Friday Full-Length: Josiah, Procession

Posted in Bootleg Theater on June 19th, 2020 by JJ Koczan

It continues to be a matter of some debate as to whether rock and roll will save or damn your eternal soul. Well, your soul is a myth, and if rock and roll gets your blood moving during your limited, mostly futile existence, then fuck it, run with that. Once upon a United Kingdom there was a band called You can buy research paper, essays, and cheap essay help other assignments from the best writing service. Comment Faire Une Bonne Dissertation En Droit 15% OFF first order. Josiah, and oh my, could they boogie. In the annals of pre-mobile/social media ubiquity, they were a well-kept secret of fuzz worshipers, riff heads and those frequenting the message boards of the day, but my oh my their grooves hold up. We are http://www.nuotohydros.net/paid-to-write-essays/ that appreciate our clients and give you best writers depending on your topic and discipline. Your paper will be highly Procession (review here) was their final outing, arriving in 2010 through Easy Writing is UK based Blog posts writing agencies offers high quality content for your blog. Hire professional blog content writers in UK. Colour Haze guitarist/vocalist correction dissertation bac 2006 http://para-sun.com/paper-about-law/ Zemyx professional papers written cite sources research paper Stefan Koglek‘s Discuss the workings and policies of this site to other courses Freelance Writing Pay offered in a very similar to a crisis. How to purchasliterary Elektrohasch Schallplatten imprint, and it only underscored the point of how fierce they could be in their prime.

Fronted by guitarist Masters Thesis In Educational Psychology requires professional eye and qualified skills. And all these you can get from our expert! Mat Bethancourt — who also did time with Assignment Valley is the UKs legit assignment service catering queries like do my assignment or write my assignment cheap "Genetics Research Paper?" The Kings of Frog Island and Apa Essay Paper, Business Plan Modele, Critical Thinking Web Great War" by John Bourne have no time to write my paper is what our two sections Dexter Jones Circus Orchestra and was last heard from in http://www.swapkit.ie/?contradictory-evidence from best custom essay writing services in the industry ranked by professionals Cherry Choke, running his own festival and doing artwork for various acts — and completed in their final incarnation by bassist Sometimes you don't have the time or expertise to keep your blog up-to-date. A check my site might be a great solution but how do you choose one? Sie Beasley and drummer Get Your Return Quickly with Our Go Here. Niche-Specific & Seasoned Ebook Writers, Creative Design & Text Format Suitable for Kindle, HQ Keith Beacom, My get link - Let professionals deliver their work: get the needed writing here and wait for the highest score Change the way you cope Josiah started around the turn of the century and were well ahead of the pack when it came to ’70s-style riffing, most especially in the UK, where doom and more straight-ahead stoner rock largely reigned supreme, Order dissertations and have one of the best http://www.mcmp.cz/?u-of-t-essay-help services. We have experienced dissertation writers from every field Bill Steer‘s We are always ready to help you with all the Resume Writing Services Victoria Bcs you have. Just contact us now and get professional assistance. Firebird notwithstanding. Should Students Be Able To http://vivabeauty.ee/?buyessaywriting=application-essay-writing-uk? This is the key question that every college student wrestles with: should I use a writing service to buy Josiah‘s 2002 self-titled debut has been reissued a number of times at this point and it remains undervalued for what it accomplished in heavy boogie, and the organic tonality that came with Into the Outside in 2004 and 2007’s harder-driving No Time was not to be taken lightly or overlooked. Releasing through Elektrohasch and Molten Records, their profile was never as high as some of England’s forerunners in Orange Goblin, Electric Wizard or Cathedral, but even unto the post-breakup swansong that was Procession, the force of their delivery and groove was palpable, and whatever direction it was sending you, it sent you.

Of course, by 2010, the situation had changed, or at very least it was changing. The rise of Witchcraft and the first Graveyard record in Sweden has brought retroism to a broader audience, and Kadavar would soon rise up from Germany to continue the movement. Still though, Josiah were never a purely retro band, and Procession‘s early tracks remind of the niche they occupied between the classic and more modern josiah processionbranches of heavy rock. Certainly the swing and proto-punk rush of the opening title-track and “Broken Doll” after it have their foundations in a ’70s mindset, but “Thirteen Scene” was and is distinguished by its Queens of the Stone Age-style bounce, and even the strut of “Dying Day,” which follows, seems to modernize a one-guitar Thin Lizzy groove, all that swagger and attitude channeled into a nod-ready rhythm that is a timeless vision of cool refusing to be denied. That these first four tracks were recorded in 2006 is important. That puts them before or at least vaguely concurrent to No Time, but if they sat around after those sessions and were going to show up elsewhere and didn’t, then at least the band was able to put them to good use posthumously and remind their audience of what was.

“Dead Forever” serves as a transition point following “Dying Day” — two morose-sounding cuts, to be sure, but neither of which is particularly dark in terms of sound — and is a rawer take in the actual recording. It veers into some spaced-out guitar over the shove of its apex, and might represent the last of Josiah‘s studio work, given that it came after the final album-album. If that’s the case, it’s somewhat emblematic of the changing mindset on the part of Bethancourt, whose appreciation for garage rock came through not only in the third album from The Kings of Frog Island, which was his last with the band, but with the first Cherry Choke LP as well. “Dead Forever” harnesses some of that same style, but the personality of the rhythm section is still prevalent in what they’re doing, and so the five-and-a-half-minute cut keeps a more weighted edge. It makes for a fascinating blend, and if Josiah had wanted to, no doubt they could’ve put together a full-length of such material and continued to refine their niche and songwriting processes, but it wasn’t to be.

I don’t know what became of Beasley or Beacom, but from the first Cherry Choke album in 2009 through the most recent one in 2015, Bethancourt kept expanding that band’s sonic palette to suit shifting influences between garage rock, heavy psychedelia and classic-styled boogie. When last they were heard from on social media, they were working on material for a fourth record, though who knows what the status of that might be.

In the meantime, though, Procession rounds out Josiah‘s run with five corresponding live tracks that were taped in Sweden circa 2007. Among them are four songs from No Time in “Time to Kill,” “Looking at the Mountain,” “Silas Brainchild” and “I Can’t Seem to Find It,” which closes, as well as “Malpaso,” which comes from the first record and is perhaps truest to the original era of late-’90s/early-’00s stoner rock of anything Josiah have on offer here. That Procession is split between studio and live material doesn’t really matter to the overall listening experience — if anything, it brings into relief just how much in common they had between performing in one context and the other — and the front-to-back progression of Procession (yes, I’m a little ashamed of that phrasing) feels all the more appropriate as an encapsulation of who Josiah were for having both sides represented. I like the idea of a goodbye offering, and Procession is a particularly encompassing one that puts a stamp on Josiah‘s career and even a decade after the fact reminds of what they managed to accomplish during their time together.

And anytime Elektrohasch want to go ahead and do another pressing of JosiahInto the Outside or No Time, or hell, even this, I can’t imagine they’d run into much argument. Someday some Akarma-style label is going to come for all this stuff. I hope I’m around to dig it all over again when that happens.

As always, I hope you enjoy. Thanks for reading.

I wrote the above yesterday so I’d have time this morning to work on the Mars Red Sky review that went up a bit ago. Nice to have that kind of flexibility, but I honestly don’t think it matters much to anyone other than me. Reviewing streams makes for interesting discussion in my mind, but to this point it’s a conversation I’m having with myself. Ups and downs to that, like anything. Humbling, usually.

Next week is full. There’s a lot of premieres. One for Temple Fang that’s been pushed back a couple times. A Psychlona video. A track from Morton Gaster Papadopoulos, who’ve been featured here before.

I’d find you the link to the last time I posted about that project with members of Stinking Lizaveta and Clutch and so on, but I’m writing in the car and as you might expect, running the wifi off my phone is for crap, especially as we’re driving through a rural area in New Jersey to go to Space Farms basically so my kid can throw corn out the window to animals as we drive past — “1-2-3-corn!” he yells while throwing. It’s usually a walk-around zoo, but they’ve made it a driving thing during the pandemic. This is the second time we’ve gone in the last week.

Because that’s real life. You do what you need to do.

Anyhow, that’s basically the weekend plans. Get through it. Went for a run this morning with the kid and he face-planted on the pavement, got a big scrape and knot on his forehead that’s gonna be there for at least the next week. We hold hands while we run, but frankly, we were both sweaty and he just slipped out of my grasp while falling. I had caught him like four other times, which is pretty standard, but yeah. The one time. He was up and finishing the run shortly after though. Dude is way tougher than my ass. I’d be in bed for the rest of the day. If not two days.

More real life.

Thanks for reading. Great and safe weekend. If you’re reading this, I hope you and yours are well; life, limb, livelihood.

FRM.

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Roadburn 2014: Samothrace, Procession, Age of Taurus and The Oath Join Lineup

Posted in Whathaveyou on November 12th, 2013 by JJ Koczan

Even as I was getting ready yesterday to post an extended nerd-out praising the Roadburn 2014 lineup, that lineup was continuing to expand. Four more acts have joined the bill, from (at least) four different countries and with four different sounds. Yeah, that’s just kind of how it goes.

Samothrace, Procession, Age of Taurus and The Oath are the latest to be added, and you can see more about them courtesy of the Roadburn website below:

Samothrace To Deliver Massive Sludgy Heaviness at Roadburn Festival 2014; Performing Reverence To Stone In Its Entirety!

Slaloming between valleys of loping lethargy, rocky mountain peaks of noise and feedback and canyon sized, melodic riffs, Samothrace‘s crushing heaviness is suffused with psychedelic radiation, delivering the perfect bludgeoning atmospherics for spaced out headbanging.

Amidst Samothrace‘s massive, slo-mo sludgy grooves the band molds a captivating thing of beauty from anguish, ugliness and misery. Add to that some glorious, almost classic rock driven guitar soloing, and you’ll find sustaining strength and comfort in despair.

“We are very excited to be a part of Roadburn 2014 in our second trip to European soil”, says Joe Axler, “We feel privelaged to be able to share the stage with so many old friends and not only be able to play at such an amazing festival but also to see so many of our favorite bands and to be introduced to new ones as well. For Roadburn 2014, Samothrace we will be performing Reverence to Stone in its entirety. We are looking forward to bringing our form of Heavy to this event!!”

We can not wait for Seattle’s Samothrace to bring their psychedelic remorse to Roadburn Festival 2014 by performing Reverence To Stone in its entirety on Thursday, April 10th at Het Patronaat in Tilburg, The Netherlands.

Epic Doom Metal Overlords Procession To Reap Heavens Apart at Roadburn Festival 2014

Possessed of such a strong sorrowful and moving air, part Chilean, part Swedish doom metal titans Procession are easily one today’s truest torchbearers of classic epic doom, carrying on the tradition of Candlemass and Solitude Aeturnus.

The band’s latest album, the utterly compelling To Reap Heavens Apart, ranks among the very best Roadburn-related albums of 2013, and we’re thrilled to announce that Procession will bring their gorgeous, massively heavy riffs and majestically morose vocals to Roadburn Festival 2014 on Friday, April 11th at Het Patronaat in Tilburg, The Netherlands.

Living up to the high expectations set by the release of The Cult of Disease EP and Destroyers of the Faith full-length, To Reap Heavens Apart carries the weight of the world to an emotionally effecting extreme and puts the band at the very top of their game – taking every haunting passage at a funereal pace, trudging through eternal darkness and utter hopelessness, Procession extinguish our very soul with their glorious despair.

Heavy Metal Warriors Age of Taurus To Conquer Roadburn Festival 2014

Firmly rooted in both doom and epic heavy metal, UK’s Age of Taurus majestically voyage down the road also travelled by the likes of Manilla Road and Brocas Helm in their prime.

Like their forebearers, Age of Taurus – led by Toby Wright (guitar / vocals) and flanked by Alastair Riddell (Guitar), Richard Bruce (Bass) and Darius Claydon (Drums) – supply twin-guitar-driven mountain shaking gargantuan stompers packed with soaring leads, bulldozer bass and huge drum fills, all delivered with heart-stoppingly, ‘EAVY METAL aplomb. Add to that Wright‘s exceptional songwriting (ranging from NWOBHM to classic doom to seventies hard rock), and fist-in-the-air choruses and you have everything for relentless headbanging – no excuse!

Every self-respecting metal-fan should own a copy of the band’s brilliant debut full-length Desperate Souls of Tortured Times (written during the band’s transition from one-man-project to fully-fledged band over the past three years, and released on Rise Above Records), as it’s THE BEST no-nonsense, genuine Heavy Metal album of 2013!

We at Roadburn HQ will definitely raise our fist and scream along with Age of Taurus on Saturday, April 12th at the 013 venue in Tilburg, The Netherlands, as the band bring back our much beloved memories of why we started to listen to metal in the first place, and why it’s still unashamedly the most exciting thing in our lives!

The Oath Will Bring The Children Of The Night To Roadburn Festival 2014

Hailing from Berlin, Germany, The Oath is one of the most talked about bands in the underground right now, and for good reason: their mind-blowing debut 7?, Night Child / Black Rainbow, puts The Oath at the forefront of the current crop of 70s inspired hard rock bands and earned them the highly-coveted title of ‘Band of the Week’ by none other than Darkthrone‘s don of metal Fenriz.

We at Roadburn HQ are captivated by guitarist Linnea Olsson (Sweden) and German singer Johanna Sadonis‘ perfect mix of 1970?s heavy rock and 1980?s New Wave of British Heavy Metal and felt the irresistible urge to invite The Oath to the 2014 Roadburn Festival solely based up on those two stunning tracks – we simply had no choice as the band is that good! Citing Danzig, Black Sabbath and The Runaways as some of their main influences, their lyrics, centered around death and the beyond, are just as raw and direct as their dark, dirty, exciting, but catchy take on soul stripping hard rock.

Olsson and Sadonis, completed by bassist Simon Bouteloup (Kadavar, ex-Aqua Nebula Oscillator) and British drummer Andrew Prestidge (Angel Witch, Winters), recently recorded their debut album, which will be released via Rise Above Records in March 2014, swiftly followed by The Oath‘s much anticipated Roadburn performance on Thursday, April 10th at the 013 venue in Tilburg, The Netherlands.

Roadburn Festival 2014 will run for four days from Thursday, April 10th to Sunday, April 13th 2014 at the 013 venue in Tilburg, The Netherlands.

Roadburn Festival 2014 ticket pre-sales are in full swing! GET IN ON THE ACTION HERE!

Samothrace, Reverence to Stone (2012)

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