Ufomammut, 8: Infinity Turns Sideways

Posted in Reviews on August 30th, 2017 by JJ Koczan

ufomammut 8

Of the various words and phrases that might come to mind when considering Italian cosmic doom masters Ufomammut, ‘concise’ is probably pretty low on the list. Yet that’s exactly one of the most striking impressions made by 8, their aptly-titled eighth long-player and third for Neurot Recordings behind 2015’s Ecate (review here) and the preceding 2012 two-parter, Oro: Opus Primum (review here) and Oro: Opus Alter (review here). At 47:16, it’s about as long as was Ecate, but it uses its time for eight songs instead of that record’s six, and would seem to be continuing a progression toward efficiency of approach that record set forth, drawing back from the expanses of Oro or 2010’s single-song Eve (review here) in favor of a more immediate sonic impact. Of course, it’s still Ufomammut we’re talking about. Even when they were in their nascent stages across early releases like 2000’s Godlike Snake, 2004’s Snailking (discussed here) or 2005’s Lucifer Songs before 2008’s Idolum really marked the point of their arrival to wider consciousness as stylistic innovators (which they already had been for years at that point, but still), they went big in terms of sound, and 8 offers plenty of expanse, whether it’s in the nine-minute reaches of “Zodiac” or the radical tempo shifts of “Prismaze.”

But it becomes a question of context. 8 is Ufomammut‘s first album in more than a decade on which no song passes the mark of being 10 minutes long — that’s counting Eve as one track — and it’s not just about runtime. While opener “Babel” sets in motion at a steady roll, not necessarily in a rush but not gruelingly slow either, tripping out in its second half as bassist/keyboardist/vocalist Urlo, guitarist/keyboardist Poia and drummer Vita, set up an apex of crush to follow, subsequent cuts “Warsheep” and “Zodiac” build a tension that extends well past the midpoint of the latter and even then only recedes momentarily before reigniting. And as 8 continues to move forward, it becomes increasingly clear that the character of the album is as much about head-down intensity as it is about the sense of galactic expansion that seems to have always been so essential to Ufomammut‘s output.

As it invariably would, 8 brings new context to the turn of approach that really started with Ecate coming off of Oro, the 2015 outing serving as the point at which Ufomammut embarked on the redirection that continues here in songs like the thrusting four-minute “Fatum” or the aforementioned “Prismaze” that follows — both with their space-bound aspects, both with an overarching vibe of getting down to business as quickly as possible. But whether taken as part of the ongoing narrative of the three-piece’s progression or on its own merits, the album unquestionably succeeds in what it seems to set out to do, which is to blend expanse of sound with lung-collapsing tonal and rhythmic crush. There is much about it that will be familiar to longtime followers of the band, from the way its tracks jump right from one to the next — often in time or with noted and purposefully jarring tempo shifts, like different movements of one whole work — to the watery effects on Urlo‘s vocals, but as identifiable as these elements are, Ufomammut continue to develop their craft as well, and while some individual pieces throughout may be shorter, there’s no question of the purpose in how they’re tied together.

ufomammut

It’s audible in the crash that bridges “Prismaze” and “Core” and in the way the penultimate “Wombdemonium” — the shortest cut on 8 at just three minutes long — feeds into the Isis-style drum patterning of closer “Psyrcle.” Those connections definitely become more prevalent across side B, which before hitting the “Psyrcle” (7:44) moves through the already-noted shorter cuts, as opposed to “Babel” (8:23) “Warsheep” (5:06) and “Zodiac” (9:27) on side A, but even as “Zodiac” slams into its swirling finish before the chugging opening riff of “Fatum” takes hold — another direct transition for those listening digitally or on CD, in indeed I’m even right about where the vinyl divides — the band makes it plain that how one song converses with its surroundings is as important to the entire work of 8 as the standout moments of each song itself, be it devastatingly heavy, manic push and shouts of “Core” or the build that seems to take place in condensed fashion across “Warsheep” earlier, that track resolving itself in a Sleep-worthy nod at its midpoint before a tempo kick brings it to its final movement.

And if one thinks about the title, 8, it kind of makes sense — at least in a similar, on-their-own-wavelength manner as to thinking of the tracks as concise. It’s not just about the number eight, or the fact that this is Ufomammut‘s eighth long-player — it’s their ninth if we count Oro‘s two parts individually or consider the 2014 15th anniversary release, XV (review here) — but the shape of it. Imagine taking the number and stretching it out to a single, straight line. Now draw it back and twist it on itself. It loops around. It intertwines. 8, the album, functions much the same way. The material that comprises it can be taken as individual bursts, but each serves the richer notion of the whole (the proverbial “greater sum”) when brought together, and in that regard, stark changes like the way “Zodiac” seems to come to halt before lurching forth again with some of the most universe-swallowing noise here presented, or the way “Psyrcle” hits its brakes after three minutes in from its initial verses peppered with extra vocal layers — are those children singing? — and explodes in a fury of double-kick drum gallop and brain-searing fretwork, become fragments of a larger musical narrative taking shape over the course of the album.

Whether this concept is something Ufomammut embarked on consciously or it’s simply a matter of a fan-nerd reading too much into a progression between tracks, they made the choice to put these songs in this order with the lack of space between them and in so doing give 8 a personality that even as it seems to tighten the reins from Ecate succeeds in moving Ufomammut stylistically forward. It’s not necessarily just about them getting huger and huger-sounding anymore, but about what can they do within and between the spaces they’re creating. Taking this notion in context with the immediacy of what they’re actually crafting, 8 is all the more an achievement for the nuance it brings to the established parameters of Ufomammut‘s sound and the ways in which the three-piece persist in redrawing their own boundaries.

Ufomammut, “Warsheep” official video

Ufommammut website

Ufomammut on Thee Facebooks

Ufomammut on Twitter

Ufomammut on Instagram

Neurot Recordings website

Neurot Recordings on Thee Facebooks

Neurot Recordings on Bandcamp

Neurot Recordings on Twitter

Supernatural Cat website

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Fvzz Popvli Announce European Tour; Fvzz Dei out Sept. 22

Posted in Whathaveyou on August 22nd, 2017 by JJ Koczan

fvzz-popvli-Photo-Marcello-Lega

One month from today, Roman heavy rockers Fvzz Popvli — the fuzz of the people — will take part in one of 2017’s busiest release dates, issuing their debut album, Fvzz Dei — the fuzz of the gods — via Heavy Psych Sounds.They join the ranks of With the Dead, Ufomammut, Alcest, Process of Guilt, Nibiru, Thonian Horde, Spelljammer and Faces of the Bog — among, no doubt, others — in putting out a record on that date, but where there’s a riff there’s a way and the band, which boasts in its ranks guitarist/vocalist Pootchie, formerly of The Wisdoom and not at all to be confused with the cool sunglasses-wearing cartoon dog they put in that one Simpsons episode to add zazz to ‘The Itchy and Scratchy Show’ back in the ’90s — amazing the associations the mind makes sometimes — has already shown themselves to have plenty of those on their self-titled debut EP, which came out earlier this year.

Anyhoozle, a week after they play the release show in their native Roma, Fvzz Popvli head off on a lengthy European run that will consume the bulk of October, which was also newly announced by their label. The following came down the PR wire:

fvzz-popvli-fvzz-dei

Fvzz Popvli ON TOUR!!!

Heavy Psych Sounds Records & Booking is proud to announce the tour dates of FVZZ POPVLI

Magical Mistery Van & Heavy Psych Sounds are proud to announce the first leg of the “Fvzz Dei European Tour” from October the 5th to 22th in Italy, Germany, Swtizerland, Austria and France. Ready to catch FVZZ POPVLI around the EU? Here, their routing!

22.09.2017 – ROMA (IT) – WISHLIST CLUB (RELEASE PARTY)
29.09.2017 – VALMONTONE (IT) – LES MAUDITS
30.09.2017 – VITERBO (IT) – PRIVATE PARTY
05.10.2017 – PARMA (IT) – TITTY TWISTER
06.10.2017 – KREUZLINGEN (CH) – HORST KLUB
07.10.2017 – GRAZ (A) – MUSICHOUSE
08.10.2017 – MUNCHEN (D) – GARAGE DELUXE
09.10.2017 – SALZBURG (A) – SECRET SHOW
10.10.2017 – MANNHEIM (D) – KURZBAR
11.10.2017 – BERLIN (D) – URBAN SPREE – BERLIN UNDERGROUND FUZZ FEST
12.10.2017 – POTSDAM (D) – BLECK FLECK
13.10.2017 – LEIPZIG (D) – BERMUDA DREIECK PLAGWITZ – ANNIHILATE GATHERING 2017
14.10.2017 – DRESDEN (D) – CHEMIEFABRIK – W/ HEAT(CAN)
15.10.2017 – OSNABRUCK (D) – DIRTY+DANCING
16.10.2017 – TBA
17.10.2017 – NANCY (F) – LA MACHINE A VAPEUR
18.10.2017 – REIMS (F) – ASSO UNDERGROUND ZERO (LOCATION TBA)
19.10.2017 – PARIS (F) – OLYMPIC W/ NAXATRAS(GR)
20.10.2017 – ROUEN (F) – LES 3 P
21.10.2017 – LYON (F) – JACK JACK W/ MONKEY 3(CH) & LIBIDO FUZZ(F)
22.10.2017 – CECINA (IT) – TBA
27.10.2017 – PALESTRINA (IT) – MENTELOCALE 2.0
28.10.2017 – LATINA (IT) – TBA

The mighties Fvzz Popvli will present their debut album Fvzz Dei, that will be released on September 22nd !!!

“Fvzz Dei” wich in latin means “The Fuzz Of The Gods”, it’s the debut album of the roman Fuzz Rock trio named “Fvzz Popvli”. Datio on bass, Doncalisto on drums and Pootchie already guitar player from “The Wisdoom” and “Beesus” are ready for introduce you tribute to the Fuzzy sounds from the “Proto-Punk” till the modern “Heavy Psych”. “Fvzz Dei” will bring you into a rough and bluesy fuzzed-out universe. The album is produced mixed and mastered in Murduck Productions studio based in Rome, recorded with the warm sound of an analog mixer from italian 80’s tv shows, and mastered with a real tape analog support! The songwriting it’s a compromise between instrumental jammed songs and the “classic tune format”. The artwork conceived and maked by Rise Above, it’s a illustration about an ancient roman teathral mask, the first example amplification in the world. Just three words: FUZZ, ATTITUDE and ROCK’N’ROLL!

FVZZ POPVLI ARE:
FRANCESCO “POOTCHIE” PUCCI – Guitar and Voice (BEESUS,The Wisdoom)
DATIO PALATIO – Bass (The Anthony’s Vinyls)
Doncalisto – Drums

https://www.facebook.com/FvzzPopvli/
fvzzpopvli.bandcamp.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/
www.heavypsychsounds.com/

Fvzz Popvli, Fvzz Popvli EP (2017)

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Ufomammut Post “Warsheep” Video; Announce More European Touring

Posted in Bootleg Theater on May 22nd, 2017 by JJ Koczan

ufomammut

I was just the other day thinking it had been quiet on the Ufomammut front since the Italian cosmic doomers announced back in March they would release their new album, 8, this September via Neurot Recordings. And here we are. The new song they’ve unveiled in the video below, titled “Warsheep,” is anything but quiet. Rather, it rumbles in classic Ufomammut fashion but also carries something rawer in its punch. Listen to the bassline. Listen to the way the sharp-edged keys cut through. Listen to the way the guitar line cuts through. Listen to how forward the drums are. Something nasty is going on here.

And yet, listen to the vocals, and “Warsheep” might be the cleanest-sounding track Ufomammut have ever put out. Higher- and lower-register layers chant out a verse before full-density tonality unapologetically slams the listener into a bridge and as they continue their march, the space-dominant trio offer gallop, drone, blown-out repetition, and if you actually watch the video, a dude with a box on his head before they degrade into birdsong. Hell, the track is only five minutes. How much more could they have possibly jammed in there? Actually, the real question is how much does “Warsheep” represent the rest of 8 that will invariably surround it? Is it an opener? A centerpiece? These things matter, you know.

Or maybe I’m just a nerd and I can’t wait to hear the album.

Either way, Ufomammut will issue “Warsheep” as a lead-in single to the record and you can find more info and preorder whatnots in the PR wire info that follows the video itself below. As expected, Ufomammut also have a slew of new European tour dates for this Fall. They’re down there too.

Please enjoy:

Ufomammut, “Warsheep” official video

UFOMAMMUT Debuts “Warsheep” Via New Video; Song To Appear On 7″ Single And Upcoming Album 8 Due Through Neurot Recordings In September; Tour Dates Announced

The Italian alchemic juggernaut, UFOMAMMUT, masters of melding uncompromisingly heavy magic with psychedelic swirls, recently announced news of a new studio recording, 8, which shall arrive on 22nd September via Neurot Recordings.

Prior to the release of the 8 LP, UFOMAMMUT delivers an early extract from the record in the form of a video for the song “Warsheep” which you can view [above]. The band describe their intentions of the video, “It is inspired by the lyrics of the song which in itself is a play on the word ‘worship.’ The protagonist takes a symbolic journey from the natural human condition to the trappings of the dogmas of society, religion etc. The principle idea being that thought is blind and is caged into the illusion of being free.” Adding to the video’s eerie atmosphere, the setting is in an abandoned villa in Italy, and the surrounding woodland.

In the spirit of record collecting rituals, and to offer something special to fans ahead of the full album release, UFOMAMMUT is offering “Warsheep” as a limited edition 7″. Available in a small run of 500 pieces, and with the cover handprinted with gold iridescent and red inks on pearlescent paper by Malleus, the record shall be released via Supernatural Cat on 15th June, and is available for preorder via the label’s website, and via Neurot stores too.

Preorders for the Warsheep 7″ are now available HERE.

8 is due for release on September 22nd on vinyl and CD formats via Neurot Recordings and on a limited and regular edition vinyl via Supernatural Cat. Preorder information and more will be revealed over the upcoming months.

UFOMAMMUT has also announced a long list of upcoming European live shows as well, including several major festival performances and an Autumn European tour with Usnea. Additional live shows will be announced in the weeks ahead.

UFOMAMMUT Tour Dates:
6/16/2017 Freak Valley Fest – Netphen, DE
6/18/2017 Hellfest – Clisson, FR
8/04/2017 Disintegrate Your Ignorance Fest – Giavera del Montello, IT
8/05/2017 Rohrbach – Oberösterreich, AU @ Lake On Fire Festival
9/06/2017 Volta – Moscow, RU
9/07/2017 MOD – St. Petersburg, RU
w/ Usnea:
9/30/2017 La Boule Noire – Paris, FR
10/01/2017 Le Ferrailleur – Nantes, FR
10/03/2017 Borderline – London, UK
10/04/2017 Magasin 4 – Brussels, BE
10/05/2017 Schlachthof – Wiesbaden, DE
10/06/2017 Up In Smoke Festival – Pratteln, CH
10/07/2017 Doornroosje – Nijmegen, NL @ Soulcrusher Festival
10/08/2017 Forum – Bielefeld, DE
10/10/2017 Blitz – Oslo, NO
10/11/2017 Klub Undergangen – Stockholm, SE
10/13/2017 Korjaamo – Helsinki, FI @ Blowup Vol. 3 Festival
10/14/2017 Olympia-Kortelli – Tampere, FI
10/16/2017 KB 18 – Copenhagen, DK
10/17/2017 Lido – Berlin, DE
10/18/2017 Markthalle – Hamburg, DE
10/19/2017 Werk 2 – Leipzig, DE
10/20/2017 Firley – Wroclaw, PL
10/21/2017 007 – Prague, CZ
10/22/2017 Keep It Low Festival – Munich, DE

Ufommammut website

Ufomammut on Thee Facebooks

Ufomammut on Twitter

Ufomammut on Instagram

Neurot Recordings website

Neurot Recordings on Thee Facebooks

Neurot Recordings on Bandcamp

Neurot Recordings on Twitter

Supernatural Cat website

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Review & Full Album Stream: L’Ira del Baccano, Paradox Hourglass

Posted in audiObelisk, Reviews on April 17th, 2017 by JJ Koczan

l'ira del baccano paradox hourglass

[Click play above to stream L’Ira del Baccano’s Paradox Hourglass in its entirety. Album is out now on Subsound Records.]

Roman heavy instrumentalists L’Ira del Baccano made their studio debut in 2014 with Terra 42 (review here), as a follow-up to their summer-2013 live offering Si Non Sedes iS …LIVE. It’s important to keep in mind as one makes their way through their second studio long-player, Paradox Hourglass, that the band’s roots are in playing live, and that when it came to what they wanted to put out into the world first, it was a live album rather than something more polished. Issued through Subsound RecordsParadox Hourglass is that something more polished, but it still maintains its core of live performance beneath its progressive overtones, and across its evenly-split two sides, four tracks and 39 minutes, guitarist Alessandro “Drughito” Santori, guitarist/synthesist Roberto Malerba, bassist Ivan Contini Bacchisio and drummer Sandro “Fred” Salvi don’t sacrifice one sensibility in emphasis of the other.

While Paradox Hourglass brings forward a proggier mindset than did Terra 42 — something the band credits in part to a Rush influence and I’m not inclined to argue — it keeps its tonal edge and strips away nearly 20 full minutes of runtime, so that the material is not only vinyl-ready, but all the more efficient in making its stylistic point known without lingering. That in itself isn’t to be understated as a recognized step forward for the band, as it shows an editorial mindset developing alongside these progressive tendencies, which is something all the more crucial for a group whose sound is only growing richer.

As to the origins of the title, it’s obviously harder to say without any lyrics to work from, but it’s another evocative element from L’Ira del Baccano, which seems to find its core in the partnership between Santori and Malerba. The two weave layers of riffs and synth and effects fluidly around each other throughout Paradox Hourglass, and while ultimately there isn’t much about the record that one might consider a paradox — that is to say, they’re not making it hard to figure out where they’re coming from or purposefully melding together disparate sonic elements — the new stage their approach has reached is plain to hear from the start of 11-minute opener. And, if we’re looking for clues as to where SantoriMalerbaBacchisio and Salvi are coming from this time around, it is telling that the first piece of the two-parter title-track is subtitled “L’Ira del Baccano,” eponymous to the band itself.

Across its span and that of the complementary eight-minute “Paradox Hourglass – Part 2: No Razor for Occam,” the band touch on psychedelic melody without losing their real-world footing tonally or their underlying crunch of riff. Salvi‘s drums hold together the proceedings as they no doubt did the jams that birthed them, but whether it’s the departure-to-drift in the second half of “Paradox Hourglass – Part 1: L’Ira del Baccano” or the guitar scale-work fleshed out by layers of keys and effects swirl in the follow-up, a sense of control remains prevalent in their approach. The digital version of Paradox Hourglass presents a 19:42 bonus track that brings these two pieces together as one entirety, and while there’s still an audible break between one part and the next, hearing them in that form only highlights the nuance developing in L’Ira del Baccano‘s sound and the manner in which the band is drawing from multiple sides as they stomp and roll their way through movements tied to each other through rhythmic flow and conceptual consistency.

l'ira del baccano

Side B brings a like-minded pair of tracks, also 11 and eight minutes, respectively, that push the aesthetic somewhat further out. “Abilene” leads off with a bit more patience than “Paradox Hourglass” and more of a psychedelic flourish to its beginnings, and unfolds to a blend of desert-style riffing and the progressive course-setting that the first half of the record had as its foundation — the notion that L’Ira del Baccano know where they’re headed even if they’re keeping it a surprise from their audience. They settle into a mid-paced chug at about two minutes into “Abilene” but have more spaciousness to offer from there, and the theremin-infused (or theremin-sounding, anyhow) reaches in which they wind up are perhaps the most satisfying stretch Paradox Hourglass has to offer in terms of immersing the listener in a hypnotic flow, pushing gradually toward an apex that brings together both sides — the breadth and the crunch — on the way to a clean, purposeful finish.

At 8:06, “The Blind Phoenix Rises” ends out with no less clarity of intent than its predecessor, synth and guitar once more working together to cast an impression both psychedelic and progressive. At about 4:45, there’s a turn toward straightforward riffing, and it seems like L’Ira del Baccano made a conscious decision at that point to let loose a little bit in the studio. No complaints. The uptick in tempo from the first half of the track is welcome and though to close out they fall back into the “chorus,” such as it is, the moment of airing out a more rocking impulse is welcome as an answer to the riff that started “Paradox Hourglass – Part 1: L’Ira del Baccano” and makes as fitting an end as one could ask.

They stretch a couple seconds of silence to get over the eight-minute mark, but with the clear drive toward symmetry, one is inclined to give that ground in service to the presentation of the album as a whole. With Paradox HourglassL’Ira del Baccano are less marking their arrival than they are establishing the path they want to take as a group, but the prevailing vibe toward direction is something of a landmark for them nonetheless, even if that landmark is in the shape of an arrow pointing toward the next one. I still won’t venture a guess as to what the overarching paradox here is, though, because from where I sit, it sure seems like L’Ira del Baccano have it all figured out as to who they want to be and what they want to accomplish as a band.

L’Ira del Baccano on Thee Facebooks

L’Ira del Baccano on Bandcamp

L’Ira del Baccano website

L’Ira del Baccano at Subsound Records webstore

Subsound Records on Thee Facebooks

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Ufomammut to Release 8 Sept. 22

Posted in Whathaveyou on March 21st, 2017 by JJ Koczan

Italian cosmic doom masters Ufomammut will issue their new album, 8, Sept. 22 on Neurot Recordings. A behind-the-scenes video of the band in the recording studio has been posted, and festival dates announced before and after the release, which follows the band’s 2015 outing, Ecate (review here), and true enough to its title, is their eighth full-length. The long-running three-piece haven’t exactly been shy about their studio process, and last year found them posting regular updates, photos, videos, etc., as they put the record together, and it seems some more of that has made its way out too, so right on. The more the merrier, and as far as the rest of 2017 goes, hold a spot on your top 20 list, because Ufomammut never disappoint.

This just came in off the PR wire to make my day:

ufomammut

Ufomammut announce new album “8” incoming September 22nd via Neurot Recordings; plus live dates announced

Speak to any purveyor of the darkened heavy sonic and they’ll recommend Ufomammut. Masters of melding uncompromisingly heavy magic with psychedelic swirls, it is now with the heaviest and most immense pleasure to announce that the Italian alchemic juggernaut will be offering a new album this September 22nd (Neurot Recordings) consisting of eight darkened gems, aptly titled 8.

Sonically and symbolically, 8 is not only wickedly limitless in its heaviness, powerfulness and commanding nature, but how it arrests the listener’s mind creating a wholly unbounded and impenetrable sensory experience. Laden with symbolic nuances, 8 most obviously gestures towards this being Ufomammut’s 8th offering, comprised of 8 stunningly immersive tracks that flow into each other without interruption. This flow can also be seen when you tip 8 horizontally, thus it morphs into the leniscate from algebraic geometry – a plane curve that meets at central point – or more commonly known as the infinity symbol. A continuous stream of movement reflective of the uninterrupted nature of the album but also the continued togetherness of the essential elements of the band – Urlo, Poia and Vita – since the beginning of the band’s history. ? tipped vertically sees us return to the number 8. It must be stressed there is no singular pronunciation of the title, 8 is to be spoken in every language e.g. “eight” in English, “otto” in Italian, “acht” in German and so on.

As stated, 8 is a continuous flux of music, a singular entity, which can be defined in micro measurements by its eight satellite songs. Each track expands upon the preceding song, unfolding into an exceedingly dense, malevolent and formidable journey, resulting in this being Ufomammut’s most extreme venture yet, with no permittance for breathing space in the 48 minutes. The album’s predecessor Ecate has now been put to rest and we can be assured that 8 is an essential turning point in the infinity that is Ufommamut’s sonic.

Recorded at Crono Sound Factory in Vimodrone, Milano (IT), 8 is a major turning point in the heavy alchemic arts, with the elements of Ufomammut’s recording constellation being re-aligned. Although the musicians within Ufomammut’s collective remain unturned, a change in recording approach saw the trio playing and recording live together in the same room, even utilising their live sound engineer Ciccio and his project FEMORE for production purposes, with Fabrizio San Pietro on mixing duties. Overdubs were used only for vocals, synth sounds and small details with the result of such endeavour being a stricter focus on the soul, darkened groove and overall cohesion of the music and themselves as musicians. In turn, 8 clarified to Ufomammut who they are as a unit now and their new sonic path…

8 is due for release on September 22nd on vinyl and CD formats via Neurot Recordings and on a limited and regular edition vinyl via Supernatural Cat. Pre order information, album tracks and more to be revealed over the coming months.

In anticipation of Ufomammut’s 8 you can catch the conjurers of heavy mind swirls at the following:

UFOMAMMUT LIVE DATES
16/06 – Freak Valley Fest (Netphen, DE)
18/06 – Hellfest (Clisson, FR)
04/08 – Disintegrate Your Ignorance Fest (Giavera del Montello, IT)
06/10 – Up in Smoke Fest (Pratteln, CH)
13/10 – Korjaamo BlowUp Vol.3 Festival (Helsinki, FI)

Keep your ears and mind open for more news about 8 in the coming weeks…

www.ufomammut.com
www.facebook.com/ufomammutband
twitter.com/ufomammutmafia
www.instagram.com/ufomammut
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings
https://neurotrecordings.bandcamp.com
https://twitter.com/OfficialNeurot
http://www.supernaturalcat.com

Ufomammut, 8 recording session

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L’Ira del Baccano to Release Paradox Hourglass April 14; Preorders Available

Posted in Whathaveyou on March 20th, 2017 by JJ Koczan

l'ira del baccano

Italian space metal instrumentalists L’Ira del Baccano will issue their new album, Paradox Hourglass, via Subsound Records on April 14. It’s listed below as their third full-length, but my count has it as their second behind 2014’s Terra 42 (review here) — entirely possible and indeed likely I’m mistaken; the band did have a live release and a split before the studio offering, if one goes by their Bandcamp discography — but either way, preorders are up now for the new one, and after Terra 42‘s blend of cosmic impulses and crunchier, solidified riffing, it seems like one to keep an eye out for.

Comprised of four likely extended-length tracks, Paradox Hourglass will be on vinyl and CD, as the PR wire affirms:

l'ira del baccano paradox hourglass

Subsound Records proudly unveil details and pre-orders for the doomdelic instrumental heavy rockers L’IRA DEL BACCANO 3rd album “PARADOX HOURGLASS”

The album will be released on 14th April, distributed by Goodfellas in Italy, Cargo Records Germany, on 5th May via CODE 7 Distribution / Plastic Head in UK and Cobraside Distribution Inc. in USA.

Available in Digipack Cd, 180 gr Coloured Vinyl and Digital

PRE-ORDERS Available: http://subsoundrecords.bigcartel.com/artist/l-ira-del-baccano

2 years and half after the critically acclaimed “TERRA 42″ the italian band returns with ” PARADOX HOURGLASS ” and continue the instrumental journey through different songs structures while melting in their unique style and sound vibes going from the doom influences of Black Sabbath with the 60’s/70’s psychedelia of Pink Floyd and Hawkwind, to heavy-prog vibes of bands like Rush, as well as the performing freedom of jam bands as The Grateful Dead.

The album has been produced in Rome at Kick Recording Studio by Marco Mastrobuono and the band mastermind Alessandro Drughito Santori. Mixed/Mastered by Mastrobuono & Matteo Kutso Gabbianelli

“PARADOX HOURGLASS” signs again the collaboration and link between the band and the Italian artist Fabio Listrani, who also did all the marvelous artwork for the previous album Terra42.

This time Listrani translate the band music and album main theme, paradoxes, in his fascination for tarots and symbolism..

Tracklist:
– Paradox Hourglass part 1 (L’Ira Del Baccano)
– Paradox Hourglass part 2 (No Razor For Occam)
– Abilene (The trip to)
– The Blind Phoenix Rises

https://www.facebook.com/LiraDelBaccano42/
https://liradelbaccanoofficial.bandcamp.com/
http://www.iradelbaccano.it/
http://subsoundrecords.bigcartel.com/artist/l-ira-del-baccano
https://www.facebook.com/subsoundrecords/

L’Ira del Baccano, Terra 42 (2014)

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Heavy Psych Sounds Announces Volume II Label Sampler; New Music from Black Rainbows and Killer Boogie

Posted in Whathaveyou on March 16th, 2017 by JJ Koczan

The label compilation is kind of a lost art in this age of digital whathaveyou. Used to be imprints put together comps on the regular. Some had rough mixes, some had exclusive tracks or things that wound up getting dropped off albums, and they kind of became a place where you might find something special once and then not run into it again. Italy’s Heavy Psych Sounds, with an ever-expanding roster and an already-full slate of releases as a result, seems intent on reviving the tradition. In addition to the label, booking agency, four-way split series and now two organized festivals under its belt, last year saw the release of Heavy Psych Sounds Volume I, and it seems that, indeed, it was the beginning of a series.

Heavy Psych Sounds Volume II will feature exclusive tracks from Black Rainbows and Killer Boogie and will be released on March 24. The same day, Black Rainbows will release their “The Red Sky Above” as a digital single following-up on last year’s Stellar Prophecy (review here) and leading to speculation of a sixth long-player in the works from them.

From the PR wire:

heavy-psych-sounds-volume-ii

Heavy Psych Sounds Records presents: HPS CD SAMPLER VOL II (2017)

HEAVY PSYCH SOUNDS Records & Booking is stoked to announce: The HPS Records Sampler Vol 2

Europe’s ever-growing riff powerhouse HEAVY PSYCH SOUNDS is set to release the second chapter of its “Heavy Psych Sounds Sampler”, featuring 15 bands of the roster among which two exclusive new songs!

This new compilation features 15 tracks taken off the label’s most recent releases (Fatso Jetson, Nick Oliveri, The Freeks…) as well as a nice preview of some upcoming gems from The Sonic Dawn, Farflung, Duel or Cachemira. As an icing on this rifftastic cake, “Heavy Psych Sounds Sampler Vol. 2” offers two exclusive new singles from the mighty Black Rainbows and Killer Boogie.

HEAVY PSYCH SOUNDS VOLUME II TRACK LISTING:
Black Rainbows “The Red Sky Above” (exclusive track!)
Cachemira “Overpopulation”
Doctor Cyclops “Lonely Devil”
Duel “Witchbanger”
Farflung “You Will Kill For Me”
Fatso Jetson “Wire Wheels And Robots”
Giöbia “This World Was Being Watched Closely”
Glitter Wizard-Mycelia
Killer Boogie “Eight Ball” (exclusive track!)
Mothership “Crown Of Lies”
Nick Oliveri “Anything And Everything”
The Clamps “Must Destroy”
The Golden Grass “Flashing Out Of Sight”
The Freeks “Uncle Jack’s Truck”
The Sonic Dawn “Summer Voyage”

Heavy Psych Sounds Sampler Vol. 2
Out March 24th on Heavy Psych Sounds

Black Rainbows, “The Red Sky Above”

Unreleased dope track for the Italian fuzzsters, 6 minutes of Doomy, Stoner, Sabbathty groove stuff, recorded specifically for the new HPS Sampler. Recorded during their last tour in a cool studio surrounded by white snow mountains in the north of Italy last January 2017. You can taste the change of direction for the band with a monolithic style, more dark, more heavy, more straight in your face!

HEAVY PSYCH SOUNDS is an ever-growing European record label and booking agency specialized in stoner, hard, psychedelic, fuzzy, doomy rock and more largely, all kinds of blazing retro riffage. Since its creation in Roma in 2007, HPS has released projects for Black Rainbows, Nick Oliveri, Karma To Burn, Naam, White Hills, Farflung, Fatso Jetson, Deville, Hot Lunch, Killer Boogie, Mos Generator, Isaak, The Sonic Dawn, Mothership and many more.

https://www.facebook.com/HEAVYPSYCHSOUNDS/
heavypsychsoundsrecords.bandcamp.com
http://www.heavypsychsounds.com/

Black Rainbows, “The Red Sky Above”

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Fvzz Popvli Release Debut Single; Euro Tour Set for May

Posted in Whathaveyou on February 16th, 2017 by JJ Koczan

The fuzz of the people! History counsels healthy skepticism when it comes to anything taking on the tag ‘populi,’ but to say the least, the newcomer Roman trio seem to have brought enough fuzz for everybody. Their debut single, “Lost in Time” — for which you can see the lyrics below, sent as they were down the PR wire — is up now as a name-your-price download through Bandcamp, and both a first EP and a 10-date first European tour seem set to arrive in May, and the three-piece features guitarist/vocalist Pootchie (not to be confused, or maybe to be confused, I don’t really know, with the Simpsons character), who also made a full-length debut last year as a member of Beesus (review here).

In any case, “Lost in Time” gives Queens of the Stone Age-style riffing a garage-minded kick in the pants, and if you’ve got a couple minutes, you can get a sampling of it below. Social media presence is nil, but I also included the link to their Bandcamp, in case you’d like to read all the same stuff there as well.

Like thus:

fvzz popvli

FVZZ POPVLI – Lost in Time

Established in Rome under the will of three potheads… FvzzPopvli: a brand new trio with musicians coming from different experiences, with an addiction for heavy fuzzy riffs from the Black Sabbath era till the Palm Desert Scene, playing with a garage attitude in a heavy psych mood! The band is ready to promote their first single “Lost In TIme”, wich is actually an exclusive for Bandcamp with an up to you download. The upcoming “EP” is composed of five roaring songs, to quench your thirst of fuzzy and fat sounds!

Lost In Time, by FVZZ POPVLI

Lost In Time by FVZZ POPVLI, released 09 February 2017 Lets get high in the sky, no more sight to try, when you’re in the sky everything will be alright, high in the sky you’re not gonna die, when you feel alright, can you? let’s ride! Are you ready ready to take the flight? Are you ready, ready for the sky? Are you ready? I’m lost in time, are you ready… I, im gonna fly, i fly so high, i bet the skyyyy. Are you lost in time? Now you see me blind! Are you lost at home! And you feel it before! Are you ready, you’re not gonna die! Are you ready, you gonna ride!

FVZZ POPVLI ARE:
POOTCHIE – Guitar and Voice (BEESUS,The Wisdoom)
DATIO PALATIO – Bass (The Anthony’s Vinyls)
GLVE-Drums (TOOT)

RELEASE DATE EP TBA IN MAY

EUROPEAN TOUR FROM 04.05.2017 TO 14.05.2017

fvzzpopvli.bandcamp.com

Fvzz Popvli, “Lost in Time”

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