Black Rainbows to Reissue Stellar Prophecy and Hawkdope on July 26

Posted in Whathaveyou on June 11th, 2019 by JJ Koczan

black rainbows

Has there been a better album title this decade than Hawkdope (review here). The 2015 outing from then-burgeoning Italian trio Black Rainbows (pictured above circa 2016) was followed on a quick turnaround the next year by Stellar Prophecy (review here), and the two records represent an important stretch for the band in terms both of their profile and their creative development. Reissuing them together with new artwork seems fair enough to me, particularly for those who may have gotten on board with the band since and been unable to purchase them because they’re sold out.

These are recent records, obviously, more than historical reissues, but still relevant, and those who want to chase down extra copies either for the art or just to have another version can do so. I certainly understand the impulse.

Preorders are up now, as the PR wire dutifully informs:

BLACK RAINBOWS to reissue rock record classics Hawkdope and Stellar Prophecy!

Coming July 26th on Heavy Psych Sounds!

Since they formed twelve years ago in Roma, the Italian trio BLACK RAINBOWS have established themselves as one of the most active fuzz-fueled rock acts in Europe. With six albums, a remarkable handful of EPs (including a split record with L.A.’s space rockers Farflung) and countless tours and festival appearances across the continent, blending the drive and swagger of 70’s hard rock with the sun-baked thickness of 90’s stoner rock, BLACK RAINBOWS have managed to create their very own sound imprint. Following their critically acclaimed 2018- effort, Pandaemonium, the band fronted by extraordinary vocalist and guitarist Gabriele Fiori has just announced to re-release two tasty pieces of their fuzzy record cake and back catalogue, with the timeless classics Hawkdope and Stellar Prophecy!

Hawkdope was released in 2015, while Stellar Prophecy followed just a year later. Both so spacey, psyche and blistering, two fuzz rock trips at its best: This is 100% BLACK RAINBOWS!

Says frontman Gabriele Fiori: “We’re so excited to repress Hawkdope and Stellar Prophecy, two really important albums for us, the fact we are repressing it means our audience enjoyed and supported us so much! The new alternative cover artwork look so rad, as well as the new vinyl versions!“

Both records are set to be reissued via powerhouse label Heavy Psych Sounds on July 26th 2019, the pre-sale has just started at THIS LOCATION!

BLACK RANBOWS live:
30.08.19 FR – Black Bass Festival, Braud-Et-Saint-Louis
04.10.19 CH – Chur, Palazzo Bowling & Beat Club

BLACK RAINBOWS is
Gabriele Fiori – Guitar & Vocals
Giuseppe Guglielmino – Bass
Filippo Ragazzoni – Drums

http://www.theblackrainbows.com/
https://www.facebook.com/BLACKRAINBOWSROCK/
http://blackrainbows.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/
https://heavypsychsoundsrecords.bandcamp.com/

Black Rainbows, Stellar Prophecy (2016)

Black Rainbows, Hawkdope (2015)

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Ufomammut to Release Anniversary Box Set XX on Sept. 9

Posted in Whathaveyou on May 31st, 2019 by JJ Koczan

I was kind of curious whether or not Ufomammut would do anything other than the touring to celebrate their 20th anniversary this year, and apparently they’re kind of doing everything. XX, to be released Sept. 9 through the band’s own Supernatural Cat imprint, compiles their nine albums in one box and has a bonus of re-recorded tracks, and comes with a special book and photos, lyrics, a poster and backpatch other sundry other this-and-thats as detailed below.

You might recall the three-piece cosmic doomers issued the documentary/live-performance DVD XV (review here) when they hit the 15-year mark. I have to wonder what they might do in five years’ time when they pass a quarter-century. They’re setting a pretty high standard here. Re-record Godlike Snake? I don’t even know.

Preorders are up now for the box, and if you want one, get yours in, because these will go and be gone:

UFOMAMMUT photo by Francesca De Franceschi Manzoni

UFOMAMMUT Announces XX Discography Boxset Celebrating Their 20th Anniversary In 2019

Italy’s mind-altering trio UFOMAMMUT marks their 20th Anniversary as a band this year. Having recently returned from their latest European and North American tours, the band has a new surprise for their amazing and loyal fans. On September 9th, Supernatural Cat will release a special anniversary box set, XX.

To be released on both CD and LP, the XX box set will feature nine UFOMAMMUT albums, all individually housed in sleeves with exclusive cover artworks, created specifically for this release. The box sets will include all eight studio albums; Godlike Snake, Snailking, Lucifer Song, Idolum, Eve, Oro, Ecate, and 8. Additionally, the box will include a new release, titled XX. This new recording features six revisited tracks – “Satan,” “Plouton,” “Lacrimosa,” “Infearnatural,” “Mars,” and “Destroyer – which were re-recorded during the band’s recent European tour. These special box sets will also include a 64-page book with original covers, photos, and lyrics to all songs with an additional poster, backpatch, and sticker.

The XX box sets are available for preorder at the new UFOMAMMUT official webstore along with other exclusive new merchandise RIGHT HERE.

UFOMAMMUT has also just announced further European touring for later in the year, surrounded by one-off festival performances this summer, two gigs in Russia this September, with more tour dates to be announced over the months ahead, as the band celebrates their 20th Anniversary with their fans around the planet.

UFOMAMMUT 2019 Live Dates:
5/30/2019 Dunk! Festival – Zottegem, BE
9/11/2019 Aglomerat – Moscow, RU
9/12/2019 MOD – St. Petersburg, RU
9/26/2019 Le Fil – Saint Etienne, FR
9/27/2019 Petit Bain – Paris, FR
9/28/2019 The Garage – London, UK
9/29/2019 Magasin 4 – Brussels, BE
9/30/2019 Melkweg – Amsterdam, NL
10/02/2019 Vega – Copenhagen, DK
10/03/2019 Sticky Fingers – Göteborg, SE
10/04/2019 Høstsabbat – Oslo, NO
10/05/2019 – TBA
10/06/2019 Debaser – Stockholm, SE
10/08/2019 On The Rocks – Helsinki, FI
10/09/2019 Von Krahl – Tallinn, ES
10/10/2019 Melna Piektdiena – Riga, LV
10/11/2019 Narauti – Vilnius, LT
10/12/2019 Hydrozagadka – Warsaw, PL
10/13/2019 Zet Pe Te – Krakow, PL
10/15/2019 Rockhouse – Salzburg, AT
10/16/2019 Mochvara – Zagreb, CR

www.ufomammut.com
https://ufomammut.8merch.com/
www.facebook.com/ufomammutband
www.instagram.com/ufomammut
http://www.supernaturalcat.com

20 Year of Ufomammut trailer

Ufomammut, 8

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Heavy Psych Sounds Fest Rome Set for Oct. 12 with Black Rainbows & More

Posted in Whathaveyou on May 30th, 2019 by JJ Koczan

heavy psych sounds logo

Another day, another Heavy Psych Sounds Fest announced. This time it’s in the label’s hometown of Rome, and Black Rainbows will headline a lineup that also features GiöbiaHigh ReeperCrypt Trip and Fvzz Popvli. The fest is set for Oct. 12, which puts it smack in the middle of a busy season in Europe, but with that lineup, they shouldn’t have any trouble getting heads in the room, whatever else might be going on at the time — it’s Keep it Low in Munich, which is plenty far enough away so that the two aren’t competing. Another good bill and another cool show for Heavy Psych Sounds, which already this year has done or announced fests on the US West Coast (a tour), Germany (Berlin and Dresden), and Austria. Shit is busy and logistically complex.

I’ll be honest, I’m having trouble keeping up with it all, but here’s what I think is the latest:

heavy psych sounds fest rome poster

Heavy Psych Sounds Records & Booking and Metamorphosis are really proud to announce the HEAVY PSYCH SOUNDS FEST – ROME

– Artwork by Branca Studio –

!!! We are so stoked to announce the very first edition of the HEAVY PSYCH SOUNDS FEST in ROME !!!

feat.
BLACK RAINBOWS
GIÖBIA
HIGH REEPER
CRYPT TRIP
FVZZ POPVLI

– SATURDAY 12th OCTOBER – TRAFFIC LIVE CLUB –

Headquartered in Rome, Italy, Heavy Psych Sounds specializes in presenting the best artists in the global heavy psych, doom, fuzz blues and space rock realms, and their Festival- series will be no exception, spotlighting the ever-growing label’s dedication to its craft. While the first HPS Fests were held in Italy, the label has since extended its live reach into the UK, Belgium, Netherlands, Austria and even the USA: The underground cult label is not only THE adress for all heavy rock record collectors, but has also become an important live and festival institution; with a brisk participation from heavy music fans all over the world.

Now, Heavy Psych Sounds is set to bring the ROCK to Rome with the just-announced special shows taking place this October 12th!

In cooperation with Metamorphosis, the very first HEAVY PSYCH SOUNDS FEST in ROME will feature bands like Black Rainbows, GiÖbia, High Reeper, Crypt Trip and Fvzz Popvli !!!

TICKETS PRESALE (active soon)
www.heavypsychsounds.com

official Facebook event here:
https://www.facebook.com/events/624855984662136/

https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Black Rainbows, Pandaemonium (2018)

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Fuzzalicious Post Debut Single “Pockets”

Posted in Whathaveyou on May 29th, 2019 by JJ Koczan

fuzzalicious

Scuzz-tone garage rockers Fuzzalicious have two songs out as of about two weeks ago and it looks like they’ve already been through at least two bassists since getting their start about a year ago. Currently consisting of Giacomo O’Neil and Francesco Panunzi, the duo release the track “Pockets” as a name your-price download accompanied by a cover of The Doors‘ “Hello I Love You” that’s been suitably kicked in the dirt. It’s a vibe-heavy release, but it shows immediately, in true first-7″ fashion, that Fuzzalicious have the distortion on overload and they would seem to like it that way.

I’ve no idea whether these guys are looking for someone else to handle low end, or if they’re going to go with the rawness of just guitar and drums, but lover of low-end that I am, I’m not inclined to argue with the results as they appear here.

The band offers a bit of background — always nice — and of course the tracks are streaming below. Enjoy:

fuzzalicious pockets demo

Fuzzalicious is the brainchild of Rome’s masterminds and inventors of diabolical schemes, Francesco and I also sometimes referred to as io e Giacomo. The sheer level of noise and rawness in the sound is off the level with this one.

Picture this, first you’re walking down the street on a bright sunny day while listening to All Summer Long by The Beach Boys when boom! you suddenly get hit by a wall of disorienting distortion and chaos that send you in a downward spiral all the way to the realization that your life is a shit show and that you’re not in California but in some crappy, beat down and dirty suburb of this god forsaken town. We still love it and we really don’t give a shit anyway. Love

Fuzzalicious is:
Giacomo O’Neil – Vocals/Drums
Francesco Panunzi – Guitar

https://www.facebook.com/Fuzzaliciousband/
https://fuzzalicious.bandcamp.com/

Fuzzalicious, Pockets (2019)

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Review & Full Album Stream: 1782, 1782

Posted in Reviews on May 23rd, 2019 by JJ Koczan

1782 self titled

[Click play above to stream 1782’s self-titled debut in its entirety. Album is out May 24 on Heavy Psych Sounds.]

If you go and look up the year 1782 in Wikipedia, you’ll find a rundown of what are considered the noteworthy events that happened across that 12 months. It’s a lot of war and governmental action, people being born, people dying — basically the stuff you’d expect when you think of who was keeping records in the 18th century. None of it is the story Italian doomers 1782 are telling however. The Roman two-piece of Marco Nieddu (vocals, guitar, bass) and Gabriele Fancellu (drums, backing vocals) are focused on the later witch trials in Europe, in particular the case of Anna Göldi, who indeed was tortured and eventually decapitated by the Swiss state in 1782 as a witch after she allegedly put needles in the milk of the child of the family for whom she was working as a maid. In 2007-2008, the Swiss government acknowledged it as a “miscarriage of justice,” so better late than never, but Göldi is considered the last witch to be executed in Switzerland if not wider Europe and her story — including an affair and child with the head of that household, who was married and had her arrested — is emblematic of the treatment of women at the time.

The two-piece don’t take an outwardly critical stance on the subject matter, but neither are they glorifying chopping ladies’ heads off, which is something of a relief. The eponymous “1782,” which appears as the last original cut of the eight inclusions ahead of closer “Celestial Voices,” a Pink Floyd cover with guest vocals and organ, is instrumental, but in “She Was a Witch” and the slow rolling subsequent track “Black Sunday,” they seem nonetheless to be passing judgment of their own on the reasoning of centuries past; fair enough given the enduring spirit of masculine entitlement to control over a woman’s body and life. More than direct commentary, though, 1782‘s self-titled debut — which runs eight songs and 39 minutes delivered through Heavy Psych Sounds with a guest appearance from label honcho Gabriele Fiori (also of Black Rainbows, Killer Boogie and The Pilgrim) on guitar for the aforementioned “She Was a Witch” — prefers to stake its claim in dense-fog doom and nodder groove.

Nieddu‘s vocals are pushed low and echoing in the spirit of true post-Electric Wizard witch doom, and as a result, the tonality surrounding feels all the more viscerally massive. The recording’s overarching rawness — the album was produced by Alfredo Carboni at RKS Studios in Sardinia — only bolsters the bleak aesthetic and makes moments like the chanting toward the end of “The Spell (Maleficium Vitae)” come across as especially resonant ahead of the wah-bass finish. The album begins, suitably enough, with the ringing bell of “Intro (…To the Church)” and moves quickly into the riff-led “Night of Draculia,” a shorter and quicker leadoff that may or may not tie into the witchy thematic but makes a rousing introduction to the sound of the record more generally, with Fancellu‘s drums thud and crash backing the thick guitar and bass tones and Nieddu‘s vocals left to cut through that swamp of low end. The later, hooky “Oh Mary” is more angular, but still something of a complement in terms of overall approach, with the vocals particularly blown out at the forefront of the mix.

1782

That leaves the trio of “The Spell (Maleficium Vitae),” “She Was a Witch” and “Black Sunday” as the doomed heart of 1782, as well as the point of the switch between sides A and B, but the latter seems to be less of a concern for the band than a linear flow from front to back. As they push deeper into the villainous fuzz and damned melodicism, the sense of plunge is palpable, and their take on doom, well informed by the likes of Saint Vitus and of course Black Sabbath, nonetheless holds a modern edge in its willingness to cast off the trappings of frill in favor of the most straight-ahead-into-the-abyss vibe possible. Small turns here and there like Fiore‘s guitar solo in “She Was a Witch,” or the already-noted chanting in “The Spell (Maleficium Vitae),” or the organ showing up in the second half of “1782” in order to tie it more fluidly to the capping Floyd cover, do much to distinguish individual pieces, but clearly 1782 are thinking in terms of their first offering as a whole experience.

And it is their first offering. They are a new band, formed in Dec. 2018 and hit the studio this past February. Nieddu and Fancellu have worked together previously in the band Raikinas — whose vocalist, Alfredo Carboni, sings on “Celestial Voices” while Nico Sechi adds Hammond beneath — and that prior experience helps stave off some of the formative feel that might otherwise typify an effort from a group so nascent, but there’s little doubt in listening that 1782 are doing the work here of finding their sound and their place in the sphere of doom, discovering what they want to say with their sound and how they want to go about it. There are moments where the album feels disjointed, as in the jump from “Oh Mary” to “1782,” but the band make clear their foundation in these tracks, and as an initial connection, it still proves largely cohesive thanks in part to its conceptual basis and tonal consistency.

It is one to grow on, and listening to the hint at vocal harmony in the second half of “She Was a Witch,” 1782 give hints of their intention to do just that. In the meantime, their debut under the banner of obscure history gives them an immediately distinguishing place from which to grow. They’re neither strictly traditional doom nor cult rock, stoner riffing nor retro-style throwback, but there are of course elements of all of them at play and more besides. Where 1782 might lead them, I’d expect natural progression around what they’re doing here, with a mindset toward craft coming forward in kind with the clear purpose in their overall sound. They may stay this raw and they may not, but it works for them here.

1782 on Thee Facebooks

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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The Pilgrim Premiere “Dragonfly” from Walking into the Forest

Posted in audiObelisk, Reviews on April 3rd, 2019 by JJ Koczan

the pilgrim

Available to preorder since January, the debut album from The Pilgrim will be released April 26 through Heavy Psych Sounds. The 10-song/38-minute Walking into the Forest is a new venture for Gabriele Fiori, who’s already well known for being the head of the Heavy Psych Sounds label and booking agency as well as the frontman of Black Rainbows and Killer Boogie. Hey, some people like to stay busy.

Before the album was being announced, I was fortunate enough to be asked to write the bio for The Pilgrim, and of course I jumped at the opportunity as I tend to do. My motivation was pretty simple, and I think listening to Walking into the Forest makes the argument perhaps best of all, which was why I was so keen to host the premiere of “Peace of Mind,” the album’s opening track, when the time came for the announcement to go out. With The PilgrimFiori and his cohort drummer Filippo Ragazzoni don’t just take on new textures, but as songs like the Hawkwind cover “Brainstorm” show, there’s a definite tie-in with the work Fiori has done in the past. It comes in a more peaceful form throughout “The Time You Wait” and the finger-picked beginning of “Pendulum,” perhaps, but that sense of collective psychedelic trip is still there, and it feels all the more resonant for its foundation in earthy acoustic guitar, to which quiet-but-welcome drums/percussion are added along with keys and vocals. “Peace of Mind” begins the record at a hippie ramble, and soon enough after, “Sailor” seems to speak to the exploration that’s getting underway in this material, with a broader melodic scope and an affecting, bigger finish.

Because that’s what Walking into the Forest is: the beginning of a new exploration. It’s right The-pilgrim-walking-into-the-forestthere in the title in the word “into,” which implies you’re starting from somewhere else and entering the forest, and it’s right there in the prominent front foot of the Maarten Donders cover art. These songs may have been years in the making, but the recording unites them in the purpose of feeling out and establishing this unfamiliar sonic terrain, where it’s not about the effects wash or the space rock thrust, or about the classic ’70s shuffle, but about creating a not entirely dissimilar atmosphere through the most natural of folkish elements — a guitar and a voice. That’s the core of what The Pilgrim does, but of course Fiori and Ragazzoni expand the sound with drums and keyboards, echo on the vocals and so on. It’s all part of conjuring an acid folk vibe, and they do it well from “Peace of Mind” through the relatively subdued guitar/keys finish of “Suite #2.” Not every song is trying to manifest the same idea — that would invariably lead to a monotonous listening experience, which the album isn’t, but they all work together in order to create the sense of journeying along with the duo in the creative process.

When asked for the bio, Fiori described the song “Dragonfly” as a “mind-dream,” which I like a lot, as well as his favorite on the album. Indeed, the track traffics well in the ethereal, and makes its presence felt through early intertwining of soft vocals and guitar with spaced-out keys before the strumming and drumming picks up before the two-minute mark. Those keyboard droplets stay consistent throughout, and late in the track a sweeping solo comes forward in the mix and ends up gently leading the way out just past the song’s fifth minute — it’s the only inclusion on Walking into the Forest to cross that line.

Fiori, as noted, or at least implied, has a fairly manic (and admirable) work ethic, so it’s easy to imagine that, should he choose to focus on it, a second The Pilgrim record could arrive sooner than the years it took to put together Walking into the Forest. Between Black RainbowsKiller Boogie, putting out other bands’ albums and booking events like the Obelisk-co-presented Heavy Psych Sounds Fest tour in the US (info here), he’s not exactly short on current projects, but sometimes once you start on a path through the forest, the best thing to do is just keep going and see where it leads you.

I’ve included that bio I wrote for the album here, in case you’re interested. It’s under the player with the premiere of “Dragonfly” and a quick comment from Fiori about the track specifically.

Please enjoy:

Gabriele Fiori on “Dragonfly”:

Dragonfly is the fourth track of the album and the one I personally like the most because its different phases; one is heavenly and choral, but then suddenly starts with rhythm parts and nice vocals, to end with a guitar solo that intertwines with the other instruments to create something truly magic.

The Pilgrim’ debut album Walking Into The Forest will be released on April 26th via Heavy Psych Sounds. Cover art by Maarten Donders.

Preorder available now: https://www.heavypsychsounds.com/shop.htm?#HPS092

Bio:

Gabriele Fiori — already frontman of Rome-based outfits Black Rainbows and Killer Boogie and a key figure in Europe’s heavy underground as the head of the Heavy Psych Sounds label and booking agency — was not exactly lacking for things to do. And yet, a couple years back, The Pilgrim started to nebulously take shape as an idea for a solo-project, something different than the hard-driving psychedelia and garage heavy rock for which he’d already been so revered.

It wasn’t until Jan. 2018 that he really got to putting songs together, but the end result on Walking into the Forest is a space-folk release with a personality unto itself. Songs like opener “Peace of Mind” evoke some of Fiori’s more rocking side, while “Sunset in the Desert” feels like an ode to the acoustic album Kyuss never made, and side B, which starts with the Hawkwind cover “Brainstorm” and ends with the moody strum of “Suite #2” — originally from Void Generator’s 2004 debut EP; when Fiori was in the band — hones a cosmic drift and textures that nonetheless remain accessible and organic thanks to their acoustic foundation.

“The main point in common with Black Rainbows is the diversity of the songs,” Fiori explains. “You have mind-dreams like ‘Dragonfly’ or ‘Sailor,’ or the more folk rock ‘Peace of Mind,’ passing through space with ‘The Time You Wait’ and the melodic-melancholic ‘When I Call Your Name.’”

In completing the arrangements, Fiori turned to Black Rainbows drummer Filippo Ragazzoni, and as he says, “Songs came out so spontaneously and easy. I always played acoustic guitar and wanted to push further on this path. The songwriting, rehearsing and recording approach was so different from usual Rainbows or Boogie style, both to me and Filippo for drums, because all the instruments needed to be played smoothly, softly.”

With Walking into the Forest, Fiori evokes a sound that is both classic and fresh, melodically rich and creatively constructed. It is a new outlet for Fiori that demands spiritual as well as auditory engagement, and an all-things-permissible sonic context that one can only hope The Pilgrim continues to explore.

The Pilgrim on Thee Facebooks

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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1782 Self-Titled Debut Preorders Available; Album out May 24

Posted in Whathaveyou on March 26th, 2019 by JJ Koczan

Together, Marco Nieddu and Gabriele Fancellu served as the rhythm section of the heavy rock outfit Raikinas, who issued their last album, Arkadia, in late 2016 through H42 Records. Signed to Heavy Psych Sounds under their newfound moniker 1782, the duo will release their self-titled debut full-length in May, and are streaming the song “Oh Mary” to mark the occasion of the album announcement. Unlike some of the tracks you can see listed below that feature a range of guests — including Heavy Psych Sounds label head and Black Rainbows/Killer Boogie guitarist/vocalist Gabriele Fiori and their Raikinas bandmate Alfredo Carboni, who contributes vocals — “Oh Mary” is just the duo on their own, so should give a decent impression of where they’re headed with their sound on the whole.

Oh maybe it doesn’t, I don’t know. Haven’t heard the record. Fuck it. Riffs are cool. Have some.

PR wire says:

1782 self titled

1782 SIGN TO HEAVY PSYCH SOUNDS + PREMIERE WITCH HAUNTING SINGLE FROM UPCOMING DEBUT ALBUM

Due out May 24th 2019!

It was a cold December day in 2018, when Marco Nieddu and Gabriele Fancellu formed a Doom band called 1782, in honor of all the “witches” murdered by the bigoted minds of many generations. Just a month later, the band entered the studio to record the single “She Was A Witch”, released by Electric Valley Records in within the same month. Only a few days after its release, the single turned out to be a great success, especially on social media and by listeners of the genre. On February 8th, 1782 started recording their homonymous debut album with Alfredo Carboni at the RKS studios in Ossi, Sardini, and inked a worldwide record deal with the leading cult & fuzz rock label Heavy Psych Sounds Records!

May 24th 2019 will see 1782 release their self-titled debut of a doom metal masterpiece, dedicated to a lady called Anna Göldi, who was condemned, tortured and killed, in one of the last witchcraft trials happened in Europe. 1782 deal with macabre themes: from spells to ruthless torture, from the pleasure of sex to the most perfidious revenge. This record got seven tracks of pure Doom Metal sounds with mega-riff Stoner Doom intervals, accompanied by a rhythm section of powerful drums, intense bass and super-fuzzy guitars. The band’s first full-length album also features high class guest musicians such as BLACK RAINBOWS ‘Gabriele Fiori shredding a blistering guitar solo in ‘She Was A Witch’, guest vocals by Alfredo Carbon of RAIKINAS or Nico Sechi on Hammond.

Today 1782 are proudly sharing with us a first single to the track ‘Oh Mary’! Says the band: „The lyrics of this song tell the story of a woman, who really existed and joined the circle of Sardinian legends. Maria, forced to marry an old man and pointed out by the women of her village because she was pregnant, decides to kill herself by throwing into a well. According to the myth, Maria kidnapped the children of all the women who had humiliated her, while taking them to her grave to feed on their bodies.“

Preorder here: https://allthatisheavy.com/collections/pre-orders-1?view=list

Tracklist:
1. Intro (…To the Church)
2. Night Of Draculia
3. The Spell (Maleficium Vitae) [feat. Alfredo Carboni]
4. She Was A Witch [feat. Gabriele Fiori]
5. Black Sunday
6. Oh Mary
7. 1782 [feat. Nico Sechi]
8. Celestial Voices [Pink Floyd cover, feat. Alfredo Carboni & Nico Sechi]

Coming May 24th with Heavy Psych Sounds, the album will be available in the following album formats:

– TEST PRESS
– ULTRA LTD GOLD
– RED BACKGROUND SPALTTER Black-Blue-White-Gold
– BLACK VINYL
– CASSETTE via Electric Valley Records
– DIGIPAK
– DIGITAL DOWNLOAD

To Pre-Order your album copy, visit:
www.heavypsychsounds.com/shop.htm#HPS106

1782 is:
Marco Nieddu – Guitar, Bass and Vocals
Gabriele Fancellu – Drums and Backing Vocals

www.facebook.com/1782doom
www.heavypsychsounds.com

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Ufomammut Set to Mark 20th Anniversary with Spring Tour

Posted in Whathaveyou on February 4th, 2019 by JJ Koczan

ufomammut

You might recall that when they hit their 15th anniversary in 2014, Ufomammut released the retrospective documentary, XV (review here), to mark the occasion. It seems their 20th year will be noted by seeing them do what they do best: tour and destroy. The Italian cosmic doom magnates have continued their forward-thinking, heavy-like-planets approach and managed to do nothing but grow each time out, and if you’ve never seen them live, well, that sounds like a personal problem it’s probably time to rectify. They’ll be out in Europe this Spring, doing a route mostly through Germany with a couple stops in the Netherlands and one in Switzerland — plus a couple dates TBA — but look for more to come because there’s an awful lot of year left and as they’ve shown over the last two decades, Ufomammut are hardly shy when it comes to getting out. To wit, they’ve already been announced as headliners for Oslo’s Høstsabbat festival in October. So yeah, more to come.

Shows are presented by Sound of Liberation:

ufomammut 20 years banner

20 YEARS UFOMAMMUT | FIRST TOUR DATES

In this year 2019, Ufomammut is celebrating 20 years as a band.

The band was formed in February of 1999 by Poia, Urlo and Vita in a small room in the middle of nowhere in Italy.

The idea was to survive the boredom of living in a little town while also having the intention of creating music to spread all around the globe.

After eight albums, plenty of tours, festivals and kilometers on the road, the band is ready to celebrate this important anniversary event with their marvelous and loyal fans with a special European tour this spring.

27.03 – Feierwerk – Munich (D)
28.03 – UT Connewitz – Leipzig (D)
29.03 – Mau Club – Rostock (D)
30.03 – MarX – Hamburg (D)
31.03 – Iduna – Drachten (NL)
2.04 – Junkyard – Dortmund (D)
3.04 – Doornroosje – Nijmegen (NL)
4.04 – TBA
5.04 – Gaswerk – Winterthur (CH)
6.04 – TBA

Music: “Plouton” by Ufomammut
Video by Lù www.malleusdelic.com

Stay tuned & keep your eyes peeled:
Many more dates to come!

Do not miss this.

www.ufomammut.com
www.facebook.com/ufomammutband
twitter.com/ufomammutmafia
www.instagram.com/ufomammut
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings
https://neurotrecordings.bandcamp.com
https://twitter.com/OfficialNeurot
http://www.supernaturalcat.com

20 Year of Ufomammut trailer

Ufomammut, 8

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