Samavayo & The Grand Astoria, Split: Soul on Kobaïa

Posted in On Wax, Reviews on July 23rd, 2015 by JJ Koczan

samavayo the grand astoria split 10 inch cover and record

Released to mark a month-long tour together earlier this year, the Setalight Records split 10″ between Berlin heavy rockers Samavayo and Russian genrenauts The Grand Astoria holds a few surprises along the way. Pressed to black vinyl, it’s a follow-up to Samavayo‘s 2014 joint release with One Possible Option, and for The Grand Astoria, who’ve worked with Setalight in the past on 2014’s La Belle Epoque (review here), as well as 2013’s Punkadelica Supreme (review here) and several other short releases along the way.

Though on paper it might seem like an awkward pairing — come to think of it, just about anybody paired with The Grand Astoria is kind of awkward on paper; their sound is expansive, and they’re more than capable songwriters, but you never quite know what they’re going to do next — they mesh pretty well, and with a side split between them, both bands give a quick glimpse at where they’re at stylistically without completely losing a thread going one into the other.

One might notice The Grand Astoria‘s skull-headed mascot on the cover art by Sophia Miroedova walking away from a temple — or maybe having his portrait painted in front of it? — over which Samavayo‘s sun-style logo resides in the sky. Both acts, then, are represented, one perhaps more subtly than the other. It’s much the same way with the music. On side A, Samavayo offer two tracks: “Intergalactic Hunt” (4:03) and “Soul out of Control” (8:06), while on side B, The Grand Astoria reaffirm their shift toward progressive rock with “Kobaïa Express” (11:30).

Each cut is distinct from those around it, one way or another, and “Intergalactic Hunt” stands out for its immediate sense of movement, the guitar of Behrang Alavi (also vocals) setting a tight rhythm that drummer/backing vocalist Stephan Voland and bassist/backing vocalist Andreas Voland match both in groove and nuance, building and releasing tension in the instrumental verses and chorus of the first half before shifting in the second to a bridge that gradually leads them back to where they started, the guitar line that started it all serving also as the leadout. Fitting somehow for Samavayo in terms of showing their range that they should go from an entirely instrumental track to one centered almost completely on its vocal hook.

Well, “almost completely” is a stretch. “Soul out of Control” still has its riff — a more laid back chug over which Alavi calls to mind any number of ’90s alt melodies — and at eight minutes, there’s plenty of room for Samavayo to give the song a sense of space. They do precisely that, even slowing down over the last two minutes to march the way out, but “Soul out of Control” remains a deceptively quick listen for topping eight minutes, and that too suits Samavayo well, their songwriting always at the core no matter how expansive a given track may or may not be.

And speaking of expansive, The Grand Astoria‘s “Kobaïa Express” takes its name from the fictional planet created by Magma drummer Christian Vander — or at least from the train that presumably gets you there with the minimum of stops en route — and is presented in the accompanying alien language, a morass of syllables sometimes closer to Italian, sometimes more Slavic depending on where the music is going in any particular movement. And it does go. Recorded as the six-piece of Kamille Sharapodinov (vocals, electric and acoustic guitar), Danila Danilov (vocals, keys, flute), Eugene Korolkov (bass), Vladimir Zinoviev (drums), and Igor Suvorov (lead guitar) with Ravil Azizov on clarinet, “Kobaïa Express” is nigh on visionary progressive metal, at times operatic and at times grinding, but always precise, heavy and intricately constructed.

The Grand Astoria have already followed this split up with a two-song full-length titled The Mighty Few on which each track tops 20 minutes, so we know it’s not as far as they’ll push into fleshing out arrangements and the like, but “Kobaïa Express” thrills nonetheless for its direct Magma-ism and the poise the band demonstrates throughout, and Samavayo‘s inclusions, both of which were recorded at the end of last year, bode well for what they might do on their own next outing. If nothing else, the moral of the story with their split would seem to be that that must have been one hell of a tour. Even though it’s long since over, the scope both bands show here does justice to the fact that they got together in the first place and unites in unexpected ways across a bridge of progressive stylization and heavy craftsmanship.

Samavayo & The Grand Astoria, Split (2015)

Samavayo on Thee Facebooks

Samavayo on Bandcamp

The Grand Astoria on Thee Facebooks

The Grand Astoria on Bandcamp

Setalight Records


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