King Buffalo Postpone Tours; Writing New Material

Posted in Whathaveyou on June 25th, 2020 by JJ Koczan

Is it surprising that Here are the top 25 Writing Services profiles on LinkedIn. Get all the articles, experts, jobs, and insights you need. King Buffalo have pushed their 2020 tours off until next year? No. The US broke a new record in COVID-19 cases yesterday, hitting nearly 37,000 new reported in a single. fucking. day. Aside from being disgraceful, that just means that traveling in this country right now is taking your life in your hands. Maybe you’ll be fine, maybe not. True, we roll the dice every time we leave the house anyway — never know when that piano’s gonna fall on your head — but there are factors of relative dangers to take into account. States will be relocked-down by the time the band would hit the road anyway. That seems inevitable, though the staggering amount of irresponsibility displayed thus far in terms of the governmental response makes anything possible, I suppose.

Mostly fucking death is what it makes possible.

Professional Phd Dissertation Cnpc. If you are looking for a sizzling content for your eBook, leave your worries behind because you will be really happy King Buffalo released their righteously forward-thinking Professional online writers can College Essays Running on any topic that matches your best and most promising expectations. Timely delivery and strong guarantees of Dead Star EP (review here) earlier this Spring, and made the most of their time in lockdown with their four Quarantine Sessions videos, all of which I’ve posted below, because if you take the rest of your day and watch If you are looking for find more info, SurfEssay.com is aimed at providing highest-quality writings to every student on a worldwide level. King Buffalo jam out, that’s probably a good way to spend that time.

Here’s the latest from the band:

King Buffalo

Hey Friends,

We wanted to give everyone an update on what’s happening. As many of you might have guessed, it’s looking likely we will be postponing the majority of our shows until 2021. In this scenario shows would start up in January and continue from there. As soon as we have more details we will let you know. If your situation allows, please hold onto your tickets.

Since we recorded the Quarantine Sessions, we’ve been writing A LOT. We actually had to stop ourselves because we amassed almost 24 hours of jam sessions. Suffice to say, we will have material for multiple LPs in the coming future.

You’ve been keeping us busy by buying merch from our big cartel and bandcamp. We can’t thank you enough for your support! This will go to good use for future releases. We’ll be announcing something in the next couple months.

Lastly what ideas/comments do you guys have? Besides new material what would guys like to see? Let us know! Please take care of each other and stay safe. We will have more news for you soon.

-KB

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King Buffalo, Dead Star (Quarantine Sessions)

King Buffalo, Longing to Be the Mountain (Quarantine Sessions)

King Buffalo, Repeater (Quarantine Sessions)

King Buffalo, Orion (Quarantine Sessions)

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Days of Rona: Sean McVay of King Buffalo

Posted in Features on April 15th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

King Buffalo sean mcvay

Days of Rona: Sean McVay of King Buffalo (Rochester, New York)

this website help - Start working on your paper right away with excellent assistance guaranteed by the company Essays & researches written How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

People from all over are getting hit really hard by this, and we’re certainly no exception to that. We had multiple tours set up coinciding with the release of our newest EP. So far we’ve had to postpone our entire spring tour, and are crossing our fingers that we’ll be able to keep our summer and fall dates. Thankfully, each of us and our families is currently safe and healthy.

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Here in Rochester, NY all workers that are not “essential” are required to work from home. All schools are closed, and all bars/restaurants are closed to the public (but can remain open for takeout/delivery). Any “non-essential” gathering of any kind is banned. Recently, the city started closing public playgrounds and basketball/tennis courts as well.

Business Development Action Plan Template - Benefit from our affordable custom essay writing services and get the most from unbelievable quality Why worry about the report How have you seen the virus affecting the community around you and in music?

In my neighborhood I’ve noticed more people in their yards playing with their kids and pets. It’s been nice to see people trying to stay positive and make the best of everything while still being responsible and social distancing, but there’s definitely still a bit of stress and uncertainty in the air. As far as the local arts community goes things are certainly more worrisome. Many artists also work in the food and beverage industry, so they’re being hit extra hard, and venues are obviously in a really rough situation. In a general sense, it’s been really nice to see the influx of live-streamed performances and overall flood of artistic content throughout the internet. Its awesome to see people trying to support each other where they can in spite of our government’s completely inept and inadequate response to all of this.

forensic science essayss from just .50 per page. 24/7 online proofreaders and native English editors with full money-back guarantee. What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

First and foremost we want everyone to remain safe and healthy. We want everyone to make sure to take this virus seriously, and to do their part to help slow this thing down. We’re all in this together, and we all need to look out for one another. As far as King Buffalo goes… In an effort to make up for having to postpone our spring tour we filmed some live performances in our secluded practice space, and will be releasing them very soon. We have some other ideas cooking as well so keep an ear out. Best wishes to everyone and their families.

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Review & Full Stream: King Buffalo, Dead Star EP

Posted in audiObelisk, Reviews on March 17th, 2020 by JJ Koczan

King Buffalo Dead Star

[Click play above to stream King Buffalo’s Dead Star in full. It’s out this week and available to preorder from the band. Their Spring tour is in the process of being rescheduled due to pandemic. Read their statement here.]

For only 9, you can work directly with your own Digital Signal Processing Research Papers. All of our Writers are MBA Graduates and are experienced in business. Dead Star is anything but. What’s billed as the fourth The best writing help from a TOP term see url. Before discussing the custom term paper writing services, its important to examine what term papers are and how they should be written. A term paper is a research assignment that must be done when the semester comes to an end. King Buffalo EP is actually a sneaky third full-length from the Rochester, New York, three-piece of guitarist/vocalist How does one go about for an autobiography? How does one go about finding a ghostwriter If you hire a ghost writer Sean McVay, bassist http://www.orgrez.cz/?business-projection-plan - Get to know common tips as to how to get the greatest research paper ever Proofreading and proofediting services from best writers. Dan Reynolds and drummer Bestessayexperts - Trusted Academic and Clicking Here Thank you so much for this medical school dissertation. It is fabulous! Please thank Scott Donaldson, clocking in at 35-plus minutes long and marked out by an expansive, creative and spacious flow that willfully builds on the accomplishments of the band’s past while bringing them to new places in terms of sound and arrangements.

From the outset, the sprawl in their sound that came to such satisfying fruition on 2018’s sophomore LP, Dissertation Advanced Guestbook 2 3 2s Longing to Be the Mountain (review here) — which was the best record put out that year not by a band called  Statistics Assignment Help. We are most trusted custom-writing services among students from all over the world. Since we were founded in 1997 Sleep — is pushed further, as the 16:21 opener and longest track (immediate points) “Red Star Pt. 1 & 2” embarks on an extended, from-silence-up linear build through its first part only to find itself nearly 12 minutes in as  Donaldson‘s drums begin to gallop through its second part and McVay‘s vocals take on more of an urgent delivery suited to the space rocking thrust surrounding.

Underscored with reliable, underrated, secret-weapon-type low-end from Reynolds and fleshed out with undulations of synth and/or effects, it is King Buffalo on a cosmic grandstand in a way they simply never have been. Even their Jan. 2018 EP Repeater (review here), which opened with its 13-minute title-track, didn’t dare explore the regions of far-out that “Red Star Pt. 1 & 2” claims as the trio’s own, and certainly the heavy-psych-blues of 2016’s debut LP, Orion (review here), or the 2015 split with Sweden’s Lé Betre (review here) and the 2013 demo (review here) that preceded it only hinted at the barriers of sound the band would soon enough be breaking.

The latter piece of “Red Star Pt. 1 & 2” is immediate in classic space rock tradition, but still consistent with the slower psychedelic unfolding over the 11-plus minutes that it grew from, and when it crashes, it does so in righteous fashion, a slowdown-into-nod landing heavy and letting go into about a minute of cast-aloft noise and effects drift on a long fade.

If that was it, then sure, Dead Star would be an EP, but the progressive guitar piece “Echo of a Waning Star” — much shorter and just over three minutes long — picks up with a quieter melody of its own that comes to life at about halfway through. Beginning with plucked start-stop notes that stay consistent even as the full tonality and drums kick in circa 1:30 and then come back to the fore after that wave recedes, fleshed out with soft-hit toms and keys, the track is perhaps most reminiscent indeed of an echo — an atmospheric impression rather than a fully structured statement of its own, something intended to set a mood and feel not only hypnotic with that guitar line repeating.

But the complement that follows with the arrival of “Ecliptic” is cinematic in a way King Buffalo have never attempted to be, with McVay taking on the task of setting a four-minute John Carpenter or Goblin-style bed of ’70s prog synthesizer, complete with an underlying pulse of a beat. Entirely instrumental, it is a clear experiment for the band — a way for them to grasp for something new in their sound as they’ve done on EPs in the past — but with the addition of what seems to be a fluidly-mixed wave of distorted guitar (it’s hard to tell after a certain point), there’s a way forward for them in terms of future integration of these elements with their already established modus.

King Buffalo

That is, they’re not just throwing “Ecliptic” in without giving it some context; they’re hinting at what might be things to come as their evolution continues on their next full-length, whether you want to call it their third or fourth, after this. Sampled television or radio static — which used to actually be a thing, you know — underscores the point of interaction with soundtrack media and serves as a transition into the tense guitar line that opens “Eta Carinae.” Also proggier and more exacting in its central riff than some of King Buffalo‘s past work, it is in the Reynolds‘ bass that one most finds the groove holding sway even as Donaldson‘s snare provides steady pops along the way.

A subtle line of synth signals a change to a winding transition and the band are soon enough underway on a still-precise, plotted jam, with a lead and instrumental stretch bringing about a section of chug and the return of McVay‘s vocals, soon enough opening to a stretch of tension-release guitar soloing, but ending ultimately on that chugging riff, accompanied by a touch of synth before a sudden stop.

The title-track, which presses the words together to present as “DeadStar,” is a sweetly melodic four-minute piece based around acoustic guitar that still manages to bring all the pieces of the EP into one shared space, whether it’s the cosmic psych, the spaciousness, the weight of tone — which, yes, shows up — the synth and the vocal melody. McVay‘s presence as a frontman here is undeniable and perhaps a corresponding narrative along with the stylistic development of King Buffalo as a whole, but it’s important to note that the group remains balanced, and “DeadStar” shows this as well as it moves fluidly into its second and third minute, Reynolds smoothing out what might otherwise be stark shifts and Donaldson on the bell of his ride cymbal.

That King Buffalo should not only be toying with their aesthetic in these ways, but also finding solid footing as they do so probably shouldn’t be a surprise to listeners who’ve been exposed in the past to their songwriting, but it remains impressive all the same and it speaks to the quality of their work that seven years on from their demo, with multiple domestic and international tours behind and likely ahead of them — not to mention the specter of an always-pivotal third LP (if this isn’t it) looming on the horizon — that their potential should still resonate so vividly.

I’m a fan of their work, so if you need your grain of salt, take it, but I’ll bottom line this for you as best I can: King Buffalo are a special band. They’ve yet to put out a release that did not significantly bolster their reach, and their progression is met likewise by melodic growth and a consistency of songcraft that make their output all the more a joy to hear. They make it easy to open your mind and embrace new ideas, and if Dead Star is an EP, then it seems damn unlikely 2020 will see a better one.

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King Buffalo Post 2019 Live Bootlegs; Tour Starts March 19

Posted in Whathaveyou on March 10th, 2020 by JJ Koczan

Ahead of kicking off a round of touring with The Sword, King Buffalo have posted an 18-show bootleg collection for free public consumption. As I recall watching their performance as it happened at Freak Valley 2019 — I was at Maryland Doom Fest at the time, but with the time difference it worked — and being stunned by it on multiple levels, I immediately went there first. Needless to say, it holds up.

All the links are posted on their website direct to a Google Drive file, so you can stream or download from there as you will. King Buffalo will release their new EP, Dead Star, on March 20, and I hear tell that it might be streaming here a couple days before. Because the truth is King Buffalo are probably too cool for this site at this point, but they either don’t know it yet or are too nice to tell me to screw off when I asked. I’ll take it in any case, keeping my expectations reasonable as regards whatever they do next. One doesn’t want to take advantage.

Some calendar jumbling to do, but I’m hoping to catch them on this run at some point:

King Buffalo

We’ve just added 18 shows from 2019 to our Bootleg Series! Download them all for FREE at kingbuffalo.com/bootlegs.

Come be a part of our Bootlegs for 2020…
?3/19 Burlington, VT @ Higher Ground?
?3/20 Boston, MA @ Great Scott?
?3/21 New York, NY @ Mercury Lounge?
?3/26 Lansing, MI @ Mac’s Bar?
?3/27 Milwaukee, WI @ Colectivo?
?3/28 Minneapolis, MN @ 7th St. Entry?
?3/29 Winnipeg, MB @ Park Theatre?
?3/31 Calgary, AB @ Palomino?
?4/2 Vancouver, BC @ Fox Cabaret?
?4/3 Seattle, WA @ Barboza?
?4/4 Seattle, WA @ Barboza?
?4/5 Portland, OR @ Lola’s Room?
?4/7 San Francisco, CA @ Bottom of the Hill?
?4/8 Los Angeles, CA @ The Echo?
?4/10 Denver, CO @ Larimer Lounge?
?4/11 Denver, CO @ Larimer Lounge?
?4/13 Kansas City, MO @ Riot Room?
?4/14 St Louis, MO @ Duck Room?
?4/15 Louisville, KY @ Zanzabar?
?4/16 Cleveland, OH @ Beachland Tavern?
?4/17 Pittsburgh, PA @ Club Café?
?4/18 Syracuse, NY @ Funk N Waffles?
?5/9 Springfield, MO @ Mother’s Brewing?
?5/14 Northampton, MA @ The Parlor Room?
?5/15 Hamden, CT @ Space Ballroom?
?6/5 Toronto, ON @ Velvet Underground?
?6/11 Grand Rapids, MI @ Elevation +?
?6/12 Madison, WI @ Majestic Theatre +?
?6/13 Indianapolis, IN @ Vogue +?
?6/25 Buffalo, NY @ Mohawk Place +?
?6/26 Ashbury Park, NJ @ Wonder Bar?
?6/27 Baltimore, MD @ Metro Gallery?
?7/1 Chicago, IL @ Empty Bottle +?
?+ w/ The Sword

King Buffalo is:
Sean McVay – Guitar, Vocals, & Synth
Dan Reynolds – Bass & Synth
Scott Donaldson – Drums & Percussion

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King Buffalo, “Red Star Pt. 2” official video

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King Buffalo Announce Dead Star EP and Tour Dates

Posted in Whathaveyou on January 21st, 2020 by JJ Koczan

King Buffalo

When King Buffalo put out their early-2018 EP Repeater (review here) ahead of their second full-length, Longing to Be the Mountain (review here), it was an opportunity for the Rochester trio to explore new ideas and adventure into what at the time was new sonic terrain for the band. To try new things and introduce their audience to the same. It smoothed the transition between 2016’s Orion (review here) and the follow-up LP, and complemented both works.

Their new “short release,” Dead Star, is more substantial. As in, it’s 36 minutes long. From where I sit, that’s an album one way or the other, and certainly the flow of its six tracks bears that out as well. But the function is similar to Repeater in that King Buffalo once again embrace their creative drive in an open and exciting way. The six songs of Dead Star are thrillingly progressive, taking on aspects of synth and new textures and atmospheres that enrich the band’s core melodies and grooves so as to broaden their scope and make them all the more engrossing. Beginning with the 16-minute pair “Dead Star Pt. 1 & 2,” and running through the finale closing track, Dead Star works to push the boundaries of expectation of what King Buffalo can accomplish as a band, and thereby accomplishes them as well.

Preorders go up later this week, and they’ve got tour dates and a track streaming as of next week. Official release of Dead Star is March 20 and I’m hoping to have more to come as we get closer to then.

In the meantime, here’s a press release I kind of wrote:

King Buffalo Announce their 4th EP “Dead Star” and 2020 Tour Dates

King Buffalo will release their fourth EP, Dead Star, on March 20. The widely-hailed progressive heavy rock trio from Western New York will stream the single “Eta Carinae” Jan. 28 from the six-song, 36-minute release now via Bandcamp with preorders available at kingbuffalo.bigcartel.com on Jan. 24. Extensive tour dates will follow.

Their most brazenly experimental offering to-date, Dead Star will self-release throughout North America and see European issue via Stickman Records.

Self-recorded in late 2019 and early 2020 by guitarist/vocalist Sean McVay, bassist Dan Reynolds and drummer Scott Donaldson, Dead Star continues to push King Buffalo’s psychedelic aspects deep into the cosmic ether, and basks in elements of ambient drone, space rock, prog, mantra-style heavy and synthesizer soundtracking, as well as the bluesy, classic riffing and creative urgency that has underscored their particular style since their 2013 demo and 2016 debut album, Orion. A depth of mix comes courtesy of Grant Husselman, while Bernie Matthews mastered.

“In the early stages of Dead Star, we made the decision to make a strong commitment to experimentation,” explains guitarist/vocalist Sean McVay. “From exploring different time signatures, tunings and textures, to tweaking the song writing processes themselves. We’re extremely proud of these recordings, and feel it’s some of our most ambitious work yet.”

King Buffalo’s discography includes two full-length albums, Orion (2016) and Longing to Be the Mountain (2018), as well as three prior EPs – 2013’s Demo, a 12” split with Le Bétre in 2015, and 2018’s Repeater.

Dead Star continues the risk-taking that fueled Repeater, honoring the core dynamic of King Buffalo as a band while boldly introducing new ideas and sides of their sound to their audience.

Recent years have found King Buffalo touring throughout North America and Europe, with highlight festival performances, support slots and headlining shows, and they bring that experience to the songwriting of Dead Star’s six tracks, be it the sprawling two-part leadoff “Red Star Pt. 1 & 2” or the John Carpenter-esque instrumental “Ecliptic” ahead of the chug-and-crash-prone “Eta Carinae.” All the while King Buffalo maintain a flow and atmosphere that has served as a hallmark of their approach.

“These six songs deviate and expand on horizons that we as King Buffalo haven’t yet reached,” says drummer Scott Donaldson, who also handled the graphic layout of Dead Star with Ryan T. Hancock’s striking cover art. “It’s extremely exciting to make something familiar, but unlike anything we’ve previously done. I can’t wait for everyone to hear it.”

Vinyl Details:

Test Press – Limited to 20, hand numbered, and ship mid-February. Includes a download code of the Deluxe version, poly bag, a signed “thank you” from the band with wax seal, an exclusive poster and hand numbered insert.

Deluxe Edition – Limited to 250 units and pressed to 12″ Black and White Vinyl. The Deluxe Edition includes a polybag, a hand numbered insert, and audio commentary by the band. A One-Time Only pressing. They’ll be shipped as soon as mid-March.

Standard Edition – Limited to 750 units and pressed to 12″ Bone White Vinyl. They include a polybag and download code.

Written and recorded by King Buffalo in Rochester, NY at the Main Street Armory in December of 2019 & January 2020.

All arrangements by King Buffalo (c) 2019
Produced & Engineered by Sean McVay
Mixed by Grant Husselman
Mastered by Bernie Matthews
Artwork by Ryan T Hancock
Fonts by Mike Turzanski
Layout by Scott Donaldson

Dead Star Track list:
Red Star Pt. 1
Red Star Pt. 2
Echo of a Waning Star
Ecliptic
Eta Carinae
Dead Star

Tour Dates:
1/31 Montreal, QC @ Le Ministere
2/1 Ottawa, ON @ Dominion Tavern
3/19 Burlington, VT @ Higher Ground
3/20 Boston, MA @ Great Scott
3/21 New York, NY @ Mercury Lounge
3/26 Lansing, MI @ Mac’s Bar
3/27 Milwaukee, WI @ Colectivo
3/28 Minneapolis, MN @ 7th St. Entry
3/29 Winnipeg, MB @ Park Theatre
3/31 Calgary, AB @ Palomino
4/2 Vancouver, BC @ Fox Cabaret
4/3 Seattle, WA @ Barboza
4/5 Portland, OR @ Lola’s Room
4/7 San Francisco, CA @ Bottom of the Hill
4/8 Los Angeles, CA @ The Echo
4/10 Denver, CO @ Larimer Lounge
4/11 Denver, CO @ Larimer Lounge
4/13 Kansas City, MO @ Riot Room
4/14 St Louis, MO @ Duck Room
4/15 Louisville, KY @ Zanzabar
4/16 Cleveland, OH @ Beachland Tavern
4/17 Pittsburgh, PA @ Club Café
4/18 Syracuse, NY @ Funk N Waffles

King Buffalo is:
Sean McVay – Guitar, Vocals, & Synth
Dan Reynolds – Bass & Synth
Scott Donaldson – Drums & Percussion

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facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
kingbuffalo.bandcamp.com
stickman-records.com
facebook.com/Stickman-Records-1522369868033940

King Buffalo, Longing to be the Mountain (2018)

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Review & Track Premiere: Orodruin, Ruins of Eternity

Posted in audiObelisk, Reviews on September 13th, 2019 by JJ Koczan

orodruin ruins of eternity new cover

[Click play above to stream ‘Forsaken’ from Orodruin’s  Ruins of Eternity. Album is out Oct. 25 on Cruz Del Sur Music. Preorders available now for CD and LP.]

A 16-year differential from one album to the next is significant. Bands have formed, flourished, and broken up in that time. A generational shift in listenership has taken place. Production styles have changed. The list goes on. Fortunately, good doom is timeless, and so it is that Orodruin return from Mordor with Ruins of Eternity, their sophomore LP behind 2003’s rightly vaunted Epicurean Mass (review here). It’s true that the Rochester, New York, three-piece haven’t been totally absent in that time, having put out the Claw Tower… And Other Tales of Terror compilation in 2004 as well as a self-released demo in 2011 and an EP in 2012 — both around performances as the Days of the Doomed in Wisconsin — and guitarist John Gallo released two full-lengths with his other outfit Blizaro, 2010’s City of the Living Nightmare and 2016’s Cornucopia Della Morte (review here), as well as a comp drawing other other work, and also a 2014 solo album under the extra-letter moniker John Gallow called Violet Dreams that dug into his root influence in the work of Paul Chain.

But even with these and the inevitabilities of real life on the part of Gallo, vocalist/bassist Mike Puleo and guitarist Nick Tydelski, to go more than a decade and a half without a proper album release is a long time. And yet Orodruin have been missed all along. They always seemed to maintain there would be another record, and their absence was conspicuous as bands like The Gates of Slumber and Apostle of Solitude moved to the forefront of American doom, let alone relative newcomers like Magic Circle. The nine tracks/47 minutes of Ruins of Eternity serve as a compelling reminder why. Absent longtime drummer Mike Waske, who left the band in 2018, Puleo takes on those duties admirably, and the dynamic between his bass, soaring vocals and the NWOBHM and epic doom-inspired guitars of Gallo and Tydelski stands up to anything in the style you’d want to put it next to, including titans of the form like The Skull or Candlemass, albeit more raw in production than the latter.

If that sounds like hyperbole, consider the guitar heroics in the second half of “Into the Light of the Sun,” the mournful plod and standout melody of “Letter of Life’s Regret” — which appeared on their 2011 demo as well — and the opening gift that is “Forsaken,” which turns after three minutes in and repurposes the speedier riff from Black Sabbath‘s “Falling off the Edge of the World” to its own righteous ends. It would be cliché to say that after 16 years, Orodruin sound on Ruins of Eternity like they haven’t missed a beat, but, well, it’s also true. Granted, it helps that the style of doom they’re playing is loyal to a particular sonic ideal and has its roots in a lost era of ’80s underground metal — even if they came across as dated, that would only work to their advantage — but Ruins of Eternity, even with “Letter of Life’s Regret” and presumably other tracks being of older origin, feels vital. As the chugging march of “Man of Peace” takes hold from “Forsaken,” the Iommic character in the guitar takes on further nuance and deceptive pacing in the verse en route to a more open chorus, the song trading back and forth this way until the lyrics have told their story and a stop brings about the guitar solo section and the return to the central nod at the finish.

orodruin

This is doom songcraft at its most essential, and a message toward the front of Ruins of Eternity to the converted that time has not dulled Orodruin‘s affinity for the style or its substance. As “Grave Illusion” adds more complexity of mood en route to “Letter of Life’s Regret” and the galloping “War on the World,” the experience of the album grows richer, but keeps to the central vibe at its heart. True doom is about bringing character to homage, adding personal perspective to what’s come before. Orodruin do this across Ruins of Eternity with enough grace as to emphasize just how much has been missed by their not putting out an album every two, three or even four years. Is it a chance to affect the scope of doom that’s gone forever? Ruins of Eternity provides a compelling argument otherwise.

As the album moves into its second half, with “Into the Light of the Sun” balancing tempo shifts and dug-in moodiness en route to its aforementioned standout shred and “Voice in the Dark” toying with structure amid a particularly resonant vocal from Puleo, there is some sense of pushing deeper into stylistic reach, but the core mission remains firm. Likewise, “Hell Frozen Over” starts out at a slow burn, picking up to emphasize tone rather than the riff itself, solos panning from one channel to the other ahead of a last tempo kick and some layered harmonies and a last crash-out at the apex that brings about the closing title-track. Somewhat amazingly, “Ruins of Eternity” is the only song over six minutes long on the record that shares its name, and it launches with a commanding stomp ahead of solo-laced swing and a quiet midsection stretch that explodes into faster push, in turn bringing about a slowdown into pure gruel that is as fitting a way to cap Ruins of Eternity as one could possibly ask.

All the while, Orodruin never lose their sense of poise, never lose sight of what they want to do as a band, and never forget that even more than the misery, it’s the song that matters most. It’s hard to listen to the album and not think what might’ve been if this was their fifth or sixth album instead of their second, but that it exists at all is a victory, and that it finds them in such exceptional form all the more so. They’ve rewritten the story of who they are as a band here, and while one wouldn’t predict what the future might hold for them — particularly as they’re short a drummer for playing live — Ruins of Eternity brings into focus just how special Orodruin are and just how much it’s been worth waiting for this one to show up. That’s no easy task, considering, but they nail it.

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King Buffalo Announce Final 2019 Tour Dates; European Vinyl Pressings Available

Posted in Whathaveyou on August 21st, 2019 by JJ Koczan

king buffalo (Photo by Mike Turzanski)

Actually, by now, the vinyl’s probably gone. So it goes.

If you want to make your day better, go ahead and watch the stream of King Buffalo playing Freak Valley Festival in Germany back in June. The video is below, as recorded by Rockpalast, and it’s heartwarming on any number of levels as a fan of the band. I remain enamored of 2018’s Longing to Be the Mountain (review here), and to see them nailing that material on such a stage in front of such a crowd is like an unexpected birthday card.

These are their last shows of 2019, which makes me think it won’t be long until they announce their first shows of 2020. But where? And when? And… when… again? I don’t know. Whatever. Just go watch that video. Then listen to the record. Then buy a tshirt or something. These guys have earned it.

Dates:

king buffalo dates

KING BUFFALO – LAST TOUR DATES OF 2019 // EURO VINYL PRESSINGS!

We’ve announced our remaining 2019 Tour Dates.

THESE WILL BE OUR LAST SHOWS OF 2019, SO DON’T MISS THEM!

9/25 Detroit, MI @ PJ’s Lager House
9/26 Grand Rapids, MI @ The Mint
9/27 Chicago, IL @ Empty Bottle
9/28 Cleveland, OH @ Ingenuity Festival – JUST ANNOUNCED!
11/8 Columbus, OH @ Ace of Cups
11/9 Indianapolis, IN @ Black Circle
11/12 Nashville, TN @ High Watt
11/14 Dallas, TX @ Three Links
11/15 Austin, TX @ Hotel Vegas
11/16 Houston, TX @ White Oak Upstairs
11/19 Atlanta, GA @ The Earl
11/20 Carrboro, NC @ Cat’s Cradle
11/21 Washington, DC @ DC9
11/23 Rochester, NY @ Bug Jar
11/27 Buffalo, NY @ Mohawk Place – JUST ANNOUNCED!

BUY TICKETS HERE

EUROPEAN VINYL

LTBTM Euro Edition – The European Version of LTBTM from Stickman Records, normally a European exclusive. We brought back a limited number from our European 2019 Tour. This Edition includes a 180 gram Silver Vinyl! Only 8 copies remain.

Orion Euro Edition – The European Version of Orion from Stickman Records, normally a European exclusive. This Edition includes a 180 gram Orange Transparent Vinyl and comes with a CD! Only 7 copies remain.

Repeater Euro Edition – The European Version of Repeater from Stickman Records, normally a European exclusive. This Edition includes a Beer Yellow Transparent Vinyl with Black silkscreen! Only 12 copies remain.

Lineup:
Sean McVay – vocals, guitar, synth
Dan Reynolds – bass, synth
Scott Donaldson – drums

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
kingbuffalo.bandcamp.com

King Buffalo, Live at Freak Valley Festival 2019

King Buffalo, Longing to be the Mountain (2018)

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Orodruin Sign to Cruz Del Sur Music; Ruins of Eternity Due in October

Posted in Whathaveyou on July 16th, 2019 by JJ Koczan

orodruin

Technically speaking, Ruins of Eternity is the follow-up to Orodruin‘s debut long-player, Epicurean Mass (discussed here). Only kicker there is that Epicurean Mass came out in 2003, so the sophomore effort is arriving some 16 years after the fact. Hey, good doom takes time. The Rochester, New York, outfit are the latest in the classic-doom vein to sign with Cruz Del Sur Music behind the recent acquisition of Ogre and others from the last few years like Apostle of Solitude and Argus, and Ruins of Eternity has been given an October release date, which given guitarist John Gallo‘s penchant for the drama of classic horror, does not make Halloween seem unreasonable. It’ll be out right around the same time as Ogre‘s new record either way, which certainly puts them in good company.

It’s been a long time coming, but Orodruin have a real chance here to make that wait pay off. Here’s hoping they take advantage.

From the PR wire:

orodruin ruins of eternity new cover

ORODRUIN to release “Ruins of Eternity” in October

Veteran Rochester, New York doomsters Orodruin have signed with Cruz Del Sur Music for the release of their second full-length album, “Ruins Of Eternity”. The album — the band’s first in 16 years — will see the light of day this October.

Originally formed in 1998 by John Gallo (guitar), Mike Puleo (bass/vocals), Nick Tydelski (guitar) and Mike Waske (drums), ORODRUIN broke onto the American metal scene with 2003’s “Epicurean Mass”, which remains their lone full-length album to date.
From the vintage school of BLACK SABBATH and SAINT VITUS doom with a European twist, ORODRUIN’s penchant for churning riffs and atmospheric passages instantly put them on the global doom metal map. The band issued a split, compilation, demo and EP in ensuing years, all building up to the eventual release of their sophomore album.

According to Gallo, ORODRUIN wrote nine new songs from 2016 to 2018, with a tenth song, “Letter Of Life’s Regret” coming from 2005. The album was tracked throughout 2018 at Wicked Squid Studio and is currently being mixed with the mastering process right around the corner.

“Stylistically, the songs are in the epic doom realm like the master titans of the 1970s, SABBATH and JUDAS PRIEST,” says Gallo. “The songs are a long-awaiting evolution in our writing and chemistry among brothers on a treacherous journey that will finally be unleashed to the masses. We hope it translates well to the hearts and souls of our fans worldwide.”

In preparation for the band’s triumphant return to European shores for this fall’s Hammer Of Doom Festival festival, ORODRUIN have enlisted drummer Kevin Latchaw of labelmates Argus, who is temporarily manning the drum spot while the band searches for a replacement for Waske, who left ORODRUIN in April of 2018.

Gallo: “We are extremely honored to be playing the same night as Uli Jon Roth and TROUBLE alongside our classic doom brothers MIRROR OF DECEPTION, SKALD and ATLANTEAN KODEX on the next day, to mention only a few! We can’t express how amazing it will be to be playing a substantial doom metal festival in Germany again. We hope people enjoy the new material as much as we do playing it.”

ORODRUIN’s addition to Cruz Del Sur adds to an ever-growing stable of excellent doom metal bands. Not only will the partnership expose ORODRUIN to new audiences, it will put them in close company with many bands who they consider contemporaries. “We have been aware of Cruz Del Sur for a while and it seemed like the perfect home for us as we have a more European audience that appreciates our style of doom metal. Plus, it will be great to be alongside our fellow doom friends in WHILE HEAVEN WEPT, SLOUGH FEG and ARGUS.”

Orodruin is:
Nick Tydelski : Guitar
Michael Puleo : Bass, Vocals, Drums
John Gallo : Other Guitar

https://www.facebook.com/orodruinofficialband
cruzdelsurmusic.com
facebook.com/cruzdelsurmusic
cruzdelsurmusic.bandcamp.com

Orodruin, Epicurean Mass (2003)

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