Samavayo Announce Dakota Reissue; Premiere Bonus Track “Justify”

Posted in audiObelisk, Whathaveyou on September 21st, 2017 by JJ Koczan

samavayo

Germany-based heavy rockers Samavayo are getting ready to move forward from their 2016 album, Dakota (review here). That record, their fifth overall, has served as a high-water mark for the Berlin trio as they’ve continued to refine their approach within driving riffage and Middle Eastern-inflected stylistic flourish. They have a handful of dates left for this year and then they’ll settle in and begin the writing process anew. At the risk of giving you my actual opinion on the matter, I think Samavayo are underrated as songwriters and so the idea of another record and another step forward from them is exciting. They’ve only grown more progressive over time.

Before they get down to the nitty-gritty of constructing new material — which they’ll do with an eye toward a samavayo justifyFall 2018 release according to guitarist/vocalist Behrang Alavi, who’s joined in the band by bassist/vocalist/Moog-ist Andreas Voland and drummer/percussionist/vocalist Stephan VolandSamavayo will oversee a second pressing of Dakota, and it’s to mark this occasion today that you’ll find the premiere of the previously-unreleased cut “Justify” below. Recorded at Big Snuff Studio by Richard Behrens, its central riff a little bit speaks to the upbeat shove one finds from the likes of Red Fang, but even to this Samavayo can’t help but lend their own personality.

Full in tone and righteous in hook, “Justify” is one more example of the edge Samavayo bring to classic-style structures and the kind of rhythmic drive that will hopefully find its way into their new stuff as well. Alavi offered some background on the song which you can read under the track itself below, followed of course by the tour dates.

Please enjoy:

Behrang Alavi on “Justify”:

“Justify” was recorded in the same 11-day session as Dakota at Richard Behrens’ studio in Feb. 2016. We didn’t put the song on the album like our previously-released “To The Ground” because we wanted to have that as a clear, homogeneous heavy psych stoner album. We planned to release them later, but by then we didn’t have a plan how. Now we release the track with the second edition (500 pieces) of the Dakota CD after the first edition has sold out (only few few copies left).

As we did with the second edition of our first album death.march.melodies, we again changed a detail on the second edition to make it something special. In the case of d.m.m., we changed the artwork of the CD print. On Dakota, the artwork is unchanged but we added a bonus track at the end of the CD.

This month we also started writing songs for the next album planned for autumn 2018. We have a few shows left this year in Germany and Switzerland. If progress remains positive, we will record the album in spring 2018 while we play few shows. Next year we will be playing festivals where we are going to put some of the new songs into set list and then have the main tour with the new album in autumn. We are considering looking for a new label after many years releasing on our “home”-label, Setalight.

Samavayo live:
Oct 03 Forum, Bielefeld, Germany supporting Brant Bjork
Oct 12 Hirscheneck Basel, Switzerland
Oct 13 Böröm Pöm Pöm Oberentfelden, Switzerland
Oct 14 Jazzkeller Hofheim Am Taunus, Germany
Nov 18 Lindenpark Potsdam, Germany
Dec 01 Finsterwalde, Germany

“Justify” at Samavayo’s Bandcamp

Samavayo on Thee Facebooks

Samavayo website

Setalight Records website

Tags: , , , , , , ,

Samavayo Premiere “Cross the Line” Video; Tour and Festival Dates Announced

Posted in Bootleg Theater on March 14th, 2017 by JJ Koczan

samavayo

Last spring, Berlin-based heavy rock three-piece Samavayo reinforced their willingness to cross genre lines with their fifth album, Dakota (review here). With a strong sense of drive behind their crunching tones, they brought together elements of noise rock, heavy riffing and flourish of Middle Eastern progressions that only further distinguished their material. Recorded by Richard Behrens (Heat, formerly Samsara Blues Experiment) and released through Setalight Records, it was angular in its purpose — that is, prone to sharp edges on a sonic level — but flowed smoothly throughout and brought the band to a place that emphasized the consideration put into their songwriting without coming across as navelgazing in its sound.

It rocked, in other words. I guess I’m trying to say it rocked.

The trio of guitarist/vocalist Behrang Alavi, bassist/vocalist Andreas Voland (also Moog) and drummer/percussionist/vocalist Stephan Voland haven’t been shy about getting out to support Dakota, and next month, they’ll hit the road on a tour through Germany, France, Switzerland, Austria and the Czech Republic ahead of showing up in the UK for a slot at Desertfest London 2017. Good gig to get, but it’s hardly their last. Summer festival season awaits in Europe, and July will find Samavayo back in action at the long-running Stoned from the Underground as well, and it seems likely more are to follow (also more precede, hello Hell over Esslingen).

At the same time, and perhaps to herald their departure, Samavayo have put together an artfully shot new video for the track “Cross the Line” from Dakota that is premiering today. You get to see the band playing as silhouettes and you get to see people with boxes on their heads — are they robots? — and other such fun whatnots, but of course the star is the song itself, which shows off where Samavayo are sound-wise and the penchant for working under a variety of influences that stands them out so much from their peers.

Please find it below, followed by their tour dates, and enjoy:

Samavayo, “Cross the Line” official video

Cross The Line is the first official video of the latest album Dakota from the German stoner rock band Samavayo. The song is currently also the first of their live set.
“The audience gets carried away by that song and its sound right at the beginning of our shows,” says singer and guitarist Behrang Alavi. “The song also has a message: We can’t cross the red line of humanity and decency, because there won’t be a way back from it. We need to find empathy and get rid of ruthlessness and greed.”

In cameraman and director Johannes Plank Samavayo found the perfect fit to visualize that message. He mobilized the antagonists of his upcoming movie “Eva Ost.” The “TV-Men,” whose heads are actual TVs, illustrate a society poisoned by consumption and ownership. In the video the tv screens show some cuttings that can be understood as political statements and therefore build up a new meta level. The message is: “Nobody can run from this change. Our brains are already poisoned.”

Credits:
Director / Camera / Editor / Production | Johannes Plank
Assistant Director | Florence Freitag
Gaffer | Yannick Spiess
Production Design | Mihan Torabi
Camera Assistant | Ranav Adhikari
Set Runner | Siddarth Thapa
Catering | Anne Berger
Drivers | Andreas Voland, Christian Schmalfuss
Musicians | Behrang Alavi, Stephan Voland, Andreas Voland
TV-Men (Berlin) | André Schröder, Ricardo Ziege, Richard Volkmer, Simon Höhne, Mustafa Bozbalak
TV-Men (Plauen) | Christian Dressel, Stephan Stumpf, Alexander Enskat, Rico Gemeinhardt

Many thanks to the venue “Zukunft am Ostkreuz.” MEKU Film © 2017

Samavayo “Cross the Line” tour:
Mar 16 Zentralcafé Nuremberg, GER *
Mar 17 Immerhin Wurzburg, GER *
Mar 18 Dirty+Dancing Osnabrück, GER *
Mar 24 Zukunft am Ostkreuz, Berlin, GER **
Mar 25 Spring Rocks! 2017, Wolfenbüttel, GER
Apr 03 AKK Karlsruhe, GER ***
Apr 04 L’Elastic Bar, Strasbourg, FR
Apr 05 Dr. Feelgood, Paris, FR ****
Apr 06 Café Faust, Stuttgart, GER ****
Apr 07 Gaswerk, Winterthur, CH ****
Apr 08 The Bruch Brothers, Luzern, CH ****
Apr 12 Alte Mälzerei, Regensburg, GER
Apr 14 Kramladen, Vienna, A ***
Apr 15 Kain Prague, CZ ***
Apr 16 Bajkazyl, Brno, CZ ***
Apr 28 Little Devil, Tilburg, NL
Apr 29 Desertfest 2017 London, UK
Apr 30 Hopla, Cologne, GER
May 11 Sabotage Dresden, GER
May 12 Hell over Esslingen, Esslingen Am Neckar, GER
Jul 13 Stoned from the Underground, Erfurt, GER
Jul 14 Steinbruchfestival 2017, Mühlheim, GER
* with Operators
** with Mother Engine
*** with Shotgun Valium
**** with Hellroom Projectors

Samavayo tour event page

Samavayo on Thee Facebooks

Samavayo on Bandcamp

Samavayo at Setalight Records

Tags: , , , , ,

Stoned from the Underground 2017: Pentagram, Acid King, Mothership, King Buffalo and Samavayo Added

Posted in Whathaveyou on February 13th, 2017 by JJ Koczan

Feels like a given to me, but obviously I’m incredibly interested to see King Buffalo added to the lineup for Stoned from the Underground 2017 this July in Germany. That’s not to take anything away from Pentagram, Acid King or Mothership — also US-based acts — or from Berlin’s Samavayo, whom I also dig a great deal, but King Buffalo issued my pick for the best debut of 2016 in the form of Orion (review here), and the confirmation of their appearance among the hallowed many at Stoned from the Underground — the aforementioned, as well as Elder, SasquatchAll Them WitchesMonolord, SteakCJ Ramone, and so on — is the first confirmation of their going to Europe at all, let alone the timing of the trip. They were a band I was rooting for even before they appeared at The Obelisk All-Dayer this past August. It’s nice to see them making good things happen.

And again, check out the company they’re keeping as they go. Stoned from the Underground is of course one of the longer-running Euro heavy fests, but the 2017 lineup feels particularly high-grade thus far. I’ll continue to keep an eye out as others get added and do my best to update as we get closer to summer. I get a pretty strong sense a certain youth-minded trio from Australia are going to show up.

Till then, here’s the lineup and links:

pentagram

Happy to announce some more bands for the Stoned From The Underground 2017 Festival: Pentagram, Acid King, King Buffalo, mothership and samavayo to announce. The 2017 stoned from the underground is FETT.

Lineup so far (more tba):
Acid King
All Them Witches
Cj Ramone
EARTH SHIP
Elder
Karma to Burn
King Buffalo
Monolord
Mothership
Pentagram (official)
Samavayo
Sasquatch
Steak
ZEKE

Get your tickets here: http://www.sftu.de/pages/raquo-tickets.php

The Stoned From The Underground 2017 takes place from July 13th until July 15th 2017.

The first STONED FROM THE UNDERGROUND took place in 2001…the festival offers a platform for diverse kinds of bands within the underground and beyond. The STONED FROM THE UNDERGROUND is a pure scene festival…a festival made by fans for fans.

https://www.facebook.com/stonedfromtheundergroundfestival
http://www.sftu.de/
https://www.instagram.com/stonedfromtheunderground

King Buffalo, Live at The Obelisk All-Dayer 2016

Tags: , , , , , , , ,

Desertfest London 2017: Individual Day Schedules Announced

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.

Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant TreeBlack SpidersStubbVodunPigs Pigs Pigs Pigs Pigs Pigs PigsTerminal CheesecakeChubby Thunderous Bad Kush MastersMammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.

Wish I could be there to see it.

Here’s the announcement of the individual day lineups from their website:

desertfest london 2017

DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!

Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.

Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.

It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.

The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.

As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.

For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.

So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.

DESERTFEST LONDON 2017 Final Lineup:
SLEEP
SLO BURN
TURBONEGRO
CANDLEMASS
WOLVES IN THE THRONE ROOM
SAINT VITUS
JOHN GARCIA BAND
BONGZILLA
LOWRIDER
SCISSORFIGHT
BLACK SPIDERS
SAMSARA BLUES EXPERIMENT
THE PICTUREBOOKS
STONED JESUS
SATAN’S SATYRS
INTER ARMA
WEAR YOUR WOUNDS
1000MODS
STEAK
AVON
DEATH ALLEY
DEAD LORD
BOSS KELOID
PONTIAK
YURI GAGARIN
HARK
VODUN
CHRON GOBLIN
PIGS PIGS PIGS PIGS PIGS PIGS PIGS
THE WELL
MAMMOTH STORM
CELESTE
STUBB
MONOLITHIAN
WUCAN
VENOMOUS MAXIMUS
BRUME
APEY & THE PEA
ELEPHANT TREE
GRAVE LINES
IRON WITCH
EARTH SHIP
BACKWOODS PAYBACK
WIZARD FIGHT
BRULE
CLOSET DISCO QUEEN
GRAND MAMMOTH
CHUBBY THUNDEROUS BAD KUSH MASTERS
MAMMOTH WEED WIZARD BASTARD
SAMAVAYO
WELCOME BACK DELTA
DEAD LETTUCE
MONSTERTONE
LEDFOOT
ZOMBI
TERMINAL CHEESECAKE
KHÜNNT
BASK
BRUXA MARIA

http://www.desertfest.co.uk/#tickets-section
https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Dead Lettuce, Booze and Blues EP (2015)

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Setalight Festival 2016 Announces Lineup for Oct. 21-22 in Berlin

Posted in Whathaveyou on July 18th, 2016 by JJ Koczan

setalight festival 2016 header

The fall festival season kicks off in Europe before fall even starts. It’s like car companies rolling out next year’s models before we’re halfway through this year (though we are that now as well; you get my point). It seems like between August and November there isn’t a week when one if not multiple nations is playing host to a swath of quality bands, and Setalight Festival 2016 throws itself into the heart of the fray on Oct. 21 and 22, hosting an already-packed two-day lineup at the these-are-German-words Zukunft am Ostkreuz venue in Berlin.

I’m not sure if this is the complete lineup or not. It could be, easily. As of now, jam-prone Dutch trio The Machine, and Germany’s own Mother Engine — veterans of Freak Valley and Desertfest Berlin, no doubt among others — will also take part, as well as East-meets-West groovers Samavayo (based in Berlin), French mostly-instrumentalists Glowsun, uptempo rockers Phiasco and a host of others, some familiar — looking at you, Motorowl — and some less so. A couple names to investigate below, since if Setalight Records — which of course is putting on the festival — knows anything it’s how to pick bands.

The particulars came down the PR wire:

setalight festival 2016 poster

The Berlin based music label SETALIGHT presents the 4th time bands out of Stonerrock, Heavy & Hard Rock, Doom, Noise and Psychedelic Rock. Beside known bands of the scene, we will also present new or unknown bands.

For the lineup, we picked some great bands out of the dust, such as:

THE MACHINE
MOTHER ENGINE
SAMAVAYO
NEUME
OUZO BAZOOKA
PHIASCO
GLOWSUN
THIEVES BY THE CODE
BALG
MOTHERBRAIN
SWEDENBORG RAUM
KALAMAHARA
MOTOROWL
and many more.

When / where:

The SETALIGHT FESTIVAL will take place from 21st to 22nd of October 2016 in Berlin, (Club: Zukunft am Ostkreuz). The pre-sale just started. Get more information at the links:

www.setalight-festival.com
https://www.facebook.com/events/1671298366486172/

The Machine, “Coda Sun” official video

Tags: , , , , , , , , , , , , , , , , ,

Keep it Low 2016 Lineup Complete; Electric Citizen, Samavayo, Deadsmoke and Salem’s Pot Added

Posted in Whathaveyou on July 6th, 2016 by JJ Koczan

keep it low 2016 final header

With the final additions of Electric CitizenSamavayoDeadsmoke and Salem’s Pot, the lineup for Keep it Low 2016 in Munich, Germany, is complete. Presented by Sound of Liberation at the Feierwerk venue, the fest boasts John GarciaColour HazeElder and Greenleaf at the top of the bill and pulls acts from around Europe and the US together for a two-nighter focused on vibe and groove, but still pretty varied in its spirit overall between the likes of 1000mods and Deadsmoke. Wherever they’re at sound-wise, you’d be hard-pressed to find a dud in the bunch.

Last announcement from the fest follows here:

keep it low 2016 final poster

KEEP IT LOW 2016! Oct. 21st & 22nd… Electric Citizen, Salem’s Pot, Mother’s Cake, Samavayo & Deadsmoke complete the line-up!

We are pleased to tell you that our 2016 line-up is now complete: 21 bands that will blow your mind!!

Today, the American 70’s heavy rock influenced four-piece Electric Citizen, the Swedish catchy spooky doom rock quintet Salem’s Pot, the German not-quite-like-anything else stoner/heavy rock outfit Samavayo and the monolithic Italian doom sludge trio Deadsmoke joined the bill alongside previously announced John Garcia, Colour Haze, Karma To Burn, Elder, Greenleaf, The Atomic Bitchwax, Monkey3, 1000Mods, Toner Low, Black Rainbows, Fatso Jetson, Moaning Cities, Duel, Bright Curse, Grusom and Swan Valley Heights!

All those 4 bands released amazing new albums during the spring that you can listen to by clicking on the links above.

Also, due to the unfortunate cancellation of Kind, we are able to add John Garcia’s touring support band, Austrian Alternative Space Rockers Mother’s Cake! And we are very happy about that!

KEEP IT LOW 2016 will happen on October 21st and 22nd in FEIERWERK (Munich) and will greet with 3 stages and outside beergarden & skatepark. On this upcoming edition we are setting up a cozy and rain protected outside area with food and drink station. We also decided to play already on 2 stages on the Friday night and ending both KIL nights with aftershow parties and Dj Sets (Friday until 3 am and Saturday until 5 am).

Hard Tickets (2-day passes) are available on Woolheads for 65 €! Online tickets are also available on Eventim!

You can purchase tickets on http://woolheads.com/ but be quick! E-Tickets are also available on http://www.eventim.de/

https://www.facebook.com/Keep-It-Low-Festival-486297638124519
http://www.keepitlow.de/

Samavayo, Dakota (2016)

Tags: , , , , , , , ,

Samavayo, Dakota: Crossing Lines (Plus Track Premiere)

Posted in audiObelisk, Reviews on April 25th, 2016 by JJ Koczan

samavayo dakota

[Click play above to stream Samavayo’s “Cross the Line” from Dakota. Album out May 6 via Setalight Records.]

Dakota is the fifth full-length from Berlin-based trio Samavayo, and it offers a distillation of hard and heavy rock, heavy psychedelia and Middle Eastern influences that results in a vibe not quite like anything else going. With seven songs and 45 minutes split up across two sides in an LP tradition, it offers a progressive complexity and clearheaded tonal push that even as it feels rooted in classic structures pushes beyond them with semi-metallic defiance. To look at the runtimes of the tracks, between five and seven minutes, roughly, there certainly would be space enough for variety in the material, but Samavayo bring together a diversity of influence beyond expectation and Dakota is that much richer as a a result.

Recorded at Big Snuff Studio by Richard Berhens (Heat, ex-Samsara Blues Experiment), it follows Samavayo‘s 2015 split with The Grand Astoria (review here), a 2014 split with One Possible Option, and their 2012 full-length, Soul Invictus, in presenting their forward-thinking crunch even as it marks the start of a new era for Samavayo, who work here as a trio for the first time on a long-player. That’s a significant change in dynamic, but in the end, Samavayo emerge from it with their identity intact, guitarist/vocalist Behrang Alavi leading the way on Persian-language opener “Arezooye Bahar,” a song with lyrics purportedly about freedom and arriving, of course, in the midst of Europe dealing with a migrant crisis.

That the decidedly Middle Eastern “Arezooye Bahar” should start off an album with the title Dakota — very American; taking its name from the native tribe, the word meaning “friend” or “ally” — from a band operating in the heart of Europe should give some sense of the melting pot scope of influence under which Alavi, bassist/vocalist/Moog-ist Andreas Voland and drummer/percussionist/vocalist Stephan Voland are operating. The tracks likewise are a cross-continental span of mood and resonance, “Arezooye Bahar” setting up the live-recorded feel that will ultimately tie seemingly disparate spirits together as the second-half apex of the opener gives way to the subsequent “Intergalactic,” the shortest track at 5:13 and among the most straightforward in its riff-led heaviness, all the more apparently so because it’s instrumental for its entirety, playing out like a more expansive Karma to Burn while serving to push the listener deeper into Dakota‘s broader context, full of thrust as much as emotional or social comment.

samavayo

“Kodokushi,” which follows, is the only other cut under the six-minute mark, and touches on some of the psychedelia that will show itself later, but keeps itself on a plotted course, taking in some of the Persian influence musically — think a less manic version of some of what Blaak Heat are getting up to these days, with more crunch — despite its English lyrics and offering one of Dakota‘s finest stretches of thrust as it moves toward its ending, Stephan getting the last word on toms as a transition into side A finale “Overrun” (premiered here), which also serves as the centerpiece of the album as a whole, rightly so for its added depth of melody, locked-in groove and the sense of command which Samavayo as a whole bring to it, shifting into a memorable and melodic chorus fluidly in the midsection before Alavi‘s wah-soaked lead and another run through the hook finish out.

There is not one song on side B that isn’t longer than everything on side A, but the three tracks on the back end of Dakota — “Dakota,” “Cross the Line” and “Iktsuarpok” — aren’t necessarily branching out beyond the point of recognition from what the likes of “Kodokushi” had to offer, even if they deepen the stylistic impact overall, the title-track adding percussion to the mix as it makes its way toward a sprinting riff-rock hook before opening to a chorus slowdown that makes an effective landmark and, as it’s repeated again at the end of the track, a suitable apex ahead of the drums-into-chug that starts “Cross the Line.” More of a swinging rhythm, but a lot of the underlying theme is the same, and when the full-toned hook kicks in, “Cross the Line” resonates with one of Dakota‘s most memorable impressions, shifting back through the verse and chorus again before spacing out a bit in the bridge and skillfully returning to the chorus to finish out, perhaps the best example here of Samavayo repurposing a classic structure to suit their own progressive purposes.

That sets up an admirable balance of intricacy and accessibility as the band makes their way into the airier opening of closer “Iktsuarpok” — from the Inuit; meaning a feeling of anticipation someone has that keeps them looking outside to see if someone is coming — which tips the balance again toward semi-psychedelia despite the earthy underpinnings of the bass and drums. I don’t know if it’s an added layer of guitar or what, but “Iktsuarpok” offers an even fuller sound than much of Dakota, and even as it chugs its way into a quiet (and momentary) break, it skillfully holds the tension that the prog metal grand finale will pay off, the last words, “You don’t know,” ringing out over a last crash of guitar, bass and drums. It’s as fitting a close as one could think of to an album so clearly intent on conveying a particular experience — of the melding of cultures, of emigrating, of seeking refuge — but perhaps most noteworthy of all, it is a fitting summary of all the things that make Samavayo who they are sonically, and it’s the clear expression of that which allows Dakota to work so engagingly as it does.

Samavayo on Thee Facebooks

Samavayo on Bandcamp

Samavayo at Setalight Records

Tags: , , , , ,

audiObelisk Transmission 057

Posted in Podcasts on April 22nd, 2016 by JJ Koczan

Click Here to Download

 

Given my druthers, I’d have had this up more than a week ago, but there was a bit of a crunch last week as you may have seen, so here we are. Better late than something something. The important thing is here’s about two hours’ worth of new music from psych to drone to sludge and if I do say so myself, it’s a pretty good mix of all of it. The first hour gets pretty driving by the time you get down to Gozu and Domadora before the big chill out with New Planet Trampoline, and though I’m always happy to include audio from improv specialists Øresund Space Collective, their “Ode to a Black Hole Pt. 1” might be their most tripped-out affair yet. Darker for sure, but way, way gone.

As always, the theme is simple — new music — and the goal is perhaps you’ll hear something you didn’t know before. The impact of Elephant Tree’s “Aphotic Blues” forced itself into the playlist, and I’ve been digging the hell out of new Goya, Telstar Sound Drone and Gozu releases, so they had to be here too. I hear some Floor in Spotlights, but there’s more to them than just that, which I think you can hear in “The Grower,” and that’s really just the start of what gets to be pretty expansive by the time it’s finished. Hope you enjoy.

Track details follow:

First Hour:

0:00:00 Curse the Son, “Sleepwalker Wakes” from Isolator
0:05:58 Valley of the Sun, “The Hunt” from Volume Rock
0:08:14 Spotlights, “The Grower” from Tidals
0:15:27 Dunbarrow, “The Crows Ain’t Far Behind” from Dunbarrow
0:18:47 Goya, “Last” from The Enemy
0:23:27 Sourvein, “Avian Dawn” from Aquatic Occult
0:26:54 Gozu, “Nature Boy” from Revival
0:30:01 Domadora, “Rocking Crash Hero” from The Violent Mystical Sukuma
0:34:40 New Planet Trampoline, “Acts of Mania” from Dark Rides and Grim Visions
0:43:26 Telstar Sound Drone, “Dead Spaces” from Magical Solutions to Everyday Struggles
0:49:27 Samavayo, “Overrun” from Dakota
0:55:58 Elephant Tree, “Aphotic Blues” from Elephant Tree

Second Hour:

1:01:53 Black Moon Circle, “Warp Speed” from Sea of Clouds
1:14:54 Jupiter, “In Flux” from Interstellar Chronodive
1:28:43 Øresund Space Collective, “Ode to a Black Hole Pt. I” from Ode to a Black Hole

Total running time: 1:54:43

 

Thank you for listening.

Download audiObelisk Transmission 057

 

Tags: , , , , , , , , , , , , , ,