01 King Dead, “The Firmament of Heaven Opened, and the Flood Waters Were upon Them,” from Woe and Judgment
0:57:35 Dave Heumann, “Switchback” from Here in the Deep

Second Hour:
1:01:26 Mammatus, “Sparkling Waters Pt. One” from Sparkling Waters
1:23:19 Valley, “Picture Puzzle Pattern Door” from Sunburst
1:33:16 Humulus, “Red Star, Winter Orbit” from Electric Walrus
1:44:29 Shabda, “Pharmakos” from Pharmakon/Pharmakos

Total running time: 2:04:54

 

Thank you for listening.

Download audiObelisk Transmission 053

 

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Corrosion of Conformity Announce Tour Dates with Brant Bjork, Saviours and Mothership

Posted in Whathaveyou on September 16th, 2015 by JJ Koczan

corrosion of conformity (Photo by Tsetsos)

Already on tour this Fall with Clutch, the semi-reunited four-piece incarnation of Corrosion of Conformity have announced a run of headlining dates to follow that as they continue to mark 20 years since the release of their 1995 classic, Deliverance. At this point, aside from wanting very, very badly to see them play again, I’m curious to find out if C.O.C. will do another record with Pepper Keenan on guitar/vocals alongside bassist/vocalist Mike Dean, guitarist Woody Weatherman and drummer Reed Mullin, or if it’s just going to be live shows from here on out. Rumblings and rumors have been heard, pull quotes from interviews and so on, but that’s a far cry from a release date, and when and if it does happen, new C.O.C. is going to be a landmark.

Already it’s been a decade since the underrated In the Arms of God, which was their last album with Keenan as frontman, the band releasing a self-titled in 2012 and IX in 2014 as a trio on Candlelight Records, so you’d have to say they’re due. Support on this tour comes from Brant Bjork and the Low Desert Punk BandSaviours and Mothership, all of which only makes it more badass.

Dates follow:

UPDATE 9/16: I’m not sure what’s going on with this tour as some of the dates have disappeared from what’s on the poster below. The most recently-posted list of tour dates appears in blue:

UPDATE ON THE UPDATE: Okay, so it looks like the shows will go down as seen in the flyer below. Something about contracts and what was supposed to be announced and what wasn’t. I’m gonna keep the list of dates in blue as it is, and if your town’s not on there, check the flyer and maybe it’s there and the rest will work out as it will. Fun afternoon though:

coc tour

C.O.C. US TOUR DATES 2015:
Mon/Sep-28th Motörhead’s MotörBoat
CLUTCH AND C.O.C.
Sat/Oct-03 Ft. Lauderdale, FL @ Revolution
Sun/Oct-04 St Petersburg, FL @ Jannus Live
Tue/Oct-06 Nashville, TN @ Marathon Music Works
Wed/Oct-07 Charlotte, NC @ Amos’ Southend
Fri/Oct-09 Hampton Beach, NH @ Hampton Beach Casino
Sat/Oct-10 Clifton Park, NY @ Upstate Concert Hall
Sun/Oct-11 New Haven, CT @ Toad’s Place
Tue/Oct-13 Indianapolis, IN @ The Vogue
Wed/Oct-14 Chicago, IL @ House Of Blues
Thu/Oct-15 Grand Rapids, MI @ Orbit Room
Fri/Oct-16 Sauget, IL @ Pop’s Nightclub
Sat/Oct-17 Lincoln, NE @ Bourbon Theatre
Sun/Oct-18 Fargo, ND @ Scheels Arena
Tue/Oct-20 Billings, MT @ Shrine Auditorium
Thu/Oct-22 Spokane, WA @ Knitting Factory Concert House
Fri/Oct-23 Boise, ID @ Knitting Factory Concert House
SatOct-24 KNOTFEST
Sun/Oct-25 COC Headline show Las Vegas @ Vinyl Hard Rock
CLUTCH, MASTODON, CORROSION OF CONFORMITY:
Mon/Oct-26 Tucson, AZ @ Rialto Theatre
Wed/Oct-28 Austin, TX @ Austin Music Hall
Thu/Oct-29 Dallas, TX @ Gas Monkey Live
Fri/Oct-30 Houston, TX @ Bayou Music Center
MASTODON, CORROSION OF CONFORMITY:
Sat/Oct-31 New Orleans, LA @ Civic Theatre
Sun/Nov-01 Birmingham @Iron City
HEADLINE DATES
Thu/Nov-12 Atlanta, GA @ The Loft
Fri/Nov-13 Shreveport, LA @ Riverside Warehouse
Mon/Nov-16 Scottsdale, AZ @ Pub Rock
Tue/Nov-17 Los Angeles, CA @ Teragram Ballroom
Wed/Nov-18 San Francisco, CA @ Slim’s
Fri/Nov-20 Vancouver, BC @ Venue Nightclub
Sat/Nov-21 Seattle, WA @ Neumo’s
Mon/Nov-23 Denver, CO @ The Summit Music Hall
Tue/Nov-24 Kansas City, MO @ The Riot Room
Wed/Nov-25 Minneapolis, MN @ Mill City Nights
Sat/Nov-28 Cleveland, OH @ The Odeon
Sun/Nov-29 Philadelphia, PA @ Underground Arts
Tue/Dec-01 Toronto, ON @ Opera House
Thu/Dec-03 Pittsburgh, PA @ Altar Bar
Mon/Dec-07 Washington, DC @ 9:30 Club
Wed/Dec-09 Virginia Beach, VA @ Shaka’s Live
Thu/Dec-10 Raleigh, NC @ Lincoln Theatre

https://www.facebook.com/corrosionofconformity/
http://www.coc.com/

C.O.C., “Seven Days” Live at Roskilde 2015

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Saviours Announce Palace of Vision for Oct. 30 Release

Posted in Whathaveyou on August 31st, 2015 by JJ Koczan

Here’s one to fry your friggin’ brains: Saviours released their Warship EP a decade ago. 2005. In fact, the upcoming Palace of Vision, which also serves as their debut on Listenable Records after a long stint on Kemado, will be their fifth full-length album. Also their first in four years, but five records in a decade — actually nine years, as their debut LP, Crucifire, arrived in 2006 — is still a more than solid track record, and while I think the Oakland, CA, heavy thrash rockers remain a somewhat underrated entity on the East Coast, their material has remained consistent in its level of impact over that span, growing more complex without giving up its hard-hitting feel.

Their newly-unveiled “Burning Shrine” is the centerpiece of the Billy Anderson-recorded Palace of Vision, so presumably it will give a decent sense of where Saviours are a decade later. Release date for the album is Oct. 30.

From the PR wire:

saviours palace of vision

SAVIOURS To Release Palace Of Vision Full-Length This October Via Listenable Records

This Fall, California metallers, SAVIOURS, will drop the molten fruits of their new full-length this Fall via a new partnership with France’s Listenable Records. Titled Palace Of Vision, their first full-length in four years was captured at Type Foundry in Portland, Oregon with the inimitable Billy Anderson (Neurosis, Brothers Of The Sonic Cloth, Eyehategod, Taurus, Ommadon etc.) and boasts nine tracks of SAVIOURS’ signature brand of towering riffs, colossal rhythms, infectious guitar harmonies and an obsession with the end of times, the occult, psychedelics and the arcane. “It’s a natural and logical continuation of where we left off with [2011’s] Death’s Procession,” said drummer Scott Batiste of the offering. “There are some doomy crushers and faster ragers.” As an added bonus, the record comes sheathed in the fittingly dark, intricately transfixing cover renderings of Derrick Snodgrass (Obliterations, Lecherous Gaze).

Palace Of Vision Track Listing:
1. The Mountain
2. Flesh Of Fire
3. Devil’s Crown
4. Palace Of Vision
5. Burning Shrine
6. Hell’s Floor
7. The Beast Remains
8. Cursed Night
9. The Seeker

In related news, SAVIOURS will bring their riffs to the stage with a pair of east coast/west coast fest performances with additional live incursions to be announced in the coming weeks.

SAVIOURS:
9/05/2015 Cosmic Sonic Rendezvous Festival @ The Wick – Brooklyn, NY
11/1/3015 Day Of The Shred Festival @ The Observatory – Santa Ana, CA

Still building upon the foundation that Black Sabbath, Iron Maiden, Thin Lizzy and Motörhead laid, SAVIOURS enters their second decade in a new partnership with French label Listenable Records. Rooted in hardcore punk but preferring to cruise in outer space, the lysergic of SAVIOURS hessians have always brought a ton of swing and swagger to their forward-charging heavy metal. The band melds sounds from the New Wave Of British Heavy Metal, progressive rock, and proto-doom, and delivers it all with a snarling West Coast hardcore edge. The result is an absolute beast of a sound that is all SAVIOURS’ own.

Since the 2005 release of SAVIOURS’ debut EP, Warship, the band has worked relentlessly, touring North America, Europe, and Japan with the likes of Mastodon, Corrosion Of Conformity, The Sword, High On Fire, Saint Vitus and Clutch. In a few short years, SAVIOURS have risen to become stalwarts of the world’s metal scene, ambassadors of an aggressive-yet-stoned West Coast vibe, inspired by the ’70s but totally real and relevant in 2015.

SAVIOURS:
Austin Barber – guitar, vocals
Sonny Reinhardt – guitar, vocals
Scott Batiste – drums
Andy Anderson – bass

Palace Of Vision will be released via Listenable Records on October 30th, 2015. Preorders to be unveiled in the coming weeks.

https://www.facebook.com/pages/Saviours/142771603462
http://www.killforsaviours.blogspot.com
http://www.saviours.bandcamp.com
http://www.facebook.com/listenablerecs
http://www.listenable.net

Saviours, “Burning Shrine”

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Lineup Announced for Cosmic Sonic Rendezvous; Saviours, Witch, The Skull and More to Play

Posted in Whathaveyou on August 17th, 2015 by JJ Koczan

Respected purveyor Tee Pee Records will host what they’ve dubbed the Cosmic Sonic Rendezvous on Sept. 5 and 6 at The Wick in Brooklyn. The two-day fest is headlined by Witch and Saviours, and will feature a pair of sets from The Bevis Frond as well as Tee Pee label-denizens CarouselMirror Queen and The Skull, as well as Brooklyn natives The Golden Grass and Boston’s Worshipper. Pretty badass to get The Bevis Frond over at all, so yeah, two sets makes sense, and it’s not like Witch play out every day, so mark it down as a win for brand extension and rock and roll in general.

This one doesn’t really need me to sell it. The PR wire brings details:

tee pee cosmic sonic rendezvous

TEE PEE RECORDS & THE WICK PRESENT: COSMIC SONIC RENDEZVOUS!

September 5th & 6th at The Wick in Brooklyn, N.Y.

Day 1: doors 6pm, show at 7pm. featuring SAVIOURS, THE SKULL, MIRROR QUEEN, THE BEVIS FROND
tickets: http://bit.ly/1KjuqRK

Day 2: doors 6pm, show at 7pm. featuring WITCH, CAROUSEL, THE BEVIS FROND, THE GOLDEN GRASS, WORSHIPPER
tickets: http://bit.ly/1Kjuv82

Welcome to the inaugural edition of Cosmic Sonic Rendezvous! Tee Pee Records has always been proud to offer a lovingly loud collection of the finest rock bands to the world, and it seemed only natural to create a unique event and annually bring together many of our favorites to New York City.

While most of the bands on the Tee Pee roster have a definite guitar-based sensibility, there is quite a range therein that we and the bands are constantly exploring. Fans of underground rock know that they are witnessing a contemporary explosion of creative bands purveying in everything from joyous riff-rock to full-on psych; from the heaviest doom to neo-thrash; from bands who nod to the occult to a new wave of space-rock to bands who hearken to the blues; etc, etc.

We hope you enjoy these two fantastic nights of music, comprised of bands both rising and those that are stalwarts. Some have albums out on Tee Pee, while others we gleefully listen across what is not a great divide. We feel they all represent what is at least one part of the underground rock ethos: you do it because you simply have to, and you love it loud.

See you there!

THE WICK
260 Meserole Street
Brooklyn, NY 11206

http://teepeerecords.com/
https://www.facebook.com/teepeerecords

Saviours, “Final Live” at the DNA Lounge, San Francisco, CA

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Wino Wednesday: Saviours & Wino, “Limb from Limb” (Motörhead Cover), Live in L.A., 2013

Posted in Bootleg Theater on July 29th, 2015 by JJ Koczan

happy wino wednesday

There has been a lot of quality video from this tour, which Wino undertook with Oakland, CA’s Saviours and Nick Oliveri after the three parties — Oliveri with his band Mondo Generator — opened for Clutch on their annual holiday run leading up to New Year’s 2013. It would also seem to have been the root of Wino‘s recent studio collaboration with Saviours (give me another week or two; we’ll get there) and for the advent of the yet-to-be-realized Royale Daemons collaboration with Oliveri, assuming that’s still a thing in the offing for somewhere down the line. Vague enough? Good.

Point is the tour-as-nexus also yielded much documentation, be it in full-set videos or clips of other on-stage jams between the various players. It must have been a good one, since nobody’s quite let it completely go. Fair enough to revisit, then, as we continue to wind down the Wino Wednesday feature on the march to number 200 in a few more weeks (this is #194, if you’re counting). This time around, it’s Wino and Saviours delivering a killer take on Motörhead‘s “Limb from Limb.”

The clip comes from Los Angeles, was filmed Jan. 11, 2013, at The Satellite, and even this wasn’t the first time Wino and Saviours had jamemd out — the band having brought the legendary frontman on stage at Scion Rock Fest in 2010 as well — but clearly by the time they got out to L.A., they were comfortable sharing a stage together. Of course, the song is the closing track from Motörhead‘s 1979 sophomore outing, Overkill, and it’s no less of a classic than that album as a whole, but Wino and Saviours give it its due, the former hanging onto the microphone in a manner that anyone who saw him with Saint Vitus over the last six years will likely recognize.

Hope you enjoy and have a great Wino Wednesday:

Saviours & Wino, “Overkill” Live in Los Angeles, Jan. 11, 2013

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Day of the Shred 2015 Announces Lineup

Posted in Whathaveyou on July 21st, 2015 by JJ Koczan

day of the shred banner

Thief Presents continues to throw down a gauntlet with its festivals. It seemed fair after so thoroughly upping the game earlier this year with Psycho CA that big things would be in store for that fest’s autumnal counterpart, the Day of the Shred, but when you come out of the gate like it’s no big deal and be like, “Oh hey Captain Beyond is playing our fest year whatever,” you’re officially killing it. You’ve got John Garcia, Yawning Man and Ides of Gemini together, which makes me wonder if Zun won’t make an appearance, and Spirit Caravan, Elder and Crowbar, along with a righteous ton of others, up to and including Portugal’s Black Bombaim. It gets a hearty and heartfelt fucking a.

Details from the PR wire:

day of the shred 2015

Day of the Shred Festival to Light Up Southern California November 1

Dia de los Muertos-themed Concert Event to Feature Performances from Captain Beyond, Spirit Caravan, Crowbar, John Garcia, Mondo Generator, Torche and More

This fall, The Day of the Shred Festival returns to Southern California, presenting a diverse lineup of heavy music acts. Billed as an experience “to gather the living and remember the dead”, The Day of the Shred will take place on November 1 (Dia de los Muertos) in Santa Ana, CA. Celebrating monolithic riffs, skateboarding and the souls of the departed, the second annual festival will be an all day, all ages event. Presented by Thief – also the creators of the annual Psycho California Festival — The Day of the Shred will feature headliners Captain Beyond, Spirit Caravan, Crowbar, Torche, John Garcia (of Kyuss fame), Elder, Saviours, Mondo Generator and more.

Tickets for the 2015 Day of the Shred Festival are on sale now at this location. Early bird general admission tickets are $59 (+ tax) and a limited VIP ticket package (which includes express entry, a signed festival screen print, access to the artist lounge, complimentary microbrew and snacks, a limited edition record bag and an exclusive Thief X Obey concert shirt) is also available.
What: Day of the Shred Fest 2015
Where: The Observatory, Santa Ana, CA
Time: 2PM – 2AM
Tickets: Eventbrite.com/e/day-of-the-shred-2015-tickets-17017683349

The just-announced lineup for The Day of the Shred 2015 is as follows:

CAPTAIN BEYOND
SPIRIT CARAVAN
CROWBAR
JOHN GARCIA
MONDO GENERATOR
TORCHE
ELDER
SAVIOURS
OXBOW
FULL OF HELL
THE BODY
YAWNING MAN
KOWLOON WALLED CITY
BLACK BOMBAIM
FIGHT AMP
THOU
NIGHT DEMON
IDES OF GEMINI
MOS GENERATOR
GREAT ELECTRIC QUEST
WHITE MANNA
POOBAH
COMMUNION
BLACKWITCH PUDDING
DUEL
Stay tuned in to The Day of the Shred Fest via the Facebook event page and follow THE DAY OF THE SHRED on social media:

https://www.facebook.com/dayoftheshred
https://twitter.com/thiefpresents
https://instagram.com/thiefpresents/
www.DayoftheShred.com

Weedeater, “Gimme Back My Bullets” Live at Day of the Shred 2014

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