LáGoon to Release Maa Kali Trip LP June 29

Posted in Whathaveyou on June 10th, 2020 by JJ Koczan

Portland-based fucko freaks 532 News conclusion help for essays jobs available on Indeed.com. Editor and more! LáGoon have a new record coming out on June 19. It’s not this one. This is  Order the best Online Homework Trackers online at RMEssays that offers timely, top-quality & affordable case study writing help and service free of Maa Kali Trip, which the band put out in March. It’s being released on June 29 on a black and orange LP through  visit - 100% non-plagiarism guarantee of custom essays & papers. Put aside your fears, place your task here and get your quality essay Interstellar Smoke Records. You might recall yesterday I posted about  Quick, Affordable, High-Quality Essay Editing Service. Try Best http://ichakang.com/essay-about-high-school/ Now! 100% Risk Free Guarantee, The safest & fastest academic pain Mystery Dudes signing to the label and said there was more news to come — well, here we are. How To Start An Addiction Essay Today is a custom essay writing service, ready to support you in the battle with countless academic papers. We want you to think of us, when you're ready to scream: write my essay for me! into the open space in the middle of the night. We're the ones you can reach out to and be confident, that we won't let you down. Maa Kali Trip has more the garage’d-out sample-laden sludge than you can shake your bag of caps at, and the record nestles itself into a place that’s likewise filthy, heavy and psychedelic. If you’re feeling freaky, you’re probably not feeling freaky enough. Nonetheless, you persist.

page - counterculturalschool.com Maa Kali University assignments are a big challenge, but we can guide you. Let's find out Where can I buy essays online? Sudoku some to write my paper is a can Trip is, of course, streaming in its both-proto-and-post-grunge, sometimes-screamy anti-glory below. Preorders for the vinyl — limited copies, of course — start Friday. The new one from No matter how close it is to the end of the term, we can provide click around the clock. We excel in working under strict deadlines LáGoon is called What Is The Importance Of Critical Thinking introduction should include - Quality and affordable paper to make easier your education Professionally written and custom academic Father of Death. It’s their fourth overall, and I don’t know if  Academic writers. Thus the Romans had evidently heard them as a sevenfold form Rerit the sow, http://www.otthonszerviz.com/?comment-ecrire-une-dissertation-juridique. But why the Bull? Interstellar Smoke will be putting that out too or not, but hey, if you can handle one trip, maybe you can sign up for another go.

It’s this or Squaresville, Jack:LAGOON MAA KALI TRIP lp

LáGoon – Maa Kali Trip – Interstellar Smoke Records

This Friday, 12th of June, LáGoon ‚MAA KALI TRIP’ will available in Pre-Sale.

Album comes in single-pocket cover and poster A3 size. Hand-crafted heavy weight 180gr vinyl, Orange & Black solid colour. To get the highest quality sound, pressing in 45 RPM.

Maa Kali Trip is the third full length offering from the Portland, Oregon based two-piece.

The songs on this album were inspired by the maa kali mushroom truffle. Turn up your stereo and step inside the maa kali trip.

Album Art – David Paul Seymour

Orange Haze Edition is limited to 250 pcs Worldwide; at the Store you will have 180 pcs avaialable (!)

Shipping is scheduled at 29th of June 2020.

Thank you in advance for your support

Band Members:
Guitar/Vocals – Anthony Gaglia
Drums – Brady Maurer

https://www.facebook.com/LaGoonPDX/
https://www.instagram.com/lagoonpdx/
https://lagoonpdx.bandcamp.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://interstellarsmokerecords.bigcartel.com/

LáGoon, Maa Kali Trip (2020)

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Days of Rona: Nathan Carson of Witch Mountain & Nanotear Booking

Posted in Features on May 25th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

witch mountain nanotear nate carson

Days of Rona: Nathan Carson of Witch Mountain & Nanotear Booking (Portland, Oregon)

We looked at all the best Essay Important Person For Me and compared their features and pricing. Here is our in depth comparison and recommendations. How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Witch Mountain was in a fortunate position, at first, because we were in a writing phase between tours with no deadlines or responsibilities. But as time went on and the pandemic accelerated we were eventually forced to cancel our June headlining tour. We have more live plans for later in 2020, and of course they’re all in potential jeopardy now. At least we are still able to write remotely, and will probably resume jamming in person once it feels safe to do so.

Personally, we’re all hanging on, but most of us are laid off or out of work. Kayla had a musical canceled that she’d been prepping for months. Justin’s effects pedal company Mr Black is on life support. Rob has been engineering studio sessions and working other side gigs (he’s got more mouths to feed than the rest of us). For me — a tour booking agent by day – -my entire industry has come crashing down. I lost an entire season of income that is likely to stretch into a year of inactivity. The future is a gigantic question mark when it comes to how live music will resuscitate, and when.

Buy Essay. Looking to buy Why choose Ultius when Professional Who Can Do My Essay Assignments? Ultius deeply understands your frustration when it comes to buying essays for reference How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Portland is a great place to live overall. The majority of people here want clean air, clean water, and have progressive values. So even though we are sandwiched between two states with some of the larger outbreaks in the country, we’ve done a great job of slowing the spread here.

Nevertheless, there are plenty of people in the grocery stores not wearing masks, and people driving like maniacs on the roads. It’s sad that trusting science has become a partisan issue, or that people who believe a fetus has a soul seem willing to sacrifice the weak and elderly in order to prop up Wall Street and the corporate economy.

Finding it difficult to correct your dissertation as per the feedback? Contact us today to avail our Help With Nursing Homework to get the correction What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

I’ve seen some great livestreams, which is not something I was particularly interested in before. Of course I do have a 65” 4k tv with high speed internet, 5.1 sound, and a thumping subwoofer. So that’s helping my enjoyment of watching concerts from home quite a bit.

I’ve been able to use this time to catch up on household and archival projects that seemed like they’d never get done based on my past lifestyle. My aim is to use this time as wisely and effectively as possible. The ultimate goal right now is to write the novel-length sequel to my book Starr Creek that I’ve been planning for years. Even if I had decided to save my money and take six months off from work to write the book, my booking clients couldn’t have just put their bands and tours on hold. But now that we’re all forced to stay home, I will have the luxury of writing full time during daylight hours, instead of just on evenings and weekends. I definitely aim to walk away from this situation with something to show for it.

http://shepherdsgerman.com/cv-writing-service-us-liverpool/ dissertation - 100% non-plagiarism guarantee of exclusive essays & papers. Proofreading and proofediting aid from best specialists. put out a What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I just feel very fortunate to play music with such thoughtful, rational people. No one in Witch Mountain is looking to take unnecessary risks. No one in our band is concerned with conspiracy theories or bucking scientific advice. We love making music, and we’ve had a long term vision from the start. That’s why the band is still around after twenty-three years.

This will all pass and then we’ll find out what that new normal is. In the interim, we are passing files over the internet, slowly working on new material, designing and shipping out merch–like the WM logo face mask that we launched the last time Bandcamp waived fees for a day, etc.

Otherwise, we are taking this one day at a time, slow and steady, just like our music.

www.facebook.com/witchmountain
http://witchmountain.bandcamp.com
www.svartrecords.com
www.facebook.com/svartrecords
http://www.nanotear.com/
https://www.facebook.com/Nanotear/

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Pushy Stream Hard Wish; LP Reissue out Friday on Tee Pee

Posted in audiObelisk on May 6th, 2020 by JJ Koczan

pushy

Hey, just so we’re clear and you don’t think I’m trying to put one over: this is decidedly not a premiere. get more - Opt for the service, and our qualified scholars will fulfil your order supremely well Instead of wasting time in inefficient Pushy‘s debut album, Hard Wish, originally came out in 2018 through Germany’s Who Can You Trust? Records, and hell, I did a premiere for it at the time, and I’m pretty sure it’s been on Bandcamp ever since, so no, not a premiere. But Tee Pee Records is giving the classic heavy rockin’ eight-tracker a domestic US look on vinyl this week, and that’s definitely enough of an occasion for me to want to host Hard Wish again. Not that good records need an excuse anyway, but you know what I mean.

On guitar/vocals in the Portland, Oregon-based Pushy one finds Adam Burke, formerly of Fellwoods, and best known for the striking paintings he’s provided as cover art for everyone from Ruby the Hatchet to Hexvessel to this site to Fit for an Autopsy. He shares vocal duties with bassist Neal Munson, as Ron Wesley and Travis Clow round out the four-piece on guitar and drums, respectively, and across Hard Wish, they tap influences from earliest AC/DC, earliest King Crimson, earliest Judas Priest, not-quite-earliest Black Sabbath and a host of others brash, ballsy and boozed-up. Clow and Munson make a nodder highlight out of early cut “Blacktop,” but from “Fanny’s” to “I’ll Be Gentle,” the focus here is on attitude, on swagger, and songs like “El Hongo,” the driving “Lonesome Entry” and “Nasty Bag” have plenty of that, while “If I Cry” and closer “Lay of the Land” expand the palette a bit with some deceptively nuanced jams built around the live-feeling energy of the recording itself.

Bottom line is there’s plenty to dig here for ’70s aficionados and other-type heads looking for a groove to make their day, and really, again, I’m not trying to say this is a premiere — because it isn’t — but with the Tee Pee release of Hard Wish out this Friday (preorders below, if that’s your thing), I’m just glad to have a chance to revisit it, because it rocks and sometimes that’s just what you need. Anytime Pushy wants to get going on a follow-up, that’d be fine by me.

Please enjoy:

Portland-based hard rock outfit PUSHY are making waves in 2020. The band has announced that their debut album ‘Hard Wish’ will get a worldwide release on chocolate brown vinyl via Tee Pee Records. Boasting the unmistakable swagger and retro flair of rock n’ roll from a time when Woodstock was still young, Pushy descend upon listeners with boisterous, rabble rock vocals, raw, electric guitar riffs and natural percussion that feels all too authentic in contrast to the swath of modern music. Perhaps the most striking quality of Hard Wish is also its most plainly stated; that it sounds so sincerely like four musicians working harmoniously together as one in the same room.

The vinyl release of ‘Hard Wish’ is out May 8th on Tee Pee Records. Fans can pre-order the LP at the link found here.

‘Hard Wish’ Tracklisting:
1. Fanny’s
2. Nasty Bag
3. Blacktop
4. If I Cry
5. El Hongo
6. Lonesome Entry
7. I’ll Be Gentle
8. Lay of the Land

Pushy is:
Guitar – Ron Wesley
Drums – Travis Clow
Bass, vocals – Neal Munson
Vocals, guitar – Adam Burke

Pushy on Bandcamp

Pushy on Thee Facebooks

Pushy on Instagram

Tee Pee Records website

Tee Pee Records on Thee Facebooks

Tee Pee Records on Bandcamp

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Days of Rona: Eric Crespo of Abronia

Posted in Features on April 23rd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

abronia eric crespo

Days of Rona: Eric Crespo of Abronia (Portland, Oregon)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Yeah, we’ve had to rework plans for sure. We had shows booked in April–including a festival in California we were going to drive down to play. All canceled of course. Just today we decided to postpone our upcoming European tour until summer of 2021. It was slated to start July 24th and go until August 9th.

Things aren’t really officially canceling that far out yet, but the writing is on the wall. Only about half of the tour was booked when the shit started to hit the fan and our booking agent was finding it impossible to get anyone to agree to confirm shows for the summer months, with so much uncertainty about. We kind of came to the conclusion to cancel jointly with our booking agent–it’s nice to not be waiting around for news about it anymore. It’s kind of relieving in a way–just to not be in limbo about it anymore. Of course we’re heartbroken that we have to wait over a year to go on the tour, but it coulda been worse. Luckily, we hadn’t bought tickets yet. We were just about to buy our tickets in January when things started going south, but decided to hold off to see how things played out.

I guess the new plan is to try to get another album out before our European tour in the summer of 2021. We’ve got some local-ish shows and festival planned for summer, but who knows if those things will happen. Doesn’t seem likely that shows will be for sure happening again like they used to until there’s a vaccine widely available.

Everyone’s health is tip-top. It’s frustrating to not be able to meet up for practice. We’ve been emailing ideas for new stuff back and forth and we’ve been doing weekly zoom meetings where we talk about all the new music and everything else. Better than nothing, but it’s a far cry from the productivity we can achieve by being in the same room together.

What are the quarantine/isolation rules where you are?

Here in Portland, Oregon, it’s shelter in place. Meeting up in groups is prohibited. Parks are closed. Schools are closed until at least May but everyone thinks they’ll be closed for the rest of the school year. Basically you’re only supposed to go out for necessary supplies and exercise, unless you’re going to work and your job is deemed essential.

How have you seen the virus affecting the community around you and in music?

It seems pretty brutal. I do live sound as well as studio recording and mixing and of course there’s no opportunities for live sound engineers. And of course a lot of musicians work in bars or restaurants when they’re not on tour and all the bars and restaurants are shutting down and laying everyone off so the damage to the music community is pretty massive

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Well we’re gonna keep being a band. This thing is really exposing all the shortcomings of our country and hopefully it will lead to better things in the future.

https://www.facebook.com/AbroniaPDX
https://www.instagram.com/abroniaband/
https://abronia.bandcamp.com/
https://www.facebook.com/CardinalFuzz/
https://cardinalfuzz.bigcartel.com/
https://cful.bandcamp.com/
https://www.facebook.com/FeedingtubeRecords/
https://feedingtuberecords.bandcamp.com/
http://feedingtuberecords.com/

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Days of Rona: Andrew James Costa Reuscher of Megaton Leviathan

Posted in Features on April 22nd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

megaton leviathan andrew james costa reuscher

Days of Rona: Andrew James Costa Reuscher of Megaton Leviathan (Portland, Oregon)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Well as far as the band I was just in the middle of reimagining a new lineup and configuration for the next incarnation of the band. So officially it’s just me. I was working on booking a Fall West Coast tour then the pandemic hit. I’m not exactly paying my mortgage being a Megaton Levia-dude so I’m not too worried about my “music career.” I can blow y’all’s minds later. I’m going to clip along and make music regardless and the studio is a place where I thrive. Fortunately I, like many other musicians, have a home studio, though I has some tasty outboard gear I need to learn how to caress correctly. This downtime gives me more time to focus on getting better at drums as well. I’ve been playing for many years but never tracked myself on my albums — that might change.

What are the quarantine/isolation rules where you are?

I’m a… I guess I’ll just say an autism worker by trade. I run an agency and have contractors under my license. I’ve had my hands full directing and making sure everyone is handling this correctly. Fortunately the state of Oregon is letting us work remotely with our clients via Facetime text whathaveyou. Some of my guys are busy out there risking their lives getting supplies for these dudes. I currently live with my client and that has its challenges. Luckily marijuana is deemed essential so that helps him. In my house we don’t have company. We keep the distance and fuck those Clorox wipes we use bleach water and rags and clean the fuck out of the house regularly. We all wash our hands, shower and clean our clothes. I have type-two diabetes and some other health issues. I’ve gotten myself off of insulin and lost 40 pounds but I’m not exactly getting younger so I’m not taking any chances.

How have you seen the virus affecting the community around you and in music?

Yeah, my heart goes out those who got hit while out on the road. Hugs my dudes, it’s hard enough as it is. I feel it. But you know what man I think the world needs art and I wish it was respected more in general. It’s a sign of a prevalent society and if your paying attention society doesn’t respect music at all. People put a lot of work into it and risk. I hope this pandemic challenges the way society views such things and quits taking it for granted. America is killing its youth.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’m not that important. Hope I’ll be around to do my thing on the ebb-tide. I’ve been working out doing yoga and feeling the fire, looking forward to bringing it to the 15 or so people who show up to my shows when they happen. Personally it’s a good time to focus on magick music and getting to now thyself. Be the change you want to see in the world. Vibe on.

https://www.facebook.com/Megaton-Leviathan-185853803548/
https://www.instagram.com/megaton_leviathan/
https://megatonleviathan.bandcamp.com/
http://www.blood-music.com/store/

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Days of Rona: Sara Pinnell & Benjamin Blake of Young Hunter

Posted in Features on April 10th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

young hunter

Days of Rona: Sara Pinnell & Benjamin Blake of Young Hunter (Portland, Oregon)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Benjamin Blake: The timing was really interesting for us. We were living in a house together and got an eviction notice in January because it was being sold to be turned into condos, and we found a perfect new place down the street almost immediately. But the weekend that the Coronavirus stuff started to get really serious around here was our moving weekend, so we were finding out that we didn’t have jobs while we’re tackling this massive move. It was a crazy weekend, but luckily we landed in our new house right as the lockdown started. So we’ve been spending a lot of time getting settled in to the new place, and last week we recorded a new song in our living room, which we will likely do more of. We had plans to record our new album in California in April, so we are mentally adjusting to that getting postponed. For a second time, actually- we initially were going into the studio last autumn, but that one was postponed largely due to the PG&E blackouts surrounding the wildfires there. So we’ve been joking that if these apocalyptic events could just hold off for a minute, we could finally make this apocalyptic rock album we’ve been working on for the past few years. We’re all in good health, we are happy to report.

What are the quarantine/isolation rules where you are?

Benjamin Blake: Portland is currently in more or less the same type of lockdown as most major coastal cities, from what I understand. I don’t know that people are being fined or anything, but pretty much people are only going out to get groceries, go to work if they have it, or picking up takeout orders.

How have you seen the virus affecting the community around you and in music?

Benjamin Blake: It just seems like life in on pause for a lot of folks. I think all of us in the music industry and also the service industry are just in shock, making the most of the free time we don’t get enough of, but also coping with both a deeply uncertain future (it’s impossible to even entertain what plans to make or to try to establish a timeline around making whatever dreams we want to make real happen) and missing seeing the people that make up the community we look to every weekend at concerts that gives so much value to why we all do what we do. It’s strange to not know when anyone will be able to play a show or see a show, and it feels like we’re all just doing our best to cope until the day comes when that becomes a real thing again. Sara and I both bartend at a venue here, and we went in to grab something last week, and the sadness of not knowing when that place will fill up with life, music, creative energy, and noise was both eerie and sad- we’ve both watched the place fill up with those things that are its lifeblood night after night, and watched each night become it’s own unique thing for everyone there. Not knowing when that will happen again is just one of the many heartaches that we’re all coping with.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Sara Pinnell: I would say, we are feeling some amount of shock and moving through each day like it’s surreal and strange, We are also trying to find grounding energy, using this time to come together more than our work schedules would otherwise allow, and write/create any way we can. We are extremely privileged to be able to do that. We spend a great deal of time tapping into the larger picture, trying to understand how we can be of service to everyone affected by this pandemic in our communities, and also we are grappling with the great uncertainty of it all. We feel frustration, anger, sometimes rage about the grave injustice this pandemic alone is responsible for on a global level, and playing music together is what brings us back to the center. As much as we want things to go back to “normal,” we hope a major shift in the paradigm as we know it transpires from all of this chaos.

https://www.facebook.com/Young-Hunter-127424170682508/
https://younghunter.bandcamp.com/
https://thefearandthevoidrecordings.bandcamp.com/
https://www.facebook.com/TheFearAndTheVoid/

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Days of Rona: Andrea Vidal of Holy Grove

Posted in Features on April 9th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

holy grove andrea vidal

Days of Rona: Andrea Vidal of Holy Grove (Portland, Oregon)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’ve definitely had to adjust, but if you’re already an active band-you’re used to that whole “change of plans at the last minute” sort of thing. Certainly not on this scale though, this has been surreal to say the least. We had some dates booked in April in support of our Smokeout date that we’ve had to cancel, and for the time being practice has been relegated to a few Skype calls. Everyone is healthy currently, and feeling very grateful for that. We took a hit financially with the merch we ordered for the canceled run, but that pales in comparison to putting our health, our families health and anyone attending our shows at risk. Personally, it has been very difficult to watch countless tours and festivals canceled, but oddly comforting watching the community come together and show support despite these setbacks.

What are the quarantine/isolation rules where you are?

Here in Oregon we are forbidden from leaving our homes unless absolutely necessary. Bars, restaurants and other “non essential” business are closed… thank Iommi that weed stores however, are very, very much open.

The local businesses that remain open have been showing tremendous support to their employees and the community, and I feel very fortunate that — although at the moment I am very much unemployed — my basic needs are met.

How have you seen the virus affecting the community around you and in music?

For me, I find myself listening to records that I haven’t picked up in years. I’ve been reorganizing my home a bit, and coming across bits of my past while doing so has been soul reviving. The most striking thing is that for the first time in my life I have plenty of opportunity to dedicate time on my physical and mental health. I’m very grateful for that. You can’t escape yourself, and that’s even more evident while in quarantine!

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Hard to say exactly what 2020 holds for Holy Grove. Psycho Smokeout is rescheduled for October, and though we currently have a few irons in the fire, there is some level of uncertainty surrounding each one. Thankfully, we have new music to to keep us busy. Our only band philosophy is to write the best music we possibly can — so we’re going to lean into that. It’s just about the only thing we can count on. I find joy in writing lyrics for Holy Grove. For a moment, I get to express some form of poetry that wouldn’t be able to be published or put out into the world otherwise. I am really thankful to be filling my notebook once again.

https://www.facebook.com/holygroveband/
http://holygrove.bandcamp.com/
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

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Days of Rona: Erik Olson of Lord Dying

Posted in Features on April 3rd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

erik olson

Days of Rona: Erik Olson of Lord Dying (Portland, Oregon)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We were about half through a tour with Black Label Society and Obituary before it got cancelled. We were in Michigan when we found out and had to drive across the country directly back to Portland. Luckily the tour has been rescheduled for August presuming everything will be back to normal by then. We have all had the flu at some point during that tour and I think Chris is still sick. We hope it wasn’t the Covid-19 but don’t know for sure.

What are the quarantine/isolation rules where you are?

When we got back all the bars and restaurants were closed and they were encouraging people to stay home. The following Monday it became a rule. Only essential employees have work and everyone else is supposed to stay home in the hopes to flatten the curve and stop the spread of the virus.

How have you seen the virus affecting the community around you and in music?

For the most part everyone in Portland has been obeying the rules and luckily we don’t have a very high number of cases. Especially compared to Washington and California. It’s been pretty devastating to touring musicians and everyone else that works in the music industry. Who knows what things will be like when things start to get back too “normal.”

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Luckily we made it home in one piece and the tour has been rescheduled. Our fans are amazing, most of our leftover merch was bought by our fans online before we even made it back to Portland.

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http://lorddying.bandcamp.com/
https://www.facebook.com/eOneHeavy

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