Thunderbird Divine Premiere “Qualified”; Magnasonic Preorders Available

Posted in audiObelisk on December 13th, 2018 by JJ Koczan

Thunderbird Divine (Photo by Dante Torrieri)

Philadelphia’s Thunderbird Divine make a much-anticipated debut on Jan. 11 with Magnasonic through Salt of the Earth Records. All along the way since the band came into being in 2017, they’ve released material in drips and drabs, a rehearsal clip here, a video there. Songs like “Quaalude Thunder” (posted here), “Madras Blue” (posted here) and “Djinn au Jus” (posted here) have made their way to public ears and eyes, but every cut that’s come out so far has one thing in common: it’s not on the record. Less than a month to go before the release date and Thunderbird Divine haven’t put so much as a riff out there for mass consumption that features on Magnasonic.

You know where this is going.

Enter “Qualified.” The seven-point-five-minute opener of Magnasonic in all its funk-riffed, swaggering, oh-wait-did-we-just-get-to-outer-space-and-was-that-Thunderbird Divine Magnasonica-piano-oh-okay-I-guess-the-riff-is-back-wow-that-was-awesome glory. A song that sets its rhythm early and holds its welcome late, “Qualified” boasts a hook begging for a barroom singalong as guitarist/vocalist/etc.-ist Erik Caplan (ex-Wizard Eye) leads the nod with Skeleton Hands veterans Adam Scott (bass), Flynn Lawrence (guitar, more etc.) and Mike Stuart (drums) further the take-your-favorite-muscle-car-and-stick-it-in-orbit vibe. Think new-classic stoner riffage — Monster Magnet shortly before the commercial boom — and you might have the right timeframe, but Thunderbird Divine are for sure telling the squares to get their hats regardless of the decade to which you want to draw parallels. And “Qualified” is one of four slabs on the half-hour stack, so, you know, more to come, chief.

I’ll get a proper, way-too-wordy-but-probably-less-hyphenated review up sometime after the New Year, but I’m honor’d to host the first Thunderbird Divine track to actually come from Magnasonic, which you’ll find on the player below, followed by a few words from Caplan and the preorder link to get your copy of the album.

Please enjoy:

Thunderbird Divine, “Qualified” official premiere

Erik Caplan on “Qualified”:

“Qualified” is the first song we wrote together. The repeated riff in the beginning and at the chorus is based on something I found compelling during my home practice sessions before I joined the band. When I showed it to the other guys, we agreed it could be the basis of something cool. That riff set the stage for the rest of the song.

As an early collaboration, we were still feeling each other out as a band during the writing process, and, in particular, it was the first opportunity for Flynn (Lawrence, guitar) and I to figure out how our guitar sounds would mesh. Since neither of us had worked with another guitarist in a long time, it fortuitously happened that our styles were complementary. Flynn is an extremely accurate, concise player with a passion for riffs and a somewhat metallic tone, whereas I’m basically a fuzzy, guitar-soloing mess, so we don’t step on each other’s toes. You can hear him nailing down some massive chord sounds while I play a wonky fuzz melody in various parts of the song. Mike (Stuart, drums) and Adam (Scott, bass) have a very natural interplay after having played together for several years.

The basic structure came together fairly quickly, but, as with most collaborations, the devil was in the details, especially when it came to recording. We were ambitious. For example, the psychedelic section in the middle is usually a theremin and bass-feedback freakout in the live arena, but we wanted to do something with more class and refinement on the studio recording. We layered electric sitar, piano, theremin, water drum and other oddities on top of the usual band arrangement. We wanted it loose and trippy, but not random and sloppy, with interesting layers of sound to bear repeated plays and reveal more of itself to the listener each time.

The entire song was given that level of attention, with synth drones and percussion throughout. It’s truly a testament to the skills of Ted (Richardson, engineer, TedAudio) and Charles (Newman, mixing engineer, Cottage Sounds Unlimited) for cleanly tracking and mixing so many layers of sound together in such a cohesive way.

Vocally, this is a departure from my past efforts in that I used a clearer sound with less grime. It was different and a little daunting, but I was ready to try something new, so I just went for it. It’s a pretty clean take – the main vocal is single-tracked to keep it sounding natural. You’ll hear some lovely backing vocals from Brittany Marie (Mike’s partner) and Avy (my ex-wife) in the pre-chorus, with equally lovely gang vocals from our Mike, Andy Martin (Clamfight) and Kermit Lyman III (Sheena and Thee Nosebleeds) on the choruses.

The lyrical concept comes from Jamaican street slang. This kind of slang is ever-changing, and there was a recent time where folks referred to anything bad-ass or really excellent as “qualified.” It could apply to anything from mangoes to movies to beautiful women, and I thought it was an evocative way to write our own version of something like ZZ Top’s “Nationwide.” I would never claim to be as cool as the little band from Texas, but we did our thing with it. I’m proud of the result.

Philly’s psychedelic space hippy enclave, Thunderbird Divine, has set an official domestic release date of January 11, 2019 for its debut album, Magnasonic, with Salt of the Earth Records (https://www.saltoftheearthrecords.com/). The offering, a 30-plus-minute exploration of riffs and psychedelia, features custom art design by the band’s bassist, Adam Scott.

Produced by the band and recorded at both Ted Richardson at TedAudio in Philadelphia (www.facebook.com/TedAudio) and Charles Newman (who also mixed the album) at Cottage Sounds Unlimited in Brooklyn (https://www.facebook.com/cottagesounds/), Magnasonic shows the quartet, which coalesced in March of 2017, is not willing to be pigeonholed as a strictly stoner/doom rock band. Featuring Scott on bass and guitars, Flynn Lawrence on guitars and additional instrumentation, Mike Stuart on drums and percussion and Erik Caplan on guitars and various instruments,Thunderbird Divine went for an unexpectedly broad tonal variety with Magnasonic.

Preorder at: https://saltoftheearthrecords.com/product/295609

Thunderbird Divine on Thee Facebooks

Thunderbird Divine on Instagram

Salt of the Earth Records on Thee Facebooks

Salt of the Earth Records website

Tags: , , , , ,

Quarterly Review: Earthless, Satan’s Satyrs, Mantar, Child, T.G. Olson, Canyon, Circle of the Sun, Mythic Sunship, Svarta Stugan, Bast

Posted in Reviews on December 6th, 2018 by JJ Koczan

quarterly-review

There isn’t enough coffee in the universe, but I’ve got mine and I’m ready to burn the living crap out of my tongue if that’s what it takes to get through. We’ve arrived at Day 4 of the Quarterly Review, and though we’re less than halfway to the 100-album goal set by some maniac sitting at his kitchen table with a now-burnt tongue, there’s been an awful lot of good stuff so far. More even than I thought going into it, and I slate this stuff.

That said, today’s list is pretty killer. A lot of these bands will be more familiar than maybe has been the case or will be on some of the other days of this Quarterly Review. It just kind of worked out that way as I was putting it together. But hey, a few bigger bands here, a few “debut EP” demos there. It’s all good fun.

So let’s go.

Quarterly Review #31-40:

Earthless, From the West

earthless from the west

Bonus points to whatever clever cat correctly decided that Earthless‘ 2018 studio album, Black Heaven (review here), needed a companion live record. With artwork mimicking a Led Zeppelin bootleg of the same name, From the West arrives through Silver Current and Nuclear Blast capturing the most powerful of power trios earlier this year in San Francisco, and it’s like the fire emoji came to life. With Mike Eginton‘s bass as the anchor and Mario Rubalcaba‘s drums as the driving force, guitarist Isaiah Mitchell starts ripping holes in the fabric of spacetime with “Black Heaven” and doesn’t stop until 64 minutes later as “Acid Crusher” dissolves into noise. Of course “Gifted by the Wind” from the latest LP is a highlight, and suitably enough, they cover Zeppelin‘s “Communication Breakdown,” but I’m not sure anything tops the extended take on “Uluru Rock” from 2013’s From the Ages (review here) — and yes, I mean that. Of course they pair it with the 1:48 surge of “Volt Rush,” because they’re Earthless, and brilliant is what they do. Every set they play should be recorded for posterity.

Earthless website

Silver Current Records on Bandcamp

Earthless at Nuclear Blast webstore

 

Satan’s Satyrs, The Lucky Ones

satans satyrs the lucky ones

Encased in cover art that begs the Spinal Tap question, “what’s wrong with being sexy?” and the response that Fran Drescher gave it, Virginia classic heavy rockers Satan’s Satyrs return with their fourth full-length, The Lucky Ones (on RidingEasy and Bad Omen), which also marks their first record as a four-piece with guitarist Nate Towle (Wicked Inquisition) joining the returning lineup of bassist/vocalist Clayton Burgess, guitarist Jared Nettnin and drummer Stephen Fairfield, who, between the fact that Burgess founded the band and played in Electric Wizard, and all the lead guitar antics from Nettnin and Towle, might be the unsung hero of the band. His performance is not lost in the recording by Windhand‘s Garrett Morris or Burgess‘ own hefty mix, and as one would expect, Satan’s Satyrs continue to deliver deceptively refined ’70s-heavy vibes caked in cult biker horror aesthetics. Some songs hit more than others, but Satan’s Satyrs‘ dust-kicking approach continues to win converts.

Satan’s Satyrs on Thee Facebooks

RidingEasy Records on Bandcamp

Bad Omen Records on Bandcamp

 

Mantar, The Modern Art of Setting Ablaze

mantar the modern art of setting ablaze

One generally thinks of Hamburg duo Mantar as having all the subtlety of a bone saw caught on video, and yet, in listening to “Seek + Forget” from their third album, The Modern Art of Setting Ablaze (on Nuclear Blast), there are some elements that seem to be reaching out on the part of the band. Guitarist Hanno‘s vocals are more enunciated and discernible, there is a short break from the all-out blackened-sludge-punk assault that’s been their trade since their start in 2012, and “Obey the Obscene” even has an organ. Still, the bulk of the 12-track/48-minute follow-up to 2016’s Ode to the Flame (review here) is given to extremity of purpose and execution, and in pieces like the churning “Anti Eternia” and the particularly-punked “Teeth of the Sea,” they work to refine their always-present threat of violence. Closer “The Funeral” brings back some of the quiet moodiness of intro “The Knowing” and underscores the point of sonic expansion. I hope next time they use a string section.

Mantar on Thee Facebooks

Nuclear Blast website

 

Child, I

child i

It took me a few minutes to get to the heart of what my problem with Child‘s I EP is. Really, I was sitting and listening to “Age Has Left Me Behind” — the first of the three included tracks on the 20-ish-minute 12″ — and I had to ask myself, “Why is this annoying me?” The answer? Because it’s not an album. That’s it. It’s not enough. Kudos to the Melbourne, Australia, heavy blues trio on having that be the biggest concern with their latest release — it follows 2016’s righteously-grooved Blueside (review here) — and kudos to them as well for their cover of Spirit‘s “The Other Song,” but of course it’s the 10-minute jam “Going Down Swinging” on side B that’s the immersive highlight of I, as Child‘s balance of softshoe-boogie and expansive mellow-psych is second to none in their subgenre. It’s not an album, and that’s kind of sad, but as a tide-ya-over until the next long-player arrives, I still does the trick nice and easy. And not to get greedy, but I’d take a II (or would it be You?) whenever they get around to it.

Child on Thee Facebooks

Kozmik Artifactz website

 

T.G. Olson, Wasatch Valley Lady & The Man from Table Mountain

tg olson wasatch valley lady and the man from table mountain

Across Tundras frontman T.G. Olson, who by now has well lapped that band’s output with his solo catalog, would seem to have sat down with his guitar sometime in the last week and put two songs to tape. The resulting 10-minute offering is Wasatch Valley Lady & The Man from Table Mountain, its component title-tracks stripping down some of the more elaborate arrangements he’s explored of late — his latest full-length, Riding Roughshod (review pending; it’s hard to keep up), came out in October — to expose the barebones construction at root in his Rocky Mountain country folk style. “Wasatch Valley Lady” and “The Man from Table Mountain” make an engaging couple, and while Olson has a host of videos on YouTube that are similarly just him and his acoustic, something about the audio-only recordings feel like a voice out of time reaching for human connection. The first seems to have a natural fade, and the second a more prominent rhythm showcased in harder strum, but both are sweet melodies evocative as ever of open landscapes and wistful experience.

Across Tundras on Thee Facebooks

T.G. Olson/Across Tundras on Bandcamp

 

Canyon, Mk II

canyon mk ii

The Deep Purple-referential Mk II title of Canyon‘s second EP, also the follow-up to their 2017 debut LP, Radiant Light, refers to the lineup change that’s seen Dean Welsh move to drums so that he and guitarist Peter Stanko can welcome bassist/vocalist Fred Frederick to the fold. The three included songs, the hooky “Mine Your Heart,” expansively fuzzed “Morphine Dreams” and bouncing “Roam” make a hell of a first offering from the reconstituted trio, who capture classic heavy naturalism in a chemistry between players that’s mirrored in the songwriting itself. Canyon‘s 2016 self-titled debut EP (review here) held marked promise, and even after the full-length, that promise would seem to be coming to fruition here. Their tones and craft are both right on, and there’s still some gelling to do between the three of them, but they leave no doubt with Mk II that this incarnation of Canyon can get there. And, if they keep up like this, get there quickly.

Canyon on Thee Facebooks

Canyon on Bandcamp

 

Circle of the Sun, Jams of Inner Perception

Circle of the Sun Jams of Inner Perception

One man jams! Psych-jam seekers will recognize Daniel Sax as the drummer for Berlin-based trio Cosmic Fall. Circle of the Sun is a solo-project from Sax and Jams of Inner Perception collects six tracks for 39 minutes of adventuring on his own. Sax sets his own backbeat and layers bass and “effectsbass” for a full-lineup feel amid the instrumental creations, and those looking to be hypnotized by the space-rocking jams will be. Flat out. Sax is no stranger to jamming, and as one soaks in “Jamming in Paradise” or its nine-minute predecessor “Liquid Sand,” there’s little mistaking his intention. Curious timing that Circle of the Sun would take shape following a lineup change in Cosmic Fall — perhaps it was put together in the interim? — but whether Jams of Inner Perception is a one-off of the beginning of a new avenue for Sax, its turn to blues noodling on “Desert Sun,” thick-toned “Moongroove” and fuzzy roll on “Acid Dream” demonstrate there are plenty of outer realms still to explore.

Circle of the Sun on Thee Facebooks

Circle of the Sun on Bandcamp

 

Mythic Sunship, Another Shape of Psychedelic Music

Mythic Sunship Another Shape of Psychedelic Music

The simplest way to put it is that Mythic Sunship‘s Another Shape of Psychedelic Music lives up to the lofty ambitions of its title. The Danish band is comprised of guitarists Kasper Stougaard Andersen and Emil Thorenfeldt, bassist Rasmus ‘Cleaver’ Christensen, drummer Frederik Denning and saxophonist Søren Skov, and with Causa Sui‘s Jonas Munk — who also produced the album — sitting in on the extended “Backyard Voodoo” (17:41) and “Out There” (13:53) as well as overseeing the release through El Paraiso, the band indeed makes there way into the far out reaches where jazz and psychedelia meet. It’s not about pretentiously saying they’re doing something that’s never been done. You’ll note it’s “another shape” and not a “new shape” or the “shape to come.” But immersion happens quickly on opener “Resolution” (14:23), and even quicker cuts like “Last Exit,” “Way Ahead” and “Elevation” carry the compelling spirit of forward-thinking creativity through their dynamic course, and if Mythic Sunship aren’t the shape of psychedelic music to come, it’s in no small part because there are so few out there who could hope to match what they do.

Mythic Sunship on Thee Facebooks

El Paraiso Records website

 

Svarta Stugan, Islands / Öar

svarta stugan islands oar

Islands / Öar — the second word being the Swedish translation of the first — is the 40-minute debut full-length from Gothenburg atmospheric heavy post-rock instrumentalists Svarta Stugan, who demonstrate in influence from Hex-era Earth on the opener “Islands III” but go on in subsequent tracks to pull together a sound distinct in its cinematic feel and moody execution. Five out of the seven component tracks are “Islands” pieces, which are presented out of order with “Islands IV” missing and “Islands Unknown” perhaps in its place, and the respective side A/B finales “Inner Space” and “Prospects Quatsi” standing apart. Both bring to bear a style ultimately consistent with the melancholy so rife throughout Islands / Öar as a whole, but they’re obviously intended as outliers, and so they seem to be. The LP release follows a couple shorter outings, issued over the past six-plus years, and it’s clear from the depths and range on display here in the build-to-crescendo of “Inner Space” alone that Svarta Stugan haven’t misspent their time in their progression to this point.

Svarta Stugan on Thee Facebooks

Svarta Stugan on Bandcamp

 

Bast, Nanoångström

bast nanoangstrom

Largesse of scope and largesse of tone work in tandem on Bast‘s Nanoångström full-length on Black Bow, as they bring together aspects of post-metallic churn and more extreme metal methods to hone a style highly individualized, highly weighted and as much cosmic as it is crushing. Through six tracks and 57 minutes, the London trio (plus two guest spots from Chris Naughton of Winterfylleth) careen and crash and set an atmosphere of chaos without actually being chaotic, their progressive craft working to tie the songs together into a larger impression of the work as a consuming entirety. It’s the kind of record you pick up and still hear new things in by the time they put out their next one. Production from Chris Fielding at Skyhammer Studio only helps creates the heights and depths of their dynamic, and whether they’re rolling out the severity of closer “The Ghosts Which Haunt the Space Between the Stars” or laying out the soundscape of “The Beckoning Void,” Bast shape the tenets of genre to suit their needs rather than try to work within the barriers of any particular style. Nanoångström is all the more complex and satisfying for their efforts in that regard.

Bast on Thee Facebooks

Black Bow Records webstore

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Heavy Temple Announce New Album for 2019

Posted in Whathaveyou on November 28th, 2018 by JJ Koczan

I admit, when I started this post and reached out to Heavy Temple, my basic going idea was, ‘I haven’t written about Heavy Temple in a while and Heavy Temple kick ass.’ That’s what I was going on. For those who don’t keep up on their well-maintained social media presence, they’ve been steadily destroying ears and the brains between them over the course of this year at happenings like Muddy RootsDescendants of CromDays of DarknessShadow WoodsRPM Fest — as well as Ode to Doom in Manhattan this past weekend — and dates alongside the formidable likes of Ecstatic VisionMothershipWitch Mountain and Corrosion of Conformity. They’ve spent most of this year playing out between touring and wisely-chosen fests, and their following has only grown more cult-like and loyal as a result.

Right on. The news that came back when I hit up one High Priestess Nighthawk was better than I could’ve hoped in that Heavy Temple will be recording this winter for a new full-length to follow-up on 2016’s righteous Chassit (review here) debut LP. It’ll be their first record with Thunderhorse on guitar as they bring their hard fuzz stylizations to new degrees of intensity. You can see that even in the reinterpreted older material played live in the clip below, filmed at Underground Arts in their native Philadelphia on a bill they shared with YOB and Bell Witch. Because fucking a.

Which brings me back to my original point: Heavy Temple kick ass. Their new record? It’ll probably kick ass too.

Here’s a quick update from the band about it:

heavy temple

Heavy Temple – New Album Recording & Gigs

We’ll be heading to the basement this winter to record our new album (more details to come). Will Spectre’s Red Water Recording captures some of Philly’s finest (Outer Heaven, Witching, Narcos Family Band, Moros, Black Urn) and we’re excited to get started. We have five songs planned for this record, including some interludes that we’ll be writing throughout the sessions.

This album is true to the Heavy Temple sound, but noticeably different in that this will be the third recorded line up. We’re really hitting our stride with this one and even though we’ve been playing some of the new material live, we look forward to being able to get it out to the folks that haven’t been able to make it to a show.

We have one more appearance this year, at December Doomsday with Weedeater and Unearthly Trance in Baltimore. We have two shows in April at the Philly Decibel Metal & Beer Fest, and back in Baltimore for Haze Mage’s annual 4/20 jammer, aptly named Grim Reefer fest, with Ruby the Hatchet. Additionally we’d love to get further west next year, as well as across the pond! Keep your eyes peeled and your ears to the ground. We’re comin’ to getchoo. XO

Heavy Temple is:
High Priestess Nighthawk (low end and vocal power)
Siren Tempest (rhythm)
Thunderhorse (6 string axe slinger)

https://www.facebook.com/HeavyTemple/
https://www.instagram.com/heavytemple
https://heavytemple.bandcamp.com
https://www.van-records.de/
https://tridroid.bandcamp.com/album/chassit

Heavy Temple, Live at Underground Arts, Philadelphia, PA, June 29, 2018

Heavy Temple, Chassit (2017)

Tags: , , ,

Thunderbird Divine Post “Djinn au Jus” Video; Magnasonic Due Jan. 11

Posted in Whathaveyou on November 21st, 2018 by JJ Koczan

Thunderbird Divine (Photo by Dante Torrieri)

I don’t know what the hype is ultimately going to be like for Thunderbird Divine when it comes to their debut album, Magnasonic, but I do know that the record resides in its own niche of psych-informed classic stoner and sludge rock, and I do know that there’s more going on with it the more one listens. It’s been on my list of most anticipated albums pretty much since the band announced they’d gotten together last year as formed by members of Philly-based outfits Skeleton Hands and Wizard Eye. Now that we’re at the point of preorders going up Dec. 7 ahead of the Jan. 11 release, I find I’m all the more curious to know what the response will be.

As has been their method all along, Thunderbird Divine are giving a teaser for Magnasonic by unveiling a video clip for a song that’s not on the album. If you need an extra second to wrap your head around that — I do — feel free to take it. The latest one, “Djinn au Jus” taps into Snoop Dogg‘s similarly-titled single a from quarter-century ago while retaining its psychedelic flair worthy of the old sci-fi imagery that accompanies.

Album art and details came down the PR wire:

thunderbird divine magnasonic

THUNDERBIRD DIVINE release date!

Philly’s psychedelic space hippy enclave, Thunderbird Divine, has set an official domestic release date of January 11, 2019 for its debut album, Magnasonic, with Salt of the Earth Records (https://www.saltoftheearthrecords.com/). The offering, a 30-plus-minute exploration of riffs and psychedelia, features custom art design by the band’s bassist, Adam Scott.

“The inspiration for Magnasonic’s artwork stems from classic optical and psychedelic line art,” Scott explains. “It then evolved to the stargate space exploration of graphic symbolism, which we feel reflects the music’s loud vibrance.”

Connecticut-based Salt of the Earth Records, home to releases by Earthride, When the Deadbolt Breaks, Atala, Rifflord and more, is enthusiastic about this upcoming release.

“Everything about this album is beautiful, focused and original,” says Scott Harrington (Salt of the Earth Records). “From the instrumentation, songwriting, performances and recordings to the sacred geometry in the art direction, everything about Magnasonic speaks to the depth and talent of Thunderbird Divine. This will set the bar for bands to come.”

Produced by the band and recorded at both Ted Richardson at TedAudio in Philadelphia (www.facebook.com/TedAudio) and Charles Newman (who also mixed the album) at Cottage Sounds Unlimited in Brooklyn (https://www.facebook.com/cottagesounds/), Magnasonic shows the quartet, which coalesced in March of 2017, is not willing to be pigeonholed as a strictly stoner/doom rock band. Featuring Scott on bass and guitars, Flynn Lawrence on guitars and additional instrumentation, Mike Stuart on drums and percussion and Erik Caplan on guitars and various instruments,Thunderbird Divine went for an unexpectedly broad tonal variety with Magnasonic.

“A first record is often considered a band’s mission statement,” Caplan says. “We feel a lot of bands’ first releases set the tone for their careers as heavy, funky, trippy, fast or sludgey, and once they do that, any deviation from the initial sound can be perceived as false or a slacking in its rock responsibilities. We wanted come out of the gate with something diverse but representative. We wanted to leave ourselves with plenty of sonic options for the future.”

Layered with unlikely elements like marxophone, electric sitar, piano and a variety of synths, Thunderbird Divine is unlikely to be stylistically shackled in upcoming releases.

“This album pulls out a lot of stops and frees us from genre limitations,” says Stuart. “After this debut, our next record could be total Motorhead worship, and anyone who hears this one first should be able to hear how we got there. Not that we’ll necessarily do that, but it’s certainly an option.”

As with the band’s previous press releases, Thunderbird Divine once again offers listeners a non-album track with a promotional video. The band’s newest video track, “Djinn Au Jus,” is an unconventional pairing of early ’90s R&B with ’70s arena rock instrumental explorations. The self-recorded song was set to video by drummer/percussionist Stuart.

“The story continues here,” Stuart explains. “We’re moving forward; onward and upward. We’re setting the tone for Magnasonic with these short songs and videos.”

Advance orders for Magnasonic start December 7, 2018 at www.saltoftheearthrecords.com

https://www.facebook.com/thunderbirddivine
https://www.instagram.com/thunderbird_divine/
https://www.facebook.com/SaltOfTheEarthRec/
www.SaltOfTheEarthRecords.com

Thunderbird Divine, “Djinn au Jus” official video

Tags: , , , , ,

Stinking Lizaveta Announce East Coast & Midwest Tour Dates

Posted in Whathaveyou on November 9th, 2018 by JJ Koczan

Stinking Lizaveta (Photo by Dante Torrieri)

Philadelphia’s Stinking Lizaveta head out at the end of this month on a round of touring in the Midwest and along the Eastern Seaboard supporting last year’s Journey to the Underworld (review here) on Translation Loss. They remain a one-of-a-kind outfit in underground music, adherent to style not nearly so much as to substance, and able to leap tall genres in a single bound. It’s been a while since I’ve seen them live, but their chemistry is born of a history that spans more than two decades, and simply put, they’re the kind of band who, if you can see them, you should see them. Not just because they take jazz and make it heavy, and not just because they take heavy and make it jazz, but because they take all of it and make it their own.

Go see Stinking Lizaveta.

Here’s where to do so in the coming weeks, courtesy of the PR wire:

stinking lizaveta tour poster

Stinking Lizaveta Announce Fall Tour Dates

Philadelphia instrumental heavy rock doom-jazz trio Stinking Lizaveta announce a fall tour beginning on November 30th in Lancaster, PA. For fourteen days, the trio will deliver experimental fusion in support of their 2017 mind-melting and critically acclaimed Translation Loss Records release, Journey To The Underworld.

From Lancaster, PA to Lafayette, LA, Paul Webb (Clearlight,/Mystical Crew Of Clearlight, Mountain Of Wizard will join Stinking Lizaveta on second guitar.

A list of tour dates can be found below.

For over 20 years, Stinking Lizaveta have released multiple critically acclaimed albums and shared the stage with national headlining bands such as Clutch, Corrosion of Conformity, Fugazi, Weedeater and more. They have held the reins as rock pioneers and have built a worldwide cult following for their legendary and unrelenting sound.

Late Fall US Tour
11/30/2018 Lancaster, PA, Lizard Lounge
12/02/2018 Philadelphia, PA, Mothership
12/03/2018 Richmond, VA, Strange Matter
12/04/2018 Chapel Hill, NC, Local 506
12/05/2018 Athens, GA, Caledonia
12/06/2018 Knoxville, TN, Pilot Light
12/07/2018 Chattanooga, TN, Ziggy’s
12/08/2018 New Orleans, LA, Portside Lounge
12/09/2018 Lafayette, LA, Freetown Boom Boom Room
12/10/2018 Austin, TX, Lost Well
12/12/2018 Kansas City, MO, Minibar
12/13/2018 Lombard, IL, Brauerhaus
12/14/2018 Iowa City, IA, Gabes
12/16/2018 Pittsburgh, PA, Spirit
12/17/2018 Brooklyn, NY, Saint Vitus

Stinking Lizaveta are:
Yanni Papadopoulos – Guitar
Alexi Papadopoulos – Upright electric bass
Cheshire Agusta – Drums

https://www.facebook.com/Stinking-Lizaveta-175571942466657/
http://www.stinkinglizaveta.com/
https://stinkinglizaveta.bandcamp.com
http://www.translationloss.com/
http://translationlossrecords.bigcartel.com/
https://www.facebook.com/TranslationLossRecords/

Stinking Lizaveta, Journey to the Underworld (2017)

Tags: , , , , ,

Thunderbird Divine Announce Debut Album Title Magnasonic; Post “Madras Blue” Video

Posted in Whathaveyou on July 17th, 2018 by JJ Koczan

Tomorrow night, Philadelphia four-piece Thunderbird Divine take the stage at Arlene’s Grocery in Manhattan atop the bill for the latest installment of the Ode to Doom show series. The band is only just now announcing the title of their Salt of the Earth Records debut album will be Magnasonic and that it will be released in the coming months via Salt of the Earth Records. To lead the way into the record, Thunderbird Divine — who first made their presence known in Spring 2017 and confirmed the album being through Salt of the Earth earlier this year — have a new video.

Does the track come from the album? No. It doesn’t. Why not? I think because, at least in part, that would be predictable. You’d see that coming. A band who are about to put out their debut LP? Well of course they have a video, probably for the catchiest cut on the thing. Thunderbird Divine? Their video is for an off-album instrumental weirdo exploration piece called “Madras Blue,” because screw expectation. One can only hope the entire full-length is so willing to follow its own impulses.

And yeah, that means I haven’t heard it yet. Hopefully sooner than later. I watch my email like a hawk these days. Like the sleepiest motherfucking hawk you ever saw in your life.

But that’s a matter for a different discussion. Here’s the latest from Salt of the Earth, as well as the “Madras Blue” video, which is down at the bottom:

thunderbird divine in studio

Thunderbird Divine Reveals Debut Album Title “Magnasonic,” Releases Promotional Video for “Madras Blue”

Philly’s crew of psychedelic riffologists, Thunderbird Divine, has revealed the title of its first recording. Titled Magnasonic, meaning “great sounds” in Latin, the 30-plus-minute album will be released in both CD and digital download formats via Connecticut’s Salt of the Earth Records (https://www.saltoftheearthrecords.com/) in late Summer/early Fall.

“The rough mixes I’ve heard thus far are next-level,” says Scott Harrington, president of Salt of the Earth Records. “Nobody we know has a record like this. With Thunderbird Diviine’s Magnasonic, Salt of the Earth Records is going to have a landmark release. It’s heavy, it’s psychedelic, it’s layered… it’s really like nothing else out there right now.”

Produced by musician/songwriter LD Beghtol (Flare/Moth Wranglers/Magnetic Fields), the sounds on the upcoming release offer a different flavor from past projects made by this conglomeration of musicians. The quartet, which coalesced in March of 2017 from the remains of Wizard Eye (vocalist/guitarist Erik Caplan) and Skeleton Hands (drummer Mike Stuart, bassist Adam Scott and guitarist Flynn Lawrence), is open to experimentation.

“We all wanted to stretch out and try some different things with our first record,” Caplan says. “It’s not like we abandoned the idea of big riffs, but we went for some progressive moments and embraced the idea of embroidering the songs with textures you don’t tend to hear in heavy music. LD certainly encouraged and instigated this kind of behavior.”

For a band holding a straightforward stoner and riff-rock pedigree, the inclusion of varied textures like piano, sitar, pump organ, bouzouki, marxophone, mandolin, synths and choral voices may seem disparate, or, more damnably, weird for the sake of being weird.

“We were aware this album might be perceived as an attempt to do too much or cram a square peg into a round hole,” Caplan says. “I think the heart of this collection is a solid, heavy band playing good rock songs, and the additional instrumentation takes the music to a fully realized place with the textures the songs need to make them complete. When you’re a musician imagining a piano in one of your songs, for example, it makes sense to get that piano part into the recording of that song if at all possible. The recording will be around forever.”

In keeping with the band’s promise to offer fresh, non-album tracks with promotional videos, Thunderbird Divine’s newest video track, “Madras Blue,” is a trippy intergalactic foray into a realm of swirling electric sitars, pulsing beats and staggered drones. The self-recorded song was set to video by drummer/percussionist Stuart.

“The narrative here follows the story we set in motion with ‘Quaalude Thunder,'” Stuart explains. “There was an arrival in the first video. Now there’s a celebration of that arrival and a birth. We can’t wait to continue telling this tale.”

Check out Thunderbird Divine at New York’s Ode to Doom at Arlene’s Grocery July 18: https://www.facebook.com/events/138916263419072/

https://www.facebook.com/thunderbirddivine
https://www.instagram.com/thunderbird_divine/
https://www.facebook.com/SaltOfTheEarthRec/
www.SaltOfTheEarthRecords.com

Thunderbird Divine, “Madras Blue” official video

Tags: , , , , ,

The Age of Truth Release Threshold LP June 29; Preorders up Now

Posted in Whathaveyou on June 1st, 2018 by JJ Koczan

the age of truth photo useless rebel

Okay, so the news here is that Philly noise rockers The Age of Truth are getting ready to issue their debut album, Threshold (review here) on vinyl through Kozmik Artifactz at the end of this month. Preorders are up now. Bitchin’. Congrats to the band; nice pick for the label. Everyone wins.

Take a look though at the PR wire info below, and specifically I’d like to draw your eye to The Age of Truth‘s upcoming live dates. Yeah. Pretty sick. They’re doing the Chicago Doomed and Stoned fest, and Maryland Doom Fest 2018, and club shows besides with the likes of Heavy TempleBackwoods PaybackWasted Theory and Witchkiss. Some good-ass shows in there, and especially if you can’t make it to either of the noted festivals, might be one you want to keep in mind. The merch table’s always a good place to pick up a record anyhow.

Info follows in abundance:

the age of truth threshold

THE AGE OF TRUTH debut full-length ‘Threshold’ set for first press vinyl to be released with Kozmik Artifactz on June 29th

The Age Of Truth is four brothers-in-arms from Philadelphia, united in the singular pursuit of creating genuine heaviness for an honestly broken world. Our lives are bathed in twisted deception and they unravel it with a scouring purity. With a fully stocked riff arsenal wrapped in tones of Satanic honey, The Age Of Truth blends fuzz and diesel into heavy psych blues and stoner rock. The perfect soundtrack for a barroom brawl ignited from a single lie.

Their debut album Threshold was released November 1, 2017, and dominated for multiple months within the DoomCharts, as well as ranking #8 of the ‘Top 20 Albums of 2017’ at MoreFuzz.net. The Philly quartet has steadily built a reputation among the heavy underground music world with their superb debut, and will confirm their standing with upcoming appearances at the first Chicago Doomed & Stoned Fest, as well as the fourth edition of The Maryland Doom Fest.

Now for the first time, Kozmik Artifactz will bring this phenomenal slab of stoner rock to wax, with an exclusive vinyl release this June 29th. Plated and pressed on high performance vinyl at Pallas/Germany; with a limited and colored vinyl, 300gsm gatefold cover, and special vinyl mastering. A reissued CD format will also be available.

Pre-orders will begin June 1st at Kozmik-Artifactz.com

The Age Of Truth on Kozmik Artifactz: http://kozmik-artifactz.com/artist/the-age-of-truth/

HE AGE OF TRUTH is:

Kevin McNamara: Vocals
Mike DiDonato: Guitar
Scott Frassetto: Drums
William Miller: Bass

In addition to the upcoming vinyl press, Threshold is available now on CD, digital download, and full-stream via The Age Of Truth Bandcamp page, as well as Spotify, iTunes, Amazon, and regular internet radio rotation on Pandora.

The debut album was self-produced by The Age Of Truth and published by Hammerhead Music. Recording, engineering, and mixing was done by Joseph Boldizar at Retro City Studios in Philadelphia, PA; mastering by Carl Saff at Saff Mastering in Chicago, IL; album design and artwork by Michele Fitzgerald; and art direction by Damien Rizzello and The CHAOS Custom.

Threshold – Track List:
Host (Demon In Me)
Come Back A God
Supernatural Salesman
Holding Hands Like Thieves
Caroline
Oceanbones
Hígado de Hierro (interlude)
Threshold
Honeypot (Bonus Track)

Upcoming Live Dates:
Jun 1 – Chicago IL @ Reggie’s – Chicago Doomed & Stoned Festival
Jun 6 – Wilmington DE @ Oddity Bar
Jun 21 – Philadelphia PA @ Kung Fu Necktie (w/The Stone Eye, Transit Method, Rollin’ Loaded)
Jun 23 – Frederick MD @ Cafe 611 – THE MARYLAND DOOM FEST
Jul 6 – Wilmington DE @ Oddity (w/Kingsnake, Wasted Theory, Blood Law)
Jul 20 – Swarthmore PA @ War3house (w/The Electric Mud)
Jul 21 – Philadelphia PA @ Mestosis Room (w/Kingsnake, Temet Nosce, Mesmeria, Strange Aeons)
Jul 23 – Monclair NJ @ Meatlocker (w/Backwoods Payback, Witchkiss)
Aug 3 – West Chester PA @ Sprout Music Collective (w/Heavy Temple, Backwoods Payback)

http://www.theageoftruth.net
https://theageoftruth.bandcamp.com/
http://www.facebook.com/theageoftruth
https://www.instagram.com/theageoftruth/
http://www.twitter.com/theageoftruth
http://www.reverbnation.com/theageoftruth

The Age of Truth, Threshold (2017/2018)

Tags: , , , , ,

Thunderbird Divine Sign to Salt of the Earth Records; Premiere Video for “Quaalude Thunder”

Posted in Whathaveyou on May 7th, 2018 by JJ Koczan

First discussed here last May, Philadelphia four-piece Thunderbird Divine have signed on to release their debut album through Salt of the Earth Records. Inking the deal makes them labelmates to the likes of EarthrideScissorfight and Atala, though if their first public audio in the track “Quaalude Thunder” premiering in the video at the bottom of this post is anything to go by, they’re way dug into their own wavelength. All the better for the group, which features guitarist/vocalist/thereminist Erik Caplan, formerly of Wizard Eye and guitarist Flynn Lawrence, bassist Adam Scott and drummer Mike Stuart, all of whom used to play in Skeleton Hands.

I’d doubt “Quaalude Thunder” speaks for the whole of Thunderbird Divine‘s aesthetic, but it’s a pretty engaging introductory sampling, and one hopes it’s not too long before they dole out a follow-up ahead of the yet-untitled first long-player.

Salt of the Earth made the signing official by sending over the following announcement. Stoked on this one. Expect more to come:

Thunderbird Divine (Photo by Dante Torrieri)

Thunderbird Divine Signs With Salt of the Earth Records for First Album, Releases Exclusive Video Track

Colchester, Connecticut-based label, Salt of the Earth Records, has inked a contract with Philadelphia’s Thunderbird Divine for its first, as-yet unnamed album due late Summer 2018. The band, comprising former members of the now-defunct bands Skeleton Hands and Wizard Eye, formed in March 2017 and is presently wrapping up the recording process.

“I couldn’t be more psyched, nor could I be prouder to be able to announce the signing of Thunderbird Divine to Salt Of The Earth Records,” says label president, Scott Harrington. “These guys are doing something truly interesting, different and exciting–make no mistake, this is definitely a heavy record, but there are complex elements of psychedelia and weird, wild textures mixed with classic riffing. This thing has class, style and balls. That’s a rare combination.”

Thunderbird Divine, featuring guitarist/vocalist Erik Caplan, bassist Adam Scott, drummer Mike Stuart and guitarist Flynn Lawrence, is extremely pleased to be working with Salt of the Earth Records as well, a label featuring releases from the likes of Scissorfight, Atala and Earthride.

“I knew Scott very well from his work with my last project, and he did some wonderful stuff for that band,” says Caplan. “I have always considered him to be a solid, stand-up guy who shoots straight and makes things happen, and we’re proud to join the Salt of the Earth Records roster of talented, creative artists who feel the same way about Scott and his work ethic. We’re in good company.”

The band has been recording in both New York and Philadelphia, at TedAudio with Ted Richardson and Mother West with Charles Newman, respectively. The foursome also chose to work with a producer for its first release, landing Caplan’s longtime friend, composer/multi-instrumentalist/artist/producer LD Beghtol. Beghtol, known for his solo music as well as work with Flare, Magnetic Fields and various other ventures, is not the typical choice as producer for music on the heavier side of the music spectrum.

“I’ve known LD for 20 years or so, and he’s a great friend as well as a ridiculously talented person,” says Caplan. “He’s always been an excellent touchstone and confidante for me, and I knew he would bring a fresh mindset to our sound. I think it would have been easy to approach one of the usual sludge or stoner/doom producers with our music, and I think the result would have been a really strong but typical album. Working with LD has really expanded our horizons and made this into something extraordinary.”

Thunderbird Divine has also created a series of advance self-produced non-album tracks with video treatments to herald this release. The first of these, an instrumental called “Quaalude Thunder,” is a tongue-in-cheek reference to the way the late, great Frank Zappa described self-indulgent drumming.

“We have the capability to create our own recordings and make our own videos, so we wanted to offer some appetizers before we served up the main course,” says Stuart. “Every one of these tracks is a short teaser related to something you’ll hear on the album–variations on themes we’ve explored. ‘Quaalude Thunder’ certainly could have been a section of an album track, but we decided to give it a home of its own as an advance video track. The videos offer glimpses into the kinds of things we embrace as visual inspiration. Expect more as we get closer to the release date for the album.”

Photo credit: Dante Torrieri
(l-r) Erik Caplan, Flynn Lawrence, Adam Scott, Mike Stuart

www.facebook.com/thunderbirddivine
https://www.instagram.com/thunderbird_divine/
www.facebook.com/SaltOfTheEarthRec

Thunderbird Divine, “Quaalude Thunder” official video premiere

Tags: , , ,