Posted in Whathaveyou on May 19th, 2014 by H.P. Taskmaster
Exciting news that Philadelphia’s Rosetta will have the chance this July to tour China. I mean, it’s cool enough just to get an opportunity to go to China, let alone tour there, so yeah, right on. Rosetta‘s latest release is 2013’s The Anaesthete, which you can hear in full below and was self-released last summer as a name-your-price download, but they’ve also got a new EP in the works called Flies to Flame that was mastered at the end of April and will be out later in 2014 on Translation Loss.
You can read about that project under the China tour dates below, all info snagged from their Tumblr:
TOUR: China Summer Tour 2014
We are delighted to announce that we will be touring in CHINA this summer! This is one of the most exciting opportunities we’ve ever had. Because of family/life events, we’re not able to do any other significant touring in 2014, but this was too good to pass up. Spread the word!
July 2: Hong Kong @ Hidden Agenda July 4: Shenzhen @ B10 July 5: Guangzhou @ SD Livehouse July 6: Wuhan @ Vox Livehouse July 8: Shanghai @ YYT Livehouse July 10: Chongqing @ Nuts Club July 11: Chengdu @ Little Bar July 12: Xi’an @ Guangquan Club July 13: Beijing @ Mao Livehouse
Our new EP, titled Flies to Flame, [has been] mastered. It’ll be out later this year in traditional formats — LP and CD — on Translation Loss Records. This not a pay-what-you-wish digital release.
This recording was a departure from our normal working style. We wrote the material in late 2012 and recorded it in a garage in early 2013, while we were writing The Anaesthete. It’s deliberately lo-fi, jangly, and experimental, a tribute to the stripped-down sound of the post-rock and drone records we loved when Rosetta began. Most of it was improvised as it was being recorded, and it was not edited or ‘fixed’ to make it sound polished. All the grit is there. We used different instruments and equipment than we normally play with, since this material isn’t intended to be played live. Instead it functions as a kind of process document, from an important and transitional year in our life as a band.
For the first time since The Galilean Satellites, we did all recording and mixing ourselves (with the invaluable help of our intern engineer, Alex Ruday). Mike Wohlberg is returning to create the artwork and layout, and James Plotkin is mastering it for both CD and vinyl.
Track list: 1. Soot 2. Seven Years with Nothing to Show 3. Les Mots et les Choses 4. Pegasus
Here is the Music Player. You need to installl flash player to show this cool thing!
There was a point during the making of this podcast when I stepped back for a second realized, “This is getting really heavy.” It kind of happened out of the blue, but it definitely happened, and though the thought occurred to me to maybe pull it back and get into some more rocking stuff in the second hour again, I decided instead to just run with it and have fun and go as all-out ridiculously heavy as I could think of. That’s when we get to Beast in the Field‘s 22-minute “Oncoming Avalanche.” I know I’ve had them in before, but if you’re going all out in 2013 releases, that’s where you’re gonna end up.
Plus, I figured there’s plenty of rocking stuff up front, starting with At Devil Dirt and the subsequent riff pushers in the first hour, and the whole thing rounds out with the psych-hypnosis of The Cosmic Dead, so though it’s far out by the conclusion, it does manage to come back from the ultra-weighted tones somewhat. Screw it. I was having a good time stringing together heavy songs. The bottom line of this whole thing is for it to be fun, and I was having fun, so there you go.
I hope you have fun with it too. Once again, we come in just under two hours with a slew of newer cuts and some stuff from earlier this year that maybe got missed along the way. Considering there’s so much pummel, it flows pretty well.
At Devil Dirt, “Don’t See You Around” from Plan B: Sin Revolucion No Hay Evolucion (2013)
Pigs, “Elo Kiddies” from Gaffe (2013)
Mutoid Man, “Scavengers” from Helium Head (2013)
Viper Fever, “Summer Time” from Super Heavy Garage EP (2013)
Sons of Huns, “I’m Your Dad” from Banishment Ritual (2013)
Blackout, “Seven” from We Are Here (2013)
Horisont, “Backstreet” from Time Warriors (2013)
Old Man Wizard, “If Only” from Unfavorable (2013)
Mother Susurrus, “Anagnorisis” from Maahaavaa (2013)
Coma Wall, “You are My Death” from Wood and Wire Split (2013)
Mollusk, “Hollowed” from Colony of Machines (2013)
Sea of Bones, “Failure of Light” from The Earth Wants us Dead (2013)
Corrections House, “Dirt Poor and Mentally Ill” from Last City Zero (2013)
Rosetta, “Myo/The Miraculous” from The Anasthete (2013)
Beast in the Field, “Oncoming Avalanche” from The Sacred Above, the Sacred Below (2013)
The Cosmic Dead, “Djamba” from The Cosmic Dead/Pigs Pigs Pigs Pigs Pigs Pigs Pigs Split (2013)
Posted in Features on July 12th, 2012 by H.P. Taskmaster
When vocalist Steve Murphy of Kings Destroy — who’s hands down one of the most solid dudes I’ve ever come across in my doomly travels — first pitched me on the idea of a European tour diary, I was like, “Yeah, alright, I’d be up for that.” And I was, but I kind of figured that the band would be too busy drinking good beer and kicking good ass to actually follow through on it.
More the fool I, and rarely have I been so thrilled to play the fool. Below, bassist Aaron Bumpus checks in from the road as Kings Destroy opens the Red Stage at Sweden’s Getaway Rock Fest and continues their European run with Rosetta. If you’ve missed the first installments of the tour diary, click here.
Berlin-Prague Official tour song: Scorpions, “Winds of Change” Official tour mascot: Paul Stanley
After another great show at Magnet with our tourmates, Rosetta, Kings Destroy says farewell to Berlin and heads north to Sweden. My mind begins to generate a rather long list of bands that were born in this country over the years, and I start to think, “What metalhead wouldn’t be psyched about going to Sweden?”. Especially when said visit involves an insane event like GetawayRockFest.
Driving up from Berlin to the ferry, we hadn’t slept much in the van. So once we boarded the ferry, I put my head down and was out within minutes. I did wake up a couple of times to take a peak outside at what appeared to be small glacial structures. An ominous mist rose off the top as we crept by. Fucking metal, indeed.
After a second blown rear tire in three days (this time on Rosetta‘s van), we continued on to Linköping, where we made camp for the night. We would get an early start in the morning. Of course, delays are inevitable sometimes. Without getting too detailed, I guess it’s fair to say we may have put a little too much faith in our GPS. Once we figured out a way to get to a much more reliable road, we hauled ass to Gävle with Captain Murphy at the helm, and arrived at the exact time we were scheduled to set up for soundcheck. The view from the “Red” stage at Getaway Rock Fest was a sight to behold, adjacent to the river, blue skies and a clear sunny day. Since we opened the show on our stage (with Rosetta to follow), we weren’t expecting much of an audience. This was the earliest set we’ve ever played (2PM), but sure enough, people started making their way over to rock with us. Good times on that stage — always nice to have a bit of room to run around. Well received, and we had the rest of the day to hang out, drink beer and watch some of the other bands.
The highlight for me was at about 4:30PM, when I was lucky enough to catch Suicidal Tendencies set in its entirety. I watched from the frontlines singing along every word like an obsessed angst-filled Dogtown teenager. One can never get tired of watching Cyco Miko bug out on stage — dude never seems to run out of energy. I can honestly say, with four stages, 12 hours of bands, blond headbanging as far as the eye can see, and of course, t-shirts of all kinds, from obscure local favorites to the usual hall of famers (Iron Maiden wins the t-shirt popularity contest without question), I’ve never seen anything quite like this. The magnitude of such an event is pretty unbelievable, until you witness it for yourself.
Spent some time hanging out with the guys from Weedeater, who are some of the nicest dudes, and always entertaining both on stage and off. You know what? I take back what I said earlier. The REAL highlight of my day was watching the Weedeater cats commandeer a forklift from the stage crew, going full throttle towards the backstage area, then Dixie riding the lift all the way up to the top and back down, all without spilling his beer.
Saturday’s headliner: none other than the legendary Yngwie Malmsteen, who has not slowed down one bit since Rising Force. Sweden’s prodigal son returns, in triumph, to unleash the fucking fury in his homeland. Now that’s a sight I never thought I would get to see.
After a quick ferry ride followed by a 16-hour drive, we’re back in Germany for a show in Hamburg. Our overall weariness from the drive may have added to the extra-slow set we delivered, making it appropriately doomtastic. We made friends with some of the locals who accompanied us to a metal bar in the neighborhood where we spent the majority of the rest of the night drinking beer and filling up the jukebox. Lots of laughs as we stumbled back to the venue/apartment where we were staying.
Before I tell the story of our arrival in Prague, I should mention we just had our third flat tire in a week (the second flat for Rosetta‘s van). In order to make the gig, we had both bands pile into one van with all our gear, and fucking tore ass across the German border. Pretty intense. We knew we were going to be late, but “the show must go on,” as they say. We didn’t mind playing a relatively short set so the Rosetta fans at Klub 007 would get their money’s worth.
It was also C-wolf‘s birthday yesterday. I can’t think of a better place to celebrate the man and the legend that is the C-wolf. The next morning, we took a walk into town. We really haven’t had much time to go out and explore, but I’m glad Prague was one of the three we’ve been able to check out. Old cities are something of a fascination of mine, and I’ve been fortunate to see several on this tour. Little by little, we’re creeping closer towards the end. It’s really starting to sink in that this thing is almost over. But, with six days left in the tour, there are bound to be a few more adventures.
They also have two other bands on the bill, but sue me, I’m biased. The Maple Forum veterans Kings Destroy will be celebrating the release of their album, …And the Rest Will Surely Perish on vinyl (the CD long since sold out), and they do so with future European tour partners Rosetta, with Clamfight — whose next record is now mixed, mastered and awaiting artwork, pressing and eventual Maple Forum release — and Floridian heavies Hollow Leg. It’s going to be quite a Wednesday, indeed.
If you’re in the area, obviously it’s got my vote for “places you should be” — free Genesee cans from 7-10PM adding to the already considerable element of danger — but even if not, I think you can appreciate the killer flyer they made featuring “sampled” Philippe Druillet art: