I consider myself pretty progressive, politically speaking. As in all facets of my existence, I’m at very least an opinionated dick. But even though I’ll rant about wealth redistribution and the need for violent uprising among the American working and middle classes against the corporate fascists and right wing demagogues stealing their potential for social advancement and polluting their bodies and minds, there’s still a part of me that gets all imperialist when it comes to limited runs and “I have it and you don’t.”
That being the case, I was all the more stoked when Massachusetts stonerly doom stompers Olde Growth sent over a copy of their Tour EP 2012, a limited-to-50 tape release that they brought with them on their Spring 2012 tour. I almost got to see them on that string of shows (almost-review here), but even though I creeped myself out in the process, the band was kind enough to mail in the last remaining copy of the cassette, along with a CD version of earlier mixes of the tracks that apparently wasn’t ever for sale.
The tape, which is hand decorated as you can see above, is blown way the fuck out. Like, into the next room blown out. Like, went down the street to the deli blown out. I guess when bassist/vocalist Stephen LoVerme and drummer Ryan Berry had James Plotkin master the thing, they didn’t share the info that it was going to be a cassette. I like that about it, but the gnarl is strong in this one, running through each of the four tracks that, though Berry‘s snare is a little high and raw in the mix, sound much clearer on CD.
Apart from the whole appeal of having it, though, I wanted to post about Olde Growth‘s Tour EP 2012 specifically to note the quality of the songs themselves. There are four tracks on the tape — “Brother of the Moon,” “Warrior Child,” “Tears of Blood” and “Edge of the Sea” — and even in relation to their 2010 MeteorCity self-titled debut, growth is evident in their songwriting and overall approach. LoVerme‘s vocals are clearer, and cleaner, the melodies more prevalent, and though the songs are kind of barebones in terms of the recording itself, there’s a natural feel that sounds recorded live, and the songs are almost instantly familiar, the opener and closer being particularly memorable.
There’s noise to bridge the gaps between the cuts, and it you didn’t get the chance to get Tour EP 2012 when Olde Growth were on the road earlier this year, rest easy, as I hear there’s a vinyl release in the works for 2013. One imagines it’ll get a different name between now than then — any one of the four would do for a title-track, though “Brother of the Moon” has a special ring to it — but either way, the EP is a more than suitable follow-up to what was an impressive debut, and something to look out for when it comes to vinyl. In the meantime, I’m stoked to have my nerdly completist greed sated and glad I got to hear these songs.