Atramentus to Release Stygian LP Aug. 21

Posted in Whathaveyou on June 30th, 2020 by JJ Koczan

Atramentus

This shit sounds pretty fucking fierce and I stumbled on the audio sample on Twitter (yeah, Twitter, because somehow I decided my life need more social media and not less) before I even got this press release, so yeah, I’m posting about it. I know jack squat about Atramentus — nothing beyond what I heard in that sample and what’s in the press release below, which by the time this is posted I can only assume I will have read — but it sure seems to me that the more eternally miserable I myself get, the more death-doom seems to make my blood curdle in just the right way. You ask 'who can recommended you read'? We answer - Essay Writing Center. A service with reasonable prices and great writers! 20 Buck Spin? Well, they put out Why finance homework help may be necessary. It can actually be viewed as a blessing that today I have the opportunity to just Assignments Mass Effect. Samothrace — you know, among a ton of other cool stuff — so they need not prove their know-heavy-when-they-hear-it to the likes of me. I’ll fuckin’ take this and be quite happy to have it, thank you very much.

I’ll be lurching back to my wretched fucking cave if you need me. Don’t call. Don’t text either.

PR wire:

Atramentus stygian

ATRAMENTUS: Quebec Funeral Doom Act To Release Stygian LP Through 20 Buck Spin; Audio Excerpt Posted

Longueuil, Québec-based ATRAMENTUS – with members of Chthe’ilist, Funebrarum, Gevurah, and more among its ranks – presents its debut LP, Stygian, now confirmed for August release through 20 Buck Spin.

From the frozen northlands, ATRAMENTUS unveils the icebound agony of the monolithic Stygian. Birthed on a cold winter night in 2012 and during an autumnal sunset in 2013, the cursed tale remained dormant for years, only recently being put to tape so the nameless knight’s saga could be told.

Granted immortality through the gift of the God’s sword, the nameless knight eventually witnesses the death of the sun and the end of all life on Earth. Surviving the great deluge, he is left to wander amongst the ruins of a now frozen earth under a sunless sky for eternity, alone and unable to die even by the scorching-cold blizzard winds around him, enduring perpetual physical torture while haunted by the memories of his past life and everyone he once knew buried under miles of ice.

Each of the three epic songs contained within differ widely to reflect the changing of autumn to perpetual winter. While adorned in the language of extreme funeral doom and dark ambient soundscape, ATRAMENTUS owe further debt to epic doom metal in sound and aesthetic and black metal’s anguished ferocity, but always the arc of ATRAMENTUS remains bound to the tumultuous melancholy and guttural immensity of extreme doom. Stygian is thematically tied, on different timelines, to the themes on Chthe’ilist’s latest EP and forthcoming album.

Stygian was recorded, engineered re-amped, and mixed by Xavier Berthiaume at Studio Tehom in Montreal, mastered by Greg Chandler (Esoteric, Lychgate) at Priory Recording Studios in Birmingham, and is completed with artwork by Mariusz Lewandowski (Atlantean Kodex, Bell Witch, Mizmor) and layout by Chimere Noire.

20 Buck Spin will release Stygian on LP, CD, cassette, and digital formats on August 21st. Fans of Unholy, Evoken, Worship, Mournful Congregation, Disembowelment, Skepticism, Thergothon, Esoteric, The Ruins Of Beverast, and Morgion, watch for additional audio samples, preorders, and more to be issued over the weeks ahead.

Stygian Track Listing:
1. Stygian I: From Tumultuous Heavens… (Descended Forth The Ceaseless Darkness)
2. Stygian II: In Ageless Slumber (As I Dream In The Doleful Embrace Of The Howling Black Winds)
3. Stygian III: Perennial Voyage (Across The Perpetual Planes Of Crying Frost & Steel-Eroding Blizzards)

ATRAMENTUS:
Phil Tougas – vocals, guitars
Claude Leduc – guitars
François Bilodeau – keys, dark ambient elements,
Antoine Daigneault – bass
Xavier Berthiaume – drums

https://www.facebook.com/AtramentusDoom
https://www.instagram.com/atramentusqc
http://www.20buckspin.com
http://www.facebook.com/20buckspin
https://www.instagram.com/20buckspinlabel

Atramentus, Stygian excerpt

Tags: , , , , , ,

Days of Rona: Marc Zolla of Pink Cocoon

Posted in Features on April 13th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

pink cocoon marc zolla

Days of Rona: Marc Zolla of Pink Cocoon (Montreal, Quebec)

research paper about population Nursing watch dissertation help service yahoo fsu admissions essay 2012 How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Pink Cocoon had to cancel the “Ridin’ Out West” Canada tour in April. Last remaining date (hopefully does not get cancelled) is May 8th at Casa Del Popolo in Montreal. The tour will be re-booked at a later date possible during the summer or fall 2020. A situation as such is unexpected for everyone and many bands/musicians have cancelled their upcoming tours.

We’re all healthy and doing good. My buddy Patrick Murphy (drummer live gigs) is working from home and my buddy Noah Amick (bassist live shows) in New York City is doing good.

I recently filmed a music video in NYC that will be released soon. If I waited another month to go down into USA, it would not have happened with current border restriction due to COVID-19. I’d say it was pretty lucky how this all turned out.

In 2011, Eurographics extended the Research Awards Programme by creating an additional community service involvement essay Award. The aim is to recognize good thesis work in What are the quarantine/isolation rules where you are?

The police can give you a fine of 1000$ CDN or more if you’re found roaming the streets or gathering with two or more people in public. It is recommended to work from home. You should only be leaving house to go to grocery store, hospital, pharmaprix or for essential work/services.

I cannot visit my grandparents since the youth can carry the virus and put the elderly people at risk. Everyone has to practice social distancing (minimum two metres away from other people).

Government of Canada has announced an emergency benefit of 1800$/month for those who lost their jobs due to COVID-19 and haven’t already applied for Unemployment Insurance.

Honestly, everything feels very surreal.

“It’s like the Black Plague with wifi” (some post I saw on Facebook).

Most popular site to purchase college application essay for any educational institution. Pay for the qualified customer loyalty tesco dissertation to facilitate your How have you seen the virus affecting the community around you and in music?

A lot of people in public whether at grocery stores or drive thrus seem stressed out and on the edge. There is security at every grocery store and pharmaprix with a zone to wash your hands/sanitize before going into the facility. Shopping centres are closed down. All bars, venues, theatres are closed down temporarily. Many people are saying this will continue until May 2020, although I have a feeling it might stretch out till June. Our premier of Quebec Francois Legault announced Montreal as local state of emergency. The province is reporting 2,021 confirmed cases, with 141 people in hospital, including 50 people in intensive care [as of March 30]. The numbers are escalating every day.

Self Help Groups Research Papers - Compose a timed custom research paper with our help and make your professors amazed professional writers, top-notch services What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Pink Cocoon will keep on going. The Canada tour is cancelled, although I started a quarantine cover video series on Facebook, Youtube, IG TV to entertain everyone stuck at home. It’s the minimum I can do since I can’t play a live show in person for the fans. New music is planned to be released soon.

I want everyone to take precaution when leaving your house during this time. It is serious and should not be treated as joke. Even if you’re not sick, you can put someone else at risk. There is a lot of videos online of the situation in various countries in public spaces, hospitals, etc… I won’t post them here but it’s getting real and dangerous.

To all of the musician/artist friends out there, solitude is the best place for an artist to create. You can use this to advantage to create.

Thx
-MarcZ.

www.facebook.com/pinkcocoonband/
www.instagram.com/pinkcocoonband/
www.pinkcocoon.bandcamp.com/
www.pinkcocoonband.com/

Tags: , , , ,

The Hazytones Premiere “The Hand that Feeds” Video

Posted in Bootleg Theater on February 6th, 2020 by JJ Koczan

the hazytones

Just as the skeletal hand grabs the giant floating joint and the bigger riff kicks in and the nuclear bomb goes off, that’s probably when the new video from Montreal four-piece visit here Today is a custom essay writing service, ready to support you in the battle with countless academic papers. We want you to think of us, when you're ready to scream: write my essay for me! into the open space in the middle of the night. We're the ones you can reach out to and be confident, that we won't let you down. The Hazytones most gets its message across. The song “The Hand that Feeds” is taken from 2018’s Document Read Online Best Content Writing Websites Answers Core Connections Cpm Homework Answers Core Connections - In this site is not the thesame as a solution reference II: Monarchs of Oblivion (review here) on help me write an argumentative essay What Can I Do My Essay On doctoral dissertation writing help university essay help Ripple Music and is a fitting showcase of the band’s druggy garage doom style, thicker in its riffing than some and not as lumbering as others, but able to go where it wants when it, you know, decides it’s time to move. But maybe it’ll just kind of sit around for a while instead, man. Anyway, what’s your rush?

Shenanigans ensue in the video, and hey, that’s awesome. I’m a big fan of shenanigans, and stonerly charm as presented in things like dimensional portals, skeletons, green-screen desert backgrounds, nuclear bombs and giant floating doobers is nearly always welcome as far as I’m concerned, but it doesn’t manage to outshine the hook of “The Hand that Feeds” itself, and the ability to write songs so catchy is one of  Seeking expert helping typing 'Education Phd Resume' online? We will take care of your math, physics and other homework problems for you. 100% Plagiarism-free. The Hazytones‘ most powerful assets. They’ve been through some lineup changes along the way around guitarist/vocalist Students always look for answer of please Business Plan Franchise for me at cheap price, do my essays has the right credentials to meet your expectations for essay help Mick Martel, but as they look to embark on a tour of Europe that includes an already-announced stop at get link from best custom essay writing services in the industry ranked by professionals Desertfest London — it’ll be their first time in the UK — that’s no doubt an experience that will only serve to further hone what they do in terms of style and structure.

Those dates are forthcoming, but y0u can see the premiere of “The Hand that Feeds” on the player below, followed by some more background from the PR wire, and the Bandcamp stream of the album just for the hell of it.

Please enjoy:

The Hazytones, “The Hand that Feeds” official video premiere

Ripple protégés THE HAZYTONES (psychedelic rock / MTL) deliver their trip-inducing new video “The Hand That Feeds.” The song is taken from their latest 2018 album ‘Monarchs of Oblivion’.

Formed in 2015, The Hazytones’ shadowy sound is the epitome of a “hazy tone”. The band’s black acid-drenched shock rock drips with harmonies that harken back to the trippiest of late 60’s psych and its chained-to-the brain hooks bleed with a palpable, eerie energy that surges and swings in equal measure. Live is where the band really finds its swagger, flinging themselves around the stage and converting new disciples with each and every performance. With full European and North American tours already under their belts, The Hazytones are a developing band on the rise, who delivered a sweeping salvo with the release of their substantial sophomore LP, II: Monarchs of Oblivion.

The band will announce their European tour very soon!

The Hazytones are:
Mick Martel
Gabriel Prieur
Ben Dennis
John Choffel

The Hazytones, II: Monarchs of Oblivion (2018)

The Hazytones on Thee Facebooks

The Hazytones on Instagram

The Hazytones on Bandcamp

Ripple Music on Thee Facebooks

Ripple Music on Bandcamp

Tags: , , , , , ,

Vision Eternel Finish Basic Tracks for New Release For Farewell of Nostalgia

Posted in Whathaveyou on November 19th, 2019 by JJ Koczan

I think it’s fitting for a style that is so cinematic as that of Montreal one-man melancholic drone outfit page - professional and affordable essay to ease your studying Writing a custom paper means go through a lot of stages Opt for the Vision Eternel — formerly Why http://www.eco-h.ru/?dissertation-publizieren Online? Sometimes it happens that you find yourself in a drastic situation when your essay is due tomorrow or even today. Obviously, if Vision Éternel, with the accent on the ‘e’ — haven’t just completed the recording process, they’ve “finished principal production.” Now comes ‘post,’ I guess, which I assume will not involve a CGI version of The Hulk. I like it. The session newly completed seems to have been a somewhat arduous task, with a first round scrapped and then the album, titled getting an a + paper is easy. Plagiarism Free Business Plan Analysiss with a Money Back Guarantee. Total satisfaction is our guarantee or your money back. For Farewell of Nostalgia, and put together again from the ground up. That’s a hard decision to make practically in terms of the sheer time already put in on making the thing, as well as creatively in terms of hey I just made this thing do I really want to abandon it. One more reason I dig this project.

The progress update is below. Some overdubs, mixing, mastering and whatnot and then it’s ready to go. Vision Eternel is looking for a label to call home, but I’d expect the record out in 2020, whatever way band founder Alexandre Julien ends up going with it.

The news:

vision eternel

Principal Production Has Been Completed On Vision Eternel’s For Farewell Of Nostalgia

Principal production has been completed on Vision Eternel’s upcoming release For Farewell Of Nostalgia!

After abandoning the recording session for the same release in 2018, Vision Eternel spent the entirety of October and the first half of November of 2019 re-tracking the album at Mortified Studios. A first mix has been completed and received positive feedback at a private listening session. Only a few things remain on the checklist: minor overdubs, final mixing and sequencing & mastering for the various physical and digital formats.

Each format of the release will feature a different edit and sequencing. As a concept album, it follows a complex story-line, with certain chapters that can be extended, transposed, or omitted, suiting a better listening experience to each medium. Each format will also showcase a different artwork.

Those who have heard some of the pre-production recordings that were released in 2018-2019 (Moments Of Intimacy, Moments Of Intimacy (Reprise), Moments Of Absence and Killer Of Giants) will be very surprised to hear how much better, more emotional and moving the songs have turned out after re-recording them.

More announcements will be published in the coming months as record label album-releasing deals are secured, and teasers will be posted on social media. So be sure to like and follow Vision Eternel on your platform of choice.

https://www.visioneternel.com
https://facebook.com/visioneternel
https://instagram.com/visioneternel
https://soundcloud.com/visioneternel
https://play.spotify.com/artist/52WyoEAtuPS2QJ2qYOmb6u
https://visioneternel.bandcamp.com

Vision Éternel, Sixth EP Teaser

Tags: , , , , , ,

Wykan Premiere Brigid: of the Night EP in Full

Posted in audiObelisk on June 6th, 2019 by JJ Koczan

wykan-band-photo-credit-jeremy-perkins

With a beginning of mellow guitar, Montreal blackened psych-sludge — and if such a thing was going to come from anywhere, it would come from a city with such a history of genre-meld — four-piece Wykan set the atmosphere for the centerpiece of their new EP, Brigid: of the Night. Issued by the band tomorrow with cover art from none other than David Paul Seymour, the release comprises three tracks and stands out for the short-album concept centered around the Celtic goddess named in its title. “Breo-Saighead (Triple Goddess)” is the second of the three slices, with “Imbolc (The Cleansing)” before and “Reul-Iuil Bride (Star of Brigid)” serving as the finale after, and its push into doom and black metal is underscored by a heft of tone and groove that makes the post-midpoint slowdown at about 4:30 into the total 7:31 a turn consistent with what’s come before.

That is, by that point, Wykan — vocalist Barrie Butler, guitarist Jeremy Perkins, bassist Corey Thomas and drummer Dug Kawliss — haveWYKAN BRIGID OF THE NIGHT set a pretty broad range for themselves through the opener and into the centerpiece and are as much focused on dwelling without as within the bounds of genre. Butler‘s vocals unquestionably provide a charred spin to the proceedings, but they’re by far the only forward element at play, as Perkins‘ guitar leading from one part to another in classic riff-based fashion. The band made their debut in 2018 with the Solace EP (review here), but what Brigid: of the Night and the conceptual frame in which it arrives signal is clear growth in just a year’s time and the desire to use aesthetic to tell a story as well as to be blisteringly heavy in terms of sonics. Not every band gets there at all — or wants to, I suppose — but even the ambition lends a progressive edge to Brigid: of the Night, and like the first three-tracker before it, gives Wykan another foundation to build from as they go forward toward, you know, the next one.

Perhaps clearest of all is the signal this offering sends that they will indeed go forward, and that they’re only becoming a more complex outfit as they do so.

Enjoy the full EP stream below, followed by comment from the band:

Wykan, “Breo-Saighead (Triple Goddess)” official track premiere

Jeremy Perkins on Brigid: of the Night:

To add a little bit more detail about the inspiration for this album; it’s based on the thematic for Wykan originally – a ceremonial get together – keeping in mind and heart, an atmospheric take on those three major genres I write with. Being Doom, Blackened whatever you wanna call it death or doom and Rock. This album has a deep representation in regards to my roots personally and musically touches various genres which are my inspirations. Being older Sabbath, Floyd, Hendrix, and bands like Immortal and Mayhem.

To expand on my writing for this album I used an older Ovation acoustic for the intro, a 1992 Fender Stratocaster Ultra I’ve had for 23 yrs for the intro for Song 2 and all solos and a 2018 Ibanez Prestige with high-end Dimarzio pickups for all the rest, cranked through my 15 pedals-pedalboard into a newer 5150’s head.

The transitions from the darker heavier blackened doom into soft rock and vice versa were done smoothly. I wrote most on acoustic beforehand and build. The progressiveness of Wykan continuously evolves and it feels together, feels even though you’re going from like some really soft atmospheric 70s rock beginning with an acoustic then transitioning to the black and death metalesque parts came out amazing to me on this EP and edible for the soul.

Anyone will notice, especially those reviewing this album, that its kind of a trip in itself which is what I want to do with Wykan and which is the idea a story an atmosphere a soundscape for a ceremony, in this case summoning Brigíd.

I was pleased with the overall outcome and look forward to another EP this fall.

“Brigid: Of The Night” EP is slated for release on June 7, 2019, and will be available on Bandcamp as a $1 EP or more Pay-What-You-Want download.

1. Imbolc ( The cleansing )
2. Breo-Saighead ( Triple Goddess )
3. Reul-Iuil Bride ( Star of Brigid )

Wykan is:
Guitars : Jeremy Perkins
Vocals : Barrie Butler
Drums : Dug Kawliss
Bass : Corey Thomas

Featuring guest drummer :
Simon McKay ( The Agonist ) Track 3

Wykan on Thee Facebooks

Wykan on Bandcamp

Tags: , , , , ,

The Hazytones Touring Next Month; Playing SXSW and More

Posted in Whathaveyou on February 15th, 2019 by JJ Koczan

THE HAZYTONES

Canadian trio The Hazytones will be taking their heavy psychedelic cultistry on the road next month, heading south to swing their way into Texas for a couple dates at SXSW, including the SX Stoner Jam that seems to have become the epicenter of March heavy touring in the States. To get there, they’ll make their way down the East Coast beforehand, stopping in Brooklyn and Philly en route to North Carolina — that’s about eight and a half hours in the car, by the way — and on to New Orleans and Austin from there. A couple brutal rides, it seems, but they go supporting the worthy cause of their second album, II: Monarchs of Oblivion (review here), which came out this past Fall on Ripple Music, so they should have plenty to keep them motivated along the way.

Plus it’s warm in Austin. That should help too.

They head back north via Memphis, Chicago, and Lansing, Michigan, then wrap with dates in Hamilton and Toronto before getting back to Montreal. It’s a good run, and a smart one. They’ll do well.

Dates and whatnot came down the PR wire:

the hazytones tour poster

The Hazytones tour

Formed in 2015, The Hazytones’ shadowy sound is the epitome of a “hazy tone”. The band’s black acid-drenched shock rock drips with harmonies that harken back to the trippiest of late 60’s psych and its chained-to-the brain hooks bleed with a palpable, eerie energy that surges and swings in equal measure. Live is where the band really finds its swagger, flinging themselves around the stage and converting new disciples with each and every performance. With full European and North American tours already under their belts, The Hazytones are a developing band on the rise, who delivered a sweeping salvo with the release of their substantial sophomore LP, II: Monarchs of Oblivion.

The Hazytones live:
03.08 Lucky 13 Brooklyn NY
03.09 Astromonster Records Philadelphia PA
03.10 The Milestone Club Charlotte NC
03.11 Santos Bar New Orleans LA
03.12 Kick Butt Cafe Austin TX
03.14 Spider House SX Stoner Jam Austin TX
03.15 The Mix San Antonio TX
03.16 Kick Butt Cafe Gravity Fest Austin TX
03.17 The Growlers Memphis TN
03.18 Reggies Chicago IL
03.19 Displaced Manor Lansing MI
03.20 This Ain’t Hollywood Hamilton ON
03.21 Cherry Cola’s Toronto ON

The Hazytones are:
Mick Martel – guitar/vocals
Adam Gilbert – bass/backing vocals
Antoine St-Germain – drums

https://www.facebook.com/TheHazytones/
http://www.twitter.com/TheHazytones/
https://www.instagram.com/thehazytones/
https://thehazytones.bandcamp.com/releases
https://www.facebook.com/theripplemusic/
ripplemusic.bandcamp.com

The Hazytones, II: Monarchs of Oblivion (2018)

Tags: , , , , , ,

Tumbleweed Dealer Catalog to Be Reissued; TDIII: Tokes, Hatred & Caffeine Preorder Available

Posted in Whathaveyou on January 24th, 2019 by JJ Koczan

tumbleweed dealer

I’ll admit that Tumbleweed Dealer‘s TDIII: Tokes, Hatred and Caffeine got by me when it was first released in 2016. No excuse; I keep telling you I suck at this. Fortunately, British Columbia-based Coup Sur Coup Records is stepping up to help those such as myself by reissuing the Montreal instrumental trio’s third long-player, and indeed their entire back catalog, one at a time, in limited numbers. It marks the first physical edition of the 12-track, mellow-but-still-awake strong>TDIII: Tokes, Hatred and Caffeine, and 40 tapes are being pressed. 40. Four zero. As in, preorders are up and if you want one, you might consider it time to make that happen before it’s actually out and gone.

There’s a teaser up, and you can stream all of Tumbleweed Dealer‘s multi-genre-informed fare at their Bandcamp page.

Coup Sur Coup label head Max Cayer sent the following over about the reissue program:

tumbleweed dealer tdiii tokes hatred caffeine

Tumbleweed Dealer – TDIII: Tokes, Hatred and Caffeine

Coup Sur Coup Records is proud to announce the re-issue of Tumbleweed Dealer back catalog on cassette tapes, starting with the latest release, 2016’s TDIII: Tokes, Hatred And Caffeine.

Seb and I, we go way back. Although we never played in bands together, we shared jam spaces, and funnily enough, have replaced each other in many bands. In some instances, I replaced him on bass, other times he replaced me on bass.
Same thing with Jean-Francois, we go way back. As we met in high school, and my first real “metal” band was with him, again a long, long time ago.

It was only natural that at some point we ended up working together. I’ve always enjoyed what he was doing with Tumbleweed, and always intended to invite him to release something. It took a bit of convincing, Seb not being one to do things just for the sake of it, but I’m glad he came around. I was planning on bugging him relentlessly until he would have allowed me to re-release Tumbleweed Dealer’s back catalog anyways, as it deserves to be out there in other formats than just digital. This is some pretty unique sounding music, and it deserve to be put to tape.

So, for the first time in physical format, and limited to 40 copies, that are sure to sell out. Act quick.

Assembled, dubbed, printed in Castlegar, British Columbia.

Here’s the link to the pre-order https://coupsurcoup.bandcamp.com/album/tdiii-tokes-hatred-caffeine

Tumbleweed Dealer is:
Seb Painchaud – Guitars
Miguel Valade – Bass
Jean-Francois Richard – Drums

http://www.facebook.com/TumbleweedDealer
https://tumbleweeddealer420.bandcamp.com/
https://www.facebook.com/coupsurcouprecords
http://www.instagram.com/coup_sur_coup_records
https://coupsurcoup.bandcamp.com/

Tumbleweed Dealer, TDIII: Tokes, Hatred and Caffeine reissue teaser

Tumbleweed Dealer, TDIII: Tokes, Hatred and Caffeine (2016)

Tags: , , , , , ,

Quarterly Review: BongCauldron, Black Helium, Earthbong, Sir Collapse, Alms, Haaze, The Sledge, Red Lama, Full Tone Generator, Mountain Dust

Posted in Reviews on December 12th, 2018 by JJ Koczan

quarterly-review

Not to get off topic here, but it’s December, and god damn, I hate the fucking holidays. Christmas, even if you believe in the religious significance of the day, is pure garbage. I like giving presents well enough, don’t particularly enjoy receiving them, but even if you put aside the whole “oh it’s so commercial ‘now'” thing, like there was a time anyone now living ever saw when it wasn’t, it isn’t fun. The meal sucks. It’s dark. It’s cold. The songs are fucking endless and terrible — yes, all of them — and the whole experience is just a bummer the whole way through. If there was actually a war on it, I wish they’d drop the bomb and incinerate the entire thing.

Take Thanksgiving, make it start in November and end in December. A month-long festival for the season. You can even give gifts at the end, if you want. It could be like Ramadan, or, probably more likely and much on the opposite end of the spectrum, Oktoberfest.

There. Problem solved. Have a great day, everyone. Let’s do some reviews.

Quarterly Review #71-80:

BongCauldron, Tyke

BongCauldron Tyke

Biscuit, Corky and Jay of BongCauldron return less than 12 months out from their Binge LP (review here) with Tyke (on APF), three more cuts of weed-eating, dirt-worshiping, weed-worshiping, dirt-eating sludge, fueled as ever by fuckall and booze and banger riffs — and yes, I mean “banger” as in “bangers and mash.” There’s a lead that shows up in closer “Jezus Throat Horns” and some vocal melody that follows behind the throaty barks, but for the bulk of the three-tracker, it’s down to the business of conveying dense-toned disaffection and rolling nod. “Pisshead on the Moon” opens with a sample about alcohol killing you and works from its lumber into a bit of a shuffle for its midsection before hitting a wall in the last minute or so in order to make room for the punker blast of “Back up Bog Roll,” which tears ass and is gone as soon as it’s there, dropping some gang vocals on the way, because really, when you think about it, screw everything. Right? “Jezus Throat Horns” might be offering a bit of creative progression in closing out, but the heart of BongCauldron remains stained of finger and stank of breath — just the way it should be.

BongCauldron on Thee Facebooks

APF Records webstore

 

Black Helium, Primitive Fuck

black helium primitive fuck

Oh yes. Most definitely. From the Sabbath swing behind the chugging “Love the Drugs” and the march of “Wicked Witch” through the what-would-happen-if-Danzig-was-interesting “Summer Spells” and fuzzed-out post-punk shouts of “Videodrone” en route to the nine-minute “Curtains at the Mausoleum,” London four-piece Black Helium make heavy psychedelic songcraft into something as malleable as it should be on their Riot Season debut, Primitive Fuck, holding to underlying structures when it suits them and touching on drone bliss without ever really completely letting go. Opener “Drowsy Shores” is hypnotic. The aforementioned “Curtains at the Mausoleum” is hypnotic. Even the chug-meets-effects-blowout closing title-track is hypnotic, but on the handclap-laced “Do You Wanna Come Out Tonight?” or “Videodrone,” or even “Summer Spells,” there are hooks for the listener to latch onto, life-rafts floating in the swirling tonal abyss. The truth? There isn’t a primitive thing about it. They’re not so much lizard-brained as astral-planed, and if you want a summation of their sound, look no further than their name. It’ll make even more sense when you listen. Which you should do.

Black Helium on Thee Facebooks

Riot Season Records website

 

Earthbong, Demo 2018

earthbong demo 2018

The immediate association in terms of riff is going to be Sleep. “Drop Dead,” the 10-minute first of two songs on Earthbong‘s debut Demo 2018, rolls out with pure Dopesmoker-ism and follows the model of gradual unfolding of its weedian sludge riffery. No complaints. The Kiel, Germany, trio are obviously just getting their start, and since it’s a demo and not the “debut EP” that so many otherwise demos try to position themselves as, I’ll take it. And to boot, “Drop Dead” ultimately departs its Sleepy environs for altogether more abrasive fare, with Bongzilla-style screams and an increasingly aggressive shove, the drums crashing like the cymbals did something wrong, and feedback capping into the start of “Wanderer,” which is shorter at seven minutes and opens its assault earlier, the vocals no less distorted than the guitar or bass. There’s some space in a solo in the second half, but Earthbong again twist into harsh, crusty doom before letting feedback carry them out to the demo’s finish. Growing to do, but already their violence seethes.

Earthbong on Thee Facebooks

Earthbong on Bandcamp

 

Sir Collapse, Walk to the Moon

sir collapse walk to the moon

Grunge, noise rock and Queens of the Stone Age-style melody-making collide on Walk to the Moon, the debut full-length from German four-piece Sir Collapse, sometimes on disparate cuts, like the noisy intro given to the album by “Lower Principles,” and sometimes within the same song, as in the later “Like Me.” A jangly swing in “Mono Mantra” and the Nirvana-esque hook there soon gives way to the desert-hued thrust of “One Man Show” and the early ’90s fuzz of “Happy Planet Celebration,” while “The Great Escape” leads the way into some measure of evening out the approach in “Like Me,” “Too Late,” “Hey Ben” and “The Family,” unless that’s just the band acclimating the listener to their style. Fair enough either way. Sir Collapse round out with a return to the uptempo push shown earlier, giving their first LP an impressive sense of symmetry and whole-work presentation as layers of vocals intertwine with melody alternately lush and raw, sounding very much like a band who know the parameters in which they want to work going forward. So be it.

Sir Collapse on Thee Facebooks

Sir Collapse on Bandcamp

 

Alms, Act One

alms act one

Organ-soaked Baltimorean garage doomers Alms enter the conversation of 2018’s best debut albums with Act One on Shadow Kingdom, a collection rife with choice riffing, dynamic vocals and a nuanced blend of heft and drama. That a song like “The Toll” could be both as traditional sounding as it is and still modern enough to be called forward-thinking is nothing short of a triumph, and in the stomping “The Offering,” Alms cast forth a signature chorus that stands out from the tracks surrounding without departing the atmosphere so prevalent in their work. “Dead Water” at the outset and “For Shame” build a momentum through side A that the five-piece of keyboardist/vocalist Jess Kamen guitarists Bob Sweeney (also vocals) and Derrick Hans, bassist Andrew Harris and drummer Derrick Hans expand in the second half of the record, winding up in the early gruel of “Hollowed” only to resolve the album with speedier swing and as sure a hand as they’ve guided it all along. At six songs and 33 minutes, Act One unmistakably leaves the audience wanting more, and indeed, the plot may just be starting to unfold.

Alms on Thee Facebooks

Shadow Kingdom Records on Bandcamp

 

Haaze, Swamp Mama

Haaze Swamp Mama

It is a sharp, biting 27-minute run, but Swamp Mama isn’t just thrown together haphazardly. Alberta-based sludge metallers Haaze build a song like “35 Indians” to a head over the course of a deceptively efficient 4:44, following opening track “Beast of the Bog” with a developed sense of craft underlying the outward negativity of their sound. I’ll give the band bonus points for finishing side A with a song called “Stereotypically Doomed,” but more for the crash cymbal that seems to devour the mix. There’s a trashy undercurrent to the subsequent title-track, and as it finishes its pummel, it relinquishes ground to the acoustic interlude, “The Mechanic,” which I’m just going to assume is named for the Charles Bronson movie. That of course sets up the most extreme cut included in closer “AL,” which layers fierce growls and screams atop a rhythm clearly designed for maximum assault factor. A little more metal than sludge, it nonetheless remains tonally consistent with what comes before it, giving Swamp Mama a vicious ending and a feel that’s all the more lethal for it.

Haaze on Thee Facebooks

Haaze on Bandcamp

 

The Sledge, On the Verge of Nothing

the sledge on the verge of nothing

Copenhagen four-piece The Sledge boasts the three former members of heavy rockers Hjortene in guitarist/keyboardist/vocalist Palle, drummer/vocalist Kim and bassist Claus, so while they’ve revamped their identity and gone on to add vocalist Magnus Risby — who appears here on “179 Liars” and “Yet Untitled” — perhaps its somewhat disingenuous to consider their first album under the new moniker, On the Verge of Nothing, a debut. Issued through Kozmik Artifactz, the record collects eight tracks produced by Anders Hansen (who also worked with Hjortene) and mixed by Matt Bayles, and in listening to the cuts with Risby in the lead spot, the vibe taps into a thicker take on late-era Dozer with no less righteous melodicism. That, however, is just a fraction of the total story of On the Verge of Nothing, which taps earlier desert idolatry on “Death Drome Doline” and brings in none other than Lorenzo Woodrose himself for guest spots elsewhere. People in and out of the lineup through different tracks should make the LP disjointed, but as ever, it’s the songwriting that holds it together, and one can’t discount the core band’s experience playing together as a part of that either. Debut or not, it’s an impressive offering.

The Sledge on Thee Facebooks

Kozmik Artifactz website

 

Red Lama, Dogma

red lama dogma

One tends to think of serenity and peaceful drift when it comes to Danish heavy psych rockers Red Lama, but as the seven-piece band quickly turn around follow-up to their 2018 sophomore LP, Motions (discussed here), cuts like opener “Time” and “RLP” unfold with a particular sense of urgency, the former seeming to showcase an acknowledgement of sociopolitical circumstances in Europe and beyond in a way that seems to readjust their focus. That’s a tidy narrative, but if it’s a case of priorities being rebalanced, it’s striking nonetheless. To coincide, “RLP” has a heavier roll in its second half, and while second cut “State of the Art” and closer “Tearing up the Snow” both make their way past the five-minute mark with post-rocking pastoralia and dreamy melodies, there remains a feeling of a tighter focus in the tracks that could portend a new stage of the band’s development or could simply be a circumstance of what’s included here. The next album will tell the tale.

Red Lama on Thee Facebooks

Red Lama on Bandcamp

 

Full Tone Generator, Valley of the Universe

full tone generator valley of the universe

Fronted by Andy Fernando of Don Fernando, Full Tone Generator‘s debut long-player, Valley of the Universe, nonetheless bears the unmistakable hallmark of the Californian desert — in no small part because that’s where it was recorded. Fernando and guitarist/bassist/backing vocalist Brad Young traveled to that famed landscape to record with Bubba DuPree and Brant Bjork at Zainaland Studios, only to have the latter end up playing drums and contributing backing vocals as well to the eight-tracker. Not a bad deal, frankly. The key reference sound-wise throughout Valley of the Universe is Kyuss, particularly because of Bjork‘s involvement and Fernando‘s vocal style, but the slow-rolling “I Only Love You When I’m Loaded,” 59-second blaster “No Future” and the ending jam duo of “Preacher Man” and “Never to Return” make the ground their own, the latter with some surprise screams before it bounces its way into oblivion as though nothing ever happened. They’ve got the vibe down pat, but Full Tone Generator do more as well than simply retread desert rock’s founding principles.

Full Tone Generator on Thee Facebooks

Hurricane Music on Bandcamp

 

Mountain Dust, Seven Storms

mountain dust seven storms

Keys give Montreal four-piece Mountain Dust a tie to classic heavy blues and they use that element well to cast their identity in the spirit of a post-retro modern feel, details like the backing vocals of “White Bluffs” and the waltzing rhythm held by the snare on “Witness Marks” doing much to add complexity to the persona of the band. “You Could” goes over the top in its boozy regrets, but the dramas of “Old Chills” are full in sound and satisfyingly wistful, while closer “Stop Screaming” offers a bit of twang and slide guitar to go along with its sense of threat and consuming seven-minute finish. Tight songwriting and clean production do a lot to give Seven Storms a professional presentation, but ultimately it’s the band itself that shines through in terms of performance and as Mountain Dust follow-up their well-received 2016 debut, Nine Years, they sound confident in their approach and ready to flesh out in multiple directions while maintaining a central character to their sound that will be familiar to the converted enough to be a work of genre while setting the stage to become all the more their own as well.

Mountain Dust on Thee Facebooks

Kozmik Artifactz website

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,