Posted in Whathaveyou on February 6th, 2017 by JJ Koczan
I don’t know how else to say it other than to say that the lineup for Desert Generator 2017 is fucking sick. The Pioneertown, CA-based fest made its debut last year with none other than Brant Bjork at the organizational helm, and the return installment builds on the first one unquestionably, importing Italian heavy psych forerunners Black Rainbows to play the fest proper at Pappy & Harriet’s and partnering with esteemed Euro booker Sound of Liberation on a pre-party the night before out in the desert with Yawning Man, Fu Manchu and Brant Bjork doing a set with Sean Wheeler. Like I said, it’s fucking sick.
Really, the only two words you’d need to sell the thing are “Earthless headline,” but the that’s just the start of what’s going on here. Orchid and The Shrine will be an absolute party, and the vibe Desert Generator 2017 is shooting for is so apparent I can feel it even from being situated on the other side of the continent. I wish to hell I could be there for this one, because it looks like it’s going to be something special.
Check it out:
DESERT GENERATOR 2017
A heavy, psychedelic, rock & roll happening.
Rolling Heavy Magazine; Allnight, Allnight; and Brant Bjork present:
DESERT GENERATOR and THE ROLLING HEAVY VAN SHOW Saturday, April 8th, 2017 Pappy & Harriet’s Pioneertown Saloon, The Pioneertown Corrals
Custom vans, killer bands, hanging and camping out all weekend with new and old buddies, cheersing and generally getting rad in the Southern California desert. Concert Tickets are on sale. If you were there in 2016, you know you gotta be there. If you missed it, well, you know you can’t make that mistake again. We are so stoked about this band lineup!
EARTHLESS BRANT BJORK ORCHID THE SHRINE BLACK RAINBOWS
— Yeah, buddy, that’s right. Let that soak in for a minute, then read on…
!!! SOMETHING EXTRA RAD AND NEW FOR 2017 !!!
>>> \\\\ * STONED & DUSTED * //// <<< Presented by Sound of Liberation Friday April 7th, 2017
A concert that can happen only with these desert rock legends and only in this desert. We’re throwing a generator party in the middle of nowhere and you’re invited. The location sits on nearly 700 acres of undisturbed desert. No telephone poles, no roads, no people, nothing but rocks and rockers, stones and stoners.
Mario Lalli is bringing the gas-powered electricity and his band Yawning Man are bringing the loudest amps they can find. Brant Bjork is swooping up the Low Desert Punks in his badass Dodge Challenger and special guest Sean Wheeler is riding in on the hood. Fu Manchu finally found the party they were in search of this whole time! And you can find it too if you have a ticket. Meet the bands, break bread, and see them rock out in this super secret desert location.
FU MANCHU BRANT BJORK w/ SPECIAL GUEST SEAN WHEELER YAWNING MAN
* Hang with the bands before the show * Enjoy Hot Tacos & Cold Drinks * VERY LIMITED number of tickets * Super rad desert location * Loud as fuck
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
42. Beaten Back to Pure
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
73. Green Desert Water
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
87. Merlin, The Wizard
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
108. The Sonic Dawn, Into the Long Night
110. Spidergawd, IV
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
122. Youngblood Supercult, The Great American Death Rattle
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
140. Devil Worshipper
144. Electric Moon
145. Elephant Tree
147. The Flying Eyes
148. Freedom Hawk
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
164. Mondo Drag
166. Mountain God
167. The Munsens
169. Never Got Caught
175. Purple Hill Witch
176. Ruby the Hatchet
178. Satan’s Satyrs
179. Serpents of Secrecy
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
191. Zone Six
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
201. Kings Destroy
202. Lord Fowl
204. Masters of Reality
207. Queens of the Stone Age
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
The title The Planet of Doom has been tossed around for the last eight months or so as artists Tim Granda and David Paul Seymour assembled the team that would bring their story to life. Today the real process of completing the animated film for its stated 2017 release date really begins, with the premiere of the first trailer and the launch tomorrow of a Kickstarter to help fund the remainder of the project.
One need only to look at the roster of bands — The Well, Goya, Mos Generator, Summoner, and so on — to know this is a project made with a strong love of music in mind. I’ve only seen the trailer, but it’s plain to see the inheritance from a landmark blend of heavy music and animation like 1981’s Heavy Metal, and the elements of fantasy, beard-clad motorcycle warriors, bizarre (and mostly unclothed) Amazonian-type tribes, and of course a fair heaping of monsters, not only bring these ideas to a new generation of fans, but push those boundaries further with the scope of the project itself.
That said, I could gush and go on and on about the admirable undertaking that is bringing so many artists and bands together for one special project, never mind the distribution at film festivals and three-band package tour (will be very interested to see who winds up on that) to come, but this isn’t a time for a review. You’re better off watching the trailer itself — you’ll notice the Mos Generator right away — getting the details and grabbing the Kickstarter link so that when they open it up tomorrow, Monday, April 11, for contributions, you’re ready to go.
Trailer and info follow, with thanks to Seymour and Granda for letting me host the premiere.
The Planet of Doom official trailer
Riff Lodge Animation has launched the full-length trailer and Kickstarter campaign for its highly anticipated animated tale of metal and art, “The Planet of Doom.”
The creative duo of Art Director/Writer David Paul Seymour and Director/Animator Tim Granda—the team behind the heavily buzzed-about music video for Conan’s “Throne of Fire” (watch it here)—now offer a full-length animated tale set to 14 of the heaviest new stoner-rock and doom-metal tunes this side of Valhalla.
“‘The Planet of Doom’ is very much in the spirit of music/animated films like ‘Heavy Metal’ and the works of Ralph Bakshi,” said Granda.
Added Seymour, “It’s a tribute to heavy music and the art that accompanies that type of music. With this film, we’re seeking to encapsulate the music and art community that Tim and I are a proud part of with one epic body of work. We are also naturally bringing in all sorts of fringe countercultures who’ve attached to this same community—bikers, skateboarders, comic book and sci-fi fantasy fans. It’s a really vibrant and diversified community and we’ve certainly brought in the right ambassadors to represent it properly.”
“The Planet of Doom” contains no spoken dialogue, opting instead to regale the revenge tale of hero Halvar through the lyrics of the film’s original music. The story unwinds across 14 song-chapters, each interpreted by a different artist-and-band team, including Orchid, Conan, Phillip Cope, Wo Fat, Mos Generator, Slow Season and The Well, paired with artists like Skinner, Vance Kelly, Jason Cruz, Alexis Ziritt, Adam Burke, David Paul Seymour and legendary tattoo artist Forrest Cavacco.
The Bands Orchid Phillip Cope (Kylesa) Conan Mos Generator Wo Fat Slow Season Scorpion Child Summoner The Well Order of the Owl Mother Crone Destroyer of Light Goya Ironweed
The Artists Skinner David Paul Seymour Vance Kelly Jason Cruz Alexis Ziritt Adam Burke Maarten Donders Tony Papesh Scott Trerrotola Simon Berndt Burney Gorgeous George Brian Profilio Nicholas Coleman Tim Granda
Every fan of the project can now be a part of “The Helping Hands of Doom” fundraising campaign, which began last March when it raised more than $20,000 in support from company sponsorships. Through the film’s Kickstarter campaign, which launched today, fans can show their love by helping get this worthwhile film underway, while getting some prized goodies in the process—everything from an HHOD official shirt up to having yourself featured in the film as an animated “extra” and more! Fans and supporters can donate to the film atwww.theplanetofdoom.com.
“The Planet of Doom” will screen at major music and film festival events, as well as on a cross-country package tour with three of the film bands once production is completed.
Posted in Whathaveyou on January 16th, 2015 by JJ Koczan
San Francisco’s Orchid have been announced as Friday-night headliners at Freak Valley 2015. The festival is set to run June 4-6 in Netphen, Germany, and Orchid join the ranks of Goatsnake and Earthless in headlining, rounding out an all-Californian top rank for the event. Says something about the reach of the Golden State, perhaps, but you can’t really argue that any of the three don’t deserve the spot. In the case of Orchid, their Nuclear Blast-proliferated Sabbath worship has made them a household name among heavy rock aficionados, and they’ll also appear in April at Kirk von Hammet‘s Fear FestEvil in San Jose with High on Fire, Meshuggah and more.
Freak Valley got some Vance Kelly art to mark the occasion and put it this way:
ORCHID TO HEADLINE FRIDAY NIGHT AT FREAK VALLEY FESTIVAL 2015!!
Classic Heavy Rock is once again making an unstoppable advance onto the music scene. One of the greatest new acts of its kind is surely ORCHID. Founded in 2007 in San Francisco, the band is rapidly overtaking and destroying each and every competitor; and there are many reasons why.
Musically, Orchid owe their sound to the grand masters of rock. They walk in the footsteps of Led Zeppelin, Black Sabbath and even Pink Floyd – they certainly are generating abundant exhilaration wherever they roam. This musical genre, the mix of blues, folk and hard rock, was surely the most widespread bravura in the early seventies, and those legendary acts mentioned above would easily fill stadiums even today. Their timeless music has survived decades of trends and fashions. It has inspired multiple generations of hard rock acts and is once again spreading to the forefront of rock. It is hard music, music with groove, music that is authentic and true to its roots. It can fill the largest of arenas to enthrall millions of concertgoers around the globe.
Thanks to Vance Kelly for the mindblowing poster art!!
Orchid – Goatsnake – Earthless – Crippled Black Phoenix – The Vintage Caravan – Electric Moon – Horisont – Gas Giant – Monkey3 – Danava – Egypt – Siena Root – Bröselmaschine – Sigiryia – Kamchatka – Purson – Dead Man – Freedom Hawk – Mountain Witch – Tuber – Valley of the Sun – Tombstones – Travelin’ Jack – more tba soon!!
If you’re wondering why every other post this week is about a fest I’d like to go to, please rest assured it’s not a coincidence. The latest addition to that growing list is the Scion Rock Fest, set for May 17 in Pomona, California, with High on Fire, Red Fang, All Them Witches, Aqua Nebula Oscillator, recent EasyRider Records signees The Well and many, many others in the lineup. I’ve never been a huge Machine Head guy, but I think there’d be plenty besides with which to keep occupied.
RSVP for the free fest is open as of today, so if you’re thinking you’re gonna hit it up, you’ll probably want to do so on the quick:
SCION ROCK FEST RETURNS TO SOUTHERN CALIFORNIA ON MAY 17 FOR SIXTH ANNUAL HARD ROCK/METAL BLOW OUT
MACHINE HEAD AND HIGH ON FIRE HEADLINE
Scion Audio Visual’s annual hard rock/metal festival, Scion Rock Fest, returns to Pomona, Calif. on May 17 with an all-star line-up of the biggest names in hard rock as well as metal’s most buzz-worthy newcomers.
Headlining Scion Rock Fest, which has quickly become established as one of heavy music’s biggest live outings, are Machine Head and High On Fire. Other prominent artists appearing on the sixth installment of Scion Rock Fest are Red Fang, King Buzzo, Hot Lunch, Pins of Light and Windhand (full list below).
Concertgoers should visitwww.scionav.com to RSVP beginning March 26 at 10 a.m. pacific.
Since the 2009 debut of Scion Rock Fest, the annual outing has featured Mastodon, Down, Neurosis, Baroness, Morbid Angel and the Melvins. A rotating location has found the Fest in Atlanta, Columbus, Tampa, Memphis as well as the 2011 event, which was also in Pomona.
Scion Rock Fest is one of the many music and cultural events curated by Scion Audio Visual, the entertainment division founded by Scion in 2003. Over the past decade, Scion AV has hosted numerous concerts and tours including the monthly Scion Rock Show in Los Angeles and High on Fire’s recent North American trek, sponsored Phil Anselmo’s Housecore Horror Festival and Revelation Records’ 25th Anniversary celebrations, brought together the brightest minds in the music industry for the annual Scion Music(less) Music Conference and offered numerous free singles and EPs from a wide variety of musicians including Meshuggah, Corrosion of Conformity and Municipal Waste.
The full Scion Rock Fest 2014 line-up: Machine Head High On Fire Red Fang Orchid Crowbar BL’AST! Speedwolf Power Trip Jex Thoth Coffins King Buzzo Big Business Hot Lunch Aqua Nebula Oscillator All Them Witches Pins of Light Carousel The Well Midnight Exhumed In Cold Blood Nekrogoblikon Windhand Lord Dying Moab Black Sheep Wall
Posted in Whathaveyou on February 1st, 2013 by JJ Koczan
It hasn’t been easy keeping up with the Desertfest updates, as both the London and Berlin fests seem to be adding new bands every day — Truckfighters and Colour Haze joining the London lineup was a bit of a “holy shit” moment for me — and sure enough, the last couple days have been no different, with French bands Glowsun and Mars Red Sky added to London and Blues Pills and Orchid signing on for Berlin. Lineups for both are getting pretty packed.
I’ve had several of those “holy shit” moments, including one listening to Dozer last weekend when I realized I’m actually going to get to see that band play, so although I may have some trouble keeping up, I’m unbelievably psyched to catch Desertfest this year.
Here’s the latest:
After crashing the Berlin leg of Desertfest last year, French ‘psychédélique’ trio Glowsun are heading to Camden and completing the double. Already strong contender for any best French band of all time awards, Glowsun are masters of mixing powerful, ambient psychedelia with raw, crushing groove.
Debut full length, The Sundering, put Glowsun on the stoner map in 2008 thanks to its expertly crafted, hooky jams. Last year’s follow up, Eternal Season, shoved drone more to the centre of the sound as well as pushing through heavier, crunchier guitars. The result was an equally atmospheric, but much darker album with more strut and swagger.
Sitting halfway between Sleep and Sungrazer, Glowsun’s appearance at the Camden leg this year is bound to be a thunderous, apocalyptic journey into a psychedelic waste ground.
words courtesy of Tom Geddes
Mars Red Sky
Mentioning the very concept of Mars Red Sky in the UK brings to mind the bizarre combination of tasty chocolate, caramel and nougat with a high quality brand of potato crisps. En France however we’re talking only about the psyche-tripping, outer galaxy meanderings of Bordeaux’s finest retro rockers, known to their fans as MRS.
Taking in influences as broad as Hendrix, Kyuss, Cream, Zeppelin and Pink Floyd, these meteor-bothering cosmonauts create a thick, fuzzy, yet delicate sound, memorably topped off by frontman Julien Pras’ startlingly soulful bluesy rasps behind the mic. With just a singular, though poignant, self-titled debut record and a split with Year of No Light out to date, MRS have quickly built an impressive résumé which includes guest spots at Roadburn, Les Eurockennes and Incubate festivals as well as opening slots with the likes of Sleepy Sun and Killing Joke. A groovy, acid-frying three piece rounded out by Jimmy Kinast on bass and Benoit Busser behind the kit, MRS bring brooding basslines, triumphant drumbeats and a megaton of big-muffled guitar riffs together with a dark and haunting sense of melody, seldom heard in the cactus fields of classic stoner rock.
If you dig the likes of Colour Haze, Tweak Bird, Witchcraft and Earthless then get your shovel back out and prepare to get crater-making with yet another astounding addition to our line-up here at DesertFest 2013.
As many of you expected, ORCHID is now confirmed for the DESERTFEST BERLIN ! :)
ORCHID is an American Doom Metal band based in San Francisco, California, founded in 2007, and one of the greatest new acts of its kind. Rocking hard with their dark, psych-sonic blues assault, the band, around the charismatic lead singer Theo Mindell and his fascinating psychedelic vocals, are the new darlings of the retro heavy rock scene.
ORCHID established their reputation early with the 2009 release of their first EP “Through The Devil’s Doorway” on the small indie label The Church Within. The EP quickly received first-rate reviews around the world naming it an ingenious debut for a band with an auspicious future. Shortly after this release, ORCHID unleashed their first full length album “Capricorn”, released in 2011 by the same label. The record immediately gained the band a huge following in Europe. In September 2012, Nuclear Blast released “Heretic”, their last EP to date … but not for long, as they already prepare a new one, “Wizard of War” ! Stay tuned…
As they live for writing, recording, and playing live, they tour in Europe every year, participating in many of great festivals, such as Hammer of Doom Festival in October 2011, and DesertFest London last April.
Now it’s Berlin turn !!
It’s time for us to bring a little bit of blues to the DesertFest. We are glad to welcome the Swedish-American-French hybrid BLUES PILLS !!
After their departure from Radio Moscow in September 2011, drummer Cory Berry and bass player Zack Anderson, joined up with Swedish lead singer Elin Larsson and French guitar player Dorian Sorriaux to form BLUES PILLS, a compound of heavy, driving bass lines, colossal drums and ferocious, riff based, soul-penetrating guitar work tied together by an incredible soulful voice.
Their 4-track debut EP, “Bliss”, released in May 2012 on Crusher Records, propelled them at the forefront of the on-going 1970?s blues rock retrospective. They toured last summer in Spain and Portugal, and this year, they will play at Roadburn Festival and DesertFest !!
So come to Berlin and take your dose of this blues medicine !!
Posted in Whathaveyou on January 4th, 2012 by JJ Koczan
Recently included near the top of my albums I didn’t hear in 2011 list, San Franciscan Sabbath keepers Orchid have been announced as taking part in the 2012 London Desertfest. They join a lineup that already includes the likes of Orange Goblin, Greenleaf, Stone Axe, Black Pyramid and many, many more, and maybe, if I still haven’t picked it up by the time I get there, just maybe I’ll finally get my hands on a copy of Capricorn from their merch table.
If you dig BlackSabbath, then you’re going to dig Orchid with their fresh take on ‘70s doom rock. The SanFrancisco four-piece came into existence back in 2007 and in ‘09 released their Through the Devils Doorway EP. 2011 saw the guys’ debut album, Capricorn, hit the shops and has receive rave reviews. They toured Europe for the first time this year and now they are working on a new album which is to be released in 2012. Occult rock is coming to London next year.
Posted in Features on December 30th, 2011 by JJ Koczan
I should say up front that there were way more than just five albums I didn’t hear in 2011. Five is just a convenient number. It’s half of 10, prime, odd, easily multiplied, etc. I could probably do a top 20 if I felt like it, but frankly, I don’t. Much as I (apparently) enjoy making a show of my ignorance, even that thrill has its limits.
Reactions varied to this year’s top 20 list when it went up, which was to be expected, and I appreciated it that people felt strongly enough to point out things I missed or things they felt deserved inclusion. That’s awesome. It gives me more records to hunt down, and well, what the hell is the point of all of this if not that?
Reserving the right to either purchase or not purchase these albums in the future depending on my cash flow, momentary impulse and fluctuations in taste, here’s the list. You should probably note that, since I didn’t hear any of them, the numbers are basically meaningless.
1. Uncle Acid and the Deadbeats, Blood Lust
When this didn’t make the top 20, the response was so immediate and horrified that I actually went and bought the damn thing off eBay. Import price, no less. Seriously, people were pissed. Windows were broken by flying bricks of disgust. Cars were flipped over and set on fire. “Oh my god it’s retro British occult doom how could you not have it on your list?” The hype being as massive as it is, I only hope my contrary nature (read: prickishness) doesn’t get the best of me and actually prevent me from enjoying it when it comes. Either way, I’ll write on it. Not a full review, but something.
2. Orchid, Capricorn One of several releases on The Church Within Records that I would’ve preferred to have been able to review (looking at you too, Serpent Venom and Lord Vicar), but I’m only one man, I only have so much money, and I feel bad chasing stuff down when there’s a list of records waiting to be written up. Plus, after a nasty one-liner about their performance at Planet Caravan in 2009 and a meh writeup on their Through the Devil’s Doorway EP, I don’t think I’m even on their radar for people whose opinions they care to hear about a full-length. Fair enough. I’ll probably pick up Capricorn eventually regardless.
3. Tombs, Path of Totality Years ago, I interviewed Mike Hill for the Aquarian when the former Anodyne guitarist/vocalist was releasing that band’s The First Four Years compilation on his own Black Box Recordings. He was a nice guy, and he talked about starting a new band in Brooklyn that was in a heavier direction. That turned out to be Tombs. And then they signed to Relapse, and then they were really popular. I wasn’t too huge on their first record, and this one just kind of fell through the cracks, but by all accounts it’s fairly amazing. I don’t doubt it.
4. Hammers of Misfortune, 17th Street While I’m reliving irrelevant memories (see #3 above), at SXSW in 2007, I was at a merch table for a show Weedeater were playing. Maybe it was Om. Or both. Slough Feg were also on the bill, though I’d missed them, and I wound up drunkenly buying everything Hammers of Misfortune had for sale from Sanford Parker, who assured me they kicked ass. I don’t recall ever finding out one way or the other, and neither did I manage to keep up with the band’s 2008 double release, Fields/Church of Broken Glass, but each time they put out a record, I feel like I should get aboard, and this one’s no different.
5. Argus, Boldly Stride the Doomed I was given a free download of the album, I got the .zip file, and then it sat there. And in the end, I didn’t not review it because I didn’t want to listen — I didn’t review it because I didn’t want to listen, dig the hell out of it and then have to go buy it. That’s the truth. It’s nothing against Pittsburgh trad doomers Argus, whom I’ve seen live and whose sound I dig a lot — I just didn’t want to have to shell out the cash for another record. Would be a different scenario if they were playing a show, and hopefully I’ll run into them over the course of the next year and be able to make fiscal amends for my neglect.
Honorable mention goes to Seven that Spells, The Heavy Eyes and probably six or seven others I can’t think of. You know, I was kind of hoping that doing this feature would make me feel better about missing out on some of this stuff, but nope. I just feel lame and out of touch. Maybe in 2012 I’ll be cool enough to keep up, but I wouldn’t hold my breath.