The Obelisk Show on Gimme Radio Recap: Episode 16

Posted in Radio on May 27th, 2019 by JJ Koczan

gimme radio logo

This was the first episode of The Obelisk Show on Gimme Radio to air in the new timeslot of Friday at 1PM Eastern, and I’ll just be honest, I think it was the best one I’ve done yet. The music was right on, the rhythm of one song into the next. There’s a way to make a thing like this that carries a flow — remember mixtapes? Same deal. This one had that. It tripped out when it needed to with Kandodo3 and instead of going psych-blast at the end, it went heavy with Nomadic Rituals and Thronehammer. I loved opening with 16 Horsepower as something unexpected and apart from both the riffy and the Gimme norm, and from pairing Lord Vicar and Destroyer of Light — someone book that tour! — to Sacri Monti and Wild Rocket, everything just came together right.

Tapping Monster Magnet for a classic track (classic track! yay!) didn’t hurt either, but even aside from that, it was a cool show. I’m not sure of the timing on re-airings — they’re every Sunday now at 7PM Eastern; the old timeslot for new episodes — but Gimme also has that Brigade thing you can join and listen to their full archive of everything. I’m not trying to spend your money; just want to give you options and not be like, “Hey this awesome thing happened and you missed it!” On that thought, maybe I should start posting these playlists before the show airs. Hmm… Things to consider.

Here’s the full playlist:

The Obelisk Show – 05.24.19

16 Horsepower Hutterite Mile Folklore (2002)
Abrahma Last Epistle In Time for the Last Rays of Light*
Giant Dwarf Repeat After Defeat Giant Dwarf*
BREAK
Monster Magnet Ozium Spine of God (1992)
Vorrh Myths Nomads of the Infinite Wild (2018)
Kandodo3 Everything – Green’s – Gone K3*
Lord Vicar The Temple in the Bedrock The Black Powder*
Destroyer of Light Eternal Death Mors Aeterna*
Faerie Ring Lost Wind The Clearing*
Ruff Majik Speed Hippie Tarn*
BREAK
Sacri Monti Waiting Room for the Magic Hour Waiting Room for the Magic Hour*
Wild Rocket Caught in Triangle Again Disassociation Mechanics (2017)
Slomatics Mind Fortresses on Theia Canyons*
BREAK
Nomadic Rituals Face Down in the Sea of Oblivion Marking the Day (2017)
Thronehammer Behind the Wall of Frost Usurper of the Oaken Throne*

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is June 7. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Sacri Monti Confirm July 5 Release for Waiting Room for the Magic Hour; Title-Track Posted

Posted in Whathaveyou on May 17th, 2019 by JJ Koczan

SACRI MONTI

I’m sitting across the kitchen table from The Patient Mrs. just now and she’s telling me about some dude she’s acquainted with in some tertiary way who has a condition whereby he passes something like six kidney stones a month. That sounds fucking awful. What doesn’t sound awful is new Sacri Monti. That sounds like organ-laced West Coast heavy boogie groovy goodness. Much preferable.

The band’s second full-length for Tee Pee Records is called Waiting Room for the Magic Hour, as previously noted, and they’ll tour Europe soon after the July 5 release. We knew that too. But the song they’re streaming — the title-track — is enough to earn its own post, and with the re-confirmed album info and tracklisting, well, yeah, I’m more than happy to reiterate a few known factoids in service to the greater good of this stuff. Album preorders are up now from Tee Pee.

Therefore, dig:

sacri monti waiting room for the magic hour

Sacri Monti to Release Sophomore LP, ‘Waiting Room for the Magic Hour’, July 5

California Heavy Psych Band Featuring Members of JOY, Monarch and Radio Moscow Expands Its Already Kaleidoscopic Sound on Electric New Album

San Diego psychedelic heavy rock champions Sacri Monti return with a vengeance on their sophomore LP ‘Waiting Room for the Magic Hour’. Recorded at Audio Design (Earthless) with producer Jordan Andreen (Joy, Arctic), ‘Waiting Room for the Magic Hour’ sees Sacri Monti firing on all cylinders, somersaulting between the spontaneous and the musically calculated. Blues rock, prog rock, proto metal, fusion; it’s all masterfully represented, as brash as it is beautiful. ‘Waiting Room for the Magic Hour’ will see a July 5 release via Tee Pee Records.

On ‘Waiting Room for the Magic Hour’, heaps of fuzzed vocals, waves of keyboards, boogie rhythms, and sick, spiraling leads merge with focus, energy and drive to send Sacri Monti soaring to a next level, riff-filled land. Proggy space rock jams erupt as melodies segue in and out, while vocals drift over the top, seemingly lost in the instrumental sea. Sacri Monti come fully charged and ready to party, adding a new twist on heavy psych while delivering the soundtrack to an endless summer with ‘Waiting Room for the Magic Hour’.

A first listen to what ‘Waiting Room for the Magic Hour’ holds in store can be heard now as Sacri Monti has released the title track to the upcoming LP. Hear it now at this location.

Track listing:

1.) Waiting Room for the Magic Hour
2.) Fear and Fire
3.) Armistice
4.) Starlight
5.) Affirmation
6.) Gone from Grace
7.) Wading in Malcesine
8.) You Beautiful Demon

Pre-order ‘Waiting Room for the Magic Hour’ at this location.

16/07 UK Brighton Hope & Ruin
18/07 UK London The Black Heart
19/07 BE zottegem kaffee maboel/klsjr kllktv
20/07 DE Zentrum Zinsholz Eastfilly Fest
21/07 DE Munich Import Export
22/07 AT Wien Viper Room
25/07 ITA Lecco La Bottega d’estate c/o Lido di Casletta
26/07 ITA Sezzadio(Alessandria) Cascina Bellaria
27/07 ITA Moos in Passeier,Südtirol Crystal Mountain Festival
28/07 ITA Padova Curtarock
31/07 FRA Paris Supersonic
01/08 DE Köln MTC
02/08 DE Beelen Krach am Bach Open Air
04/08 DE Aschaffenburg – secret show
07/08 DE Berlin Zukunft
08/08 CZ Louny TBA
09/08 DE Sizendorf Void Festival
10/08 PT Moledo Sonic Blast Moledo Festival
11/08 FRA Picardie Celebration Days Festival

Sacri Monti is:
Brenden Dellar -Guitar
Dylan Donovan- Guitar
Anthony Meier- Bass
Evan Wenskay- Organ, Synth
Thomas Dibenedetto- Drums

https://www.facebook.com/sacrimontiband/
https://www.instagram.com/sacri_monti_band/
https://sacrimonti.bigcartel.com/
https://soundcloud.com/sacri-monti
teepeerecords.com
https://www.facebook.com/teepeerecords/
https://twitter.com/teepeerecords
https://teepeerecords.bandcamp.com/

Sacri Monti, “Waiting Room for the Magic Hour”

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Sacri Monti Announce European Tour; Waiting Room for the Magic Hour out July 5

Posted in Whathaveyou on May 1st, 2019 by JJ Koczan

SACRI MONTI
San Diego bringers-of-vibe Sacri Monti announced their new album, Waiting Room for the Magic Hour a couple months ago and noted a July 5 release for it when they put up the cover art (below; it’s the one that doesn’t say “Euro Tour”), but I haven’t seen much advance hype up to this point. I’m sure as soon as I post this something will come out to make that statement totally irrelevant — that’s usually how my timing goes — but either way, with their taking part in the 2017 Burnout three-way split with Harsh Toke and JOY (review here), having played Roadburn as part of the San Diego Takeover last year, and having impressed with their 2015 self-titled debut (review here), I’d think there’d be some decent anticipation to tap into for the new one. I’m looking forward to it, I guess is the bottom line.

They were previously announced for SonicBlast Moledo 2019 and Krach am Bach, but they’ve got a full round of tour dates up now that you can check out below, and it includes a bunch of other fests as well and club shows. They’ll be at The Black Heart in London. That place is always a good time.

Looks like a good run. Dig it:

Behold our European your dates for the Summer

16/07 UK Brighton Hope & Ruin
18/07 UK London The Black Heart
19/07 BE zottegem kaffee maboel/klsjr kllktv
20/07 DE Zentrum Zinsholz Eastfilly Fest
21/07 DE Munich Import Export
22/07 AT Wien Viper Room
25/07 ITA Lecco La Bottega d’estate c/o Lido di Casletta
26/07 ITA Sezzadio(Alessandria) Cascina Bellaria
27/07 ITA Moos in Passeier,Südtirol Crystal Mountain Festival
28/07 ITA Padova Curtarock
31/07 FRA Paris Supersonic
01/08 DE Köln MTC
02/08 DE Beelen Krach am Bach Open Air
04/08 DE Aschaffenburg – secret show
07/08 DE Berlin Zukunft
08/08 CZ Louny TBA
09/08 DE Sizendorf Void Festival
10/08 PT Moledo Sonic Blast Moledo Festival
11/08 FRA Picardie Celebration Days Festival

Sacri Monti is:
Brenden Dellar -Guitar
Dylan Donovan- Guitar
Anthony Meier- Bass
Evan Wenskay- Organ, Synth
Thomas Dibenedetto- Drums

https://www.facebook.com/sacrimontiband/
https://www.instagram.com/sacri_monti_band/
https://sacrimonti.bigcartel.com/
https://soundcloud.com/sacri-monti
teepeerecords.com
https://www.facebook.com/teepeerecords/
https://twitter.com/teepeerecords
https://teepeerecords.bandcamp.com/

Sacri Monti, “Sleeping for Years”

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SonicBlast Moledo 2019 Adds Monolord, Lucifer, Satan’s Satyrs, MaidaVale, Sacri Monti and More to Lineup

Posted in Whathaveyou on January 24th, 2019 by JJ Koczan

It was good lineup after one announcement, but here we are and SonicBlast Moledo 2019 has announced the next batch of acts for its bill, which, when you step back and really take it in, seems all the more formidable. Note the San Diego infusion this time around from Sacri Monti, Harsh Toke and Petyr. I can’t help but wonder if that might mean those bands will head out on tour together in Europe sometime around August. Would make sense, since they all seem familiar with each other anyhow, but of course that’s speculation.

What isn’t speculation is that one continues to daydream about a quick weekend trip to Portugal in order to see this festival. Have you ever watched videos from SonicBlast? Seen pictures afterwards? It looks pretty incredible, and somehow the thought of seeing Monolord in such a rare and gorgeous setting seems all the more fun, let alone the classic-style rock of MaidaVale.

Ah, to dream.

The announcement was posted on the ol’ social medias and looked an awful lot like this:

sonicblast moledo 2019 poster square

We’re thrilled to announce ten more bands to the 9th edition of SonicBlast Moledo!

Monolord, LUCIFER, Toundra, Satan’s Satyrs, SACRI MONTI, HARSH TOKE, PETYR, KALEIDOBOLT, MaidaVale and MAGGOT HEART will bring us some loud heavy fuzzy doom tunes!

Om (usa) + Orange Goblin (uk) + My Sleeping Karma (ger) + Windhand (usa) + Monolord (se) + Lucifer (se) + The Obsessed (usa) + Dopethrone (can) + Toundra (es) + Satan’s Satyrs (usa) + Sacri Monti (usa) + Harsh Toke (usa) + Petyr (usa) + Zig Zags (usa) + Kaleidobolt (fi) + Maidavale (se) + Minami Deutsch (jp) + Maggot Heart (se) +++ many more tba +++

Artwork by Branca Studio

Tickets are now available at here.
(Also available in Portugal, through BOL physical point of sales: Fnac, Worten, Ctt’s…)

SonicBlast Moledo 2019
8, 9 and 10 of August
Moledo
Portugal

https://www.facebook.com/events/183265999284942/
https://www.facebook.com/sonicblastmoledo/
https://sonicblastmoledo.com/

Monolord, Live at Saint Vitus Bar, Brooklyn, NY, Sept. 2018

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Roadburn 2018 Day Three: No Evil No Demon

Posted in Features, Reviews on April 21st, 2018 by JJ Koczan

roadburn 2018 day three banner

04.21.18 – 11:31PM CET – Saturday night – Hotel Mercure Rm. 224

A text came in this morning from The Patient Mrs., who told me she wanted me to be kinder to myself in how I described moving through the world around me. I saw this right when I woke up this morning, so had no idea what she was talking about. It was all the “galumphing” and “lumbering” and “waddling” and whatnot I’ve been doing the last few days. I told her it’s a running gag and that in describing my every movement from placebell witch 1 (Photo by JJ Koczan) to place today, I would use the word “farting” exclusively.

It was a busy day. I did a lot of farting back and forth. We did not set a new land-speed record in getting the Weirdo Canyon Dispatch to the press, but we did still manage to get it out on time like the pros that we are. It was a good thing, too, because Roadburn 2018 day three started extra early with Bell Witch at Koepelhal, and it was not to be missed. Clearly there would be no time for farting around.

The Seattle-based duo play here tomorrow as well, but today they were performing last year’s brilliant and affecting Mirror Reaper (review here) in its entirety, with six-string bassist Dylan Desmond and drummer Jesse Shreibman joined by Erik Moggridge, also known as the solo-performer Aerial Ruin, to contribute guest vocals as he does on the album, which was written in memory of former drummer Adrian Guerra, who passed away in 2016. The piece, an 80-minute single-song full-length, was to be rendered in its complete form, with all the crushing tones and searing emotional resonance brought to life.

I’ll be honest with you, it felt a little voyeuristic to watch. I’ve seen tribute sets at Roadburn before — one recalls the Selim Lemouchi tribute in 2014, and even as Bell Witch were playing today at Koepelhal, back at Het Patronaatbell witch (Photo by JJ Koczan)Stephen Brodsky and Adam McGrath of Cave In were paying homage to their late former bandmate, Caleb Scofield, who died in a car accident last month. But still. Maybe it’s just because it was so heavy coming from Bell Witch, or maybe it was the way Shreibman started out with his head down on his snare, or how he, Desmond and Moggridge all came together on vocals, but there was something so raw about the grief on display that it would’ve been next to impossible not to be affected by it. Powerful. Moving. One only hopes there some measure of catharsis derived from the process, because they managed to turn the darkest of feelings and sounds into something beautiful.

Somewhat dazed, I dragged my oafish, unworthy, hideous fucking carcass out of the Koeplhal — where in the merch area they couldn’t even find a Sacri Monti t-shirt big enough to wrap around my bloated fucking form (shit just got tragic; dial it back) — and over to the Hall of Fame where even-younger-than-I-thought-they-were-and-I-thought-they-were-pretty-young boogie rockers Supersonic Blues were getting set to go on. Hall of Fame is the smallest of Roadburn 2018’s venues, and I hadn’t been supersonic blues (Photo by JJ Koczan)inside yet other then to pop in on Petyr playing heavy ’70s covers yesterday, so this was my first real set there. Supersonic Blues also did a set of covers at some point in the last two days, and they worked a UFO song into this set of originals as well, I suspect because they just don’t have that much original material yet. They were allotted 50 minutes, and they’ve only released one two-song single (review here), so yeah. Maybe they just ran out of songs.

As happens in some fortunate occasions with young acts who aren’t arrogant as hell, Supersonic Blues are a better band than they know. They were somewhat timid on stage, or at least subdued, but their boogie, their tones and their swing were all right on, and their material was warm and classic feeling in a way that fit with some of the San Diego Takeover groups — PetyrArcticSacri Monti, etc. — but laid back enough to still be its own vibe. I was already looking forward to their next release and am only more so after seeing them play.

My next move was something of a debate. In the Green Room, Minami Deutsch and Damo Suzuki were doing a set together, which sounds like, yes, something you want to stand in front of for as long as you can. On the Main Stage, however, Panopticon were doing a full-on full-hour, and well, I watched both Minami Deutsch and Damo Suzuki yesterday — albeit in different contexts — and I’ve never seen Panopticon, so the Minnesota-based, folk-infused American black metallers won out. Not a phrase I say often. Led by guitarist/vocalist Austin Lunn, who also owns and operates Hammerheart Brewing in Minnesota, which smells delightfully like fresh-cut and/or burning wood when you go therepanopticon (Photo by JJ Koczan)Panopticon absolutely packed out the Main Hall, and with family members to the side of front of the crowd, they unleashed a torrent of USBM intensity that made no bones about its intent to scorch.

For a band who doesn’t tour nine months out of the year, their ownership of the big stage was complete and unflinching, and as they have a brand new record out in the form of The Scars of Man on the Once Nameless Wilderness I and II on Bindrune, their energy level was no less ferocious than the material itself, though there was plenty of dynamic to be had as well. I knew I wanted to be back in the Green Room for Volcano, so I hopscotched out of the Main Hall and downstairs to grab a quick bite to eat. Some vegan meatballs and seasoned mystery (actual-)meat later, I lubbered up to the front of the Green Room and there planted myself to wait for Volcano to hit it.

And I mean hit it. Led by the keys of Harsh Toke‘s Gabe Messer and the guitar of Joy‘s Zach Oakley, with Red Octopus‘ Billy Ellsworth on bass, I don’t even know who on drums, Sacri Monti and Joy drummer Thomas Dibenedetto on percussive sticks and Earthless‘ own Mario Rubalcaba sitting in on volcano (Photo by JJ Koczan)bongos and other percussion, Volcano were an Afrobeat-inspired melee of psychedelic funk, starting out their set with a song called “Naked Prey” and ending with their previously-posted single, “10,000 Screaming Souls” (discussed here), and in between, they were an absolute blast of rhythm, vibe and motion. “No Evil No Demon” invited shouting sing-alongs, and as my understanding is that their record is already done and they’re already signed to Tee Pee for the release — hardly a surprise given the personnel involved — I was thinking of their set as something of a preview of what’s to come when the album lands, but they were already crazy tight, locked in, and looking and sounding like they were having a total blast.

It was their second show. Two. I’d sat next to Ellsworth on the bus ride from the airport to Tilburg the other day and he told me the band figured they might as well get one under their belt before playing Roadburn. Their second show. In the Green Room. And they totally killed it.

They are a band about which you will no doubt hear more in the months, maybe years, to come, and they made an excellent lead-in for the psychedelic masterclass that long-running UK cosmotrodders The Heads delivered in the same space. I’ve seen The Heads at Roadburn before — they played the Main Stage in 2015 (review here) and subsequently released it as the live album, Burning up With… (review here) — and their history with the festival and with Walter goes back much farther than that, and as he worked the live video mixing projected behind them once again in the Green Room, the swirl was unmistakable and irresistible. Before they went on, the heads (Photo by JJ Koczan)I had been reading a news story about diamonds found in a meteorite that were supposed to be leftover from a planetary collision 4.7 billion years go or something like that.

Could there possibly be a better analog to what The Heads bring to the stage? Diamonds from space? Shit, as I watched them conjure a gravity well with “Coogans Bluff” and “Widowmaker,” all I could think about was a giant rock slamming with a couple billion years’ worth of momentum into the earth and Paul AllenWayne MaskellHugo Morgan and Simon Price popping out of the thing like a presidential birthday cake and jamming a swirl hot enough to melt crucial elements into new molecules. Heavy. Psychedelic. Perfection. I don’t think there’s really any other option when The Heads play except to stand there with your mouth agape and just try to retain as much of it as humanly possible. The only challenge is not snapping back to reality when they’re done and realizing you’ve lost time, like on an old episode of X-Files.

Oh, and by the way, The Heads are really, really, really fucking good.

I did not at all envy Sacri Monti the task of following them up, but the San Diego five-piece represented the Takeover well, with a contingent of their clique on hand to watch as guitarist/vocalist Brendan Dellar, guitarist Dylan Donavon, organist Evan Wenskay, bassist Anthony Meier (also of Radio Moscow) and Dibenedetto sacri monti (Photo by JJ Koczan)on drums tore into songs from their 2015 self-titled debut (review here) and some new material from the follow-up that that first album is due. I’ve no idea what the state of their next record is, but what they played sounded right on and though they were less spaced-out than The Heads, one could still get a sense of the intended continuity in the Green Room as they played, which started with Petyr and Minami Deutsch with Damo Suzuki, got far out with Volcano and The Heads and came back to the boogie via Sacri Monti before Sweden’s Maggot Heart closed out the room for the night with more of a post-punk vibe.

After poking my laughably-gargantuan cranium into the Main Hall to take a peak at Godspeed You! Black Emperor, whose second set of the weekend I’ll watch tomorrow, I poor-coordinationed my way over to Het Patronaat to close out my night with a blast of Japanese sludge from Greenmachine, who were performing their 1997 debut, D.A.M.N., in its entirety. Their onslaught was immediate save for a small technical issue with one of the amps, and they delivered a pummel worthy of the underground influence they’ve had in their home country and beyond. I was digging the hell out of it, but have no problem admitting I was done before they were. When it’s time to go greenmachine (Photo by JJ Koczan)back to the hotel and write, there’s really nothing else to be done except that.

With the banana I’d found earlier in the day backstage still in the side pocket of my cosmic backpack, I knuckledragged back to the hotel through a Weirdo Canyon that looked like some kind of clash of civilizations, with dance clubs open and beardo metallers sitting out in cafes red-eyed and addled from a long day of whathaveyou. The anthropologist in me — and no, there isn’t an anthropologist in me — wanted to start interviewing members of different subcultures to see how they could possibly exist in the same space at the same time, but, well, there’s still Day Four of Roadburn 2018 to go tomorrow, and plenty enough already to keep me busy in the meantime.

You know what I did tonight? I introduced myself to Ester Segarra. Zero chance you remember, but a couple months back, I posted about how incredibly talented a photographer she is (and she is) and the collection she had coming out via Season of Mist and I said that in all the years I’d seen her in the photo pit at Roadburn, I’d never been brave enough to introduce myself. Well, as I was on my way from Sacri Monti to Greenmachine, she was walking the opposite direction in the front hallway of the 013 and I stopped her, shook her hand and said who I was. It might’ve been the bravest thing I’ve done this weekend up to this point, and to be frank, I don’t really see myself trying to top it tomorrow. But hey, I said hi to Ester Segarra. And she didn’t even tell me to go fuck myself. She was super-nice. Bonus.

More of my nowhere-near-as-good-as-Ester-Segarra’s photography after the jump, if you’re up for it. Thanks for reading.

Read more »

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Roadburn 2018: Earthless to be Artist-in-Residence; Crowbar, Kikagaku Moyo, Zola Jesus, Mutoid Man, Joy, Harsh Toke, Petyr, and More Added

Posted in Whathaveyou on November 15th, 2017 by JJ Koczan

This invariably happens every year. Roadburn hits a point where the festival loses its damn mind and delivers a completely overwhelming onslaught of lineup additions, greatly affirming the overall character of the event as well as its ongoing utter creative dominance of the Spring festival scene in Europe. I knew it was coming. I guess I just didn’t expect it so soon.

More the fool I. Today, Roadburn 2018 confirms Earthless will serve as Artist-in-Residence, and in addition to playing a set on their own, they’ll jam out with krautrock legend Damo Suzuki of Can as well as lead the charge of a ‘San Diego Takeover’ featuring the likes of Harsh TokeJoyPetyr and Sacri Monti. Not only that, but Crowbar will play Odd Fellows Rest in full at Jacob Bannon‘s curated event, and another takeover — this time by Japanese psychedelia — brings confirmation of Kikagaku MoyoMinami Deutsch and Dhidalah. Oh, and there’s a shit ton of others added as well, including Mutoid ManJarboe and Ruins of Beverast.

If you can get your head around it, you’ve got one up on me, though it’s certainly fun to try. I got to write the Earthless announcement, so make sure you read that one. Here’s all of it from the PR wire:

roadburn 2018 banner

Roadburn Festival 2018 Artist in Residence announced; plus more lineup confirmations

– Earthless confirmed as 2018 Artist in Residence
– Huge San Diego Takeover project announced feat. collaborations and jam sessions.
– Japanese Psych Experience courtesy of Kikagaku Moyo, Minami Deutsch and Dhidalah
– Crowbar & Zola Jesus confirmed for Jacob Bannon’s curated stages

Artistic Director, Walter Hoeijmakers commented:
“To be Roadburn’s Artist in Residence is quite a prestigious position; it really gives bands a chance to open up and explore different facets of their collective personalities. Earthless are – to me – the perfect fit for this next year; their bond with Roadburn is strong and we’re thrilled to have seen them grow and develop over the years since they first played Roadburn. In fact, it will be a full decade since their first performance on a Roadburn stage – and what a way to mark the occasion.

“The whole San Diego Takeover has been over a year in the planning, and we’re still working on even more ways to enhance what is already going to be such an incredibly special part of Roadburn 2018.”

ARTIST IN RESIDENCE: EARTHLESS

Roadburn is proud to welcome back our benevolent cosmic instrumentalist overlords in 2018! Earthless will perform three sets as our Artist in Residence, including some incredibly special, Roadburn-exclusive jams.

It’s been a decade since the San Diego three-piece of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba set a standard for epic with the performance that became their landmark Live at Roadburn 2LP in 2008. Since then, Earthless have become the standard-bearers of a heavy psychedelic boom in California, inspiring countless acts around them.

As our Artist in Residence they will take the stage three times. For the first set, they’ll play in their standard three-piece incarnation, showcasing material from their upcoming 2018 album. The second set unites Earthless with progressive rock and improvisational legend Damo Suzuki, a set that is bound to be an occurrence of galaxy-shaking significance. If that’s not enough, Earthless will also take part in an ‘East Meets West’ psych jam with other members of the San Diego scene and members of Kikagaku Moyo from Japan.

The poster for Earthless was created by Maarten Donders.

Read more about Earthless, and Damo Suzuki.

SAN DIEGO TAKEOVER

Steeped in psychedelia and inspired by Earthless – who played a pivotal role in sparking this particular fire – the new breed of San Diego psych-rock bands is gearing up to launch themselves on Tilburg next April. Stand by; the San Diego circus is coming to town.

A veritable gang of musicians will be leaving behind the Pacific Ocean and making their way to the slightly less sun soaked – although no less open minded – vistas of Tilburg.

Each participating band will perform over the course of the weekend as part of the main festival programme at the 013, but a movement this influential deserves it’s own space to spread out, bloom, and indeed envelope us all. So, with that in mind, there will be a Californian takeover at the Hall of Fame on both Friday and Saturday; welcome to the San Diego Clubhouse!

When you count professional skaters among your ranks, it would seem remiss to not factor a skate expo into proceedings. Plus there will be visual exhibitions by the likes of JT Rhoades, Lannie Rhodes and BB Bastidas (the man responsible for the incredible poster below), there will also be stalls featuring Vol.4 Clothing and Psockadelic. We didn’t know we needed Roadburn branded socks until just now, but now we really need them…

More details will unfurl over the next couple of months, but for now, it’s time to get stoked: California is coming. Performing as part of the Roadburn 2018 San Diego takeover will be:
Harsh Toke
Sacri Monti
Joy
Petyr

Read more about the San Diego Takeover.

JAPANESE PSYCH: KIKAGAKA MOYO, MINAMI DEUTSCH, DHIDALAH

In conjunction with the San Diego Takeover, Roadburn 2018 will also host a Japanese psych experience! Steeped in ’60s and ’70s tradition, these bands are exploring psychedelia in a transportive and meditative way. Emphasis is put on the past, but they’re pushing the envelope, and it’s their forward-looking vision that’s prompted us to bring them to Roadburn 2018.

Please brace yourself to explore the sonic spectrum with these new champions of Japanese psych!

Centered around cult-label GuruGuruBrain, the following bands will perform as the Japanese counterparts of The San Diego Takeover:
Kikagaku Moyo
Minami Deutsch
Dhidalah

JACOB BANNON’S CURATION: CROWBAR

Crowbar have been at the forefront of heavy music for nearly three decades, and in 1998 released the album Odd Fellows Rest. This incredible album merged their existing heaviness with a refined melodic sensibility, creating one of the most powerful metal albums of the era.

Jacob Bannon comments:
“In 1991 I was introduced to Crowbar when I bought a tape of their Obedience Thru Suffering album. The sheer heaviness of the band floored me and I was hooked ever since. For me personally, their 1998 album Odd Fellows Rest is a high watermark of creativity. It is an incredible collection of songs that have been daily listens for me for nearly two decades. It’s an honor to have the band perform this record live at Roadburn Festival 2018.”

Read more about Crowbar.

JACOB BANNON’S CURATION: ZOLA JESUS

Zola Jesus is the stage name of Russian American musician Nika Roza Danilova. Under the name Zola Jesus, she has released a number of genre bending EPs and albums. Her approach is a cross pollination of electronic/industrial, classical, and gothic sounds; all of it coming together as a dark and emotional artistic experience.

Jacob Bannon comments:
“I first heard Nika’s work on the Stridulum EP. Every aspect of the release connected with me and it soon became a daily listen. The record (and all of her work) was relatable and infectious. I’ve been an avid listener ever since. Watching her artistry grow and deepen over time has been inspiring. Okovi, the latest from Zola Jesus is such a powerful album. I am truly honored to have Nika and Company at Roadburn 2018 as part of my curation.”

Read more about  Zola Jesus.

JARBOE FT. FATHER MURPHY

Jarboe has always made collaboration an essential part of her work, and her work with Italian duo Father Murphy has so far been incredibly fruitful. When they perform together at Roadburn, Father Murphy will take to the stage first and set the mood with heir creepy and enveloping aural tapestries, after which Jarboe, in all her glory, will join them to perform those songs. After that, the trio will perform a selection of some of the most powerful moments of the singer’s career so far.

Read more about Jarboe ft Father Murphy.

BIG BRAVE invite us to peek further into the shadows. Read more
DAWN RAY’D will be initiated into the Roadburn family. Read more.
HÄLLAS carry the heart and soul of the seventies. Read more.
KÆLAN MIKLA soundtrack the apocalypse with threatening darkwave rumblings beneath ominous monologues. Read more.
MUTOID MAN shake off the “super group” shackles and re-write the rules. Read more.
PLANNING FOR BURIAL are set to defy description and capture our hearts.Read more.
THE RUINS OF BEVERAST will reprise their 2013 show-stealing performance, this time with added Exuvia; they’ll play their latest album in full. Read more.
UNE MISÈRE are an explosive combination of elongated atmospherics and insanely meaty riffs. Read more.
WIEGEDOOD: furious catharsis, raging obscurity and fiery destruction from the Church of Ra  Read more.
WRECK AND REFERENCE shall devour genres and resist categorisation. Read more.
YELLOW EYES… With burning intention and a sight without limits, BLACK METAL AS SPIRITUAL WAR. Read more.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

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Roadburn 2018 Third Announcement Video

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Review & Full Stream: Harsh Toke, Joy & Sacri Monti, Burnout Split LP

Posted in audiObelisk, Reviews on June 22nd, 2017 by JJ Koczan

harsh-toke-joy-sacri-monti-burnout

[Click play above to stream the Burnout three-way split between Harsh Toke, Joy and Sacri Monti. It’s out June 23 via Tee Pee Records.]

Not to quibble on titles, but it’s way less Burnout than it is ignition. The West Coast heavy psych boom, centered in San Diego but with offshoots up and down throughout California in Los Angeles, the Bay Area, etc., is years underway at this point, and New York’s Tee Pee Records has proven to be among its most crucial documentarians. In bringing together Harsh TokeJoy and Sacri Monti — three San Diego bands who’ve all had albums out on Tee Pee — the long-running imprint has essentially reinforced the arrival of and camaraderie between members of one of the US’ most vibrant underground scenes. If they wanted, each of these groups could have headlined their own three-band split — there’s enough clout between them and enough other acts around to make that happen, easily — but in uniting them together, Tee Pee is going for broke in representing the particular energy and classic-minded shred that typifies San Diego’s explosive sound.

It is likewise no coincidence that Burnout — a six-song 12″ topping out at 26 minutes — should feature covers from each band as well as original material from Joy and Sacri Monti, since so much of what’s happening and what’s already happened in the heavy ’10s has owed its core approach to the heavy ’70s before it, so that to have Harsh Toke take on Roky Erickson for two tracks — something they also did for a full set at Roadburn festival this past Spring in the Netherlands — as Joy tears into “Spaceship Earth” by Road and Sacri Monti into “Sleeping for Years” by Atomic Rooster not only makes sense sonically, but effectively ties together the still-very-much-exploding current movement of bands with the crucial wave that preceded it nearly half a century ago.

I admit, that’s a pretty heady view of the mission here, and to listen to Burnout, the tracks don’t come across nearly so lofty in their aims, whether that’s Harsh Toke‘s drunk-at-the-piano dive into Erickson‘s “Burn the Flames” at the outset or the scorching, organ-soaked boogie drive of Sacri Monti tackling “Sleeping for Years” at the finish. And rightfully so. If it was pretentious or overly self-aware, the whole affair would fall flat, where in the front-to-back execution, it proves to be anything but, with both Joy and Sacri Monti right in their respective elements in both their own material and their cover selections while Harsh Toke prove to be somewhat the outliers as they leadoff the release. Not so much sound-wise — Roky Erickson‘s weirdo formative and massively influential psych isn’t out of context in their swaying reinterpretation — as in the simple concept of Harsh Toke playing songs.

harsh toke joy sacri monti burnout vinyl

Harsh Toke‘s 2016 split (review here) with San Diego scene lords Earthless — who along with Radio Moscow are very much the elephant in the room when it comes to not only the three outfits appearing on Burnout but the wider San Diego sphere as a whole — and their 2014 debut, Light up and Live, were essentially jam-based releases, and their live sets find them working in likewise methods. To hear them push through the fuzzy proto-punk of “Bermuda,” I’m not sure why they so generally avoid vocals, but the fact that it’s something that doesn’t happen all the time would seem to make it all the more of an event, and they are right at home in that track and “Burn the Flames” preceding, giving a sense of Erickson‘s character in the material while presenting it with their own energetic tack. Naturally, on a three-band split there’ are bound to be some stark leaps in sound, between groups — like on any multi-group compilation — but the speedier “Bermuda” also helps make way for Joy‘s “Your Time Ain’t Long,” the longest inclusion here overall at 5:27.

Meting out similar winding riffage to what high-speed-nodded throughout their 2016 third full-length, Ride Along! (review here), “Your Time Ain’t Long” serves as the first original of Burnout and cuts short after three-and-a-half shuffling minutes to a more languid drift, keeping some progressive tension beneath as it moves with deceptive efficiency back toward its hook. The trio count into “Spaceship Earth” for a live-in-studio feel that the raw fuzz of their tonality and echoing vocals backs up that impression. In their own composition as well as the 1972 Road track, it’s the guitar leading the charge, and even as “Spaceship Earth” moves into outside-the-atmosphere noise following an extended stretch of leads, tone provides the fuel for that ascent. Sacri Monti‘s “Over the Hill” follows immediately.

Their original, like that of Joy before them, showcases a fervent-enough ’70s influence to make its transition seamless, but is distinguished through the use of organ and the interplay there between keys and shred-prone guitar as was their 2015 self-titled debut (review here), and as a next step forward from that release, “Over the Hill” bodes well for the development of their chemistry on the whole. Their selection of an Atomic Rooster track is likewise admirable — and one has to acknowledge it must’ve been tempting, when looking at 1970’s Death Walks Behind You, to take on the title-piece — and they give the UK-based post-blues stompers their due while, like Harsh Toke and Joy before them, bringing their own personality to the presentation in a live-feeling onslaught of groove that dares you to keep up with its nigh-on-frenetic turns. It’s over quickly — so is Burnout as a whole — but Sacri Monti‘s cold finish to “Sleeping for Years” makes a fitting end to the split, since as the scene that birthed these bands also seems to do, it leaves one with the feeling of standing in front of the stage yelling for one more song.

And if they had done another, or if any of these groups came back out and did an encore, you wouldn’t find me complaining. Cities like San Diego, Encinitas, Visalia, Oceanside, and so on, have become more and more crowded over the last couple years, and I expect they’ll continue to for at least the next several years as we move toward and beyond 2020, but with the quality of output from Harsh TokeJoy and Sacri Monti both here and on their own offerings, it’s hard to argue with others wanting to pick up and try to capture some of the same vibe that’s presented as being so utterly molten across this split. In playing to their strengths, each of these bands represents some of the best of West Coast heavy psych as a whole.

Harsh Toke on Thee Facebooks

Joy on Thee Facebooks

Sacri Monti on Thee Facebooks

Burnout at Tee Pee Records

Tee Pee Records on Thee Facebooks

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Bow to Your Masters: Thin Lizzy Tribute to Feature High on Fire, Mos Generator, Mothership, Harsh Toke, Egypt and More

Posted in Whathaveyou on May 23rd, 2017 by JJ Koczan

Not that this one really needs a plug, considering that as of this writing Glory or Death Records‘ Kickstarter campaign for a Thin Lizzy tribute to be titled Bow to Your Masters has hit 274 percent of its fundraising goal, but it’s pretty awesome that as a result of that, the label has added a second LP to the project and announced the first band who’ll take part in it is High on Fire. The way the numbers have played out pretty much underscores the absolute no-brainer, duh-of-course-head-slap awesomeness of the idea in the first place, and among life’s many worthy tenets, “The more Thin Lizzy, the better,” continues to resound as dogma.

Will there be a Volume 2? Will Glory or Death earn enough in the remaining week of the campaign to add a third LP here? Time will tell.

Background info and the latest tracklisting update follow here, courtesy of the label:

Bow to Your Masters Volume 1: Thin Lizzy Set for Winter Release

First Vinyl Release from Glory or Death will be a Tribute Featuring Heavy Underground Heavyweights

Glory or Death Records is extremely excited to announce our first vinyl release, and the first in our series of Bow to Your Masters tribute albums. For this first release we chose a special band to pay tribute to: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

The album announcement comes with a Kickstarter campaign that has already met the original goal, but is still going until 5/30/17. The Kickstarter preorder features limited vinyl and art packages and surprise rewards that will be added in the second half of the campaign. Buying now will grant access to the highly-limited first pressing of Bow to Your Masters Volume 1: Thin Lizzy, which will feature some of the best heavy metal, rock, and psych bands in the business putting their own unique spin on classic Thin Lizzy songs.

The album features bands from innovative labels like Doomentia Records, Riding Easy Records, Ripple Music, Tee Pee Records, and Totem Cat Records.

The 10 bands coming along for the ride are: Mos Generator (Seattle, WA), Egypt (Fargo, ND), White Dog (Austin, TX), Red Wizard (San Diego, CA), Slow Season (Visalia, CA), Mothership (Dallas, TX), KOOK (San Jose, CA), Great Electric Quest (Oceanside, CA), Sacri Monti (Encinitas, CA), and Harsh Toke (San Diego, CA).

**UPDATE-2nd LP announced, High on Fire First Band Added**

LP1 Band/Track Listing
Mos Generator-Massacre
Egypt-Suicide
White Dog-???
Red Wizard-???
Slow Season-She Knows
Mothership-???
KOOK-Thunder and Lightning
Great Electric Quest-???
Sacri Monti-???
Harsh Toke-???

LP2 Band/Track Listing
High on Fire-???
???
???
???

The launch teaser video for the Kickstarter campaign includes a sample of Mos Generator playing a monster cover of Massacre, and there is also a teaser of Egypt’s version of Suicide. The rest of the tracks will be revealed before the end of the Kickstarter campaign. The album will release in late 2017—with a current target of November.
The album cover features art from renowned album and band/poster artists David Paul Seymour and Austin Barrett; the 4-panel cover will feature re-interpretations of classic Thin Lizzy photos and album covers. The Kickstarter campaign has reward tiers that include the 4 original art pieces that make up the cover as well as signed screen-prints of the 4 cover panels.

Details:
Kickstarter Address: http://bit.ly/gloryordeath
Kickstarter pre-order deadline: 5/30/17

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Thin Lizzy, Fighting (1975)

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