As far as gigs in doom go, opening for Saint Vitus is close to as good as it gets. That’s the situation in which Oslo’s Tombstones find themselves as they continue to support their 2015 album, Vargariis (review here), released by Soulseller Records. Between the two, it’s a doomed-as-hell combo that will plod its way around Europe in May, and with Vitus continuing to work with original vocalist Scott Reagers, all the more an event for those fortunate enough to be in their path.
Can’t help but wonder too if Tombstones might have some new material on offer as we get a little further out from the Vargariis release. I asked bassist/vocalist Ole Helstad for some comment on doing the tour and he was tight-lipped on the possibility, but not mentioning it isn’t necessarily a no.
Dates and whatnot follow for the converted and soon to be converted:
Tombstones – Tour Supporting Saint Vitus
We’re hitting the European roads alongside Saint Vitus in May. Come bang your head!
TOMBSTONES live with SAINT VITUS: 08.04 Copperfields Stockholm SWE 02.05 Helvete Oberhausen DE 03.05 Schlachthof Wiesbaden DE 04.05 Backstage Munich DE 05.05 Kammgarn Schaffhausen CH 06.05 Little Devil Tilburg NL 07.05 Patronaat Haarlem NL 08.05 Day off 09.05 Bastard Club Osnabruck DE 10.05 Hafenklang Hamburg DE 11.05 Voxhall Aarhus DK 12.05 Nojesfabriken Karlstad SWE 13.05 Pokalen Oslo NO 14.05 Pumpehuset Copenhagen DK
Says Ole Helstad:
“We are extremely thrilled to finally go on tour with Vargariis. It’s been a while since last time, and we miss meeting our friends and fans around Europe. It’s such a huge honor to be able to share stages with such legends as Saint Vitus. It’s a dream come true for us.”
Tombstones has taken up on their Norse heritage, evolving from their previous stoner-influenced sound, now descending into the dark side of the gloom.
“Vargariis” finds the band leaning towards the bleak and desperate, assaulting the listener with their blackened, thunderous wall of fuzz and despair.
Posted in Whathaveyou on January 30th, 2017 by JJ Koczan
I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.
Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant Tree, Black Spiders, Stubb, Vodun, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Terminal Cheesecake, Chubby Thunderous Bad Kush Masters, Mammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.
Wish I could be there to see it.
Here’s the announcement of the individual day lineups from their website:
DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!
Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.
Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.
It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.
The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.
As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.
For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.
So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.
DESERTFEST LONDON 2017 Final Lineup: SLEEP SLO BURN TURBONEGRO CANDLEMASS WOLVES IN THE THRONE ROOM SAINT VITUS JOHN GARCIA BAND BONGZILLA LOWRIDER SCISSORFIGHT BLACK SPIDERS SAMSARA BLUES EXPERIMENT THE PICTUREBOOKS STONED JESUS SATAN’S SATYRS INTER ARMA WEAR YOUR WOUNDS 1000MODS STEAK AVON DEATH ALLEY DEAD LORD BOSS KELOID PONTIAK YURI GAGARIN HARK VODUN CHRON GOBLIN PIGS PIGS PIGS PIGS PIGS PIGS PIGS THE WELL MAMMOTH STORM CELESTE STUBB MONOLITHIAN WUCAN VENOMOUS MAXIMUS BRUME APEY & THE PEA ELEPHANT TREE GRAVE LINES IRON WITCH EARTH SHIP BACKWOODS PAYBACK WIZARD FIGHT BRULE CLOSET DISCO QUEEN GRAND MAMMOTH CHUBBY THUNDEROUS BAD KUSH MASTERS MAMMOTH WEED WIZARD BASTARD SAMAVAYO WELCOME BACK DELTA DEAD LETTUCE MONSTERTONE LEDFOOT ZOMBI TERMINAL CHEESECAKE KHÜNNT BASK BRUXA MARIA
Posted in Whathaveyou on January 13th, 2017 by JJ Koczan
As doom legends Saint Vitus join Sleep and John Garcia in headlining, things seem to still just be heating up for Desertfest Berlin 2017. The reason I say so is the fest has just announced plans to expand beyond the Astra Kulturhaus for the first time in its five-year history. It will now incorporate multiple spaces in RAW, including two other clubs near to the Astra at which affiliated shows will be hosted put on by local promoters. Pretty awesome news, quite frankly, and it gives those fortunate enough to be in attendance even more options for how to spend their time as Desertfest gradually takes over the whole area for the weekend.
The fest made the announcement thusly:
Desertfest Berlin 2017 We go BIGGER and BETTER: additional Venues / SAINT VITUS to Headline
2017 – DESERTFEST will conquer all of RAW !
That means, for all of you who don’t know, the wonderful RAW-Area where our main venue ASTRA is located. It is a former GDR train maintenance station with lots of now newly populated old factory buildings, lots of space to play and street art to enjoy. It means you get to roam freely in and outside of the Astra and go out and explore, as we will expand the festival to three more additional venues! Of course the traditionalists can enjoy the full program, eat & drink and get wild without leaving the premises – our main stage, our foyer stage, bingo-bongo bar and the beloved beergarden.
We are super stoked to have the venues CASSIOPEIA, URBAN SPREE and BADEHAUS BERLIN with us on board – three amazing clubs in three minute walking distance from Astra that will host special parties and more concerts. The events there will be curated by underground labels and promoters which we will introduce to you with several postings in the weeks to come.
Desertfest Berlin 2017 will feature more than 50 bands in total !!!
Also be prepared to welcome very special known people who are trading their instruments with turntables and deliver you exclusive DJ Sets!
In order to make things more fun we are forced to raise the ticket prices a tiny bit. But have no fear – until February 1st, you can still buy Tickets for 85 € (visit our Website, or use the links below in this release). After that, the weekend pass will be 95 €. We hope you like the news of our expanding ideas and you are looking forward to celebrate the biggest and best DESERTFEST ever ;)
SAINT VITUS TO HEADLINE DESERTFEST BERLIN 2017
On top of that great news, we are thrilled to tell you that SAINT VITUS will be our third headliner for this 2017 edition, alongside SLEEP and JOHN GARCIA ! BONGZILLA, STONED JESUS, MAMMOTH MAMMOTH and ODD COUPLE are also added to this year’s line-up !
SAINT VITUS (USA) Los Angeles titans Saint Vitus are over 36 years-strong and still bleeding black… Coming from the same school as Trouble or Pentagram, they are praised as one of the original instigators of doom metal. Even through the turmoil of personnel changes and re-formations, Saint Vitus have always held a position of respect in the underground heavy rock scene, and we are proud to have them headlining Desertfest Berlin 2017!!
BONGZILLA (USA) Before virtually any of these new jacks started claiming “weed metal” or anything of the like, there was Wisconsin’s Bongzilla. Formed in 1995 and devoted to all things green, the band infuses its homegrown, psychedelic sludge sound with a distinctive Southern feel. After several releases and lineup transformations, the band went on hiatus in the late 00s. But since 2015, Bongzilla are back to deliver their stoned out, tuned down, Sabbath inspired stoned music to the world, and have proven that their live shows are not to be missed!
STONED JESUS (UKR) It’s been half a decade since Ukrainian heavy trio released their second album, “Seven Thunders Roar”, and it would be hard to imagine they had any idea the audience it would find back then. This year at Desertfest Berlin, to mark the fifth anniversary of “Seven Thunders Roar”, Stoned Jesus will perform a set featuring their most famous album in its entirety!! They are at work on new material as well, so keep an eye out for more updates!
MAMMOTH MAMMOTH (AUS) Melbourne’s Mammoth Mammoth just emerged from the studio with a new album locked, loaded and ready to fire! Again, the recording was not without the usual disturbances that plague this foursome. Yes the police came (and not to jam a few tunes). Yes, there was a chemical fire. And yes, a little voodoo was practiced. And okay, the bass player did barely survive a motorcycle crash just before the final tracking. But nothing short of Armageddon was gonna stop MM from getting the job done and to launch this new album at Desertfest Berlin!!
ODD COUPLE (GER) Odd Couple are a Berlin duo with guitars, drums and hands. Together they play a fast paced, sweaty rock ‘n’ roll, wwhere it dwho is playing which instrument, it’s all about setting a room on fire – with limited resources. Another new edition of the Black Keys formula? Not at all!
Previously confirmed for this year’s DESERTFEST BERLIN: SLEEP, JOHN GARCIA & BAND (playing songs from Kyuss to Slo Burn), SAMSARA BLUES EXPERIMENT, MARS RED SKY, LOWRIDER, 1000MODS, TOUNDRA, ECSTATIC VISION, SUMA, THE COSMIC DEAD, PONTIAK, TUBER, SATAN’S SATYRS, WUCAN, VENOMOUS MAXIMUS, THE WELL, GOLD, RIFF FIST, TSCHAIKA 21/16.
It’s been a long time. Long enough that I’m not even going to link back to the last time I did a round of Radio Adds. Life happens, and with the Quarterly Review, I guess my focus went elsewhere. Well, I just did a Quarterly Review, and that actually kind of inspired this, since I found there was yet more records that wanted covering even after that over-full round of 60 that closed out 2016 and opened 2017. So here we are.
There are, in fact, more than 50 albums being added to The Obelisk Radio playlist today. I can’t promise I’ll do Radio Adds weekly like I once did, or monthly, or again in 2017, or ever, but the opportunity presented itself and it seemed only right to take advantage. This stuff all came out last year, so it’s all readily available, and audio samples are included, because, you know, music and such.
Let’s dig in:
Lord Mountain, Lord Mountain
Of all the styles under the vast umbrella of “heavy,” traditional doom is among the hardest to execute – especially, I’d think, for new bands. You need a balance of atmosphere and lack of pretense, a classic vibe, riffs, and groove. On the surface, you’re playing to the past, but if you put out something that just sounds like Sabbath and bring nothing of yourself to it, you’re sunk. Santa Rosa, California’s Lord Mountain – vocalist/guitarist Jesse Swanson, guitarist Sean Serrano, bassist Dave Reed and drummer Pat Moore – would seem to have it figured out on their self-titled debut EP. Released by King Volume Records on limited tape, it brings forth four tracks in 21 minutes that are no less comfortable playing to the downer riffing of Candlemass – opener “Fenrir” – than to the epic chanting of Viking-era Bathory – “Under the Mountain” – and that find distinction for themselves in nodding to one side or the other as they make their way across the bass-y Sabbathism of “Dying World” and into the concluding solo-topped gallop of “Tomb of the Eagle” (more Dio-era there, but effectively translated tonally). As an initial offering, its presence is more stately than raw, and part of that is aesthetic, so I still think Lord Mountain will have growth to undertake, but their EP shows marked potential and brings a fresh personality to doom’s rigid traditionalism, and there’s nothing more one could reasonably ask of it. A CD would probably be too much to ask, but it’s hard to believe no one’s snagged it for a 10” release yet.
Behold the winding, self-directed narrative of underrated, underutilized and underappreciated New York heavy rockers The Giraffes, who issued Usury via Silver Sleeve Records in Jan. 2016, on the cusp of their 20th anniversary and with it welcomed back frontman Aaron Lazar (also a one-time contributor to The Book of Knots, speaking of underrated) to the fold alongside guitarist Damien Paris, drummer Andrew Totolos and bassist Josh Taggart. Comprised of just six songs with a 28-minute runtime, it nonetheless holds to a full-album sentiment, with songs like the tense “Washing Machine” working in a vein not dissimilar to their righteous 2008 offering, Prime Motivator (review here), while the preceding “Facebook Rant” and “Product Placement Song” bask in a social commentary that one can only hope the ensuing decades make dated and the subsequent “White Jacket” has a melancholy danceability that one might’ve related around the time of The Giraffes’ 2005 self-titled debut related to System of a Down, but now just sounds like an enrichment of their approach overall. Usury gets off to a slow start (not a complaint, given the groove) with “Blood Will Run,” which seems to shake off its dust initially before commencing its real push and chug circa the halfway point, but by the time they get down to eight-minute finale “How it Happened to Me,” the sudden conclusion of the jam leaves one to wonder where they went and when they’ll be back, which presumably is the whole idea. Behold a band who did it before it was cool, should’ve been huge, and still kept going. The story is more complicated than that, but there are few tales more admirable.
The first Saint Vitus live album – Live – surfaced in 1990 via Hellhound Records and captured the band in Germany in 1989. Its 2005 reissue on Southern Lord played a large role in introducing the pivotal doomers to a new generation of fans. Live Vol. 2 follows some 26 years later via Season of Mist and likewise documents a crucial era in the four-piece’s existence, having been recorded in 2013 in Luxembourg following the release of their 2012 album, Lillie: F-65 (review here), with the lineup of vocalist Scott “Wino” Weinrich, guitarist Dave Chandler, bassist Mark Adams and drummer Henry Vasquez. It’s a 59-minute set, all told – one suspects some of Chandler’s stage rants between songs were shortened or removed – and among the most striking impressions it makes is how seamlessly Lillie: F-65 cuts “Let Them Fall,” “The Bleeding Ground” and “The Waste of Time” fit in alongside classics like the speedy “War is Our Destiny” and “Look Behind You” or the more grueling “Patra (Petra)” and galloping “White Stallions.” Of course, the anthemic “Born too Late” closes out, with Chandler’s wash of feedback and all-low-end tone at the start the ultimate hallmark of what Saint Vitus have always been – a middle finger to square culture unlike any other. This era of the band may be over, with original vocalist Scott Reagers stepping back into the frontman role, but as one continues to hope for another studio album, Live Vol. 2 proves more than a stopgap and takes an active role in adding to the band’s legendary catalog.
After two successful full-lengths in 2010’s Skygrounds and 2012’s Slow Rivers, next-gen Swedish heavy rockers Långfinger join forces with Small Stone Records for their 10-song/46-minute third album, the crisply-executed Crossyears. Like their countrymen labelmates in Jeremy Irons and the Ratgang Malibus, the Gothenburg three-piece bring modern edge and production to what a few years ago might’ve been purely retro ‘70s boogie rock, as tracks like “Fox Confessor,” “Say Jupiter,” the more languid “Atlas” and “Caesar’s Blues” bask in a showcase of tight, natural performance with a clean production style that still highlights same, bassist/keyboardist/vocalist Victor Crusner, guitarist/backing vocalist Kalle Lilja and drummer/backing vocalist Jesper Pihl proving the maturity of their songwriting while still delivering the push of “Silver Blaze” and closer “Window in the Sky” with a sense of energy behind them. Their approach so solidified, Långfinger don’t seem to leave much to chance in their sound, but Crossyears engages heavy rock tradition effectively while bridging a gap of decades across its run, and that, frankly, seems like enough for any one record to take on.
Soggy’s self-titled LP, released in this edition by Outer Battery Records (see also Arctic, Earthless Meets Heavy Blanket), is a reissue of a 2008 collection of tracks from a span of years that find the blown-out French punkers paying direct homage to The Stooges with a cover of the seminal “I Wanna be Your Dog,” immediately drawing a line to what seems to have been the band’s most prominent influence. Some 35-plus years after they were initially put to tape, Soggy’s tracks continue to feel dangerous and raw in their frenetic proto-punkery, and that would seem to be exactly what the Soggy LP is looking to convey, digging into the vast trove of lost artifacts in heavy and punk rock and finding a treasure ripe for hindsight appreciation. As much as it just makes me want to put on the self-titled Stooges record or Fun House, I can’t argue with the success of Soggy’s Soggy or not admire its mission, even if some of its blows land harder than others.
The 1990 Live album by Saint Vitus is a landmark, showcasing the doom legends’ raw power in a still-shockingly pure form. Originally released by Hellhound and reissued by Southern Lord in 2005, it was no less visceral 15 years later, and more than a decade after that, to say it still holds up is to brutally understate the case. Season of Mist will issue a follow-up to Live in the form of the aptly-named Live Vol. 2 on Sept. 23, from which one can stream a premiere of “War is Our Destiny” below right now.
Recorded in 2013, it captures Saint Vitus supporting their 2012 reunion album, Lillie: F-65 (review here), on a European tour with that album’s lineup: vocalist Scott “Wino” Weinrich, guitarist Dave Chandler, bassist Mark Adams and drummer Henry Vasquez. Original vocalist Scott Reagers has since stepped back into the frontman role, and with him, the band will head out with The Skull and Witch Mountain on a US tour just days after Live Vol. 2 comes out.
From the PR wire:
Doom pioneers SAINT VITUS are a heavy metal institution. The forthcoming ‘Live Vol. 2’ captures a dominating, Wino-fronted 2013 Euro festival headline set from the ‘Lillie: F-65’ line-up. The band roars through a set of classics (“War Is Our Destiny”, Born To Late”, “Dying Inside” + ) at maximum volume leaving no doubt that this is prime VITUS. Strictly limited to one-pressing only on CD and LP. In stores on September 23rd.
Track-list 01. War Is Our Destiny 02. Look Behind You 03. Let Them Fall 04. The Bleeding Ground 05. Patra (Petra) 06. The Troll 07. The Waste Of Time 08. White Stallions 09. Thirsty And Miserable 10. Dying Inside 11. Born Too Late
Recording line-up: Dave Chandler: guitar Scott “Wino” Weinrich: vocals Mark Adams: bass Henry Vasquez: drums
Available formats: Digipak CD Gatefold double vinyl Digipak CD with digisleeve bonus CD Triple gatefold vinyl with bonus album
Saint Vitus on tour w/ The Skull & Witch Mountain: Sept. 27 Austin, TX @ Midway Field House Sept. 28 Dallas, TX @ Gas Monkey Dallas Sept. 29 San Antonio, TX @ The Mix Sept. 30 Shreveport, LA @ Riverside Warehouse Oct. 1 New Orleans, LA @ One Eyed Jack’s Saloon Oct. 2 Atlanta, GA @ The EARL Oct. 3 Raleigh, NC @ Kings Oct. 5 Philadelphia, PA @ Underground Arts Oct. 6 Boston, MA @ @Middle East Oct. 7 Brooklyn, NY @ Saint Vitus Bar Oct. 8 Cleveland, OH @ Grog Shop Oct. 9 Indianapolis, IN @ 5th Quarter Lounge Oct. 10 Chicago, IL @ Reggie’s Bar Oct. 11 Madison, WI @ High Noon Saloon Oct. 12 St. Paul, MN @ Turf Club Oct. 14 Missoula, MT @ Erosion Festival Oct. 15 Seattle, WA @ El Corazon Oct. 16 Portland, OR @ Star Theater Portland Oct. 18 Sacramento, CA @ Starlite Lounge Oct. 19 Oakland, CA @ Oakland Metro Operahouse Oct. 20 Costa Mesa, CA @ Wayfarer. Oct. 21 Los Angeles, CA @ The Viper Room Oct. 22 San Diego, CA @ Brick By Brick Oct. 23 Tucson, AZ @ Southwest Terror Fest
This is one of those tour-to-end-all-tours tours. Beginning in Austin on Sept. 27, including a stop Oct. 14 at Erosion Fest and culminating Oct. 23 at Southwest Terror Fest, the newly-announced tour with Saint Vitus, The Skull and Witch Mountain also covers both coasts in nearly its month-long stretch. I’ll admit the prospect of seeing these three bands together at the Saint Vitus Bar in Brooklyn has my arm hair standing on end, remembering the Vitus-at-Vitus gig from 2012 (review here) as one of the best shows I’ve ever seen, at that venue or anywhere else. It’ll be a different lineup of the band this time, with original vocalist Scott Reagers back in that position as the Die Healing-referential poster art indicates, but they’re keeping excellent company in The Skull and Witch Mountain as well, so kudos all around, including to Nanotear, which put the package together.
Witch Mountain have a couple dates as well en route to meeting up with the others. Find the complete routing, including those shows, below:
SAINT VITUS tour dates All dates with THE SKULL, WITCH MOUNTAIN Sept. 27 Austin, TX @ Midway Field House Sept. 28 Dallas, TX @ Gas Monkey Dallas Sept. 29 San Antonio, TX @ The Mix Sept. 30 Shreveport, LA @ Riverside Warehouse Oct. 1 New Orleans, LA @ One Eyed Jack’s Saloon Oct. 2 Atlanta, GA @ The EARL Oct. 3 Raleigh, NC @ Kings Oct. 5 Philadelphia, PA @ Underground Arts Oct. 6 Boston, MA @ @Middle East Oct. 7 Brooklyn, NY @ Saint Vitus Bar Oct. 8 Cleveland, OH @ Grog Shop Oct. 9 Indianapolis, IN @ 5th Quarter Lounge Oct. 10 Chicago, IL @ Reggie’s Bar Oct. 11 Madison, WI @ High Noon Saloon Oct. 12 St. Paul, MN @ Turf Club Oct. 14 Missoula, MT @ Erosion Festival Oct. 15 Seattle, WA @ El Corazon Oct. 16 Portland, OR @ Star Theater Portland Oct. 18 Sacramento, CA @ Starlite Lounge Oct. 19 Oakland, CA @ Oakland Metro Operahouse Oct. 20 Costa Mesa, CA @ Wayfarer. Oct. 21 Los Angeles, CA @ The Viper Room Oct. 22 San Diego, CA @ Brick By Brick Oct. 23 Tucson, AZ @ Southwest Terror Fest
Witch Mountain shows on the way to meet up with Saint Vitus + The Skull: 9/22 Portland, OR – Dante’s (WM only) 9/23 Boise, ID – Neurolux (WM only) 9/24 Salt Lake City, UT – Metro (WM only) 9/25 Denver, CO – Hi-Dive (WM only)
Working out of a home-base in Missoula, Montana, Erosion Festival 2016 has announced a formidable lineup bringing together bands from the West Coast and the Midwest and beyond, including headliners Saint Vitus, Acid King and The Skull, for a two-night stint at Stage 112. Familiar names from the Pacific Northwest include Mos Generator, Witch Mountain, Mammoth Salmon, Teepee Creeper, Mother Crone and Disenchanter, and they’re joined by Thorr Axe, Chron Goblin, Stone Elk, Wizzerd, American Falcon, and others for a heavy weekend surrounded by mountains and Montana’s open sprawl. I wonder if it snows in Missoula in October.
There’s more info to come from the fest in terms of who’s playing when, how much tickets are, how to buy them, when to buy them, and so on, but the lineup is the news here and the lineup is more than solid. If you’re wondering, Missoula does have an international airport. Not that I’ve looked or anything, but flights seem to be pretty cheap.
From the festival:
We are very excited to finally announce our entire 2016 Erosion Festival line-up! It’s an honor to have these awesome bands on board for 2016, please welcome SAINT VITUS, THE SKULL, ACID KING, and WITCH MOUNTAIN!
Erosion will be held in Missoula, MT on Friday October 14th and Saturday October 15th @ Stage 112. 18 bands total for 2 nights of heavy music and great times we hope to see you there!
We will have ticket information soon, our facebook event page, and the official Erosion Fest 2016 poster, with all the information you’ll need.
Thank You all for supporting us and we’ll see you in October!
Erosion Festival lineup: Saint Vitus The Skull Acid King Witch Mountain Mos Generator Thorr Axe Mammoth Salmon Mother Crone Disenchanter Chron Goblin Teepee Creeper Swamp Ritual Stone Elk American Falcon Shramana Wizzerd The Old Ones Piranha Dog
Don’t get me wrong, I dig Saint Vitus‘ Thirsty and Miserable EP for what it is, but I think the bigger impact of the 1987 release has to be what it said about who the band were and the ground it so brazenly tread upon, namely that of Black Flag. Now, Vitus had been putting stuff out through Greg Ginn‘s SST Records since their 1984 self-titled debut, and maybe having them take on Black Flag‘s track “Thirsty and Miserable,” which appeared on that band’s Damaged full-length in 1981, was an idea that came up as a way of bridging the gap between the ultra-Sabbathian Saint Vitus and SoCal’s punker elite, which famously hated the band. I wasn’t there, but my understanding is it didn’t work.
Nearly 30 years later, however, the Thirsty and Miserable EP holds a special place in Saint Vitus lore. Complemented by the two originals “Look Behind You” and “The End of the End,” the EP’s titular cover isn’t about meeting a fanbase halfway so much as showing the fuckall that had rooted itself into the band’s approach by this time — somewhat ironic since that very same fuckall is precisely what they had in common with the punk of the day. Coming off their third album, Born too Late, the band sound assured on Thirsty and Miserable of their sound and style, and listening to them run through “Thirsty and Miserable” and “Look Behind You” — both of which wind up pretty fast — and the swinging “The End of the End,” they make a convincing argument that if the world doesn’t get it, it’s the world’s problem. In hindsight, it’s easy to hear that statement and view it as being correct. Plus, they talk about breaking into a liquor store, and that’s hilarious.
This is Wino Wednesday number 199 out of 200. Next week we’ll wrap up the series and hopefully end on a positive note. Since this is the last time Saint Vitus will be featured as a part of it, I thought it important to include something special. Enjoy: