Posted in Whathaveyou on January 26th, 2017 by JJ Koczan
Portuguese-based summer fest SonicBlast Moledo 2017 came out swinging last month with its first round of lineup announcements, and the second round finds them no less ambitious in their reach. I’ve yet to hear of Kadavar showing up anyplace and being unwelcome, and anywhere Orange Goblin go is of note. I wouldn’t be surprised if by the time August hits, either or both hit Moledo as part of a European tour — maybe even supporting or advancing the arrival of new albums? — and one can’t help but be encouraged by the inclusion of Los Angeles trio Sasquatch here as well. Good to know they’ll be making a return trip to Europe in 2017. Again, one looks forward to more info on that to come. Ditto for The Well.
Yuri Gargarin have made a name for themselves over the last couple years across numerous fest appearances — they keep popping up here and there — but Mammoth Weed Wizard Bastard out of the UK would be newer on the circuit. They’ll hit SonicBlast Moledo 2017 behind last year’s Y Proffwyd Dwyll (review here), which continues to resonate with its ethereal and cosmic doom.
Fest announcements follow:
SONICBLAST MOLEDO 2017 – NEW ANNOUNCEMENTS
With more than 20 years on the road, Orange Goblin are certainly one of the most cherished and distinguished heavy stoner rock bands of the world. Their impeccable union between heavy metal, stoner rock and many psychedelic influences won’t leave no one indifferent! Bang your head!
After their apotheotic show at SonicBlast Moledo’s third edition back in 2013, the German rockers KADAVAR return with their greatly acclaimed latest album “Berlin”, the second one released under Nuclear Blast!
Austin based The Well are also confirmed to invade Moledo with their singular compositions, gifted with a sound which blends psychedelic rock, heavy blues and sinister melodies!
From Los Angeles, California, we announce the comeback of Sasquatch to Portuguese lands, a notable band within the stoner rock movement, who has been relentlessly practicing it since the beginning of the century!
Hailing from Sweden, we welcome for the first time ever in Portugal the psychedelic space rock of Yuri Gagarin, the cosmic quintet whose approach to each musical theme corresponds to an authentic trip through time and space!
Directly from Wales, we cast the musical druidism of Mammoth Weed Wizard Bastard, exemplary practitioners of their own Doom Metal’s kind!
* Orange Goblin (uk) + Kadavar (ger) + Elder (usa) + Sasquatch (usa) + Monolord (se) + Kikagaku Moyo (jp) + Yuri Gagarin (sue) + The Well (usa) + Mammoth Weed Wizard Bastard (uk) +++ and many more to come +++
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
42. Beaten Back to Pure
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
73. Green Desert Water
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
87. Merlin, The Wizard
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
108. The Sonic Dawn, Into the Long Night
110. Spidergawd, IV
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
122. Youngblood Supercult, The Great American Death Rattle
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
140. Devil Worshipper
144. Electric Moon
145. Elephant Tree
147. The Flying Eyes
148. Freedom Hawk
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
164. Mondo Drag
166. Mountain God
167. The Munsens
169. Never Got Caught
175. Purple Hill Witch
176. Ruby the Hatchet
178. Satan’s Satyrs
179. Serpents of Secrecy
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
191. Zone Six
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
201. Kings Destroy
202. Lord Fowl
204. Masters of Reality
207. Queens of the Stone Age
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
Later this year, UK heavy overlords Orange Goblin will celebrate 20 years since the release of their first album, Frequencies from Planet Ten. The nine-track outing surfaced via Rise Above Records in fall ’97, following their split 7″ the year before on the same label issued under their original moniker, Our Haunted Kingdom. It was the beginning of what’s become one of heavy rock’s most storied journeys, and while there have seemed to be times when the London outfit have been doing nothing except waiting for the world to catch up to them — say, the five years between 2007’s Healing Through Fire and 2012’s A Eulogy for the Damned (review here) — they’ve never compromised either their assault or their creative will, and both got their beginning in these nine tracks. It was also a different time. Probably fair to call Frequencies from Planet Ten “stoner rock” for the Sabbathian loyalism it shows in the shuffle of “Saruman’s Wish” or the trippy Monster Magnetism that crops up in opener “The Astral Project,” but already in those cuts, in “Aquatic Fanatic,” “Land of Secret Dreams” and the eponymous “Orange Goblin,” one can hear the roots of the gruff, harder-driving path Orange Goblin would stomp as their sound took shape across their subsequent two full-lengths, 1998’s Time Travelling Blues (discussed here) and 2000’s The Big Black (discussed here), the then-five-piece making an unholy trinity of their first three albums the influence of which continues to reverberate today, especially in London’s fertile heavy rock underground.
Safe to say no one knew that was going to happen 20 years ago, but in addition to being relatively early adopters of a classically heavy sound in the late ’90s and a blueprint others would follow, Orange Goblin showed immediate distinction in their songwriting on Frequencies from Planet Ten. It’s not a perfect album and I don’t think it was meant to be — remember, this was the era of wider-adopted use of ProTools and other digital recording methods, so they were perhaps reacting to that in going for a live sound — but its rawness is only an asset in the forward thrust of “Magic Carpet” or “Aquatic Fanatic,” and vocalist Ben Ward, guitarists Joe Hoare and Pete O’Malley, bassist Martyn Millard and drummer Chris Turner (as well as Duncan Gibbs on keys) cleverly played psychedelics off their more straightforward material, both within in and between songs, so that as “The Astral Project” opened and set a spacious tone, “Magic Carpet” would soon answer by hitting the ground running with a wah-bass and drum boogie that turned into a post-Kyuss push that few making the rounds at the time could match in its tone or execution. Likewise, “Orange Goblin” and closer “Star Shaped Cloud” seemed to reinforce the structure, working at a middle-paced nod and a trippy build, respectively, to round out Frequencies from Planet Ten with an emphasis that while the two weren’t by any means mutually exclusive within their sound, a given track didn’t necessarily need to be aggressive in the metallic sense to be vigorously, righteously heavy.
Of course, over the subsequent two decades, Orange Goblin would become known for plenty of ferocity on their own level. From 2002’s Coup de Grace through 2004’s Thieving from the House of God, the aforementioned Healing Through Fire and A Eulogy for the Damned, as well as their latest outing, 2014’s Back from the Abyss (review here), they’d continue to refine, sharpen and tighten their approach to a point of impact that, by three years ago at least, was positively Motörhead-esque. And while that may have been a long, long way from where Frequencies from Planet Ten saw them start out, they were no less Orange Goblin than they’d ever been (unless you count the actual numbers of their mid-aughts change from a five- to a four-piece with the departure of O’Malley). While they’ve offered many, the most resonant lesson of Orange Goblin‘s tenure — which is hardly over; I’ve heard word of a new album this year on Spinefarm and they continue to tour — has proven to be that when you believe in what you’re doing and if you’re willing to stay true to that in the face of external trend, market, whatever, and if you’re right, you can make yourself a leader. They’ve certainly done that, and looking back on it nearly 20 years later, Frequencies from Planet Ten still kicks ass with what’s become Orange Goblin‘s signature footprint.
As always, I hope you enjoy.
I needed something of a pick-me-up this week, as it’s been a tough one at work. Add to that the fact that Tuesday night I woke up around 1:30AM and never got back to sleep, so went into Wednesday with about four hours of extra-unfortunate consciousness, and yeah, it was even harder. Stressful. Corporate living.
But the whole of today was awesome, so it seemed only fair to close out the week in that fashion as well. I hope yours was good. I’ve got family coming north this weekend — my mother and nephew — and am looking forward to that as well as to a couple hours of relaxed coffee sipping and writing in the mornings. It’ll be a good time. I’m exhausted, but not nearly so miserable as I was, say, Wednesday afternoon circa 2PM. Easy low point of the year so far, if you’re keeping track.
Next week is pretty full already, which I’ll take. I’ve slated reviews for the next however long, and some of it might get interrupted as premieres come in (that happened today, actually, with the John Garcia), but here’s how it looks at the moment:
MON: Eternal Elysium review & Basalt video premiere.
TUE: Electric Funeral Cafe Vol. 3 comp review & Hornss video premiere.
WED: Vinnum Sabbathi review.
THU: Aathma album stream/review.
FRI: Either a Buddha Sentenza review or a new podcast.
I’ve set Monday, Jan. 23 as the date for launch of my 2017 most anticipated albums list, but that might change as the list has over 100 bands at this point — I will not be writing them all out like last year; nobody read it, nobody cared and the post almost collapsed under its own weight — and has become a beast to organize. Some selection of 35-40 picks will be written out, the rest broken up either by how likely they are to show up or some other standard. I’ll sort it all this coming week, hopefully. Definitely by the end of the month.
Anyway. Thanks for reading this week and I wish you the kind of great, safe and recuperative weekend that I’m hoping to have. Please check out the forum and the radio stream.
Anyone who tells you that’s not a good get for Spinefarm Records doesn’t know what they’re talking about. After more than 20 years of slogging it out in the doom underground, London’s Orange Goblin are not only legitimately a key influence for a generation of British heavy, but their last couple albums, 2014’s Back from the Abyss (review here) and 2012’s A Eulogy for the Damned (review here), have put them on an upswing in terms of audience. To be more than two decades in and be ascendant? That’s something special, which Orange Goblin most definitely are. Thus, a good get.
Cool to know they’re working on a new album as well, which as part of Spinefarm‘s acquisition of Candlelight Records will be released on the label sometime in 2017. I’ll be interested to see how much touring Orange Goblin do to support it. They’ve rode the hell out of the past few years, become the genuine headliners that they actually were for a long time, and I guess the question is whether they’ll keep that up or take a different strategy. Got a while to go before we get there, but I’m sure it won’t be long before we find out either way. They’re not exactly quiet about anything they do.
From the PR wire:
ORANGE GOBLIN JOIN THE SPINEFARM FAMILY VIA CANDLELIGHT
WORKING ON NINTH STUDIO ALBUM
Orange Goblin are very proud to announce that we are now part of the Spinefarm Records family following Spinefarm’s recent acquisition of Candlelight Records. Moving forward, all new Orange Goblin recordings will be released via Spinefarm/Candlelight Records; OG now take their place amongst metal heavyweights such as Ghost, Venom, Electric Wizard, Airbourne and Rammstein (to name but a few).
This new relationship kicks off in considerable style, with Orange Goblin appearing as Special Guests to Monster Magnet on the latter’s one-off headline London show at The o2 Forum, Kentish Town on Saturday, March 19th.
Following this, we can reveal that we will be touring in late September / early October, playing select shows in towns and cities that we did not visit on the 20th Anniversary Tour last December.
‘The Shortest Tour’ will hit the following: 30.09 – Reading, Sub 89 01.10 – Sheffield, HRH Doom Vs Stoner Festival* 02.10 – Cardiff, The Globe 03.10 – Southampton, Engine Rooms 04.10 – Brighton, Concorde 2
Support on all headline dates comes from US psych-rockers ELECTRIC CITIZEN and UK doom metal merchants POSEIDON. (* – Please note that Poseidon are not as yet playing at HRH Doom Vs Stoner Fest in Sheffield)
Posted in Whathaveyou on February 29th, 2016 by JJ Koczan
Even as I was posting up the news of the last addition to the lineup for Freak Valley 2016, the German fest went ahead and added another band. And not just any other band — the added Orange frickin’ Goblin, who join on as a headliner for the fest, set for the end of May in Netphen. The UK doom lords join the ranks of Graveyard and Dead Meadow, and will no doubt provide ample riot fodder as they always do, having marked their 20th anniversary last year. You can see a clip from their annual holiday tour for “Acid Trial” below. They kill. It’s just what they do.
Any night they show up, that’s a good night. And they always show up. Freak Valley 2016 had this to say on the subject:
We are thrilled to announce the return of one of our favourite Freak Valley bands! British heavy metal overlords ORANGE GOBLIN will play an exclusive headliner show at FREAK VALLEY FESTIVAL 2016
Heavy Metal is not just about music: it’s a way of life, a motivating mind-set, a positive force and an inspirational belief system. It’s the most exciting, life-affirming noise that exists on this planet of ours, and London’s indestructible masters of the furious form are Orange Goblin. Not just the UK’s reigning champions of balls-out, party-starting, booze-fuelled metal, but one of the very best live rock bands of all time, the mighty Goblin have been a permanent and universally admired fixture on the British metal circuit for the past 20 years.
Inspired by the gods of hard rock, heavy metal, punk rock and underground extremity, from Sabbath, Motörhead and Thin Lizzy through to Celtic Frost, Danzig and Black Flag, Orange Goblin were initially seen as major contenders amid the mid-90s stoner rock explosion, but it soon became apparent that this band had much more up their collective wizard’s sleeve than red-eyed boogie and flapping flares. In fact, over the course of their roller coaster career, the band have proved themselves to be one of the most consistent and persistent forces in modern heavy music, amassing a catalogue of albums that rivals anything released during the same period.
But it is as a live band that Orange Goblin have founded their formidable reputation. Long renowned as skilled crowd-pleasers and party masters, the band have toured all over the world and shared stages with countless big names, including Alice Cooper, Black Sabbath, Sex Pistols, Down, Queens Of The Stone Age, Dio, Monster Magnet and many more. They have headlined sell-out shows at New York’s revered CBGB’s, Los Angeles’ notorious Troubadour and the legendary Underworld in Camden, London. They have also blown fields full of minds at such prestigious festivals as Sonisphere, Download, Hellfest, Bloodstock Open Air, Roadburn, Dynamo, Maryland Death Fest and High Voltage. An Orange Goblin show is a guaranteed good time…all you need to do is get the beers in, prepare your neck muscles for maximum punishment and surrender to the sound of a grand heavy metal institution letting rip at full throttle.
A lean, mean hard rocking’ machine…the eight-legged tag team of frontman Ben Ward, bassist Martyn Millard, guitarist Joe Hoare and drummer Chris Turner have reached a new peak of creativity and one-two-fuck-you intensity on ‘A Eulogy For The Damned’. This is the album that deftly encapsulates everything that is exhilarating and admirable about this most dedicated and humble of British metal wrecking crews and that deserves to propel Orange Goblin to the front of the British metal queue. They’re back and the party is starting all over again. Whose round is it??
Line-up 2016: GRAVEYARD [SW] – Vintage Rock ORANGE GOBLIN [UK] – Heavy Metal DEAD MEADOW [US] – Psychedelic Stonerrock SPIDERGAWD [NO] – Post-Boogie WHITE HILLS [US] – Fuzzed Out Motorik Psychedelic THE SHRINE [US] – Psychedelic Violence Rock and Roll BABY WOODROSE [DK]- Psychedelic Garagerock LONELY KAMEL [NO]- Heavy Blues, Hardrock & Stoner ROTOR [D] – Instrumental StonerRock/Psychedelic MONOLORD [SW] – Doom/Sludge MANTAR [D] – Death Metal Doom Punk TOUNDRA [SP] – Postrock FARFLUNG [US] – Spacerock for 21st Century Heads BLACK RAINBOWS [IT] – Heavy Psych THE GOLDEN GRASS [US]- Heavy/Funk//Psych/Freakbeat SPIDERS [SW] – Hard/Glam Rock LÉ BETRE [SW] – Bluesy Hardrock GIÖBIA [IT] – Acid Rock THE DEVIL AND THE ALMIGHTY BLUES [NO] – HeavyBluesRock THE SONIC DAWN [DK] – Psychedelic Rock …more tba very soon
Here is the Music Player. You need to installl flash player to show this cool thing!
Whenever the hell it was that I started really doing podcasts again on a roughly-monthly basis, I said that there would be no theme from one to the other. That’s a rule I’ve bent a couple times since, and this is one of those instances as well. This podcast takes a look at the rather extensive lineup for Desertfest Belgium 2015 (posted in full here). It was a particular challenge to keep it to what’s become the standard two-hour format, but in the end, I think the tracklisting below brings together the headliners and some of the lesser known bands in a way that speaks to the breadth of the festival itself. Or at least I hope it does. It’s a killer mix, either way.
Worth noting that this is the second podcast this year that has started with Goatsnake. That is not an accident. I tried to keep things as current as possible here, and their new one destroys. I think the only cuts not from the band’s latest album are Bongzilla, Monomyth and Monolord, and well, the songs included speak for themselves either way.
Desertfest Belgium 2015 happens this weekend at Trix in Antwerpen. If, like me, you won’t be there, hope this provides a bit of fodder escapist daydreaming. If you’re going, it’s never to early to get psyched on it. Either way, please enjoy:
0:00:00 Goatsnake, “House of the Moon” from Black Age Blues
0:05:17 Crystal Head, “Wouldn’t You Know” from Crystal Head
0:08:05 Orange Goblin, “Demon Blues” from Back from the Abyss
0:12:40 Ufomammut, “Temple” from Ecate
0:20:08 Fever Dog, “The Great Tree” from Second Wind
0:26:05 Causa Sui, “Echo Springs” from Euporie Tide
0:30:56 Dozer, “Flood” from Beyond Colossal
0:34:46 Monolord, “Icon” from Empress Rising
0:42:56 Mars Red Sky, “The Light Beyond” from Stranded in Arcadia
0:50:55 Stoned Jesus, “Silkworm Confessions” from The Harvest
1:00:00 Fatso Jetson, “Flesh Trap Blues” from Split with Herba Mate
1:06:25 Bongzilla, “H.P. Keefmaker” from Apogee
1:16:46 Earth, “Badgers Bane” from Primitive and Deadly
1:29:05 The Machine, “Chrysalis (JAM)” from Offblast!
1:45:16 Monomyth, “Huygens” from Monomyth
Not a bad day’s work on the part of Desertfest Belgium 2015, which casually tossed out the additions to its lineup of headliner Orange Goblin as well as new Napalm Records signees Greenleaf, their labelmates in Glowsun, plus Stockholm’s Siena Root and Planet of Zeus. For a bill that already boasted Fatso Jetson, Fever Dog, 3rd Ear Experience and Psychonaut — oh yeah, and the frickin’ Melvins — it’s a cool bunch of invitees to throw into the mix. I’d say I’m surprised, but really, a Desertfest with a badass lineup is about as surprising as a sunrise. It has quickly become one of the underground’s most reliable brands, and the second Belgian installment seems no exception.
Announcement follows, snagged from the PR wire:
DESERTFEST BELGIUM 2015: Orange Goblin, Greenleaf, Siena Root, Glowsun and Planet Of Zeus join the lineup in Antwerp!
DESERTFEST BELGIUM – the ultimate heavy/stoner/psych/doom meeting – is set to happen again in Antwerp this fall! The Melvins, Fatso Jetson, Orange Goblin, Greenleaf and many more are set to play the notorious Trix in Antwerp this October. Spread the word…
The Desertfest promoters always have lots of great stuff up their sleeve, and they will once again treat all the heavy music fans to a cracking weekend in Antwerp, hosting the best heavy bands across three days of sonic madness.
Bands already confirmed: The Melvins, Orange Goblin, Fatso Jetson, Greenleaf, Siena Root, Glowsun, Planet Of Zeus, Psychonaut, Fever Dog and 3rd Ear Experience. Many more acts to be announced during the summer, stay tuned!
DESERTFEST BELGIUM 2015 October 9-11th at Trix Muziekcentrum – Antwerp Early bird tickets (80€) on saleHERE
After a great first edition that saw the likes of Electric Wizard, Brant Bjork, Yob, Kadavar tear down Antwerp, the DESERTFEST promoters decided to run their second Belgium edition this fall. Located in Antwerp outskirts, the Trix venue will once again host the world’s best heavy bands, spread over three stages drenched in that underground atmosphere we all love. Beware of the sandstorm!
They weren’t the first stoner rock band to come from the UK, but with their third album, 2000’s The Big Black, London outfit Orange Goblin more or less perfected the form. Produced by Billy Anderson and released through Rise Above and The Music Cartel, it produced a couple of classics for the Orange Goblin canon, the band — who were then a five-piece with guitarist Pete O’Malley alongside the steady-to-this-day lineup of vocalist Ben Ward, guitarist Joe Hoare, bassist Martyn Millard and drummer Chris Turner — still regularly featuring “Scorpionica” and “Quincy the Pigboy” at, well, certainly at every show I’ve seen them play. These songs are quintessential Orange Goblin, and as a one-two punch at the start of The Big Black, the album sets itself a high standard to meet, but to ignore “Cozmo Bozo,” “Alcofuel” and “The Big Black” itself is to ignore the axe swinging down on the back of your neck. Front to back, Orange Goblin‘s third is all the whisky stomp and riffly righteousness that has come to define them in the years since, and a record that, at 15 years old, sounds more vital today than when it was released.
It closes the week with Desertfest in mind, the festivals in London and Berlin held this weekend. Orange Goblin played The Big Black in full last night in Berlin, and they’ll do the same tonight in London before a hometown crowd that’s the center from which their influence has spread out worldwide. I can only imagine the Electric Ballroom in Camden Town going off to “Hot Magic, Red Planet” as the band storms through the album, and yeah, I’ll cop to a bit of jealousy for those who are there or were in Berlin to see it. I haven’t been to Desertfest in two years, and the festival has grown substantially in that time in terms of the names they bring in, but to have Orange Goblin nail down The Big Black for all to see shows their roots are strong in heavy, and however they may have expanded — geographically or stylistically — that continues to be an essential part of what they do. And The Big Black is nothing if not essential heavy. Seems like a good fit to me. Wish I was there.
Hope you enjoy.
Had that job interview Wednesday, and I have no problem admitting it has utterly consumed my consciousness since. Sleep’s a respite, and I’ve been working hard to keep working hard both because there’s stuff to do (already behind for Monday, thanks) and because I’ve needed the distraction from waiting to find out if I got the gig or not. I don’t know, incidentally. Another phone interview Tuesday and then hopefully some word. Apparently it’s down to me and one other person. I want the job. I mean, I need a job. I want this one. I can do this one. Fingers crossed for the next 90 hours or so, and then probably a while afterwards as well.
Next week kind of depends on how that turns out, but I’ve got an EP stream slated for Sinister Haze and reviews due for Lamp of the Universe, Samurai and Cigale, and golly it would be nice to get through all of them. Tuesday’s actually kind of a special deal as well because I’ve got an interview going up with the guys from Death Alley that was really cool. Whole-band interviews are kind of a crapshoot, could go either way, but this was one of the best interviews of any sort I’ve done in a long time. I’ll be transcribing it this weekend and it should go live with a stream of the title-track to their upcoming debut LP, Black Magick Boogieland, which is also awesome.
That’ll be up in the afternoon, probably, so keep an eye out, and if you’re interested (or if you’re not), I’ll probably give some update on my professional situation when I have an update to give. The last couple days have been full-on hurry-up-and-wait, and I expect this weekend will be more of the same. At least baseball’s on.
I put a thing out on Thee Facebooks earlier today, but worth noting here as well that The Obelisk Radio hit a new high for the amount of people listening at once this week, more or less blowing the last one out of the water, and that is thoroughly appreciated. If you’ve listened at all, thanks.
Have a great and safe weekend. Enjoy and we’ll see you back here Monday. Please check out the forum and the radio stream.