Doomstress Premiere Video for “Bitter Plea”

Posted in Bootleg Theater on October 24th, 2017 by JJ Koczan

doomstress

Texas heavy doom rockers Doomstress filmed their new video on one of the several cleverly-named tours they undertook in 2016, playing as the four-piece of bassist/vocalist Doomstress Alexis, guitarists Brandon Johnson (lead) and Joe Fortunato (rhythm) and drummer Tomasz Scull. Fortunato, whose pedigree includes tenure alongside Scull in Sparrowmilk and Venomin James, also directed and edited the clip for “Bitter Plea,” and the song represents the newest work to come from the Houston-based outfit, featured on their new EP, Supernatural Kvlt Sounds: The Second Rite, a follow-up and apparent sequel to their 2016 debut, Supernatural Kvlt Sounds (video premiere here).

Aside from new mixes of “Way of the Mountain” and “Sleep Among the Dead” from the original EP, The Second Rite boasts the Uriah Heep cover “Rainbow Demon” (premiered here) and “Bitter Plea,” and indeed, it’s the latter that shows where the band is truly at in their development. I’m not sure if Fortunato is a permanent member or not at this point, but either way, the 4:26 track swings with a sense of classic metal coming through its dual guitars and finds a balance in its mix that outshines even the redux versions of the original EP cuts, as well as a confidence in presentation obviously born of the band’s significant time on the road. Even with an underlying darkness in the lyrics, Alexis and company keep a firm sense of momentum moving forward in the track as well as across the entirety of the 22-minute offering from which it comes, and though they seem to be taking their time crafting songs rather than working to try to bang out a first album simply for the sake of doing so, the results that come through on “Bitter Plea” are hard to argue with in terms of their sense of being fully realized and engaging. Proof? The hook and guitar solo. The arrangement of vocals. The return to the central riff at the end. It’s all there, waiting to be heard in “Bitter Plea.”

Also, as it happens, seen. Captured live on stage and on the shores of Lake Erie, the video gives an unpretentious representation of the song while adding in its style a sense of drama befitting to the lyrics. The underlying message is Doomstress are continuing to take shape as a band, progressing in their songwriting processes and becoming all the more capable of manifesting a style that resides someplace between doom, metal and heavy rock and makes its mark in memorable choruses and choice grooves.

Supernatural Kvlt Sounds: The Second Rite is out on CD now via NoSlip Records and will be released as a split with Sparrowmilk in November via DHU Records. More info at the links following the video below.

Please enjoy:

Doomstress, “Bitter Plea” official video premiere

Doomstress – “Bitter Plea” official video ©2017
From the ep “Supernatural Kvlt Sounds-The Second Rite”
CD on NoSlip Records (USA) available late September 2017
12″ vinyl split w/Sparrowmilk on DHU Records (Netherlands) available November 2017

Live footage filmed @ The Foundry in Cleveland, OH on the Wicked Summer Tour in August 2016.

Scenic footage filmed at the sand dunes of Lake Erie in Ohio in late August or early September 2016.

Video concept by Doomstress Alexis

Directed & edited by Joe Fortunato

Band members on this tour:
Doomstress Alexis – bass & vox
Brandon Johnson – lead guitar
Tomasz Scull – drums
Joe Fortunato – rhythm guitar

Doomstress website

Doomstress on Bandcamp

Doomstress webstore

Doomstress on Thee Facebooks

Doomstress on Instagram

Doomstress on Twitter

DHU Records webstore

NoSlip Records webstore

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Doomstress Premiere Uriah Heep Cover “Rainbow Demon’; New EP The Second Rite out this Fall

Posted in audiObelisk, Whathaveyou on September 25th, 2017 by JJ Koczan

doomstress

Click play below to hear a newly-remixed version of Doomstress‘ take on Uriah Heep‘s ‘Rainbow Demon.’ Originally included on the UK band’s 1972 classic, Demons and Wizards, it gets a kick in heft and groove from the Texas-based outfit, who’ll include the track on their aptly-titled NoSlip Records sophomore EP, The Second Rite, which is due out this Fall. The Second Rite will also be issued as a split with the post-Venomin James outfit Sparrowmilk in November, so keep an eye out for that, and Doomstress continue to play live shows — including End Hip End It next month — as they move past their 2016 debut, Supernatural Kvlt Sounds (video premiere here), inexorably toward a first full-length.

If you heard that outing or the subsequent Wicked Woman 7″ (discussed here), you’ll no doubt find the new versions of those tracks somewhat refreshed-sounding, but the EP also portends good things to come in the new track “Bitter Plea,” blending classic metal and doomly groove to solid effect behind a performance that shows marked growth well earned by time Doomstress has spent on the road over the last year, touring with Disenchanter and others along the way.

The PR wire has more about the EP, and again, you can hear that cover at the bottom of the post. Enjoy:

doomstress-the-second-rite

Texas Doom Metallers Doomstress to Release New EP, The Second Rite via CD and 12” Split This Fall!

Texas doom metallers Doomstress are set to release their new EP, The Second Rite on No Slip Records. The EP contains remixed versions from the original, very limited self release and 7″ DHU single, as well as new song “Bitter Plea” recorded at the end of the Wicked Summer tour and featuring additional rhythm guitar by guitarist Joe Fortunato (Sparrowmilk/Venomin James/ex-Ancient VVisdom). The artwork that will appear on both the CD & vinyl is by renown psychedelic artist, Goatess Doomwych.

Doomstress will also release The Second Rite vinyl as a 12″ split (minus the “Wicked Woman” Coven cover) with Cleveland instrumental powerhouse Sparrowmilk via DHU Records (Netherlands) this fall! As with the EP CD release of The Second Rite, this 12″ vinyl split was mastered by Kent Stump, of Wo Fat, at Crystal Clear Sound in Dallas, TX. The release of the 12” split is expected to be sometime in late November. More details will be released sometime in October so stay tuned.

Song List for The Second Rite EP CD via No Slip Records:
1- Way of the Mountain
2- Bitter Plea
3- Rainbow Demon*
4- Sleep Among the Dead
5- Wicked Woman** (7″ version: CD only bonus)

*Uriah Heep cover 1972
**Coven cover 1969

Doomstress is:
Doomstress Alexis – bass & vocals
Brandon Johnson – lead guitar & backing vocals

Tomasz Scull – recording/touring drummer

Matt Taylor – touring lead/rhythm guitar
Andy Kaos Vehnekamp – touring /session drummer
Alex Erhardt – touring drummer
Joe Fortunato – touring/session rhythm guitar

Doomstress live:
Thur 9/28 OKC, OK @ Your Mom’s Place
Fri 9/29 tba
Sat 9/30 @ Stoned Meadow of Doom Fest in Sioux Falls, SD @ Bigs Bar

www.doomstress.com
www.doomstress.bandcamp.com
www.doomstress.bigcartel.com
https://www.facebook.com/DoomstressBand/
instagram.com/Doomstress_band
twitter.com/Doomstress
www.darkhedonisticunion.bigcartel.com

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Shadow Witch Post “Blitzkrieg” Video; New Album Artwork Revealed

Posted in Bootleg Theater on March 8th, 2017 by JJ Koczan

shadow-witch-Photo-by-Kristin-Troost-Hall

Riding out a winding groove somewhere between classic metal and speedy heavy rock, New York’s Shadow Witch have a new video taken from their 2016 debut album, Sun Killer. The record, issued through NoSlip Records and the now-defunct Snake Charmer Coalition, was a stomper, and “Blitzkrieg” — the video for which yes, features a bunch of footage of bombs exploding in black and white, presumably from World War II — follows suit. Only question is the timing. Not that one might begrudge Shadow Witch posting a clip whenever, but at the same time, they’ve also newly unveiled the David Paul Seymour cover art for their next outing, to be titled Disciples of the Crow. It looks like this:

shadow-witch-disciples-of-the-crow

The vibe I get from perusing their social media is Shadow Witch still have to put their new songs to tape — last update I saw from them was they were rehearsing and demoing, which would indicate not being as far in the process as, say, recording, mixing or mastering — so it may be a while before Disciples of the Crow makes its way to public ears, but I guess it’s good to see that even as they wind down one album they’ve already got their feet dug into the next one. Maybe “Blitzkrieg” is their way of saying farewell to Sun Killer, or maybe someone just got bored and had editing software sitting around. I won’t pretend to know.

Whatever the case, neither will I complain at the refresher on what Shadow Witch were getting up to with the record. Presumably Disciples of the Crow will be out before the end of 2017 — a Fall release doesn’t seem unreasonable if they hit the studio sometime before May; otherwise it might be next year — but when and if I hear more, I’ll let you know. In the meantime, the four-piece have been playing locally, and they’ll be in their native Kingston, NY, on March 31 with It’s Not Night: It’s SpaceEcstatic Vision and Shitkill. More info on that follows the video, which you’ll see below.

Please enjoy:

Shadow Witch, “Blitzkrieg” official video

Video for Shadow Witch’s song “Blitzkrieg” from the album Sun Killer (Snake Charmer Coalition, 2016). Download the album at: http://shadowwitch.bandcamp.com.

Busy rehearsing and demoing new material for our upcoming album. Looking forward to playing 3/31 at The Anchor with Ecstatic Vision, INN:IS and Shitkill!

SHADOW WITCH “Sun Killer” is now Available @ www.SaltOfTheEarthRecords.com

Shadow Witch:
Earl Lundy: Lead Vocals, Mellotron, Loops
Anton Van Kleek: drums
Jeremy Hall: Guitars
David Pannullo: Bass, vocals

Shadow Witch on Thee Facebooks

Shadow Witch on Bandcamp

Shadow Witch at Snake Charmer Coalition

Shadow Witch at Salt of the Earth Records

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Wasted Theory Announce ‘Defenders of the Riff’ Tour

Posted in Whathaveyou on March 6th, 2017 by JJ Koczan

wasted theory

Delaware heavy rockers Wasted Theory are going for it, and it’s awesome to see. The Band from a Town Called Bear have lined up their longest stretch of tour dates yet as they seek to support their 2016 NoSlip Records-issued second album, Defenders of the Riff (review here), and the shows they’re playing as they do so are awesome. From May 5 through May 20, they’ll be in the road headed into the Midwest with a healthy focus on Texas, sharing the stage with Zed, Wo Fat, Freedom Hawk, Youngblood Supercult, Irata and a slew of others who seem to be drawn from the ‘bands who are awesome’ file, but even the shows they have in April and June on either side of the actual tour rule. Hooking up with Kingsnake, Solace and Backwoods Payback in Atlantic City? Damn that’s a good show. Foghound, Weed is Weed and King Giant in Maryland? Pretty much a festival.

Not that Wasted Theory need kudos from the likes of me, but, well, kudos and best wishes to them as they hit the road. The opening track from Defenders of the Riff, “Get Loud or Get Fucked,” put it all on the line, and it seems the band are working to live up to that ethic. Right on.

Dates and the announcement came off the PR wire:

WASTED THEORY ANNOUNCES U.S. SPRING TOUR DATES

DEFENDERS OF THE RIFF TOUR 2017

American Weed Rockers Wasted Theory are about to hit the road and have announced a North American tour for the Spring of 2017, with several heavy rock masters in alliance such as Wo Fat, Freedom Hawk, and ZED for select dates, as well as local support acts. In promotion of their second full length album Defenders Of The Riff (released 10/2016 on No Slip Records), Wasted Theory’s tour kicks off on April 14th in Wilmington, DE at the Oddity Bar.

Playing select dates from April to June, they’ll trek through 14 states, from Texas to Michigan, coming back around to the current final date in the federal capital Washington, DC on June 10th.

In addition, Wasted Theory recently world-premiered via Facebook their first video from the ‘Defenders of the Riff’ album, for the song “Black Witch Blues”. Self-produced and even filmed by the band themselves, it was shot entirely on an iPhone and created for less than 20 bucks. If you dig dirty rock n’ roll, bikers, black magic, and devil women then you’ll dig this.

WASTED THEORY LIVE:
4/14 WILMINGTON, DE ODDITY BAR (w/Kingsnake, Backwoods Payback, 91’s)
4/15 ATLANTIC CITY, NJ BONEYARD BAR (w/Kingsnake, Solace, Backwoods Payback)
5/5 BALTIMORE, MD THE DEPOT (w/Foghound, Serpents Of Secrecy, Horseburner, King Giant)
5/6 RICHMOND, VA WONDERLAND (w/Freedom Hawk, I Am The Liquor)
5/7 RALEIGH, NC SLIMS DOWNTOWN (w/Irata)
5/8 ATLANTA, GA 529 (w/Bleach Garden, Toker)
5/9 NEW ORLEANS, LA CHECKPOINT CHARLIE’S (w/Saint Roch, Dead Machine Theory)
5/10 HOUSTON, TX: SATELLITE BAR (w/ZED, Stonework, Society Of Bandits)
5/11 SAN ANTONIO, TX LIMELIGHT (w/ZED)
5/12: AUSTIN, TX DIRTY DOG BAR (w/ZED, Greenbeard, White Dog)
5/13: DALLAS, TX: THE GROTTO (w/ZED, Wo Fat, Crimson Stone)
5/14 OKLAHOMA CITY, OK THE BLUE NOTE (w/Turbo Wizard, Fanghorn Leghorn)
5/15 KANSAS CITY, MO RIOT ROOM (w/Youngblood Supercult, Merlin, Orphans Of Doom)
5/17 CHICAGO, IL LIVEWIRE LOUNGE (w/Spyderbone, Black Road)
5/18 DETROIT, MI NEW DODGE LOUNGE (w/Lavamoth, Euphoria, Seax, Vanlade, Sauron, Mammon)
5/19 CANTON, OH BUZZBIN SHOP (w/Stoneslinger, Red Tape Revolution)
5/20 ALTONNA, PA MCGARVEY’S (w/ King Bison, TBA)
6/9 GAITHERSBURG, MD RAW INK LIVE (w/Foghound, Weed Is Weed, King Giant)
6/10 WASHINGTON, DC SLASH RUN (w/Foghound, Weed Is Weed)

Released in October 2016, “Defenders of the Riff” is a behemoth of testosterone-driven, southern fuzzed biker rock. With accolades pouring in from every heavy rock and metal music enthusiast to catch whiff of Wasted Theory’s riffs, they’re wasting no time in getting back on the road. Catch Wasted Theory on tour in 2017, and get your metal hordes ready for American weed rock’s Defenders of the Riff.

https://www.facebook.com/wastedtheoryband/
https://www.wastedtheory.bandcamp.com/
http://www.instagram.com/wastedtheory/
https://twitter.com/WastedTheory
https://www.facebook.com/NoSlip-Records-866622996702190/
http://nosliprecords.bigcartel.com/

Wasted Theory, “Black Witch Blues” official video

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Hellhookah Touring this Month in Europe

Posted in Whathaveyou on March 6th, 2017 by JJ Koczan

hellhookah

There was a raw charm at the heart of Hellhookah‘s 2015 debut album, Endless Serpents (review here), that seemed to come as a direct result of the band’s utter lack of frills. The Lithuanian doom traditionalists came right out with it. They weren’t afraid to cover Saint Vitus‘ “Born too Late.” Hell no. They flew that shit proudly, like any worthy flag should be flown. It was awesome. They were doomers playing doom. Doesn’t mean it was groundbreaking, but it does mean it was from the heart, and if it’s one or the other, I’ll take from the heart just about every single time.

They’ve been reportedly working on a second record for a while now. At least since it was announced last September that NoSlip Records had picked up Endless Serpents for a release. I don’t know when they’ll have it done and out, but it’ll be interesting to hear how they develop from the debut, whether they can bring an individual stamp to those classic influences or what vibes will rule the day.

We’ll find out when we get there. In the meantime, Hellhookah have some shows on the road this month they’re calling their ‘Twisted Mind’ tour. Dates and links follow here, as culled from the PR wire:

hellhookah tour

Lithuanian two-piece Doom Metal band HELLHOOKAH announces their Twisted Mind European Spring tour dates for this March. The tour includes Poland, Germany, Belgium and Netherlands.

Hellhookah are a Lithuanian two-piece band formed in 2012 by Arnas (guitars/bass/vocals) and Gintar? (drums).

HELLHOOKAH‘s first public appearance happened in 2014. In 2016 they signed US independent record label NoSlip Records and released their debut album „Endless Serpents“ which was pressed on CDs and LPs. Last year Hellhookah also kicked off touring around Europe including Germany, Finland, Poland, Estonia, Latvia and Ukraine. Now band is also working on their second full-length album.

HELLHOOKAH ‘Twisted Mind’ Tour dates:
16th March // Alternativa Club, Poznan, PL:
https://www.facebook.com/events/1850679118479086/

17th March // Tiefgrund, Berlin, DE:
https://www.facebook.com/events/741227769380012/

18th March // Roter Baum e.V., Dresden, DE:
https://www.facebook.com/events/1243230382403981/

21th March // Antwerp Music City, Antwerp, BE:
https://www.facebook.com/events/232748717188498/

22th March // The Cave, Amsterdam, NL:
TBA

25th March // 2KO?A Pub Motocyklowy, Warsaw, PL:
TBA

https://www.facebook.com/Hellhookah/
http:///www.hellhookah.com/
https://hellhookah.bandcamp.com/

Hellhookah, Endless Serpents (2015)

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audiObelisk Transmission 059

Posted in Podcasts on November 23rd, 2016 by JJ Koczan

Click Here to Download

 

I’ve listened to it front to back and I can honestly say this is the best podcast I’ve made in the last five months. Truth be told, I know there are plenty of people who do podcasts as their primary outlet, talk on them and whatnot (hey, I tried it once and reserve the right to do it again at some point), but if it’s between crossfading feedback from one song to another and writing a review of a new record, well, crossfading falls into the same category as just about everything else: Write first.

Fortunately, a longer span of time between casts makes it that much easier to pick tracks. Existence does not hand you a 45-minute Øresund Space Collective jam every day, so I thought that was worth featuring, and I just got Megaritual’s new vinyl for review, so I thought featuring their more recent single-song EP would work well too.

I’m happy with the blend overall, and with Asteroid setting the tone. Be patient with it. Let it unfold. Even with a rocking start, it gets pretty psychedelic pretty quickly, and only continues to move further out. My advice is go with it and see where you end up.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Asteroid, “Them Calling” from III
0:05:02 Stinkeye, “Orange Man” from Llantera Demos
0:08:31 Hornss, “Prince of a Thousand Enemies” from Telepath
0:11:36 Ice Dragon, “Broken Life” from Broken Life
0:16:08 Wasted Theory, “Odyssey of the Electric Warlock” from Defenders of the Riff
0:20:59 Pelander, “True Colour” from Time
0:29:41 The Freeks, “Blow Time Away” from Shattered
0:34:26 Baby Woodrose, “Freedom” from Freedom
0:37:27 Comacozer, “The Mind that Feeds the Eye” from Astra Planeta
0:45:21 Mos Generator, “Outlander” from The Firmament
0:51:13 Megaritual, “Eclipse” from Eclipse

Second Hour:

1:16:25 Øresund Space Collective, “Visions Of…” from Visions Of…

Total running time: 1:58:36

 

Thank you for listening.

Download audiObelisk Transmission 059

 

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Wasted Theory, Defenders of the Riff: Whiskey on the Breath

Posted in Reviews on November 22nd, 2016 by JJ Koczan

wasted-theory-defenders-of-the-riff

It’s a mission so up-front it’s almost blinding. No less so with Wasted Theory‘s second record, Defenders of the Riff, than it was with Judas Priest‘s Defenders of the Faith some 32 years ago, and in no small part because as regards Wasted Theory, the riff and the faith are one and the same. Burl has been a defining feature of the Delaware four-piece’s approach since their inception, and was certainly front and center on Death and Taxes (review here), their self-released 2014 full-length debut.

The crisp 10-track/46-minute run of Defenders of the Riff, which sees vinyl issue through NoSlip Records, might leave one to wonder just exactly from whom “the Riff” is under attack and how an apparent dudeliness-for-dudes defense strategy might play into working against that attack, but the record nonetheless presents a marked forward step in sound from where Wasted Theory were two years ago, bringing a sense of spaciousness to the roll and nod and thrust brought to bear by guitarist/vocalist Larry Jackson, Jr., drummer/lyricist Brendan Burns, bassist Dave McMahon, and guitarist Rob Michael.

With a vibrant, heavy tonal largesse captured over a period of months by Paul Janocha at Ken-Del Studios and Nick Rotundo (who also mixed) at Clay Creek Studio — both of whom also worked on the first LP — a mastering job by Mos Generator‘s Tony Reed and cover art by Alexander von Wieding, there isn’t an angle from which Defenders of the Riff doesn’t demonstrate a more professional, coherent vision of Wasted Theory‘s intent, and, simply put, it brings them to a new level in style and substance alike.

There are a few lyrical themes that emerge as the album plays out. Women and cry-for-help levels of whiskey consumption are two big ones. Seven of the 10 tracks contain some reference to drinking, and at least five to whiskey specifically — notable in that regard is “Belly Fulla Whiskey” — while we hear corresponding tales of devil women, gypsy women, a fire woman in second cut “Black Witch Blues,” a black-hearted woman in “Gospel of Infinity” and, in “…And the Devil Makes Three” alone, a hard-luck woman, a hard-headed woman and a smokestack woman.

Add to those references to fast cars — a GTO makes an appearance in West Hollywood in “AmpliFIRE!” — and nods to heavy rock/metal new and old in “Atomic Bikiniwax” (The Atomic Bitchwax, also Jimi Hendrix‘s Electric Ladyland), “Belly Fulla Whiskey” (mention of a gallows pole and a live wire, à la Led Zeppelin and Mötley Crüe, respectively), “Under the Hoof” (a fever of 103 is exactly what Foreigner had), “…And the Devil Makes Three” (Scissorfight were too drunk to fuck when they covered the Dead Kennedys song of the same name), the penultimate “Throttlecock” (Slayer also showed no mercy) and closer “Odyssey of the Electric Warlock” (more Zeppelin with Avalon and Evermore, some Tool with an undertow and even Mos Generator‘s cosmic ark makes an appearance), and elsewhere, and Wasted Theory seem to be shooting for a very specific notion of consistency, and from the catchy swing at work behind leave-it-all-out-there opener “Get Loud or Get Fucked” and the “Shake Like You” C.O.C.-style boogie of “Belly Fulla Whiskey” to the crunching repetitions of the start-stop riff in “Throttlecock,” they know what they want to represent.

wasted-theory-photo-by-shy-kennedy

One could push back against the politics of some of it for sure, but what’s inarguable is the development in Wasted Theory‘s general level of craft. Songs range from four to five minutes — the full thrust of “…And the Devil Makes Three” is the longest at 5:29 and uses its extra time wisely in a relatively extended instrumental groove and solo in its second half — and are noteworthy for their straightforward, on-the-one attack.

A “nuthin’ too fancy” approach is basically what the band heralded on Death and Taxes, but Defenders of the Riff builds on that fluidly across its span and brings new depth of production that, since it’s essentially the same team working on it, can only be said to have been purposeful on Wasted Theory‘s part. That development is crucial to understanding their sophomore album, and what it ultimately accomplishes in moments like the solo of “Atomic Bikiniwax” and the slowdown of “…And the Devil Makes Three” is a broadening of Wasted Theory‘s dynamic that stays within the growing range of their songwriting. Near-virulent hooks populate Defenders of the RiffJackson‘s vocals indeed snarl up from under a barrage of top quality heavy riffing, and their presentation is thick, full and professional across the board.

I know I’ve said on multiple occasions there are times when listening to Wasted Theory when I don’t feel dudely enough to really appreciate the kind of tire-screeching testosterone-soaked rock and roll they’re metering out, and that holds true at moments on Defenders of the Riff as well — “Belly Fulla Whiskey” with lines like “C’mon little darlin’/C’mon little tease/C’mon and get down on your knees,” or “Atomic Bikiniwax”‘s one-two punch of “And she knows when it’s on/Shake that ass and I’m gone” — but I wouldn’t attempt to deny that for what they’re doing, they’re doing it well and clearly moving forward in their creative processes.

The momentum they build and the structures they inhabit throughout Defenders of the Riff will no doubt feel familiar to experienced listeners, but more than they have to this point, Wasted Theory make those spaces their own and begin establishing their identity in and from them. They don’t sound like they’re finished growing, but they don’t sound like they want to be either, and that might be the most encouraging aspect of Defenders of the Riff overall. Again, I don’t know who’s attacking the Riff, but it should ultimately be glad it’s got Wasted Theory on its side.

Wasted Theory, Defenders of the Riff (2016)

Wasted Theory on Thee Facebooks

Wasted Theory on Bandcamp

NoSlip Records webstore

NoSlip Records on Thee Facebooks

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Wolves of Winter to Release Self-Titled LP Nov. 1 on NoSlip Records

Posted in Whathaveyou on October 6th, 2016 by JJ Koczan

Arizona heavy rockers Wolves of Winter have secured a Nov. 1 release for their self-titled debut from NoSlip Records. Preorders are up now through the label and the album is streaming in full below. It was originally put out digitally by the band back in January, but their dudely chug and prevailing focus on songcraft led to their selling through a first pressing of self-released CDs and running off a second prior to this impending vinyl version — which will be limited to 500 copies spread across four different editions — no doubt a substantial portion of which are already gone or otherwise going.

The PR wire had art and details on the subject:

wolves-of-winter-self-titled-700

Wolves of Winter is a Stoner Rock trio based out of Phoenix, AZ. Their sound ranges from classic rock, to grunge, to stoner & doom and back again!

We will have four color variants with this release and they will be pressed on 180 Grams of virgin vinyl, they will be housed in a Gatefold Jacket with art from David Paul Seymour covering both inside panels, the cover art was done by Ghosttown Graphic Art.

The album was mastered by Jeff Harris, Jeff has worked with some greats such as Fleetwood Mac, Eagles and Supertramp, Jeff also worked on the audio crew for the classic Disney film Tron and is now the current lead instructor at the Conservatory of Recording Arts & Sciences.

Die Hard Edition: Transparent Cloudy Clear w/Heavy Purple Splatter. Comes with a Wolves Of Winter Embroidered Patch. Limited to 100 Presses.
Obi Edition: Two Opaque Colors. Limited to 100 Presses.
Band Edition: Transparent Purple. Limited to 180 Presses
Classic Black: Limited to 120 Presses

Track Listing :
A1. Astrothoughts
A2. A New Reality
A3. Tooth and Nail
A4. Start of the Season
A5. Blind Leading the Blind
B1. Devil’s Kiss
B2. Rubber Band
B3. Child’s Reasoning
B4. Manipulation
B5. Try Till Dead

Josh McGee – Vocals, Guitar
Mike Horn – Drums
David Weaver – Bass

https://www.facebook.com/thewolvesofwinter/
https://twitter.com/wolvesofwinter
https://thewolvesofwinter.bandcamp.com/album/wolves-of-winter
http://nosliprecords.bigcartel.com/
https://www.facebook.com/NoSlip-Records-866622996702190/
https://www.facebook.com/events/688762847953038

Wolves of Winter, Wolves of Winter (2016)

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