OHHMS Finish New Album; Announce Fall UK Tour Dates

Posted in Whathaveyou on August 9th, 2018 by JJ Koczan

ohhms (Photo by Jake Owens)

Kent-based progressive heavy rockers OHHMS have a new album in the can following-up 2017’s sprawling six-tracker The Fool, and they’ll hit the road alongside Holy Roar Records labelmates Boss Keloid in October to celebrate the upcoming release. As it’s newly recorded and I’m not even sure it’s been mixed or mastered yet, I’d assume the new OHHMS won’t get here until 2019 at some point, but the post-whatnot five-piece will have new material to play on stage, so they’ll be giving an early preview on the five-date stint followed by a weekender in November.

If you didn’t hear The Fool, as somehow I didn’t, it’s streaming at the bottom of this post. It represents a pretty significant change in approach from the release before it, which was 2015’s Cold (review here).

Info follows from the PR wire:

ohhms tour

OHHMS join forces with Boss Keloid for their UK fall tour

Kent-based progressive heavy quintet OHHMS are set to hit the UK roads this fall with a 7-show run alongside fellow heavy heroes Boss Keloid.

The band comments: “We are incredibly excited for the upcoming October/November tour of the UK. As we have finished recording our album and have been hitting the rehearsal room hard we are ready to play our fresh material in front of you. The itch is about to be scratched and our new guitarist Stuart has brought a fresh dynamic to all we do – We know our fans are going to love it. On top of this we have invited Boss Keloid to join us on every date and this will be the first time they have toured their latest album, ‘Melted on the Inch’ since it’s release earlier this year. Join us.”
OHHMS UK fall tour with Boss Keloid

23.10.18 – BRISTOL – Exchange
24.10.18 – NOTTINGHAM – The Maze
25.10.18 – BIRMINGHAM – The Victoria
26.10.18 – LEICESTER – Vault
27.10.18 – GLASGOW – Classic Grand Lounge
09.11.18 – LONDON – Macbeth
10.11.18 – MANCHESTER – Satan’s Hollow

Artwork by Steven Myles

True to themselves, OHHMS continue their boundary-free ascension to even more transcending sonic peaks, while making a point at raising awareness about animal rights and social matters with a unique, cathartic approach.

https://www.facebook.com/OHHMStheband/
https://twitter.com/ohhmstheband
https://ohhms.bandcamp.com/
http://www.holyroarrecords.com/

OHHMS, The Fool (2017)

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Ohhms European Tour Starts Oct. 8

Posted in Whathaveyou on August 22nd, 2017 by JJ Koczan

ohhms

Some right-on dates included as a part of UK prog metallers Ohhms‘ upcoming European run. As the Kent five-piece head out in support of earlier-2017’s Holy Roar Records debut full-length, The Fool, they’ll hit Mammothfest in Brighton and Desertfest Belgium 2017 as the first two dates on an eight-show run that caps in the Netherlands with a penultimate stop at Into the Void in Leeuwarden. Pretty solid stuff, and the band seem to have earned their place in those lineups with the response to The Fool, from which they have a video for “The World” now playing at the bottom of this post.

Or playing as soon as you click play, anyhow. The whole album is also up on their Bandcamp, if you’d like to dig a little further.

The PR wire has the poster and the info:

ohhms euro tour

British progressive metallers OHHMS announce European tour; Desertfest and Into The Void performances confirmed!

UK’s most fire-driven progressive metal quintet OHHMS have announced a significant batch of festival and club shows to take place in Europe this fall. Not to be missed.

This European tour is in line with the widely acclaimed release of their debut album “The Fool” this spring on Holy Roar Records. Praised across the globe, it has elevated the UK five piece to a whole new level since their 2014 beginnings.

After a long run of UK dates alongside Hark and Bossk, OHHMS are set to mesmerize European crowds for the first time in 2017, as well as thousands of metal connaisseurs at the likes of Desertfest Belgium and Into The Void Festival. See full list of shows below:

OHHMS European tour:
08.10 – Brighton (UK) Mammothfest
14.10 – Antwerpen (BE) Desertfest Belgium
15.10 – Copenhagen (DK) KB18
17.10 – Dusseldorf (DE) Pitcher
18.10 – Stuttgart (DE) Jugendhaus West
19.10 – Oberhausen (DE) Druckluft
20.10 – Leeuwarden (NL) Into The Void Festival
21.10 – Haarlen (NL) Patronaat

Poster by Anoop Bhat.

OHHMS formed in 2014 in Kent, UK. It didn’t take long for the five-piece to come up with two stellar EPs “Bloom” (2014) and “Cold” (2015), both released on London-based extreme music powerhouse Holy Roar Records. OHHMS quickly built a strong reputation among the UK’s underground scene, which led them to play major events such as Desertfest, ArcTanGent, Bloodstock, Damnation, Incubate and many others. Three years after their thunderous beginnings, the band is back in March 2017 with their debut full-length “The Fool” on Holy Roar Records. True to themselves, OHHMS continue their boundary-free ascension in quest of the sonic panacea, more determined than ever to brand minds with their cathartic, transcending creations.

https://www.facebook.com/OHHMStheband/
https://twitter.com/ohhmstheband
https://ohhms.bandcamp.com/
http://www.holyroarrecords.com/
https://www.facebook.com/holyroarrecords
https://twitter.com/holyroarrecords

Ohhms, “The World” official video

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Desertfest Belgium 2017: Graveyard, White Hills, Elephant Tree, OHHMS, Minami Deutsch and Kaleidobolt Join Lineup

Posted in Whathaveyou on June 22nd, 2017 by JJ Koczan

As predicted at the outset, the poster showcasing the lineup for Desertfest Belgium 2017 has become very, very crowded. I don’t think they’re done, either. Where will the next batch of bands squeeze, what with the sizable logo addition of Graveyard here along with OhhmsElephant TreeWhite Hills and so on? I don’t know. It’s a problem for a graphic designer to tackle that’s well beyond my depth, to be sure. But they’ll sort it out. They always do.

The Fall festival season — there are many, you know the names and don’t need me to recount — by now rivals Spring. It might even surpass it in terms of the sheer one-into-the-next-into-the-next-into-the-next style proceedings from country to country, weekend to weekend. It’s astounding how strong and sustaining the European underground has become over the last several years. Desertfest, the growth of the brand in general and in its autumnal incarnations in Antwerp and Athens, has been a big part of that, and accordingly, Desertfest Belgium 2017 stands among the best lineups one is likely to find on the continent this Fall.

To wit:

desertfest-belgium-2017-poster-graveyard

GRAVEYARD PLAYS DF ANTWERP 2017 – White Hills, Elephant Tree & more announced

So here it is – Karma strikes, part two!

Last year we were gutted when GRAVEYARD decided to call it quits, moments before their appearance at Desertfest Antwerp. Fortunately, their breakup turned out to be short-lived, and the band announced their return with a new drummer in January 2017. So naturally, we had to put ’em in a headliner spot again to make it up to you guys!

We’re also very glad to announce the appearance of WHITE HILLS, possibly the coolest band in the universe. With OHHMS and ELEPHANT TREE, we present you with two of the hottest bands from the UK heavy scene at the moment. Going worldwide, let’s throw in Oriental Krautrock with MINAMI DEUTSCH from Tokyo, and the psychedelic jazz-prog of KALEIDOBOLT from Helsinki.

From where we’re sitting, Desertfest Antwerp is starting to look pretty good… and we’re still not done!

GRAVEYARD

After the breakup of 2016, Graveyard did what every great classic rock band should do: take some time off to recollect the good spirit, and then come back with a mighty vengeance. And so here they are: the Swedish rock giant is back in the saddle with a new drummer, and ready to kick ass in 2017! We can only imagine what awesomeness they’ll bring to make it up to the DF crowd…

WHITE HILLS

White Hills are proponents of psychedelia as transformation. The music made by Dave W. and Ego Sensation is risky and cutting edge, rooted in dystopian futurism and hyper-conscious of our constant desire for a new and better drug. On their new album ‘Stop Mute Defeat’, White Hills has flipped the script with an industrially-charged record that pulsates unlike anything you’ve heard of them before.

OHHMS

OHHMS (written “((OHHMS))”) are a Canterburian metal band who are quickly becoming the buzz of the UK doom scene. They’ve established a reputation of playing extremely loud, delivering long and complex tracks at a deafening volume. Their first album release ‘The Fool’ is earning accolades across the scene, winning over crowd and critics alike.

ELEPHANT TREE

Another big promise from the UK, Elephant Tree came out with one of the best damn albums from 2016. Combining clear vocal harmonies with insanely heavy riffs, and switching it up with sudden mood shifts and slow-burning grooves, their debut album is truly something special that you should seek out immediately. Word from Desertfest London & Berlin is they easily hold their ground on the stage.

MINAMI DEUTSCH

Minami Deutsch is a Krautrock band from Tokyo. Starting off playing live music on the city streets, they got picked up for a spot at the Tokyo Psych Fest. In September 2015, they released their first record through the English cult label Cardinal Fuzz Records, as well as Japanese psych label Guruguru Brain. Expect motorik kraut grooves with a distinct Oriental flavour!

KALEIDOBOLT

Kaleidobolt is a power trio from Helsinki, blending loud guitars with furious jazz moves. Their music is a dizzying maelstrom of progressive song structures, crushing riffs and loose psychedelic soundscapes, delivered with joy and ferociousness. Working since 2014, they’ve released two albums to much acclaim, and toured with the likes of Radio Moscow and Samsara Blues Experiment.

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/264364590656095/
https://twitter.com/DesertfestBE

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Desertfest London 2016: Blood Ceremony, Oranssi Pazuzu, Witchsorrow, Bast and More Added to Lineup

Posted in Whathaveyou on December 23rd, 2015 by JJ Koczan

desertfest london 2016 header

Seems like a few festivals aren’t ready to let the year end quite yet, which is fair enough. Desertfest London 2016 has unveiled a slew of new acts for its lineup — enough to fill a whole other stage and then some — and along with Monomyth, who were previously announced as taking part in Desertfest Berlin as well, the DesertScene crew has seen fit to bring aboard Pelican, Blood CeremonyBastWitchsorrowDusertoidLionize, impressive upstarts Sunder and others. It was a packed bill before. Now it’s a more packed bill. Funny how that works.

Here’s the latest with Happy Holiday wishes from the PR wire:

desertfest london 2016 poster

Pelican, Asteroid, Blood Ceremony and more added to the DESERTFEST LONDON 2016 lineup!

Jingle bells, jingle bells… The DESERTFEST LONDON promoters have one more treat for you before Christmas, with thirteen more bands confirmed to play the festival in Camden this spring, including the Old Empire Stage lineup that will be hosted at the Electric Ballroom on the Sunday.

Like the previous edition, DESERTFEST LONDON 2016 will broaden its horizon by bringing an alternative darker edge to the lineup. London’s independent promoters Old Empire will thus take over the Electric Ballroom on May 1st, with industrial metallers GODFLESH headlining the stage, plus five fantastically heavy acts including BLOOD CEREMONY, ORANSSI PAZUZU, BAST and WITCHSORROW.

As a mouth-watering addition, ten other delightful acts are added to the weekend, with Illinois legendary dream rock merchants PELICAN, Ukraine’s finest stoner trio STONED JESUS, as well as grooving rock’n’rollers LIONIZE, French proto-rockers SUNDER, UK’s post-doom outfit OHHMS, DUSTEROID, MONOMYTH, BLACK PUSSY and POSEIDON.

– DESERTFEST LONDON 2016 –
April 29th to May 1st in Camden, London (UK)
Weekend tickets available AT THIS LOCATION

Current lineup is as follows:
ELECTRIC WIZARD – CORROSION OF CONFORMITY w/ Pepper Keenan PELICAN – GODFLESH – CROWBAR – TRUCKFIGHTERS – BLOOD CEREMONY – ELDER – EGYPT – CONAN – ORANSSI PAZUZU – WO FAT – MOTHERSHIP – MONOLORD – ROTOR – ASTEROID – RAGING SPEEDHORN – STONED JESUS – LIONIZE – PLANET OF ZEUS – MONOMYTH – BLACK PUSSY – WITCHSORROW – OHHMS – SUNDER – DUSTEROID – BAST – POSEIDON

https://www.leedstickets.com/eventinfo/4804/Desertfest-2016
http://www.thedesertfest.com/london/
https://twitter.com/DesertFest
https://www.facebook.com/DesertfestLondon
https://instagram.com/desertfest
http://desertfest.bigcartel.com/

Pelican, “Immutable Dusk” live on Sound Opinions

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Quarterly Review: Foehammer, Holy Serpent, Wicked Inquisition, AVER, Galley Beggar, Demon Lung, Spirit Division, Space Mushroom Fuzz, Mountain Tamer, Ohhms

Posted in Reviews on June 29th, 2015 by JJ Koczan

the obelisk summer quarterly review

I said back in March that I was going to try to make the Quarterly Review a regular feature around here, and once it was put out there, the only thing to do was to live up to it. Over the last several — like, five — weeks, I’ve been compiling lists of albums to be included, and throughout the next five days, we’re going to make our way through that list. From bigger names to first demos and across a wide swath of heavy styles, there’s a lot of stuff to come, and I hope within all of it you’re able to find something that hits home or speaks to you in a special way.

No sense in delaying. Hold nose, dive in.

Quarterly Review #1-10:

Foehammer, Foehammer

foehammer foehammer

Relatively newcomer trio Foehammer specialize in grueling, slow-motion punishment. Their self-titled debut EP follows a well-received 2014 demo and is three tracks/34 minutes released by Grimoire and Australopithecus Records of doomed extremity, the Virginian three-piece of guitarist Joe Cox (ex-Gradius), bassist/vocalist Jay Cardinell (ex-Gradius, ex-Durga Temple) and drummer Ben “Vang” Blanton (ex-Vog, also of The Oracle) not new to the Doom Capitol-area underground by any stretch and seeming to pool all their experience to maximize the impact of this extended material. Neither “Final Grail,” “Stormcrow” nor 14-minute closer “Jotnar” is without a sense of looming atmosphere, but Foehammer at this point are light only on drama, and the lower, sludgier and more crushing they go, the more righteous the EP is for it. Stunningly heavy and landing with a suitable shockwave, it is hopefully the beginning of a long, feedback-drenched tenure in death-doom, and if the EP is over half an hour, the prospect of a follow-up debut full-length seems overwhelming. Easily one of the year’s best short releases.

Foehammer on Thee Facebooks

Grimoire Records on Bandcamp

Australopithecus Records

Holy Serpent, Holy Serpent

holy serpent holy serpent

It’s not like they were lying when they decided to call a song “Shroom Doom.” Melbourne double-guitar four-piece made their self-titled debut as Holy Serpent last year, and the five-track full-length was picked up for release on RidingEasy Records no doubt for its two-front worship of Uncle Acid’s slither and jangle – especially prevalent on the eponymous opener and closer “The Wind” – and the now-classic stonerism of Sleep. That blend comes together best of all on the aforementioned finale, but neither will I take away from the north-of-10-minute righteousness of “The Plague” preceding, with its slow roll and malevolent vibe that, somehow, still sounds like a party. Comprised of guitarist/vocalist Scott Penberthy, guitarist Nick Donoughue, bassist Michael Macfie and drummer Keith Ratnan, the real test for Holy Serpent will be their second or third album – i.e., how they develop the psychedelic nodes of centerpiece “Fools Gold” along with the rest of their sound – but listening to these tracks, it’s easy to let the future worry about itself.

Holy Serpent on Thee Facebooks

RidingEasy Records

Wicked Inquisition, Wicked Inquisition

wicked inquisition wicked inquisition

There are a variety of influences at work across Wicked Inquisition’s self-titled debut long-player, from the Sabbath references of its eponymous closer to the earlier thrashery of “In Shackles” and “Sun Flight,” but the core of the Minneapolis four-piece resides in a guitar-led brand of metal, whatever else they decide to build around it. Guitarist/vocalist Nate Towle, guitarist Ben Stevens, bassist Jordan Anderson and drummer Jack McKoskey align tightly around the riffs of “M.A.D.” in all-business fashion. Shades of Candlemass show up in some of the slower material, “M.A.D.” included as well as with “Crimson Odyssey,” but the start-stops of “Tomorrow Always Knows” ensure the audience is clued in that there’s more going on than just classic doom, though a Trouble influence seems to hover over the proceedings as well, waiting to be more fully explored as the band moves forward.

Wicked Inquisition on Thee Facebooks

Wicked Inquisition on Bandcamp

AVER, Nadir

aver nadir

Clocking in at an hour flat, Sydney all-caps riffers AVER construct their second album, Nadir, largely out of familiar elements, but wind up with a blend of their own. Fuzz is prevalent in the extended nod of opener “The Devil’s Medicine” (9:46) which bookends with the longest track, finisher “Waves” (9:48), though it’s not exactly like the four-piece are shy about writing longer songs in between. The production, while clear enough, lends its focus more toward the low end, which could be pulling in another direction from the impact of some of Nadir’s psychedelia on “Rising Sun” second half solo, but neither will I take anything away from Jed’s bass tone, which could carry this hour of material were it asked. The vocals of guitarist Burdt have a distinct Acid Bathian feel, post-grunge, and that contrasts a more laid back vibe even on the acoustic-centered “Promised Lands,” but neither he, Jed, guitarist Luke or drummer Chris feel out of place here, and I’m not inclined to complain.

AVER on Thee Facebooks

AVER on Bandcamp

Galley Beggar, Silence and Tears

galley-beggar-silence-and-tears

Sweet, classic and very, very British folk pervades the gorgeously melodic and meticulously arranged Silence and Tears by London six-piece Galley Beggar, released on Rise Above. The eight-track/40-minute album packs neatly onto a vinyl release and has near-immediate psychedelic underpinnings in the wah of opener “Adam and Eve,” and side B’s “Geordie” has some heavier-derived groove, but it’s the beauty and lushness of the harmonies throughout (finding satisfying culmination in closer “Deliver Him”) that stand Galley Beggar’s third offering out from worshipers of a ‘60s and ‘70s era aesthetic. The highlight of Silence and Tears arrives early in nine-minute second cut “Pay My Body,” a wonderfully swaying, patient excursion that gives equal time to instrumental exploration and vocal accomplishment, but to a select few who let themselves be truly hypnotized and carried along its winding course, the album’s entire span will prove a treasure to be revisited for years to come and whose sunshiny imprint will remain vivid.

Galley Beggar on Thee Facebooks

Rise Above Records

Demon Lung, A Dracula

demon-lung-a-dracula

With inspiration reportedly from the 1977 demon-possession horror flick Alucarda, Las Vegas doomers Demon Lung return with A Dracula, their second offering via Candlelight Records after 2013’s The Hundredth Name, and as the movie begins with a birth, so too do we get “Behold, the Daughter” following the intro “Rursumque Alucarda,” later mirrored by a penultimate interlude of the same name. Billy Anderson produced, so it’s not exactly a surprise that the slow, undulating riffs and the periodic bouts of more upbeat chug, as on “Gypsy Curse,” come through nice and viscous, but vocalist Shanda brings an ethereal melodic sensibility, not quite cult rock, but on “Mark of Jubilee” presenting momentarily some similarly bleak atmospherics to those of the UK’s Undersmile, her voice seeming to command the guitars to solidify from their initial airiness and churn out an eerie apex, which closer “Raped by the Serpent” pushes further for a raging finale.

Demon Lung on Thee Facebooks

Candlelight USA’s Bandcamp

Spirit Division, Spirit Division

spirit division spirit division

Spirit Division’s self-titled debut full-length follows a 2014 demo that also hosted three of the tracks – opener “Spirit Division,” “Through the Rounds” and “Mountain of Lies” – but is fuller-sounding in its post-grunge tonality and doomly chug than the earlier offering, guitarist/vocalist Stephen Hoffman, bassist/vocalist Chris Latta and drummer/vocalist David Glass finding a straightforward route through moody metallurgy and weighted riffage. Some Wino-style swing shows up on “Bloodletting,” and “Cloud of Souls” has a decidedly militaristic march to its progression, while the later “Red Sky” revels in classic doom that seems to want to be just a touch slower than it is, but what ultimately unites the material is the strong sense of purpose across the album’s span and Spirit Division’s care in the vocal arrangements. The production is somewhat dry, but Spirit Division walk the line between sludge rock and doom and seem comfortable in that sphere while also sparking a creative progression that seems well worth further pursuit.

Spirit Division on Thee Facebooks

Spirit Division on Bandcamp

Space Mushroom Fuzz, Until Next Time

space mushroom fuzz until next time

I was all set to include a different Space Mushroom Fuzz album in this roundup, but then I saw that the project was coming to an end and Until Next Time was issued as the band’s final release. The deal all along with the band headed by guitarist/vocalist Adam Abrams (also Blue Aside) has been that you never really know what he’s going to do next. Fair enough. Abrams brings it down in suitably bizarre fashion, a keyboard and guitar line backing “Class Onion” in direct mockery of Beatlesian bounce, where “The DeLorean Takes Off!” before compiles five-plus minutes of experimental noise and “Follow that DeLorean” answers with another round after. Elsewhere, opener and longest cut (immediate points) “Here Comes Trouble” resonates with its central guitar line and unfolds to further oddity with a quiet but gruff vocal, while “The Rescue” vibes like something Ween would’ve conjured after huffing roach spray (or whatever was handy) and closer “Back in ‘55” moves from progressive soloing to froggy singing and weirdo jangle. All in all a strange and fitting end to the band.

Space Mushroom Fuzz on Thee Facebooks

Space Mushroom Fuzz on Bandcamp

Mountain Tamer, MTN TMR DEMO

mountain tamer mtn tmr demo

Santa Cruz trio Mountain Tamer have been kicking around the West Coast for the last several years, and since they released a full-length, Liquid Metal, in 2013, and a prior EP in 2012’s The Glad, it’s tempting to try to read some larger shift sonically into their MTN TMR Demo, as though having completely revamped their sound, the trio of guitarist/vocalist Andru, bassist/vocalist Dave Teget and drummer/vocalist Casey Garcia trying out new ideas as they redirect their approach. That may well be the case, with “Satan’s Waitin’,” “Sum People” and “Dunes of the Mind” each standing at over five-minutes of neo-stoner roll, more psychedelic than some in the growing fuck-it-let’s-skate oeuvre, but still plainly born after, or at least during, grunge. The finisher comes to a thrilling, noisy head as it rounds out the short release, and if Mountain Tamer are taking on a new path, it’s one well set to meander and I hope they continue to follow those impulses.

Mountain Tamer on Thee Facebooks

Mountain Tamer on Bandcamp

OHHMS, Cold

ohhms cold

Like their late-2014 debut, Bloom, OHHMS’ sophomore outing, Cold, is comprised of two extended tracks. Here the Canterbury five-piece bring “The Anchor” (18:30) and “Dawn of the Swarm” (14:27), blending modern prog, sludge and post-metallic vibes to suit a melodic, ambitious purpose. Atmosphere is central from the quiet drone starting “The Anchor” and remains so as they lumber through a linear build and into an apex at about 13 minutes in, dropping out to quiet only to build back up to a striking melodic push that ends on a long fade. Side B, “Dawn of the Swarm” is more immediately post-rock in the guitar, the lineup of vocalist Paul Waller, guitarists Daniel Sargent and Marc George, bassist Chainy Chainy and drummer Max Newton moving through hypnotic sprawl into angular Isis-ism before finding their own way, the second cut pushing structurally against the first with loud/quiet tradeoffs in a well-timed back half. Clearly a band who arrived knowing their purpose, but not so cerebral as to detract from the heavy landing of the material itself.

OHHMS on Thee Facebooks

OHHMS on Bandcamp

 

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audiObelisk Transmission 049

Posted in Podcasts on June 22nd, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

Not that it doesn’t have its super-heavy side as well, what with the High on Fire, the Church and here and there among the others, but this one got way psychedelic way quick. To be perfectly honest, that’s where my head has been at in terms of what I’ve been listening to: more swirl, less churn, more wah, less crunch. No shortage of tonal fuzz or presence here — I think you’ll dig the spaciousness in Brother/Ghost and the ultra-West Coast groove Sacri Monti make their own — it just trips out. And even Church has its psych flourish, which from where I sit only makes it more devastating.

Maybe it’s the heat of summer getting to me — that haze of humidity that settles over the Northeast each June and doesn’t leave until September — but whatever the case, strap in, because this one is a trip just about the whole way through. Once Ecstatic Vision take hold with their peculiar brand of bliss, it only keeps spreading wider until finally collapsing in on itself. I hope you dig some of the turns as it makes its way outward. I think it holds up well for something so molten:

First Hour:
0:00:00 The Heavy Eyes, “Somniloquy” from VA, Kozmik Artifactz Home of the Good Sounds Vol. 2
0:02:35 High on Fire, “Carcosa” from Luminiferous
0:09:46 Ecstatic Vision, “Don’t Kill the Vibe” from Sonic Praise
0:14:46 Brother/Ghost, “Freedom” from Buried
0:19:57 Merchant, “Seismic” from Seismic Digital Single
0:29:28 Make, “The Immortal” from The Golden Veil
0:36:29 Sisters of Your Sunshine Vapor, “Girl of a Thousand Voices” from Desert Brain
0:40:27 Glowsun, “Flower of Mist” from Beyond the Wall of Time
0:47:27 Mount Hush, “The Day She Stole the Sun” from Low and Behold!
0:55:05 Sacri Monti, “Slipping from the Day” from Sacri Monti

Second Hour:
1:01:22 Krautzone, “Spiritual Retreat Part 1” from Spiritual Retreat
1:24:05 Ohhms, “Dawn of the Swarm” from Cold
1:38:29 Church, “Dawning” from Unanswered Hymns

Total running time: 1:57:44

 

Thank you for listening.

Download audiObelisk Transmission 049

 

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