Rwake Interview with CT: If You Can Fill the Unforgiving Minute with 60 Seconds’ Worth of Distance Run…
Posted in Features on October 11th, 2011 by JJ KoczanOf the various kinds of heavinesses they emit — sonic, emotional, temperamental, etc. — where Arkansas post-sludgers Rwake are heaviest of all is in atmosphere. There’s something about their new album, Rest, that, in its most biting moments, reaches down your throat to pull the air from your lungs. It’s not just oppressively loud. Even quiet stretches like the opening introduction “Souls of the Sky” enact a kind of hegemony for the threats they contain.
Rest is the fifth and most realized Rwake (pronounced “wake”) album. It follows four years behind the band’s Relapse Records debut, Voices of Omens, and, like that album, was produced by the careful ears of Sanford Parker. That’s important to note because, as Rwake has stepped beyond their past work in so many ways across Rest‘s six tracks, there are still some consistencies of sound that work greatly to their benefit, and Parker‘s production is undeniably a big part of that.
But then, “big” seems to be the word all around when it comes to Rwake. The guitars of Kiffin Rogers and Kris “Gravy” Graves alternate between piercing leads and riffs that seem to be made of block cement, broken through only by Jeff Morgan‘s ultra-adaptable drums, Reid Raley‘s rumble and the dual-vocal assault of Brittany Fugate‘s snarled screams and CT‘s shouts echoing over the abyss like cliffside incantations yelled to gathering clouds.
As the frontman, CT has shown marked growth in his vocals, moving beyond the screams of Voices of Omens and earlier records like 2004’s If You Walk Before You Crawl, You Crawl Before You Die and 2002’s Hell is a Door to the Sun (reissued earlier this year by Relapse) to more controlled and overall cleaner shouting. It’s not exactly melodic, and he’s still able to match Fugate for ferocity on cuts like “An Invisible Thread,” but there’s no question that in the four years between Voices of Omens and Rest, he came into his own as a singer and as a central figure in the band.
The album is 53 minutes long. My interview with CT was 55. We spoke before the band’s short tour at the end of last month about the strange and protracted process by which Rest was recorded and how it ultimately helped in undertaking the aforementioned maturation, the move to longer songs, their current position as regards touring and much more, and even had some time at the end to bring in how he — as the director of the sludge documentary Slow Southern Steel — views Rwake within the expansive creative milieu of the American south.
You’ll find the complete 6,200-word Q&A after the jump. Please enjoy.