Electric Funeral Fest 2017 Announces Schedule; Kicks off this Friday

Posted in Whathaveyou on June 12th, 2017 by JJ Koczan

This Friday in Denver marks the beginning of Electric Funeral Fest 2017. Kicking things off at 4:15PM will be West Coast boogie groovers Lords of Beacon House, followed immediately by High on the Mountain right across the street. I know these things because the festival has newly announced its full schedule for its two-day run, which features the likes of Slow Season, The Well, Sourvein, Goya, Oryx, headliners Acid King and Corky Laing’s Mountain, and many others. I’ve got kind of a whirlwind couple weeks coming up as it is, but if you were offering me a ticket and a flight, I’d have a hard time turning this one down. Looks like it’s going to be an incredible time for those fortunate enough to be there.

If that’s you, I hope you have a blast. Here’s the info:

electric-funeral-fest-2017-schedule

DUST Presents: Electric Funeral Fest 2017

Tickets: www.electricfuneralfest.eventbrite.com
** 21+, All tickets are non-refundable **

DENVER, CO
HI DIVE // 3 KINGS TAVERN

FRIDAY JUNE 16th
The Joint by Cannabis Stage at 3 Kings Tavern
4:15 – 4:50 Lords of Beacon House
5:15 – 5:50 Oryx
6:15 – 6:50 Muscle Beach
7:15 – 7:50 Communion
8:15 – 8:50 Monarch
9:15 – 9:55 The Well
10:15 – 11:00 Slow Season
11:40 – 12:40 Corky Laing’s MOUNTAIN

Hi-Dive Denver
4:45 – 5:20 High on the Mountain
5:45 – 6:20 Smokey Mirror
6:45 – 7:20 Greenbeard
7:45 – 8:20 The Munsens
8:45 – 9:20 R.I.P.
9:40 – 10:20 Goya
10:40 – 11:25 Sourvein
-After Party-
12:50 – 1:30 Glitter Wizard

SATURDAY JUNE 17th
The Joint by Cannabis Stage at 3 Kings Tavern
4:15 – 4:50 Dizz Brew
5:15 – 5:50 Red Wizard
6:15 – 6:50 Feather Stone
7:15 – 7:50 Great Electric Quest
8:15 – 8:50 Barrows
9:15 – 9:55 The Heavy Eyes
10:15 – 11:00 Electric Citizen
11:40 – 12:40 ACID KING

Hi-Dive Denver
4:45 – 5:20 Urn
5:45 – 6:20 Jagged Mouth
6:45 – 7:20 Malahierba
7:45 – 8:20 Love Gang
8:45 – 9:20 Banquet
9:40 – 10:20 Cloud Catcher
10:40 – 11:25 Destroyer of Light
-After Party-
12:50 – 1:30 Crypt Trip

Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.

There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!

www.electricfuneralfest.eventbrite.com
https://www.facebook.com/dustpresents/
https://www.facebook.com/events/1810211735896531/

Corky Laung’s Mountain, “Theme from an Imaginary Western” Live

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Bow to Your Masters: Thin Lizzy Tribute to Feature High on Fire, Mos Generator, Mothership, Harsh Toke, Egypt and More

Posted in Whathaveyou on May 23rd, 2017 by JJ Koczan

Not that this one really needs a plug, considering that as of this writing Glory or Death Records‘ Kickstarter campaign for a Thin Lizzy tribute to be titled Bow to Your Masters has hit 274 percent of its fundraising goal, but it’s pretty awesome that as a result of that, the label has added a second LP to the project and announced the first band who’ll take part in it is High on Fire. The way the numbers have played out pretty much underscores the absolute no-brainer, duh-of-course-head-slap awesomeness of the idea in the first place, and among life’s many worthy tenets, “The more Thin Lizzy, the better,” continues to resound as dogma.

Will there be a Volume 2? Will Glory or Death earn enough in the remaining week of the campaign to add a third LP here? Time will tell.

Background info and the latest tracklisting update follow here, courtesy of the label:

Bow to Your Masters Volume 1: Thin Lizzy Set for Winter Release

First Vinyl Release from Glory or Death will be a Tribute Featuring Heavy Underground Heavyweights

Glory or Death Records is extremely excited to announce our first vinyl release, and the first in our series of Bow to Your Masters tribute albums. For this first release we chose a special band to pay tribute to: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

The album announcement comes with a Kickstarter campaign that has already met the original goal, but is still going until 5/30/17. The Kickstarter preorder features limited vinyl and art packages and surprise rewards that will be added in the second half of the campaign. Buying now will grant access to the highly-limited first pressing of Bow to Your Masters Volume 1: Thin Lizzy, which will feature some of the best heavy metal, rock, and psych bands in the business putting their own unique spin on classic Thin Lizzy songs.

The album features bands from innovative labels like Doomentia Records, Riding Easy Records, Ripple Music, Tee Pee Records, and Totem Cat Records.

The 10 bands coming along for the ride are: Mos Generator (Seattle, WA), Egypt (Fargo, ND), White Dog (Austin, TX), Red Wizard (San Diego, CA), Slow Season (Visalia, CA), Mothership (Dallas, TX), KOOK (San Jose, CA), Great Electric Quest (Oceanside, CA), Sacri Monti (Encinitas, CA), and Harsh Toke (San Diego, CA).

**UPDATE-2nd LP announced, High on Fire First Band Added**

LP1 Band/Track Listing
Mos Generator-Massacre
Egypt-Suicide
White Dog-???
Red Wizard-???
Slow Season-She Knows
Mothership-???
KOOK-Thunder and Lightning
Great Electric Quest-???
Sacri Monti-???
Harsh Toke-???

LP2 Band/Track Listing
High on Fire-???
???
???
???

The launch teaser video for the Kickstarter campaign includes a sample of Mos Generator playing a monster cover of Massacre, and there is also a teaser of Egypt’s version of Suicide. The rest of the tracks will be revealed before the end of the Kickstarter campaign. The album will release in late 2017—with a current target of November.
The album cover features art from renowned album and band/poster artists David Paul Seymour and Austin Barrett; the 4-panel cover will feature re-interpretations of classic Thin Lizzy photos and album covers. The Kickstarter campaign has reward tiers that include the 4 original art pieces that make up the cover as well as signed screen-prints of the 4 cover panels.

Details:
Kickstarter Address: http://bit.ly/gloryordeath
Kickstarter pre-order deadline: 5/30/17

http://www.facebook.com/gloryordeathrecords
http://www.instagram.com/glory_or_death_records

Thin Lizzy, Fighting (1975)

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Electric Funeral Fest 2017 Announces Corky Laing’s Mountain to Headline

Posted in Whathaveyou on April 3rd, 2017 by JJ Koczan

Acid King and Mountain as headliners? Look, I was pretty much sold on the notion of Electric Funeral Fest 2017 anyway, but it’s not like adding Corky Laing and a bunch of other dudes playing Mountain classics hurts. The festival is set for this June in the Mile High city of Denver, Colorado, and in addition to those two it features a swath of righteous acts from the West Coast, the Midwest, the South and the East, pulling in various kind of heavy from doom to sludge to classic rock and roll in what’s an obviously well curated environment. If I could go, I’d be there in a heartbeat.

Some of the below was posted previously, but I want to reiterate to underscore the point. If you’re in this part of the world, you should fucking go to this. Events like this deserve your support and they deserve to continue to flourish and grow. Don’t suck. Go and have a good time. That’s my piece. I’ve said it.

Info follows:

denver-electric-funeral-fest-2017

“Honored to announce the headliner of Day 1 at Electric Funeral Fest is current iteration of iconic rock band, MOUNTAIN. Original drummer Corky Laing has teamed up with a band to play Mountain hits from the early ’70s. It is a true pleasure to host a legend from the era that started it all.

Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.

There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!

Electric Funeral Fest 2017 – Friday June 16th & Saturday June 17th
Location: Denver, CO @ Hi Dive & 3 Kings Tavern

LINEUP

Friday June 16
Headliner: Corky Laing’s Mountain
Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain

Saturday June 17
Headliner: Acid King
Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn

Flier art by Christina Hunt
Flier layout by Keith Dreissen

www.electricfuneralfest.eventbrite.com
https://www.facebook.com/dustpresents/
https://www.facebook.com/events/1810211735896531/

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Electric Funeral Fest 2017 Announces Lineup; Limited Early Tickets Available

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

Today, Denver’s Electric Funeral Fest 2017 reveals Acid King will headline and the likes of Sourvein, Slow Season, Goya, Electric Citizen, Destroyer of Light, The Well, Cloud Catcher, Oryx and many more will appear. Limited early tickets — there seem to be 40 — are on sale as of right this second.

One headliner is still TBA, but even so, it’s a remarkably ambitious return for Electric Funeral Fest, which had its first showing in 2016. Put on by DUST Presents, it finds hometown representation through The Munsens, Love Gang, Oryx, and Cloud Catcher, likely among others, and reaches far and wide in filling out an impressive roster of acts. To be perfectly blunt about it, it looks fucking awesome.

The fest was kind enough to let me host this initial lineup announcement, and below, organizer Shaun Goodwin gives some background on the area where it will take place across two venues and the vibe they’re shooting for with Electric Funeral Fest 2017.

Dig it:

electric-funeral-fest-2017-poster

Electric Funeral Fest 2017 – Friday June 16th & Saturday June 17th

Location: Denver, CO @ Hi Dive & 3 Kings Tavern

Tickets: www.electricfuneralfest.eventbrite.com
– There will be 40 early bird discounted 2-day passes available at $49
– After those are sold, presale 2-day passes are $59
– 1 day passes are $32

Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.

There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!

LINEUP

Friday June 16
Headliner: TBA
Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain

Saturday June 17
Headliner: Acid King
Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn

Flier art by Christina Hunt
Flier layout by Keith Dreissen

www.electricfuneralfest.eventbrite.com
https://www.facebook.com/dustpresents/
https://www.facebook.com/events/1810211735896531/

Goya, “Misanthropy on High” live at Electric Funeral Fest 2016

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The Obelisk Presents: The Top 20 Debut Albums of 2016

Posted in Features on December 15th, 2016 by JJ Koczan

the obelisk top 20 debut albums of 2016

Please note: This post is not culled in any way from the Year-End Poll, which is ongoing. If you haven’t yet contributed your favorites of 2016 to that, please do.

Of all the lists I do to wrap up or start any given year, this is the hardest. As someone obviously more concerned with first impressions than I am and thus probably better-dressed once said, you only get one chance at them. For bands, that can be a vicious bite in the ass on multiple levels.

To wit, you put out a great debut, fine, but there’s a whole segment of your listeners who’re bound to think you’ll never live up to it again. You put out a meh debut, you sell yourself short. Or maybe your debut is awesome but doesn’t really represent where you want to be as a band, so it’s a really good first impression, but a mistaken one. There are so many things that can go wrong or go right with any LP, but with debuts, the stakes are that much higher because it’s the only time you’ll get the chance to engage your audience for the first time. That matters.

And when it comes to putting together a list of the best debuts of the year, how does one begin to judge? True, some of these acts have done EPs and singles and splits and things like that before, and that’s at least something to go on, but can one really be expected to measure an act’s potential based on a single collection of songs? Is that fair to anyone involved? Or on the other side, is it even possible to take a debut entirely on its own merits, without any consideration for where it might lead the band in question going forward? I know that’s not something I’ve ever been able to do, certainly. Or particularly interested in doing. I like context.

Still, one presses on. I guess the point is that, like picking any kind of prospects, some will pan out and some won’t. I’ve done this for enough years now that I’ve seen groups flame or fade out while others have risen to new heights with each subsequent release. It’s always a mix. But at the same time, it’s important to step back and say that, as of today, this is where it’s at.

And so it is:

KING BUFFALO ORION

The Obelisk Presents: The Top 20 Debut Albums of 2016

1. King Buffalo, Orion
2. Elephant Tree, Elephant Tree
3. Heavy Temple, Chassit
4. Holy Grove, Holy Grove
5. Worshipper, Shadow Hymns
6. Vokonis, Olde One Ascending
7. Wretch, Wretch
8. Year of the Cobra, In the Shadows Below
9. BigPig, Grande Puerco
10. Fuzz Evil, Fuzz Evil
11. Bright Curse, Before the Shore
12. Conclave, Sins of the Elders
13. Pale Grey Lore, Pale Grey Lore
14. High Fighter, Scars and Crosses
15. Spirit Adrift, Chained to Oblivion
16. Bellringer, Jettison
17. Church of the Cosmic Skull, Is Satan Real?
18. Merchant, Suzerain
19. Beastmaker, Lusus Naturae
20. King Dead, Woe and Judgment

Honorable Mention

There are many. First, the self-titled from Pooty Owldom, which had so much weirdo charm it made my head want to explode. And Iron Man frontman Dee Calhoun‘s acoustic solo record was technically a debut. And Atala‘s record. And Horehound. And Mother Mooch. And Domkraft. And Spaceslug. And Graves at Sea? Shit. More than a decade after their demo, they finally put out a debut album. And Second Grave‘s full-length would turn out to be their swansong, but that doesn’t take away from the quality of the thing. There were a lot of records to consider in putting this list together. As always, it could’ve been a much longer list.

For example, here are 20 more: Swan Valley Heights, Arctic, Blues Funeral, Teacher, Psychedelic Witchcraft, Nonsun, Duel, Banquet, Floodlore, Mindkult‘s EP, Mountain Dust, Red LamaRed Wizard, Limestone Whale, Dunbarrow, Comacozer, Sinister Haze, Pants Exploder, Akasava, Katla and No Man’s Valley. That’s not even the end of it. I could go on.

Notes

It was a fight to the finish. There’s always one, and as late as yesterday I could be found kicking back and forth between King Buffalo and Elephant Tree in the top spot. What was it that finally put King Buffalo‘s Orion over Elephant Tree‘s self-titled? I don’t know. Ask me tomorrow and the answer might be completely different.

They had a lot in common. Not necessarily in terms of style — King Buffalo basked in spacious Americana-infused heavy psych jams while Elephant Tree proffered more earthbound riffing and melodies — but each executed memorable songs across its span in a way that would be unfair to ask of a debut. The potential for what both bands can turn into down the line played a part in the picks, but something else they share between them is that the quality of the work they’re doing now warrants the top spots. Orion and Elephant Tree were great albums, not just great first albums.

From there, we see a wide swath of next-generation encouragement for the future of heavy rock, whether it’s coming from Sweden’s Vokonis or Philadelphia’s Heavy Temple, or London’s Bright Curse, or Los Angeles duo BigPig. The latter act’s punkish fuzz definitely benefited from guitarist/vocalist Dino von Lalli‘s experience playing in Fatso Jetson, but one hopes that as the years go on his own multifaceted songwriting style will continue to grow as well.

A few offerings weren’t necessarily unexpected but still lived up to the anticipation. High Fighter‘s EP prefaced their aggro sludgecore well. Ditto that for the grueling death-sludge of Massachusetts natives Conclave. The aforementioned Bright Curse, Merchant, Fuzz Evil, Atala, Bellringer, Holy Grove, Wretch and Worshipper all had offerings of one sort or another prior to their full-length debuts — in the case of Bellringer, it was just a series of videos, while Wretch had the entire The Gates of Slumber catalog to fall back on — but each of those albums offered surprises nonetheless.

It would’ve been hard not to be taken by the songwriting on display from the likes of Holy Grove, Year of the Cobra, Pale Grey Lore and Beastmaker, who between them covered a pretty broad variety of atmosphere but found ways to deliver high-quality crafted material in that. Those albums were a pleasure to hear. Put Boston’s Worshipper in that category as well, though they were just as much a standout from the pack in terms of their performance as what they were performing. Speaking of performance, the lush melodies from Church of the Cosmic Skull and classic progressive flourish were enough to make me a believer. Simply gorgeous. And one-man outfit Spirit Adrift shined, if in that matte-black doom kind of way, on an encouraging collection of modern melancholic heavy that seemed to hint at sprawl to come.

As we get down to the bottom of the list we find Pennsylvania ambient heavy post-rockers King Dead. Their Woe and Judgment was released digitally last year (2015) but the LP came out earlier this year, so I wasn’t quite sure where to place them ultimately. I know they got some mention on the 2015 lists somewhere, but while they’re an act who’ve flown under a lot of people’s radar as yet, I have good feelings about how they might continue to dig into their sound and the balance of bleakness and psychedelic color they bring to their material. They’re slated for a follow-up in 2017, so this won’t be the last list on which they appear in the next few weeks.

Like I said at the outset, putting out a debut album is a special moment for any band. Not everyone gets to that point and not everyone gets beyond it, so while a list like this is inherently bound to have some element of speculation, it’s still a worthy endeavor to celebrate the accomplishments of those who hit that crucial moment in their creative development. Hopefully these acts continue to grow, flourish, and build on what they’ve thus far been able to realize sonically. That’s the ideal.

And before I go, once again, let me reinforce the notion that I recognize this is just a fraction of the whole. I’d like it to be the start of a conversation. If there was a debut album that kicked your ass this year and you don’t see it here, please drop a note in the comments below. I’m sure I’ll be adding more honorable mentions and whatnot over the next couple days, so if you see glaring omissions, let’s have ’em.

Thanks for reading.

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FreakTulsa 2016 Posts Updated Lineup

Posted in Whathaveyou on June 8th, 2016 by JJ Koczan

I’d be interested to witness the gathering of weirdos that FreakTulsa 2016 brings out. The festival — based in Tulsa, Oklahoma, and of no relation to the German Freak Valley fest that I know of — culls bands from around the Midwest and well beyond, groups like King Buffalo and Destroyer of Light sharing the stage with Merlin and Red Wizard, among many others. It’s a three-day affair, June 17 through June 19, and while I won’t make it out for it, I’ll look forward to finding out how it goes. Seems like an event in the middle of the country could be a good regional pull, a haven of sorts, for followers of riff.

Bottom line, it looks like a good time. Hope it goes well.

Updated lineup, info and ticket links follow:

freaktulsa 2016 poster

Get it together folks, for the most fuzzed out, brain-jarring, facemeltingest fest to trample Tulsa, June 17th-19th at the Downtown Lounge. We’ve got an incredible and diverse lineup, from the deep and fuzzed out valleys to the peaks of devestating alpine thrash glory. Get your tickets now.

Freaktulsa 2016 is a 3 day psychedelic rock festival celebrating all that is hard, doomy and heavy. Join us and our diverse lineup at the Downtown Lounge in Tulsa Oklahoma June 17 – 19th. This is a show presented by and for enthusiasts of dark rock of all types. The Mid West Heshfest exists for the love of music above all else, driving our focus to be on providing the best possible musical experience for you.

FreakTulsa 2016 lineup:
Friday 6.17
Silver Screen Monsters, Violent Wednesday, Cobra Jab, Psychotic Reaction, Brother Gruesom, Senior Fellows, Burn Thee Insects, Merlin, Contagion 237, Dr. Rock Doctor, Oberon

Saturday 6.18
Smoke Offering, Idre, P.R.I., Sun Vow, King Buffalo, Grind, Destroyer of Light, Constant Peril, Rifflord, Book of Wyrms

Sunday 6.19
Skeleton Farm, Blunt Splinter, Lucid Awakening, Youngblood Supercult, The Great Electric Quest, Forever in Disgust, Red Wizard, Chainmail

https://www.facebook.com/FreakTulsa/
https://www.facebook.com/events/985580904860408/
https://www.picatic.com/FreakTulsa

Rifflord at FreakTulsa 2016 teaser

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Red Wizard, Cosmosis: Universal Symptoms (Plus Full Album Stream)

Posted in audiObelisk, Reviews on April 5th, 2016 by JJ Koczan

red wizard cosmosis

[Click play above to stream Red Wizard’s Cosmosis in full. Album is out April 8 on Ripple Music and STB Records.]

San Diego heavy rockers Red Wizard make their full-length debut with Cosmosis, following-up a 2014 self-titled EP that rounded out with a harmonica-laced cover of Black Sabbath‘s “The Wizard.” That in itself should tell you something about the brazen nature of the band, and in particular, their interest in getting to the roots of what sonic heft is all about.

With the burly dudery of Travis Baucum‘s vocals out front, dual guitars in Miles Von Ricketson (lead) and Casey Lamontagne (rhythm), the bass of David Wilburn and Shane Kepler‘s drumming, they would seem to be arriving at their first album with clearheaded intent — but for all the booze — and what seems like it’s going to be a simple affair on opening track “Tides of War” becomes something much more stylistically nuanced as the record plays out its seven-track/37-minute course, remaining defined in no small part by its lack of pretense as it goes, whether that’s manifest in the proto-metallic three-parter “The Red Wizard Suite,” which closes, or in the more doomed “The Temples of Tinnitus,” which hits earlier. Rough tonal edges give a metal vibe, but the groove is heavy and Baucum‘s voice, though high in the mix here and there, as on “Tides of War,” adds a bluesy undertone that finds fitting accompaniment from his harmonica in the more swinging “Blinded,” which soon enough gives way to the 10-minute title-track; another on the growing list of vibes Red Wizard cast throughout their debut’s span.

That is, in fact, the album’s primary impression: Red Wizard‘s refusal to commit to a single-mindedness of sound where so many of their West Coast contemporaries find themselves leaning to one side of the “heavy” umbrella or another, whether that’s doom, stoner rock, psychedelia, prog, whatever it might be. The five-piece play multiple facets off each other in different tracks, and whether this is born of an exploratory process — i.e., if they’re finding their sound — or if ultimately that sense of variety will define their work over the longer term, it doesn’t really matter at this point, since what Cosmosis demonstrates aside from this breadth is that Red Wizard have the boldness to cover this ground while also uniting the material through atmosphere and songcraft.

red wizard

To wit, bass opens “Tides of War,” which then unfolds a rolling groove and catchy hook leading the listener into the album, but there’s a hint of something harder as well, and that will be the case as well with the biker rock revenge fantasy of “The Red Wizard Suite Part III” at the end of the tracklisting. In between, Red Wizard don’t think twice about the jumps in sound that the switch to a slower, drawling doom in “The Temples of Tinnitus” — near Candlemassian in its traditionalism — and the subsequent swap to start-stop swing of “Blinded” represent, let alone the psychedelic jamming that emerges in “Cosmosis” itself. They present the material simply, and on first listen, one might even mistake Cosmosis for a simple work, but while the bulk of its material is straightforward, the key to understanding it as a whole is in how songs play off each other stylistically, and that’s bound to come through clearer on repeat visits.

Further, the fluidness of the title-track, which finds Baucum echoing out a series of “heys” as Kepler‘s drums lead the way into the psychedelic jam, underscores the ease that the band feels on what, it’s important to remember, is still their first outing. Von Ricketson‘s guitar spaces out patiently in “Cosmosis” as Kepler and Lamontagne and Wilburn hold the tension in a classically heavy spirit, the band gradually building and making their way back toward a chorus, where the vocals are waiting to tie the piece together. From there, the move into “The Red Wizard Suite Part I,” the shorter instrumental “The Red Wizard Suite Part II” and “The Red Wizard Suite Part III” is undertaken with no more fanfare than any prior, the first part of the suite introducing itself with quietly progressive strums that just seem to be waiting for a flute to join in, and launching into a play between doomly roll and more forward-propelled rock.

Baucum shifting momentarily into a growl in the midsection before the song closes out with a big finish, leading to the Motörhead-style chug of “The Red Wizard Suite Part II,” marked out by its dueling leads, and finally, the “Symptom of the Universe”-style riffing of “The Red Wizard Suite Part III,” which mirrors the catchiness of “Tides of War” and offers an efficient if rough finish to both the suite and the record as a whole, the track kind of falling apart as it crashes out. Somehow, despite the ground Red Wizard cover on Cosmosis, that ending makes sense, as though at the end of a set, they finally decided to let the wheels come flying off. Fair enough. The brash nature of Cosmisis demands that kind of thing, and sets a high standard for the five-piece going forward, with multiple avenues of progression to potentially follow through, each of which hold promise in themselves in addition to how they might combine in Red Wizard‘s sound.

Red Wizard on Thee Facebooks

Red Wizard on Bandcamp

Ripple Music

STB Records

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Red Wizard to Release Cosmosis April 8; “Tides of War” Streaming Now

Posted in Whathaveyou on February 15th, 2016 by JJ Koczan

red wizard

STB Records has had this one listed for a minute or so, but it’s good to get some confirmation from the PR wire for the release of San Diego heavy rockers Red Wizard‘s debut album, Cosmosis. It’ll be out on Ripple Music on CD and STB vinyl April 8, and for a group making their debut, that’s some pretty significant backing to attain. The track “Tides of War” is streaming now and finds them deep into thick grooves and a burled-out feel, but the cover art for the record, which you can see below, seems to herald some spacier fare, so we’ll have to wait to hear how much “Tides of War” represents the offering as a whole. The band also issued a self-titled demo/EP in 2014 that featured a particularly dudely take on Black Sabbath‘s “The Wizard.”

You want information? The PR wire’s got some. No charge:

red wizard cosmosis

RED WIZARD: San Diego stoner rockers to release debut album through Ripple Music/STB Records | Stream and share new single ‘Tides Of War’

Cosmosis by Red Wizard is released worldwide through Ripple Music/STB Records on 8th April 2016

With amps turned to eleven and feet flat out on vintage fuzz pedals, San Diegan stoners Red Wizard know exactly how to convert raw hertz into high voltage rock and roll.

Newly signed to Ripple Music, their debut album Cosmosis is an exercise in pure hard rock indulgence. As teens plucked from another era – outta time and outta mind – their roughly hewn approach to proto-metal is shaped as much by prevailing Pacific Coast winds as it is their parents’ record collections.

Steeped in the pre-1978 sounds synonymous with Deep Purple, Black Sabbath and Led Zeppelin, Red Wizard have developed a sizable and almost effortless reputation in the Californian underground metal community as a unique and energetic live act. Helped in no small part by last year’s release of their self-titled/STB Records-approved EP Red Wizard, across seven new tracks, easily their heaviest collection to date, Cosmosis explores the depths and majesty of ’70s metal and contemporary stoner rock. Placing huge riffs, blazing vocals and bone shaking rhythms amid a wide expanse of progressive sonic assaults.

Red Wizard:
Travis Baucum – Vocals/Harmonica
David Wilburn – Lead Guitar
Casey Lamontagne – Bass
Miles Von Ricketson – Guitar
Shane Kepler – Drum

https://www.facebook.com/redwizardry/
http://redwizard.bandcamp.com/
https://www.instagram.com/redwizardofficial/
http://www.ripple-music.com/
https://www.facebook.com/Ripple-Music-369610860064/
https://www.facebook.com/STB-Records-471228012921184/
http://stbrecords.bigcartel.com/

Red Wizard, “Tides of War”

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