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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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Roadburn 2017: Pallbearer, Drow Elixir, Caïna, Naðra and Rome Added; Day Tickets on Sale

Posted in Whathaveyou on January 10th, 2017 by JJ Koczan

I guess when you’re Roadburn, you can pretty much make any occasion special by adding a handful of bands. So it is for individual day tickets going on sale, which comes accompanied by the news that, oh hey, Pallbearer are going to play, and the guys from Wolves in the Throne Room will debut a new ambient project called Drow Elixir, and because why not, Caïna, Naðra and Rome have also been added to the bill. And while we’re here, here’s more kickass poster art from Costin Chioreanu, highlighting each day’s lineup, already friggin’ staggering as it is, with more still to be added. As Mel Brooks once said, it’s good to be the king.

Click the posters below to enlarge and immediately begin sweating the making of your schedule. Then begin making your schedule. I’m thrilled, humbled and thrilled again to have also gotten confirmation of my own attendance this April, so if you’re going, I’ll see you there:

New additions to Roadburn 2017 line up; day tickets on sale this week

Ahead of day tickets for Roadburn Festival 2017 going on sale this week, a handful of new artists have been confirmed to play at the event which will take place between April 20-23 in Tilburg, The Netherlands.

PALLBEARER

Few bands have struck such a deep and emotional chord within the world of doom in the last few years as PALLBEARER. The band has spent the last couple of years touring massively around the world, sometimes headlining, sometimes supporting some of our favourite bands, like our beloved curator John Dyer Baizley’s band Baroness who have been on the road with PALLBEARER but a couple of months ago. John couldn’t resist adding an extra something to his curation, and although they will perform on Sunday, April 23, PALLBEARER will be included under John’s curatorship umbrella.

DROW ELIXIR

The masterminds behind Wolves In The Throne Room will present their new side project entitled, DROW ELIXIR. Shrouded in mystery for now, little is known about the project. The band commented: “Wolves in the Throne Room will debut our new dark ambient side project DROW ELIXIR at the Roadburn Festival. DROW ELIXIR is woven illusions, ethereal projections and sonic manipulations created with archaic techniques.”

It is an immense pleasure to host such a momentous, never before heard occasion at Roadburn; DROW ELIXIR will perform at the 013 venue on Thursday, April 20.

CAÏNA

In 2017, CAÏNA’s second album, Mourner, will be ten years old, and some opportunities just need to be seized. So we invited CAÏNA to celebrate this anniversary in the same form as Mourner was originally born – Andrew Curtis-Brignell, alone, as CAÏNA, will therefore perform the Mourner tenth anniversary set, a unique, once-in-a-lifetime occasion to hear this cult classic performed almost in its entirety, plus a few other bonuses Andrew has in store for us on Sunday, April 23.

NAÐRA

In 2016, we introduced our faithful Roadburners to the obscure might of the Icelandic black metal underground. By having Misþyrming as our artist in residence, we were able to feature a series of other bands connected to them on our bill; NAÐRA, which features four Misþyrming members plus the unhinged demon that is vocalist Ö, gave us one of the most enduring experiences of them all.

Like opening a Pandora’s box, all those tortured, twisting hymns of sickness that made Allir Vegir Til Glötunar one of the most harrowing records of 2016 will now resonate inside the Het Patronaat, on Friday, April 21 as if they were hissing, soul-consuming demons flying free.

ROME

ROME has been the creative vehicle for Luxembourgian singer/songwriter Jerome Reuter for over a decade already. Throughout this time, his prolific output has seen him traverse several musical plains, building what is by now a genuinely unique, distinctive and recognisable personality. ROME will have their long overdue and much anticipated Roadburn debut at the Het Patronaat, on Thursday, April 20 in Tilburg, The Netherlands.

Day tickets for Roadburn 2017 go on sale at 18:00 CET on Thursday, 12 January, priced at 59 Euro. Three and four day weekend tickets are already on sale, and links for all tickets are below. In addition, due to overwhelming demand, more flextotels have been added to the urban campsite and are now available to purchase.

Roadburn’s artistic director, Walter Hoeijmakers, commented:
“Weekend ticket sales are already in full swing, and we know a lot of people have been eager to get their hands on day tickets so here we are! I’m thrilled with the response to the line up so far; Roadburn is an artistic and creative endeavour, into which a lot of thought and energy goes. It’s such a positive feeling to get feedback that people are on board with what we’re doing here.

“The line up is very nearly complete now – just a couple more surprises up our sleeve, plus of course, announcements regarding our side programme are also in the pipeline. All of this, plus the always-anticipated running orders, will be along in due course. We’re already looking forward to April, and sincerely hope that you are too!”

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver, Hypnopaz?zu (David Tibet & Youth), Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Thursday only – 59 Euro
Friday only – 59 Euro
Saturday only – 59 Euro
Sunday only – 54 Euro

Campsite tickets including flexotels are on sale for Roadburn 2017 and can be purchased from this link.

Day posters below have been created by Costin Chioreanu.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Pallbearer, Fear and Fury (2016)

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Pallbearer Reveal Art and Track Details for Heartless

Posted in Whathaveyou on January 5th, 2017 by JJ Koczan

pallbearer diana lee zadlo

Particulars have begun to surface regarding Pallbearer‘s third album, Heartless. Art and tracks — you know the drill. First there was the album announcement last month, and now we have the cover and tracklisting. Soon audio premieres will start through the broader media websites, who’ll pad their underground cred by celebrating a doom band while exposing the Arkansas four-piece to a wider public; win-win. Let’s say three songs out one at a time and then a full-album stream? Then more tour dates once the record’s out March 24 via Profound Lore, because as ever, one can expect Pallbearer to bust their collective ass on the road, and maybe a video or something like that. Then tour tour tour and that’s how it is. Like I said, you know the drill. It’s the modern album cycle. Half of you are in one part of it or another, I’d wager.

And nothing against it. Pallbearer’s Heartless will no doubt be one of 2017’s biggest releases in doom and likely under the wider sphere of metal as a whole. They’re due for that kind of ascent. So only right it should be done up with maximum ceremony. The PR wire explains why:

pallbearer heartless

PALLBEARER UNVEIL DETAILS FOR THEIR HEARTLESS LP, DUE OUT MARCH 24th FROM PROFOUND LORE

Progressive doom giants Pallbearer have returned with their third album: a 7-song collection of monumental rock music titled Heartless, which will be released March 24th from Profound Lore in North America (in Europe from Nuclear Blast Entertainment). Pallbearer recorded Heartless on analog tape at Fellowship Hall Sound in their hometown of Little Rock, AR, and mixed it with Joe Barresi (Queens of the Stone Age, Tool, Melvins, Soundgarden) in summer of 2016. The end result is an album grander in scope than anything they’ve released prior, showcasing a natural progression that melds higher technicality and more ambitious structures with Pallbearer’s most immediate hooks to date.

On Heartless, Pallbearer offer a complex sonic architecture that weaves together the spacious exploratory elements of classic prog, the raw anthemics of 90’s alt-rock, and stretches of black-lit proto-metal. Lyrics about mortality, life, and love are set to sharp melodies and pristine three-part harmonies. Vocalist and guitarist Brett Campbell has always been a strong, assured singer, and on Heartless, his work is especially stunning. Written by Campbell and bassist/secondary vocalist Joseph D Rowland, the words have moved from the metaphysical to something more grounded. As the group explains: “Instead of staring into to the void—both above and within—Heartless concentrates its power on a grim reality. Our lives, our homes and our world are all plumbing the depths of utter darkness, as we seek to find any shred of hope we can.”

By fusing their widest musical palette to date, Pallbearer make the kind of heavy rock that will appeal to diehards, but could also find the group crossing over into newer territories and fanbases. After having helped revitalize doom metal, it almost feels like they’ve gone and set their sights on rock and roll itself. Which doesn’t seem at all impossible on the back of a record like Heartless.

See Pallbearer on tour in support of Heartless in February and March (dates below with more to surface) and look for song premieres, pre-orders and more information from Profound Lore to be posted soon.

Heartless, track listing:
1. I Saw the End
2. Thorns
3. Lie of Survival
4. Dancing in Madness
5. Cruel Road
6. Heartless
7. A Plea for Understanding

Pallbearer is:
Brett Campbell – guitar, vocals
Devin Holt – guitar, vocals
Mark Lierly – drums
Joseph D. Rowland – bass, vocals

PALLBEARER, ON TOUR:
February 25 Austin, TX @ Barracuda *
March 22 Little Rock, AR @ Revolution Music Room
March 23 Nashville, TN @ The End
March 25 Brooklyn, NY @ Music Hall of Williamsburg
March 28 Cleveland, OH @ Grog Shop
March 29 Grand Rapids, MI @ Pyramid Scheme
March 31 Chicago, IL @ Thalia Hall
* w/ The Crazy World of Arthur Brown

https://www.facebook.com/pallbearerdoom
https://twitter.com/pallbearerdoom
https://instagram.com/pallbearerdoom/
https://www.profoundlorerecords.com/
https://profoundlorerecords.com/
https://profoundlorerecords.bandcamp.com/

Pallbearer, Fear and Fury EP (2016)

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Pallbearer Announce New Album Heartless Due in March

Posted in Whathaveyou on December 19th, 2016 by JJ Koczan

Of all the surprises the universe might bestow on a given day, Pallbearer announcing a round of tour dates is probably pretty low on the scale of absolute shockers. They tour a lot. They’ve toured a lot since their second album, Foundations of Burden, came out in 2014, and they toured a lot for the preceding 2012 debut, Sorrow and Extinction (review here). It’s just what they do.

Perhaps more of a newsly morsel is that a third album is impending. Titled Heartless, it’s due in March and follows an EP released earlier this year also through Profound Lore called Fear and Fury (discussed here) that boasted covers of Dio-era Black Sabbath and Type O Negative back to back — just in case you weren’t sure they were up for a bold decision or two.

The limited album info and the tour dates around the release follow. Note that in February they’ll also be playing with The Crazy World of Arthur Brown, which seems worth a trip to Austin if anything ever was:

pallbearer diana lee zadlo

PALLBEARER RETURN WITH NEW ALBUM, ANNOUNCE TOUR DATES

Their third full-length album, Heartless, due out in March from Profound Lore Records

Pallbearer recently announced their third full-length album, Heartless, which is due out in March 2017 via longtime label partner Profound Lore. In conjunction with the album’s release, Pallbearer will headline a string of shows in March; kicking off in their hometown of Little Rock, then heading to Nashville, Brooklyn, Cleveland, Grand Rapids and Chicago. These shows are the first since Pallbearer’s extensive U.S. tour alongside Baroness last fall – check out the full list of dates below.

PALLBEARER, ON TOUR:
February 25 Austin, TX @ Barracuda *
March 22 Little Rock, AR @ Revolution Music Room
March 23 Nashville, TN @ The End
March 25 Brooklyn, NY @ Music Hall of Williamsburg
March 28 Cleveland, OH @ Grog Shop
March 29 Grand Rapids, MI @ Pyramid Scheme
March 31 Chicago, IL @ Thalia Hall
* w/ The Crazy World of Arthur Brown

https://www.facebook.com/pallbearerdoom
https://twitter.com/pallbearerdoom
https://instagram.com/pallbearerdoom/
https://www.profoundlorerecords.com/
https://profoundlorerecords.com/
https://profoundlorerecords.bandcamp.com/

Pallbearer, Fear and Fury EP (2016)

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Pallbearer Release Fear and Fury EP; On Tour Now

Posted in Whathaveyou on August 12th, 2016 by JJ Koczan

pallbearer

Nearly 20 years on to the day since the release of Type O Negative‘s now-classic fourth album, October Rust, as well as six years after the early passing of that band’s inimitable frontman Peter Steele, yeah, I guess a song like “Love You to Death” is fair game for covering. And as someone who’s loved Type O since I was like 12, I’ll say that hard touring Little Rock, Arkansas, doomers Pallbearer do an admirable job with it as well on their brand new EP, Fear and Fury, just released digitally through Profound Lore with vinyl to follow this fall, bringing their own psychedelic edge to the brooding sentimentality of the original, indulging in some choice keyboard work while maintaining the underlying push of low-end.

“Love You to Death” is joined by “Fear and Fury,” which Pallbearer released as a single last year, and a take on Black Sabbath‘s “Over and Over,” which has been a staple of live shows for several years now. The vinyl is up for preorder, the whole thing is available to stream and you can check it out under the PR wire info below, which also includes the dates for Pallbearer‘s tour with Baroness, which is happening as we speak.

Dig:

pallbearer fear and fury

PALLBEARER RELEASE ‘FEAR AND FURY’ EP, EMBARK ON U.S. TOUR WITH BARONESS

Three-song EP out now digitally, on vinyl October 21st from Profound Lore / See Pallbearer on tour August 11 – September 10

Pallbearer is thrilled to release a 3-song EP, titled Fear and Fury, available now via digital download with a limited vinyl version to follow on October 21st from Profound Lore Records. The vinyl version will be presented in a beautifully packaged circular die-cut jacket with art and design by Johan G. Winther and inner-sleeve artwork by Michael Lierly. The EP’s three songs include a remastered version of the band’s titular 2015 single “Fear and Fury” and cover versions of Black Sabbath’s “Over and Over” and Type O Negative’s “Love You To Death”. The vinyl itself will have the three tracks on Side A and an etching on Side B and is available for pre-order now in all of its limited colors, along with a digital release which is available now as well.

Pallbearer is an American colossus, rooted in doom metal but shaping their own musical paradigm unfettered by the confines of genre. Initially formed in Little Rock, AR by Joseph D Rowland (bass) and Brett Campbell (vocals / guitars) and later Joined by Devin Holt (guitar), the line up was solidified by the addition of Mark Lierly (drums) after the recording of their debut LP. That album, 2012’s Sorrow and Extinction, captured the primal heaviness of the band’s live show but expanded beyond a reliance on pure volume. It wavers beautifully between subdued introspection and towering aural force.

2014’s Foundations Of Burden built on the groundwork of their debut, evoking a complex melodic consciousness, each song imbued with a weight of devastating melancholy. Produced and mixed by Billy Anderson (Sleep, Agalloch, Red House Painters), the album saw Pallbearer forging it’s own brilliantly desolate path, seeking balance at the very threshold of an unforgiving void.

Pallbearer are currently working on their third full-length LP, and will be on tour in August and September alongside Baroness – see all tour dates below and look for more news from Pallbearer coming soon.

PALLBEARER
(U.S. tour with Baroness)
08/11 – Richmond, VA @ Strange Matter**
08/12 – Washington, DC @ The Howard Theater
08/13 – Northampton, MA @ Pearl Street Ballroom
08/14 – New York, NY @ Webster Hall
08/15 – Philadelphia, PA @ Kung Fu Necktie**
08/16 – Providence, RI @ Fete Ballroom
08/17 – Buffalo, NY @ Waiting Room
08/19 – Cleveland, OH @ House Of Blues
08/20 – Detroit, MI @ St. Andrews
08/21 – Chicago, IL @ The Metro
08/23 – Minneapolis, MN @ Cabooze
08/24 – Lawrence, KS @ The Granada Theater
08/25 – Denver, CO @ Larimer Lounge**
08/26 – Albuquerque, NM @ Sunshine Theater
08/27 – Phoenix, AZ @ Club Crescent
08/29 – San Francisco, CA @ Bottom Of The Hill**
08/30 – San Diego, CA @ The Observatory Northpark
08/31 – Tucson, AZ @ The Rock
09/02 – Dallas, TZ @ Granada Theater
09/03 – Memphis, TN @ New Daisy Theatre
09/04 – Baton Rouge, LA @ The Varsity Theater
09/06 – Orlando, FL @ The Beachum Theater
09/07 – St. Petersburg, FL @ State Theater
09/09 – Charleston, SC @ The Music Farm
09/10 – Asheville, NC @ The Mothlight**
**Pallbearer Only

https://www.facebook.com/pallbearerdoom
https://twitter.com/pallbearerdoom
https://instagram.com/pallbearerdoom/
https://www.profoundlorerecords.com/
https://profoundlorerecords.com/fearandfury/
https://profoundlorerecords.bandcamp.com/album/fear-and-fury

Pallbearer, Fear and Fury EP (2016)

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Pallbearer Summer Tour Underway; Dates in Europe, Australia and North America

Posted in Whathaveyou on May 21st, 2015 by JJ Koczan

pallbearer (Photo by Diana Lee Zadlo)

Heebus jeebus, Pallbearer. You sure you’ve got enough tour dates planned out for the next couple months?

I think my favorite part about Pallbearer‘s summer tour — which started last night in Berlin after an appearance this past weekend at Psycho California — is that it’s utter insanity. It interrupts an already-in-progress European headlining run with Bast for three dates in North America, two in the US and one in Canada, and then an Australian tour before going to Japan and then resuming in Europe before coming back to North America again, this time with High on Fire. What’s the matter, dudes, couldn’t tack on any dates in India or Africa while you were at it?

Of course, if they did, no doubt they’d find welcome when they got there. Pallbearer‘s Foundations of Burden continues to reap acclaim from just about every corner of the universe after being covered in so much critical saliva upon its release last year. If nothing else, the four-piece are obviously busting their ass to support it. They also recently released a new video for the track “Watcher in the Dark,” which you can find way down beneath the list of tour dates hoisted from the PR wire.

Take a deep breath and dive in:

pallbearer-european-tour

PALLBEARER PREMIERES FIRST MUSIC VIDEO EVER FOR “WATCHER IN THE DARK”; TRACK APPEARS ON FOUNDATIONS OF BURDEN; ON TOUR THIS MAY, JUNE AND JULY

Watch Pallbearer’s epic and cinematic new video for “Watcher in the Dark”

The video was directed, shot and edited by Adam Heathcott (Hometapes) and produced by Adam Heathcott and Sara Padgett Heathcott and marks the first ever official music video for the band.

Formed in 2008 by Joseph D. Rowland (bass) and Brett Campbell (vocals/guitars), Pallbearer grew from the fertile underground metal scene of Little Rock, AR. A year after their formation, the band released their first three-song demo (with guitarist Devin Holt), which garnered well-deserved attention. Pallbearer went on to release Sorrow & Extinction in early 2012 on well-respected Canadian indie label Profound Lore, and instantly made waves among listeners and critics who found the band’s compositional paradox of vulnerability and might unparalleled in the metal world. Sorrow & Extinction proved to be an unequivocal masterpiece in any genre of music and compelled Pallbearer to reach even further creatively for what would come next. In August of 2014, the band released the monumental and acclaimed, Foundations Of Burden; an album that delves even deeper into Pallbearer’s melodic contexts, adding a new and compelling dimension to music which has long since proven itself to be inexorably captivating.

Check out the band’s rigorous Spring/Summer European touring schedule below.

PALLBEARER – ON TOUR
May 20 Berlin, DE @ Kantine am Berghain
May 21 Prague, CZ @ Klub 007
May 22 Koln, DE @ MTC
May 23 Utrecht, NL @ Le Guess Who
May 24 Brussels, BE @ AB Club
May 25 Paris, FR @ Social Club
May 26 Schorndorf @ Club Manufaktur
May 27 Zurich, CH @ Rote Fabrik
May 29 Barcelona, ES @ Primavera Sound Festival
May 31 Bristol, UK @ Temples Festival
June 1 Glasgow, UK @ Broadcast
June 2 Birmingham, UK @ Rainbow
June 3 London, UK @ 100 Club
June 5 Porto, PT @ Optimus Primavera Sound
June 6&7 Houston, TX @ Free Press Summer Fest
June 12 Manchester, TN @ Bonnaroo
June 14 Edmonton, AB @ Farmageddon
June 17 Melbourne, AUS @ Ding Dong Lounge
June 18 Hobart, AUS @ Dark Mofo Festival
June 19 Melbourne, AUS @ Northcote Social
June 20 Sydney, AUS @ Hermann’s Bar
June 21 Brisbane, AUS @ Crowbar
June 24 Osaka, Japan @ Conpass
June 25 Nagoya, Japan @ Huck Finn
June 26 Tokyo, Japan @ Earthdom
June 30 Oslo, NO @ BLÅ
July 1 Gothenburg, SE @ Truckstop Alaska
July 2 Roskilde, DK @ Roskilde Festival
July 3 Nijmegen, NL @ Doornroosje
July 4 Wiesbaden, DE @ Schlachthof Wiesbaden
July 6 Milano, IT @ Lo Fi Club
July 7 Bologna, IT @ Freakout Club
July 8 Roma, IT @ Traffic Live
July 9 Padua, IT @ Radar Festival
July 10 Vienna, AT @ Mind Over Matter Festival
July 11 Erfurt, DE @ Stoned from the Underground – Festival
July 30 San Diego, CA @ The Casbah ^
July 31 Los Angeles, CA @ The Echoplex *
August 1 San Francisco, CA @ The Regency Ballroom *
August 3 Portland, OR @ Hawthorne Theater *
August 4 Vancouver, BC @ Rickshaw *
August 5 Seattle, WA @ Neumos *
August 7 Salt Lake City, UT @ The Complex *
August 8 Denver, CO @ The Gothic *
August 10 Minneapolis, MN @ Mill City Nights *
August 11 Chicago, IL @ Thalia Hall *
August 12 Ferndale, MI @ The Loving Touch *
August 13 Toronto, ON @ Opera House *
August 14 Syracuse, NY @ Lost Horizon *
August 15 New York, NY @ Irving Plaza *
August 17 Boston, MA @ Royale *
August 18 Brooklyn, NY @ Music Hall of Williamsburg *
August 19 Philadelphia, PA @ Theatre of Living Arts *
August 20 Baltimore, MD @ Baltimore Sound Stage *
August 21 Winston Salem, NC @ Ziggy’s *
August 22 Atlanta, GA @ Masquerade *
August 23 New Orleans, LA @ One Eyed Jack’s *
^ w/ High On Fire, Lucifer
* w/ High On Fire, Lucifer, Venomous Maximus

https://www.facebook.com/pallbearerdoom
https://twitter.com/pallbearerdoom
https://instagram.com/pallbearerdoom/
https://www.profoundlorerecords.com/

Pallbearer, “Watcher in the Dark” official video

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Sleep, Pentagram and Cult of Luna to Headline Psycho California 2015

Posted in Whathaveyou on January 15th, 2015 by JJ Koczan

True to their word, it’s Jan. 15 and Psycho California 2015 has announced the headliners for what looks like the best American festival lineup I’ve seen since the days of Emissions from the Monolith. That’s not to take away from the hard work anyone else is doing, but just look at the list of bands. It’s unreal. You’d want to be everywhere at the same time to see all of it. Absolutely wild.

Sleep and Pentagram were pretty clear choices to headline. Not only for being legends in the heavy underground, but for also being just about two of the only bands left. Sweden’s Cult of Luna were something of a surprise, but for a festival already showing a European reach in bringing aboard the likes of Samsara Blues Experiment and Stoned Jesus, they make sense. Hell of a bill. Kudos to anyone who actually gets to go to the thing.

Announcement follows, courtesy of the PR wire:

PSYCHO-CALIFORNIA-2015-POSTER-1400

PSYCHO CALIFORNIA ANNOUNCES HEADLINERS: SLEEP, PENTAGRAM AND CULT OF LUNA

WEST COAST METAL FESTIVAL HAPPENING MAY 15, 16 & 17 AT THE OBSERVATORY IN SANTA ANA

FIRST WAVE OF ARTISTS ANNOUNCED INCLUDED KYLESA, EARTH, OM AND RUSSIAN CIRCLES

Psycho California, the west coast’s first annual metal festival and a must see for fans of doom, heavy psych and sludge, has announced the headliners for this year’s event: Cult of Luna (May 15), Sleep (May 16) and Pentagram, who will perform First Daze Here in its entirety (May 17).

“2015 is going to be a slow year for Cult of Luna. However as much as we are musicians we are also fans,” said Cult of Luna’s Johannes Persson. “Evaluating if the offer to play Psycho California was worth dusting off our instruments was not hard after looking on the line-up. Being on the same bill as Pentagram, Sleep and a festival packed with the best bands around is a privilege in itself and we’ll try to live up to that honor.”

The lineup for Psycho California is: Sleep, Pentagram, Cult of Luna, Kylesa, OM, Earth, Russian Circles, Bedemon, Conan, Wrench, Eyehategod, Indian, Earthless, Pallbearer, Stoned Jesus, Old Man Gloom, Cave In, Acid Witch, Truckfighters, Tombs, Bang, Electric Citizen, Coffinworm, SubRosa, Eagle Twin, Mammatus, True Widow, Anciients, Bellwitch, Dead Meadow, Lord Dying, Death By Stereo, Radio Moscow, Ancient Altar, Samsara Blues Experiment, Atriarch, Elder, Mothership, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Goatsnake, Crypt Trip, Wrench, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet and Loom.

Festival interludes will be provided by Housecore Records’ artist Author & Punisher and vinyl DJ set from Bob Lugowe (Relapse Records) and Sean Pellet (Last Daze Here).

Previously announced early bird tickets sold out immediately. Tickets for the festival are on-sale this morning with both a 3-day pass ($149.50) and a 3-day VIP pass available ($256.66)

VIP packages include a 3-day festival pass, a signed screen print concert poster by David D’Andrea, express entry via artist check-in booth, access to artist VIP lounge, a limited edition Thief X Obey festival tee, a Psycho record bag and patch as well as access to a complimentary craft tequila bar, premium microbrews and artisan snacks.

www.psychoca.com
www.facebook.com/psychocalifornia
https://www.facebook.com/Thiefpresents

Sleep, “The Clarity/Dragonaut” Live in Chicago, Aug. 28, 2014

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The Top 20 of 2014 Readers Poll — RESULTS!

Posted in Features on January 2nd, 2015 by JJ Koczan

top-20-of-2014-readers-poll-RESULTS-etching-by-maxime-lalanne

It was close for a long time, but in the last week or so, one record pulled ahead to stake a definitive claim on the top spot. Even so, more than the 2013 poll, this was a fun one to watch, three albums duking it out, trading back and forth in the raw votes depending on who happened to submit a list at any given time. In the end, 355 people participated in this year’s poll, which is an average of over 11 per day — there was a significant push at the end — and up from 2013, which now that it’s 2015 will no doubt soon feel like ancient history.

To that end, Happy New Year and huge, huge thanks to everyone who took the time to contribute a list to the poll. Even if it was one or two records, the simple fact that you felt it was worth your time to type out the names of bands and albums and take part in this thing is unbelievably gratifying to me. I do a lot of the talking around here, apart from comments and the forum, so to have your participation in this really means a lot to me. It’s nice knowing you give enough of a crap to take part.

You’ll find two lists below. The first, measured in points, is the weighted tally. A 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one. After that comes the raw votes, a measure of what caught the most attention along the way.

After the jump, you’ll also find all the lists contributed to the poll — including my own, which seemed fair since I do a lot of reading on this site, mostly to experience shame at the typos and correct them hoping no one else noticed — presented in the order in which they were received. Thank you all again.

Top 20 of 2014 — Weighted Results

yob-clearing-the-path-to-ascend

1. YOB, Clearing the Path to Ascend (560 points)
2. Wo Fat, The Conjuring (404)
3. Electric Wizard, Time to Die (367)
4. Pallbearer, Foundations of Burden (334)
5. Conan, Blood Eagle (275)
6. Orange Goblin, Back from the Abyss (254)
7. Greenleaf, Trails and Passes (240)
8. Truckfighters, Universe (237)
9. Brant Bjork and the Low Desert Punk Band, Black Power Flower (235)
10. Earth, Primitive and Deadly (230)
11. Fu Manchu, Gigantoid (225)
12. Blues Pills, Blues Pills (211)
13. Lo-Pan, Colossus (202)
14. Eyehategod, Eyehategod (198)
15. Monolord, Empress Rising (190)
16. Mastodon, Once More ‘Round the Sun (188)
17. Mars Red Sky, Stranded in Arcadia (161)
18. John Garcia, John Garcia (156)
19. Bongripper, Miserable (141)
20. Radio Moscow, Magical Dirt (127)

Honorable mention to:
Goat, Commune (126)
Swans, To be Kind (117)
Monster Magnet, Milking the Stars (116)
Blood Farmers, Headless Eyes (105)
Floor, Oblation (104)
Mothership, II (104)

Stubb, Elephant Tree, Thou and plenty of others also did very well in the voting, but everything else I could find was less than 100 points. Again, it was close for a while between Wo Fat, Electric Wizard and YOB — and Pallbearer wasn’t so far behind them, either — but YOB pulled it out in the end and jumped way in front of everyone else. A lot of number-one votes for Clearing the Path to Ascend, which I can understand completely, since I happened to agree with the position.

On to the raw votes:

Top 20 of 2014 — Raw Votes

yob-clearing-the-path-to-ascend

1. YOB, Clearing the Path to Ascend (138 votes)
2. Wo Fat, The Conjuring (111)
3. Electric Wizard, Time to Die (104)
4. Pallbearer, Foundations of Burden (89)
5. Orange Goblin, Back from the Abyss (78)
6. Conan, Blood Eagle (72)
7. Fu Manchu, Gigantoid (71)
8. Truckfighters, Universe (66)
9. Earth, Primitive and Deadly (65)
10. Greenleaf, Trails and Passes (64)
11. Blues Pills, Blues Pills (63)
12. Brant Bjork and the Low Desert Punk Band, Black Power Flower (60)
13. Lo-Pan, Colossus (58)
14. Eyehategod, Eyehategod (55)
15. Monolord, Empress Rising (52)
16. Mars Red Sky, Stranded in Arcadia (48)
16. Mastodon, Once More ‘Round the Sun (48)
17. John Garcia, John Garcia (47)
18. Bongripper, Miserable (41)
18. Radio Moscow, Magical Dirt (41)
19. Goat, Commune (37)
19. Mothership, II (37)
20. Swans, To be Kind (32)

And some honorable mentions:
Dwellers, Pagan Fruit (31)
Floor, Oblation (31)
Monster Magnet, Milking the Stars (31)
Mos Generator, Electric Mountain Majesty (30)
Thou, Heathen (30)
The Well, Samsara (30)

A couple ties here make the raw votes list a little more inclusive, and since it’s not like we’re giving out olympic medals, it didn’t seem fair to count out ties and sacrifice other numbers. The top 20 has 23 entries? Yeah, sounds about right. Again, not much mystery ultimately to who came out on top, but it was a more thrilling race than the final numbers might suggest. Cool to see some differences in placement emerge between the two lists as well, Greenleaf and Brant Bjork doing really well in the weighted results since they obviously inspire some strong support, and a couple of others working their way into the raw votes top 20. I’m not really a numbers guy, but it’s been cool putting this together.

About not being a numbers guy: All the lists that came in appear after the jump below. If you find some glaring error in my math, or something seems like it really got enough votes to be included in one or the other, it’s possible I just missed it. I hope you’ll point it out in the comments so that if there is a mistake, I can get on correcting it as soon as possible. Your vigilance is sincerely appreciated.

And thank you again so much for being a part of this readers poll. It’s been a really great experience and I look forward to doing it again come Dec. 2015.

Please find everybody’s list after the jump, and have fun browsing:

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