Enslaved Post “What Else is There” Video; Re-Sign with Nuclear Blast

Posted in Bootleg Theater on November 15th, 2019 by JJ Koczan

enslaved

If you were Norwegian progressive black metallers Enslaved, why wouldn’t you re-up your deal with Nuclear Blast? And if you were the label, why wouldn’t you re-sign the band? It’s a pairing that’s worked for both sides, with the long-running Bergen outfit expanding their reach and influence across the globe while giving the imprint another act to hang its hat on and say, “fuck yes we put that stuff out.” Enslaved just finished a two-year touring cycle for their more-or-less-brilliant 14th album, E (review here).

That was their third long-player for Nuclear Blast behind 2015’s In Times (review here) and 2012’s Riitiir (review here) — they signed after issuing 2010’s Axioma Ethica Odini (review here) on Indie Recordings and in the meantime have established their own label, By Norse Music, which has stood behind reissues of their own work as well as the 2017 live album, Roadburn Live (review here) — and even as recent years have found bassist/vocalist Grutle Kjellson and guitarists Ivar Bjørnson and Arve “Ice Dale” Isdal recruiting new drummer Iver Sandøy and, crucially, keyboardist/clean-vocalist Håkon Vinje, their relentless sonic pursuit has pushed forward unabated. Plus, as evidenced by the two years they’ve just spent on the road, they tour like bastards.

Again, if you’re the label, they’re very much a band you want to continue working with.

It’s Vinje‘s vocals that are highlighted in the cover of Tromsø electro-duo Röyksopp “What Else is There” that was included as a bonus track on the limited edition of E, the band flirting with pop and new wave before blindsiding it with a bit of good old fashioned rippery. It’s a fun cut and worth highlighting, and while the video invokes Bergman and a looming sense of disaster, it’s not quite as dramatic as “The River’s Mouth” (posted here) from the album itself, which I suppose is fine too. Enslaved are certainly no strangers to changing things up. No reason that can’t extend to visuals.

With the deal in place and the E touring cycle complete, I’d expect the band to take some time off before getting back to work on LP number 15, but of course the underlying message of re-signing is that their intention is to continue on their current path, so it’s only fair to expect news sometime in the next year about stirrings and new songs, recording plans and so on. That will be welcome whenever it arrives, certainly.

Enjoy the clip:

Enslaved, “What Else is There” (Röyksopp cover) official video

There is ample reason to celebrate: ENSLAVED have once again joined forces with Nuclear Blast, to spread the music of the Norwegian avant-garde metallers all around the globe. With that, band and label renew a collaboration that has been ongoing for around ten years and two years ago produced the universally lauded album E.

Band founding member and guitarist Ivar Bjornson stated about the re-signing:
“It is with great pleasure we re-sign our record deal with Nuclear Blast worldwide! We have been working together for more or less a decade, and it has been an individed positive experience. They have both the heart to grasp our musical visions, and the business-muscles to spread them out into the world. When you add personal friendships with the wonderful people in America, U.K. and Germany it is simply an ideal situation for us to be in. Onwards, forwards and in all directions!”

To mark the occasion, ENSLAVED present a stunning new music video filled with atmospheric imagery for their interpretation of ‘What Else Is There’ by Norwegian electro-pop band RÖYSKOPP. The song is featured as a bonus track on the digital version of their latest album, E.

Enslaved is:
Ivar Bjørnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje – keys/vocals
Iver Sandøy – drums

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Kadavar, For the Dead Travel Fast: Ghosts on the Run

Posted in Reviews on October 28th, 2019 by JJ Koczan

Kadavar For the Dead Travel Fast

Five records into a career as one of the most influential European heavy bands to come along this decade, Kadavar would seem to be returning to their roots. For the Dead Travel Fast is indeed the fifth long-player from the Berlin-based trio — fourth for Nuclear Blast — and in following up the modern sheen of their last two albums, 2017’s Rough Times (review here) and 2015’s Berlin (review here), the band would seem to have sought some middle ground in aesthetic conversation with their earlier work on 2013’s Abra Kadavar (review here) and their landmark released-in-2012-but-perpetually-reissued self-titled debut (discussed here), digging into an organic production style mirrored in the gritty sepia and severe contrast of the photo on their cover art.

If they’ve proven anything over the course of the last seven-plus years, it’s their ability as songwriters, and they’ve only grown more complex and more expressive in that regard, with guitarist/vocalist Christoph “Lupus” Lindemann emerging as a genuine frontman presence, drummer Christoph “Tiger” Bartelt functioning as the proverbial madman behind the kit and bassist Simon “Dragon” Bouteloup the quieter presence but ever more responsible for the band’s weight of impact. For the Dead Travels Fast leans on that weight more than did Rough Times, but it takes some cues from that album just the same, with the darker themes that pervaded there in songs like “Die Baby Die” and “Words of Evil,” “Skeleton Blues” and “Vampires” showing up in the ready-for-Halloween pieces “Children of the Night” — a highlight here — “The Devil’s Master,” “Evil Forces,” “Dancing with the Dead,” “Poison” and “Demons in My Mind.” Despite something of a shift on the most basic sonic level from one style to another — i.e., the re-adoption of a more vintage mindset — this continuity feels natural from the brooding opening of “The End” as an intro to “The Devil’s Master” onward.

By the time they get through the cavernous side B dark-psychedelia echoes of “Demons in My Mind” and into the closing duo of “Saturnales,” an organ-laced minimalia with hypnotic guitar and duly obscure lyrics, and the 7:49 capper build of “Long Forgotten Song,” mood becomes a central feature of For the Dead Travel Fast and where Rough Times did more than flirt with horror rock and a grimmer outlook, the newer work unquestionably pushes further. Songs are more patient in their execution and unfold in brooding fashion at least where they want to, and even a rocker like the proto-metallic “Evil Forces” finds room for a section of cackling, howling laughter at its conclusion, moving into the starts, stops, stomps and hooks of “Children of the Night” with a smoothness that signals the intent that always seems to be lurking beneath the surface of Kadavar‘s work. That is to say, they know what they’re doing here, as they always do.

kadavar (Photo by Joe Dilworth)

Kadavar are not a haphazard band, at least in their finished product (I can’t really speak to the process that brings that product about), and For the Dead Travel Fast shows yet again that their will is to have more than just a stylistic impact, but to back that up with a quality of craft and delivery that they’ve at this point put in years of work to hone on tour and in the studio. Frankly, it shows. I don’t think one could listen to “Dancing with the Dead” and say they sound tired, because they don’t, but there’s a maturity at play throughout their fifth record that suits them and their material well. They’re not the brash ’70s rockers anymore. They’re a band who’ve toured the world, headlined festivals and done gigs on multiple continents, and whose fanbase has grown to encompass not just listeners, but other bands who’ve taken up their influence. Again, there are few in Europe or anywhere else who’ve had more of an effect on the course of this particular branch of classic-minded heavy rock this decade than Kadavar, and they round out the 2010s in prime fashion on For the Dead Travel Fast, claiming their place not quite as statesmen of the underground, but as a band who never wanted to be a fluke and went on to prove it in the most righteous manner possible.

I’ll stop short of calling For the Dead Travel Fast a victory lap for that notion, mostly because I don’t think that’s what the band intended it to be, and because the characterization doesn’t really suit the mood of most of the material — which, again, is more grim even in its uptempo moments on “The Devil’s Master,” “Evil Forces” or the echoing thrust of “Demons in My Mind” — but it ends up being a powerful argument in favor of the idea just the same. Across a clean nine-track/45-minute run, Kadavar demonstrate their utter mastery of their form, hard won but ultimately uncompromised, and as much as one might be tempted to think of the sound of For the Dead Travel Fast as a “return to form” or something like that — and maybe that’s not entirely wrong — it’s also important to consider the ways in which the three-piece continue to push themselves forward, as on “Saturnales” or even the atmospheric beginning “The End” provides the record as it moves into the alternatingly broadly spaced and pushing “The Devil’s Master,” that dynamic persisting throughout nearly everything that follows.

Principally, Kadavar write memorable songs, as they always have. Whatever form that takes, whatever turns of aesthetic they might bring to that, they never seem to lose that foundation beneath them, and much as Bouteloup‘s bassline underscores Lindemann‘s scorcher solo in “Evil Forces,” it’s always right where it needs to be at the structural root of their material. They’ve made themselves harder to predict with For the Dead Travel Fast, which is refreshing. After the outright sheen of Berlin and the harder-edged modern sound of Rough Times, one might have expected Kadavar to stay on that path, but by shifting their production style, they’ve elbowed their way through whatever preconceptions might’ve existed of where they were headed and instead decided to chart their own course in the manner befitting a mature outfit of their stature. They’ve never sounded so much in command of their songs.

Kadavar, “Demons in My Mind” official video

Kadavar, “Children of the Night” official video

Kadavar, “The Devil’s Master” official video

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Kadavar Post “Children of the Night” Video

Posted in Bootleg Theater on September 3rd, 2019 by JJ Koczan

kadavar children of the night

Kadavar played at Psycho Las Vegas a couple weeks ago, and in a couple more weeks, they’ll release their new album, For the Dead Travel Fast, which they’ll support beginning in November with a pretty substantial European tour. That’s how it goes. Put out a record and tour. Kadavar, certainly, have done it before.

The difference this time, I guess, is the album itself. I’ll get a review up at some point — mostly because I like writing about Kadavar, rather than the expectation that anyone gives a crap what I have to say about them or that Nuclear Blast is eagerly awaiting my opinion on the record — but it’s a different vibe as Kadavar embark on their fifth album, and the slick modernity that showed itself through 2017’s Rough Times (review here) and 2015’s Berlin (review here) seems to be at least meeting halfway with their more vintage-minded early work, 2013’s Abra Kadavar (review here) and 2012’s self-titled debut (discussed here). The track for which they’re sharing a new video now, “Children of the Night,” brings that pretty clearly to the forefront.

It’s a proto-metallic fuzz crunch in the guitar and an organic sounding bassline that wouldn’t be out of place on an Uncle Acid record were they perhaps dirtied up a bit, but of course guitarist Christoph “Lupus” Lindemann puts his own vocal stamp on it and for my money there aren’t a lot of heavy rock drummers in Europe’s well-populated underground who play with the vitality of Christoph “Tiger” Bartelt, his roll in the ending section of the track matched fluidly by the low-end air-push of  Simon “Dragon” Bouteloup. Less immediately hooky and more dug-in feeling, “Children of the Night” has the mood of For the Dead Travel Fast well summarized, and it’ll be interested to see how the LP is received especially by those fans of their first two records.

But it’s the internet, so people will probably bitch either way. Whatever. I dig it.

They spliced old movie clips together for the video, obviously going for something simpler than the last one. A respite well earned.

Enjoy:

Kadavar, “Children of the Night” official video

After their insanely ambitious spaghetti western video for the “The Devil’s Master”, Berlin, Germany-based rock overlords KADAVAR have released the official music video for the brand new single, “Children Of The Night”. The song comes off the band’s highly anticipated new album, For The Dead Travel Fast.

Get/stream the song here: https://nblast.de/KadavarChildrenOfNight

Pre-order For The Dead Travel Fast and/or accompanying merchandise here!

Recently the band had announced their European headlining tour in support of the album.

KADAVAR – FOR THE DEAD TRAVEL FAST EUROPEAN TOUR 2019
Special Guests: HÄLLAS & PABST
06.11. SE Copenhagen Pumpehuset
07.11. NO Oslo Bla
08.11. SE Göteborg Brewhouse
09.11. SE Stockholm Debaser
10.11. DE Hannover Capitol
12.11. FR Lyon Le CCO
13.11. FR Nantes Le Stéréolux
14.11. FR Paris L’Alhambra
15.11. FR Bordeaux BT 59
16.11. ES Madrid Mon
17.11. ES Barcelona Razzmatazz 2
19.11. FR Strasbourg La Laiterie
20.11. DE Wiesbaden Schlachthof
21.11. DE Nu?rnberg Hirsch
22.11. DE Mu?nchen Backstage Werk
23.11. AT Wien Arena
24.11. DE Dresden Beatpol
25.11. BE Brussels Orangiere at Botanique
27.11. DE Stuttgart LKA Longhorn
28.11. DE Köln Essigfabrik
29.11. DE Hamburg Große Freiheit
30.11. DE Berlin Columbiahalle

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Alcest to Release Spiritual Instinct on Oct. 25; New Video Posted

Posted in Whathaveyou on August 27th, 2019 by JJ Koczan

alcest

Alcest are one of those bands who, every time they put out a new release, I see the news about it, listen to some new music if I’m lucky, then get all stoked, write about, and get absolutely zero response. I don’t know if there’s just no audience crossover or what, but this is a popular band, and yet each and every time I put up a post about them: crickets. I mean, I know I’m hardly the only one in the universe covering them, and at least in the case of this news, I’m a couple days late with it, but yeah. They’re just one of those bands. There are a few of them, of varying styles.

Still, I like Alcest, so yes, I am posting about how their new album, Spiritual Instinct, is out Oct. 25 as their debut release on Nuclear Blast, and that the lead single “Protection” is surprisingly intense considering where the band’s last two outings, 2016’s Kodama (review here) and 2014’s maligned-but-gorgeous Shelter (review here), took them. Alcest would hardly be the first band to enter into alliance with Nuclear Blast and mark a turning point with their sound on their next LP — think Blues PillsKadavarGraveyard and a bunch of others — but it’s a noteworthy shift, in no small part because the new song sounds so damn good.

It came via the PR wire:

ALCEST TO RELEASE 6TH ALBUM, SPIRITUAL INSTINCT, ON OCT 25TH

WATCH THE VIDEO FOR FIRST SINGLE, “PROTECTION” AND PRE-ORDER THE RECORD NOW

On October 25th, ALCEST will once again open the gateways to the otherworldly and release their sixth studio album titled Spiritual Instinct. Recorded at the French Drudenhaus Studios and written in bursts both during and after a prolonged period of touring in support of 2016’s hugely successful Kodama, the new album – the first to be released via Nuclear Blast – will lead the blackgaze pioneers into dark soundscapes full of spiritual catharsis.

Today, the wait is over as singer/multi-instrumentalist Neige and drummer Winterhalter have revealed the first single “Protection” from the band’s upcoming album.

Frontman Neige comments:
“‘Protection’ is the first track I wrote for »Spiritual Instinct«. It’s probably one of our most heavy, spontaneous songs. It is about inner conflict, the tension between the spiritual and darker sides of a person, facing your own anguishes in order to embrace them and then fight them. Like the other tracks on the album, writing it was a very cathartic, healing process for me.”

The music video for “Protection” was filmed by director Craig Murray (Mogwai, Blood Red Shoes).
Stream or download the new single, here: https://nblast.de/Alcest-Protection

The album is now available for pre-order in the following formats:

– digipak in O-card
– 36 pages earbook including 2 CD + 180g LP (stone effect) (limited to 2000 copies)
– 180g LP in sleeve available in the colors:
black (retail)
ocean green (NB mailorder + wholesale, limited to 500 copies)
burgundy (NB mailorder exclusive, limited to 300 copies)
polar white (Rough Trade exclusive, limited to 300 copies)
royal blue (band shop exclusive, limited to 300 copies)
– Boxset collector’s edition including 2 CDs + 180g LP (stone effect), earbook, bonus mini LP (violet sparkle, etched) in sleeve, art prints and patch (limited to 500 copies)
– Digital

USA exclusive vinyl colors:
mint green (retail, limited to 1.700 copies)
clear+blue/bone splatter (indie exclusive, limited to 300 copies)
blood red (NB mailorder exclusive, limited to 500 copies)

Get your copy of Spiritual Instinct, released on October 25th, here: https://nblast.de/AlcestSpiritInstinct
Pre-save the album on Spotify via this link: http://nblast.de/ALCESTpreSave

ALCEST are:
Neige – vocals, guitars, bass, synths
Winterhalter – drums

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Alcest, “Protection” official video

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Khemmis Announce December West Coast Dates with Un

Posted in Whathaveyou on August 22nd, 2019 by JJ Koczan

khemmis

The mighty force of metallic melancholy known as Khemmis will finish out 2019 with a nine-day run down the West Coast, the band taking unto themselves the potentially arduous task of driving through the Rockies in wintertime in order to get from their home in Denver through Utah and Idaho before hitting the more temperate coastline and circling south, ending up where they began with a hometown show at Bluebird Theater on Dec. 14. They’re joined in the endeavor by Un from Seattle, and I can’t help but wonder if this might tie into news of a new album coming next year, either in February, when the music industry returns to life after its winter hibernation, or sometime in Spring. Depends on when they record, duh, but as I haven’t seen news one way or the other about that — doesn’t mean it hasn’t been out there, just that it’s a thing I don’t know — I obviously can’t speak to it. One way or the other, I’d categorize a new LP from them in 2020 as “likely.”

But if “definite” is more your thing, they’re definitely touring. Here are the dates:

khemmis un poster

KHEMMIS Announce West Coast Desolation Tour 2019!

Denver, Colorado based doomed heavy metal quartet KHEMMIS are proud to announce their West Coast Desolation Tour 2019. The 9-date tour will kick-off on December 16th in Salt Lake City and conclude in Denver, Colorado on December 14th. Joining the band on the tour is Seattle funeral doom warlocks UN.

KHEMMIS comments, “After the success of the first leg of the North American Desolation Tour we are thrilled to announce the West Coast Desolation Tour a nine-date headlining trek with support from Seattle funeral doom warlocks UN. We will conclude the outing with a very special hometown show–our only one this year–featuring a rare local appearance by black metal hellions WAYFARER. Tickets for all shows will go on sale this Friday, we’ll see all of you on the road this winter!”

Tickets will be available for purchase on Friday, August 23 at 10AM PST. For more information visit: www.khemmisdoom.com

Confirmed dates for the KHEMMIS West Coast Desolation Tour 2019 with special guests UN are:
12/06/2019 Salt Lake City UT • Soundwell
12/07/2019 Boise ID • Neurolux
12/08/2019 Seattle WA • The Highline
12/09/2019 Portland OR • Doug Fir Lounge
12/10/2019. Oakland CA • Starline Social Club
12/11/2019 Los Angeles CA • The Echo
12/12/2019 San Diego CA • Brick By Brick
12/13/2019 Phoenix AZ • Club Red
12/14/2019 Denver CO • Bluebird Theater (w/ Wayfarer)

Khemmis are:
Phil Pendergast // guitar, vocals
Ben Hutcherson // guitar, vocals
Daniel Beiers // bass
Zach Coleman // drums

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Khemmis, “Isolation” official video

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Kadavar Take to the West in “The Devil’s Master” Video

Posted in Bootleg Theater on August 12th, 2019 by JJ Koczan

kadavar the devils master

With a release date set for Oct. 11, Kadavar‘s For the Dead Travel Fast is well on its way to being the Berlin trio’s most complex and atmospheric outing to-date, and yet, at the same time, it’s also kind of a return to the vintage production style of their first two records. No question that Kadavar modernized their initial retro sound over their last couple full-lengths — 2017’s Rough Times (review here) most of all — but as their new video for “The Devil’s Master” shows, they’ve not only grown bolder as songwriters, but they’re willing to once again more fully embrace a sonic naturalism in doing so. It is, as the entirety of the album proves, a winning combination.

“The Devil’s Master,” which combines in the video below with the album-intro “The End,” brings a desert-garage-goth vibe to go with its Spaghetti Western visual thematic — an immediate departure from some of the catchy and uptempo beginnings of LPs past, but immersive just the same, and rich in tone and the vocal melodies of guitarist Christoph “Lupus” Lindemann, who plays one of the three main characters of the cinematic clip, with bassist Simon “Dragon” Bouteloup and drummer Christoph “Tiger” Bartelt filling the other roles, Bouteloup perhaps having the best part, and as usual, the best hat.

I’ll have a full review of For the Dead Travel Fast at some point in the next couple months — hell, with the delayed release, I might even get it posted before it’s out! — but suffice it to say that while “The Devil’s Master” doesn’t necessarily speak for the entirety of the album, it does capture something essential about its spirit, and that Kadavar have never pushed this kind of engagement with their audience so much to the forefront of their approach before. They succeed with the mastery one has come to expect from them.

Preorder info, tour dates — they’re at Psycho Las Vegas this week — and more background follow the video below, all courtesy of the PR wire.

Enjoy:

Kadavar, “The Devil’s Master” official video

Kadavar Release Epic Western Music Video For First Single Off For The Dead Travel Fast

Album Now Available For Pre- Order Here: nblast.de/Kadavar-FTDTF

Berlin, Germany-based rock overlords KADAVAR have released the official music video for the song “The Devil’s Master”, the opening track of the band’s highly anticipated new album, For The Dead Travel Fast. The epic western movie styled music video was shot in Fuerteventura and stars actress Lucie Aron as well as the band’s members Lupus, Tiger and Dragon.

Commented the band:

Lupus: “Fuerteventura was the perfect set for the idea to shoot a small Spaghetti Western. In the story, everyone is fighting everyone: there are cutthroats who don‘t trust each other trying to survive in the desert. They are hunted by their enemy, a violent priest who enslaves a young lady, who both of the cowboys admire. In the end, there won‘t be any winners…”

Tiger: “The song is about the worst ideas of the people, the attraction of horror and the seductive scent of the disreputable. Just as it is all too human to feel at the mercy of his fears, so comprehensible it seems to give way to the fascination of evil in the face of death.”

For The Dead Travel Fast will be released on October 11 (initially September 20), 2019 via Nuclear Blast and is now available for pre-order.

The album will be released in various formats:

Limited Box-Set including limited tri-colored vinyl, limited tri-colored bonus vinyl including 4 previously unreleased tracks, CD/Blu-Ray Digi (including the KADAVAR & THE COSMIC RIDERS OF THE BLACK SUN live show, Berlin 2019), Poster, signed photo card, patch, sticker.
CD/Blu-Ray Digi (including the KADAVAR & THE COSMIC RIDERS OF THE BLACK SUN live show, Berlin 2019)
Vinyl (black, beige, bi-colored, cornetto)

Pre-order »For The Dead Travel Fast« and/or accompanying merchandise here!

Recently the band had announced their European headlining tour in support of the album.

KADAVAR – FOR THE DEAD TRAVEL FAST EUROPEAN TOUR 2019
Special Guests: HÄLLAS & PABST
06.11. SE Copenhagen Pumpehuset
07.11. NO Oslo Bla
08.11. SE Göteborg Brewhouse
09.11. SE Stockholm Debaser
10.11. DE Hannover Capitol
12.11. FR Lyon Le CCO
13.11. FR Nantes Le Stéréolux
14.11. FR Paris L’Alhambra
15.11. FR Bordeaux BT 59
16.11. ES Madrid Mon
17.11. ES Barcelona Razzmatazz 2
19.11. FR Strasbourg La Laiterie
20.11. DE Wiesbaden Schlachthof
21.11. DE Nu?rnberg Hirsch
22.11. DE Mu?nchen Backstage Werk
23.11. AT Wien Arena
24.11. DE Dresden Beatpol
25.11. BE Brussels Orangiere at Botanique
27.11. DE Stuttgart LKA Longhorn
28.11. DE Köln Essigfabrik
29.11. DE Hamburg Große Freiheit
30.11. DE Berlin Columbiahalle

KADAVAR’s latest album, Rough Times, was released in late 2017 to global critical acclaim, including live hits like “Die Baby Die,” “Tribulation Nation” and “Into The Wormhole”.

KADAVAR live:
16.08. F St. Nolff – Motocultor Festival
17-18.08. USA Las Vegas, NV – Psycho Las Vegas

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My Dying Bride Finish Work on New Album

Posted in Whathaveyou on August 5th, 2019 by JJ Koczan

So the masters are with Nuclear Blast now. That’s great. You figure they’re going to want at least three months of lead-time to promote it, right? Lock down the magazine covers, special features, track reveals, maybe a video, tour announcement if that’s in the offing, etc. All that stuff takes time, and you gotta space it out with preorders to build awareness as part of any self-respecting promotional campaign. Plus this is My Dying Bride‘s first record for Nuclear Blast, so it’s a safe bet they’re going to want to make a splash. It’s an event.

Accordingly, a November release is pushing it. It could happen, but the title details, maybe album art, would have to be out like this week in order to to make that go, because it would need to be early November. By the time the holidays hit, which is always earlier, it seems, the year is done for releases of this scale. There’s always going to be stuff coming out, but something like My Dying Bride‘s label debut on Nuclear Blast? They could take the big risk and do December, but you miss out on best-of lists and not as many people are paying attention, so you probably lose some sales. January, everyone’s broke or in debt. Mid-February is when things start really picking up again, and if that’s when the My Dying Bride record happens, I wouldn’t be surprised.

Seems like a long time from now, but it’s already been four years since 2015’s Feel the Misery (review here), so a little longer won’t kill anybody. Since the band signed with Nuclear Blast in 2017, I’m just glad there’s an update about the record at all, and bonus that the update is, “it’s done.” That’s a good update to get.

So here it is. When I hear about the release date, I’ll let you know:

MY DYING BRIDE

It is complete! The new album from My Dying Bride! It has taken quite some time to put together but it is now finished and is with Nuclear Blast as I write this. There is no release date as yet but rest assured we will let you know once we find out. This album is a luxurious journey into a realm only MDB know how to create. It has the most lavish production of any of our past offerings and the sound is utterly stunning; aggressive, beautiful and layered with harmonic melancholy like never before. There is beauty here with slender moments of delicate hope enriched with violins and cello and the stunning voice of special guest Lindy-Fay Hella from Wardruna. And there is utter madness and anger with visceral death metal vocals lending a fearful edge to this dramatic opus. You will not be disappointed!! Cheers, Aaron.

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My Dying Bride, “Feel the Misery” official video

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Kadavar Announce Euro Tour & New Album Title For the Dead Travel Fast

Posted in Whathaveyou on June 12th, 2019 by JJ Koczan

kadavar

You know, if we’re being honest, I’d probably write this post on another day and be like, “Golly, I wonder what Kadavar‘s new record’ll sound like,” or some overly-wordy equivalent speculation thereof. Truth be told, I don’t care. Not that I’m not looking forward to it or I’m not curious, but after proving their songwriting mettle over four demonstrably different records without falling flat, I think they’ve at least earned the benefit of the doubt to that degree. Wherever they want to go in terms of their sound, I’m willing to trust they know what they’re doing. They might throw in something totally unexpected, they might not. Either way, don’t you just kind of think Kadavar know what they want to do in the studio by now? Hell, it’s even their own studio.

The record, which presumably will be out this Fall in time for their newly-announced European tour, is to be titled For the Dead Travel Fast, and it will see release through the band’s continued partnership with Nuclear Blast, recently reupped.

Details from the PR wire:

kadavar tour

KADAVAR Reveal New Album’s Title & Announce European Tour

Berlin, Germany-based rock overlords KADAVAR have announced the dates of the European tour in support of the band’s forthcoming album, For The Dead Travel Fast.

KADAVAR – FOR THE DEAD TRAVEL FAST EUROPEAN TOUR 2019
Special Guests: HÄLLAS & PABST
06.11. SE Copenhagen Pumpehuset
07.11. NO Oslo Bla
08.11. SE Göteborg Brewhouse
09.11. SE Stockholm Debaser
10.11. DE Hannover Capitol
12.11. FR Lyon Le CCO
13.11. FR Nantes Le Stéréolux
14.11. FR Paris L’Alhambra
15.11. FR Bordeaux BT 59
16.11. ES Madrid Mon
17.11. ES Barcelona Razzmatazz 2
19.11. FR Strasbourg La Laiterie
20.11. DE Wiesbaden Schlachthof
21.11. DE Nu?rnberg Hirsch
22.11. DE Mu?nchen Backstage Werk
23.11. AT Wien Arena
24.11. DE Dresden Beatpol
25.11. BE Brussels Orangiere at Botanique
27.11. DE Stuttgart LKA Longhorn
28.11. DE Köln Essigfabrik
29.11. DE Hamburg Große Freiheit
30.11. DE Berlin Columbiahalle

The band recently re-signed with their long-time label Nuclear Blast after a highly successful 7 year run encompassing three studio albums during which the trio has toured the globe relentlessly.

Commented singer and guitarist Lupus: “When we signed our first deal back in 2012, all of this was just a mere idea. Since then a lot has happened and after 3 records, 2 live albums and quite a few singles, we’re a very happy to continue working with Nuclear Blast.”

The band is currently working hard on the successor to 2017’s Rough Times at their own recording studio in Berlin Neukölln.

Added drummer Tiger: “We’re very creative at the moment, writing new songs on a daily basis. Wir very much loooking forward to completing the album soon. So it’s very nice that we have this new contract!”

KADAVAR’s latest album, Rough Times, was released in late 2017 to global critical acclaim, including live hits like “Die Baby Die,” “Tribulation Nation” and “Into The Wormhole”.

KADAVAR live:
27.06. I Segrate (MI)- Magnolia Stone
29.06. D Ferropolis – Full Force
02./03.08. D Beelen – Krach am Bach
08. – 10.08. D Haldern – Pop Festival
16.08. F St. Nolff – Motocultor Festival
17./18.08. USA Las Vegas, NV – Psycho Las Vegas

https://www.facebook.com/KadavarOfficial/
https://instagram.com/kadavargram/
https://www.facebook.com/nuclearblastusa
http://shop.nuclearblast.com/en/shop/index.html

Kadavar, “You Found the Best in Me” official video

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