Øresund Space Collective Meets Black Moon Circle, Freak Out in the Fjord: Cosmic Collision

Posted in Reviews on May 17th, 2019 by JJ Koczan

oresund space collective meets black moon circle freak out in the fjord

It happened once upon a Nov. 17, 2017, that respected cosmic improvisationalists Øresund Space Collective made their way from Denmark/Portugal/Planet Omega to Trondheim, Norway, where they were set to join with Black Moon Circle and take part in the Freak Out in the Fjord festival for which they’d eventually name this album. The title, though, is more homage than descriptor, as what makes up the record isn’t the actual live set, but the results of a studio session the next day. That might seem counterintuitive — especially for a band who are not at all shy about putting out live material — until one actually listens to Freak Out in the Fjord, at which point the results become largely inarguable. I say that as a fan of Øresund Space Collective, of course, but if you want to try to make a case against gathering a nine-piece lineup together, sticking them in the studio like some kind of off-the-cuff orchestra — three drummers and all — I’m happy to entertain it.

Certainly by the time they get around in opener “Rendezvous in the Nebula” to tossing off a swaggering reference to Jimmy Forrest‘s “Night Train” (also recorded by James Brown for Live at the Apollo in 1963), any such issue should be settled. From that interstellar-swinging 26-minute leadoff on through the other three more-than-a-side-consuming pieces on the 119-minute Space Rock Productions-issued triple LP, the personality changes, but the ultimate course of exploration is consistent. It’s jammy bliss, and as a particular sucker for an interplay between more than multiple drummers/percussionists, it seems like the rhythms here stand up especially well to the wash of guitar, bass, keys and synth surrounding. For reference, here is the lineup for the session, with their credits directly cut and pasted from the Øresund Space Collective Bandcamp page:

Magnus Hannibal – Fender Rhodes, Synthesizer
Tim Wallander – Drums (right), Fender Rhodes (Side B)
Simon W. Gullikstad – Drums (left)
Hasse Horrigmoe – Bass (slight left)
Øyvin Engan – Bass (slight right)
Vemund Engan – Guitar (right)
Jonathan Segel – Violin, Guitar (left)
Scott “Dr. Space” Heller – Modular Synth, Kaoscillator, Korg Monotron
Per Andreas Gulbrandsen – Drums (side B right, side C/D center)

For those familiar either with Øresund Space Collective or with the Norwegian-native Black Moon Circle, it will come as little surprise that the common thread between the two — aside from a propensity for psych-jamming — is Scott “Dr. Space” Heller. The bandleader of Øresund Space Collective has been a member of Black Moon Circle live and in the studio (also live there, as it happens), and as the two outfits work here under the collective banner of Øresund Space Collective Meets Black Moon Circle, he’s the one tying them together. It is a noble endeavor. The general method of Øresund Space Collective is to hit the studio or stage, press record, and go. Like off-the-cuff jazz born of psychedelia and space rock, their work is always an adventure and always captures the specific moment of its creation, never to come again. Bringing Black Moon Circle — the Engans and Gulbrandsen, as well as Gullikstad and Heller himself — into the fold, they only expand the reach, and as Freak Out in the Fjord plays through its massive sprawl across “Rendezvous in the Nebula” (26:18), “Afterglow in the Sea of Sirens” (23:55), “Dinner with Gregg A. and Jerry G.” (33:16) and “Freak Out in the Fjord” (36:03), the pieces each develop a persona of their own.

This is true whether it’s the Southern guitar inflection of “Dinner with Gregg A. and Jerry G.” or the engrossing well of energy of “Rendezvous in the Nebula,” the organ and synth making their presence felt in the second half of “Afterglow in the Sea of Sirens” by building a tension that instead of blowing up pays off in arguably the record’s sleekest groove, or the title-track’s experimentalist pulse, manifest in bouts of noise and swells of volume as the group moves inextricably toward a grand finale every bit worthy of the nearly two hours preceding. But as with either the work of Øresund Space Collective on their own or Black Moon Circle‘s jammy material or really any such release, Freak Out in the Fjord isn’t about the destination so much as the outward trip to get there, however satisfying the end proves to be.

So far as I know, it doesn’t, but Freak Out in the Fjord should probably come with some manner of warning label about melted consciousness or “these people are professionals; don’t try this at home” or something of the like. The fact of the matter is that whatever else is going on, Øresund Space Collective Meets Black Moon Circle are in their element when mounting these sonic excursions, and it’s never going to be for everyone. It is a kind of extremity. Not of volume, or intensity — at least not in a “metal” sense — but of purpose. It is a constant drive to push deeper into the heart of creativity and to document its realization. Øresund Space Collective, its related outfits and especially Dr. Space have amassed an extensive discography, as a group like this will, but some of their best work is done when they force themselves into a different avenue of collaboration, whether it’s with Black Moon Circle or the likes of KG Westman or Gary Arce.

The core of their approach is unwavering, and well it should be, but over time, it is also showing itself as infinitely malleable to a range of contexts. Maybe that’s easy to say for Øresund Space Collective, since their approach is based on an open sensibility, but the prospect of improv space rock is one that could just as easily fall flat, or sound empty, and instead, Øresund Space Collective Meets Black Moon Circle are engaging and immersive in kind. Whether you’re putting it on for a two-hour chillout or sitting with your headphones and picking out which drums are in which channel on which track, Freak Out in the Fjord delivers an ultimately satisfying experience for the converted or those willing to be, and while I know the whole point of the thing is to preserve the ephemeral spirit of a moment already gone — remember this was late 2017; though the two bands are touring together — I can’t help but hope Øresund Space Collective and Black Moon Circle meet again for another studio session, as it seems like there’s still so much of the universe to be discovered.

Øresund Space Collective Meets Black Moon Circle, Freak Out in the Fjord (2019)

Black Moon Circle on Bandcamp

Black Moon Circle on Thee Facebooks

Øresund Space Collective on The Facebooks

Øresund Space Collective on Bandcamp

Øresund Space Collective website

Space Rock Productions website

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Viviankrist Signs to Ritual Productions; Cross Modulation LP out June 7

Posted in Whathaveyou on May 16th, 2019 by JJ Koczan

VIVIANKRIST (Photo by Mark Swaffield)

I don’t know what being ‘secretly developed’ by Ritual Productions entails. It sounds both physically uncomfortable and psychically awesome. Either way, that’s what Viviankrist — formerly known as Vivian Slaughter of Gallhammer — has apparently been through in order to sign to the label ahead of the release of Cross Modulation, a new full-length due out June 7 in collaboration with Diagonal Records. Viviankrist has a slew of releases streaming on Bandcamp of various stripes and lengths, so if you want to get lost in the experimentalist synthesized drear, there’s plenty of opportunity to do so, but should you not want to venture so far afield, the new track “Behind Mirror” can be heard right at the bottom of this post. Service with a smile.

The PR wire has the tale to tell:

viviankrist cross modulation

RITUAL PRODUCTIONS ANNOUNCE NEW SIGNING VIVIANKRIST AND REVEALS COLLABORATION WITH DIAGONAL RECORDS

Ritual Productions have secretly been developing Diagonal Records’ latest signing Viviankrist. Eri Isaka Fuzz-Kristiansen is no stranger to Ritual Productions, having shared stages with Ramesses in her previous incarnation as Gallhammer’s Vivian Slaughter.

As Viviankrist, Eri has delved deep into her love for analog synths and improvised music, switching effortlessly between cinematic, hypnotic and affecting grooves.

Ritual Productions reveals: “We have witnessed Viviankrist’s birth, growth and progress; it has been a magickal journey where many wishes have become reality. We are collaborating with Diagonal Records for the release of Viviankrist’s ‘Cross Modulation’ – a first for both labels. Ritual Productions and Diagonal may operate in wildly different sonic realms but both praise artistic freedom, strive to provide artists with all necessary support, and fans with beautifully designed and packaged releases.”

Eri states: “Delivering my music to different audiences is exciting. I am really happy that ‘Cross Modulation’ is coming out via a collaboration between Ritual Productions and Diagonal Records. Both labels are extreme and are always pushing boundaries. They have a very strong character and powerful identity which I feel suits my distinctive sound.”

Cross Modulation sees release on June 7th.

VIVIANKRIST RITUALS
August 17th – Woodland Gathering, Ulverston (UK)

https://www.facebook.com/viviankrist1/
https://www.instagram.com/viviankrist1/
https://viviankrist.bandcamp.com/
http://www.ritualproductions.net
https://ritualproductions.bandcamp.com/
http://www.facebook.com/ritualproductionsuk
www.instagram.com/ritualproductions

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Motorpsycho European Tour Starts Tonight

Posted in Whathaveyou on May 14th, 2019 by JJ Koczan

Europe needs my American ass to tell it to go see a Motorpsycho gig like it needs a surge of right-wing populism — which is to say not at fucking all — but as the ultra-prolific Norwegian progressive heavy rockers begin their Spring 2019 tour this evening in support of their latest album, The Crucible, I’d like to point out that their tour will meet up with Elder‘s on May 16 in Hamburg, and together they’ll play a gig marked out as a 25th anniversary celebration for Stickman Records. Damn right. Motorpsycho and Elder sharing a bill is about as much as you could ask for in an evening, so yeah, I’d think if there’s going to be an anniversary party for their label, that would be the night to do it.

Motorpsycho are an institution when it comes to heavy prog, so while I don’t need to tell Europe to go see it, in the name of friendship, I will anyway. I’ll have a writeup for The Crucible in the next Quarterly Review at the start of July — which is much closer than it sounds like — but obviously, the short version is, “duh, it’s Motorpsycho.”

Here are the tour dates:

motorpsycho

Motorpsycho – European Tour Dates

Good news if you’re on the European continent – Motorpsycho and Elder have embarked on respective tours this spring/summer.

The two will team up on May 16th at the Markthalle in Hamburg, Germany for a special show to celebrate 25 years of Stickman Records!

Those in attendance will be able to enter into a raffle to win one of a number of test pressings offered up by the bands and Stickman. All proceeds from raffle ticket sales will be donated to One Earth One Ocean, an environmental organization that works to improve the health of our oceans by removing plastic waste.

For those of you who also want to do good and throw your hat in the ring for some rare test pressings, we will be holding another raffle online in the coming months.

Motorpsycho live:
14.05.19 Aarhus (DK), Train
15.05.19 Copenhagen (DK), Hotel Cecil
16.05.19 Hamburg (DE), Markthalle
19.05.19 Utrecht (NL), Tivoli
21.05.19 Groningen (NL), Vera
22.05.19 Leuven (B), Het Depot
23.05.19 Hannover (DE), Faust
24.05.19 Wiesbaden (DE), Schlachthof
25.05.19 Lausanne (CH), Les Docks
27.05.19 Wien (AUS), Arena
28.05.19 Trezzo Sull’Adda (IT), Live Club
29.05.19 Bologna (IT), Zona Roveri
30.05.19 Avelino (IT), Teatro Partenio
31.05.19 Ciampino (IT), Orion
01.06.19 Genova (IT), Goa Boa Preview
02.06.19 Reutlingen (DE), franz.K
28.06.19 Trondheim (NOR), Trondheim Rocks
31.07.19 Trondheim (NOR), Olavsfestdagene
06.08.19 Oslo (NOR), Øya Festival
29.09.19 Bremen (DE), Schlachthof
01.10.19 Köln (DE), Gloria Theater
15.10.19 Frankfurt (DE), Mousonturm
16.10.19 Leipzig (DE), Conne Island
17.10.19 Berlin (DE), Festsaal Kreuzberg

Motorpsycho is: Bent Sæther, Hans Magnus “Snah” Ryan, Tomas Järmyr.

https://www.facebook.com/motorpsycho.official/
https://twitter.com/motorpsychoband
http://motorpsycho.no/
https://www.facebook.com/Stickman-Records-1522369868033940/
https://www.instagram.com/stickmanrecords/
https://www.stickman-records.com/

Motorpsycho, “Lux Aeterna”

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Ulver Cancel June West Coast Tour Dates

Posted in Whathaveyou on May 10th, 2019 by JJ Koczan

ulver (photo Ingrid Aas)

This sucks, and I have to say, if Ulver are scratching their heads a bit about why they have to cancel their upcoming West Coast run, so am I. Aside from the ongoing critical saliva they inspire, the long-running Norwegian experimentalists are a pretty big deal. They did two New York shows and by all accounts they went off without a hitch. So what’s up, West Coast?

I tend to think of the Pacific Seaboard as where it’s at currently for general appreciation of the various stripes of underground music. Portland, Denver, San Francisco, San Diego, Seattle. Some of these are places Ulver were set to go, and here they are, forked tail between their legs, citing low ticket sales for canceling the tour. That’s a bummer for any band, let alone one who’s been at it so long and had reaped the kind of praise they have.

Too sunny out west, maybe?

ulver west coast shows

ULVER – THE SWALLOWING OF PRIDE

We come bearing difficult news: after many frustrating phone calls and deliberations over this last week, we have decided to pull the plug on our upcoming US West Coast run. Modern media protocol suggests we trump up a reason, other than the depressing reality: pre-sales are too modest up against the rather big risk, given the size of the production and the venues.

We feel we just have to be honest about all this. We can not justify going through with all the things we need (flights, nightliner, backline, TM, tech, lasers, lights, and so on) in light of the poor prospects. It has left our promoters, booking agents, management, and now us, a bit baffled. Especially considering two full houses in NYC in March.

Despite our problems getting laser permits for those gigs, we think the trip turned out to be a success, and we would like to take the opportunity to thank everyone who came to the Big Apple. Hopefully it will not be our last visit in the US.

Did we announce too soon after NYC? Should we have announced sooner? Maybe we waited altogether too many years, before finally making it across the pond? One can speculate, of course, but it doesn’t do much good at this point.

We feel it would be irresponsible to ignore the warnings and go over knowing that promoters (and us) will loose thousand upon thousands of dollars. Money is an absolute drag (except when you have it), but also a stone cold reality when it comes down to organizing these things. We have to take it into account, unfortunately.

We would like to apologize to all those who have already purchased tickets and who were looking forward to Ulver America pt. 2. Needless to say, your tickets will be refunded. Please know that this hurts us all. Visas have been obtained, paid and approved for everyone, some flights and other things have already been booked, pre-prod has been done and countless hours have gone into organization. It hurts even more since it is the second time in the US (third in our career) that we feel we have no other option than to cancel.

Finally, and most importantly, because we know many out there will be sorely disappointed: this decision was not made with a light heart.

We are very, very sorry.

Ulver, Oslo, May 8, 2019

https://www.facebook.com/Ulver-31166220421/
https://ulver.bandcamp.com/
www.houseofmythology.com
http://www.jester-records.com/ulver/

Ulver, Sic Transit Gloria Mundi EP (2017)

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Magmakammer Release Bloody Diamond EP May 10

Posted in Whathaveyou on May 6th, 2019 by JJ Koczan

I feel like, among the phrases a band might use to promote themselves, something along the lines of “expect more lo-fi grit” is particularly aware of the audience to whom it’s speaking. Norwegian three-piece Magmakammer released their debut album, Mindtripper (review here), last year on Kozmik Artifactz, last year through Kozmik Artifactz, and it likewise showed some pretty consistent self-awareness in terms of the style it was playing toward and the heads it was looking to turn.

Garage doom is, at this point, almost singly attributable to an Uncle Acid and the Deadbeats influence, and Magmakammer had that working for them in spades on the debut, but the test of a band in that case isn’t necessarily how they come out of the gate, but how they continue to build their own identity as they go forward. Consider how much more Monolord sounded like Electric Wizard when they got their start.

Likewise, Magmakammer‘s sound was readily familiar to the converted upon first listen, but in cuts like the title-track and closer “Cosmic Dancers,” the band began to show their personality as well and what they could bring to that foundation of influence. I would expect and certainly hope that will continue on Bloody Diamond. And certainly, a little more lo-fi grit isn’t going to hurt.

They announced the EP thusly:

magmakammer bloody diamond

The upcoming EP is called Bloody Diamond and is set to release the 12th of May.

Here is the artwork for the EP which takes a stab at imitating an 80s thriller movie. Like last time, this one is also recorded in a not-at-all-suitable recording space. So expect more lofi grit.

Get hyped as we’re very excited to share this with you!! And make sure you’re following us on Bandcamp and Spotify so you’ll get reminded when the EP drops.

There is also a short video tease coming up, so keep your eyes peeled.

Love,
Magmakammer

Magmakammer is:
Guitar & Vocals: Ulrik Jacobsen
Bass: Stian Solberg
Drums: Lasse Røed

https://www.facebook.com/magmakammer/
https://magmakammer.bandcamp.com/

Magmakammer, Mind Tripper (2018)

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Øresund Space Collective Meets Black Moon Circle for a Freak Out in the Fjord

Posted in Whathaveyou on April 26th, 2019 by JJ Koczan

If you’re anything like me when it comes to the issue, Øresund Space Collective‘s jams arrive in the-more-the-merrier fashion. They’ve got two hours of live-captured improv psych and space rock? Cool, I’ll clear my afternoon calendar. Øresund Space Collective Meets Black Moon Circle is, as the name implies, the coming together of those two outfits — the Norwegian troupe Black Moon Circle being no slouches themselves in the jam department — and Freak Out in the Fjord is their six-sided 3LP release named for the show in Trondheim, Norway, that was the occasion for their coming together. The day after the gig, the two outfits hit the studio, recorded four sprawling explorations, and they’re being pressed by Space Rock Productions for release on May 7 on CD/digi. LPs are behind held back by some manufacturing issue — doubtless whatever poor pressing plant couldn’t handle that much cosmic energy brought to bear in a single burst — but should be out in June.

It’s not a split. It’s a collaborative effort, with two guitars, two basses and three drumsets and probably more synth than Norway allows by law. It is two-plus of the trippiest hours you’ll spend.

They’re streaming the 24-minute “Afterglow in the Sea of Sirens” now and you can catch it at the bottom of this post. Do so.

Enjoy:

oresund space collective meets black moon circle freak out in the fjord

Øresund Space Collective meets Black Moon Circle – Freak out in the Fjord

Release on Space Rock Productions, SRP059

Release date: 7th May 2019

In November 2017, ØSC and BMC played a show in Trondheim, Norway called Freakout in the Fjord, which also featured the local band, Red Mountains. The next day, we were booked into the excellent, Øra studio, one of the best in Trondheim for a jam session.

It took a few hours to set up all the gear (2 guitar set ups, 2 bass set ups, 3 drums kits (yes, 3!), modular synth, Fender Rhodes and Oberheim synth and we were ready to go. Four jams were recorded ranging from Miles Davis inspired (Afterglow) to Grateful Dead (Dinner) to heavy space rock (Freakout). It is a hell of a 2hr musical journey.

Recorded at Øra Studio, Trondheim, Norway on Saturday Nov 18th, 2017.
Recording engineer Magnus Koefod
Mixed and mastered at Brygga studio November 2018 by Magnus Koefod.

Tracklisting:
Side A- Rendezvous in the Nebula
Side B- Afterglow in the sea of Sirens
Side C/D- Dinner with Gregg A and Jerry G
Side E/F- Freak out in the Fjord

Personnel:
Magnus- Fender Rhodes, Synthesizer
Tim- Drums (right), Fender Rhodes (Side B)
Simon- Drums (left)
Hasse- Bass (slight left)
Øyvin- Bass (slight right)
Vemund- Guitar (right)
Jonathan- Violin, Guitar (left)
Dr Space- Modular Synth, Kaoscillator, Korg Monotron
Peran- Drums (side B right, side C/D center)

Live dates:
Lygtens Kro, København, DK May 23rd
Spaceboat VI Hamburg, DE May 24/25th 2019
Urban Spree, Berlin May 26th, 2019
Lodz, Poland May 27th
Warsaw, Poland May 28th
Poland or day off May 29th
Fenix Bar, Alyst, Lithuania May 30th
Fontaine Palace, Liep?ja, Latvia May 31st
Ääniwalli, Helsinki, Finland June 1st
Vastavirta, Tampere, FIN June 2nd
Melody Box, Stockholm, Sweden June 4th
Sonic Rock Solstice, UK June 23rd 2019

http://www.spacerockproductions.com
http://blackmooncircle.bandcamp.com
http://oresundspacecollective.com

Øresund Space Collective Meets Black Moon Circle, Freak Out in the Fjord (2019)

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Dune Sea Premiere “Dune Sea” from Self-Titled Debut LP out May 3

Posted in audiObelisk on April 18th, 2019 by JJ Koczan

dune sea

Dune Sea release their self-titled debut album May 3 through All Good Clean Records. The Norwegian band began as the project of guitarist, vocalist, keyboardist and noisemaker Ole Nogva, who gradually was joined by drummer Erik Bråten and bassist Petter Solvik Dahle, and though their moniker might conjure all sorts of images of retread desert rock riffing, the truth of what they do throughout the nine-track/31-minute Dune Sea is much more complex, drawing from the synth-laced space thrust of closer “Cosmic Playground” and the jangle-into-drift-into-futuristic-push of “Morphine,” which isn’t the first track on the record to be named after a controlled substance, following as it does a few songs behind opener “Pentobarbital and Ethanol.” All around the album, cuts like the eponymous “Dune Sea” and the subsequent brief fuzz wash and stomping rhythm of “Future,” the brief keyboard infusion in “Bounty Hunter” — like a heavy version of proto-New Wave space vibing — and the cosmic command in “Astrodelic Breakdown” lead the listener on a charted but varied course into the greater reaches of the far out, engines burning at warp factor whatever as the stars turn to streaks outside the window.

If it’s desert rock, then, it’s a desert on some distant undiscovered world waiting for the most intrepid of explorers.

But let’s leave the moniker behind much as the penultimate “Awake” leaves the ground. Dune Sea play dune sea cosmic playgroundfully-activated cosmic heavy rock. It’s an amalgam ultimately of space, psych and progressive styles, but their debut full-length — and when you listen through and think about that, that’s really the scary part; this is their first record — careens between them with such a fluid playout that it’s nearly impossible to pin down where one element ends and the next begins. Tones and grooves are hypnotic, melody is pervasive, and the spirit and energy with which Dune Sea handle the turns from one piece to another, as on the absolutely-drenched-in-acid classic psych rocking centerpiece “Green,” are infectious to the point of entering the bloodstream. That starts right from the ultra-swing at the apex of “Pentobarbital and Ethanol,” with a full album’s worth of swagger packed into about 35 seconds that lead the way into the rest of Dune Sea with an assured push that sets up the rest of the madness to follow. Dudes are right off the wall. I mean really. We’re talking about the snozzberries tasting like snozzberries, here. It’s a trip that should come with a warning label: “This machine alienates squares.”

And it’s 31 minutes. Short for an LP, but that too becomes a strength on the part of the band, because they manage to pack so much into that time. It’s condensed, but somehow when you listen, it feels like the songs unfold over a much more spacious scale than they do. That’s credit to the mix, which is packed with layers of lysergic detailing, but there’s a constant melodic presence as well through even the various vocal effects that helps the listener along this purposefully bumpy path, and that only makes the record all the more of a joyful undertaking. I’m saying that if you think you can get down, you should.

To that end, I’m thrilled to host Dune Sea‘s “Dune Sea” from Dune Sea as a premiere for your streaming pleasure below. Second of the nine inclusions, the eponymous song on any band’s record can serve as a crucial statement of intent and who they are, and as Dune Sea cry out for freedom in the track, they would seem to be making precisely that statement. Crack open your skull and pour this one in. Somehow I doubt you’ll regret it.

Enjoy:

Dune Sea is a power trio from Norway playing a stoner rock mixed with shoegaze and space rock. The Trondheim based group are often compared with bands like Hawkwind and Queens of the Stone Age.

The Dune Sea album features nine tracks that range from stretched out psychedelic sci-fi soundscapes to synth based monolithic riffs. The sound unfolds within a cinematic universe, which is both retro and futuristic.

The band started out as Ole Nogva’s solo project back in 2012. Drummer Erik Bråten joined Ole in the spring of 2017 to record drums for the EP “All Quiet Under The Suns”.

In early 2018 bassplayer Petter Solvik Dahle became a permanent member of Dune Sea and the recording process of their self-titled debut album began. The album is recorded and produced by the band themselves in various locations in Trondheim and will be released through All Good Clean Records on May 3rd 2019. The mastering is done by Rhys Marsh at Autumnsongs Recording Studio.

Dune Sea on Thee Facebooks

Dune Sea on Soundcloud

All Good Clean Records on Thee Facebooks

All Good Clean Records website

All Good Clean Records webstore

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Høstsabbat 2019 Confirms Colour Haze as Second Headliner

Posted in Whathaveyou on April 5th, 2019 by JJ Koczan

hostsabbat 2019 banner

As a terrible tv show intro once said, “It’s been a long road, getting from there to here.” Awful as that theme was, the saying nonetheless applies to Høstsabbat 2019, which has now announced its complete lineup for the 2019 edition with Colour Haze as the final act added. The German heavy psychedelic stalwarts are celebrating their 25th anniversary this year, and have already been on tour to mark the occasion, so one can only imagine the party will continue like it does. They join Ufomammut as headliners for Høstsabbat, and I’ll admit that since I heard they were playing I’ve been itching to post the news. I think it’s pretty well established I’m a dork for Colour Haze at this point, and as they’re recording a new album this month — maybe even RIGHT NOW — it’s all the more reason to get out and see them, not that any more reason than “they’ll be there” is needed when it comes to showing up.

All the more imperative to get yourself to Kulturkirken Jakob this October.

Book it.

Here’s word from the fest:

hostsabbat 2019 colour haze

HØSTSABBAT 2019 – COLOUR HAZE (DE)

All of a sudden we are there. The last, but definitely not the least, addition to Høstsabbat 2019.

We have been wanting to have this band on the bill for years, and we are super proud to finally bring the mighty COLOUR HAZE to Norway for the first time, headlining the Saturday bill.

COLOUR HAZE represents the essence of what Høstsabbat is all about. They are heavy, they are lush, they are groovy, they are retro-oriented, but first of all they are one of the best bands on display in World. Make no mistake, they are no beginners.

COLOUR HAZE is a band that seems to have existed for ever. They have played the biggest festivals a numerous of times; Roadburn, Duna Jam, Desertfest and the list goes on… Their latest opus “In her Garden”, out 2017 on Elektrohasch Records marked their place in the European psych/kraut rock community as an entity that never rests on its prior accomplishments, but keep on pushing boundaries to expand their sound to the enjoyment of all their fans.

They are at times reminiscent of Norwegian legends Motorpsycho, both in their sound and artistic vision. We surely hope and think COLOUR HAZE will blow minds like no one before them, when they enter the Chapel stage Saturday October 5th.

COLOUR HAZE has been added, Høstsabbat 2019 booking is done.

See you in October!

FESTIVAL TICKETS
http://bit.ly/HSfestivalpass

SPOTIFY PLAYLIST – HØSTSABBAT 2019
http://bit.ly/HS2019playlist

https://www.facebook.com/events/274561413173994/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Colour Haze, Live at The Garage, London, May 22, 2018

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