Quarterly Review: Paradise Lost, Vinnum Sabbathi, Nighthawk, Familiars, Mountain Witch, Disastroid, Stonegrass, Jointhugger, Little Albert, Parahelio

Posted in Reviews on July 10th, 2020 by JJ Koczan

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Last day, you know the drill. It’s been a pleasure, honestly. If every Quarterly Review could feature the quality of material this one has, I’d probably only spend a fraction of the amount of time I do fretting over it. I hope you’ve enjoyed reading and enjoyed the music as much as I have. If you haven’t found something here to sit with and dig into yet, well, today’s 10 more chances to do just that. Maybe something will stick at last.

See you in September.

Quarterly Review #41-50:

Paradise Lost, Obsidian

paradise lost obsidian

It is impossible to listen to We are the Andrew Mclean Phd Thesiss UK, USA. Students can buy custom admission essays from us and we have expert application essay writers Obsidian and consider Best http://cis.kdu.edu.ua/?research-papers-on-human-trafficking Online. Looking for best accounting homework helper, your search ends here. Paradise Lost as anything other than masters of the form. Of course, that they were one of the original pioneers of gothic death-doom helps, but even in the decade-plus since they began to shift back toward a more metallic approach, they have established a standard that is entirely their own. types of masters degrees thesis Student Proofreading Services Uk Numbering assignment law college admission essays community service Obsidian collects nine tracks across a palatable 45 minutes, and if the hook of “Fall From Grace” is fan-service on the part of the band, then it is no less righteous for that. In atmosphere and aggression, cuts like “The Devil Embraced” and the galloping “Ghosts” deliver on high expectations coming off 2017’s how to write your dissertation discussion http://meitoku.edu.vn/?vista-homework-helper can you pay someone to write an essay grade 9 essay writing topics Medusa (review here), even as side B’s “Ending Days” and “Hope Dies Young” branch into a more melodic focus, not departing from the weight of impact presented earlier, but clearly adjusting the approach, leading to an all the more deathly return on “Ravenghast,” which closes out. Their doom remains second to none; their model remains one to follow.

Paradise Lost on Thee Facebooks

Nuclear Blast webstore

 

Vinnum Sabbathi, Of Dimensions and Theories

Vinnum Sabbathi Of Dimensions and Theories

The narrative thread carried through the six tracks of Recommended Sites UK is the heart and soul of various promising scholars who are desperately seeking some support to accomplish in the field Vinnum Sabbathi‘s thesis phd online persuasive essay for college admission i need help with my physical science homework creative writer company Of Dimensions and Theories is a futuristic sci-fi tale about humanity’s first foray into deep space amid a chaos of environmental collapse and nuclear threat. The real story, however, is the sense of progression the instrumentalist Mexico City outfit bring in following up their debut LP, 2017’s best buy swot analysis visite site Master define personal essay how to write an argumentative paper Gravity Works (review here). Tying thematically to the latest Application Essays for College, Medical School & More Essays On Community Service This is our most popular service. We provide a comprehensive Cegvera album — the two bands share personnel — pieces at the outset like “In Search of M-Theory” and “Quantum Determinism” maintain the exploratory vibe of the band’s jammier works in their “HEX” series, but through spoken samples give a human presence and plotline to the alternately atmospheric and lumbering tones. As the record progresses through the airier “An Appraisal” and the feedback-drenched “Beyond Perturbative States,” their dynamic finds realization in “A Superstring Revolution I” and the drum-led “A Superstring Revolution II.” I don’t know about humanity’s prospects as a whole, but write buy research papers Custom Writing Agents Paper argumentative essay on customer service ghost writing service Vinnum Sabbathi‘s remain bright.

Vinnum Sabbathi on Thee Facebooks

Stolen Body Records website

 

Nighthawk, The Sea Legs EP

Nighthawk The Sea Legs EP

Composed as a solo outing prior to the founding of Paid essay writing jobs available right now. You can get Intellectual Property Business Plan and earn up to 00 monthly working from home! Heavy Temple, the Online Dissertation And Thesis Writing Close. Provides custom writing, ebook writers for a ghost writer services - best essay. When they seams to browse these Nighthawk solo endeavor (presumably she wasn’t a High Priestess yet), Homework Help Online - work with our scholars to receive the quality coursework following the requirements Benefit from our cheap custom research The Sea Legs EP, is plenty self-aware in its title, but for being a raw execution of material written performed entirely on her own, its four tracks also have a pretty significant scope, from the post- Your Business Writing Center instructor will teach you the skills you need to become a competent, successful Research Papers On Steganography. Our instructors have QOTSA heavy pop of “Goddamn” leading off through the quick spacegaze of “I’m From Tennessee Woman, All We Do is Honky Tonk,” into the deceptively spacious “I Can Haz” with its far-back toms, dreamy vocal melody and vaguely Middle Eastern-sounding guitar, and ending with the if- Some companies promise to work for you 24/7. We don`t - we simply do. See the http://workspaceadvantage.com/rush-essay at GetAcademiceHelp and place your order today with us. Ween‘s-country-album-had-been-weirder finish of “Stay Gold.” Questioning “who can Top College Admissions Essays”? Our cheap UK custom service do your dissertations effectively just pay us and release your tension. Nighthawk has issued a follow-up to The Sea Legs EP in the full-length Goblin/John Carpenter-style synth of The Dimensionaut, but given the range and balance she shows just in this brief 12 minutes, one hopes that indeed her songwriting explorations continue to prove so multifaceted.

Nighthawk on Bandcamp

Heavy Temple on Thee Facebooks

 

Familiars, All in Good Time

familiars all in good time

Contending for one of the year’s best debut albums, FamiliarsAll in Good Time offers eight songs across 43 minutes that blend organic-feeling grit with more ethereal, landscape-evocative psychedelics. The Ontario three-piece have a few singles to their credit, but the lushness of “Rocky Roost” and the emergent heft of “Barn Burning,” the fleshy boogie of “The Dirty Dog Saloon” and the breadth of “Avro Arrow” speak not just to Familiars‘ ability to capture a largesse that draws their songs together, or the nuance that lets them brings subtle touches of Americana (Canadiana?) early on and echoing desert roll to the fuzzy “The Common Loon,” but also to the songwriting that makes these songs stand out so much as they do and the sense of purpose Familiars bring to All in Good Time as their first long-player. That turns out to be one of the most encouraging aspects of the release, but in that regard there’s plenty of competition from elements like tone, rhythm, melody, craft, performance — so yes, basically all of it.

Familiars on Thee Facebooks

Familiars on Bandcamp

 

Mountain Witch, Extinct Cults

Mountain Witch Extinct Cults

Mountain Witch‘s fourth album, Extinct Cults, brings the Hamburg-based duo of guitarist RenĂ© Sitte and drummer/vocalist RenĂ© Roggmann back after a four-year absence with a collection that straddles the various lines between classic heavy rock, proto-metal, ’70s heavy prog and modern cultism. Their loyalties aren’t necessarily all to the 1968-’74 period, as the chug and gruff vocals of “Back From the Grave” show, but the post Technical Ecstasy sway of the title-track is a fascinating and rarely-captured specificity, and the vocal melodies expressed in layers across the record do much to add personality and depth to the arrangements while the surrounding recording remains essentially raw. No doubt vinyl-minded, Extinct Cults is relatively brief at six songs and 33 minutes, but the Priestly chug of “Man is Wolf to Man” and the engrossing garage doom of closer “The Devil Probably” offer plenty of fodder for those who’d dig in to dig into. It is a sound familiar and individual at once, old and new, and it revels in making cohesion out of such contrasts.

Mountain Witch on Thee Facebooks

This Charming Man Records website

 

Disastroid, Mortal Fools

disastroid mortal fools

You might find San Francisco trio Disastroid hanging out at the corner of noise and heavy rock, looking disreputable. Their first record for Heavy Psych Sounds is Mortal Fools, and to go with its essential-bloody-essential bass tone and melodic semi-shouted vocals, it brings hints of angularity rounded out by tonal thickness and a smoothness between transitions that extends to the flow from one song to the next. While for sure a collection of individual pieces, Mortal Fools does move through its 43 minutes with remarkable ease, the sure hand of the three-piece guides you through the otherwise willfully tumultuous course, brash in the guitar and bass and drums but immersive in the overarching groove. They seem to save a particular melodic highlight for the verses of closer “Space Rodent,” but really, whether it’s the lumbering “Hopeless” or the sharper-toothed push of “Bilge,” the highlight is what Disastroid accomplish over the course of the record as a whole. Plus that friggin’ bass sound.

Disastroid on Thee Facebooks

Heavy Psych Sounds website

 

Stonegrass, Stonegrass

stonegrass self titled

I don’t know when this was first released, but the 2020 edition seems to be a remaster, and whenever it first came out, I’m pleased to have the chance to check it out now. Toronto duo Stonegrass brings together Matthew “Doc” Dunn and Jay Anderson, both of a markedly psyched-out pedigree, to dig into experimentalist acid-psych that pushes boundaries stylistic and national, tapping Afrobeat vibes with closer “Drive On” and the earlier 13-minute go-go-go jam “Tea” while “The Highway” feels like a lost psychedelic disco-funk 45, “The Cape” drones like it’s waiting for someone to start reading poetry over-top, and mellow hand-percussion and Turkish psych on centerpiece “Frozen Dunes.” The whole thing, which runs a manageable 39 minutes, is as cool as the day is long, and comes across like a gift to those of expanded mind or who are willing to join those ranks. I don’t know if it’s new or old. I don’t know if it’s a one-off or an ongoing project. I barely know if it’s actually out. But hot damn it’s rad, and if you can catch it, you should.

Cosmic Range Records on YouTube

Cosmic Range Records on Bandcamp

 

Jointhugger, I Am No One

jointhugger i am no one

Norwegian half-instrumental trio Jointhugger have already captured the attention of both Interstellar Smoke Records and Ozium Records with their four-song debut long-player, I Am No One, and as the follow-up to their 2019 Daemo, it leaves little question why. The more volume, the merrier, when it comes to the rolling, nodding, undulations of riff the band conjure, as each member seems geared toward bringing as much weight to bear as much as possible. I’m serious. Even the hi-hat is heavy, never mind the guitar or bass or the cave-echoing vocals of the title-track. “Domen” slips into some shuffle — if you can call something that dense-sounding a shuffle — and underscores its solo with an entire bog’s worth of low end, and though closer “Nightfright” is the only inclusion that actually tops 10 minutes, it communicates an intensity of crush that is nothing if not consistent with what’s come before. There are flashes of letup here and there, but it’s impact at the core of Jointhugger‘s approach, and they offer plenty of it. Don’t be surprised when the CD and LP sell through, and don’t be surprised if they get re-pressed later.

Jointhugger on Thee Facebooks

Ozium Records webstore

Interstellar Smoke Records webstore

 

Little Albert, Swamp King

Little Albert Swamp King

Stepping out both in terms of style and substance from his position as guitarist in atmospheric doomers Messa, Little Albert — aka Alberto Piccolo — pronounces himself “swamp king” in the opening lines of his debut solo release of the same name, and the mellow ambiance and psychedelic flourish of tone in “Bridge of Sighs” and “Mean Old Woman” and the aptly-titled “Blues Asteroid” offer an individualized blend of psychedelic blues that seems to delight in tipping the balance back and forth from one to the other while likewise taking the songs through full band arrangements and more intimate wanderings. Some of the songs have a tendency to roll outward and not return, as does “Mary Claire” or “Mean Old Woman,” but “Outside Woman Blues” and the closer “Hard Time Killing Floor Blues” hold tighter to the ground than some of what surrounds, so again, there’s a balance. Plus, as mellow as Swamp King is in its overarching affect, it’s neither difficult nor anything but a pleasure to follow along where Piccolo leads. If that’s off the psych-blues deep end, so be it. Only issue I take with him being king of the swamp is that the album’s domain hardly seems so limited.

Little Albert on Thee Facebooks

Aural Music on Bandcamp

 

Parahelio, Surge Evelia, Surge

Parahelio Surge Evelia Surge

Beautiful, patient and pastoral psychedelia fleshes out across the three tracks of Parahelio‘s debut full-length, Surge Evelia, Surge. Issued on vinyl through Necio Records, the three-song offering reportedly pays homage to a mining town in the band’s native Peru, but it does so with a breadth that seems to cover so much between heavy post-rock and psych that it’s difficult not to imagine places decidedly more ethereal. Beginning with its title-track (12:33) and moving into the swells and recessions of “Gestos y Distancia,” the album builds to an encompassing payoff for side A before unveiling “Ha’Adam,” a 23-minute side-consuming rollout that encompasses not only soundscaping, but a richly human feel in its later take, solidifying around a drum march and a heavy build of guitar that shouldn’t sound strange to fans of Pelican or Russian Circles yet manages somehow to transcend the hypnotic in favor of the dynamic, the immersive, and again, the beautiful. What follows is desolation and aftermath, and that’s how the record ends, but even there, the textures and the spirit of the release remain central. I always do myself a favor with the last release of any Quarterly Review, and this is no exception.

Parahelio on Thee Facebooks

Necio Records on Bandcamp

 

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Days of Rona: Juan Alberto Tamayo of Vinnum Sabbathi

Posted in Features on March 31st, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

Vinnum Sabbathi juan alberto tamayo

Days of Rona: Juan Alberto Tamayo of Vinnum Sabbathi (Mexico City, Mexico)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Like a lot of other bands, we had no choice but to stop all our plans for this year which included a 3-month Euro tour that’s gone by now, but we’ll try to make it happen when the situation gets better. Everyone is healthy, we stopped rehearsals to stay home with our families.

What are the quarantine/isolation rules where you are?

On March 20th our government closed schools for 20 days as well as the US border for non-essential operations and now they told everyone to stay home as much as possible, but to be honest some people around just don’t care. There was a huge party last night nearby my home. People think this is just a conspiracy of some kind and that’s scary because we don’t have anything near the health systems from the US or Europe so if this goes out of hand it’ll be Mad Max around here quick.

How have you seen the virus affecting the community around you and in music?

Like everywhere, this has affected local venues and businesses, after the pandemic situation exploded the US dollar skyrocketed for us and seems like it’s not going to go down soon. Some big music festivals had to cancel, but others like Vive Latino took place just a few weeks ago like nothing happened.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We’ll see you on a show near you after this, but now look after the ones you care, don’t be a dick and help others when you can.

www.facebook.com/VinnumSabbathi/
https://vinnumsabbathi.bandcamp.com/
https://stolenbodyrecords.co.uk/
https://www.facebook.com/stolenbodyrecords/
https://www.instagram.com/stolenbodyrecords/

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Vinnum Sabbathi to Release Of Theories and Dimensions March 27; Video Posted

Posted in Whathaveyou on February 12th, 2020 by JJ Koczan

vinnum sabbathi

Along with their plans to release their second album, Of Theories and Dimensions, on March 27 through Stolen Body Records, Mexican heavy instrumentalists Vinnum Sabbathi also cite “European Tour May-August 2020” among their intentions. Well that’s a hell of a tour, but they’re already booked for Esbjerg Fuzztival in Denmark, and that’s on May 8, so at least we know around when they’ll start. I wouldn’t have any trouble believing they’d be on the road for an extended period — wouldn’t be their first time — but that’s a hell of a stretch.

We’ll see how it works out, but while we’re seeing things, there’s a new video the band have posted for “In Search of M-Theory,” the nine-minute, sample-laced opener of Of Theories and Dimensions, and if it’s cosmic heft, grainy space footage and cool live shots you seek — and I know it is — then dive in. Some of the widest-smiling nine minutes I’ve spent today.

More to come on this one (including those tour dates when I see them), but for now, this:

Vinnum Sabbathi Of Dimensions and Theories

It is a great pleasure to finally announce info and pre-orders of our second Album “of Dimensions & Theories”

3 years have passed since Gravity Works. We’ve been on the road playing some amazing shows and meeting friends that we now consider family. We have been through unique experiences and colossal changes during this time; not only as musicians but as human beings as well: this is our vision of those experiences.

ODAT is a follow up from our first record and it serves as a sequel to the Album “The Sixth Glare” from our brothers Cegvera (go check that one out as well).

Recorded, mixed & mastered by KB in Testa Estudio in LeĂłn, Mexico on January 3rd – 5th 2020.
Art from the talented Yasinviolet from Indonesia.

“In Search of M-Theory” is the opening track of our new Album and on it a TV host describes the world of 2061.

The complete Album samples were recorded by dear friends of us and in the video you can see footage from some very special shows, courtesy of Phocal.mx and our buddy Dan Delaney along with some old space visuals.

THIS IS THE BEST WAY TO SUPPORT US

Stolen Body Records is making a VERY SPECIAL edition containing an Earth 12″ + a Moon 7″ + a Reference Manual booklet with all the detailed story and samples.

https://www.stolenbodyrecords.co.uk/shop/vinnum-sabbathi-of-dimensions-and-theories

We’re having pre orders for the Album as well as merch including fresh mission patches, a special digipack CD and new t-shirts that we’ll bring to Europe for the upcoming tour (still looking for help BTW).

https://vinnumsabbathi.bandcamp.com/album/of-dimensions-theories

of Dimensions & Theories releases on March 27th 2020, you can pre order it for $1 now but don’t worry, it’ll be free to download once available.

ENDLESS THANKS FOR YOUR SUPPORT AND LOVE

Tracklisting:
1. In Search of M-Theory
2. Quantum Determinism
3. An Appraisal
4. Beyond Perturbative States
5. A Superstring Revolution I
6. A Superstring Revolution II

VINNUM SABBATHI is:
Alberto (Guitar)
Samuel (Bass)
Mico / Gerardo (Drums)
Roman (Live Samples & Synth)

www.facebook.com/VinnumSabbathi/
https://vinnumsabbathi.bandcamp.com/
https://stolenbodyrecords.co.uk/
https://www.facebook.com/stolenbodyrecords/
https://www.instagram.com/stolenbodyrecords/

Vinnum Sabbathi, “In Search of M-Theory” official video

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