The Obelisk Radio Adds: Formes, Romero, Bellringer, Wizard Eye, Lewd Flesh and Red Mess

Posted in Radio on January 9th, 2015 by H.P. Taskmaster

the obelisk radio

Usually I approach doing a batch of radio adds with some trepidation — after all, I’m basically writing five (or, in this week’s case, six) short reviews — but after doing that Last Licks series last week, this honestly feels like a breeze. Perspective is everything, and to add to yours and mine, I’ve got 18 records joining The Obelisk Radio playlist this afternoon, and it’s a widely varied bunch, both in what’s written up here and the actual makeup of the stuff.

Full-lengths, EPs, splits, a live release, a single, some doom, some black metal, some heavy rock, sludge, psych, you name it. I had the radio going for a while yesterday and heard a few really satisfying changes in style. I like that and I hope you do too, because I don’t think it’s going to change anytime soon. Full list of adds is on the Updates and Playlist Page.

The Obelisk Radio adds for Jan. 9, 2015:

Formes, Dysphoria Part 1

formes dysphoria part 1

For an album that starts “Through this Hole” and finishes in “Dead Ends,” Formes‘ Dypsphoria Part 1 is a resoundingly progressive and diverse outing that, at its core, works primarily in playing shoegaze psych and extreme metal off each other. Somewhere between Dead Meadow and Akercocke, a song like “Dead Ends” finds a way to mesh wub-chug riffing with the crooning vocals of guitarist/bassist Steve McNamara with the responding death growls of his brother, drummer/guitarist Jordan. The UK three-piece is rounded out by Rob “The Alchemist” Hemingway, whose synths feature heavily in songs like “I am Nothing” and “Tumult,” which atmospherically expand on the ideas the opener presents, thrusting these two sides into the same place and, in defiance of what are generally thought of as the physics of genre, making it work. Formes‘ most effective moments are when they ram one into the other, as on the acoustic-to-doom-pummeling “Smile Club,” which follows quietly seething brooder “I Will Make You Ill” and rounds out with an extended whistle of harsh feedback, but I won’t discount the value they clearly place on structural variety either. Together, they make Dysphoria Part 1 as satisfying as it is unpredictable, and while I don’t know when one might expect Part 2 or just how many installments of Dysphoria there might be, I look forward to when I can next encounter the fruits of Formes‘ stylistic restlessness. Formes on Thee Facebooks, on Bandcamp.

Romero, Gold for the Hunt

romero gold for the hunt

Madison, Wisconsin, sludge poppers Romero made a New Year’s present out of “Gold for the Hunt” by offering the song as a free download on Jan. 1, but it’s also the first new studio material to come from the four-piece since their early 2013 full-length, Take the Potion (review here). Like that album, the single revels in a Floor/Torche influence, but seems to delight even more in its fuzzy tone and burly edge in the vocals of guitarist Jeffrey Mundt and drummer Ben Brooks. With the foundation of Patrick Hotlen‘s bass rumbling beneath, the guitar and vocals push through a tension-release chorus and into a well-layered chugging bridge that further highlights Romero‘s penchant for melodic bellowing. Guitarist/percussionist/organist Tim Consequence seems all but absent initially, but in the final movement, a sustained current of organ winds up as one of “Gold for the Hunt”‘s most distinguishing factors. Well, that and the brutal growing, anyway. Glad to hear from Romero, even in so abbreviated a manner. If you’ve never encountered them before, “Gold for the Hunt” provides a quick, efficient summary of their approach, and if you heard Take the Potion, the new song will only make you further anticipate the follow-up. Romero on Thee Facebooks, on Bandcamp.

Bellringer, Bellringer EP

bellringer bellringer ep

Based in the weirdo haven of Austin, Texas, newcomer trio Bellringer – for whom this untitled/self-titled, self-released EP is the first outing — boast a familiar face (or at least a familiar cowboy hat) in guitarist/vocalist Mark Deutrom (Clown Alley, peak-era Melvins), who’s joined by bassist Corey Cottrell (ex-Megazilla) and drummer Craig Nichols (Guided by VoicesThe Breeders) on these four tracks. The sound, while adventurous stylistically and in terms of the construction of individual parts, is rooted in heavy rock, opener “Vapor Lock,” a catchy number like “Wait” and the instrumental chorus of “Von Fledermaus” reminding some that, yes, Deutrom was the bass player on Stoner Witch, but particularly in the latter an even more resonant impression comes across like Masters of Reality‘s blend of pop and heavy rock oddness. That vibe continues on the nine-minute psych-jam closer “The Burning Gift,” which brings Deutrom‘s vocals forward and works in keyboard arrangement flourish, bell sounds, string sounds and various melodic volume swells to underscore the point that, even on Bellringer‘s introduction, pretty much anything goes if it works. So be it. The world needs more experimental rock that doesn’t forget there are two sides to that equation, and Bellringer seem to come out of the gate ready to gleefully tip the scales one way or the other. Bellringer on Thee Facebooks, on Bandcamp.

Wizard Eye, Riff Occult Live

wizard-eye-riff-occult-live

If, like me, you’ve been itching to get a handle on some new music from Philly’s theremin-laced, golly-these-guys-need-to-get-a-new-record-out stoner doom trio Wizard EyeRiff Occult Live should do the trick. All but two of the tracks — “On the Banks of a River” and the meshed-together “Gravebreath/Say No More” — come from the riffy three-piece’s forthcoming sophomore outing, and while it’s definitely a live record, the dense fuzz and nod-ready roll that guitarist/thereminist/vocalist Erik Caplan, on-a-first-name-bassist Dave and drummer Mike Scarpone conjure wins out anyway on cuts like “Drowning Daydream” and “Flying/Falling,” Scarpone‘s kick drum a pop in the low end while Wizard Eye ooze their way through one Sabbathian jam into the next. Opener “Eye of the Deep” sets a tone for extended solos and thick groove, and Wizard Eye do not falter from that path as the set makes its way to the 11-minute final jam, each riff arriving, kicking ass, and moving on in well-purposed succession. Riff Occult Live doesn’t entirely sate the anticipation for a new album, but it certainly doesn’t hurt either. Wizard Eye on Thee Facebooks, on Bandcamp.

Lewd Flesh, Op I Røven, Dø I Smerte

LEWD FLESH - OP I RØVEN, DØ I SMERTE

Marked out immediately by the echoing, over-the-top bluesy vocals of Malene Pedersen, Copenhagen heavy rockers Lewd Flesh make their Spaghetti Casetti Records debut with the Op I Røven, Dø I Smerte 7″, bringing together the two songs “Acid Rider” and “Lewd Troves” to give a professional, crisp first impression across two sides and about 11 minutes. Guitarists Nanna Braunschweig Hansen and Casper Nilsson, bassist John Madsen and drummer Jakob provide the backdrop for Pedersen‘s rocked-out vocal thrust on “Acid Rider,” and more ’90s-style cues are taken on “Lewd Troves,” the wailing guitars offering a flourish of noise influence to coincide with the band’s straightforward production. It is their first outing, and two songs, and it’s a raucous start to make, but there’s room to grow as well in Lewd Flesh‘s hammering out their balance of grunge, noise and heavy rock impulses and figuring out where to place the vocals in the mix. To the credit of both the band and the release, Op I Røven, Dø I Smerte sounds both smoothly produced and on-stage energetic, and hopefully they can keep that spirit intact as they continue to grow. Lewd Flesh on Thee Facebooks, on Bandcamp.

Red Mess, Crimson EP

red mess crimson

Familiar riffs abound on Red Mess‘ debut EP, Crimson, and the Brazilian trio give due reverence to the likes of Sabbath and Goatsnake, but it’s the rougher, semi-retro presentation that draws the listener into the atmosphere created by guitarist/vocalist Thiago Franzim, bassist Lucas Klepa and drummer Douglas Labigalini over the four tracks/22 minutes. There’s something theatrical in Franzim‘s vocals to opener “Trapped in My Mind” that also give a classic Alice Cooper Band feel to the proceedings as well, and that’s really just one element of heavy ’70s worship that continues on “Hole” and the subsequent, motor-ready “Stoneage Coopers,” but they save the best for last in 5:30 closer “Through the Trees,” which offsets Graveyard-style subdued blues noodling with heavy rock thrust, a highlight performance from Klepa alongside Labigalini‘s swinging cymbal and tom work, and an engaging build throughout. They’re feeling their way through developing their sound, and that’s exciting to hear since the three-piece already has some considerable chemistry between them. Hopefully they’re able to take lessons from Crimson – named, apparently, in homage to a classic prog influence — and move forward as they discover where they want to go and how they want their songs to take them there. Red Mess on YouTube, on Bandcamp.

Had to get that sixth one in there, and not just because it frees up another space on my desktop. The idea behind doing adds like this isn’t just to remind people there’s a radio component to this site. That’s part of it, sure, but the bigger agenda here is to hopefully give you another opportunity to check out music you might dig. That’s why the audio is right there under each review. I sincerely hope something above piques your interest and that you also share it with someone you think will enjoy.

Thanks as always for reading and listening.

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Ruby the Hatchet to Release Valley of the Snake Feb. 24

Posted in Whathaveyou on January 6th, 2015 by H.P. Taskmaster

ruby the hatchet

That most-anticipated-for-2015 list just keeps growing, and today, Philly five-piece Ruby the Hatchet make an entry with the impending Feb. 24 release of their Tee Pee Records debut long-player, Valley of the Snake. The cover art and tracklisting have just been posted for the album, for which Ruby the Hatchet have booked a trio of quality NYC gigs to support in Feb. ahead, presumably, of other live plans to be revealed. Their prior single, Eliminator, was released last Feb. on 7″ and tape, and like that single, the new album features cover art from Adam Burke.

Details off the PR wire spread blue cheer:

ruby the hatchet valley of the snake

RUBY THE HATCHET to Release New LP Valley of the Snake February 24

Philadelphia Psych Metal Group Unveils New Album Details

Philadelphia psychedelic doombringers RUBY THE HATCHET are one of heavy music’s finest on-the-rise bands. The critically acclaimed psych metal group will release its new album, Valley of the Snake, on February 24 via Tee Pee Records. The hotly-tipped quintet recorded the new LP at Retro City Studios in Germantown, PA.

RUBY THE HATCHET’s music fuses the sinister tactic of brainwash with blistering riffs and the rebellious mood of sorcery, re-imagining a different path for metal. Evoking a decade’s worth of maturity gained in just a few short years, the genesis from the band’s 2011 self-titled EP to present day has been nothing short of stunning. Valley of the Snake is a six song journey; a fantastical trek with huge, blistering tracks that journey over peaks and valleys and ditches and oceans before leaving you spinning. Seething and spitting, RUBY THE HATCHET hammers behemoth waves of dogma and doom, merging precision and patience with a sinister foot-stomping, head-bobbing power. Vocalist Jillian Taylor’s serpentine vocals, scene-stealing howls and macabre lyrics conjure holistic atmospheres over swollen grooves that grow and flow in circles and waves. Guitars crunch, wail and burn.

Heavy-handed and hypnotic in equal parts, RUBY THE HATCHET creates the perfect shape shift between psych density and metal grandiosity, representing something utterly imposing; primeval and oppressively heavy while maintaining a level of breathless intensity over the course of the full album. This hex is for you.

RUBY THE HATCHET Valley of the Snake Track listing:
1.) Heavy Blanket
2.) Vast Acid
3.) Tomorrow Never Comes
4.) Unholy Behemoth
5.) Demons
6.) Valley of the Snake

* Valley of the Snake is available for pre-order purchase now: iTunes / Amazon.

RUBY THE HATCHET live dates:

February 5 New York, NY Saint Vitus (w/ Danava, Natur, Dirty Fences)
February 14 New York, NY The Acheron (w/ Joy)
February 17 New York, NY Cake Shop (w/ Joy, Carousel)

https://www.facebook.com/rubythehatchet
http://instagram.com/rubythehatchet
https://twitter.com/rubythehatchet
http://rubythehatchet.tumblr.com/

Ruby the Hatchet, Eliminator 7″

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Wizard Eye Announce Management Deal and Release Live Album

Posted in Whathaveyou on December 24th, 2014 by H.P. Taskmaster

wizard eye

Underrated Philly riffers Wizard Eye are gearing up to play the Feast of Krampus this weekend in their hometown and Brooklyn alongside Wino and Sixty Watt Shaman and others, but in the meantime, the three-piece have announced a new management deal with 313 Inc. (Sixty Watt ShamanOrder of the Owl, etc.) and released a new live album for pay-what-you-want download called Riff Occult Live. Pretty busy week, but if Wizard Eye are sending out 2014 with a bang — or perhaps a rumble, given their tones — one can only hope that portends an active 2015 around the release of their new album, Thunderbird Divine.

Word came down the PR wire as follows:

wizard eye riff occult live

Wizard Eye Signs With 313 INC Artist Management; New Live Release Now Available on Bandcamp

Philadelphia psychedelic doom trio, Wizard Eye (https://www.facebook.com/wizardeye), has just announced its recent partnership with Connecticut-based 313 INC Artist Management (www.ThreeThirteenInc.com). The company’s key manager, Scott Harrington, is excited to be involved with the band.

“Sometimes you hear something that makes your heart rate jump and the little hairs on your neck stand straight up,” Harrington says. “For someone in my line of work It’s instinct telling you, ‘Damn, these guys are on fire… And we have to work with them!’

That sums up the first time I heard the giant riffs that spilled out of this killer trio. Fast forward a few months of intense negotiations, and we are proud as all hell to have Wizard Eye a part of the 313 INC Artist Management family.”

The band feels adding a management component to its strong catalog of material and its engaging live performances will help create a new level of awareness and build new opportunities for its future.

“Scott and 313 INC have a genuine interest in our music and our success, and we look forward to seeing what we can do as a team,” says Erik Caplan, guitarist/vocalist of Wizard Eye.

As a complement to this new signing and in anticipation of the band’s upcoming release,Thunderbird Divine, Wizard Eye has released a free live album, Riff Occult: Live, on Bandcamp.com. This set was recorded at The Balcony at The Trocadero in Philadelphia August 9, 2014, and it is available at https://wizardeye.bandcamp.com/album/riff-occult-live

Catch Wizard Eye’s final performances of 2014 at The Feast of Krampus (https://www.facebook.com/theFeastOfKrampus)
12/27 at Underground Arts (Philly): http://tktwb.tw/1ytK6ko
12/28 at Saint Vitus Bar (Brooklyn): http://ticketf.ly/1ub6PLB

https://www.facebook.com/wizardeye
https://wizardeye.bandcamp.com/album/riff-occult-live
www.ThreeThirteenInc.com
https://www.facebook.com/theFeastOfKrampus

Wizard Eye, Riff Occult Live (2014)

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Crypt Sermon Stream “Heavy Riders” from Debut LP Out of the Garden

Posted in Whathaveyou on December 2nd, 2014 by H.P. Taskmaster

crypt sermon

Philly doom five-piece — yeah, there’s four in the pic above, but take my word for it that there are five guys in the band — Crypt Sermon are getting ready to put out their debut album, Out of the Garden, on Dark Descent Records. Their first long-player follows Dark Descent‘s release of their Demo MMXIII (review here), which was one of my favorite short releases of 2013, and they’ve just made the song “Heavy Riders” available to stream as the first public audio from the record. That’s cool enough on its own for me to want to post about it, but Out of the Garden adds even more intrigue via its cover art, which was painted by vocalist Brooks Wilson and matches form with the band’s grand style.

Click to enlarge that, and check out the album info and “Heavy Riders” below:

crypt sermon out of the garden

CRYPT SERMON: Philadelphia Epic Doom Cult Debut a New Track from ‘Out of the Garden’

Philadelphia-based doom powerhouse CRYPT SERMON released its stunning first demo via underground tastemakers Dark Descent to wide critical acclaim, and have now debuted a new track from its upcoming darkened offering. “Heavy Riders” is currently streaming on Soundcloud and on Youtube—let the power of true doom compel you!

The project itself is new, but the musicians behind it have spent combined decades honing their skills and perfecting their vision. Crypt Sermon features members of Ashencult, Hivelords, Infiltrator, Trenchrot, and Labyrinthine. Drawing heavily upon Solitude Aeturnus, Candlemass, Mercyful Fate, and Dio-era Black Sabbath, Crypt Sermon amalgamizes the absolute best of traditional heavy metal and doom metal. Its members focus on excellent musicianship and well-crafted songs. They truly care about writing heavy riffs and killer solos – not just tuning their guitars low.

In the early days of 2015, the band will release their debut-full length, Out of the Garden, on CD/LP/digital format through Dark Descent once more. The breathtaking cover art was painted by the band’s vocalist Brooks Wilson.

CRYPT SERMON is:

Brooks Wilson – Vocals
Steve Jansson – Lead and Rhythm Guitars
James Lipczynski – Rhythm Guitars
Mellor – Bass Guitar
Enrique Sagarnaga – Drums

Crypt Sermon on Bandcamp
Crypt Sermon on Facebook
Dark Descent Records Website
Dark Descent Records on Facebook

Crypt Sermon, “Heavy Riders”

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Fall Tour Pt. 18: Kings Destroy, Bang and Radio Moscow, Philadelphia, PA, 10.30.14

Posted in Reviews on October 31st, 2014 by H.P. Taskmaster

johnny brendas

Even before I get to liking these bands, I’m biased on this show because both of the city and the venue. If you want to save some time reading, the short version is good times were had. I’ve seen some cool shows at Johnny Brenda’s, was more than a little bummed when Om recently rolled through and I couldn’t be there for it. That show was sold out and so was this one, with Pentagram returning to Philadelphia for what will be their last show in town before they go and record their next album. Traveling with Kings Destroy, we had to head Kings Destroy (Photo by JJ Koczan)out early, so I didn’t get to see them headlining, but caught Bang and a decent portion of Radio Moscow, and by the time Bang went on, second after Kings Destroy, the place was already packed out. One does not image it became less so as the evening wore on.

I had a weird, vegged out moment at the start of Kings Destroy‘s set. They kicked off this time with “Smokey Robinson,” and I was taking pictures from the balcony at Johnny Brenda’s, and I guess I just went on autopilot. My version of tour mode, maybe. It was a couple minutes before I sort of snapped back to consciousness, and I made my way downstairs from the balcony for “Turul,” which was also jumbled in the set, Kings Destroy (Photo by JJ Koczan)pushed much earlier than where it might usually appear. That song came to embody a lot of the character of last year’s A Time of Hunting LP for me, its unabashed strangeness and creepy feel standing in for how that material shifted outside the more straightforward riffy doom of the first record. Live, Kings Destroy always seem to revel in it, holding out the hits that slam down for the verse.

“Old Yeller” closed again, which I think works well, and “Mr. O” continues to reside comfortably toward the middle of the set, blindsiding people who think by then that they have the band figured out. With the added off-color element of the dude up front wearing one of those creepy horse masks and Steve Murphy‘s Clamfight shirt with “CENSORED” taped over the vagina-esque tentacle monster there featured, the vibe was pretty loose and where some of the bigger spots on the tour have seemed to kind of become Bang (Photo by JJ Koczan)events, this was just a show. It was kind of a relief, to be honest with you. I don’t know how many people showed up to Johnny Brenda’s in relation to how many were at the Soundstage the night before, but it seems like the tallies were probably close, and in the smaller room, it made for a much better mood all around. Sold out show. Hard to beat that in any size space.

Even if it means you’ve got just about nowhere to go. Bang went on second and ran through their set. It’s not their first time playing Philly since their reunion started, and they were treating it as a hometown show. So was the crowd. The room was plastered and dancing by the time Bang were rolling, and that seemed to suit the band just fine. Same set they’ve been doing, but no complaints. More so than in Baltimore, Bang (Photo by JJ Koczan)they looked again like they were really enjoying themselves, and it was fun to watch. As far as victory laps go, this tour would be a hard one for a band that hasn’t been on the road in 40 years, but “Keep On” was a stone groove as ever and the sound was heavier than it’s been all along with all the volume trapped in that confined room, nowhere to go but through the earplugs.

That served Radio Moscow well too, Parker Griggs‘ guitar screaming back on itself while young and old offstage got caught in the full-tilt conversation. A three-piece, Radio Moscow fit well on the stage where with five Kings Destroy had been somewhat more crowded — as had the four-piece Pentagram when they backlined their gear — and they took quick command of Johnny Brenda’s, which was happy to go along with them for “Just Don’t Know,” “Death of a Queen,” “Broke Down,” “Before it Burns” and “250 Miles,” which is what would remain stuck in my head for the rest of the night, its Radio Moscow (Photo by JJ Koczan)stripped down bluesy roll by now nestled well into the fractured, exhausted, tour-ebola-added remains of my consciousness. Paul Marrone‘s drum fills came in torrents and Anthony Meier‘s bass tone coated the room, and people just flipped out for them. That’s been the case all along — their audience skews young as compared to, say, Pentagram (though Pentagram have a fair number of younger heads out now as well thanks in part to Last Days Here, the documentary on frontman Bobby Liebling), and the kids go fairly apeshit with each arriving guitar solo — but their response seemed especially fervent in Philadelphia. What had been a chilly space quickly warmed up.

Radio Moscow (Photo by JJ Koczan)Load out started during Radio Moscow‘s set, all of Kings Destroy‘s gear had been brought down into the back hallway of the venue after they played and was basically just waiting for everyone to relax a bit and have a couple drinks, chat with Clamfight‘s Sean McKee, who was kind enough to come to the show, etc. I could still hear “These Days” while guitars and heads were being loaded in the back of the van, and we weren’t quite moving to a place 250 miles away, but I know it was about 130, so we took off before Pentagram, apologizing to drummer Sean Saley on the way out. See you tomorrows, all around.

More pics after the jump. Thanks for reading.

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Fall Tour Pt. 17: Politicians in My Eyes

Posted in Features on October 30th, 2014 by H.P. Taskmaster

sky from bridge

10.30.14 — 4:17PM — Thursday — Johnny Brenda’s, Philly

“We got a call about a suspicious van…” — The Cop

The smell of barbecue sauce is immediate and pervasive upon walking into Johnny Brenda’s. I’ve said many times before that I’m a huge dork for Philadelphia, and there are a lot of times I miss being in Philly more than New York since I moved away last year. Even being a two-hour drive from this city, just knowing it was there was reassuring. The area around Johnny Brenda’s is much the same as I last left it — hasn’t been that long — if incrementally more gentrified. Someone should set up a camera on Girard Street and do a time lapse for the next five years. You can see the property values being raised in real-time.

A knock came on the hotel door this morning and it was Carl saying we were leaving. Like now? Like now. I took a quick shower anyway — there was time — and hit the Flying J for coffee, iced tea, orange juice and some Tylenol Cold and Sinus. I’d woken up coughing pretty viciously and needed to get that shit under control. Still feel better today than yesterday as regards tour ebola, better than in Pittsburgh. Coffee was alright, which was fortunate because I bought a 24 oz. cup of it, and soon enough we got going. Carl’s had an abscess on his leg for most of the tour and yesterday it became clear enough that it wasn’t going to go away on its own and something needed to be done about it. By something, I mean a lancing and draining of pus. Pop.

He and Steve had tried to go to an urgi-center this morning near the hotel, but to no avail in terms of the place taking Carl’s phillyinsurance, so we had to head north a bit into Jersey to find another spot. I think we were somewhere around Cherry Hill when we pulled into the parking lot and he went in, set about filling out forms and all the rest. Steve and Jim Pitts went for a bite of pizza and C-Wolf, Rob, Aaron and I just hung around by the van. It was going to be a while, and yeah, that’s how it worked out. Rob went down the way to CVS and bought a devil mask that he may or may not wear tomorrow night in Burlington for the Halloween show, and I started the review of last night sitting in the parking lot using the place’s wifi so as not to eat up data in the van. My hope is it was vaguely coherent, but I have my doubts. The whole idea for today was that since there wasn’t a long drive — we’ll have five hours tomorrow, give or take, up to Burlington after two-and-a-half tonight to Steve’s place outside NYC — we’d just kind of loaf around the Comfort Inn until it was time to head to Philly. Didn’t quite pan out.

Carl had gone to the CVS to fill his prescription when the cops showed up. Two cars, two officers, said they’d gotten a call about the van. Fair enough. School kids were crossing the street by then and legitimately, it’s a van full of weirdos and longhairs. I mean, in a perfect world they’d be too busy locking up ass-grabbing crossing guards and shit, but I get where they’d want to ask a question and confirm what we were doing there. Steve explained to them that we’re just souls whose intentions are good and asked that we please not be misunderstood. It was an easy enough interaction but any time the cops are involved it could just as easily go the other way, so yeah, a little tense. We picked Carl up in the CVS parking lot and headed out at a perfectly normal speed. Nothing to see here, folks.

In the spirit of Brooklyn’s St. Vitus bar, Johnny Brenda’s is a small place that does good shows. The difference is there’s also a bar/restaurant downstairs here. The gig is sold out, so I expect it will be good and crowded offstage as well as on. I should probably get some food between now and then, or I could just sit here and continue to cough.

 

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Ecstatic Vision Debut Album Due in 2015 on Relapse Records

Posted in Whathaveyou on September 8th, 2014 by H.P. Taskmaster

ecstatic vision

Freaked out heavy psych rockers Ecstatic Vision will release their debut long-player next year on Relapse Records. The four-piece trace their origins to Philly — which seems to be following in Brooklyn’s footsteps in becoming a home to an East Coast psychedelic surge — and are a new band with some faces that metallers might recognize in guitarist/vocalist Doug Sabolick and drummer Jordan Crouse, both formerly of A Life Once Lost. Perhaps unsurprisingly, the new group is a long way from the old one.

And hey, if you’re starting out with a new band, signing to Relapse is a pretty good beginning considering for most underground acts out there it qualifies as “living the dream,” so cheers to Sabolick and Crouse on the fresh take and if the demo for “Astral Plane” below is something to go on, 2015 will hold much reverby weirdness.

They announced the inkery as follows:

ecstatic vision relapse

Ecstatic Vision Sign To Relapse Records

Band to Record Full-Length Debut this Month

Relapse Records is proud to announce the signing of Philadelphia, PA heavy psych quartet ECSTATIC VISION (Doug Sabolick – Guitars / B3 / Vox, Michael Field Connor – bass, Jordan Crouse – Drums / Percussion, Muffinman – Percussion). Formed earlier this year, the group has quickly made a name for themselves in Philly, having already played numerous high profile shows.

ECSTATIC VISION will complete the recording of their full-length debut upon their return which will be released via Relapse in early 2015.

A demo for the song “To The Astral Plane”, from the band’s upcoming debut, can be heard HERE while footage of the group live can be viewed HERE. Frontman Doug Sabolick commented on the new material:

“We are currently recording our debut album at various studios around Philly. The album is a great mix of trance inducing primitive African tribal meets heavy psych a la Hawkwind. We are stoked to be working hand in hand with Relapse to bring this unique album to fruition and bring our brand of heavy psych to the masses.”

Stay tuned for more information on ECSTATIC VISION.

Ecstatic Vision Tour Dates:
Sep 09 Winston-Salem, NC The Garage
Sep 10 Charlottesville, VA Tea Bazaar
Oct 28 Brooklyn, NY St. Vitus w/ Pallbearer and Tombs

https://www.facebook.com/ecstaticvision/
http://ecstaticvision.bandcamp.com/
http://www.relapse.com/label/

Ecstatic Vision. “Astral Plane” demo (2014)

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Heavy Temple, Heavy Temple: Alpha and Omega

Posted in Reviews on August 4th, 2014 by H.P. Taskmaster

It’s a cavernous and mystical sound that Heavy Temple have conjured for their self-titled debut EP. After impressing with a single for “Unholy Communion” last year — that song is also presented third of the extended three cuts on Heavy Temple and is out as a cassingle via Sarlacc Productions — the Philadelphia outfit were picked up by Germany’s Ván Records for the vinyl and digipak CD issue of this more complete first outing, and it’s an endorsement of no small consequence, Ván having long since proved the mettle of its tastes via picking up cult-minded acts like Year of the Goat and The Devil’s BloodHeavy Temple – here a trio but now a duo with bassist/vocalist Elyse “High Priestess Nighthawk” Mitchell as the sole remaining founder — present a more laid back style of grooving than either of those two, but remain plenty heavy nonetheless across “Dirty Ghost” (8:17), “Legendary Conversations with Ants” (7:31) and the aforementioned “Unholy Communion” (13:15) and offer atmosphere to match the intermittent full-thrust tonal heft. They are, in fact, notably cohesive  in their approach, and particularly for their first time out, Heavy Temple seem to arrive with a firm notion of their intent, what they want to sound like and how they want to achieve it. Mitchell‘s voice is dynamic and her approach shifts smoothly between “Dirty Ghost” and “Legendary Conversations with Ants” before delivering its most powerful performance on the closer, and in guitarist Shawn “Rattlesnake” Rambles and drummer Andy “Bearadactyl” Martin (also of Maple Forum alums Clamfight), she had a formidable complement with which to establish the range heard in these songs.

About those songs: They are spacious, psychedelic, heavy and they manage to avoid much of the cult rock cliché while proving both immersive and memorable over the course of Heavy Temple‘s 29-minute span. Working together as a debut EP, they more than succeed in giving the band’s audience a sense of what Heavy Temple want to do moving forward, and whether it’s the quiet doom blues in “Legendary Conversations with Ants” that gives way to a slow-motion effects-drenched freakout led by Rambles‘ guitar or the jammy bliss that emerges at the end of “Unholy Communion,” they retain their hold of the proceedings and excellently showcase the potential for what the band might or might have become going forward. “Dirty Ghost” commences with an otherworldly volume swell — minimal, quiet — before gradually unfolding itself with Martin‘s drums and Mitchell‘s bass and vocals, and it’s not until well past the halfway point of its eight-minute run that it finally explodes into full-on psych-grunge heft, like if someone wanted to turn peak-era Soundgarden production into a religion. That patience becomes a central element as Heavy Temple plays out, and the trio are just as likely to ride out a loud part as a quiet one, not shying either from crafting a void or filling it with distortion. The malleability of Mitchell‘s voice between the sultry croon in the first minutes of “Dirty Ghost” and the rawer shouting at the apex of “Unholy Communion” — the EP flowing smoothly between the two; something else that bodes well for a full-length — is another major asset working in their favor, and the stoner-mass of “Legendary Conversations with Ants,” while apparently more worldly in its lyric than the title might have you believe, executes a subtle linear build that ends with some classic doom riffing that bleeds right into the start of “Unholy Communion,” the whole release tying together seamlessly.

The first couple minutes of “Unholy Communion” are dedicated to building up tension, but at about 2:50, the song opens up and begins a payoff that will carry it through its midpoint, where it breaks to minimal ambience to set the stage for the EP’s final build and ultimate heavy psych payoff, Rambles‘ soloing meshing with layers of effects swirl that still keep enough room in the mix to sound human-made, though by then all three sound completely engrossed in the stirring concoction, even as they emerge from it for the big-riff finish and last-second string epilogue. Whatever Heavy Temple do from here is bound to be vastly different. I don’t know whether Mitchell intends to form a new trio or keep the band as a two-piece — she’s currently joined by drummer Saint Columbidae – but in any case, the change from the guitar, bass/vocals and drums lineup here is sure to manifest itself in subsequent output, even if her songwriting remains at the core. With that in mind, Heavy Temple may or may not be telling of the band’s future, and one would wonder about releasing it at all but for the fact that when a label like Ván comes calling, you answer. If this EP is to be Heavy Temple‘s beginning point, it starts them with a tumult marked by material of striking quality. It’s a familiar enough story for bands working under a principle songwriter, and if that’s to be the tale of Heavy Temple, the hope is they can find consistency in the chaos. Taken on its own merits, however, Heavy Temple is among the best short releases I’ve heard so far this year, and if it can serve as even the most rudimentary standard of quality from which the band can expand their sound, then they’re going to be just fine. Point is, even just in Mitchell‘s performance there’s potential here and a lot of it. How she handles that and what she does with it the next time out will be a big tell in terms of Heavy Temple‘s longer-term prospects, and either way, it seems likely that their sophomore studio outing will be as much a debut as this one. A live release in the interim would go a long way in giving a look at where Heavy Temple are headed.

Heavy Temple, Heavy Temple (2014)

Heavy Temple on Thee Facebooks

Heavy Temple on Bandcamp

Ván Records

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Ruby the Hatchet to Release Debut Album on Tee Pee Records

Posted in Whathaveyou on June 19th, 2014 by H.P. Taskmaster

Word has come down the PR wire that Tee Pee Records has picked up Philly rockers Ruby the Hatchet for the release of their debut full-length later this year. Ruby the Hatchet released their Eliminator 7″ earlier this year and will record later this month with an eye toward having the album out in the fall. The band also recently played the Northside festival in Brooklyn alongside The Golden Grass, Gods and Nightbitch.

Another one to look out for in the back half of 2014. Somebody should really be keeping track of this stuff. Say in some kind of list form. Say next week or the week after that…

Info in blue:

RUBY THE HATCHET Signs To Tee Pee Records

Philly Dark Psych Gang Prepping “Cohesive Conceptual” Album

Philadelphia heavy rock quintet RUBY THE HATCHET have signed with NYC’s Tee Pee Records, the independent label known for releasing landmark albums from acts such as The Brian Jonestown Massacre, Graveyard, Earthless and Sleep. The hotly-tipped group, who MetalSucks says, “graduated Magna Cum Laude from The Led Zeppelin School of Proto Metal, where they majored in Sabbath and minored in Deep Purple,” and whose “brand of psychedelia should drive fans of bands like Baroness, Ghost, and Royal Thunder absolutely wild,” will enter Retro City Studios in Germantown, PA this month to record its as-yet-untitled new LP. A late fall release date is expected.

“We’ve been making music since 2010, but our upcoming full length is going to be a first in a lot of ways,” says RUBY THE HATCHET vocalist Jillian Taylor. “It’s our first label release and it’s with a label we’ve respected and admired from afar for some time. We managed to bump into the Tee Pee dudes at a Harsh Toke show in Brooklyn a few months back. It was a wild and blurry night, ending with us getting kicked out of a bar and talks of them putting out our full length. These new songs are medieval, melodic, murderous and fuzzed out. They came to us rapidly and embody a sound for us, that, for lack of better words, is right the fuck now.”

https://www.facebook.com/rubythehatchet
https://twitter.com/rubythehatchet
http://thehatchet.bandcamp.com/
http://instagram.com/rubythehatchet
http://teepeerecords.com/

Ruby the Hatchet, Eliminator EP (2014)

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Sadgiqacea Announce Extensive Summer Touring with Hivelords

Posted in Whathaveyou on June 9th, 2014 by H.P. Taskmaster

I have to admit, looking at a post from Sadgiqacea tourmates Hivelords saying they’re looking for someone to tag along and sell merch on their upcoming month-plus run from June 20 to July 26 is a pretty tempting prospect. Would be a long time out, but The Patient Mrs. will be gone for most of that time anyway — she leaves at the end of June for a month away — and the only real concern is what would I do with the dog. Oh well.

While I don’t think I’ll be volunteering, you might want to, and if so, hit up Hivelords on their Thee Facebooks. The tour is an admirable run, with some house shows — or what look an awful lot like house shows anyway — mixed in with some bars/venues and a couple dates to be filled in yet as Sadgiqacea and Hivelords both head out in support of their 2013 debut LPs.

To be informed:

SADGIQACEA and HIVELORDS announce tour dates

Philadelphia blackened-sludge giants SADGIQACEA and HIVELORDS have announced a new US Tour. The tour, which starts on June 20 in New Jersey, sees both bands travel throughout the months of June and July before ending on July 30th in Philadelphia. Support on the tour comes from AJAX of Ardent Vein. A full list of confirmed tour dates can be found below.

SADGIQACEA and HIVELORDS will be touring in support of their critically acclaimed albums ‘False Prism’ and ‘Cavern Apothecary’. Both albums are streaming now at the Anthropic Records website www.anthropicrecords.com and their respective Bandcamp pages.

Updated SADGIQACEA and HIVELORDS tour information will be made available at the Anthropic Records website, the SADGIQACEA Facebook page www.facebook.com/sadgiqacea and at the HIVELORDS website and Facebook page www.facebook.com/hivelords

SADGIQACEA and HIVELORDS tour dates:

Friday, June 20, 2014 – Lindenwold NJ – THE SEX DUNGEON
Saturday, June 21, 2014 – York PA – THE DEPOT
Sunday, June 22, 2014 – Providence RI – DUSK
Monday, June 23, 2014 – Boston MA – O’BRIENS
Tuesday, June 24, 2014 – Portland ME – ST. JOHN
Wednesday, June 25, 2014 – Portsmouth, NH – HOUSE SHOW
Thursday, June 26, 2014 – Worcester MA – RALPH’S DINER
Friday, June 27, 2014 – Syracuse NY – GORHAM BROTHER’S MUSIC
Saturday, June 28, 2014 – Rochester NY – THE BUG JAR
Sunday, June 29, 2014 – Buffalo NY – THE LAIR
Monday, June 30, 2014 Pittsburgh PA – THE SHOP
Tuesday, July 01, 2014 – Kent OH – STONE TAVERN
Wednesday, July 02, 2014 – Port Huron, MI – SCHWONK SOUND STEAD
Thursday, July 03, 2014 – Covington, KY – THREE KINGS BAR
Friday, July 04, 2014 – Indianapolis, IN – HOUSE SHOW
Saturday, July 05, 2014 – Chicago IL – COBRA LOUNGE
Sunday, July 06, 2014 – Madison, WI – DAS GEWOLBE
Monday, July 07, 2014 – Milwaukee, WI – FRANK’S POWER PLANT
Tuesday, July 08, 2014 – Wausau WI – THE STANK
Wednesday, July 09, 2014 – Minneapolis MN
Thursday, July 10, 2014 – Des Moines IA – HULL AVE TAVERN
Friday July 11, 2014 – Kansas City MO – VANDALS
Saturday, July 12, 2014 – Columbia MO – PESTE DE MERDE
Sunday, July 13, 2014 – Saint Louis MO – FUBAR
Monday, July 14, 2014 – Lexington KY – SIDECAR
Tuesday, July 15, 2014 – Huntington WV – HOUSE SHOW
Wednesday, July 16, 2014 – Nashville TN – THE SPRING WATER
Thursday, July 17, 2014 – Atlanta GA – 529 ROOM
Friday, July 18, 2014 – Knoxville TN – THE POISON LAWN
Saturday, July 19, 2014 – Asheville NC – THE ODDITORIUM
Sunday, July 20, 2014 – Charlotte NC – THE MILESTONE
Monday, July 21, 2014 – Wilmington NC – REGGIE’S 42ND STREET BAR
Tuesday, July 22, 2014 – Richmond VA
Wednesday, July 23, 2014 – Washington DC
Thursday, July 24, 2014 – Baltimore MD
Friday, July 25, 2014 – New Brunswick NJ
Saturday, July 26, 2014 – Brooklyn NY – THE ACHERON
Wednesday July 30th, 2014 – Philadelphia PA – JR’S BAR

https://www.facebook.com/events/266841300133471/

www.anthropicrecordsphiladelphia.com
http://www.facebook.com/anthropicrecordsphiladelphia
http://www.twitter.com/anthropicrecord

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Rosetta are Headed to China

Posted in Whathaveyou on May 19th, 2014 by H.P. Taskmaster

Exciting news that Philadelphia’s Rosetta will have the chance this July to tour China. I mean, it’s cool enough just to get an opportunity to go to China, let alone tour there, so yeah, right on. Rosetta‘s latest release is 2013’s The Anaesthete, which you can hear in full below and was self-released last summer as a name-your-price download, but they’ve also got a new EP in the works called Flies to Flame that was mastered at the end of April and will be out later in 2014 on Translation Loss.

You can read about that project under the China tour dates below, all info snagged from their Tumblr:

TOUR: China Summer Tour 2014

We are delighted to announce that we will be touring in CHINA this summer! This is one of the most exciting opportunities we’ve ever had. Because of family/life events, we’re not able to do any other significant touring in 2014, but this was too good to pass up. Spread the word!

July 2: Hong Kong @ Hidden Agenda
July 4: Shenzhen @ B10
July 5: Guangzhou @ SD Livehouse
July 6: Wuhan @ Vox Livehouse
July 8: Shanghai @ YYT Livehouse
July 10: Chongqing @ Nuts Club
July 11: Chengdu @ Little Bar
July 12: Xi’an @ Guangquan Club
July 13: Beijing @ Mao Livehouse

Our new EP, titled Flies to Flame, [has been] mastered. It’ll be out later this year in traditional formats — LP and CD — on Translation Loss Records. This not a pay-what-you-wish digital release.

This recording was a departure from our normal working style. We wrote the material in late 2012 and recorded it in a garage in early 2013, while we were writing The Anaesthete. It’s deliberately lo-fi, jangly, and experimental, a tribute to the stripped-down sound of the post-rock and drone records we loved when Rosetta began. Most of it was improvised as it was being recorded, and it was not edited or ‘fixed’ to make it sound polished. All the grit is there. We used different instruments and equipment than we normally play with, since this material isn’t intended to be played live. Instead it functions as a kind of process document, from an important and transitional year in our life as a band.

For the first time since The Galilean Satellites, we did all recording and mixing ourselves (with the invaluable help of our intern engineer, Alex Ruday). Mike Wohlberg is returning to create the artwork and layout, and James Plotkin is mastering it for both CD and vinyl.

Track list:
1. Soot
2. Seven Years with Nothing to Show
3. Les Mots et les Choses
4. Pegasus

https://www.facebook.com/rosettaband
http://theanaesthete.bandcamp.com/
http://rosettaband.tumblr.com

Rosetta, The Anaesthete (2013)

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Crypt Sermon Demo to See Release on Dark Descent Records

Posted in Whathaveyou on October 29th, 2013 by H.P. Taskmaster

It’s been almost five months since I first encountered the debut Demo MMXIII from Philadelphia trad doomers Crypt Sermon, and I still find myself with the chorus of “Temple Doors” stuck in my head at the mere mention of the band’s name. Perhaps it’s little surprise then that Dark Descent Records has picked up the three-tracker for a limited tape release, which will be the first physical release from the four-piece outfit, who make short work of the difficult task of adhering to doomly tenets while forging a personality of their own apart from them. The demo got gushed over here if you want to check it out, and kudos to the band on getting it out. I’m already looking forward to their next outing.

Here’s the PR wire info and the Bandcamp stream for your gloomy fix:

CRYPT SERMON Announce Debut Release on Dark Descent Records

Epic doom metal scions CRYPT SERMON have announced the forthcoming release of their 2013 debut, “DEMO MMXIII” in the form of a limited edition cassette tape via Dark Descent Records. The tape, exclusively limited to 300 copies, is slated for a worldwide release on December 17.

“DEMO MMXII” is streaming in full at cryptsermon.bandcamp.com.

“DEMO MMXIII” Track list:
1.) Temple Doors
2.) Belly of the Whale
3.) Whore of Babylon

Founded on the principles of unwavering epic doom metal, Philadelphia’s CRYPT SERMON exist as a vehicle to drive out the current trends that are choking the underground scene. Devoid of contemporary doom conventions, “DEMO MMXIII” showcases three tracks of carefully crafted old-school doom metal that carries the torch for stalwarts such as CANDLEMASS and SOLITUDE AETERNUS.

Regarding the forthcoming release, the band said: “CRYPT SERMON is thrilled to see our demo finally unearthed. We’d like to thank Dark Descent Records for their support, and look forward to creating new music for the underground. We are currently hard at work writing our full length debut, and look forward to hitting the road in the near future.”

For updated CRYPT SERMON news and tour dates, please visit the CRYPT SERMON Facebook page, and the Dark Descent Records website.

www.facebook.com/CryptSermon
www.darkdescentrecords.com
darkdescentrecords.bandcamp.com
www.facebook.com/DarkDescentRecords

Crypt Sermon, Demo MMXIII (2013)

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10 Days of SHoD XIII, Pt. 3: Clamfight Premiere “Bathosphere” from SHoD-Exclusive Compilation

Posted in audiObelisk on October 28th, 2013 by H.P. Taskmaster

From their demo and early days of “Fuck Bulldozers” and “Viking Funeral” on down to “Stealing the Ghost Horse,” I’ve heard just about everything that Philly brain-bruisers Clamfight have come up with to date. So when I tell you that the new song “Bathosphere” from a forthcoming limited compilation CDR that the four-piece will have exclusively on hand at this year’s Stoner Hands of Doom fest — taking place at Strange Matter in Richmond, Virginia, Nov. 7-10 — is the heaviest thing I’ve ever heard them play, please understand there’s the slightest chance I know what I’m talking about. Heavier than “Rabbit” from the first record? Yes, heavier than “Rabbit.”

As the band begins to move past their earlier-2013 sophomore full-length, I vs. the Glacier – released on The Maple Forum, this site’s in-house semi-label — they do so with the utmost brutality. At 3:49, “Bathosphere” is brief compared to some of Clamfight‘s more spacious material, the guitars of Sean McKee and Joel Harris having somewhat less room to spread out over the pummeling groove of bassist Louis Koble and drummer/vocalist Andy Martin, but what it lacks in runtime, it accounts for in intensity, biting down hard with an initial tension build of feedback and tom runs before unleashing its thrashing course following an introductory growl from Martin. It’s a heads-down push, but Clamfight handle it well, letting off the gas just slightly for a chorus before resuming what’s among their most vicious riffs en route to a squibbly churn and unbridled slam of a finish.

“Bathosphere” is set to be included as one of two new tracks on the SHoD-only release (presumably they’ll have a couple for the other shows on their tour south, but who knows?). The other is “Blockship,” and unlike that song, “Bathosphere” won’t appear on Clamfight‘s next album. It’s for this CDR only.

Martin gives some details on the release and tour dates, under the player below on which you can check out “Bathosphere.” Bring a helmet:

Here is the Music Player. You need to installl flash player to show this cool thing!

We’ll be making one hundred CD-R copies of “Bathosphere” and they will available on the cheap at SHOD 13 on November 7th at Strange Matter in Richmond, VA and after that until they run out. Once they’re gone, they’re gone and we have no plans of making it available in any other format. Also included on the CD will be  “Blockship” a track which will be appearing on our third record, as well as many of our old demos as we can lay our hands on.

The CD will also include art by Chris Jones of the mighty Rukut.

From Richmond we’ll be heading to Uncle Lou’s in Orlando Florida to team up with our good friends in Hollow Leg, Shroud Eater and Ad Nauseum on November 8th. November 9th sees us at The Jinx in Savannah Georgia with Hollow Leg, Shroud Eater, and Crazy Bag Lady, and November 12th sees us at JR’s in Philly with Heavy Temple, the Cloth, and Devil to Pay.

“Bathosphere” and “Block Ship” were recorded by Steve Poponi at the Gradwell House in Haddon Heights New Jersey over a day and half last May. “Bathosphere” is probably my favorite thing we’ve done with Steve. We recorded the instruments in the early afternoon and I wrote the lyrics in my car as the guys did over dubs. With the exception of the death growls, the vocals were recorded in one go, so all told, from start to finish “Bathosphere” was recorded in less than four hours. I can’t speak for everyone but for me something about the speed and aggression of this song makes it feel the closer to what we do live than of any of our recordings, and that sort of “fuck it, let’s just destroy” attitude we had about the session itself made the whole day a blast.

Oh and I got disco fries after I tracked my vocals.

Disco fries make any day your birthday.

Clamfight on Thee Facebooks

Clamfight on Bandcamp

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Clamfight Update on Fall Shows

Posted in Whathaveyou on September 26th, 2013 by H.P. Taskmaster

Returning with a vengeance — and also a new song — after their summer hiatus, Maple Forum alums Clamfight have announced a slew of fall tour dates. In addition to a slot at Stoner Hands of Doom at Strange Matter in Richmond, Virginia, on Nov. 7, the four-piece are doing two gigs  THIS. VERY. WEEKEND. with Philly rockers Thee Nosebleeds and in addition to regular-type local stuff, they’ll head south following SHoD to bang out a couple evenings in the good company of Hollow Leg and Shroud Eater, among others.

In their typical style, the band sent along this update:

We’re back gang….and find ourselves another season’s worth of Neolithic archaeology lyrical fodder richer, but one gall bladder poorer.

So it goes.

Here’s where to get palm muted/yelled at about rock art:

This weekend we’re out and about and possibly falling over with Philly’s best rock and roll band, THEE NOSEBLEEDS (sorry, rock that nasty requires all caps).

Friday 9/27 we’re at the El ‘N’ Gee in New London, Connecticut with Thee Nosebleeds, the Cryptics, and Empty Vessels.

Saturday 9/28 we’re at the Firehouse Saloon in Rochester, New York with Thee Nosebleeds, Baba Yaga, and Pink Elephant.

October 26th we’re at the Boot and Saddle in Philadelphia with Screaming Rattler and Wizard Eye (who a little bird with 6 foot long dreadlocks tells me are hitting the studio shortly to record a new full length).

November 7th we’re at Strange Matter in Richmond, Virginia for the opening night of Stoner Hands of Doom 13 with A.P.F, Pill Buster, Compel, and more In honor of how excited we are to be part of such an amazing festival (the rest of the weekend includes Wizard Eye, Beelzefuzz, Admiral Browning, Lo-Pan, Backwoods Payback, Faces of Bayon, Second Grave, Wasted Theory and many, many more) we’ll pressing 100 copies of a seven inch of our new song “Bathosphere.” We have no plans to release it in any other format and once it’s gone, it’s gone.

November 8th we’ll be in Orlando Florida to challenge Hollow Leg and Shroud Eater in between some serious air boat racing/alligator wrasslin’ we’re going to play a show at a location to be announced.

November 9th we’re at the Jinx in Savannah Georgia with Hollow Leg and Shroud Eater and Crazy Bag Lady.

November 12th we’re at JR’s in Philadelphia with Devil to Pay, Heavy Temple, and the Cloth.

November 22 we’re at Mojo Main in Delaware with Braincandle and Count Von Count.

And until we have something solid to say about our third record here’s a song that will definitely be on it: http://doommantiavol2.bandcamp.com/track/block-ship

Clamfight, “Block Ship” from Doommantia Vol. 2 (2013)

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Sadgiqacea Announce Tour with Haethen

Posted in Whathaveyou on September 9th, 2013 by H.P. Taskmaster

Including a two-show day on Sept. 21 covering the Indianapolis Metalfest III and later that evening in Dayton, Ohio — just a thrilling trip down I-70 away — Sadgiqacea are once again hitting the road in support of their 2013 Candlelight Records debut, False Prism, and they’re bringing along the also-difficult-to-spell-but-in-a-subtler-way Haethen for the trip. It’s a week of shows that start next Wednesday and they’ve aptly called it the “Week Long Tour.” Truth in advertising.

Also sprach the PR wire:

SADGIQACEA: September Eastern US Tour Dates Confirmed

While still unpacking from their massive recent Summer trek which saw the duo occupying more than forty cities across the country with cohorts Hivelords, this week Philadelphia-based spiritualistic sludge duo SADGIQACEA confirms yet another new tour in support of their Candlelight Records debut False Prism.

Originating in Boston on Wednesday, September 18th, the new bout of East Coast performances will take SADGIQACEA on a six-city trek through Washington, Columbus, Indianapolis and Dayton before the final show in Pittsburgh on Sunday the 22nd. SADGIQACEA will be performing alongside their comrades Haethen for all shows except the Indianapolis Metalfest III where they’ll play alongside the likes of Incantation, Decrepit Birth, Byzantine and more, but following their early set at the fest the duo will trek over to Dayton, Ohio to meet back up with Haethen for a second show that day.

SADGIQACEA Fall Tour w/ Haethen:
9/18/2013 Roggies – Boston, MA w/ The Binary Code, Scaphism, Brain Famine
9/19/2013 The Pinch Bar – Washington, DC w/ Caustic Casanova
9/20/2013 The Summit – Columbus, OH w/ Swarm
9/21/2013 Old National Centre – Indianapolis, IN @ Indianapolis Metalfest III (*no Haethen)
9/21/2013 Blind Bob’s – Dayton, OH w/ Half Ghost
9/22/2013 The Smiling Moose – Pittsburgh, PA w/ Dendritic Arbor, Wrought Iron, Dutchguts, Ubasute, Dope Lake

SADGIQACEA draws from a melting pot of influences that together presents a lush yet tension-filled sound. Their debut full-length, False Prism, is a forty-minute journey bearing four mammoth tracks, captured without the use of overdubs to preserve the authentic recording quality of their live performances, recorded and produced by Chris Grigg of Woe. False Prism was released via Candlelight on CD and limited edition vinyl via Anthropic Records in May.

http://sadgiqacea.bandcamp.com
http://www.facebook.com/sadgiqacea
http://www.twitter.com/sadgiqacea
http://www.candlelightrecordsusa.com

Sadgiqacea, False Prism (2013)

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