Emerald Haze 2017 Trip Pt. 1: Mystery

Posted in Features on August 30th, 2017 by JJ Koczan

laptop charger

08.30.17 – 7:46PM Eastern US – Wednesday evening – T.F. Green Airport, Warwick, Rhode Island

Before I even start, I’d like to dedicate the next several days’ worth of posts in this series to the memory of my material grandmother, Florence Peterson, who passed away yesterday morning at the age of 102. She was among the strongest, fiercest individuals I’ve ever had the pleasure to know, and someone who absolutely refused to compromise, even when doing so probably would’ve made her own existence easier to stomach. I could go on, but the bottom line is I wouldn’t be here without her.

I owe thanks to my family up-front as well for sending me off across an ocean to rock and roll when where I should be is in New Jersey, being solemn. I do not deserve to have the wonderful people in my life that I do.

Also, I don’t deserve to be making this trip. I said that the other day, yes, but I stand by it. In about an hour and 20 minutes, I’ll be on a plane waiting to head to Dublin for Emerald Haze 2017, the inaugural edition of a festival for which I somehow wound up presenting the main stage, headlined on its first night by Church of the Cosmic Skull and on its second night by Sólstafir. This is utterly absurd to me. I shouldn’t be allowed anywhere near this thing, let alone have The Obelisk’s logo stamped on the poster up around the city of Dublin. It may honestly be years before I wrap my brain around it, but I am incredibly grateful for this once-in-a-lifetime chance to be in the position I’m in.

Perhaps then it’s a bit of unconscious penance that my voyage has started out so utterly amateur-hour. I’ve never flown out of Providence before, so there was an added bit of anxiety there, and apparently that manifested itself in my starting to pack more than 36 hours in advance and still — yes, still — leaving my laptop charger at home. They had a universal one at one of the airport stores for $60. Those things cost like $20 on Amazon, but it’s the by-the-balls premium, and that’s precisely how they had me. So it goes.

Couple that with the fact that I’ve already cut the trip short — I leave Dublin on Sunday instead of Wednesday, as was originally intended to give me some time to actually see the place outside of the festival — and the way-above-my-pay-grade notion of somehow coordinating reconvening with The Patient Mrs., who is in San Francisco for a work conference and also returning on Sunday, only without a car, before we head south to be with my family in New Jersey, and yeah, it’s all kind of a wreck in my brain. Dinner was a protein bar. Lunch was a shake. I must be traveling.

Unless I have the time zones wrong, which I’ve precious little doubt that I do, the flight will be about seven hours. It takes off at 9:10PM Eastern — allegedly — and thus puts me into Dublin at 08.25 GMT, which will be about 4:30AM to my brain. Should be interesting. I hope Ireland has a lot of coffee, because I’m afraid I’m going to need all of it.

The full schedule for Emerald Haze 2017 is posted here, and here are the posters for the two stages across the two days:

Once again, I can’t believe how lucky I am to be on my way to this thing. I’ve got plenty of writing to keep me busy as well for the next couple days, so keep an eye out into Friday for news, streams and the regular bit of whatnot, but fest coverage will probably start Saturday and continue through the weekend, so please stay tuned. I hope to see as much as I can see and write as much as I can write. If you get to follow along with any of it, please know you have my deepest appreciation.

Almost time to go.

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Rope Trick Release Red Tape EP; Touring East and West Coasts

Posted in Whathaveyou on March 24th, 2017 by JJ Koczan

After premiering the 11-minute opening track here late last year, psych-ritualizing two-piece Rope Trick have made their debut EP, Red Tape, officially available for public consumption. They’ll have CDs before the end of the month, and that timing makes sense since the Queen Elephantine-affiliated duo are set to tour between the Northeast and the West Coast over the course April and May. Wasting no time, they play tonight in New Hampshire and on March 30 are in their half-native Providence, Rhode Island (they also claim roots in Philly, where they’ll be April 1), in the significant company of Baltimore drone-wash joyspreaders Darsombra.

Dates and other info came in off the PR wire, and you can check out the full stream of Red Tape at the bottom of the post:

rope trick

ROPE TRICK: ‘Red Tape’ + East & West Coast US Tour Dates

ROPE TRICK, a new psych rock duo from Providence/Philadelphia, USA is supporting its new self-released album Red Tape with tours on both East and West Coasts of the US. They share the stage with, among others, Darsombra, Owl, Heavy Temple, Weird Owl, Aboleth, and Ultra Electric Mega Galactic, the psych project of Monster Magnet’s Ed Mundell.

You can listen here: https://ropetrickband.bandcamp.com. The album will also be available March 30th on CD, iTunes, and Spotify.

ROPE TRICK is the term given by physicist John Malik to “the curious lines and spikes which emanate from the fireball of certain nuclear explosions just after detonation.”

ROPE TRICK SPRING 2017 TOUR DATES
East Coast

3/24 – Rollinsford, NH, Sue’s
3/30 – Providence RI, AS220*
3/31 – Brooklyn NY* Don Pedro*
4/1 – Philadelphia PA, Shred Shed*
4/2 – Baltimore MD, The Crown*
5/17 – New York NY, Arlene’s Grocery
5/27 – Brooklyn NY, Cobra Club
*w/ darsombra

West Coast
4/14 – Seattle WA, Blue Moon Cafe
4/15 – Portland OR, High Water Mark
4/16 – Eugene OR, Black Forest
4/18 – Sacramento CA, Starlite Lounge
4/19 – San Francisco CA, El Rio
4/21 – Los Angeles CA, Cafe NELA
4/23 – Anaheim, CA, Doll Hut

Rope Trick is:
Indrayudh Shome: guitar + vocal
Nathanael Totushek: drums

ropetrickband.com
ropetrickband.bandcamp.com
facebook.com/ropetrickband
https://www.instagram.com/ropetrickband

Rope Trick, Red Tape (2017)

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Heavy Temple Touring with Pilgrim in March

Posted in Whathaveyou on February 9th, 2017 by JJ Koczan

Kind of an ICYMI here, in the parlance of our times, but good to note either way that next month, Philly’s Heavy Temple will hit the road alongside Rhode Island doomers Pilgrim. The latter seem poised to make something of a comeback this year after nearly grinding themselves into dust in support of their last full-length, 2014’s II: Void Worship (review here), and in joining them, Heavy Temple make their most significant leap into touring life yet. It’s an East Coast run, and they did hit the Midwest last fall, but 10 dates on the road is the longest I’ve seen from them to-date. Doubt it will be the last.

They of course go supporting the 2016/2017 release Chassit (review here), alternately billed as a debut full-length and a second EP (the latter below). I had thought I read of a parting of ways with guitarist Archbishop Barghest, but maybe I’m wrong about that or bassist/vocalist High Priestess Nighthawk and drummer Siren Tempestas are heading out as a duo? I’d be interested to know for sure either way.

To be perfectly honest, half my impulse in posting these dates a couple weeks after they were first announced is in making sure they’re here for future reference. Seems like the kind of thing I’ll want to have to look back on down the line.

From the PR wire:

pilgrim heavy temple tour

Heavy Temple to tour with Pilgrim

Heavy psych/doom band HEAVY TEMPLE released their new EP Chassit on January 27th 2017. The EP was initially available on cassette and digital formats via Tridroid Records and CD is now available via Van Records.

Heavy Temple formed at the end of 2012 with High Priestess Nighthawk on bass and vocals and presently features Siren Tempestas on drums and Archbishop Barghest on guitar.

The band will also be playing some shows with doom heavyweights PILGRIM in March:

TOUR DATES:
March 2nd The Fire, Philadelphia, PA
March 3rd The Broadberry (With Windhand), Richmond, VA
March 4th Pilgrim (With Subrosa) Saint Vitus, Brooklyn, NY
March 4th Heavy Temple (With Toke) TBA, Winston, Salem NC
March 5th Riffhouse Pub,, Chesapeake, VA
March 6th Sidebar, Baltimore, MD
March 7th Meatlocker, Montclair, NJ
March 8th O’Briens, Boston MA
March 9th Mohawk Place, Buffalo, NY
March 10th Bug Jar, Rochester, NY
March 11th Geno’s, Portland, ME
March 12th AS220, Providence, RI

https://www.facebook.com/HeavyTemple/
https://heavytemple.bandcamp.com
https://www.van-records.de/
https://tridroid.bandcamp.com/album/chassit

Heavy Temple, Chassit (2017)

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The Obelisk Presents: The Top 20 Short Releases of 2016

Posted in Features on December 30th, 2016 by JJ Koczan

the obelisk top 20 short releases

Please note: This post is not culled in any way from the Year-End Poll, which is ongoing. If you haven’t yet contributed your favorites of 2016 to that, please do.

Yeah, I know I said as much when the Top 20 Debut Albums of 2016 went up, but I take it back: this is the hardest list to put together. And to be honest, there’s a part of me that’s hesitant even to post it because I know as soon as I do someone’s going to be like, “No way you dick your entire existence is shit because you forgot Release X,” and very likely they’ll be right. Up to the very moment this post is going live, I’ve been making changes, and I expect I’ll continue to do so for a while after it’s out there.

So what’s a “short release?” That’s another issue. Pretty much anything that’s not an album. Singles, digital or physical, as well as EPs, splits, demos, and so on. The category becomes nebulous, but my general rule is if it’s not a full-length, it qualifies as a short release. Sounds simple until you get into things like, “Here’s a track I threw up on Bandcamp,” and “This only came out as a bonus included as a separate LP with the deluxe edition of our album.” I’m telling you, I’ve had a difficult time.

Maybe that’s just me trying to protect myself from impending wrath. This year’s Top 30 albums list provoked some vehement — and, if I may, prickishly-worded — responses, so I might be a bit gunshy here, but on the other hand, I think these outings are worth highlighting, so we’re going forward anyway. If you have something to add, please use the comments below, but remember we’re all friends here and there’s a human being on the other end reading what’s posted. Thanks in advance for that.

And since this is the last list of The Obelisk’s Best-of-2016 coverage, I’ll say thanks for reading as well. More to come in the New Year, of course.

Here we go:

scissorfight chaos county

The Obelisk Presents: The Top 20 Short Releases of 2016

1. Scissorfight, Chaos County EP
2. Earthless / Harsh Toke, Split
3. Mars Red Sky, Providence EP
4. Mos Generator, The Firmament
5. Soldati, Soldati
6. Monolord, Lord of Suffering / Die in Haze EP
7. Wren, Host EP
8. Goya, The Enemy EP
9. The Sweet Heat, Demo
10. River Cult, Demo
11. Stinkeye, Llantera Demos
12. Megaritual, Eclipse EP
13. Ragged Barracudas / Pushy, Split
14. Mindkult, Witchs’ Oath EP
15. Iron Jawed Guru, Mata Hari EP
16. Brume, Donkey
17. Bison Machine / Wild Savages / SLO, Sweet Leaves Vol. 1 Split
18. BoneHawk / Kingnomad, The Second Coming of Heavy: Chapter Three Split
19. Wicked Gypsy, EP
20. Love Gang, Love Gang EP

Honorable Mention

An expansive category as ever. In addition to what’s above, the following stood out and no doubt more will be added over the course of the next few days. If you feel something is missing, please let me know.

Presented alphabetically:

Cambrian Explosion, The Moon EP
Candlemass, Death Thy Lover EP
Cultist, Cultist EP
Danava, At Midnight You Die 7″
Dos Malés, Dos Malés EP
Druglord, Deepest Regrets EP
Fu Manchu, Slow Ride 7″
Geezer, A Flagrant Disregard for Happiness 12″
Gorilla vs. Grifter, Split
Holy Smoke, Holy Smoke! It’s a Demo!
Karma to Burn, Mountain Czar
LSD and the Search for God, Heaven is a Place EP
Pallbearer, Fear and Fury
Reign of Zaius, Planet Of…
Sea of Bones / Ramlord, Split
Shallows, The Moon Rises
The Skull, EP
Snowy Dunes, “Atlantis Part I” digital single
Sun Voyager / The Mad Doctors, Split
Valborg, Werwolf 7″

Notes

Was it just the raw joy of having Scissorfight back? No, but that was for sure part of it. It was also the brazenness with which the New Hampshire outfit let go of their past, particularly frontman Christopher “Ironlung” Shurtleff, and moved forward unwilling to compromise what they wanted to do that made their Chaos County so respectable in my eyes. Having always flourished in the form, they delivered an EP of classic Scissorfight tunes and issued a stiff middle finger to anyone who would dare call them otherwise. They couldn’t have been more themselves no matter who was in the band.

At the same time, it was a hard choice between that and the Earthless / Harsh Toke split for the top spot. I mean, seriously. It’s Earthless — who at this point are the godfathers of West Coast jamadelica — and Harsh Toke, who are among the style’s most engaging upstart purveyors, each stretching out over a huge and encompassing single track. I couldn’t stop listening to that one if I wanted to, and as the year went on, I found I never wanted to.

I was glad when Mars Red Sky included the title-track of the Providence EP as a bonus cut on their subsequent album, Apex III (Praise for the Burning Soul), both because it tied the two releases together even further and because it gave me another opportunity to hear it every time I listened to the record. Their short releases have always shown significant character apart from their full-lengths, and this was no exception. I still tear up when I hear “Sapphire Vessel.”

To bounce around a bit: Had to get Mos Generator on the list for the progressive expansion of the live-recorded The Firmament. Stickman was right to put that out on vinyl. Both Monolord and Goya provided quick outings of huge riffs to sate their respective and growing followings, while Megaritual’s Eclipse basked in drone serenity and the debut release from Sergio Ch.’s Soldati provided hard-driving heavy rock with the particular nuance for which the former Los Natas frontman is known. It’s the highest among a slew of first/early outings — see also The Sweet Heat, Wren (Host was their second EP), River Cult’s demo, Stinkeye, Mindkult, Iron Jawed Guru, Brume, Wicked Gypsy and Love Gang.

Ultimately, there were fewer splits on the list this year than last year, but I’ll credit that to happenstance more than any emergent bias against the form or lack of quality in terms of what actually came out. The BoneHawk and Kingnomad release, the Ragged Barracudas and Pushy split, and that heavy rocking onslaught from Bison Machine and company were all certainly welcome by me, and I’ll mention Gorilla vs. Grifter there too again, just because it was awesome.

One more time, thank you for reading, and if you have something to add, please do so in the comments below. Your civility in that regard is appreciated.

This is the last of my lists for 2016, but the Readers Poll results are out Jan. 1 and the New Year hits next week and that brings a whole new round of looking-forward coverage, so stay tuned.

As always, there’s much more to come.

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Rope Trick Premiere Demo Track “Vivid”; East and West Coast Tours Announced

Posted in audiObelisk on December 16th, 2016 by JJ Koczan

rope trick logo

Comprised of Queen Elephantine members Indrayudh Shome and Nathanael Totushek, one shouldn’t be entirely surprised to find that the new duo Rope Trick have some experimental underpinnings. There’s only so much one can or even should bother trying to fight that impulse, frankly. But while Shome and Totushek‘s other outfit is known for droning meditative sprawl, fully ritualized and spacious as heard on their latest outing, Kala (review here), which came out this fall through Argonauta Records and a slew of others, Rope Trick‘s three-song debut demo, Red Tapes, finds them a little more down-to-business and feels aimed more toward exploring direct instrumental and rhythmic chemistry than sonic spiritualism — though one could easily argue they’re the same to some degree when done right. And fair enough. Its half-hour run through the songs “Vivid” (10:32), “Soothsayer” (7:07) and “Comedown” (12:28) is marked by low-end groove and swells of volume and thrust — see the emergent lurch of the finale’s ’90s-style chug — and Shome‘s layered chant. Nobody’s credited with bass, and indeed there might not be any, but you’d never know that hearing the material itself, which is duly thick and forceful in its presentation in spite of a raw recording fitting to a demo aesthetic.

While they’re quite clearly just starting out with these songs, feeling their way through an initial release and crafting material after what seems to have been a process of stripping projects like Queen Elephantine and Throne in the Void of the Hundred Petal Lotus down to their essential cores, Shome and Totushek unquestionably benefit from their prior time playing together. And if that wasn’t the case, you’d know it almost immediately between the duo format of Rope Trick and the rough edges the demo provides. But listening to the rollout of “Vivid,” which invites listeners along with its bounce of drums and flourish of almost surf-style guitar, topped by drawn-out vocals from Shome — a track that’s gradually developing but not moving slowly by any means — the experience and knowledge from each party of how the other works makes transitions like that circa three minutes in, when they switch to the starts and stops and embark on a forward build from there, is what’s making the whole thing go. It’s no less true on “Soothsayer” or “Comedown,” and especially as their first outing, it’s a crucial component that one hopes will continue to be a key expression of the band as they move on from here in developing the ebbs and flows like that which bring “Vivid” to a standstill in its second half only to have it rise again and drive more intensely toward its conclusion; jazzy, loose-swinging, but never without a sense of direction behind it. Maybe even a little funky? Maybe.

To go with the debut demo release of Red TapesRope Trick are announcing tour dates on both coasts. They’ll be joined on the stints by It’s Not Night: It’s Space and River Cult and Darsombra, so good company kept all around, and you’ll find the dates included under the player below, by means of which you can hear the premiere of “Vivid” now.

I hope you enjoy:

rope trick tour dates

ROPE TRICK has put out a demo dubbed “Red Tapes” and announced US tour dates for Spring 2017. They are looking for a label to sign their first album and have ambitions to tour Europe as well as Asia in the Summer.

They have an East Coast US tour coming up in January with It’s Not Night It’s Space, an East Coast US tour in the works for March, and a West Coast tour in April.

JANUARY
01/04 – Boston MA, O’Brien’s*
01/05 – Dover NH, Needful Things*
01/06 – Poughkeepsie NY, Darkside Records**
01/07 – Brooklyn NY, Cobra Club**
01/08 – Providence RI, Aurora**
01/14 – Providence RI, AS220 – Live Film Scoring Festival
01/15 – Philadelphia PA, Kung Fu Necktie*
*w/ It’s Not Night: It’s Space
**w/ It’s Not Night: It’s Space + River Cult

MARCH-APRIL
03/23 – Boston, MA (TBC)
03/24 – Northampton, MA (TBC)
03/25 – Montreal, QC, CAN (TBC)
03/30 – Providence RI, AS220*
03/31 – Brooklyn NY (TBC)*
04/01 – Philadelphia PA, Kung Fu Necktie*
04/02 – Baltimore MD (TBC)*
04/14 – Seattle WA (TBC)
04/15 – Portand OR, High Water Mark
04/16 – Eugene OR, Old Nick’s
04/18 – Sacramento (TBA)
04/20 – Oakland CA, Golden Bull
04/21-22 – Los Angeles CA (TBA)
*w/ darsombra

Rope Trick is:
Indrayudh Shome: guitar + vocal
Nathanael Totushek: drums

Rope Trick on Bandcamp

Rope Trick on Thee Facebooks

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Sweet Heat, Demo: To Crawl and Entice (Plus Full Stream)

Posted in audiObelisk, Reviews on November 4th, 2016 by JJ Koczan

swee-heat-demo-cover

[Click play above to stream Sweet Heat’s Sweet Heat Demo in full. They play with The Golden Grass and Pilgrim on Saturday at Dusk in Providence, RI, and will appear at Maryland Doom Fest 2017.]

The story of Sweet Heat begins in 2015 with the demise of Rhode Island-based doom traditionalists Balam. With some impressive local momentum behind them, Balam released their Days of Old (track premiere here) full-length early last year, and by the time 2016 rolled around, the band was done. Sort of. Vocalist Alexander Blackhound, guitarist Jonny Sage, bassist Nicholas Arruda and drummer Zigmond Coffey — four-fifths of Balam‘s lineup — were quick to regroup under the banner of Sweet Heat (also sometimes preceded by a “the”) and set to writing new material. And while one might be tempted to think of the new band simply as an extension of the old, the adoption of a different moniker is very clearly a purposeful move on their part.

They may be the same players, but the ground they’re exploring on Sweet Heat‘s four-song debut demo, aptly-titled Demo or Sweet Heat Demo, differs greatly from the darkened and moody tonality of the prior outfit. Of course, they’re just starting out, so where they might end up after these 18 minutes remains to be seen — they may well return to the dark side — but as a debut offering, Sweet Heat‘s first skillfully blends impulses out of classic heavy rock with a riffy foundation. There are some flashes of doom or at very least proto-metal on opener “Night Crawler,” but even as “The Enticer” digs into Sabbathian roll, Sage‘s guitar scorches in a manner altogether more rocking.

Likewise, “How it’s Done” seems to owe as much to Radio Moscow as Pentagram, and one can hear some residual Uncle Acid influence in the buzz and shuffle of “Night Crawler,” though Blackhound‘s vocals — his presence as a frontman was a major factor in Balam as well — assures the overall feel doesn’t come too close to anyone else. It’s a demo, of course, so basically Sweet Heat are showing off an initial batch of songs trying to encourage people to investigate further, be it at a show or their inevitable next release. But even that feeds into their aesthetic. In a day where a band doesn’t have to do anything more than slap a cover together and post it on Bandcamp, a demo easily becomes a “first EP,” but it’s telling that Sweet Heat embrace the rougher-feeling impression that even the word “demo” gives off. Cassette-ready.

sweet-heat-demo-back-cover

And the music follows suit (though actually the release is on CD). There is a noticeable shift in production and volume between “Night Crawler” and “The Enticer,” and though the feel remains live and energetic into “How it’s Done” (premiered here) and the eponymous closer “Sweet Heat,” the actual sound is cleaner. On an album that might be jarring, but here it just feeds into the notion that Sweet Heat are exploring a new style and coming together as songwriters in a new way. It is laced with attitude. In the swagger of “The Enticer” and “How it’s Done,” the foursome build on the swing of “Night Crawler” and as they close out with “Sweet Heat,” they do so with classically metallic defiance: fist-pumping, a pervasive self-othering, and chug. Righteous and crisply, efficiently executed.

As “Sweet Heat” moves into its chorus, “We are the ones that you fear/You don’t like us?/We don’t care/We are who we are,” the band not only once more reinforce the perspective of the Demo as a whole, but provide their first outing with its most landmark hook while showing an ability to fluidly turn from one side to another in their play between rock and metal. From Blackhound‘s convicted recitation through Coffey‘s cymbal work and Arruda holding the rhythm together under Sage‘s blazing multi-layered solo in the second half, Sweet Heat live little to wonder as to why the finale of their demo wound up being the song that took their name. I wouldn’t be surprised if, on whatever kind of offering comes next for them, the track didn’t show up again, though of course one never knows.

In any case, Sweet Heat‘s Demo more than lives up to the tasks before it in establishing the group as an entity separate from their past work together, giving listeners a glimpse of their ample chops in songwriting and performance delivery, and setting a foundation on which they can continue to build as they move forward. There isn’t much more one could ask of it on the whole than it delivers, but the punch Sweet Heat‘s first batch of material packs goes beyond “band starting out” and finds their potential all the more bolstered by the chemistry they so clearly and so rightly wanted to preserve.

Sweet Heat on Bandcamp

Sweet Heat website (coming soon)

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The Obelisk Presents: The Golden Grass, Pilgrim & The Sweet Heat in Providence, RI, Nov. 5, 2016

Posted in The Obelisk Presents on October 4th, 2016 by JJ Koczan

the-golden-grass-dusk

On Saturday, Nov. 5, Brooklyn’s The Golden Grass head north to Providence, Rhode Island. They’ll play a show at Dusk with two of the area’s finest outfits in doomers Pilgrim and heavy rock newcomers Sweet Heat, who formed after the dissolution of Balam, and I couldn’t be more pleased to say The Obelisk will present the show. Three bands, all excellent, each with something of their own to bring. Who the hell wouldn’t want to put a logo on a gig like that?

The Golden Grass head north supporting earlier-2016’s Coming Back Again (review here), their progressive-leaning second album and debut on Listenable Records. Meanwhile, Rhode Island doom forerunners Pilgrim continue their slog back from the abyss. In August, they ran alongside Castle for a handful of shows and continue to reap acclaim for their 2014 sophomore outing, II: Void Worship (review here).

And though The Sweet Heat only recently unveiled their first demo recording, the four-piece arrive with immediate intrigue owing to their past participation in the classically doomed Balam. They’re a brand new band emerging with newfound purpose.

Drummer/vocalist Adam “Adzo” Kriney of The Golden Grass was kind enough to discuss the night a little bit. You’ll find his comments below. He’s right when he says you should show up:

Adzo speaks:

November 5 will be a memorable evening at Dusk. This will be THE GOLDEN GRASS’ triumphant and highly anticipated return after a two-year absence! And we couldn’t be more enthused than to share the stage with two of our favorite local-ish groups, the shimmering doom brilliance of PILGRIM and the throbbing monolith that is SWEET HEAT, who are none other than the newest band featuring four out of five members of BALAM, bringing ever-so-tasty hard rock to the festivities.

Boogie hard straight to your doom everyone! This night gonna be a killer, and anyone who lives within a three-hour radius of this concert had better be there as it’s gonna be one for the records… and everyone gonna get high through the night!

The concert is being graciously presented by The Obelisk.

Amazing eye-popping show poster by the ever-righteous designer Stephen Voland.

Thanks to the bands and venue for allowing The Obelisk to present the show. More info and tickets available from the links below.

The Golden Grass, Coming Back Again (2016)

The Golden Grass on Thee Facebooks

Show event page

Dusk on Thee Facebooks

Dusk website

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Queen Elephantine’s Kala Available to Preorder

Posted in Whathaveyou on September 7th, 2016 by JJ Koczan

Last I heard, Queen Elephantine were still located in Providence, Rhode Island. The info below about preorders for their new album, Kala (review here), being available lists them as having relocated to New York. Entirely possible. Guitarist/founder Indrayudh Shome has been as restless geographically as he has creatively over the years. Hong Kong, New York, Rhode Island. He could basically turn up anywhere and find a host of cohorts with which to express Queen Elephantine‘s always complex and ritualized drone-doom.

Kala has an Oct. 21 release date and some considerable backing from Argonauta Records, Cimmerian Share Recordings, Tartarus Records and Atypeek Music — each imprint releasing it on a different format. If you’ve ever heard the band’s as-yet underrated experimentalism, it’s little wonder so many parties would want to be involved.

From the PR wire:

queen elephantine kala

QUEEN ELEPHANTINE announce new album ‘Kala’ on multiple labels

Release Date – October 21st, 2016
Record Label – Cimmerian Shade Recordings (LP) / Argonauta Records (CD) / Tartarus Records (Cassette) / Atypeek Music (Digital)

Queen Elephantine, the exotic-flavoured doom/ambient band once operating out of Hong Kong (who have since moved to New York), are back with a brand new full length called Kala. They’ve always kept innovating and the new album is even more entrancing, atmospheric and mind-bending. They’ve honed their skills to offer music that’s near unparalleled – the delicate cacophony of the numerous instruments (spaced out, never overcrowding), the suspenseful atmosphere, the ever-lingering sense of intrigue, it’s all there, and better than ever before. Kala taps into your subconscious, creates swirling colourful patterns, a hypnotic effect that doesn’t wear off easily like a rare non-harmful drug. Succumb to the creeping, psychedelic madness that’s Queen Elephantine.

Mastered by Billy Anderson (Neurosis, Swans, Sleep, Eyehategod, High on Fire)

Artwork has been made by Adrian Dexter

Line up:
Indrayudh Shome – Guitar
Ian Sims – Drumset
Mat Becker – Bass
Srinivas Reddy – Guitar
Derek Fukumori – Percussion
Samer Ghadry – Guitar, Synth
Nathanael Totushek – Drumset + Percussion on 2,4,6
Nick DiSalvo – Mellotron on 1, 2, 3
Michael Scott Isley – Percussion on 2,4
Danny Quinn – Surgeon Pepper

Track list:
1. Quartered
2. Quartz
3. Ox
4. Onyx
5. Deep Blue
6. Throne of the Void in the Hundred Petal Lotus

https://www.facebook.com/queenelephantine/
https://queenelephantine.bandcamp.com/album/kala
http://cimmerianshaderecs.storenvy.com/products/17801057-queen-elephantine-kala
http://www.argonautarecords.com/shop/music-/143-queen-elephantine-kala-cd.html
http://tartarusrecords.com/
http://atypeekmusic.com/Atypeek_Music.html

Queen Elephantine, Kala (2016)

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