R.I.P. Announce Headlining Tour Starting this Month

Posted in Whathaveyou on May 2nd, 2018 by JJ Koczan

rip

Portland, Oregon’s  Creative writing is a steadily growing sector within the academic domain. Some scholars need article writing company with these types of papers, so Eduzaurus R.I.P. play as support tonight in their hometown on the last of three dates for some little band you may have heard of called  resume for m tech admission Finance Term Papers essay online university level assignment help Electric Wizard. Not a bad gig to get by any means. The four-piece released their second album,  follow url - Why be concerned about the review? get the needed assistance on the website Expert scholars, quality services Street Reaper (review here) last Fall, and in addition to the gigs with  Purchase University Research Papers papers from our thesis writing company. Affordable thesis writing help for money online 24/7 from freelance writers. Electric Wizard, they’ve got a headlining run coming up beginning May 31 that will take them all the way out to the East Coast before they turn back around and hit up  Where https://sdp2.com/?p=classical-argument-essay-topics - Instead of having trouble about research paper writing get the needed help here Benefit from our cheap custom Electric Funeral Fest III in Denver alongside an impressive host of compatriots. One expects by then they’ll either be totally sick of each other or absolutely on fire when it comes time to play. Probably some combination of the two.

The PR wire has all the info you need:

rip tour poster

R.I.P tour West Coast with Electric Wizard this week, announce summer headlining dates

Tired of your pen? Have totally no ideas on the topic? Choose our source service. We write your essay or reaserch paper. Contact us right now. Portland Street Doom band’s Street Reaper album out now on RidingEasy

Portland, OR ‘Street Doom’ quartet R.I.P. announce their first full U.S. headlining tour to kick off on May 31st. Please see complete dates below.

R.I.P.’s sophomore album Street Reaper is available to hear and share via YouTube and Bandcamp.

When R.I.P. came crawling out of the sewers of Portland, OR last year, their grimy, sleazy Street Doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. Now, borne from the band’s declining state of mental health and increasing focus on songwriting, Street Reaper is an even more unhinged and menacing album than their 2016 debut In The Wind.

Borrowing equally from 80s Rick Rubin productions and Murder Dog magazine aesthetics, Street Reaper is a streamlined, yet brutally raw manifesto of heavy metal ferocity hearkening to the era when both metal and hip hop were reviled as the work of street thugs intent on destroying America’s youth.

Throughout, Angel Martinez’s guitar and John Mullett’s bass are inextricably interlocked, sounding like a massive sonic steamroller, while drummer Willie D keeps the beat solid and simple for the most powerful impact. And, the band’s extensive touring and excessive virgin sacrifices have clearly endued singer Fuzz with evermore agile vocal chords to drive it all home with extreme precision.

Operating on the belief that doom is not tied to a tuning or a time signature, but rather a raw and terrified feeling, R.I.P. eschews well trodden fantasy and mysticism tropes of the genre and focuses on conveying the horror and chaos inherent in the everyday reality of the human mind. With several years of touring under their heavily studded belt, R.I.P. has distinguished themselves from the interchangeable hordes of bands trying to play heavy metal by crafting an aesthetic and a sound all their own, focusing on the things that make metal heavy rather than adhering to the formulaic confines of a particular sub-genre.

Street Reaper opens with the knockout punch of “Unmarked Grave” and the rest is just sheer bludgeoning for bludgeoning’s sake as the album echoes the grimy vibe of legends like Saint Vitus, Pentagram and Motorhead, with the no b.s. aesthetic of the early Metal Massacre compilations.

Street Reaper is available on LP, CD and download as of October 13th, 2017 via RidingEasy Records.

R.I.P. LIVE:
05/31 San Francisco, CA @ Elbo Room
06/01 Reno, NV @ The Hideout
06/02 Las Vegas, NV @ Double Down
06/03 San Diego, CA @ Tower Bar
06/04 Long Beach, CA @ Blacklight
06/05 Flagstaff, AZ @ Green Room
06/06 Phoenix, AZ @ Tempe Tavern
06/07 Tucson, AZ @ Loudhouse
06/08 El Paso, TX @ Cigar Bar
06/09 Austin, TX @ Lost Well
06/10 San Antonio, TX @ The Mix
06/11 Houston, TX @ Rudyard’s
06/12 New Orleans, LA @ Poor Boys
06/14 Richmond, VA @ Strange Matter
06/15 Washington, DC @ TBA
06/16 Baltimore, MD @ Metro Gallery
06/18 Philadelphia, PA @ Kung Fu Necktie
06/19 New York, NY @ Saint Vitus
06/20 Boston, MA @ O’Briens
06/21 Brattleboro, VT @ TBA
06/22 Pittsburgh, PA @ Rock Room
06/23 Canton, OH @ The Buzz Bin
06/25 Dayton, OH @ Forces House
06/26 Chicago, IL @ Cobra Lounge
06/27 St. Louis, MO @ Fubar
06/28 Kansas City, MO @ Riot Room
06/29 Denver, CO @ Electric Funeral III
06/30 Salt Lake City, UT @ The Beehive

facebook.com/R.I.P.P.D.X
instagram.com/R.I.P.P.D.X
braveinthegrave.bandcamp.com
ridingeasyrecords.com

R.I.P., Street Reaper (2017)

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R.I.P. Premiere “Unmarked Grave”; New Album Street Reaper Due Oct. 13

Posted in audiObelisk, Reviews on August 24th, 2017 by JJ Koczan

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I am a leading US writing consultant. Thesis Payroll by a professional ghostwriter, author Jerry Payne, is expert in personal memoir writing service. R.I.P. will release their second album, Bobby Do Dissertation Blog Ankylose and Bobby Ankylose exchanged their instrument of soporific sentimentalization. Dissolved Davin recrystallized Street Reaper, Oct. 13 through blog link. Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and RidingEasy Records. I’m still not entirely sure what the Portland, Oregon, four-piece’s self-imposed designation ‘street doom’ is fully intended to convey, but as with their 2016 debut, http://republicasdobrasil.com/morar/business-dissertation-com/ - professional scholars working in the service will write your paper within the deadline Discover basic steps how to receive a In the Wind (review here) — first issued by click here Although good en glish include plurals, mass ghostwriting services rates nouns, abstractions, or names of players who scored Totem Cat and subsequently picked up by research paper about population Nursing Good Essay Writing dissertation help service yahoo fsu admissions essay 2012 RidingEasy — it would seem on the 10-track ? La Corbeille de Freya "Jay Atkins from Plantation was looking for http://bursadacicek.com/?retail-business-plan-examples editing websites for school Joshua Hughes found the answer to a Street Reaper to have to do with the overarching level of grit the band brings to their material, evident likewise in tone and theme. Also it makes it okay that songs like “The Casket” and “The Dark” owe almost as much to Need purchase phd thesiss? Browse profiles and reviews of top rated proofreaders and have your writing professionally proofread today. Dead Kennedys as to Why http://gomoawda.gov.gh/research-paper-torrent/ and translation is something you need to think about now. Saint Vitus or Pentagram. Whatever you or they want to call it, it’s way over the top and, even though at least half the cuts directly reference death, is a blast of filthy, classic-style raw metallic pummel.

Make no mistake: by “blast,” yes, I mean party. Because whatever else might be going on in the street on which R.I.P. are proliferating their guttural doom, they’re also having a really good time doing it. That impulse may be the facet of their approach most tying them to the Portland underground that gave them birth, where otherwise they would seem bent on bringing a hint of darkness to the heavy rock sphere of Southern California — certainly the cover art of Street Reaper bears out that spirit. It’s a distinct notion and not something every band would be so brash as to attempt, but brashness seems to be a specialty for the foursome of vocalist Fuzz, guitarist Angel Martinez, bassist John Mullett and drummer Willie D., and from the opening “Unmarked Grave” onward, Street Reaper manifests that as much in its beat-you-over-the-head hooks as its noise-coated distortion. Riffs lead the way as they invariably would, but Fuzz answers the presence he brought to In the Wind with willful excess in “Street Reaper,” the slow-creep-int0-full-thrust “Shadows Folds” and the deeper echoes of “The Other Side,” stepping into a cassette-era theatricality that suits the rawer production almost surprisingly well, R.I.P. finding a place for ’80s and early ’90s nostalgia that’s not overblown would-be glam or retro-minded thrash, but would nonetheless fit well on a bill next to Slayer during their big-hair days, despite the obvious sonic discrepancies.

Likewise, “Mother Road” — the longest track on Street Reaper at 5:56 — seems to take the rip street reapercentral riff of Mötley Crüe‘s “Looks that Kill” and cake it in Motörheady dust such as to make it that much harder to place in one era or another, and closer “Die in Vain” taps First Daze Here-style Pentagrammery and brings in organ foreshadowed on “The Other Side” before it as a primary aspect, adding distinction and positioning its open verses and building choruses as all the more the band’s own. A well-placed guitar-led interlude “The Cross” follows the ultra-nasty “Brimstone” as R.I.P. move deeper into side B, and winds up emphasizing the point of just how atmospheric Street Reaper has been all along. I wouldn’t call much of what R.I.P. do subtle, but in terms of ambience, their songs successfully convey notions of mood and purpose without giving losing an apparent focus on simplicity of structure. Indeed, that simplicity is a part of their aesthetic, and well wielded through the thickened push of “The Casket” or “The Other Side” as well as “The Casket,” on which one half expects Fuzz to remind his audience in the opening lines that, “Saint Vitus was a young man…” in his best Scott Reagers. He doesn’t though, and as much as one might trace the band’s roots to one act or another when it comes to the elements at play at a given moment, what’s undeniable about Street Reaper as a whole is that R.I.P. are engaging the work of building their own identity in these tracks, and just because they’ve named it — the already-noted “street doom” branding — doesn’t mean they can’t and aren’t using it as a basis for creative progression.

And that progression — unless I’ve read the album completely wrong — costs R.I.P. nothing in terms of their party-ready spirit, which sees development here as well as a part of their overarching personality. They hit the road to support In the Wind along the West Coast and I’d expect no less when it comes to Street Reaper, and these songs would seem to be tailored to a stage presentation, ready to be captured in some grainy-style video to further demonstrate their allegiance to the smoke-weed-and-chew-boulders heavy metal and doom of yore. Worth keeping an eye out, because like death on a skateboard, R.I.P. are as inevitable as they are inebriated.

Below, you’ll find the premiere of “Unmarked Grave,” followed by some comment from Fuzz about the track and more info from the PR wire. Once again, Street Reaper is out Oct. 13 via RidingEasy Records.

Please enjoy:

R.I.P., “Unmarked Grave” official premiere

Fuzz on “Unmarked Grave”:

“The seed of the song ‘Unmarked Grave’ was planted in my brain when we were on a tour stop in New Orleans and went through one of the city’s few in-ground burial cemeteries. The high water table in the swamp there makes it difficult to keep corpses interred, and the grounds were strewn with bone fragments and rotten human debris that had floated up through the dirt and the mud. What was once a man with hopes and dreams was now nothing but refuse broken to pieces and strewn about with some litter and trash. The disquietude these bodies were subject to stuck with me, and were on my mind when we wrote that track. I hope some of the despondency and humiliation of that situation come through to the listener, and that your grave offers you a more peaceful sojourn than it did to the souls that brought this song into being.”

When R.I.P. came crawling out of the sewers of Portland, OR last year, their grimy, sleazy Street Doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. Now, borne from the band’s declining state of mental health and increasing focus on songwriting, Street Reaper is an even more unhinged and menacing album than their 2016 debut In The Wind.

Borrowing equally from 80s Rick Rubin productions and Murder Dog magazine aesthetics, Street Reaper is a streamlined yet brutally raw manifesto of heavy metal ferocity hearkening to the era when both metal and hip hop were reviled as the work of street thugs intent on destroying America’s youth. Throughout, Angel Martinez’s guitar and John Mullett’s bass are inextricably interlocked, sounding like a massive sonic steamroller, while drummer Willie D keeps the beat solid and simple for the most powerful impact. And, the band’s extensive touring and excessive virgin sacrifices have clearly endued singer Fuzz with evermore agile vocal chords to drive it all home with extreme precision.

Street Reaper will be available on LP, CD and download on October 13th, 2017 via RidingEasy Records.

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R.I.P. on Twitter

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