Inter Arma Recording New Album for 2019 Release

Posted in Whathaveyou on May 17th, 2018 by JJ Koczan

Have you started your most anticipated of 2019 list yet? If not, Richmond’s Inter Arma might be a good place to begin. Their next album is being tracked right now with Mikey Allred at the helm in Nashville and Madison, Tennessee, and will be out on Relapse early next year as the follow-up to 2016’s Paradise Gallows (review here), the latest in a series of stylistic triumphs for the hard-touring five-piece unit.

Speaking of touring, I’m assuming the album will be done by the end of this month (if it’s not done already) since on May 31 Inter Arma head out on tour with fellow Virginians Earthling and Chicago’s Bruce Lamont (Corrections HouseBloodiestYakuza, etc.). Given everything Inter Arma put into their music, I’d imagine it’s the mixing that’s the challenge more than the basic tracking process, but either way, time’s a crunch, gentlemen.

Here’s the latest from the PR wire:

inter arma (Photo Tony Lynch)

INTER ARMA: Enter Studio To Record New Album

Richmond’s INTER ARMA has entered the studio to record their highly-anticipated fourth full-length album and follow-up to 2016’s Paradise Gallows. The yet-to-be-titled album is being recorded at The Tracking Room in Nashville, TN and Dark Art Audio in Madison, TN by INTER ARMA’s longtime engineer Mikey Allred. The album is expected to be released in early 2019 via Relapse Records.

Additionally, INTER ARMA begin their US headlining tour with Earthling and Bruce Lamont at the end of the month. The tour begins May 31 and ends June 9 including performances at Doomed and Stoned Festival & Raleigh Deathfest. INTER ARMA has announced a weekend tour in August/September surrounding the inaugural Heavy Mountain Festival in Asheville, NC during Labor Day Weekend. Includes a hometown concert on August 31st with labelmates Valkyrie and Genocide Pact. All confirmed tour dates are available below.

INTER ARMA Tour Dates:

— All Dates May 31-June 8 w/ Earthling —

May 31 Louisville, KY @ Zanzabar
Jun 01 Chicago, IL @ Doomed and Stoned Festival *
Jun 02 Lansing, MI @ Mac’s +
Jun 04 Cleveland Heights, OH @ Grog Shop +
Jun 05 Pittsburgh, PA @ Brillobox +
Jun 06 Columbus, OH @ Ruby Tuesday +
Jun 07 Nashville, TN @ The End +
Jun 08 Atlanta, GA @ Drunken Unicorn +
Jun 09 Raleigh, NC @ Raleigh Deathfest *

+ w/ Bruce Lamont
* Inter Arma only

Aug 31 Richmond, VA @ Strange Matter &
Sep 01 Durham, NC @ The Pinhook
Sep 02 Asheville, NC @ Heavy Mountain Festival

& w/ Valkyrie, Genocide Pact & Paint Store

INTER ARMA are:
T.J. Childers – Drums, guitars, lap steel, keyboards, synthesizers, noise, vocals
Trey Dalton – Guitars, keyboards, vocals
Joe Kerkes – Bass
Mike Paparo – Vocals
Steven Russell – Guitars

http://www.relapse.com/inter-arma-paradise-gallows/
https://www.facebook.com/INTERARMA/
https://www.instagram.com/interarmamusic/
http://interarma.bandcamp.com/

Inter Arma, Paradise Gallows (2016)

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Windhand Begin Recording New Album Eternal Return for Fall Release

Posted in Whathaveyou on April 4th, 2018 by JJ Koczan

Richmond, Virginia, doomers Windhand have announced they’ve begun work on their next full-length, Eternal Return, returning to the studio with producer Jack Endino, who helmed their 2015 album, Grief’s Infernal Flower (review here). The band also released a split with steady tourmates Satan’s Satyrs this past Spring and have spent the last couple years going around the world in support of the last record. Between recording again with Endino and getting Arik Roper, it seems like the five-piece-turned-four-piece aren’t trying to fix what wasn’t broken from Grief’s Infernal Flower, which is fair since, you know, that shit was way not broken.

One expects they’ll start announcing a massive round of tour dates for Eternal Return before the record even comes out, so I’ll go ahead and keep an eye open for that. In the meantime, here’s the latest fresh from the PR wire:

Windhand_ photo by Sally Patti

Windhand Enter Studio To Record New Full-Length Album, ‘Eternal Return’ Coming Fall 2018 on Relapse Records

Spring West Coast Tour Approaches

Virginia’s WINDHAND have entered the studio to record their 4th studio album. The album, entitled Eternal Return, is being recorded and engineered at Soundhouse Studios in Seattle, WA with legendary producer Jack Endino (Nirvana, Soundgarden, High on Fire). Album artwork will once again be handled by Arik Roper (Sleep, High on Fire). The album is expected to be released Fall 2018 via Relapse Records. Stay tuned for more information in the near future.

Additionally, WINDHAND kick off a short West Coast tour with Ruby The Hatchet on April 19th which includes appearances at Stumpfest and Levitation Fest. WINDHAND is also confirmed for Maryland Doom Fest on June 23 in Frederick, MD. A complete list of dates is available below.

WINDHAND LIVE DATES:
Apr 19: Neumos – Seattle, WA #
Apr 20: Stumpfest – Portland, OR
Apr 22: Great American Music Hall – San Francisco, CA #
Apr 23: Roxy Theatre – Los Angeles, CA #
Apr 26: Levitation at Barracuda – Austin, TX
Jun 23: Maryland Doom Fest 2018 – Frederick, MD
# w/ Ruby The Hatchet

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, “Old Evil” official video

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Inter Arma Announce Southern & Midwestern Tour Dates

Posted in Whathaveyou on March 22nd, 2018 by JJ Koczan

inter arma

Anyone remember band on Relapse called Buried Inside? They were Canadian, around from about the turn of the century until 2010 and put out a couple records along the way. The thing about them? They were brilliant. I mean they smashed genres together like some formidably-sized Hadron collider, and though they have nothing directly to do with Richmond’s Inter Arma, the comparison to me still makes sense. Inter Arma‘s 2016 album, Paradise Gallows (review here)? Stellar. And they’ve gotten heaps and heaps of critical praise. But they should be a household name by now at least among open-minded metallers, and I don’t know if that’s happened yet.

A headlining tour can’t hurt in that regard. Inter Arma keep blasting away, keep playing the right fests, doing good tours. They still seem undervalued. One just hopes they don’t turn out to be the kind of band who has to break up before they get their due appreciation.

From the PR wire:

inter arma poster by jacob speis

INTER ARMA: Announce US Headlining Tour Dates

Richmond’s INTER ARMA announce US headlining tour dates with Earthling and Bruce Lamont. The tour begins May 31 and ends June 9 including performances at Doomed and Stoned Festival & Raleigh Deathfest. The band continues to support 2016’s highly praised Paradise Gallows full-length album. A full list of confirmed tour dates is available below.

Additionally, INTER ARMA recently shared the live video for “An Archer in the Emptiness” on a new episode of Overcoast Music’s Sessions series. Filmed and recorded live on-location inside Richmond’s beautifully haunting Byrd Park Pumphouse, the performance serves a powerful testament to the city’s creative, innovative, and artistic heartbeat as well as its connection with a deep and rich cultural history. The episode of Overcoast Sessions is in support of the Virginia Tourism Corporation’s “Virginia Is For Lovers” campaign.

Paradise Gallows is out now on CD/2xLP/Digital via Relapse Records. Physical orders, including limited vinyl colors and bundles, are available via Relapse.com at this location, and digital orders can be found at Bandcamp HERE.

INTER ARMA Tour Dates:

— All Dates May 31-June 8 w/ Earthling —

May 31 Louisville, KY @ Zanzabar
Jun 01 Chicago, IL @ Doomed and Stoned Festival *
Jun 02 Lansing, MI @ Mac’s +
Jun 04 Cleveland Heights, OH @ Grog Shop +
Jun 05 Pittsburgh, PA @ Brillobox +
Jun 06 Columbus, OH @ Ruby Tuesday +
Jun 07 Nashville, TN @ The End +
Jun 08 Atlanta, GA @ Drunken Unicorn +
Jun 09 Raleigh, NC @ Raleigh Deathfest *

+ w/ Bruce Lamont
* Inter Arma only

INTER ARMA are:
T.J. Childers – Drums, guitars, lap steel, keyboards, synthesizers, noise, vocals
Trey Dalton – Guitars, keyboards, vocals
Joe Kerkes – Bass
Mike Paparo – Vocals
Steven Russell – Guitars

http://www.relapse.com/inter-arma-paradise-gallows/
https://www.facebook.com/INTERARMA/
https://www.instagram.com/interarmamusic/
http://interarma.bandcamp.com/

Inter Arma, “An Archer in the Emptiness” Live at the Byrd Park Pumphouse

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Cough Announce West Coast Tour with Grime

Posted in Whathaveyou on February 16th, 2018 by JJ Koczan

If you’re on the West Coast and looking to test your tolerance for extreme sludge, this might be the show with which to do it. Italy’s Grime are nothing if not aptly-named. Their sound is a filth-coated assault of bludgeoning aural misanthropy. Not only that they would come to the US to tour, but that they’d partner with Richmond, Virginia, dirge-oozers Cough is significant, the latter being a genuinely headlining-worthy outfit in terms of presence and volume who compromise neither in their pursuit of some of the darkest sonic corners to be found anywhere. There will be riffs. They will be loud. They will be slow. They will be punishing.

The tour is presented by Midnite Collective, and kudos to them on the pairing. The PR wire puts it like this:

cough tour poster

COUGH (Relapse) & GRIME (Argento) Announce Joint West Coast Tour

Announcing a plague over the West Coast…Virginia’s COUGH (Relapse Records) and Italy’s GRIME (Argento) are joining forces to wreak havoc this May. CA’s Midnite Collective takes responsibility for bringing the Italian doom lords across the ocean for their first ever US shows – sure to be a hell of a run. Dates below:

Catch COUGH & GRIME Live:
5/11 – Los Angeles, CA – Union
5/12 – Phoenix, AZ – Club Red
5/13 – Las Vegas, NV – The Bunkhouse Saloon
5/14 – San Diego, CA – Soda Bar
5/15 – Oakland, CA – The Golden Bull
5/16 – Portland, OR – Tonic Lounge
5/17 – Seattle, WA – The Highline

Conceived in the fertile metal underground of Richmond, VA circa 2005, ?COUGH ?have sought to be the heaviest band ever since their inception. The band takes inspiration from the most savage aspects of extreme music, from crushing doom metal and grimy sludge to early black metal. After the independent 2007 release of their first EP, ?The Kingdom?, ?COUGH? quickly put out their first proper full-length, ?Sigillum Luciferi ?(Forcefield Records, 2008).

Between hospital visits and bouts of near-insanity, ?COUGH? slowly labored forward with the writing of their follow-up album. By 2010 the band had signed to Relapse Records and returned to Chicago, IL, enlisting Parker once again to record their sophomore album, the aptly titled Ritual Abuse. ?

After a six year hiatus, ?COUGH ?return with ?Still They Pray?, a 65? ?minute acid-drenched nightmare set to music?.? Produced by ?Electric Wizard’s ?Jus Oborn and recorded by Oborn and ?Windhand’s? Garrett Morris, ?COUGH? pick up where ?Ritual Abuse ?left off, masterfully pushing their black cosmic psychedelia to the brink of despair. ?

Grime starts its mission in Trieste, Italy during summer 2010- their only goal is bringing destruction to a town near yours. Their sound is rooted in a rotten burial ground and their songs are the voice of a decaying swamp filled with trash. Marching to a slow and heavy groove as filthy and vicious as the guitar riffs are sharp and covered with rust. Drums and bass hit with the unstoppable power of a mud avalanche.

Over the years the band toured relentlessly across Europe (with Converge, Cough, Fistula, Today is The Day and -(16)-, to name a few) and had the honor to play some of the greatest European festivals such as Roadburn, Heavy Days in Doomtown, Bloodshed Festival, Barroselas Metal Fest and Desertfest (London and Belgium). Grime is ready to release some new material in 2018 along multiple tours…stay tuned.

https://www.facebook.com/Cough666/
https://www.instagram.com/cough666/
https://cough.bandcamp.com/
https://www.facebook.com/Grime666Grime/
https://www.instagram.com/grimeofshit/
https://grime666.bandcamp.com/
http://www.midnitecollective.com/
https://www.facebook.com/midniteclv/
https://www.instagram.com/midniteclv/

Cough, Still They Prey (2016)

Grime, Circle of Molesters (2015)

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Review & Track Premiere: Wolftooth, Wolftooth

Posted in audiObelisk, Reviews on January 16th, 2018 by JJ Koczan

wolftooth wolftooth

[Click play above to stream ‘Frost Lord’ from Wolftooth’s self-titled debut. Album is out Jan. 19 digitally on Cursed Tongue Records with vinyl to follow in May and CD and tape due March 9 via Blackseed Records.]

The bite force of a large wolf has been said to exceed 1,000 pounds of pressure, making it particularly efficient at crushing bones of prey. Their fangs can grow to an inch in length. Thus, for the sharpness of their execution and the thrust behind it, one can only consider Indiana heavy rockers Wolftooth aptly named. The double-guitar Hoosier four-piece make their debut via Blackseed Records and Cursed Tongue Records with a self-titled eight-tracker that from the very beginnings of opener “Blackbirds Call” engages the overarching question of where heavy rock stops and heavy metal begins; a semi-aggro push punctuated by the insistent chug of guitarists Chris Sullivan (also vocals) and Jeff Cole and the popping snare of drummer Johnny Harrod that’s given due heft by bassist Terry McDaniel.

Informed somewhat in its melodic reach by modern progressive metal via the likes of a less angular Baroness, the mid-tempo swing of “Aegaeon” finds vocals layered and manipulated in a manner that recalls Fireball Ministry‘s compressed style, and the penultimate “Forged in Fire,” though it embarks on a gallop just past its halfway point, reaffirms that notion early in its going, as does the harmony-laced closer “Season of the Witch.” A persistent use of epic themes in cuts like “Sword of My Father,” “White Mountain,” “Frost Lord” — unless they just really love cocaine, which given the cohesiveness of their sound seems less likely, but I suppose isn’t impossible — and some of the push in “White Mountain,” or “The Huntress” and “Blackbirds Call” could be said to be culled from High on Fire, but like the other potential points of influence or at least sonic congruity noted above, as well as the classic-style Thin Lizzy stomp that begins “Sword of My Father,” these are filtered through the band’s own modus of expression and come through as their own.

Wolftooth, in other words, make an impression.

That they’d do so isn’t necessarily a surprise. Very quickly, the tastes of Blackseed and Cursed Tongue have each become a trustworthy factor as regards the releases the imprints choose to stand behind, and the 42 minutes of Wolftooth‘s Wolftooth acquit themselves well in terms of the obvious conscious thought put into their song structures and melodic arrangements. Also the shortest track at 3:55, “Sword of My Father” might also have the album’s most resonant hook, but it’s one of many, and as the forward-charging slicer “Frost Lord” turns just before three minutes in to its metallo-chugging mosh part — at least one of these guitarists came of age amid the rise of metalcore near the turn of the century — there’s certainly a memorable moment being captured. Perhaps what’s most striking overall about the album, though, is how fluidly Wolftooth tie these ideas together into a coherent entirety.

wolftooth

No question it’s a collection of songs as opposed to a singular work, but the band split the tracklist neatly in half to bring the two sides of their debut long-player to bear with a marked flow from front to back, and aside from being impressively consistent in tone across its span, in the expanding melodies of “The Huntress” and “Season of the Witch” — which, it should be noted, does not seem to be a Donovan cover — one can nonetheless hear how much effort the group has put into crafting this material, and that very much extends to the production contribution of Jeremy Lovins at LedFields Studio in Connorsville, IN. Produced in conjunction with the band and assisted in engineering by Skylar Nichols, the clarity of Wolftooth‘s underlying aesthetic and sonic ideas comes that much more to fruition because, one senses, not just of the past experience of members in other acts, but because of the partnership between band and studio, the two sides working in conjunction toward the same ends.

All of this, of course, feeds into the notion of Wolftooth, as a debut album, being particularly noteworthy in its sheer got-itself-together-ness. That’s a somewhat patronizing cliche to use, but it’s a striking appeal all the same, and further evidenced by the balanced nature with which Wolftooth approach what for them is a thin line between rock and metal and prove themselves able to follow the whims of their songwriting to one side of it or the other. To wit, the pairing of “Frost Lord” and “The Huntress” or “White Mountain” coming out of “Sword of My Father” to cap side A. This dynamic, bolstered by the steadiness in the production itself, gives the album its sense of range, and Sullivan‘s melodic vocal approach assures that as they recount tales of witches, broadswords and other epic/fantasy thematics, they neither become overly dramatic nor chestbeatingly dudely in their delivery, even as “Frost Lord” dips into its triplet-gallop chugging breakdown.

It should be noted that Wolftooth caps with its three longest tracks in “The Huntress,” “Forged in Fire” and “Season of the Witch,” which leads one to wonder if perhaps the band aren’t signaling intentions toward even grander fare their next time out. Would be fair enough. They’re still able to hone a memorable chorus into these longer slabs, so I wouldn’t be surprised if they expanded the interweaving aspects of the two guitars as they moved forward and wound up with longer tracks as a result, although the more immediate impact of “Sword of My Father” here is a factor to consider. Whichever way they go, Wolftooth‘s forward potential is writ large throughout this first offering, and that it drives one toward such speculation for avenues of their future progression should be taken as a sign of how likely that progression seems to take place in general, regardless of its ultimate direction.

Wolftooth on Bandcamp

Wolftooth on Thee Facebooks

Wolftooth on Instagram

Cursed Tongue Records on Thee Facebooks

Cursed Tongue Records on Instagram

Cursed Tongue Records webstore

Blackseed Records on Thee Facebooks

Blackseed Records on Bandcamp

Blackseed Records website

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Windhand Post “Old Evil” Video; Split LP with Satan’s Satyrs Due in Feb.

Posted in Whathaveyou on December 11th, 2017 by JJ Koczan

windhand sally patti

Established: Windhand‘s 2015 long-player, Grief’s Infernal Flower (review here), was pretty rad. Produced by Jack Endino, it featured the band’s most progressive and aesthetically resounding work to-date, building on the established personality of 2013’s Soma (review here) without giving up the dirge-laden weight or overarching sense of murk that defined that record or their 2012 self-titled debut (discussed here) before it. From where I sit, it was also a watershed moment for the Richmond, Virginia, outfit. Not just for working with Endino, but for being their third full-length in general, for following up on years of hard touring, and for arriving at a moment when clearly they were ready to take their approach to another level, primed for wider exposure and being a “bigger” band generally than they were going into it.

Barring some kind of Nirvana-style commercial breakthrough — which the current structure of the music industry almost entirely prohibits at this point — most of the time an album’s success isn’t ultimately judged until the next one arrives. That’s why first-week sales are still relevant; they serve to demonstrate and summarize the reaction to the preceding record. Did Grief’s Infernal Flower push Windhand into true headliner status? I don’t know. They certainly seem to have made arguments for it and for themselves in that regard, but it’s not just a question all the time of where a band is on a given tour or festival bill either. Sometimes it can just be down to the songs. Are they memorable? Did they make an impression? Did they connect?

Grief’s Infernal Flower was awesome. It worked with an inspired sense of atmospherics and was consuming in its tonality. It’ll be a while still I think before we know what impact it ultimately had — my touchstone comparison point for it all along has been High on Fire‘s 2007 Endino-helmed offering, Death is this Communion, which led to their signing to eOne from Relapse — but in the meantime, Windhand continue to put in admirable work on the road and in the studio. They toured Europe this Fall and hit fests there, they’ve already been confirmed for Maryland Doom Fest 2018, and they have a new split due in February with fellow Virginian tour-buddies Satan’s Satyrs from whence their new video for the track “Old Evil” comes.

Checking in at a relatively brief six minutes, it may or may not be a preview of where Windhand‘s next album might go coming off of Grief’s Infernal Flower, but either way, you’re not going to hear me complain about new Windhand coming down the line in whatever form it might take.

PR wire info follows the clip below. Please enjoy:

Windhand, “Old Evil” official video

WINDHAND: Announce New Split LP With Satan’s Satyrs; Share “Old Evil” Music Video

Announce 2018 US West Coast Tour Dates

Two of Virginia’s finest heavy bands team up for an amp-worshipping, acid trip from hell! The split includes two brand new songs of smoldering gloom and grief from WINDHAND paired with three tracks of devilish, fuzz-drenched metal/punk from SATAN’S SATYRS.

The band has also announced a quick run down the West Coast next spring; check below for a full list of dates.

WINDHAND and SATAN’S SATYRS Split LP is due out February 16th on CD/LP/Digital. Physical pre-orders are available via Relapse.com HERE and digital downloads HERE

windhand satans satyrs splitSPLIT TRACKLIST:
Side A – Windhand
1 – Old Evil
2 – Three Sisters
Side B – Satan’s Satyrs
3 – Alucard AD 2018
4 – Succubus
5 – Ain’t That Lovin’ You Baby

WINDHAND Tour Dates:
Mar 23 Richmond, VA The Broadberry (Record Release Show) *
Apr 19 Seattle, WA Nuemos #
Apr 22 San Francisco, CA Great American Music Hall #
Apr 23 Los Angeles, CA Roxy Theatre #
Jun 23 Frederick, MD Maryland Doom Fest 2018
* w/ Satan’s Satyrs
# w/ Ruby The Hatchet.

Windhand on Thee Facebooks

Windhand on Bandcamp

Windhand at Relapse Records

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Wolftooth Sign to Cursed Tongue Records; Debut LP out in 2018

Posted in Whathaveyou on November 17th, 2017 by JJ Koczan

wolftooth

Classic metal and heavy rock crash headfirst in Wolftooth‘s ‘The Huntress,’ which is just one of the eight tracks on the band’s self-titled debut LP that makes it easy to understand what Cursed Tongue Records was thinking in signing the four-piece to release the album on vinyl. They were thinking it ruled. I’m enjoying how hard it’s becoming to argue with their taste, and as Wolftooth join choice snags like Sumokem, Earth WitchNeon WarshipDevil’s WitchesGreen Yeti and Mental Tremors, a significant reliability factor is coming together. Trust is a good thing. Trust that someone is going to back cool riffs is even better.

You can hear “The Huntress” as well as two other cuts from Wolftooth‘s Wolftooth now via the band’s Bandcamp, streaming at the bottom of this post. The LP itself will arrive early next year with preorders up sometime between now and then. In the meanwhile, here’s the announcement from Cursed Tongue to make the alliance official:

wolftooth cursed tongue

WOLFTOOTH SIGNS TO CURSED TONGUE RECORDS FOR WORLD WIDE RELEASE OF THEIR DEBUT FULL LENGTH ALBUM.

We are extremely happy to announce the rabid new signing from Cursed Tongue Records

Hailing from the Midwest via Richmond IN comes the “Stoner Metal Riff Worshipers” Wolftooth consisting of a pack of well seasoned musicians (all 20+ yr metal scene veterans) determined to raise the bar of the almighty riff. Wolftooth combines influences from the 70’s and early 80’s NWOBHM with Bay Area Thrash and doom laden riffery. Meanwhile the vocals soar over blues drenched solos that add a stoner sensibility to the Wolftooth sound.

Wolftooth, despite having just existed for a short period of time, have already released an EP of three songs on Bandcamp in August 2017 that secured them a place at #12 on the September edition of Doom Charts and general acclaim amidst reviewers across the heavy underground scene. It brings evidence of a band that’s aiming high and is willing to put the muscle and mind behind.

Some bands need a whole career to make an impression. Wolftooth only needed three tracks to impress on an epic scale and after listening to their EP we just instantly knew that this band are going places. So it is a natural thing to add Wolftooth to the Cursed Tongue Records roster as we feel the music the band purveys is an extension of our love for metal and rock. We are stoked to be putting thier debut full length album out in the first half of 2018. Official release date and preorder details to be revealed in due time.

Wolftooth hits hard with a unique blend of stoner, 90’s alternative rock, hintes of 80’s glory and some goddamned heavy riffs that makes this band worth your full attention. So lookout cause Wolftooth is on a mission to bring the “Power of the Riff” to the masses.

CTR-007, Wolftooth – ‘Wolftooth’, official release date: first half 2018

Wolftooth is:
Chris Sullivan – Guitar and Vocals
Jeff Cole – Guitar
Terry McDaniel Jr – Bass
Johnny Harrod – Drums

Recorded at Led Fields studio Connersvile IN
Engineered and mixed by Jeremy Lovins
Assistant Engineer: Skylar Nichols
Produced by Wolftooth and Jeremy Lovins
All music composed and arranged by Wolftooth
*Keyboard arrangements by Jeremy Lovins

Track listing:
Side A
1. Blackbirds Call
2. Aegaeon
3. Sword Of My Father
4. White Mountain

Side B
5. Frost Lord
6. The Huntress
7. Season Of The Witch
8. Forged In Fire

http://wolftooth.bandcamp.com/releases
http://www.facebook.com/wolftoothmetal/
https://www.instagram.com/wolftooth_metal/
https://www.facebook.com/CursedTongueRecords/
https://www.instagram.com/cursedtongue
http://cursedtonguerecords.bigcartel.com/

Wolftooth, Wolftooth EP (2017)

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Windhand Post “Forest Clouds” Video; European Tour with Satan’s Satyrs on Now

Posted in Bootleg Theater on September 29th, 2017 by JJ Koczan

windhand

If you needed a nine-minute refresher as to the badassery of Windhand‘s latest album, Grief’s Infernal Flower (review here), the Richmond, Virginia, outfit hereby offer up a new video from the Jack Endino-produced outing for the track ‘Forest Clouds’ for you to check out. Directed by Jordan Vance, it has all the purple-tinted murk one could ask for and comes along as Windhand return to Europe for their Fall 2017 tour alongside fellow Virginians Satan’s Satyrs, with whom they also hit the road earlier this year in the States.

As it happens, Windhand also tracked material for an upcoming 2018 split with the same outfit, so it seems pretty safe to say they’ve probably grown close over their time together and they may indeed plan to spend a little more of it. Fair enough for the complementary nature of the two bands, with Windhand‘s permanent tone-rolling mire hitting its stride sound-wise on Grief’s Infernal Flower and Satan’s Satyrs only growing more brash as time goes on in their doomly motor-ready boogie style. I wouldn’t tell you how to live your life or anything, but if the tour came or is coming through someplace you might happen to be, no question it’s worth showing up for.

You’ll note as well on the list of gigs below sent down the PR wire that it includes slots for both acts at Up in Smoke 2017 and Desertfest Belgium 2017. The latter is sure to be particularly riotous, as it’s the final date of what by then will have been a significant run. It’s already underway, in fact — the tour, not Deserfest — and hits Cologne, Germany, this very evening en route to continuing through a slew of dates in Germany, France, Austria, Italy and so on.

Clip and info follow here. Please enjoy:

Windhand, “Forest Clouds” official video

Richmond, VA’s WINDHAND have shared the official video for “Forest Clouds” off their latest full-length album Grief’s Infernal Flower. Watch the Jordan Vance directed video via YouTube HERE.

Additionally, WINDHAND kick off their headlining European tour with Satan’s Satyrs tomorrow night in Copenhagen, DK. A full list of confirmed tour dates is available below.

The band recently recorded songs for an upcoming split with Satan’s Satyrs that will be released by Relapse in early 2018. Details will be revealed shortly.

WINDHAND Tour Dates:
— All dates with Satan’s Satyrs —
Sep 29 Cologne, DE MTC
Sep 30 Wiesbaden, DE Kesselhaus
Oct 01 Leipzig, DE UT Connewitz
Oct 02 Berlin, DE Cassiopeia
Oct 03 Vienna, AT Arena
Oct 04 Munich, DE Feierwerk
Oct 05 Bologna, IT Freak-Out Club
Oct 06 Mezzago, IT Bloom Club
Oct 07 Pratteln, CH Up In Smoke Festival
Oct 08 Paris, FR Stoned Gathering
Oct 09 London, UK The Borderline
Oct 10 Leeds, UK Brudenell
Oct 11 Glasgow, UK Audio
Oct 12 Manchester, UK Rebellion
Oct 13 Bristol, UK Exchange
Oct 14 Antwerp, BE Desertfest BE

Windhand on Thee Facebooks

Windhand on Bandcamp

Windhand at Relapse Records

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