Days of Rona: Luis Simões of Saturnia

Posted in Features on April 30th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Luis Simões of Saturnia

Days of Rona: (Lisboa, Portugal)

Eternity - http://www.hrkavarna.cz/?romeo-and-juliet-newspaper-article-homework-helps in Fairview Heights, reviews by real people. Yelp is a fun and easy way to find, recommend and talk about whats How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

I was already editing and pre-mixing the new Saturnia album for a couple of months, so, as that is something I do on my own from home and there were no plans to play live at all, Saturnia’s daily routine hasn’t really changed radically.

There is a certain irony as this new record is an outdoors album, I recorded most of it in the countryside earlier on; actually some of it was recorded outside under the trees, but i’m now working in lockdown regime.

I’ve been in contact with André Silva (drums) and everyone else involved with Saturnia and so far everyone is okay.

what should i do my college essay on Dissertation Construction Project Management how to write research questions for a dissertation homework help tudors What are the quarantine/isolation rules where you are?

Over here, in Portugal, the state of emergency has been officially declared; social isolation is the rule, you can go to the supermarket, bank, post office, pharmacy and walk the dog in the immediate area where you live in but you can’t move about in groups and if you are making a more serious movement you have to be ready to justify it.

The authorities aren’t being over aggressive with people but are acting firmly.

The paranoia meter is in the red, and although i haven’t seen them myself, there are places with drones warning people to stay home, a pure dystopian vibe that reminds me of Hawkwind’s Sonic attack, just disturbingly real.

Students always look for answer of please http://fizmatika.lt/writing-a-mba-application-essay/ at cheap price, do my essays has the right credentials to meet your expectations for essay help How have you seen the virus affecting the community around you and in music?

This is a nasty blow for everybody in general, obviously from the health perspective; this is the kind of history book stuff you heard of of the influenza pandemic in the WWI period, but now it is immediate reality; everything is closed so the economy is suffering on all levels.

Music is moving even more online but sadly, there isn’t any life-supporting revenue in online music, so this whole situation is very negative and it’s going to knock a lot of people’s lives down, for sure.

Music and art in general are frequently seen as a luxury item, although it’s what is keeping people sane at home…

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Basically that Saturnia carries on doing its thing with the present time limitations, and so should everybody.

I want to urge everyone to be extremely careful, follow sanitary safety procedures and act with common sense, respect and responsibility so that we can all be here next year to listen to Saturnia’s new album and all albums old and new.

https://www.facebook.com/saturniamusic/
http://www.saturniamusic.com/
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Saturnia Post “The Twilight Bong” Video from The Seance Tapes

Posted in Bootleg Theater on April 17th, 2019 by JJ Koczan

saturnia

I said last time around when  Moreover, many are already Online Proofreading Services building their career, so. Improve mail order party planning business your grades with Essays24 Saturnia posted a video assembled from studio footage during the making of their latest album,  Place a 'write my essay' order and get online academic help from cheap essay writing service. 24/7 Non-plagiarized Kindergarten Homework Packet from per The Seance Tapes (review here), that it probably wouldn’t be the last clip they did in that fashion. For all I know the Portuguese heavy psych rockers have the entire session captured, but for now, “The Twilight Bong” follows “Gemini” (posted here) from the 2018 collection, which found  That is why our online site Your Homework Help can help you not only to do the statistics homework but also request- dissertation statistical services on banking. Saturnia founder  No matter how complicated your task is our essays for sale will impress any teacher. Hurry up to get premium-quality my site in all Luis Simões in the studio for the first time with very nearly a complete lineup, handling guitar, bass, sitar and vocals himself while keeping company with drummer  homework meaning word count for essay writing an essay for college application universal André Silva and keyboardist Com click here services online you can hire a really professional writer who will make an excellent-quality essay, research paper Nuno Oliveira, essentially able to record live for the first time, and accordingly reworking material from  td business plan writer see url buy nothing day thesis collegs papers Saturnia‘s prior six full-lengths.

“The Twilight Bong,” for example, makes its sitar-laced way to  If you find the right proofreading software you can experience all the benefits of professional Research Websites For Students, namely - of online proofreading. The Seance Tapes via  go site from best custom essay writing services in the industry ranked by professionals Saturnia‘s 1999 self-titled debut, and as the penultimate inclusion running a sprawling nine and a half minutes with keys and sitar, drums and percussion intertwining, it’s an especially vivid showcase of what the newer incarnation of  http://www.docomomoiberico.com/?professional-writing-requirements-york maid to order essay journal essay definition zeus research paper essays Saturnia are able to accomplish, even though it digs back to a record that turns 20 this year. best college admission essays harvard thesis services homework help for biology dissertation university of california los angeles Simões has always been at the core of  Saturnia, and to hear his sitar in conversation with Oliveira‘s Mellotron-style keys late in the track is an exciting twist on the character of the original track. The mission is still way trippy, but there’s a live dynamic in the recording throughout The Seance Tapes that a one-man-band would have an almost impossible time trying to capture.

Once again, I don’t think this will be the last time Saturnia put out a video from The Seance Tapes that was taken in the studio. I don’t know if they have footage for the whole record, but if they did and they were able to get it all together, it would only demonstrate the burgeoning, molten chemistry in development with the new lineup. One hopes that perhaps they’ll channel those energies toward further studio work on new material, but the truth of the matter is that if they want to let The Seance Tapes linger a little longer, “The Twilight Bong” is a pretty good example of why that would be just fine.

Please enjoy:

Saturnia, “The Twilight Bong” official video

Hope you are ready for a bit of sitar-Rock.

New video from The Seance Tapes. Enjoy.

Recorded at Colour Haze Studio, Reichertshausen.

Saturnia on Thee Facebooks

Saturnia website

Elektrohasch Schallplatten website

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Saturnia Post “Gemini” Video from The Seance Tapes

Posted in Bootleg Theater on July 26th, 2018 by JJ Koczan

saturnia

Somebody had the right idea. I’m gonna guess it was Luís Simões. When Portuguese heavy psych rockers Saturnia hit Colour Haze Studio — yes, run by the band of the same name — to record their latest album, The Seance Tapes (review here), they brought a video camera along to capture the process. This was the right idea because the band was recording live for the first time, and where it’s traditionally been Simões working on his own in multi-instrumentalist fashion handling guitar, sitar, bass, vocals, etc., this time he not only had drummer André Silva with him, but also key specialist Nuno Oliveira on organ, synth, electric piano and whatnot, tracking live as a three-piece.

This wouldn’t necessarily be a minor change if it was Saturnia‘s second record or even their third, but it’s their seventh. They’ve worked pretty much with Simões and various other contributors all along, and for the first time it’s a full band functioning as a live act. I guess Simões figured that if he was going to continue to push into new ground as the band had a six-album track record of doing, this was the way to go. It worked. The Seance Tapes is a collection of songs that featured on past Saturnia full-lengths, and even so, one can hear the new life breathed into the material as they go. It flows much as a live set would because basically it is a live set, played and then given further flourish later on atop the basic tracks laid down to analog tape.

I wouldn’t speculate as to whether Saturnia will continue in this manner or go back to the way things have always been, but either way, The Seance Tapes captures a special moment in their history, and as such, it’s all the more fitting that it’s caught on video and preserved in more than just the album itself. A video for “Mindrama” from 2007’s Muzak has already surfaced, but you can see the band in the studio below for “Gemini” from their 1999 self-titled debut. I don’t expect it will be the last clip that makes its way to the public.

The Seance Tapes is out now on Elektrohasch Schallplatten.

Please enjoy:

Saturnia, “Gemini” official video

New video from The Seance Tapes – Gemini.

Recorded at Colour Haze Studio, Reichertshausen.

Saturnia on Thee Facebooks

Saturnia website

Elektrohasch Schallplatten website

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Saturnia, The Seance Tapes: An Open Channel

Posted in Reviews on July 9th, 2018 by JJ Koczan

saturnia the seance tapes

To-date, multi-instrumentalist/vocalist Luís Simões has led Saturnia through seven albums of ever-increasing cosmic reach. Simões, who is based in Lisboa, Portugal, and plays guitar, lap steel, theremin, bass pedals, Mellotron, and acoustic and electric sitar, has always been the core of the band and he remains so, but the difference with Saturnia‘s latest offering, The Seance Tapes (released by Elektrohasch), is that he’s joined in the studio by a stage-ready band. He and drummer André Silva have worked together before, unless I’m mistaken, but together in the studio with keyboardist, organist, electric pianist, synthesist — basically if it’s got keys, he’s right in there — Nuno Oliveira, the resultant trio tap into a live chemistry that’s never been conjured by Saturnia until now. It’s only fitting, then, that the 12-tracks of The Seance Tapes should be culled, two each, from the band’s six-album back catalog:

1. Chrysalis (5:31) from 2001’s The Glitter Odd
2. A Burnt Offering (8:10) from 2016’s The Real High
3. Infinite Chord (5:17) from 2007’s Muzak
4. I Am Utopia (8:52) from 2012’s Alpha Omega Alpha
5. The Real High (8:33) from The Real High
6. Hydrophonic Gardening (3:40) from 2003’s Hydrophonic Gardening
7. Mindrama (6:00) from Muzak
8. Gemini (4:44) from 1999’s Saturnia
9. Still Life (5:06) from The Glitter Odd
10. Sunflower (7:31) from Hydrophonic Gardening
11. The Twilight Bong (9:33) from Saturnia
12. Cosmonication (6:04) from Alpha Omega Alpha

Ordered for maximum flow rather than chronology, the 79-minute album stretches the limits of the CD format and is currently awaiting a 2LP issue, but however one might end up taking it on, the intention is plain in giving Saturnia‘s live ambitions a studio form, and hearing the sitar-drone-laced “The Real High” or the post-The Heads space-rock-meets-shoegaze-vocals vibes of “I am Utopia” before it, the vibrancy emanating from them is as infectious as the swinging rhythms brought to bear by Silva‘s utter mastery of psychedelic percussion. Whether it’s hand drums on “The Real High” or the far-off cymbals echoing behind the Mellotron-laced “Still Life” or the pickup brought to opener “Chrysalis,” or the subtle grounding given to the mellow psych-prog meandering of “A Burnt Offering” and the especially King Crimson-esque “Cosmonication,” Silva‘s contributions are utterly essential. One could say the same of the textures Oliveira brings to the same tracks alongside Simões, and even if power-trio-Saturnia had the blueprint of the band’s past albums to work from, it’s still an impressive amount of character brought to the material to make it come to life.

saturnia

No doubt actually recording live has something to do with that as well. Of course, Simões, who also helms Saturnia‘s production duties, has been at this long enough to know what he wants from the band in terms of sound, but with Silva and Oliveira on board, he’s still in relatively unexplored territory. While it seems likely that they would’ve gone back later to layer in effects, synth, swirls, percussion and so on, since there’s only so much a human being can be playing at one time — curse our limitations as a species! — to even put down the basic tracks live is a bold choice on the part of the band. A safe one, too, though, considering what they’re playing is established material rather than something new. Still, you want to show off your live band? Play live. Seems fair enough, right? Simões being the one running the show would know that, but that doesn’t mean the decision lacks bravery. On the contrary, two years after releasing The Real High and some 19 years forward from their debut (which Elektrohasch also reissued in 2009), Saturnia have chosen to take their exploration to a meta level — examining what it means to be a full band after so many years under Simões‘ direct control with complementary contributions from guest players. It’s the shape of the band itself changing now.

So what one ends up with on The Seance Tapes is a forward-looking retrospective. And for as much time as it covers, the sound throughout is strikingly cohesive when it comes to representing Saturnia‘s past material as hippie-dance-ready psychedelia. In more active stretches like “Mindrama” and the cosmic pulsations of “Sunflower” and the deep-dive moodier feel of the slow-rolling “Gemini,” there is a unity throughout that comes from the performance on the part of the band. That is, while Saturnia‘s sonic progression over the last almost-two-decades has brought it from electronic influences to being the kind of band who might decide to do a greatest hits record live in the studio rather than simply assemble the tracks as they were, there isn’t necessarily a hiccup throughout The Seance Tapes as they jump back and forth from album to album in Simões‘ discography. Rather, it’s the very fact that they’re putting it to tape live that draws the material together. They take advantage of the methodology in terms not only of bringing vitality to the songs — and these songs sound truly vital; vibrant and affirming like the best of peak-psychedelia, even with a heavier underpinning — but in creating a thread between them that helps make that vitality so pervasive. In the sitar-fueled revelations of “The Twilight Bong” and the spaced-out Mellotron epique groove of “Infinite Chord” and in the percussive serenity wash that is the second half of “The Real High,” there isn’t anywhere or anywhen that Saturnia go where they don’t seem right at home.

Perhaps most interesting of all when it comes to The Seance Tapes is the temporal accomplishment of it in using past material to establish the sound of who Saturnia are now. Much like the balance between safety and risk in recording older songs live with a new lineup, there’s also the fact that they’re making a definitive statement of intention across this graceful and extended span. Whatever Saturnia have been in the past, they’re working toward a new plane, and it’s inherent in the context of The Seance Tapes that it should be a landmark along the band’s timeline. Whether Simões will continue with the band in this form and adopt a more live-focused ethic, I don’t know, but it says something about creative will that after six records, the crux of what makes his project what it is has shifted so significantly. No doubt he could easily continue to bang out collections every couple years on his own, and that both might still happen and be just fine — it’s certainly worked before — but The Seance Tapes represents a drive that extends to more than just an adventurous sound. It is a genuine search for and attempt to bring something new to Saturnia, and what or may not be next, the dividends wrought here are not to be ignored.

Saturnia, “Mindrama” official video

Saturnia on Thee Facebooks

Saturnia website

Elektrohasch Schallplatten website

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