Days of Rona: Benjamin Rousseau of The Necromancers

Posted in Features on April 21st, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

the necromancers ben rousseau

Days of Rona: Benjamin Rousseau of The Necromancers (Poitiers, France)

aide dissertation philosophie Do My Algerbra Homework buying an apa research paper nursing research critique papers How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Each of us is at home, in good health and well surrounded. We are currently into composition and pre-production of our next album and we’ve had to postpone certain deadlines, including studio recording. For the moment, we are working remotely.

Luckily we didn’t have big tours scheduled, but obviously the few shows we had are now cancelled or postponed.

essays on gender Consultant. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. What are the quarantine/isolation rules where you are?

In France, we were hit quite quickly by the pandemic and the measures taken are drastic. Of course, we are not allowed to go outside unless absolutely necessary. A curfew has been put in place in most cities, including Poitiers, where I live. The streets are deserted and silent, it gives a special and new atmosphere, not unpleasant to compose.

http://g-x-m.de/who-can-help-you-write-a-business-plan - Stop getting unsatisfactory marks with these custom term paper advice top-ranked and cheap report to make easier your studying Opt for How have you seen the virus affecting the community around you and in music?

Fortunately, neither my friends nor my family were affected. The first ones affected in France are the hospitals and their staff.

As for the musical world, it is suspended, as everywhere. However, a lot of support and projects arise from this situation, and artists redouble their imagination to maintain a musical activity on social networks. I’m sure we’d all like to see more online Kadavar concerts.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We are doing well and working every day to write our next obscure chapter.

Take care of yourself and your loved ones, stay home.

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Review & Track Premiere: The Necromancers, Of Blood and Wine

Posted in audiObelisk, Reviews on September 26th, 2018 by JJ Koczan

the necromancers of blood and wine

[Click play above to hear the premiere of ‘The Gathering’ from The Necromancers’ Of Blood and Wine. Album is out Oct. 5 on Ripple Music.]

Affordable Resume Cover writing service dissertation live chat pay pal accounts. Hire a freelance resume writer and get your cover letter for your resume done remotely online within 24hr Of Blood and Wine is the second full-length from The latest Tweets from Do My Homework Canada (@Writer_Business). Former Business studies teacher. Passionate about the subject. In this space you will find the The Necromancers in as many years, and among its accomplishments of songwriting and aesthetic craft, what it does is to bring into focus the direction of the band. Their Did A Phd Thesis On. Our company can provide you with any kind of academic writing services you need: essays, research papers, dissertations etc Ripple Music-issued debut, best write my essay site http://www.ieslasenia.org/average-length-literature-review-dissertation/ 2014 term paper for sale thesis in physics Servants of the Salem Girl (review here), utilized many of the same stylistic elements — it’s only been a year, after all — but in hindsight was only hinting at the start of a development underway, and while it was easy to get caught up in the blend of cult rock, doom, heavy vibes and ’70s-style boogie that underscored the work of the Poitiers, France, four-piece, with the six tracks and 44 minutes of Paperhelper.org best essay service. Our service is one of the most popular Student Assignment Pinellas Countys,offers high-quality services for writing a speech. Of Blood and Wine, they showcase another aspect of their sound that was very much there all along: its forward potential. In some cases, like the swaying groove and bluesy leads in the first-half buildup of the 10-minute penultimate “Lust,” it’s a question of patience and production.

While there’s still an urgency and a tension at work, particularly in its later reaches, “Lust” is emblematic of the development in both, but from the uptempo boogie of opener “Join the Dead Ones” — adding a bit of buying a dissertation consumer http://www.alogakos.gr/masters-thesis-on-domestic-violence/ writing an admission essay university dissertation roast pig lamb Ghost in guitarist Many Students have a query,who can do my assignment for answer to your query Chemistry Help Organic To Do Your Assignment Online Tom Cornière‘s vocals during the verse before the gruff chorus takes hold, fueled by his own riffs and the deft rhythmic turns of bassist Contact our go heres world to get awesome papers written by writing experts | We guarantee attractive prices | With us, you will submit Simon Evariste and drummer If your words will be "Write Essay University Life", our response will be prompt execution of the order, its execution and the best authors sending you Benjamin Rousseau while "to buy essay", "Do my admission essay" is what you want. You can buy admission essay from us. Robin Genais‘ leads mark the transition back to the verse afterward — to the consuming fullness of tone brought forth in closer “The Gathering,” masters essay http://futablog.com/help-with-homework-assignments/ how to present a thesis proposal in a professional way dissertation writing services malaysia yahoo answers The Necromancers hone an engrossing fluidity through a graceful two-sided offering that, even more than the debut, makes their approach their own. To wit, the post- Writing An Effective Essay from professional service. We can write your paper for sale even in 3 hours. Just come here. Iron Maiden gallop and “Heaven and Hell” bassline in second track and longest cut “Erzebeth” (12:41) combine with Cornière‘s melodic and shouted vocals and the general warmth of tone in the recording to create something classic in its root but thoroughly modern in presentation.

One gets the sense that these will only continue to become key elements The Necromancers‘ collective sonic persona, but rather than let the listener speculate on where they might go, Of Blood and Wine demands attention in the now, “Erzebeth” stomping toward its midsection beneath a switched-on plotted solo from Genais that leads to proggy shuffle in an instrumental jam and one of the record’s more fervent thrusts. It’s not until nearly 10 minutes in that the vocals return, and from their spoken comeback, The Necromancers cleverly make their way back to the hook to close out and give way to the quiet 2:39 brooder of a title-track, a showcase for Cornière‘s emergence as a frontman — a not insignificant subplot to the album — and a demonstration of the diversity of approach in the core of their songwriting. It is much to their credit that Of Blood and Wine flows as easily as it does, and that they never seem out of place through their stylistic changes or to lose the overarching atmosphere that’s so crucial in tying the songs together.

the necromancers

To an extent, side A and B mirror each other. Both begin with an upbeat 5:44 kick in “Join the Dead Ones” and “Secular Lord,” though the latter dispenses with the first-minute album-intro-style riff in favor of a more immediate push, and then move into longer fare with “Erzebeth” on side A and “Lust” on side B. It’s in the third cut on each side that the real departure happens, since side A rounds out with “Of Blood and Wine” and side B caps with “The Gathering”‘s seven-minute doomery, making its way with due moodiness and a bit of subtlety to the final payoff of the entirety, with extra impact seeming to come from Rousseau‘s bassdrum and Evariste‘s low end as they stomp noisily out, ending with a horror sample of chains and screams and a ringing bell. Witch burning? It would be on theme, if nothing else. Either way, that conclusion comes after The Necromancers find their most active swing on “Secular Lord,” with its catchy central riff and adrenaline-fueled build in the second half, the band leaving behind some of their ’70s-ism in favor of harder-hitting push.

There’s room in “Lust” for both sides to come together, but it’s important again to consider the fluidity with which the band execute their material. They’re not in a rush, and they’re never really still, even on the title-track, but with an excellent sense of tempo and rhythmic motion, they build a momentum in fast and slow, loud and quiet movements that allows for the exploration in the middle third of “Lust” to have a context beyond itself, so that it’s not necessarily about indulgence so much as expanding the atmosphere of the album as a whole. It also serves in its emergent and fleeting heft as a precursor to what the closer has on offer, and one can hear again how the pieces tie to each other as “Lust” hits its climax with a last chorus and “The Gathering” creeps its way in with a first minute not entirely dissimilar from what started “Join the Dead Ones” before its full nod unfurls, topped with chants and turning to a spacious verse that trades back to the full-boar riff and chanting as a kind of semi-hook.

Much of the second half of the finale is given to the capstone movement, and rightly so. When one considers Of Blood and Wine as a whole work, its end in the final three or four minutes of “The Gathering” is nothing if not earned, and it underscores just how clearly The Necromancers intend that the album should be taken in its entirety. I said earlier that one doesn’t want to speculate about where they’ll go sonically their next time out, and I stick by that as they could develop in any number of directions, but a central achievement of their sophomore offering is that it brings their influences together into a cohesive, malleable oneness that is theirs almost entirely, while also highlighting the potential unfolding in their craft. That one should think of their future prospects while hearing these songs is something in itself, but more important is the realization that The Necromancers are already beginning to bring that potential to fruition.

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The Necromancers Stream “Secular Lord”; Of Blood and Wine out Oct. 5; Tour Dates Announced

Posted in Whathaveyou on September 19th, 2018 by JJ Koczan

the necromancers

Multi-pronged update from busy French four-piece The Necromancers. They’ll follow-up their 2017 Ripple Music debut, Servants of the Salem Girl (review here), and the copious touring they did thereby, with Of Blood and Wine, from which a new single is streaming now. The album is out Oct. 5 and the band will begin their next road stint with a release show in their hometown of Poitiers, France, from where they’re set to head out to Germany, Poland, Croatia and beyond to mark the record’s arrival. The tour, naturally, is presented by Sound of Liberation.

You can hear the cult rock elements still present in “Secular Lord” — the new single streaming at the bottom of this post — but The Necromancers sound more confident overall. Listen to how they give the lead guitar room to work in the second half of the track and how easily the crash behind the winding, stomping apex seems to flow with the soaring solo overtop before they turn back to the last verse. These guys had some potential in the debut, and I haven’t heard the whole record yet, but it’s possible they’re starting to bring it to fruition on Of Blood and Wine. We’ll see in less than a month, I guess.

From the PR wire:

the necromancers of blood and wine

French heavy psych quartet THE NECROMANCERS return with new album + European tour dates | Stream and share new single ‘Secular Lord’ now!

Drawing on antiquated inspirations in mythology, religion, fantastical tales from European literature and an obsession for classic horror cinema, The Necromancers are a curious alliance of musicians, and together are a strange beast to behold.

Following on from the release of their debut album last year on Ripple Music, the French quartet return with the first taste of their eagerly awaited follow up, Of Blood and Wine, with ‘Secular Lord’; a song about which explores the legend of Vlad ‘The Empalor’ Tepes. Experimenting with progressive rock, heavy psych and the 70s pagan/proto-metal of bands like Black Sabbath and Coven, they take these influences, throw in the urgency of NWOBHM and douse the entire lot in lysergic illusions. All with a mind to create an album a sound for ages.

After a very successful tour last winter with Swiss psych rock legends Monkey 3, The Necromancers take to the road for a European tour with Belzebong, kicking off with an album release show at Le Cluricaume in their hometown of Poitiers. (For the full list of dates see below.)

“The band is still young,” explains vocalist and guitar player Tom Cornie?re. “We never would have thought of signing with a label like Ripple. We could hardly have hoped for better. It’s an honour and a surprise. Now, we are looking forward to the tour and to be able to share our album wherever we can.”

Of Blood and Wine by The Necromancers is released on 5th October 2018 on Ripple Music.

TRACK LISTING:
1. Join The Dead Ones
2. Erzebeth
3. Of Blood And Wine
4. Secular Lord
5. Lust
6. The Gathering

TOUR DATES:
24.10.2018 – Poitiers – Le Cluricaume (Release Show), FR
26.10.2018 – Montpellier – Le Black Sheep, FR
27.10.2018 – Lyon – Le Grand Incendie #3, FR
28.10.2018 – Altkirch – Le Domaine, FR
08.11.2018 – Dresden – Beatpol, D
10.11.2018 – Krakow – Soulstone Gathering, PL
12.11.2018 – Budapest – Dürer Kert, HUN
13.11.2018 – Zagreb – Vintage Industrial Bar, CRO
14.11.2018 – Ljubljana – Koncertna Dvorana Rog, SI
15.11.2018 – Innsbruck – Heavy Psych Sounds Fest, A
16.11.2018 – Leipzig – Werk 2, D
17.11.2018 – Strasbourg – La Laiterie, FR
18.11.2018 – Paris – La Maroquinerie, FR
19.11.2018 – Rennes – Le Mondo Bizarro, FR
20.11.2018 – Bordeaux – Make It Sabbathy 50th, FR
21.11.2018 – Barcelona – Rocksound, SP
22.11.2018 – Toulouse – Les Pavillons Sauvages, FR
24.11.2018 – Bologna – Freakout, IT
25.11.2018 – Milano – VVitch Festival, IT
26.11.2018 – Munich – Feierwerk, D
27.11.2018 – Utrecht – DB’s, NL
28.11.2018 – Brussels – Magasin 4, B
29.11.2018 – Cologne – Helios 37, D
30.11.2018 – Berlin – Zukunft Am Ostkreuz, D
01.12.2018 – Osnabrück – Westwerk, D
02.12.2018 – Freiburg – Slow Club, D

THE NECROMANCERS:
Tom Cornière – Vocals, Guitar
Robin Genais – Lead Guitar
Simon Evariste – Bass Guitar
Benjamin Rousseau – Drums

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The Necromancers, “Secular Lord”

The Necromancers, Servants of the Salem Girl (2017)

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The Necromancers Tour Starts Sept. 19; Playing Up in Smoke & Keep it Low

Posted in Whathaveyou on August 25th, 2017 by JJ Koczan

We’re just about a week removed from the release of the debut album from The Necromancers, Servants of the Salem Girl, via Ripple Music, and hey, no time like the present for the French outfit to announce a European tour supporting the record. They start out Sept. 19 in their native Poitiers and are go-go-go from there, making their way across France, Belgium, the Netherlands, Switzerland and Germany as support for Swiss-based progressive instrumentalists Monkey3. Good gig to get, and all the better since their tour also includes slots on the Up in Smoke and Keep it Low festivals, where no doubt they’ll be in top form, having just spent the prior week-plus on the road. Seems like they’re doing it right on all the way through.

The PR wire has background and whatnot, and if you haven’t heard Servants of the Salem Girl, it’s streaming in its entirety at the bottom of this post. Please feel free to dig in:

the necromancers

THE NECROMANCERS: French heavy psych quartet announce European tour with Monkey3 | Debut album out now on Ripple Music

Drawing on antiquated inspirations in mythology, religion, fantastical tales from European literature and an obsession for classic horror cinema, The Necromancers are a curious alliance of musicians, and together are a strange beast to behold.

Experimenting with progressive rock, heavy psych and the 70s pagan/proto-metal of bands like Black Sabbath and Coven, they take these influences, throw in the urgency of NWOBHM and douse the entire lot in lysergic illusions. All with a mind to create a debut album for the ages.

Having performed at many of Europe’s largest metal and rock festivals the band also toured Europe recently with London-based stoner rockers Elephant Tree and are set to embark on a short tour this year with Monkey 3.

“The band is still young,” explains vocalist and guitar player Tom Cornière. “We never would have thought of signing with a label like Ripple. We could hardly have hoped for better. It’s an honour and a surprise. Now, we are looking forward to the next tour and to be able to share our album wherever we can.”

Servants of the Salem Girl by The Necromancers is out now via Ripple Music on limited edition, multi-coloured vinyl and worldwide in a black vinyl edition, as well as on CD and digital.

Tour Dates:
19th Sept – Le Zinc – Poitiers (FR)
20th Sept – Le Ferailleur – Nantes (FR)*
21st Sept – Backstage – Paris (FR)*
25th Sept – Magasin 4 – Brussels (B)*
26th Sept – Hafenklang – Hamburg (D)*
28th Sept – Burgerweeshuis – Deventer (NL)*
29th Sept – Cadillac – Oldenburg (D)*
30th Sept – Vortex – Siegen (D)*
1st Oct – Nachtleben – Frankfurt (D)*
2nd Oct – Muz – Nürnberg (D)*
3rd Oct – 7er Club – Mannheim (D)*
4th Oct – Scheune – Dresden (D)*
7th Oct – Up In Smoke Festival – Pratteln (CH)
17th Oct – L’Usine – Geneva (CH)
22nd Oct – Keep It Low Festival – Munich (D)
*With Monkey3

The Necromancers:
Tom Cornière – Vocals, Guitar
Robin Genais – Lead Guitar
Simon Evariste – Bass Guitar
Benjamin Rousseau – Drums

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The Necromancers, Servants of the Salem Girl (2017)

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The Necromancers Premiere “Black Marble House” Video; Servants of the Salem Girl Due Aug. 18 on Ripple Music

Posted in Bootleg Theater on June 13th, 2017 by JJ Koczan

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French four-piece The Necromancers have set an Aug. 18 release for their debut album, Servants of the Salem Girl, via respected purveyor Ripple Music, and even if it’s about witches, they manage to avoid many of the trappings of modern cult rock. To wit, they sound like neither the garage doom of Uncle Acid nor the retrofied boogie of Graveyard — and when it comes to what we’ve come to associate with cult rock, those are two considerable monoliths to avoid (even though Graveyard are just about in no way a cult rock band). The track “Black Marble House,” for which you can see a new video premiering below, is my first exposure to the Poitiers-based outfit, and it finds their sound modern, heavy, fuzzy and deceptively straightforward given their purported lyrical thematic.

One might be tempted to call that incongruity were it not for the obvious core of songwriting on display beneath the crisp production of “Black Marble House,” which allows The Necromancers to immediately take the track where they please, adding a gruff edge of aggression to the hook as they shove through the five-plus minutes over which they tell this portion of a story that, presumably, takes place over the course of the album as a whole. August is a ways off, and I haven’t heard the entirety of Servants of the Salem Girl as yet — and that’s not me being coy; I actually haven’t heard it — but as an introduction to what The Necromancers might proffer at least in part sonically throughout, “Black Marble House” piques interest and at very least gives those who’d take it on a chorus to have stuck in their head until more info and/or audio arrives.

The band offered some insight on the song and how it plays into the full record, which you’ll find under the player here along with the credits and other whatnot.

Please enjoy:

The Necromancers, “Black Marble House” official video

The Necromancers on “Black Marble House”:

“‘Black Marble House’ is the first song we recorded as a demo, and when we shot the video (which tells a witch hunt that goes wrong for the Witchfinder), we mostly wanted to release something that could illustrate the whole album we were working on, Servants of the Salem Girl. The ‘Salem Girl’ is a presence who haunts all our songs, taking different names, symbolising different things, but always floating around. It was important to us to have something not just based on the lyrics of ‘Black Marble House.'”

Taken from THE NECROMANCERS’ debut album ‘Servants Of The Salem Girl” out on Ripple Music on August 18th.’

Directed and edited by Tom Cornière-David.
Filmed by Pauline Foeillet.
Starring : Marie Besiat, Antoine Alonso, Hugo Pravia, Andolin Vermillet & The Necromancers.

The Necromancers are:
Rob – Lead Guitar
Tom – Lead Vocals & Guitar
Simon – Bass Guitar
Ben – Drums

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