YOB Post “Original Face” Video; On Tour Now

Posted in Bootleg Theater on September 13th, 2018 by JJ Koczan

yob (Photo by James Rexroad)

It’s been a full week since YOB released the video below, and I’ll admit I held off posting it basically because I didn’t go to the show where it was filmed and of everything I either attended or didn’t this summer, missing YOB probably stings the most. Actually, Portugal stings the most, but YOB at Le Poisson Rouge are a close second. You see, I was there in 2011 the last time they played that room, and they were of course incredible. I’ve seen YOB numerous times since then, but this show had the kind of vibe of being the NYC arrival party for their new album, Our Raw Heart (review here), and in addition to feeling like I should be there on account of that, I wanted to be. It’s fucking YOB. I remember a time when they were never going to play again. Every show since is a gift.

What finally tipped the balance and got me to get over myself and post it was reading that it was filmed by Frank Huang. Frank‘s work has always been top notch and worth highlighting whenever possible, and the clip for “Original Face” that follows here is no exception to that. It’s an exciting performance-capture that’s briskly edited and doesn’t need to be overdone to showcase the impact of YOB live. For everyone who’s seen them before, it’s a reminder of what a special band they are live, and for anyone who hasn’t, it’s a compelling argument to get off your ass next time. I hope to do precisely that when next given the opportunity. I’m also holding out hope they’ll be added to Roadburn next year and make a return there, but I haven’t heard anything either way as yet.

In the meantime, the three-piece of guitarist/vocalist Mike Scheidt, bassist Aaron Rieseberg and drummer Travis Foster are wrapping a quick West Coast run with Acid King and CHRCH, and next month they head to Europe to tour with Wiegedood and hit several festivals along the way on the extended trek. You’ll find those dates below, and if you’re anywhere near where they’re going to be, even if you’ve seen them multiple times before, go. If you don’t, you’ll regret it later. Trust me.

Enjoy the clip:

YOB, “Original Face” official video

YOB, who recently released their critically-acclaimed album, Our Raw Heart, share a live video for “Original Face.”

The clip was directed by Frank Huang (Maximum Volume Silence) and filmed at New York’s Le Poisson Rouge.

YOB Tour Dates:
US WEST COAST TOUR w/ ACID KING & CHRCH
September 13 Phoenix, AZ Club Red
September 14 San Diego, CA Brick by Brick
September 15 Oakland, CA Metro

FALL EUROPEAN TOUR DATES w/ WIEGEDOOD
Oct 05 Karlsruhe, DE Jubez
Oct 06 Nijmegen, NL Soulcrusher Festival
Oct 07 Bristol, UK The Fleece
Oct 09 Glasgow, UK Stereo
Oct 10 Leeds, UK Brudenell Social Club
Oct 11 Manchester, UK Gorilla
Oct 12 London, UK The Garage
Oct 13 Antwerp, BE Desertfest Belgium (No Wiegedood)
Oct 14 Koln, DE Gebaeude9
Oct 16 Hamburg, DE Molotow Club
Oct 17 Copenhagen, DK Vega
Oct 18 Gothenburg, SE Sticky Fingers
Oct 19 Stockholm, SE Kraken
Oct 20 Oslo, NO Bla
Oct 21 Helsinki, FI Tavastia (no Wiegedood)
Oct 23 Paris, FR Petit Bain
Oct 24 Feyzin, FR L’Epicerie Moderne
Oct 25 Cenon, FR Le Rocher De Palmer
Oct 27 Porto, PT Hard Club
Oct 28 Madrid, ES Caracol
Oct 29 Barcelona, ES Boveda
Oct 31 Langenthal, CH Old Capitol
Nov 01 Milan, IT Santeria Social Club
Nov 02 Bologna, IT Freakout Club
Nov 03 Martigny, CH Caves Du Manoir
Nov 04 Bregenz, AT Between
Nov 06 Vienna, AT Arena
Nov 07 Budapest, HU Robot
Nov 08 Leipzig, DE UT Connewitz
Nov 09 Warsaw, PL Hydrozagadka
Nov 10 Krakow, PL Soulstone Gathering Festival
Nov 11 Berlin, DE Musik & Frieden
Nov 13 Athens, GR Kyttaro Live Club (no Wiegedood)

Dec 01 Los Angeles, CA Decibel Metal & Beer Festival

YOB is:
Mike Scheidt – Guitar, Vocals
Aaron Rieseberg – Bass
Travis Foster – Drums

YOB website

YOB on Thee Facebooks

YOB on Twitter

YOB on Instagram

Relapse Records website

Relapse Records on Thee Facebooks

Tags: , , , , ,

The Obsessed Touring with Eyehategod Next Month

Posted in Whathaveyou on August 31st, 2018 by JJ Koczan

the obsessed (Photo_by_Susie_Constantino)

I have to think a couple of the rooms Eyehategod and The Obsessed are playing together next month won’t be the same after they go. Not that places like Geno’s in Maine and Ottobar in Baltimore haven’t seen their fair share of comings and goings, but if any single gig was going to leave a scar, this pairing might. It’s a pretty insane bill if you think about it. Two legendary bands, from the most dug-in doom of The Obsessed to the history-of-violence sludge of Eyehategod, and yeah, it’s pretty much a two-band festival doing the East Coast circuit. At very least, it’s the kind of show that those fortunate enough to see it talk about incessantly, much to the annoyance of those around them at whatever their next gig is who weren’t so lucky.

Not that that kind of thing has ever happened to me or anything. You know. Hypotheticals. The PR wire has this:

the obsessed tour

THE OBSESSED: Doom Rock Icons Confirm September Tour With Eyehategod

Doom rock icons THE OBSESSED will take to the streets next month on a near-two-week US tour alongside Eyehategod. The journey kicks off September 12th in Hamden, Connecticut and runs through September 24th in Memphis, Tennessee. See all confirmed dates below.

View a tour trailer, created by Chariot Of Black Moth, At THIS LOCATION.

THE OBSESSED w/ Eyehategod:
9/12/2018 Space Ballroom – Hamden, CT
9/13/2018 Middle East – Cambridge, MA
9/14/2018 Brooklyn Bazaar – Brooklyn, NY
9/15/2018 Ottobar – Baltimore, MD
9/16/2018 The Pour House – Raleigh, NC
9/17/2018 Voltage Lounge – Philadelphia, PA
9/18/2018 Geno’s Rock Club – Portland, ME
9/19/2018 Buffalo’s Mohawk Place – Buffalo, NY
9/20/2018 Northside Yacht Club – Cincinnati, OH
9/21/2018 Sanctuary – Detroit, MI
9/22/2018 Spirit Hall – Pittsburgh, PA
9/23/2018 Cobra Lounge – Chicago, IL
9/24/2018 Growler’s – Memphis, TN

Originally released in 1990 and out-of-print for almost two decades, THE OBSESSED’s now-legendary self-titled debut was completely remastered by Relapse Records last fall. The collection boasts previously unreleased bonus tracks, including the highly-sought after four-track Concrete Cancer demo (1984), expanded artwork, never-before-seen photos, and extended liner notes from frontman Scott “Wino” Weinrich making for a true piece of doom rock history.

The deluxe 2xCD version of the record includes a bonus disc containing the Concrete Cancer demo as well as a full live set from 1985 in Washington, D.C.. The Concrete Cancer demo is also available separately as a limited-edition LP.

In the spring of 2017, THE OBSESSED unleashed Sacred, the band’s first studio album in over twenty years. With renewed energy and purpose, THE OBSESSED sounds heavier and more relevant than ever before. On Sacred, the band doubles down on enormous, heaving riffs and pummeling low-end across twelve tracks of eternal doom. Rounded out by Wino’s lyrical honesty and iconic throaty vocals, Sacred is an album that further pushes THE OBSESSED into the annals of heavy metal history, well worth the two-plus decade wait. The band performs once again as three piece featuring Wino, Reid Raley and Brian Costantino.

https://www.facebook.com/TheObsessedOfficial
http://relapse.com/the-obsessed-sacred/
https://theobsessed.bandcamp.com/
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords
http://www.twitter.com/RelapseRecords
https://www.facebook.com/tonedeaftouring/

The Obsessed, Sacred (2017)

Eyehategod and The Obsessed tour trailer

Tags: , , , , ,

Windhand Announce March 2019 European Tour

Posted in Whathaveyou on August 24th, 2018 by JJ Koczan

windhand (Photo by Joey Wharton)

I usually try to keep myself distant from the din of new-album hype out there. The promo-speak and hyperbole is as endless as the string of new releases itself, and while I don’t always succeed — hey, we all get excited; that’s part of the fun — I do my best to keep my head on waiting for records to show up. I gotta say though, when it comes to the new Windhand, I’m feeling it. Sure, I’ve dug them all along and been continually intrigued as they’ve become one of the foremost acts in US doom, but with the sonic turn that seems to be heralded in their new one, Eternal Return — out Oct. 5 on Relapse as their second collaboration with producer Jack Endino — I’m really excited to hear where they take their sound.

The video that you can watch below for “Grey Garden” is a big part of the reason why. It’s the first real sampling they’ve given from Eternal Return and its ethereal doom grunge unfolds with a trippy spaciousness that adds even further depth and character to their by-now-trademark miasma. The Richmond outfit previously announced a US run for this Fall and they’ll be in Europe in March — interesting that they’d go before the Spring fest season begins; one wonders if they’ll be back that way in Autumn 2019 — touring with the gleefully filth-caked sludge extremists Grime.

Dates came down the PR wire like so:

windhand euro tour

WINDHAND: Announce 2019 European March Headlining Tour Dates

Eternal Return is due out October 5th on Relapse Records

Richmond, Virginia’s psychedelic heavyweights WINDHAND announce 2019 European headlining tour dates with Italy’s Grime. The tour begins March 7th in Austria and ends March 24th in Germany. All confirmed tour dates are available below.

WINDHAND’s 4th studio album Eternal Return is due out October 5th on CD/2xLP/CS/Digital on Relapse Records. Physical packages are available for pre-order HERE and Digital Downloads/Streaming AT THIS LOCATION.

Artwork By Arik Roper

WINDHAND LIVE DATES:
— All Dates March 07-24 w/ Grime —

Mar 07 Vienna, AT @ Arena
Mar 08 Munich, DE @ FeierwerkM
Mar 09 Lausanne, CH @ Le Romandie
Mar 10 Paris, FR @ Boule Noire
Mar 12 Bristol, UK @ Exchange
Mar 13 Manchester, UK @ Deaf Institute
Mar 14 Glasgow, UK @ Audio
Mar 15 Nottingham, UK @ Bodega
Mar 16 London, UK @ Underworld
Mar 17 Brussels, BE @ AB
Mar 19 Haarlem, NL @ Patronaat
Mar 20 Eindhoven, NL @ Effenaar
Mar 21 Cologne, DE @ MTC
Mar 22 Hamburg, DE @ Molotow
Mar 23 Berlin, DE @ Musik & Frieden
Mar 24 Leipzig, DE @ Werk 2

— 2018 US Tour Dates w/ Satan’s Satyrs —

Oct 08 Atlanta, GA @ The Earl
Oct 09 New Orleans, LA @ Gasa Gasa
Oct 10 Houston, TX @ White Oak Music Hall
Oct 11 Dallas, TX @ Club Dada
Oct 12 Austin, TX @ Barracuda
Oct 14 Albuquerque, NM @ Sister
Oct 15 Phoenix, AZ @ Valley Bar
Oct 16 Los Angeles, CA @ El Rey Theatre
Oct 17 Oakland, CA @ Starline Social Club
Oct 19 Portland, OR @ Aladdin Theatre
Oct 20 Vancouver, BC @ Venue
Oct 21 Seattle, WA @ Neumos
Oct 23 Denver, CO @ Larimer Lounge
Oct 24 Kansas City, MO @ The Riot Room
Nov 01 Philadelphia, PA @ Underground Arts
Nov 02 Brooklyn, NY @ Elsewhere
Nov 03 Boston, MA @ Brighton Music Hall
Nov 04 Montreal, QC @ Le Belmont
Nov 05 Toronto, ON @ The Legendary Horseshoe Tavern
Nov 07 Chicago, IL @ Subterranean
Nov 08 Minneapolis, MN @ Fine Line Music Cafe
Nov 09 Milwaukee, WI @ Cactus Club
Nov 10 Indianapolis, IN @ The Hi-Fi
Nov 11 Nashville, TN @ The Basement East
Nov 12 Louisville, KY @ Zanzabar
Nov 13 Columbus, OH @ Ace of Cups
Nov 15 Richmond, VA @ The Broadberry

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, “Grey Garden” official video

Tags: , , , , ,

Windhand Post “Grey Garden” Video; Eternal Return out Oct. 5

Posted in Bootleg Theater on August 7th, 2018 by JJ Koczan

Windhand_ photo by Sally Patti

It seemed doubtful that Virginia’s Windhand would’ve been lying when they said their upcoming album, Eternal Return, was taking them in a different direction, mostly because, why would they? Still, it’s awfully nice to have an example to go from as we head closer to the record’s Oct. 5 release through Relapse Records. And so, with the creepy-image-barrage of the “Grey Garden” video that some site way cooler than this one premiered last week, we get that example. Immediately, it’s the best vocal performance I’ve heard from Dorthia Cottrell. Hands down. She sounds amazing. And behind her, guitarist Garrett Morris, bassist Parker Chandler and drummer Ryan Wolfe unfurl a vision of psychedelic grunge-doom, putting new meaning to the words “produced by Jack Endino” even than those that applied to their last full-length, 2015’s Grief’s Infernal Flower (review here), which the venerable producer also helmed.

The doom-via-grungegaze suits the Richmond four-piece. And “Grey Garden” seems to hold onto the thick low end tonality that’s been crucial to Windhand‘s approach since their first record. But this doesn’t sound like Electric Wizard. Really at all. And that’s a big difference, since even though Windhand had come into their own, they still had that nod at their foundation, and while I wouldn’t necessarily expect “Grey Garden” to represent the entirety of Eternal Return given past variety in their songwriting, it’s telling that it’s the first track they’re breaking out from the album and letting the public hear. They very obviously are trying something new here, and they very obviously want their audience to be prepared for it. Listening to the drift in the midsection and the reemergence of the more weighted tone that follows beneath the scorching, swirling lead, the potential seems to be there for the band to really make a stylistic mark on the greater sphere of doom itself.

I’d recommend you listen twice to really let the hook sink in, to hear the depth in Wolfe‘s snare, to get a handle on the arrival in murk, the departure from it, and the return. I was looking forward to Eternal Return already. My expectations are even higher now.

PR wire info and tour dates follow the video below.

Please enjoy:

Windhand, “Grey Garden” official video

Eternal Return is a complete life-to-death journey. As unplanned things go, it’s an observation of as well as a reflection on life’s ups and downs, joys and sorrows, beginnings and ends. Between the band’s 2015, highly acclaimed Grief’s Infernal Flower, and 2018’s Eternal Return, WINDHAND welcomed new life, survived lineup changes, and mourned unexpected death. The songs and song ordering are the direct result of those experiences. Where “Halcyon” is assured in its opening, the closing track “Feather” is its funeral march.

WINDHAND wrote Eternal Return all throughout the winter. Out of the sessions, “Halcyon,” “Grey Garden,” “Red Cloud,” and the monstrous “Eyeshine” emerged as the heaviest tracks, while “Pilgrim’s Rest,” “Diablerie,” and “Feather” embodied the more reflective side of WINDHAND. The juxtaposition of heavy, psychedelic and pensive is less like Black Sabbath or Sleep and more like Soundgarden or Veruca Salt. But the name-drops aren’t absolute so much as signals of WINDHAND’s ability to stretch beyond genre confines.

Eternal Return represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Boosted by Garrett Morris’ consistently cool riffs-forged at the crossroads of Iommi’s otherworldly import and Kurt Cobain’s spontaneous precocity-powered by Ryan Wolfe and Parker Chandler’s groove-laden rhythms, and propelled by Dorthia Cottrell’s smoky yet wistful vocals, WINDHAND’s new album is a two-step jump for Richmond’s finest purveyors of the psycho-actively heavy. Adorned by Arik Roper’s (Sleep, High on Fire) impressive cover art, Eternal Return not only looks the part of WINDHAND’s artistic growth but sounds the part.

WINDHAND brought Jack Endino back into the fold. Together, they spent two weeks recording at Soundhouse Recording in Seattle. Described as “smooth” and “intense,” the sessions with the famed producer were just what WINDHAND wanted. Endino also understood the group’s artistic progression, chiefly the admiration of and blending in late ’80s/early ’90s grunge. Out of it all, WINDHAND continued to refactor and refine their vision of heavy. A new era of psychedelic heaviness is upon us with WINDHAND’s genre-blurring Eternal Return. Sweet, fuzzed-out oblivion has never been closer…

WINDHAND LIVE DATES:
10/08: Atlanta, GA – The Earl #
10/09: New Orleans, LA – Gasa Gasa #
10/10: Houston TX – White Oak Music Hall #
10/11: Dallas, TX – Club Dada #
10/12: Austin, TX – Barracuda #
10/14: Albuquerque, NM – Sister #
10/15: Phoenix, AZ – Valley Bar #
10/16: Los Angeles, CA – El Rey Theatre #
10/17: Oakland, CA – Starline Social Club #
10/19: Portland, OR – Aladdin Theatre #
10/20: Vancouver, BC – Venue #
10/21: Seattle, WA – Neumos #
10/23: Denver, CO – Larimer Lounge #
10/24: Kansas City, MO – The Riot Room #
11/01: Philadelphia, PA – Underground Arts #
11/02: Brooklyn, NY – Elsewhere #
11/03: Boston, MA – Brighton Music Hall #
11/04: Montreal, QC – Le Belmont #
11/05: Toronto, ON – The Legendary Horseshoe Tavern #
11/07: Chicago, IL – Subterranean #
11/08: Minneapolis, MN – Fine Line Music Cafe #
11/09: Milwaukee, WI – Cactus Club #
11/10: Indianapolis, IN – The Hi-Fi #
11/11: Nashville, TN – The Basement East #
11/12: Louisville, KY – Zanzabar #
11/13: Columbus, OH – Ace of Cups #
11/15: Richmond, VA – The Broadberry #
# – w/ Satan’s Satyrs

Windhand on Thee Facebooks

Windhand on Instagram

Windhand on Bandcamp

Relapse Records website

Tags: , , , , ,

Windhand Post Eternal Return Teaser & Cover Art; Fall Tour Dates Announced

Posted in Whathaveyou on July 12th, 2018 by JJ Koczan

Windhand photo by Sally Patti

October 5 is the set release date for Windhand‘s new album, Eternal Return. Everyone got their calendars marked? Good. I mean, you probably won’t actually need to mark your calendar unless you’re old as dirt like me and haven’t come around to the notion of preordering things rather than simply being frustrated at yourself later for not having bought them yet — you know I just picked up the Sleep record like two days ago? ridiculous — but even figuratively speaking, it’s a date you’ll want to note. Three days later, the Richmond, Virginia, doom forerunners will hit the road for a month-plus of touring covering bigger markets on both coasts and between as well as a couple stops in Canada, playing alongside their splitmates/past-tourmates and apparent best buds Satan’s Satyrs all the while. That’s pretty much what you’d expect from Windhand around an album release, and it seems likely a European tour won’t be too far off either. Maybe during the Spring 2019 festival season? Or maybe they’ll go to Australia. Not like I know anything. Because I don’t. Actually. Nothing. Really about anything.

Okay. Kind self-talk.

Given the return to Jack Endino for recording, the title, and the on-stylistic-theme art from Arik Roper, I can’t help but wonder how much Eternal Return is intended as a sequel or at least direct follow-up to 2015’s Grief’s Infernal Flower (review here), but even if it is, that would hardly be a strike against it, particularly with a band whose track record for sonic progression is as well established as Windhand‘s. That is, even if they’re responding to the 2015 record, it seems likely they’ll bring something new to the proceedings anyhow.

I look forward to finding out. Calendar is marked.

Note how quick the PR wire is below to designate them a “heavy psychedelic” band. Fascinating. There’s a reason I include these things word-for-word. Check it out. Teaser clip is at the bottom:

windhand eternal return

WINDHAND: Announce North American Fall Tour; Unveil Artwork & Teaser For New Album Eternal Return

Eternal Return is due out October 5th on Relapse Records

Virginia’s heavy psychedelic quartet WINDHAND have announced a full fall North American tour with Satan’s Satyrs and give us a glimpse of what’s to come on their forthcoming album, Eternal Return, coming October 5th on Relapse.

Eternal Return represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Once again the band have joined forces with producer Jack Endino (Nirvana, Soundgarden) with vivid artwork by Arik Roper (Sleep, High on Fire). Equally informed by heavy, fuzzed-out psych along with the iconic grunge / alternative groups of the 90s, WINDHAND have crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy borders.

Check below for a full list of dates, tour poster and stay tuned for more. Listen to WINDHAND’s full discography via Bandcamp.

WINDHAND LIVE DATES:
07/29: Chicago, IL – Wicker Park Fest
10/08: Atlanta, GA – The Earl #
10/09: New Orleans, LA – Gasa Gasa #
10/10: Houston TX – White Oak Music Hall #
10/11: Dallas, TX – Club Dada #
10/12: Austin, TX – Barracuda #
10/14: Albuquerque, NM – Sister #
10/15: Phoenix, AZ – Valley Bar #
10/16: Los Angeles, CA – El Rey Theatre #
10/17: Oakland, CA – Starline Social Club #
10/19: Portland, OR – Aladdin Theatre #
10/20: Vancouver, BC – Venue #
10/21: Seattle, WA – Neumos #
10/23: Denver, CO – Larimer Lounge #
10/24: Kansas City, MO – The Riot Room #
11/01: Philadelphia, PA – Underground Arts #
11/02: Brooklyn, NY – Elsewhere #
11/03: Boston, MA – Brighton Music Hall #
11/04: Montreal, QC – Le Belmont #
11/05: Toronto, ON – The Legendary Horseshoe Tavern #
11/07: Chicago, IL – Subterranean #
11/08: Minneapolis, MN – Fine Line Music Cafe #
11/09: Milwaukee, WI – Cactus Club #
11/10: Indianapolis, IN – The Hi-Fi #
11/11: Nashville, TN – The Basement East #
11/12: Louisville, KY – Zanzabar #
11/13: Columbus, OH – Ace of Cups #
# – w/ Satan’s Satyrs

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, Eternal Return album teaser

Tags: , , , , ,

Primitive Man and Unearthly Trance Split LP Due Aug. 17

Posted in Whathaveyou on July 6th, 2018 by JJ Koczan

Every now and then, two bands being labelmates works out well for everyone. And by everyone, I don’t just mean the bands. To wit, uniting Brooklyn’s reignited post-doomers Unearthly Trance with Denver everything-crushers Primitive Man? Yeah, that’s just a win all around. I hope whoever made that pairing happen got a promotion, or at least a bonus, or maybe one of those awesome Relapse Records hoodies that you always see the staff wearing around Philly and get mad jealous. Also, in that scenario, you is me. I mean, we’re all one anyway, but specifically there I’m talking about myself.

Anyway, the point here is that Primitive Man and Unearthly Trance getting together for a split seems like it would be far less likely to happen were it not for the fact that they’re both on Relapse Records, and if that’s what it takes, to manifest that kind of devastation, then all the better. If you missed them, both bands released records last year — Primitive Man assaulted the senses with Caustic (review here) while Unearthly Trance marked a return from a long hiatus with Stalking the Ghost (review here) — and if the ultra-quick teaser for the joint intro to the split is anything to go by, the new outing is going to be noisy as hell.

Primitive Man and Unearthly Trance both will play Psycho Las Vegas next month, and Primitive Man have further touring in Europe set for Aug./Sept. alongside also-labelmates -(16)-. Nothing like keeping good company.

From the PR wire:

primitive man unearthly trance split

PRIMITIVE MAN & UNEARTHLY TRANCE Announce Split LP Coming August 17th Via Relapse Records; Trailer Posted

One year after each releasing two of 2017’s heaviest albums, Denver’s PRIMITIVE MAN and New York City’s UNEARTHLY TRANCE unite for an exercise in complete and total suffering, coming this August via Relapse Records. Across seven apocalyptic tracks,both bands tap into some of the most uncomfortable, vile realms of blackened doom and dissonant, harsh noise put to tape in the new millennium.

Watch the official split album trailer featuring opening track “Merging,” recorded by both bands, HERE. New music from each band will be available in the near future.

PRIMITIVE MAN & UNEARTHLY TRANCE’s split LP is due out August 17th on CD, LP and digital formats through Relapse.com. Physical packages, digital downloads, and streaming services are available HERE.

Additionally, PRIMITIVE MAN has recently announced a European headlining tour with labelmates -(16)-. The tour begins August 29th in Dortmund, Germany and ends September 15th at Bloodshed Festival in Eindhoven, Netherlands. PRIMITIVE MAN will perform at various Summer festival appearances such as Psycho Las Vegas, Electric Funeral Fest, and Temple Of Ascension Vol. 1. All confirmed tour dates are available below.

PRIMITIVE MAN & UNEARTHLY TRANCE Split LP Track Listing:
1. PRIMITIVE MAN & UNEARTHLY TRANCE – Merging (Intro)
2. PRIMITIVE MAN – Naked
3. PRIMITIVE MAN – Love Under Will
4. UNEARTHLY TRANCE – Mechanism Error
5. UNEARTHLY TRANCE – Triumph
6. UNEARTHLY TRANCE – Reverse The Day
7. UNEARTHLY TRANCE – 418

PRIMITIVE MAN:
7/12/2018 Bluebird Theater – Denver, CO w/ Yob, Bell Witch
8/17/2018 Temple Of Ascension Vol. 1 – Edmonton, AB
8/18/2018 Psycho Las Vegas @ Hard rock Hotel And Casino – Las Vegas, NV
w/ -(16)- :
8/29/2018 Junkyard – Dortmund, DE
8/30/2018 IFZ- Leipzig, DE
8/31/2018 KB18 – Copenhagen, DK
9/01/2018 1000fryd – Aalborg, DK
9/02/2018 Hafenklang – Hamburg, DE
9/03/2018 Magasin4Brussels, BE
9/04/2018 Tiefgrund – Berlin, DE
9/05/2018 Poglos – Warsaw, PL
9/06/2018 Fuga – Bratislava, SK
9/07/2018 Desszert Feszt Budapest Opening Party – Budapest, HU
9/08/2018 Reflektor Venue – Timisoara, RO
9/09/2018 Something For The Core VII – Bucharest, RO
9/10/2018 Mocvara – Zagreb, HR
9/11/2018 Circolo Magnolia – Milano, IT
9/12/2018 Sunset Bar – Martigny, CH
9/13/2018 Gaswerk – Winterthur, CH
9/14/2018 Jubez – Karlsruhe, DE
9/15/2018 Bloodshed Fest 2018 – Eindhoven, NL

http://www.primitivemandoom.com
http://www.facebook.com/primitivemandoom
http://www.instagram.com/primitivemandoom
http://twitter.com/PRIMITIVEMANE
http://www.facebook.com/UnearthlyTrance
http://www.instagram.com/unearthlytrance
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords
http://www.twitter.com/RelapseRecords

Primitive Man & Unearthly Trance, Split LP trailer

Tags: , , , , , , ,

YOB Announce European Tour Dates Supporting Our Raw Heart

Posted in Whathaveyou on July 4th, 2018 by JJ Koczan

yob (Photo James Rexroad)

It a little bit broke my heart to miss YOB when they came through last week. They were in New York, I was in Connecticut. It would’ve been at least 90 minutes in the car, but at the end of that trip, I’d have seen YOB on their first run through supporting their new album, Our Raw Heart (review here), with direct support from Bell Witch and Philly’s own Heavy Temple rounding out the bill. That’s a fucking awesome show. But, you know, baby stuff. I’d been to a fest the weekend prior. Taking care of my wife’s sister’s kids. So on and so forth. But yeah, that one stung a little bit to miss. I don’t feel that way nearly about as many shows as I used to, but I for sure did about that one.

YOB, of course, have a fuck-ton of tour dates coming up, and more are being added. They’ll wrap up the stint with Bell Witch next week, then there are shows in September with Acid King and CHRCH which is a bill so righteous it makes me want to price flights to Albuquerque, and then a full European tour with Wiegedood that picks up in October. Then they’re at the West Coast Decibel Metal and Beer Fest in Los Angeles in December. Next year? Probably more touring, if I had to guess. Anyone remember when YOB didn’t tour? That used to be a thing. Now they’re like a Relapse band or something. Ha.

Overwhelming list follows, courtesy of the PR wire:

yob euro tour

YOB: Announce Fall European Headlining Tour Dates

Our Raw Heart is out now on CD/2xLP/Deluxe 2xLP Boxset/CS/Digital

Oregon cosmic trio YOB announce Fall European headlining tour dates throughout October and November. The band will be touring in support of the recently released full-length album Our Raw Heart. Belgium’s Wiegedood will provide direct support throughout the tour. A full list of confirmed tour dates is available below.

YOB’s Our Raw Heart is out now on CD/LP/Digital via Relapse Records. Physical packages are available via Relapse.com HERE and Digital Downloads / Streaming Services HERE.

YOB w/ Bell Witch remaining dates:
July 04 Toronto, ON @ Mod Club
July 06 Pittsburgh, PA @ Rex Theatre
July 07 Detroit, MI @ El Club
July 08 Chicago, IL @ Reggies
July 10 St. Paul, MN @ Club
July 11 Omaha, NE @ Lookout Lounge
July 12 Denver, CO @ Bluebird Theatre
July 13 Salt Lake City, UT @ Urban Lounge
July 14 Boise, ID @ Neurolux

— All Dates Sept 6 – Sept 15th w/ Acid King & Chrch —
Sep 06 Sacramento, CA Harlow’s
Sep 07 Santa Cruz, CA Catalyst Atrium
Sep 08 Pioneertown, CA Pappy & Harriet’s
Sep 09 Los Angeles, CA Teragram
Sep 12 Albuquerque, NM Sister
Sep 13 Phoenix, AZ Club Red
Sep 14 San Diego, CA Brick By Brick
Sep 15 Oakland, CA Metro

YOB FALL EUROPEAN TOUR DATES w/ WIEGEDOOD:
Oct 05 Karlsruhe, DE Jubez
Oct 06 Nijmegen, NL Soulcrusher Festival
Oct 07 Bristol, UK The Fleece
Oct 09 Glasgow, UK Stereo
Oct 10 Leeds, UK Brudenell Social Club
Oct 11 Manchester, UK Gorilla
Oct 12 London, UK The Garage
Oct 13 Antwerp, BE Desertfest Belgium (No Wiegedood)
Oct 14 Koln, DE Gebaeude9
Oct 16 Hamburg, DE Molotow Club
Oct 17 Copenhagen, DK Vega
Oct 18 Gothenburg, SE Sticky Fingers
Oct 19 Stockholm, SE Kraken
Oct 20 Oslo, NO Bla
Oct 21 Helsinki, FI Tavastia (no Wiegedood)
Oct 23 Paris, FR Petit Bain
Oct 24 Feyzin, FR L’Epicerie Moderne
Oct 25 Cenon, FR Le Rocher De Palmer
Oct 27 Porto, PT Hard Club
Oct 28 Madrid, ES Caracol
Oct 29 Barcelona, ES Boveda
Oct 31 Langenthal, CH Old Capitol
Nov 01 Milan, IT Santeria Social Club
Nov 02 Bologna, IT Freakout Club
Nov 03 Martigny, CH Caves Du Manoir
Nov 04 Bregenz, AT Between
Nov 06 Vienna, AT Arena
Nov 07 Budapest, HU Robot
Nov 08 Leipzig, DE UT Connewitz
Nov 09 Warsaw, PL Hydrozagadka
Nov 10 Krakow, PL Soulstone Gathering Festival
Nov 11 Berlin, DE Musik & Frieden
Nov 13 Athens, GR Kyttaro Live Club (no Wiegedood)

Dec 01-02 Los Angeles, CA Decibel Metal & Beer Fest

www.yobislove.com
www.facebook.com/quantumyob
www.twitter.com/quantumyob
www.instagram/com/quantumyob
www.relapse.com
www.facebook.com/RelapseRecords

YOB, Our Raw Heart (2018)

Tags: , , , , ,

YOB, Our Raw Heart: Rise in This Moment

Posted in Reviews on June 7th, 2018 by JJ Koczan

yob our raw heart

One sincerely doubts the band thinks about it this way, but YOB‘s eighth album, Our Raw Heart, arrives at a pivotal moment for the band. Not only does it mark their debut on Relapse Records after outings on Neurot Recordings and Profound Lore — one might argue it’s their highest-profile release since 2004’s The Illusion of Motion and 2005’s The Unreal Never Lived (discussed here), which was issued via Metal Blade — but it’s the point at which they must answer the question of where to go after 2014’s Clearing the Path to Ascend (review here), which was not only a landmark for the Eugene, Oregon, three-piece themselves, but for the genre as whole.

It was the moment when YOB pushed beyond even the groundbreaking, crushing and ethereal cosmic doom of their two prior offerings, 2009’s The Great Cessation (review here) and 2011’s Atma (review here), and into new territory of emotionalism and aesthetic individuality. Simply put, it was one of the best if not the best record of the decade, so how the hell do you follow that up? If you’re YOB, the answer turns out to be pretty easy: you keep moving forward.

Our Raw Heart comes accompanied by the narrative of guitarist/vocalist Mike Scheidt coming through a potentially life-threatening bout with diverticulitis that required emergency surgery and a long recovery afterward, and it’s easy enough to read that story and reflection on that into the lyrics of the seven-track/73-minute outing. Even as songs like “In Reverie,” the short and punishing “Lungs Reach” and longest track and immediate focal point “The Beauty in Falling Leaves” — which feels like a natural answer to “Marrow” (discussed here) from the last record and the latest in a tradition of YOB epics going back 15 years to the early declaration of their second album, Catharsis, and their preceding 2002 exploratory debut, Elaborations of Carbon — bleed directly into each other in a natural flow, something here feels unsettled, shaken. As reflective as Our Raw Heart gets, it’s still right that it includes “raw” in the title, as it seems there’s very little distance between the expression and the experience.

At the same time — and somehow not in contradiction — Our Raw Heart is also YOB‘s most expansive-sounding collection yet. Produced by the band, which is the steady lineup of Scheidt, bassist Aaron Rieseberg (also of Norska) and drummer Travis Foster, with Billy Barnett at Gung Ho Studio in their hometown, it’s patient and graceful. It maintains elements that are signature YOB, whether it’s in Rieseberg‘s foundational low end throughout, Foster‘s propensity to make even a quiet drum part like the quiet fade at the end of “Beauty of Falling Leaves” swing, or Scheidt‘s style of riffing on opener “Ablaze” and the galloping chug of the subsequent “The Screen,” but it also pushes ahead along the steady pattern of progression that YOB have tread since making their return nearly a decade ago after splitting up following The Unreal Never Lived.

And even before that. The entire trajectory, from one album to the next, has been a progression of always-developing sonic ideas, and as much as Our Raw Heart may be centered around Scheidt processing and coming to an understanding of what he’s been through — never mind the psychological and emotional implications of facing one’s own mortality; or better, don’t — the story of who YOB are as a band lies in that factor. Like Neurosis before them and few others on this planet, they’re the kind of band whose eighth album you look forward to because you can trust it will bring the next stage of their creative evolution, and certainly Our Raw Heart lives up to that promise.

yob photo by jimmy hubbard

Songs like “Original Face” and and even “The Screen” seem to share some sonic kinship with Atma, and certainly a closing title-track with a stretch of quiet guitar at the beginning is familiar enough ground, but for all three players and for the group as a single entity, these cuts and the rest demonstrate that the larger narrative of YOB is one of an ongoing advance, and the most pivotal accomplishment Our Raw Heart makes in terms of its sheer sound is in pushing beyond its predecessor as fluidly and naturally as that album did its own. Our Raw Heart is the point at which YOB affirm not only the sustainability of their sound as a mature band, which Clearing the Path to Ascend seemed to lay out, but also their unmistakable drive to go deeper into their approach and find a new level of enunciation for who they are and what they do.

This journey is as gorgeous as it is grueling and as beautiful as it is painful. The scope from the lumbering march of “The Screen” to the immersive breadth of “Beauty in Falling Leaves,” or from the momentary extremity and crunching atmosphere of “Lungs Reach” — which at 5:40 is the shortest YOB song ever — and the epilogue of push in “Original Face” and apex wash in the title-track, during which the lead guitar seems to sing through its surroundings almost like a joyous bagpipe on a fadeout that, even after 73 minutes, seems to end the record too soon. Worth noting that while it features the shortest cut they’ve ever written — as its centerpiece, no less — Our Raw Heart is also the longest album YOB have ever produced.

That’s here or there to the listening experience itself, as once you’re in it, you’re in it, but a testament nonetheless to the basic amount of, well, everything put into it. While the title begs the question of who “we” are — the band? the band and audience? the whole of humanity? — YOB make perfectly clear the personal tone of the album, and whatever it might mean to anyone who’d take it on, it obviously holds great meaning for them. Still, looking at it in the context of their arc as a whole, it is the continuity that’s most striking. ScheidtRieseberg and Foster seem to hit turning points almost each time out, and Our Raw Heart is no exception to that, but it’s also the logical next step from where they were four years ago, and as much as it may be fueled and motivated by what Scheidt went through over the last couple years, in its songwriting and execution it continues the band’s progression and says more plainly than ever before that it will not stop.

For as long as YOB go, they will keep growing. I don’t know if it was a question, but if it was, it isn’t anymore, and the answer is that while their style remains one of the most immediately identifiable in doom, and while their influence spreads over an up and coming generation of heavy acts looking to reach expanses of their own, YOB will still refine who they are, still push beyond their collective comfort zone, and still work to arrive at a changing realization of their sound. If Our Raw Heart isn’t a contender for the best album of 2018, I’ve got nothing for you, but more important than where it appears on a given list and more important than any fawning the press might throw its way, it’s the latest stage of YOB‘s resonant and perpetual manifestation, and another landmark along their own expressive path.

YOB, Our Raw Heart (2018)

YOB website

YOB on Thee Facebooks

YOB on Twitter

YOB on Instagram

Relapse Records website

Relapse Records on Thee Facebooks

Tags: , , , , ,