Review & Lyric Video Premiere: Pale Divine, Consequence of Time

Posted in Bootleg Theater, Reviews on June 3rd, 2020 by JJ Koczan

Pale Divine Consequence of Time

[Click play above to see the premiere of Pale Divine’s lyric video for ‘Saints of Fire.’ Consequence of Time is out June 26 and available to preorder from Cruz Del Sur: CD preorder, LP preorder w/ poster & download, digital release June 19.]

Even among American traditionalist doom — which as a whole is underrated — there aren’t many who reach the same echelons in that regard as  You can buy college papers, buy college term paper, Writing Term Papers For A Living, buy essay online, and the most important - buy cheap essays right here! Pale Divine. Also their debut release for  Essential Features of the Best doctoral thesis geology. Yes, it is a difficult task to find a good essay website because there are so many and it is taxing to Cruz Del Sur Music best college admissions essay urban legends. If youve arrived on this page, it probably means youve lost someone. I have no words to share other than Im sorry. Consequence of Time is their sixth full-length, and as it arrives just two years after 2018’s self-titled LP (review here), it also marks the quickest time differential the Chesapeake-region group — Pennsylvania, Maryland, Delaware — have ever had between two offerings.  http://dubhosting.co.uk/best-writing-help/ essay nasal flu vaccine shortage essay dirk wandke dissertation writing good introductions for compare and contrast Pale Divine, the record, was notable for marking the first appearance of  english essay outline recommended you read dissertation book manuscript how to write an assignment proposal Ron “Fezz” McGinnis on bass and backing vocals, who brought the five-string acumen he’d demonstrated in Christine Uhlenhaut Dissertation - Let specialists deliver their tasks: order the needed writing here and wait for the highest score get a 100% original, non-plagiarized Admiral Browning and countless others to the classic-style rolling riffs and searing leads of guitarist hip hop research paper - Perfectly written and HQ academic writings. professional and affordable essay to simplify your education Start working on your assignment Greg Diener (also vocals) and the ever-steady, never-flashy, always-efficient drumming of  StudyDaddy is the place where you can get easy online critical analysis literature dissertation. Our qualified tutors are available online 24/7 to answer all your homework Darin McCloskey. On the eight-song/42-minute  romeo and juliet essay conclusions go to link diversity in medicine essay essays on how customers choose brands Consequence of Time, there is another significant change in the band’s makeup.

Even as they were releasing the self-titled,  Need web content that explains how your products, services and processes work? Hire the UK's number 1 provider of Shopify Business Plans. That's me Pale Divine announced the addition of  We offer the http://www.socio.msu.ru/?term-paper & assignment help in UK. Our assignment writers are always there to help you out in your academic work. Dana Ortt on guitar and vocals alongside  write an essay about my name Ann Temkin Dissertation essays help me help me writing my assignment Diener, a shift that was essentially a merging between  Learn about what an Automotive more does, skills, salary, and how you can become one in the future. Pale Divine and the  Have you ever found the best follow link service? The answer is Yes, you just have. We are one click away ready to help you round-the-clock. Our Ortt-led  Best Professional Cv Writing Service. Buy Phd Online And Become Closer To Your Next Goals! To get your PhD degree or to deliver us a doctorate thesis which we will analyze. Beelzefuzz, in which  Diener and McCloskey had both been members. The end result is that between DienerOrtt and McGinnisPale Divine now have three vocalists capable of carrying a song on their own, whether it’s Diener‘s metal-tinged proclamations, Ortt‘s bizarro-prog otherworldliness, complemented by his nuance of guitar tone, or McGinnis with his lower register bluesy take. Unsurprisingly, Consequence of Time is easily the most diverse album Pale Divine have ever made, and perhaps also the richest in terms of its general approach, since the influences especially of its two guitarists are readily on display, whether it’s in the Beelzefuzzian chug and dreamstate lumber of “Phantasmagoria” or in Diener‘s veritable clinic on how to shred a solo and still give a sense of soul in the process.

It bears underscoring just how significant of a turn Consequence of Time is for Pale Divine. The band mark their 25th anniversary in 2020, having begun with McCloskey and Diener in 1995 before releasing their first demo a couple years later. It seems to me not just a marked change in terms of the band’s sound that welcoming Ortt has enacted, but a genuinely admirable openness on the part of Diener. Yes, there’s “sharing the spotlight,” as much as such a thing exists in a genre where one might be inclined in the first sentence of a review to point out how underrated it is, but more than that, to have the ability after some 20 years of having the band as a vehicle for his songwriting to be able to adjust the entire process in such a way is staggering.

pale divine

Ortt doesn’t just sing backup on Consequence of Time, and he makes a mark in terms of the overall style of riffs and tones as well on songs like “Broken Martyr,” “Satan in Starlight,” and even the Diener-led opener “Tyrants/Pawns (Easy Prey).” It’s a rare band and a rare player who would allow that kind of shift to take place at any point, let alone after 20 years, and Pale Divine are unquestionably stronger for it. The patience in the 10-minute unfolding of the 10-minute title-track alone is proof of the subtle level on which the change can be felt, a melding of purpose between what Beelzefuzz were by their finish and the roots-doom mindset that Pale Divine have always portrayed so well.

Perhaps it’s sharing vocal duties that has allowed Diener‘s guitar to shine all the more, but his leads soar throughout Consequence of Time in striking fashion, and with McGinnis‘ bass and McCloskey‘s drums behind, there’s never any risk of the band losing their trajectory whatsoever. As the title-track approaches the halfway mark, Diener and Ortt share vocals against a stark and largely quiet backdrop ahead of the next classic metal lead (it might be Ortt‘s, I can’t be sure), but that moment sums up the incredible, throw-the-doors-open spirit of Consequence of Time. Ortt takes the fore later, and Diener rejoins and the two guitars lock purposes in solos and riffs to close out, but in that moment, not only the change of the band’s sound, but the creative spirit that drove that change are palpable. The risk and the reward both are right there for the listener to absorb.

The subsequent closing pair “No Escape” and “Saints of Fire” would seem to be an epilogue of sorts, or at least a movement unto themselves after the title-track, but their purpose isn’t lost for existing in the shadow of the 10-minute cut preceding. In the speedy “No Escape,” Diener fronts, and they trade for “Saints of Fire,” and it’s a last-minute showcase of the multifaceted nature of who Pale Divine are in 2020 and what they can accomplish as a group in this new form. “No Escape” gallops in brash form and is probably the most fun I’ve ever heard Pale Divine have on a record, and “Saints of Fire” pushes in its second half into a quirky dark gorgeousness that feels like pure inheritance from Beelzefuzz put to righteous use. Pale Divine, the power-trio turned four-piece after 20-some years, march their way out of Consequence of Time and into an unknowable future as a stronger, more versatile and more vibrant unit.

The band they were is still very much present in their sound, and they remain as sonically committed to doom as they’ve ever been, but the foundation of influence has expanded and their craft is all the more affecting and progressive for it. Between the quick turnaround, the new label and the new construction, Pale Divine move into their second quarter-century with an almost impossible feeling of potential, and one can only look forward to what they might yet accomplish as they move on from here. 25 years on and reaching new heights. That is a special band, and yes, vastly underrated. They may stay that way and they may not, but one way or the other, Consequence of Time will stand as one of 2020’s foremost offerings in doom, and deservedly so.

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Pale Divine website

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Days of Rona: Darin McCloskey of Pale Divine

Posted in Features on May 19th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

pale divine darin mccloskey

Days of Rona: Darin McCloskey of Pale Divine (West Chester, Pennsylvania)

How have you been dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Well as a band, like many others it has us on hiatus; practice, gigs and writing as a group came to an abrupt halt. That being said we had just finished recording our new album ‘Consequence of Time’, and are currently positioning ourselves to introduce the album. We’re hoping that we can get out and play live here in the near future. As an individual I can honestly say that it hasn’t had that much of an effect on me personally. I’m a homebody and with an “essential worker status” my routine has primarily stayed intact. I really feel for the people whose life has been upended by the pandemic.

How do you feel about the public response to the outbreak where you are? From thegovernment response to the people around you, what have you seen and heard from others?

That’s a difficult question to answer. I think that the response should directly relate to the overall numbers of cases asymptomatic, symptomatic, deaths, age ranges and regions. Trouble with this is the numbers have been all over the place depending on the source. Pennsylvania recently had to reduce the death toll by a little over 200 due to corrections between probable and confirmed cases. I can understand that people fear the unknown, I just hope it doesn’t cripple us as a society. I would like everyone to enjoy living rather than concentrating on what could possibly kill you. I think a balance is what we all need…but that’s just me. You should be able to be concerned, take precautions but not let it consume you.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

I think the music community shines in situations like these. Not only does it give them time for creativity, it also shines a light on their personable nature. I see bands reaching out, live streaming, simply talking about life in general. I’ve seen some drawing attention to people and establishments in need. I personally enjoy the time spent with my wife, my dogs and record collection. That being said it will be great playing live again and going to some concerts. Fingers crossed that it will be soon.

What is the one thing you want people to know about your situation, either as a band, orpersonally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I can’t complain about my situation, to do so would make light of the hardships so many are going through right now. As for “New Normal,” I truly hope that in the future this will be no one’s new normal. There needs to be precautions until we know the true scope of this virus. I just hope that we can soon move forward and enjoy life again. Life is to be lived, but for now stay safe and keep your eye on the prize.

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Pale Divine Sign to Cruz Del Sur Music; Consequence of Time Due in May

Posted in Whathaveyou on December 3rd, 2019 by JJ Koczan

I don’t mind telling you this is the one I’ve been waiting for. No doubt Cruz Del Sur have been on a trad doom and metal tear, from Ogre and Orodruin to Death the Leveller and Tower, but I’ve heard rumblings of Pale Divine joining those ranks for a few months now, and it’s well earned on the part of the Pennsylvania, etc., four-piece. The band will mark a quarter-century of existence in 2020 with the release of their new album, Consequence of Time in May, and as they follow-up 2018’s stellar self-titled (review here), they’ll also have their first offering not only through the new label home — where they’re all the more kin to Apostle of Solitude, Argus, etc. — but their first as a four-piece, having shortly welcomed guitarist/vocalist Dana Ortt (now ex-Beelzefuzz) to the lineup after the release of the last record.

Mark this one a win. A genuine feel-good story for the month, and a genuine feel-doomed album to look forward to.

The PR wire makes it official:

pale divine

Cruz Del Sur Music is proud to announce the signing of Pennsylvania doom mainstays PALE DIVINE.

Founded in 1995, Pale Divine has made a name for itself with its time-honored and distinctive take on classic doom metal. Albums such as 2004’s “Eternity Revealed” and 2007’s “Cemetery Earth” cemented the band’s reputation as one of the best pure torchbearers of BLACK SABBATH and SAINT VITUS-styled doom.

PALE DIVINE — who comprise of vocalist/guitarist Greg Diener, guitarist Dana Ortt, bassist Ron Fezzy McGinnis and drummer Darin McCloskey — is currently hunkered down in the studio with producer Richard Whittaker recording their sixth studio album, “Consequence Of Time”, which will see the light of day in May 2020. The album’s artwork will be handled by Brian Tutlo, the man responsible for the eye-catching “Thunder Perfect Mind” and “Eternity Revealed” covers.

“It’s definitely a natural progression but maybe not in the way people might expect, which is one of the reasons we’re excited,” says McCloskey. “We have a new lineup now which includes Dana, whom Greg and I played with in BEELZEFUZZ. Dana has brought a new element to the band that blends perfectly with PALE DIVINE that has helped us take things to the next level.”

PALE DIVINE came to join Cruz Del Sur Music through a familiar face: WHILE HEAVEN WEPT leader Tom Phillips. The band originally crossed paths with Cruz Del Sur label head Enrico at the 2018 Hammer Of Doom festival in Germany, but it was Phillips who initiated the proper discussions. After that, according to McCloskey, it was a no-brainer to sign with Cruz Del Sur.

“We had heard great things about Cruz Del Sur from our friends in Argus and Apostle of Solitude so we were already familiar and very interested. We discussed things with Enrico and he offered us a great deal. Moving forward, we’re really excited to be part of the Cruz Del Sur Music roster. It feels like we’re part of a family now. This is where we belong.”

PALE DIVINE will be celebrating its 25th year as a band in 2020. McCloskey says the highlights have been numerous, starting with the bands they’ve played with and the people they’ve met over the years, as well as their first trip to Germany in 2005 playing alongside PLACE OF SKULLS and RISING DUST. “In many ways, it always sort of feels like we’re just starting out,” he says. “Every new experience, every new song and new album pretty much reinforces that. We still have a lot of music in us and a lot more to accomplish. It hardly seems like it’s been 25 years, in all honestly. Going overseas for the first time and playing for people who were fans of our music was pretty mind-blowing for us at the time…still is, really. Even our recent trip to Würzburg last year for Hammer Of Doom was an awesome experience as well. Certainly, the chemistry we have in our current lineup has been a big highlight and, of course, signing with Cruz Del Sur!”

Pale Divine is:
Greg Diener – vocals & guitar
Dana Ortt – guitar
Ron “Fezzy” McGinnis – bass & vocals
Darin McCloskey – drums

https://www.facebook.com/serpentspath/
http://www.paledivineband.com/
cruzdelsurmusic.com
facebook.com/cruzdelsurmusic
cruzdelsurmusic.bandcamp.com

Pale Divine, Pale Divine (2018)

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