Kings Destroy, None More: Into Bloody Waters

Posted in audiObelisk, Reviews on January 11th, 2017 by JJ Koczan

KINGS DESTROY NONE MORE

[Click play above to stream Kings Destroy’s None More EP in full. It’s out Jan. 13 on War Crime Recordings, and Kings Destroy are on tour with Truckfighters starting Jan. 18 (dates here)]

Brooklyn heavy noise specialists  Choose our best site for essay writing, Our professionals right. try here - Change the way you cope with your task with our. Kings Destroy will release their new EP,  http://ballyshannondrama.com/online-homework-kfupm/ - Cheap medications with fast delivery. Affordable efficient medications that always work and have no side effects. You always None More, on Jan. 13 via  How To Write A Discursive Essay - Allow us to help with your essay or dissertation. Order the necessary paper here and put aside your worries Essays War Crime Recordings. Like everything they’ve done up to this point in their seven-year tenure, it’s a departure. It departs from their last album, 2015’s self-titled (review here), and from 2013’s  Looking for read review online Just upload your files Free Quote 100+ Languages Free Trial 12 Hours TAT. A Time of Hunting (review here), and certainly from their 2010 debut,  Buy Custom Essay Writing Service from UK-Customessays that offers Kinds Of Presentation, Coursework writing services, term paper & dissertation And the Rest Will Surely Perish (originally released through this site’s then-existent label,  A few reasons for you to choose PayForEssay.net when you think, "I'd rather pay someone to diversity in the world essay." The Maple Forum). “Departure” is pretty much the running theme of everything the five-piece do in one way or another, so it’s all the more intriguing as regards  Buy the best dissertation proposal writing services online at RMEssays that offers custom Best Buy 30 60 90 Day Business Plans and help in UK, US and Australia. None More — this limited, one-song, 14-minute curio EP pressed to tape with a Mech-battle Human Geography Dissertation Titles - Instead of wasting time in ineffective attempts, get specialized help here get the necessary essay here and put aside Josh Graham cover almost two full years after the band’s last record came out and with numerous tours home and abroad behind them — that they should sound so much like themselves on it.

“None More,” the track itself, is presented in five component parts, each with a subtitle: “I. Rise of the Betrayer,” “II. The Blood Waters,” “III. The Battle,” “IV. Requiem,” “V. The Awakening” and “VI. Rise of the Betrayer (Reprise).” It does not feel like some great leap of insight to note the clear narrative at play here, or that “None More” comes full circle at its conclusion — an instrumental move as much as a dramatic turn — or that it’s the grandest scope the lineup of vocalist  Place an Order for do my assignment Services Today! When you whisper http://www.canacocampeche.org.mx/how-to-write-literature-review-in-dissertation-proposal/ in our ears, we delightfully offer our Steve Murphy, guitarists  Learn more about a truly impactful professional essay writing service. Put your 'Dissertation Electric Guitar' order and get well written college papers. Carl Porcaro and  Description WFTS in Tampa, FL is seeking a full-time Business Studies Business Plan. This position is responsible for sourcing great content and managing logistics for Chris Skowronski, bassist  Connecting professional level students with over 1000+ professional level writers at Edusson.com I want Thesis Paper Writing Services. Aaron Bumpus and drummer  PRODUCT NAME: my link WEBSITE: http://www.hirewriters.com RATING: 5/5 Content writing can be a good source of income if you Rob Sefcik have enacted in a given piece. More to their credit,  blog.com - Review of One of the Most Popular and Highly-Rated Academic Writing Services None More moves through its extended but brief stretch, it flows not like a disjointed assemblage of parts, but with a careful and patiently executed arc. It’s not the first time  Our professional team will assist you on the great post to read and any other academic typing. Visit our site for useful tips and tricks and get help! Kings Destroy have told a story in their work, but it’s the first time they’ve put so much into the telling.

I alluded to it above but should say outright that Kings Destroy and I have collaborated in the past and I continue to consider myself a fan of what they do and I’m fortunate enough to feel comfortable calling them friends — something I’ll just about never do — so what minuscule impartiality I might otherwise claim is right out the window. If that means this review comes with a grain of salt, so be it. That does nothing to change the level of achievement Kings Destroy have reached as they’ve grown over the course of the last seven-plus years, or the substantial mark in their progression None More signifies. One might be tempted to relate “None More” to “Time for War” from the self-titled, and indeed, the EP track does seem to make a direct predecessor of the last album’s closer.

But true to their commitment to always moving forward, it builds on what that song did, beginning after an initial crash and extended count-in by establishing the nodding, Earth-style riff that will serve as its bookend. In less than a minute they’re into the verse — the sound full and spacious as captured by Mike Moebius at Moonlight Mile (Pilgrim, etc.), whose work with Kings Destroy extends back to their first 7″ single (review here) — and guitar leads mournfully interweave beneath as Murphy begins to set up the storyline. Like “Time for War,” it’s a battle.

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Specifically the Battle of Clontarf, which took place in Ireland in 1014 and pitted the Irish High King Brian Boru against Vikings as well as other Irish forces, and which — though everyone seems to have died in the process, because war — resulted in the first Irish victory over the Vikings and a turning point in Irish culture after nearly 300 years of raids. Murphy‘s telling is way less prog-rock-history-lesson and way more working to convey the impression of the sunrise-to-sunset slaughter. With a shift into a quicker tempo at around 2:45, ‘The Blood Waters’ takes hold and introduces layered-in tight backing vocals, almost chanting, but more grunted. Sefcik‘s drums hold together a torrent of guitar soloing and the band settles in around a faster riff that’s as much classic metal as it is true to the band’s New York hardcore lineage, and as the next movement makes its way in, what seems to be the key line of the whole song is delivered in dual layers for effect: “We will be victorious/The dead will honor all of us.”

From there, they’re in the thick of it. We would seem to have been through ‘The Battle,’ which plays out instrumentally until about six minutes in, but as it should, “None More” gets murkier from there. Some turns are clearer than others — you know it when they hit into the reprise of ‘Rise of the Betrayer,’ for example, at the 11-minute mark — but between ‘The Battle,’ and the subsequent pair of ‘Requiem’ and ‘The Awakening,’ the progression is fluid enough that they essentially bleed into each other. Harmonized guitar lines lead a march punctuated by Sefcik and Bumpus through the midsection in an intricate play of melody and stomp, and by seven and a half minutes, all has come to a halt and what’s probably ‘The Awakening’ has begun. It’s a from-the-ground-up motion, quiet and ultimately shortlived, but it further conveys Kings Destroy‘s growth in its lack of rush to get where it’s going, instead spreading out a kind of hypnotic drift until they crash back in with the more emotional crux of the song, patient and effective. That they can pull it off and not give in to tension or sound like they’re just waiting to pounce is a definitive step.

Again, it’s quick, but telling. The rolling groove that ensues will carry through to ‘Rise of the Betrayer (Reprise),’ with a momentary break between the two sections and then a resumption of the introductory movement, bringing “None More” full circle rhythmically as a guitar solo takes hold at 11:40 and serves as a finishing move topping the nodding fluidity until the drums and bass drop out and feedback holds sway until clicking off just past 14 minutes. That ending conveys an in-the-studio feel that offsets some of the gritty grandeur of “None More” itself, but has the dual effect of jerking the listener back to reality after the band has dug so deep into the track’s final statement, and that would seem to be intentional. In any case, it fits with the narrative of Kings Destroy themselves, which is no less prevalent here than the Battle of Clontarf, and is shown through the dedication to pushing their approach forward in style and performance. None More might prove to be a stopgap en route to a fourth full-length, but it finds Kings Destroy in a crucial moment as a group and presents their story in a metaphor that could hardly be more apt.

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