The Obelisk Presents: Sasquatch & House of Broken Promises Nov. 2017 West Coast Tour

Posted in The Obelisk Presents on October 6th, 2017 by JJ Koczan

Los Angeles heavy rock magnates Sasquatch released their fifth album, Maneuvers (review here), earlier this year. It was their first record not to be issued through Small Stone, and their first to feature Boston-based drummer Craig Riggs (also vocalist of Roadsaw) in the lineup with guitarist/vocalist Keith Gibbs and bassist Jason “Cas” Casanova, but even with these changes, Sasquatch not only retained but basked in the enduring righteousness of their songwriting. Working at Mad Oak Studios with producer/engineer Benny Grotto, their hooks in cuts like “Bringing Me Down,” “Anyway” and “Just Couldn’t Stand the Weather” as infectious as ever, if not more so.

Some questions in life are really hard. You have to think before you answer. Those “a train leaves Chicago at the same time a train leaves New York” word problems? I still don’t know how to solve that shit. However, when I got the email from Heavy Talent asking if I wanted to have The Obelisk present Sasquatch‘s upcoming West Coast run with House of Broken Promises (fresh off the release of their new EP on Heavy Psych Sounds), I don’t even think I finished reading the sentence before I shot back “YES!” as my reply. Because it’s Sasquatch, dag nabbit, and in addition to having put out one of 2017’s best records, they’re pretty darn okay in general.

Still a couple dates to be filled in — so get on that if you can help — but Sasquatch start the tour Nov. 3 at the Ozzfest Meets Knotfest pre-party, where they’ll join Lo-PanBrant Bjork and Monster Magnet (info here) and pick up thereafter to kick ass with House of Broken Promises all the way up and down the coastline. As we say here on the other side of the country: Frickin’ awesome.

Also, speaking of — somebody needs to save me one of these posters. Check it out:

sasquatch house of broken promises tour

SASQUATCH NOV. 2017 WEST COAST TOUR
All Dates with House of Broken Promises except where indicated:
Nov 3 – Los Angeles, CA – Ozzfest Pre-Party * Sasquatch Only
Nov 4 – Las Vegas, NV – Dive Bar
Nov 5 – Flagstaff, AZ – The Green Room
Nov 6 – Salt Lake City, UT – The Metro Music Hall
Nov 7 – Lake Tahoe, NV – Rojo’s Tavern
Nov 8 – Eugene, OR – Old Nick’s Pub
Nov 9 – Seattle, WA – El Corazon
Nov 10 – Portland, OR – (TBA)
Nov 11 – Sacramento, CA – Cafe Colonial
Nov 12 – Bay Area (TBA)

Sasquatch, Maneuvers (2017)

Sasquatch on Thee Facebooks

Sasquatch on Twitter

Sasquatch website

Sasquatch on Bandcamp

Mad Oak Records website

Mad Oak Studios on Thee Facebooks

Heavy Talent website

Tags: , , , , ,

Monster Magnet, Brant Bjork, Sasquatch & Lo-Pan to Play Ozzfest Meets Knotfest Preshow

Posted in Whathaveyou on August 1st, 2017 by JJ Koczan

With the prior announcement that Orange Goblin would open the Main Stage as their only US appearance for 2017 and word that High on Fire, Kyng and Tombs would take part on the Second Stage, Ozzfest Meets Knotfest offers a bit of intrigue beyond the sheer commercial enterprise. The initial PR wire release called it “the biggest metal festival in North America ever,” which simply isn’t true either in scope or the audience it’s likely to bring in, but along with others like Psycho Las Vegas, it is emblematic that the growth of US fest culture doesn’t just mean eight or 12 bands getting on stage the same day. These are genuine events coming together and with underground heavy as a part of that — even a minor part, as with Ozzfest Meets Knotfest — I’m intrigued to find out what the next few years bring.

Today’s kickass news? It’s right there in the headline: Monster MagnetBrant BjorkSasquatch and Lo-Pan are playing a special free preshow for Ozzfest Meets Knotfest campers on Nov. 3 before the fest proper starts on Nov. 4. Forgive me for saying so, but as I see it, that’s a stronger lineup than either day of the fest itself offers on the Main Stage — much as I love Orange Goblin. But then, I’ve never been much for Eighteen Visions. In any case, good for Sasquatch and Lo-Pan particularly. I hope all parties involved kick ass and make a lot of money on t-shirt sales.

Just in from the PR wire:

ozzfest-meets-knotfest-kickoff-show

OZZFEST MEETS KNOTFEST

WEEKEND KICKS OFF WITH FREE FRIDAY PRE-EVENT CONCERT FOR ALL WEEKEND CAMPERS

SATURDAY, NOVEMBER 4 (OZZFEST) AND SUNDAY, NOVEMBER 5 (KNOTFEST) AT GLEN HELEN AMPHITHEATER AND FESTIVAL GROUNDS IN SAN BERNARDINO, CA

This year’s OZZFEST MEETS KNOTFEST–Saturday, November 4 (OZZFEST) and Sunday, November 5 (KNOTFEST) at Glen Helen Amphitheater And Festival Grounds in San Bernardino, CA–will once again kick off with a special campers only pre-event concert. The exclusive free Friday, November 3 camping kick-off concert will give campers early access to the campsite, allowing them time to prepare for a night of performances from Monster Magnet, Brant Bjork, Sasquatch, and Lo-Pan. VIP camping lines open at 4:00 PM, general camping load in begins at 5:00 PM. Doors to the Friday night camping kick-off party open at 7:00 PM with live music set to kick off at 8:00 PM.

In addition, beginning Tuesday, August 1 at 10:00 AM (PT) a $99 all in bundle two ticket, two day ticket price is available through Saturday, August 5 at 12:59 PM (PT) for the multi-stage, two-day weekend camping event that will include more than 40 acts.

The OZZFEST MEETS KNOTFEST line-up (as of August 1) is as follows:

OZZFEST
SATURDAY, NOVEMBER 4

MAIN STAGE
Ozzy Osbourne
Prophets of Rage
Deftones
Children of Bodom
Orange Goblin

SECOND STAGES
Kreator
Baroness
High on Fire
Iron Reagan
1349
Havok
Kyng
Tombs
Night Demon
Thrown Into Exile

NUCLEAR BLAST EXTREME STAGE
Possessed
Suffocation
Fallujah
Rings of Saturn

KNOTFEST
SUNDAY, NOVEMBER 5

MAIN STAGE
Rob Zombie
Marilyn Manson
Stone Sour
Eighteen Visions
Prayers

SECOND STAGES
Testament
Life of Agony
Black Dahlia Murder
Upon a Burning Body
Goatwhore
Death Angel
Code Orange
ONI
Stitched Up Heart
DED

NUCLEAR BLAST EXTREME STAGE
Repulsion
Exhumed
Warbringer
Ghoul

www.Ozzfest.com
www.facebook.com/ozzfestofficial
www.knotfest.com
https://www.facebook.com/KNOTFEST/

Lo-Pan, In Tensions (2017)

Tags: , , , , , ,

Sasquatch, Maneuvers: The Twists and Turns

Posted in Reviews on June 26th, 2017 by JJ Koczan

sasquatch-maneuvers

In the 13 years since they released their self-titled debut, Los Angeles heavy rockers Sasquatch have somewhat quietly — and somewhat loudly — become one of the foremost American delivery systems of straightforward, flawlessly composed heavy rock and roll. Their fifth full-length breaks with a three-record Roman numeral tradition established across 2014’s IV (review here), 2010’s III (review here) and 2006’s II (discussed here) — in being titled Maneuvers, and with a sort-of-self-release through Mad Oak Records where its four predecessors found issue through Small Stone as well as by being the first Sasquatch album to feature Roadsaw vocalist Craig Riggs on drums alongside guitarist/vocalist Keith Gibbs and bassist Jason “Cas” Casanova. Riggs also owns Mad Oak Studios in Allston, Massachusetts, where Maneuvers was recorded by producer Benny Grotto before being sent to Andrew Schneider in New York for mixing and Justin Weis in San Francisco to be mastered — if nothing else, the record has gotten around — and he steps into Sasquatch in place of Rick Ferrante, who still shares a writing credit on some of the album’s nine tracks.

And as ever for Sasquatch, the writing is the crucial element. I am very much a fan of the band and their output to-date, so if you need to, take my saying so with an appropriately-sized grain of salt, but as they have developed over the years into their own sound — Gibbs as attitude-laden vocalist, soloist and riffer, Casanova as anchor and a purveyor of high-class low-end complement and tonal richness– each Sasquatch offering since the first has been tied together through a near-unmatched-in-riff-rock quality of craftsmanship. And on Maneuvers, the thread continues in pieces like “More Than You’ll Ever Be,” the leadoff single and opener “Rational Woman” (premiered here), “Destroyer,” “Just Couldn’t Stand the Weather,” “Drown all the Evidence,” “Bringing Me Down,” “Anyway” and closer “Window Pain,” which if you’re paying attention, accounts for the whole record minus the penultimate interlude “Lude,” which at least goes to the effort of having a clever title.

Couple this essential facet of their approach with Grotto‘s as-expected full, clear and clean-but-not-overly-so production — still allowing for the punch of Casanova‘s bass in “Rational Woman” and a right-on fuzzy breadth swirling in the later, slower, key-inclusive “Drown all the Evidence” — and Maneuvers, as a title, could have any number of origins. The word itself, along with the fighter pilot featured on the cover art by Troy Goodrich, brings to mind a military context, going out on maneuvers, or trying to outflank one’s opponent. That could be a reference to the changes in and around the band itself — a convenient if unlikely narrative — the fact that they released the album with minimal fanfare ahead of a European tour, essentially outflanking their audience — also unlikely, but not impossible — or their use of “maneuvers” could simply refer to the practice of their songwriting itself, serving as another way of saying Maneuvers, the record, is Sasquatch making the moves they make, doing what they do.

Whether or not that’s where the name comes from, it’s true to how Maneuvers plays out. Sasquatch demonstrate clear, obvious mastery of their approach as “Rational Woman” kicks off at a high clip and the nod-groovy “More than You’ll Ever Be” follows with an extra dose of echo on Gibbs‘ vocals, leading into “Destroyer” (not a cover of The Atomic Bitchwax), the hook of which reinforces the push of an opening salvo from which it would be difficult to ask more than is given. It’s a first-third of the tracklist working to establish and build momentum that continues as “Bringing Me Down” expands the melodic context with some vocal harmonies (are those backing vocals by Riggs? layers from Gibbs? it’s hard to tell) in its second-half bridge to set up an all the more fluid transition into the organ-laced centerpiece “Drown all the Weather,” which along with the subsequent “Drown all the Evidence” and “Window Pain” brings in David Unger (a bandmate of Riggs‘ as singer of White Dynomite) to handle keys, only enhancing Sasquatch‘s long-embodied blend of the classic and modern in heavy rock.

sasquatch-Photo-by-Edko-Fuzz

“Just Couldn’t Stand the Weather” and “Drown all the Evidence” hit back-to-back and are the two longest cuts on Maneuvers at just under six and a half minutes each, and their pairing seems by no means to be an accident. Rather, after the raucous launch and the shift begun on “Bringing Me Down,” they stand out in the middle of the album as a point of essential listener immersion. The take and tone aren’t radically different from what Sasquatch have already brought to bear, but the keys make a difference to be sure, and where “Rational Woman” barely lets those hearing it catch their breath before shoving them into “More than You’ll Ever Be,” both of the longer tracks allow a more patient rollout to take hold amid the still-resonant hooks. Nothing more than a good band capable of working in different contexts doing just that and doing it well. The following “Anyway” almost seems to make an aside of the two/three songs before it, but brings Maneuvers back to a more grounded and straightforward position à la “More than You’ll Ever Be” or “Bringing Me Down” as they shift into the final movement in the last third.

While the total runtime stands at an utterly manageable 38 minutes (IV was 43, if you want to compare), this last set of three tracks, with the 17 seconds of “Lude” picking up after the quick fade of “Anyway” and leading into “Window Pain,” is the shortest and most deceptively efficient of them. And when it hits, “Window Pain,” naturally, serves to tie the various sides of Maneuvers together, bringing back Unger on keys and welcoming noted Boston improv specialist James Rohr (The Blue RibbonsThe Family Township) on B3 for additional flourish. It becomes somewhat curious that Sasquatch close on an energetic middle-ground — “Window Pain” is more emotional than it is a riot — but five records deep, they know the choices they’re making and one isn’t inclined to argue with either the execution of the finale, the depth of the arrangement or the manner in which it eases the listener to the silence that follows.

One might have said the same thing about the preceding album, but Maneuvers finds Sasquatch wholly mature and in unshaken command of their craft and style. They’ve been through some changes in the last couple years, perhaps, but what makes them who they are very much remains intact and pushes forward with characteristic boldness and the update of classic methods and structures that has made bridging generations of rock impulses sound so completely natural across their entire discography. Sasquatch are nothing short of a treasure in US heavy rock and roll, and their Maneuvers are sharp, refined and something special to behold. One of 2017’s best, easily.

Sasquatch, Maneuvers (2017)

Sasquatch on Thee Facebooks

Sasquatch on Twitter

Sasquatch website

Sasquatch on Bandcamp

Mad Oak Records website

Mad Oak Studios on Thee Facebooks

Tags: , , , , ,

SonicBlast Moledo 2017: Colour Haze, Acid King, Black Bombaim & Bar de Monjas Added

Posted in Whathaveyou on May 31st, 2017 by JJ Koczan

sonicblast-moledo-2017-banner

If you had a two-band festival, and those two bands were Colour Haze and Acid King — and that’s it — no one else — I’d still call it an awesome time. Accordingly, kudos to SonicBlast Moledo 2017 for signing up both acts and setting my mind immediately adrift on a daydreaming course of Portuguese wonders that could be had. Of course, Colour Haze and Acid King aren’t the only bands playing — see also Elder, Sasquatch, The Machine, Monolord, Death Alley, Blaak Heat, Orange Goblin, Kadavar, and so on — but yeah, that’s a special couple days right there when you can get those groups together. “Kudos” is probably an understatement.

The PR wire has the latest:

sonicblast moledo 2017 colour haze

SonicBlast Moledo 2017 | Haze of acid in sight!

With the dates settled for August 11th and 12th, the seventh edition of SonicBlast Moledo closes the two-day lineup with Colour Haze, Acid King, Black Bombaim, Stone Dead, It Was the Elf, Ana Paris and Bar de Monjas !

They’ll be joining the previously confirmed Orange Goblin, Kadavar, Elder, Sasquatch, Kikagaku Moyo/?????, Dead Witches, Monolord, The Machine, Yuri Gagarin, The Well, Death Alley, Blaak Heat, Toxic Shock, Löbo, Vinnum Sabbathi and Holy Mushroom!

Now heading to its seventh edition, the festival located at the small beach village of Moledo, North of Portugal, includes two stages (the smaller one with a pool), free camping (to ticket holders) right by the beach and an amazing ambient for any heavy rock, psych, doom or stoner fan.

Colour Haze

With more than twenty years on the road, almost twenty studio records and a relentless will to keep going, it’s more than comprehensible that Colour Haze are easily considered one of the highest exponents within the European Psychedelic Stoner culture. On their course, they count with innumerable presences throughout all Europe and also on USA, although, they never had the chance to debut on Lusitanian territory. Following the release of their newest full-length album “In Her Garden”, the German trio embraces themselves to descend upon Portuguese lands for the first time ever in their career, received with all the enthusiasm for this seventh edition of SonicBlast Moledo.

Acid King

Formed by the charismatic Lori S. during the year of 1993, Acid King are, without any doubt, one of the classic acts of the Stoner Doom’s genre. Their intense and powerful sound, turn them into one of the most influential band within this musical circuit, only having passed through Portugal once. On 2017, they make their debut on Moledo and we can only wait for a triumphant presence.

Bar de Monjas

The Mexican / German duo Bar de Monjas promises a thunderous discharge of agitated rhythms, always heavy and filled with fuzz. On the road since 2010, they already count with one full-length studio record, two EP’s and an amazing split, released in collaboration with the already confirmed Vinnum Sabbathi.

Black Bombaim

After being obliged to cancel their presence at the last edition, Black Bombaim are ready to return to Moledo to spread their contagious psychotropic Rock.

We also receive the fresh Rock n Roll of Stone Dead, as well as the energetic Stoner Metal of It was the Elf and the return of Ana Parisw ith their characteristic Stoner Rock force.

Tickets Price:
2nd pre-sale : 42€ | From 01/03/17 to 30/06/17
3rd pre-sale : 48€ | From 01/07/17 to 31/07/17
4th pre-sale: 55€ | From 01/08/17 to the event’s final

https://sonicblastmoledo.bol.pt/
https://www.facebook.com/SonicBlast-Moledo-242619262427066/
https://www.facebook.com/events/1818493011695737/
https://sonicblastmoledo.wordpress.com/

Colour Haze, In Her Garden (2017)

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Desert Survival: How to Do Psycho Las Vegas on a Budget

Posted in Whathaveyou on May 18th, 2017 by JJ Koczan

psycho las vegas 2017 banner

Hey, if you’re going to go broke, let’s face it: You’re not likely to run into many causes as worthy as the lineup culled together for Psycho Las Vegas. It ain’t cheap — any event that advertises a payment plan obviously knows it’s a considerable ask — but whether you’re going to see Slo Burn for their only US gig or King Diamond doing Abigail or Mulatu Astatke because going to see Mulatu Astatke is a life-event, the arguments in favor are plentiful and convincing. Whatever else you want to say, Psycho Las Vegas is the first annually-held American festival with a focus on heavy and underground rock to really establish itself as world class.

That in itself is a reason to support the cause, whether it’s through a day ticket or a pass for the entire weekend, but it doesn’t necessarily lesson the expense of making the trip or staying in one of the US’ most lucrative tourist traps, let alone things like band merchandise, meals and the occasional adult beverage if you’re inclined to have one. The thought of seeing NeurosisSleep and Carcass share a stage over the course of a weekend or watching Conan, the new trio-incarnation of Pentagram and Yawning Man poolside or from the balcony of a room in the Casino Tower is incredible, and after hearing stories from those who undertook the journey in 2016 or attended the prior Psycho California in 2015, the idea wants nothing for appeal. Fiscal issues can be a bummer. By the time August rolls around, I’ll have been out of paid work for two months. I know how it goes.

And I’m hardly the most responsible person when it comes to money, but the truth of the matter is there are ways to mitigate costs for travel, lodging and other concerns, and if the thing preventing you from picking up a ticket to the show has been the seeming impossibility of affording a stay at the Hard Rock or of finding a cheap-enough flight to get there, maybe it’s worth trying to shift finances around to make it happen. Music is important, and when debt collectors are spamming your phone it’s hard to think about the non-cash value of life experiences, but the fact is the bills you need to pay will still be there. The bill with Corrosion of Conformity in a lineup alongside Kylesa‘s Laura Pleasants, Domkraft, Swans, Elephant Tree and Heavy Temple? Much less so.

Here are a few pointers that hopefully can save you a couple bucks. Some of it’s day-one stuff, but things like hotel picks and transportation nuances are good to know either way.

Check it out:

psycho-las-vegas-2017-poster

Flying In
• Buy tickets on a Tuesday for the cheapest rates.
• Use a discount flight search.
• If you can, fly in on Thursday and leave on Monday for better rates, search different days and times to come in and leave.
• Book early. Rates go up in the summer.

Getting There
• Ride apps cost less than cabs.
• The Hard Rock is less than a mile from the airport. Cheap trip anyway.
• There are free shuttles from most Vegas hotels to the strip and tourist attractions.

Staying There
• This one is huge… don’t stay at the Hard Rock if you can’t afford it! Alexis Park, RUMOR, Red Roof Inn are all across the street and cheap. Scope out a position on a map if you need to; that’s what Street View is there for.
• Partner up to share rooms. You’ve got social media and it’s not like you’re going to do more than sleep and (hopefully) shower there anyway. Might as well join forces and save expense where you can.

Drinks
• BYO. Vegas has open-container laws. If you think hooch is too expensive at the Hard Rock, get loaded on the sidewalk before you go in.
• One way or another, hydrate. You’re staying in the desert in August. Don’t be stupid.

Psycho Las Vegas 2017 Lineup
Abbath, Ace Frehley, Black Anvil, Blood Ceremony, The Brian Jonestown Massacre, Buzzov*en, Carcass, Celeste, Chelsea Wolfe, Cirith Ungol, Cloud Catcher, Code Orange, Conan, Corrosion of Conformity, Cough, Cult Leader, Cult Of Luna With Julie Christmas Diamond Head, Domkraft, Earthless, Elephant Tree, Eternal Tapestry, Fister, Floorian, Gatecreeper, GEQ, Gojira, Gost, Graf Orlock, Heavy Temple, Hollow Leg, Inter Arma, Khemmis, King Diamond, Laura Pleasants & Special Guests, Magma, Manilla Road, Merlin, Minsk, Morne, Mothership, Mouth of the Architect, Mulatu Astatke, Murder City Devils, Mustard Gas & Roses, Myrkur, Neurosis, North, Oathbreaker, Pelican, Pentagram, Psychic TV, The Rods, Ruby the Hatchet, Sasquatch, Saturndust, Sleep, Slo Burn, Slomatics, Snail, Sons of Otis, Sumac, Summoner, Swans, The Skull, Toke, Urchin, Usnea, Vhol, Weedeater, Windhand, Wizard Rifle, Wolves in the Throne Room, Yawning Man, Year of the Cobra, Youngblood Supercult, Zeal & Ardor.

http://www.vivapsycho.com
https://www.facebook.com/psychoLasVegas
https://www.instagram.com/psycholasvegas

Pentagram, “Relentless / Broken Vows” Live in Richmond, VA, 2017

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Lake on Fire 2017 Sold Out; Brant Bjork, Ufomammut, Elder, Acid King & More to Play

Posted in Whathaveyou on May 11th, 2017 by JJ Koczan

lake-on-fire-2017-banner

Austria-based festival Lake on Fire 2017 — which, yes, takes place on a lake and which, yes, looks totally frickin’ awesome as a result — sold out in a matter of minutes earlier this week after putting tickets on sale. The lineup is splendid with Brant Bjork headlining a bill that also includes Asteroid, Elder, Ufomammut, Acid King, Sasquatch, Rotor, and others, but you want to know something even more impressive about it? The full lineup hasn’t even been announced yet. What you see below, with Tides from Nebula, Weedpecker, King Buffalo, Triptonus and all that? Yeah, they’re not even done yet.

Next time you’re searching for an example of how unbelievably righteous the festival scene is in Europe, go ahead and consider Lake on Fire 2017, which offers camping and hotel options, a unique setting, killer bands, and a clientele that trusts it enough to completely buy up all the tickets before the full lineup has been unveiled. My minescule American brain boggles at the thought. Not that I’ve been Mr. Goestoshows lately or anything, but if you’re also from the States, consider the cultural richness at work in making something like this come together in the way it has. It’s astounding. I can’t even get bands to return my emails about playing an All-Dayer a year from now.

Go figure.

From the festival:

lake-on-fire-2017-poster

This is unreal – SOLD OUT again – for the 4th time in a row! Even compared to last year this was kinda fast! Thank you so much for your support! We love you!

For all those who haven’t got their tickets, don’t be sad, there will be another chance in approx. 2 weeks. All pre-registered users in our webshop (newly registered users won’t be considered anymore) will have the chance to be part of our LUCKY BIRD TICKET lottery.

The Artwork is made by the Austrian Artist Missfelidae Illustration.

LINE UP:
Brant Bjork [USA]
UFOMAMMUT [ITA]
Elder [USA]
Acid King [USA]
Rotor [GER]
Asteroid [SWE]
Tides From Nebula [POL]
Sasquatch [USA]
Triptonus [AUT]
Weedpecker [POL]
King Buffalo [USA]

The rest of the line up will be announced within the next two weeks!

www.lakeonfirefestival.com
facebook.com/LOF.festival

Lake on Fire 2016 impressions

Tags: , , , , , , , , , , , , , ,

Sasquatch Announce European Tour Supporting New Single

Posted in Whathaveyou on May 10th, 2017 by JJ Koczan

sasquatch photo by banana

Hey, remember a couple weeks ago when we premiered Sasquatch‘s latest single? Golly that was fun. Lots of fun, actually, and even more because the track in question, Rational Woman, kicked so much ass. Not that one would expect any less from Sasquatch, but you know, it’s still nice to have these things affirmed. If you didn’t check it out then, you can hear it at the bottom of this post — convenience! — and pick up the 7″ from Red Sun Records either via preorder or on June 7 when it’s released.

Dates have been trickling out, almost one fest at a time, to such a degree over the last few months that it was almost inevitable the Los Angeles heavy rockers would announce a European run, but knowing it was coming does little ultimately to diminish joy at the confirmation. Glad to see Sasquatch are getting back out, in other words. You can see below the list of dates they’re playing and all the fests — SonicBlast Moledo, Stoned from the UndergroundRed SmokeSweet LeafLake on Fire, etc. — and it looks like it’ll be an awesome tour. One imagines that by the time they land in the US again, the entire pressing of Rational Woman will be gone, if it’s not already gone before then. If it’s not already gone now on preorders.

From the PR wire:

SASQUATCH TOUR POSTER

SASQUATCH ANNOUNCE EUROPEAN SUMMER TOUR!

Brand new & limited 7” Vinyl coming out in June!

In support of their upcoming European summer tour, Los Angeles-based heavy hitters SASQUATCH have just announced the release of a brand new and exclusively limited 7” vinyl!

Barcelona-based Red Sun Records will be releasing the album worldwide on June 7th, which will be limited to a one-time print of 500 copies on black vinyl. Pre-orders for the 7” have already started, so better reserve your copy today at: redsunrecordsbarcelona.bandcamp.com

The tracklist will read as follows:

Side A: Rational Woman
Side B: In My World

SASQUATCH are about to heavily hit the road for a five-week tour, which will kick off in the middle of July with scheduled performances at Stoned From The Underground in Germany, Red Smoke Festival Poland, Lake On Fire in Austria, and Portugal’s Sonic Blast. Says the band:

‘Excited to announce that Sound of Liberation is putting us out on the roads of Europe again here in t-minus two months. This will be our fourth trip over, but it’s our first summer tour. Swimsuits are packed. There is a nice chunk of open air festivals this round with some sweet lineups. Come say hello at the merch booth. We like company!”

Make sure to catch SASQUATCH live, when they will finally return to Europe on the following dates:

10.07.17 Madrid (ES) – El Planeta de los Wattios
11.07.17 Barcelona (ES) – Rocksound
13.07.17 Stotternheim (D) – Stoned From The Underground
14.07.17 Pleszew (PL) – Red Smoke Festival
15.07.17 Berlin (D) – Wild At Heart
16.07.17 Hamburg (D) – Hafenklang
17.07.17 TBA
18.07.17 Kiel (D) – Schaubude
19.07.17 Osnabrueck (D) – Westwerk
20.07.17 Cottbus (D) – Zum faulen August
21.07.17 TBA
22.07.17 Rotterdam (NL) – Baroeg
23.07.17 Paris (FR) – Gibus Live
24.07.17 Nantes (FR) – Le Ferrailleur
25.07.17 TBA
26.07.17 TBA
27.07.17 Torino (IT) – Blah Blah
28.07.17 TBA
29.07.17 Taburno Camposauro (IT) – Sweet Leaf Festival
30.07.17 TBA
31.07.17 Zero Branco (IT) – Altroquando
01.08.17 Milano (Segrate) (IT) – Circolo Magnolia
02.08.17 Stuttgart (D) – Goldmarks
03.08.17 Weiden (D) – Salute Club
04.08.17 Waldhausen (AT) – Lake On Fire Festival
05.08.17 Sargans (CH) – Out In The Gurin Festival
06.08.17 Freiburg (D) – Slowclub
07.08.17 TBA
08.08.17 Wiesbaden (D) – Schlachthof
09.08.17 Dresden (D) – Ostpol
10.08.17 Bremen (D) – Magazinkeller
11.08.17 Frechen (D) – Trafostation Festival
12.08.17 Moledo (PT) – Sonic Blast Festival

www.sasquatchrock.us
www.facebook.com/sasquatchrocks
redsunrecordsbarcelona.bandcamp.com
www.soundofliberation.com

Tags: , , , , ,

Sasquatch Premiere New Single “Rational Woman”

Posted in audiObelisk on April 18th, 2017 by JJ Koczan

sasquatch

Sasquatch will release their new single, Rational Woman, on June 7 via Red Sun Records. The Small Stone Records veterans are still officially based in Los Angeles despite having guitarist/vocalist Keith Gibbs and bassist Jason “Cas” Casanova having traveled across the country to record at Mad Oak Studios in Allston, Massachusetts; also home-base for Craig Riggs, the vocalist for Roadsaw who came aboard as a conveniently-located-on-the-opposite-coast drummer following an apparent split with Rick Ferrante (currently working with Aboleth) sometime since the fourth Sasquatch long-player, IV (review here), came out in 2013. The fact that it’s been four years since IV hit might have something to do with Rational Woman coming together, but whatever the motivation, new Sasquatch is invariably a win for anyone who likes their grooves locked in, their fuzz extra hairy and their hooks surgically implanted on their brains and ready for repeat listens.

That’s basically how “Rational Woman” — already I can’t get Gibbs‘ “She don’t like me anyway…” out of my head — finds Sasquatch operating. Another motivation for the single? This summer marks the second time in two years Sasquatch will head to Europe for a tour, and with slots booked at Stoned from the Underground,sasquatch rational woman SonicBlast Moledo and Red Smoke ahead of a return to the States and a gig lined up at Psycho Las Vegas in August, it’s all the more occasion to make it happen on the back of a new release, even if it’s just a two-songer. It’s not like anybody showing up at one or another of the above festivals is going to complain about new Sasquatch, and particularly with the careening central riff that provides the thrust of “Rational Woman,” the band is quick to let their audience know all cylinders are firing and they’re ready, as ever, to kick ass on any stage that thinks it might be able to contain them.

To that end, I expect Sasquatch will announce more European tour dates as we get closer to the summer, so keep on keeping an eye out for that. In the meantime, Rational Woman, which also features the B-side “In My World,” is set for a one-time-only pressing of 500 copies and available to preorder now from Red Sun Records through Bandcamp (linked below). I suppose the only real question is if there will be any copies left by the time the tour starts.

You can find the premiere of Sasquatch‘s “Rational Woman” on the player below, followed by more info on the release courtesy of the PR wire.

Please enjoy:

Sasquatch on “Rational Woman”:

We’ve never done a 7” before. At some point last year I was feeling nostalgic and remembered the glory days of the Sub Pop Singles Club. I’m not sure if it’s the smartest thing to do, but I wanted to jump off that bridge and put one out, just to say we did it once. Flashback to the year 2014, we ended up in Barcelona on a whim thanks to Red Sun. First time in Spain. We were rookies. I think Red Sun was just getting off the ground back then, but Marc and Lane, the couple who run the booking agency/label, were the nicest, most down-to-earth people. Showed us all of the local spots. They took good care of us and since that trip we’ve kept in contact regularly. Definitely feels like extended family whenever we get to see them. We knew that we wanted to do something exclusively for the Europe tour this summer, and Marc and Lane were the first that came to mind. We asked, and they were actually cool with the idea, so here we are, together… teeing off 2017… 45s or bust.

The Rational Woman 7” will be limited to a one-time print of 500 copies on black vinyl. Grab a copy before it’s too late because once they are gone, they are gone for good!!

Barcelona-based Red Sun Records will be exclusively releasing the album worldwide on June 7th. Pre-orders start today. Get it here: redsunrecordsbarcelona.bandcamp.com.

Track Titles:
Side A) Rational Woman
Side B) In My World

Sasquatch
Keith Gibbs – Guitar/Vox
Craig Riggs – Drums
Jason Casanova – Bass

Sasquatch on Thee Facebooks

Sasquatch website

Red Sun Records on Thee Facebooks

Red Sun Records on Bandcamp

Tags: , , , , ,