Northwest Hesh Fest 2016 Announces Lineup with Red Fang, Uncle Acid and Deafheaven Headlining

Posted in The Obelisk Presents, Whathaveyou on June 22nd, 2016 by H.P. Taskmaster

Last year, The Obelisk was proud to be among the presenters for the Northwest Hesh Fest, and it looks like Northwest Hesh Fest 2016 — set for Sept. 22-24 at Dante’s in Portland, Oregon — will be no different. I’ll have a ticket giveaway closer to the event, so keep an eye out for that, and the festival has just unveiled the lineup for each night, and it brings some formidable names.

Headliners are Red FangUncle Acid and the Deadbeats, and Deafheaven, which I think would probably be enough on their own to draw a three-night crowd, but they’re joined by American Sharks, native Portlanders Witch MountainDiesto and Danava, as well as The Blood RoyaleBanquet and Greenbeard.

American SharksGreenbeard and The Blood Royale hail from Austin, Texas, which makes sense as a complement to the Portland acts since American Icon, which puts together the festival, is based there as well. Of the non-headliner acts, that’s as far east as Northwest Hesh Fest 2016 looks, but in bringing aboard UK garage doom forerunners Uncle Acid and the Deadbeats, it extends its reach internationally for the first time. That’s a hell of an opening salvo to the rest of the world.

More to come as we get closer to September and the fest itself, but American Icon announced the lineup today and tickets are now on sale both for the individual nights — for which you can see the complete lineup breakdown below — and for a combined three-night pass. I won’t tell you what to do with your time, but this looks like an awful lot of fun:

NORTHWEST HESH FEST 2016

Sept 22-24 @ Dantes in Portland Oregon
RED FANG-UNCLE ACID & THE DEADBEATS-DEAFHEAVEN
American Sharks-Witch Mountain-Danava
The Blood Royale-Diesto-Banquet-Greenbeard

9/22/16
Red Fang, American Sharks, Witch Mountain
http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=6780785&pl=dante&dispatch=loadSelectionData

9/23/16
Uncle Acid & The Deadbeats, Danava
http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=6776535&pl=dante&dispatch=loadSelectionData

9/24/16
Deafheaven, The Blood Royale, Greenbeard, Diesto, Banquet
http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=6780605&pl=dante&dispatch=loadSelectionData

Northwest Hesh Fest Three-Day Pass

Northwest Hesh Fest event page

Northwest Hesh Fest on Thee Facebooks

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YOB and Black Cobra Announce Fall European Tour

Posted in Whathaveyou on June 22nd, 2016 by H.P. Taskmaster

I don’t recall hearing too many complaints when Oregon visionaries YOB and San Francisco demolition specialists Black Cobra hit the road together last fall in the US, and I don’t imagine they’ll come up against much resistance when they bring the show to Europe this September and October. YOB are still out supporting 2015’s album of the year, Clearing the Path to Ascend (review here), while Black Cobra head out under the banner of earlier-2016’s Imperium Simulacra (review here), for which they’ve already toured in the States alongside Bongzilla, Lo-Pan and Kings Destroy and which offers a broader take on their trademark tumult.

The tour will hit an impressive number of festivals, from Incubate to Smoke the Fuzz to Asymmetry to Up in Smoke to Desertfest Belgium, each one basically providing an anchor with club shows in between. Looks like it’ll be a great time.

YOB announced the tour thusly:

yob black cobra europe 2016

EU FALL TOUR ANNOUNCEMENT: All current festival and show dates for our European tour this fall with black cobra are below.

Check back for more dates and ticket info, as we’ll be updating again soon!

11/09/2016 – Tilburg NL – Incubate Festival – September 2016
12/09/2016 – Dortmund DE – FZW
13/09/2016 – Aarhus DK – Radar
14/09/2016 – Gothenburg SE – Sticky Fingers // Göteborg
15/09/2016 – Oslo NO – BLÅ
16/09/2016 – Copenhagen DK – Pumpehuset
17/09/2016 – Athens GR – Smoke The Fuzz gigs Fest
19/09/2016 – Wiesbaden DE – Schlachthof Wiesbaden
20/09/2016 – Munich DE – Feierwerk
21/09/2016 – Berlin DE – Musik & Frieden
22/09/2016 – Wroclaw PL – Asymmetry Festival
23/09/2016 – Leipzig DE – UT Connewitz
24/09/2016 – Nurnberg DE – Z-Bau
25/09/2016 – Vienna AT – Chelsea
26/09/2016 – Ljubljana SL – Club Gromka
28/09/2016 – Zagreb HR – VintageIndustrial Bar
29/09/2016 – Linz AT – Stadtwerkstatt
30/09/2016 – Milan IT – Lo Fi Milano
01/10/2016 – Pratteln CH – UP in SMOKE indoor festival in Z7
02/10/2016 – Orleans FR – L’Astrolabe – Orléans
04/10/2016 – Belfort FR – La Poudrière – Belfort
05/10/2016 – Paris FR – GLAZART
06/10/2016 – Tourcoing FR – Le Grand Mix
07/10/2016 – Bristol UK – The Fleece Bristol
08/10/2016 – Glasgow UK – The Garage
09/10/2016 – Birmingham UK – The Rainbow Venues
10/10/2016 – Manchester UK – The Ruby Lounge
11/10/2016 – Dublin IRE – Whelan’s
13/10/2016 – London UK – Scala
14/10/2016 – Antwerp BE – DESERTFEST ANTWERP 2016
15/10/2016 – Hannover DE – CAFE GLOCKSEE

Design by FTG Illustrations

https://www.facebook.com/quantumyob/
https://www.facebook.com/blackcobramusic/

Black Cobra, “Chronosphere” Live in L.A., 11.20.15

YOB, “Marrow” Live in NYC, 11.07.15

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Ragged Barracudas & Pushy, Split LP: Free Range Boogie (Plus Track Premieres)

Posted in audiObelisk, Reviews on June 16th, 2016 by H.P. Taskmaster

ragged barracudas pushy split

[Click play above to stream Ragged Barracudas’ ‘Tables Turn’ and Pushy’s ‘Salem Man.’ Their split LP is out mid-July and available now to preorder.]

There’s just nothing to argue with here. German trio Ragged Barracudas and Portland, Oregon’s Pushy team up for a split 12″ on Who Can You Trust? Records, four tracks apiece on two sides obviously divided by band, three originals and one cover each. Let the boogie ensue. It is neither act’s first time working with the label. Ragged Barracudas released a 7″ (review here) early in 2014 and took part in the latest installment of the imprint’s Sweet Times series of four-way split singles, Sweet Times Vol. 5. Pushy, meanwhile, featured on Sweet Times Vol. 4 last year, and as Ragged Barracudas drummer/vocalist Christian Dräger doubles as the head of Who Can You Trust? and Pushy guitarist/vocalist Adam Burke has done artwork for label releases from Pastor and the aforementioned Sweet Times Vol. 4, it’s safe to assume nobody on one side is a stranger to the other.

Those connections come hand-in-hand with a similarity of sonic mindset, both acts embroiled in a modernization of ’70s impulses across the LP’s engaging 33-minute span. They share a lack of pretense in their methods and the circumstance that this 12″ platter is the most substantive release to-date from each of them, Pushy having offered up a digital-only demo in 2014 (review here) and a couple other odds and ends on Bandcamp in addition to the above-mentioned. Both acts sound formative, purposefully, but assured of what they’re trying to accomplish and how they want to get to the natural, classic atmosphere that ultimately unites them and makes the record flow between its two sides.

In the case of Ragged Barracudas, no doubt at least partial credit should go to Guy Tavares. Also the drummer/vocalist of Orange SunshineTavares holds the reins on Motorwolf Studios in Den Haag, the Netherlands, and Ragged Barracudas‘ output benefits greatly from the sweat-soaked rawness of the “Motorwolf sound” on their four songs, “Burning” (on which Tavares also contributes ghungroo bells), “Tables Turn,” “Walking on My Grave” (a Dead Moon cover) and “Conclusions.” With a strong sense of live performance and a down-to-business feel in the lightly blown-out vocals of Dräger, joined in the band by guitarist Janik Ruß and bassist Tom WeitenRagged Barracudas manage to keep a friendly edge to a successfully dangerous execution.

ragged barracudas pushy split ad

Some of that might be pacing. “Burning” and “Walking on My Grave” both move at a pretty decent clip, but “Tables Turn” — a highlight of the release and the longest cut on it at six minutes flat — and “Conclusions” contrast with a more patient take. This direct back and forth, particularly over the condensed 17-minute runtime of the vinyl’s side A, sets up a flow that carries the listener along with the changes the band is making. I don’t know the circumstances of the recording exactly, but if it wasn’t completely live I’d guess it was at least mostly so, and whether it’s the almost-gothabilly ride cymbal on “Walking on My Grave” or the melancholic rumble of “Conclusions,” Ragged Barracudas show themselves as having a firm grip on their sound and a growing songwriting process that sounds ready for exploration on a debut full-length.

That’s something else they have in common with Pushy, who sound like the swing-fueled next step the Pacific Northwest has been waiting for since Portland arrived on the heavy rock map seven-plus years ago. They’re not the only band from what’s become a capitol of US heavy to take a bite out of the ’70s grooves of ZZ Top and James Gang, but they do it exceedingly well, whether it’s the start-stop bass groove from Neal Munson on “Zionara” or the sleaze in Burke‘s vocals on side-opener “In My Mouth.”

Blue Cheer are a major factor in that song, and not to its detriment, as BurkeMunson, guitarist Ron Wesley and drummer Travis Claw set themselves up for the funky turn that “I Need More Time” — a cover of The Meters — brings, twisting guitars leading the way into a resounding hook before twin-leads meet up for a scathingly bluesy apex that shifts back into the chorus to finish out. “Salem Man” follows with an admirably believable “rama-lam-bam-bam” worked into its lyrics, and as Pushy‘s tracks are arranged shortest to longest, as they make their move toward “Zionara” to finish out, they get correspondingly bolder, so that the final nod of “Zionara” is not only its own payoff but that also for the band’s entire portion, played out over a lean, deceptively-efficient 15 minutes.

Like I said at the outset, there’s just nothing to argue with here. In performance and songwriting, Ragged Barracudas and Pushy complement each other fluidly. It’s telling that the split’s cover artwork — presumably by Burke — is on what looks like reclaimed wood from an old barn, since both bands have an underlying element of the organic to their approach as well. In accord with that, their combined output sounds ready to stand the test of time.

Ragged Barracudas on Thee Facebooks

Ragged Barracudas on Bandcamp

Pushy on Thee Facebooks

Pushy on Bandcamp

Ragged Barracudas & Pushy split preorder

Who Can You Trust? Records on Bandcamp

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Ape Machine Tour Starts June 15

Posted in Whathaveyou on June 6th, 2016 by H.P. Taskmaster

ape machine

There’s a good chance that, at any given point, Oregonian heavy rockers Ape Machine are either announcing a tour, actually on said tour, just off touring, or getting ready for their next tour. They went to Europe last fall to herald the arrival of Spring 2016’s Coalition of the Unwilling (review here) on Heavy Psych Sounds, and they’ve been on the road steadily for the last several years. To wit, the run that starts June 15 through the Midwest and West Coast, which includes a stop at Crucialfest 6 in Salt Lake City, will be their second US stint of 2016 after one in March around the latest release, and it only seems fair to speculate that it won’t be the last time they get out this year. Some acts do it the hard way, and Ape Machine seem to prefer delivering rock and roll personally. So be it.

Dates follow here, as sent down the PR wire:

ape-machine-tour-poster

Rock’n’roll ain’t dead! Portland rockers APE MACHINE announce more US tour dates this summer.

Rock’n’roll has never been so alive, as Portland’s most exciting and hard-hitting riff merchants APE MACHINE are set to make heads turn again, with the release of their fourth album, on Heavy Psych Sounds. “Coalition Of The Unwilling” landed in March in all good record stores, followed by Southern US tour dates. The psychedelic apes bring the riffs to the Mid-West this summer with dates starting in June and an appearance at the highly regarded stoner-rock fest – Crucialfest – in Salt Lake City.

The name APE MACHINE is a nod to the days of reel-to-reel magnetic tape audio recording; a fitting moniker for the Portland heavy-hitting quartet as the band plays through vintage tube amplifiers and lays down its songs using exclusively throwback quality studio equipment.

With a heady mix of animal aggression and technical precision, APE MACHINE’s music carries an organic depth and warmth rarely heard since the time of rock’s glorious early years (or your Dad’s bad ass record collection) infused with an exceptional modern sensibility. When the mystical lyrics of vocalist Caleb Heinze lock in with the band’s stone-cold groove, the band demonstrates an earth-shaking ability to rock. A true four-piece, the group has been called “a rock and roll band with a finger on the pulse of the 70’s and their asses firmly in the present” and “real heavy-psych for the iPhone generation” that delivers “true guts and glory rock and roll”.

Summer Tour Dates:
Wednesday June 15: Shredder, Boise ID
Thursday June 16: Crucialfest, Salt Lake City (Metro Bar)
Friday June 17: Larimer Lounge, Denver CO
Saturday June 18: Replay Lounge, Lawrence KS
Sunday June 19: Reggie’s, Chicago IL
Monday June 20: Fubar, St. Louis MO
Tuesday June 21: Melody Inn, Indianapolis IN
Wednesday June 22: The Roxy, Overland Park KS
Thursday June 23: Blue Note Lounge, Oklahoma City OK
Friday June 24: Leftwoods, Amarillo TX
Saturday June 25: Deadhorse Saloon, San Angelo TX
Sunday June 26: Lowbrow Palace, El Paso TX
Monday June 27: Casbah, San Diego CA
Tuesday June 28: Blue Lamp, Sacramento CA

APE MACHINE IS
Caleb Heinze – Vocals
Ian Watts – Guitar
Brian True – Bass
Damon De La Paz – Drums

http://apemachine.com/
https://www.facebook.com/apemachinemusic
https://twitter.com/apemachine
http://www.heavypsychsounds.com/shop.htm
www.ripple-music.com

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Saint Vitus, The Skull and Witch Mountain Announce US Tour Dates

Posted in Whathaveyou on June 6th, 2016 by H.P. Taskmaster

This is one of those tour-to-end-all-tours tours. Beginning in Austin on Sept. 27, including a stop Oct. 14 at Erosion Fest and culminating Oct. 23 at Southwest Terror Fest, the newly-announced tour with Saint VitusThe Skull and Witch Mountain also covers both coasts in nearly its month-long stretch. I’ll admit the prospect of seeing these three bands together at the Saint Vitus Bar in Brooklyn has my arm hair standing on end, remembering the Vitus-at-Vitus gig from 2012 (review here) as one of the best shows I’ve ever seen, at that venue or anywhere else. It’ll be a different lineup of the band this time, with original vocalist Scott Reagers back in that position as the Die Healing-referential poster art indicates, but they’re keeping excellent company in The Skull and Witch Mountain as well, so kudos all around, including to Nanotear, which put the package together.

Witch Mountain have a couple dates as well en route to meeting up with the others. Find the complete routing, including those shows, below:

saint vitus the skull witch mountain tour

SAINT VITUS tour dates
All dates with THE SKULL, WITCH MOUNTAIN
Sept. 27 Austin, TX @ Midway Field House
Sept. 28 Dallas, TX @ Gas Monkey Dallas
Sept. 29 San Antonio, TX @ The Mix
Sept. 30 Shreveport, LA @ Riverside Warehouse
Oct. 1 New Orleans, LA @ One Eyed Jack’s Saloon
Oct. 2 Atlanta, GA @ The EARL
Oct. 3 Raleigh, NC @ Kings
Oct. 5 Philadelphia, PA @ Underground Arts
Oct. 6 Boston, MA @ @Middle East
Oct. 7 Brooklyn, NY @ Saint Vitus Bar
Oct. 8 Cleveland, OH @ Grog Shop
Oct. 9 Indianapolis, IN @ 5th Quarter Lounge
Oct. 10 Chicago, IL @ Reggie’s Bar
Oct. 11 Madison, WI @ High Noon Saloon
Oct. 12 St. Paul, MN @ Turf Club
Oct. 14 Missoula, MT @ Erosion Festival
Oct. 15 Seattle, WA @ El Corazon
Oct. 16 Portland, OR @ Star Theater Portland
Oct. 18 Sacramento, CA @ Starlite Lounge
Oct. 19 Oakland, CA @ Oakland Metro Operahouse
Oct. 20 Costa Mesa, CA @ Wayfarer.
Oct. 21 Los Angeles, CA @ The Viper Room
Oct. 22 San Diego, CA @ Brick By Brick
Oct. 23 Tucson, AZ @ Southwest Terror Fest

Witch Mountain shows on the way to meet up with Saint Vitus + The Skull:
9/22 Portland, OR – Dante’s (WM only)
9/23 Boise, ID – Neurolux (WM only)
9/24 Salt Lake City, UT – Metro (WM only)
9/25 Denver, CO – Hi-Dive (WM only)

https://www.facebook.com/saintvitusofficial/
https://www.facebook.com/troubletheskull/
https://www.facebook.com/witchmountain/
https://www.facebook.com/Nanotear/
http://season-of-mist.com/
teepeerecords.com/products/

Saint Vitus, “Born too Late” Live at Hellfest 2015

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The Skull and Witch Mountain Announce European Tour

Posted in Whathaveyou on May 27th, 2016 by H.P. Taskmaster

Have to chuckle a bit at The Skull calling a tour ‘November of Doom,’ when they’re from Chicago and that same city is host to Novembers Doom, but hey, sometimes coincidences happen. On their latest run of Europe, which follows two earlier this Spring, including one that stopped for a total of three sets at Roadburn 2016, they’ll be joined by Portland, Oregon’s Witch Mountain. As coordination would have it, the two bands share a guitarist in Rob Wrong at this point, so though he’ll be pulling double-duty, the pairing makes an awful lot of sense. The Skull, who are continuing to support their 2014 debut, For Those Which are Asleep (review here), as well as a self-titled follow-up EP (review here), features vocalist Eric Wagner, bassist Ron Holzner, guitarist Lothar Keller and drummer Sean Saley, in addition to Rob Wrong.

To my recollection, this is the first time Witch Mountain will be headed to Europe since acquiring vocalist Kayla Dixon. They toured North America last Spring alongside Enslaved and YOB and are about due for a follow-up to 2014’s Mobile of Angels (review here), their gorgeous and fraught fourth full-length.

Both bands also play Erosion Festival 2016 (info here) in Missoula, Montana, this October.

From the PR wire:

the skull witch mountain

THE SKULL featuring former Trouble members including vocalist Eric Wagner and bassist Ron Holzner are returning to Europe in November 2016!

The Skull & Witch Mountain:
11/04 Bristol, UK Exchange
11/05 Milton Keynes, UK Crauford Arms
11/06 London, UK Underworld
11/07 Tilburg, NL Little Devil
11/08 Utrecht, NL DBS
11/09 Karlsruhe, DE Jubez
11/10 Vienna, AT Doom Over Vienna
11/11 Arnstadt, DE Rockjunfer
11/12 TBA
11/13 Drachten, NL Iduna
11/14 Wiesbaden, DE Schlachthof
11/15 Kassel, DE Schlachthof
11/16 Hamburg, DE Hafenklang
11/17 Dortmund, DE Piano
11/18 Würzburg, DE Hammer Of Doom
11/19 Winterthur, CH Gaswerk

https://www.facebook.com/troubletheskull
http://theskullusa.com/
https://twitter.com/TheSkullUSA
http://shop.teepeerecords.com/
https://www.facebook.com/witchmountain/
http://witchmountain.bandcamp.com/

The Skull, Live at Roadburn 2016

Witch Mountain, Live at King’s Barcade, Raleigh, NC, March 26, 2015

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Zirakzigil Sign to Prosthetic Records

Posted in Whathaveyou on May 10th, 2016 by H.P. Taskmaster

zirakzigil (Photo by Aaron Sharpsteen)

Portland progressive heavy rockers Zirakzigil will head out on a West Coast tour next month supporting righteous weirdos Wizard Rifle. The three-piece have announced that Prosthetic Records has picked them up and will reissue their 2015 sophomore full-length, Worldbuilder, on June 10, with new artwork and a bonus track for the CD/DL editions. That’s not minor distribution channel to tap into, and at this point Prosthetic has a significant and loyal following in prog metal, so it’ll be interesting to see how Zirakzigil — veterans of Hoverfest as you can see above in the photo by Aaron Sharpsteen — appeal to the label’s built-in audience.

I wouldn’t expect this run with Wizard Rifle will be Zirakzigil‘s last, either. Info on the release and tour follows, courtesy of the PR wire:

zirakzigil worldbuilder

PORTLAND PROG TRIO ZIRAKZIGIL SIGN TO PROSTHETIC RECORDS, ANNOUNCE “WORLDBUILDER” REISSUE

Band announce summer tour dates with Wizard Rifle, launch pre-order bundles for reissue

PROSTHETIC RECORDS are excited to announce their latest signing, Portland progressive psych/doom metal trio ZIRAKZIGIL.

Named after the misty mountain peak from Tolkien’s legendary novel Lord of the Rings, ZIRAKZIGIL have been steadily conquering the Pacific Northwest since their formation in early 2013. Described by Revolver Magazine as “70’s prog-rock sliding down King Crimson’s mountain”, the trio are heavily influenced by both classical music and the famed prog-rock heavy weights of the 70’s such as the aforementioned King Crimson along with Yes, Gentle Giant and Rush – to name just a few. Their truly unique sound blends these elements along with touches of sludge and doom to create an onslaught of crushing heavy riffage fused with sporadic flourishes of progressive insanity.

ZIRAKZIGIL have announced they will reissue their sophomore album “Worldbuilder”, featuring updated artwork seen below, across all formats (CD, LP, and Digital) on June 10. A previously unheard bonus track, “Prolegoria”, will also be included only on digital and CD versions of the album. Recorded and mixed with Billy Anderson (Neurosis, High on Fire).

The band commented, “We are screaming in the faces of kittens with excitement about signing with Prosthetic Records, who have agreed to help us in our quest for world domination. The newly upgraded psychedelic Kantian mindfuck edition WORLDBUILDER release is only the beginning as we continue to conquer new realms of heaviness and complexity. Prepare yourselves for an avalanche of sonic wizardry”.

Track Listing
1. Kategoria
2. Prolegomena
3. Will and Presentation
4. Terra Perricolosa
BONUS TRACK
5. Prolegoria *
*Included only on CD & Digital versions

ZIRAKZIGIL will join up with Portland/NYC noise rockers, Wizard Rifle, a week after the album’s release along the West Coast.

Catch them at one of the following dates:
6/17 Seattle, WA – Victory Lounge #
6/18 Portland, OR – Panic Room #
6/20 Sacramento, CA – Starlite #
6/21 San Francisco, CA – The Hemlock #
6/22 Santa Cruz, CA – Blue Lagoon
6/23 Glendale, CA – Complex #
6/24 Los Osos, CA – Sweet Springs
6/25 Pacifica, CA – Winter’s Tavern
# with Wizard Rifle

https://www.facebook.com/zirakzigilpdx
https://twitter.com/ZIRAKZIGILBAND
store.prostheticrecords.com/bands/zirakzigil
https://zirakzigil.bandcamp.com/album/worldbuilder-redux

Zirakzigil, Worldbuilder (2016)

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Holy Grove Interview with Andrea Vidal: Commanding Fate

Posted in Features on April 20th, 2016 by H.P. Taskmaster

holy grove 1 (Photo by Alyssa Herrman)

One would be hard pressed to name a single city that has contributed more to the sphere of American heavy rock in the last half-decade than Portland, Oregon. I’m not even sure there’s any competition, even from places like San Francisco or San Diego. The challenge this presents new bands at this point is how they go about distinguishing themselves from their peers, and that is something that hard-driving four-piece Holy Grove would seem to have solved early.

Their self-titled debut (review here) is out now on Italian imprint Heavy Psych Sounds, owned by Gabriele Fiori of Black Rainbows/Killer Boogie, and basks in wide-cast grooves and a crisp but natural tonal warmth captured by stuff-of-legend producer Billy Anderson that puts the powerful vocals of Andrea Vidal front and center atop the riffs of guitarist Trent Jacobs, the rumble of bassist Gregg Emley and the roll of original drummer Craig Bradford (replaced by Adam Jelsing). That’s a big risk for a relatively new band, Holy Grove started in 2012, but it’s still their first album, but Holy Grove takes classic cues and updates them with a modern thickness of sound that would seem to hold an appeal for fans of then and now in heavy.

Holy Grove play Psycho Las Vegas in August (info here), joining in international and interstellar array of groups, and have a European tour in the works for the fall to further support the album, as well as work already underway on the follow-up, which is probably a ways off, but still in progress already. In the interview that follows, Vidal talks with good humor about her experience joining the band, how they got together, needing to buy a microphone after the first practice, starting work on the album after releasing the Live at Jooniors (review here) two-songer, recording with Anderson and much more, including finding her voice as a lead singer and the importance of commanding a stage and bringing a show to life.

The complete Q&A tops 3,200 words and can be found after the jump.

Please enjoy:

Read more »

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