Shadow Woods Metal Fest 2017 Completes Lineup

Posted in Whathaveyou on March 20th, 2017 by JJ Koczan

Stop me if I’ve said this before, but Shadow Woods Metal Fest 2017 has be as close to an absolute no-brainer as I’ve ever seen in terms of attendance. I mean, so you’re gonna go out to the woods and listen to a bunch of meticulously curated doom and folk and black metal and psych for a weekend, camp out and top the whole thing off with a Panopticon set under starlight? Jesus. How much more could you really ask of a live event than that?

Cheers to Mary Spiro on a job incredibly done with this lineup. I don’t even know what else to say about it other than it’s pretty unreal and there’s nothing else like it happening that I know of in the US or maybe even anywhere else. Seriously. Who’s pulling bands from both coasts and Europe across genres like this for an outdoor event the vibe of which you can already feel just from the press release? Who’s got Castle on the same bill with West Virginian folk black metal?

It’s not all my bag, but I tip my hat:

SHADOW WOODS METAL FEST 2017 poster

Shadow Woods Metal Fest 2017 – Official Lineup Announcement

SHADOW WOODS METAL FEST, the Mid-Atlantic’s only open-air camping heavy metal gathering, is pleased to announce the complete lineup for the 2017 festival, which runs from Thursday, September 14th through Sunday, September 17th at White Hall, Maryland’s Camp Hidden Valley. For the third year, the festival will host 39 of the undergrounds leading bands, representing all genres and subgenres of heavy metal.

Over three days, the four stages of SHADOW WOODS METAL FEST will come to life inside the woodsy landscape of Camp Hidden Valley. “Every year has been special, but I am just particularly stoked about what we have curated”, says Mary Spiro, organizer of Shadow Woods Productions LLC. “I am extremely honored to present the lineup this year because I think it reflects the best of the underground metal scene as well as some of the personal favorites of the festival organizers. Several of these bands, I have been trying to host at the fest since the first year and I am happy to finally have them play.”

Beginning on Thursday night, the Pavilion stage will light up and set the tone to the weekend with all-acoustic and intimate performances with Texas dark-folk maudit AMIGO THE DEVIL, Portland’s dark-folk soloist AERIAL RUIN and West Virginia’s Appalachian folk duo, NECHOCHWEN. Friday includes exclusive performances by Oregon’s haunting black metal band UADA and Georgia’s tortured blackened death quartet WITHERED.

On Saturday, as darkness falls over the Woodland Stage, atmospheric blackened folk giants PANTOPICON will play an exclusive, 70-minute set under the backdrop of the stars. Brooklyn black metal titans WOE, Rhode Island sludgy-doom foursome CHURCHBURN, mysterious blackened grind band DEAD IN THE MANGER (one of two east coast shows), and San Francisco extreme death quintet VASTUM (one of two east coast shows), will all deliver exclusive performances to SHADOW WOODS METAL FEST.

SHADOW WOODS METAL FEST is proud to be sponsored this year by Moxie Bookkeeping and Tridroid Records and to receive promotional support from Grime Studios, Leftover Pizza Productions, and Perfect World Productions.

SHADOW WOODS METAL FEST 2017
Complete Lineup (in alpha order):
Aerial Ruin – Portland, OR (Ritual folk)
All Hell – Asheville, NC (Crusty black metal)
Amigo the Devil – Spicewood, TX (Dark folk) **
Bearstorm – Richmond, VA (Blackened southern death-prog)
Black Table – NY/NJ (Progressive black metal)
Castle – San Francisco, CA (Heavy doom metal)
Churchburn – Pawtucket, RI (Blackened sludge) **
Cut the Architect’s Hand – Richmond, VA (Death metal)
Dark Water Transit – Baltimore, MD (Instrumental heavy rock)
Dead in the Manger – coast to coast – (Blackened grind) **
Dee Calhoun – Frederick, MD (Acoustic; vocalist of Iron Man)
Earthling – Richmond, VA (Thrash metal)
Elagabalus – Baltimore, MD (Experimental metal 2-piece)
Erlkonig – Baltimore, MD (Blackened death metal)
Fiakra – Freehold, NJ (LARPower metal)
Foehammer – Annandale, VA (Sludge)
Green Elder/Paul Ravenwood – Johnson City, TN – (Nature folk)
Heavy Temple – Philadelphia, PA (Psychedelic-doomed rock)
Hexis – Copenhagen, Denmark (Hardcore/black metal)
Human Bodies – Boston, MA (Crusty blackened hardcore)
Immaculate Deception – Baltimore, MD (Death metal)
Infera Bruo – Boston, MA (Black metal)
Kyoty – Dover, NH – (Instrumental post metal)
Mome – Portland, ME (Power psych rock)
Nechochwen “unplugged” – Wheeling, WV (Appalachian acoustic folk metal) **
Night Raids – Philadelphia, PA (Thrash/grind)
Panopticon – KY/MN (Black folk metal) **
Percussor – PA/DE (Old school death metal)
Seasick Gladiator – Washington, DC (Experimental doom prog)
Sloth Herder – PA/VA/MD (Sludge grind)
Take to the Woods/Jo Cosgrove – Baltimore, MD (Dark folk)
The Owls Are Not What They Seem – York, PA (Ritual noise)
Toke – Cape Fear, NC (Stoner doom)
Uada – Portland, OR (Black metal) **
Vastum – San Francisco, CA (Death metal) **
Withered -Atlanta, GA (Black/death metal) **
Woe – Brooklyn, NY (Black metal) **
Worthless- NY/NJ (Black metal) **
ZUD – Portland, ME (Black and blues metal)
** EXCLUSIVE PERFORMANCES

SHADOW WOODS METAL FEST DETAILS
Location:
Camp Hidden Valley
White Hall, Maryland

Ticket Link: http://shadowwoodsmetalfest2017.bpt.me
Price: $175 Full weekend package (Thursday evening-Sunday morning) including all musical events and camping
Cabins: $20 bed (shared cabin)

Shadow Woods Metal Fest is 21+
Food & beverage vendors: Various food, beverage, and alcohol vendors will be on site with both vegan, vegetarian, and omnivore selections. No outside alcohol is permitted.
Marketplace vendors: Multiple record labels, distros, and artisans will be located in the Hall. For more information on becoming a vendor, contact shadow.woods.llc@gmail.com

PROMOTIONAL ARTWORK: Brian Sheehan
PROMOTIONAL VIDEO: Mary Spiro

http://shadowwoodsmetalfest2017.bpt.me
http://www.shadowwoodsmetalfest.com/
https://www.facebook.com/shadowwoodsmetalfest/
https://www.instagram.com/shadow.woods.metal.fest/
http://twitter.com/ShadowWoodsMF

Shadow Woods Metal Fest 2017 promo video

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Shadow Woods Metal Fest 3: Partial Lineup Announced; Earlybird Tickets on Sale

Posted in Whathaveyou on February 17th, 2017 by JJ Koczan

SHADOW WOODS METAL FEST 3 LOGO

True to what’s been their mission all along, the lineup thus far unveiled for Shadow Woods Metal Fest 3 offers diversity, extremity of various stripes, and an immediate sense of vibe that feels once again perfectly suited to its outdoor, campground setting in White Hall, Maryland. From Aerial Ruin‘s dark folk to the deathly push of Percussor, to the New England psychedelia of MoMe — previously unknown to me, which seems like dereliction of duty on my part — and beyond with familiar faces like Virginian doomcrushers Foehammer, an acoustic set from Dee Calhoun of Iron Man, North Carolinian sludgers Toke and Philadelphia’s Heavy Temple, it’s got enough intrigue even among the names already announced to have one checking the calendar, and as earlybird tickets go on sale today, they’re only likely to build from here. Kudos, as ever, to Mary Spiro on putting it together.

What info is out is below, as well as the link to where you can get your tickets. If you can do that, you probably should:

shadow-woods-metal-fest-3

Shadow Woods Metal Fest 3

September 14 – September 17
Camp Hidden Valley
White Hall, Maryland 21611

The best weekend of your life is back for a third year with an even more diverse lineup than ever. Nearly 40 bands over three days of camping in the woods. See below for important details!

Schedule: Several acoustic sets on Thursday evening in the Pavilion only. Full production with three alternating stages Friday and Saturday only from noon til approximately midnight each night. No performances on Sunday (as per usual).

BANDS ANNOUNCED SO FAR (MORE TBA)
Aerial Ruin – Portland, OR (ritual folk)
Amigo the Devil – Spicewood, TX (murderfolk; TWO EXCLUSIVE and DIFFERENT SETS).
Castle (San Francisco)
Dee Calhoun (Frederick, MD)
Bearstorm – Richmond, VA (blackened southern deathprog)
Black Table (NY/NJ)
Elagabalus – Baltimore, MD (experimental metal 2-piece)
Foehammer (Northern Virginia)
Green Elder /Paul Ravenwood (Johnson City, TN)
Heavy Temple (Philadelphia)
Hexis (Copenhagen, Denmark)
Human Bodies (Boston) blacked hardcore
Mome (Portland, ME) psych rock
Panopticon – exclusive performance (KY/MN)
Percussor – Philadelphia/Wilmington (old school death metal)
Seasick Gladiator – Washington, DC (experimental doom prog)
The Owls Are Not What They Seem (York, PA)
Toke (Cape Fear, NC)
Vastum – one of two East Coast performances (San Francisco)
ZUD – black and blues rock and roll (Portland, ME)

IMPORTANT THINGS TO REMEMBER:
** Earlybird tickets (which are full Thursday – Sunday passes at a discount over the regular price and include non reserved camping) go on sale at Noon Friday, Feb 17.
** There are NO RESERVED CAMPING AREAS; it is camp where you may in designated areas.
** Cabin bed tickets will be on sale FRIDAY. (The cabins are NOT private; they are bunkhouse summer camp style.)
** We remain at our previous location in White Hall, MD.
** An updated FAQ will appear soon on our website. www.shadowwoodsmetalfest.com
** Once you buy your ticket you will be able to join a private SWMF FB group. READ THE EMAIL THAT CONFIRMS YOUR TICKET PURCHASE FOR DETAILS.
** You may choose how your tickets are delivered to you: WILL CALL (name at the door only); print at home; or physical tickets that will be mailed to you.
** THE EVENT IS 21 and up!
** The event is NOT BYOB. Do not bring outside alcohol. Beer and wine will be for sale.
** Food vendors will be on site
** Marketplace vendors will be in the HALL as usual. If you are interested in vending email Shadow.Woods.LLC@gmail.com with information and links about what you want to sell.
** Thursday night (Sept 14) will feature an acoustic only stage where several groups will perform in an intimate setting.
** On Friday and Saturday (September 15 and 16), the fest will be in full production with three stages running from noon to midnight each day.
** There are NO BANDS on Sunday. That’s the day you pack up and go home.

http://shadowwoodsmetalfest2017.bpt.me/
https://www.facebook.com/events/1795871643988618/
https://www.facebook.com/shadowwoodsmetalfest/
www.shadowwoodsmetalfest.com

MoMe, The Slime Between all Things (2015)

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The Obelisk Radio Adds: All Them Witches, Rainbows are Free, Idre, Nyarlathotep, Panopticon

Posted in Radio on July 11th, 2014 by JJ Koczan

Click here to listen.

There doesn’t seem to ever be a break with this stuff. 16 records joined The Obelisk Radio playlist today, and that’s still got me behind on checking out more to add. I don’t know what the state of that hard drive is, but I might not be far off from needing to add a second one. It’s become an archive for me.

Diligent and admirable bastard that he is, Slevin is working on an automatically refreshing script that will allow listeners to see what was played over the last 24 hours, which will be a big help if a file is missing its ID3 tags — that being how the player identifies the songs — as I know things sometimes are. I get asked regularly what was played at a specific time, so hopefully this will be able to answer that question.

So things are in the works, but of course there’s a ton of music to talk about in the meantime, and that’s the fun part anyway.

The Obelisk Radio Adds for July 11, 2014:

All Them Witches, Effervescent EP

There are at least two distinct jams at work in the 25-minute single track that makes up Effervescent, the 2014 EP from Nashville psych-blues rockers All Them Witches. The Fender Rhodes of Allan Van Cleave and airy guitar of Ben McLeod feature heavily in both, as bassist Michael Parks, Jr., and drummer Robby Staebler (interview here) provide a foundation on which to space out, and the two pieces find a bridge in hypnotic, psychedelic stretching and backwards noise beginning at around 13 minutes in before building back up. All throughout, the vibe is central, there is movement, and the four-piece demonstrate that the chemistry they showed burgeoning on last year’s brilliant Lightning at the Door (discussed here) was no fluke, but the beginning of a grand and creative exploration that finds its next installment here. It may be a stopgap — formerly their primary means of release, they’ve recently pulled their full-lengths down from Bandcamp; one expects big, got-signed-type news from them at any moment — but Effervescent is fluid and rich, and as deep as you want to go in listening to it, it’s willing to take you there and further. All Them Witches on Thee Facebooks, on Bandcamp.

Nyarlathotep, The Shadow over Innsmouth

Some six years after releasing their initial The End is Always Near demo, New Jersey black metal outfit (whom, in the interest of full disclosure, I know personally) Nyarlathotep follow-up with the Lovecraftian full-length, The Shadow over Innsmouth. Based around the  short story of the same name, the album breaks down into five extended tracks plus an intro of rage-fueled atmospherics. Using programmed drums to their advantage on “Old Zadok Allen” — the only proper song here under 10 minutes — they add an industrial feel with a keyboard-led midsection backed by vague, ambient screams. The density in the material is striking, but even at their most unbridled — as on the blasting, solo-topped early moments in the title-track — Nyarlathotep hold their commitment to setting a mood firm, and the blown-out, distorted soundscape they create across the release is grim and otherworldly enough to be worthy of its subject matter. It is a complex, biting execution that won’t be for everyone, but that seethes in its quiet parts and gnashes its pointed teeth with monstrous force. Nyarlathotep on Thee Facebooks, on Bandcamp.

Idre, Idre


Oklahoma City trio Idre specialize in ambient fluidity and deeply-weighted tonal crush. Their self-released, self-titled debut long-player is comprised of two extended cuts — “Factorie” (26:41) and “Witch Trial” (13:17) — that each impress with their patience, their impact and their ability to contrast the generally claustrophobic feel of post-metal with an open-spaced, salt-of-the-earth pulse. Within its first 10 minutes, “Factorie” has moved from undulating waves of riffing to vast, strumming, Across Tundras-esque roll, and never does it seem to be meandering without purpose in the noisy stages to come. It builds and collapses, and when they seem the most gone, the clean, twanging vocals return to finish out, leading to the parabolically constructed “Witch Trial,” which marries Earth-style drone and galloping drums effectively to create a decidedly Western feel while still building toward, and eventually moving through a sonically pummeling apex. Once again, vocals are sparse, but perfectly placed almost as if to remind the listener of how small a human being can be in so wide a space as the Midwest. Like that landlocked region, Idre‘s Idre is expansive and lets you see for miles. Idre on Thee Facebooks, on Bandcamp.

Rainbows are Free, Waves ahead of the Ocean

Led by the substantial pipes of vocalist B. Fain Kistler, Norman, Oklahoma, four-piece Rainbows are Free seem keen on finding the place where classic doom and heavy rock meet, and on their second full-length, Waves ahead of the Ocean (released by Guestroom Records), they just about get there. Kistler is a singer worthy of comparison to Grand MagusJB Christoffersson, but Rainbows are Free are less grandiose overall, early songs like “The Botanist,” the title-track and the cumbersomely-titled opener “Speed God and the Rise of the Motherfuckers from a Place beyond Hell” nestling into heavy, engaging grooves marked out by the choice riffing of Richie Tarver, the bass work of Chad Hogue and drums of Bobby Onspaugh. Unpretentious and professional in their presentation, they doom up an otherwise Clutch-style boogie in “Cadillac” before going full-on trad metal in “Snake Bitten by Love,” and ably making their way through a Dio Sabbath push on “Burn and Die,” which works well despite feeling a long way from the upbeat rockin’ of earlier highlight “Sonic Demon” and leads smoothly into closer “Comet,” the six-and-a-half-minute spacier thrust of which seems to be seems to be where Rainbows are Free most choose to harken to the psychedelia one might expect from their moniker. They most drive toward the epic in their finale, and the payoff there is churning and insistent in a way that more than justifies the song’s position on the 37-minute record, but even then have a keen eye for structure and holding the attention of their audience. An impeccably put together album from a band more than ready to turn heads. Rainbows are Free on Thee Facebooks, Guestroom Records on Bandcamp.

Panopticon, Roads to the North


Despite the bluegrass influence and liberal inclusion of banjo amidst its blackened onslaught, Panopticon‘s Roads to the North (released on Bindrune) is perhaps most American of all for its pulling together seemingly disparate elements in defiance of European traditionalism. Billed as and creating the standard for American folk metal, it nonetheless is in conversation with European black metal — a conversation that in my head looks something like it’s being chased à la Benny Hill for its heresies — while purposefully working against its tenets. Roads to the North is the fifth full-length from the one-man project of Kentucky’s Austin Lunn, and made in collaboration with Krallice‘s Colin Marston (among others), it elicits a sprawl through both its metallic extremity and its devotion to the aesthetic it pioneers. It makes for a heady 74-minute listen, but Panopticon are cohesive throughout — five records deep, they should be — and one doesn’t embark on an album like Roads to the North lightly or without wanting full immersion into an evocative and blistering landscape. That’s just what you get. Panopticon on Thee Facebooks, Bindrune Recordings.

For the full list of albums added to The Obelisk Radio this week and to see the latest updates, click here.

Thanks for reading and listening.

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