Eye of the Stoned Goat 5 Official Poster Unveiled; Lineup Finalized

Posted in Visual Evidence on February 19th, 2015 by H.P. Taskmaster

Tickets go on sale March 6 for Eye of the Stoned Goat 5, set to take place June 12-13 at Amityville Music Hall, on Long Island. The Golden Grass and Mos Generator will headline, and the lineup has been finalized to include acts from the East Coast, the West Coast and in between — Lord FowlWounded Giant and Brimstone Coven, if you need an example of each — in what’s without a doubt the most expansive Stoned Goat festival yet.

The poster for this year’s Stoned Goat is by Joe Mruk, and you can see the final version below (click to make it even larger) followed by the official lineup announcement from the fest:

eye of the stoned goat 5 poster

‘Eye of the Stoned Goat 5’ announces official lineup for summer festival!

Snake Charmer Booking is pleased to announce the final artist lineup for the annual celebration of stoner-psychedelic rock and doom-heavy metal known as The Eye of the Stoned Goat Festival—now in its 5th year. The two-day fest, featuring some of the most exciting talent of the Mid-Atlantic, East and West Coast, will take place June 12th and 13th 2015 at the Amityville Music Hall in Long Island, New York.

Headlining the Friday night opener on June 12th are Brooklyn, New York trio The Golden Grass (Svart Records), whose catchy progressive psychedelic self-titled debut received numerous accolades as the “Best of 2014.” Another band that has received copious amounts of praise from rock blogs and music rags alike are none other than Long Island’s long-running rock outfit John Wilkes Booth, whose album ‘Useless Lucy’ was mentioned in many journalists “Best of 2014” lists. Also joining the bill from Long Island territory, those wildly eclectic heavy rockers Moon Tooth, who Metal Injection recently named one of “10 Awesome Underground Bands You Need in Your Life!”

Naturally, it wouldn’t be a ‘Stoned Goat’ show without giving attendees a healthy dose of band from the excellent Small Stone Records label. This year’s elite selection includes three bands that are simply a treat to bring to the stage: Boston’s master craftsmen and 2014 Desertfest alums, Gozu; local New York natives It’s Not Night: It’s Space; and returning ‘Stoned Goat’ retro rockers Lord Fowl, currently working on the follow-up to their 2012 riff encyclopedia, Moon Queen.

More contenders for total rock domination include Ripple Music stalwarts White Dynomite, composed of former members of such fine acts as Roadsaw, Lamont, and Wrecking Crew, to name a few. Also on the Ripple Music roster, from Frederick, Maryland: Weed is Weed, featuring Dave Sherman and Gary Isom of Pentagram, Earthride and Spirit Caravan fame. Additionally, hailing from Pittsburgh, Pennsylvania, fans will experience the infectious “sludge n’ space rock” vibe of Supervoid, who will be heading into the studio in February to record their follow-up to 2013’s Filaments.

For the first time, Seattle Washington’s own rising stars Wounded Giant will be bringing their blistering, monstrous, signature sound to this year’s festival. Also spearheading the volume-dealing campaign from STB Records is Connecticut’s Curse The Son, who’s latest offering Psychache (2014) was widely heralded as “the best of its kind in 2014” by The Sludgelord and other critics. Another band traveling a good distance to bring their doomy, occult craft to the east coast is Metal Blade Records’ newest acquisition, Brimstone Coven, who are currently working on their much anticipated next album for the label. Speaking of travelling a long distances, the festival will witness the U.S. debut of Toronto, Canada’s demonic stoner-blues rockers Ol’ Time Moonshine. Alongside this already hefty bill, ESG5 has decided to treat festival goers to the atmospheric retro-doom stylings of Totem Cat Records’ own Doctor Smoke.

One band that has been tenaciously trekking through the rock scene for over a decade now is Philadelphia’s working class groove dealers, Kingsnake. The four boys of Kingsnake have had the honor of performing alongside such acts as Clutch, The Sword, Scorpion Child, The Skull, and Vista Chino, to name a few. Also on board for the 5th installment of the festival, Long Island locals Borgo Pass—a popular act that has developed quite an impressive loyal following.

Last, but not least, officially closing out this year’s Eye of the Stoned Goat festival is none other than Port Orchard, Washington’s stoner rock torch-bearer’s Mos Generator. This marks the band’s first ever performance in New York. Mos Generator have released 5 studio albums, a retrospective album, numerous splits, and a live album, attracting such labels as Roadburn, Small Stone, Ripple, Nasoni, and Lay Bare. For charismatic singer/guitarist Tony Reed and crew, touring has been just as important to the profile of the band as making records. Over the years, Mos Generator has shared the stage with many great heavy rock bands, and in March of 2013 joined a 26-date European tour with Saint Vitus, earning a whole new fan base to their fuzzy, energetic sound. On stage, Mos Generator embodies the word “chemistry,” revolving their sound around swagger and groove, while improvising just enough to keep the songs feeling fresh from night to night—often with delightful results.

Tickets for ‘Eye of the Stoned Goat 5’ will officially go on sale on March 6th 2015. The Event will be 21+ with I.D. Tickets will be $15 per night, or $25 for a weekend pass. For more information on the Eye of the Stoned Goat festival, visit www.TheEyeoftheStonedGoat.com

http://www.TheEyeoftheStonedGoat.com
https://www.facebook.com/TheEyeOfTheStonedGoat
https://www.facebook.com/events/853840991328849/
https://twitter.com/stonedgoatfest

The Golden Grass, A Curious Case/The Pilgrim (2014)

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Eye of the Stoned Goat 5: Doctor Smoke and Supervoid Added to Lineup

Posted in Whathaveyou on February 4th, 2015 by H.P. Taskmaster

eye of the stoned goat 5

Two more bands added to the Eye of the Stoned Goat 5 this afternoon, and it’s Ohio/Pennsylvania four-piece Doctor Smoke and Pittsburgh’s Supervoid, both of whom add to the festival’s already considerable tally of sonic heft. As it turns out, the lineup is nearly complete — just one more band to be announced, reportedly — and here’s the full roster of acts slated to appear thus far:

Weed is Weed
White Dynomite
Gozu
The Golden Grass
Lord Fowl
Kingsnake
Wounded Giant
Curse the Son
Doctor Smoke
Supervoid
Borgo Pass
John Wilkes Booth
Ol’ Time Moonshine
It’s Not Night: It’s Space
Brimstone Coven
Moon Tooth

Don’t think I left anyone out there. Either way, that’s plenty for two days, and with one still to come, Amityville, Long Island, should definitely have its fill of heavy. Doctor Smoke‘s trip to New York will be their second of the year by the time we get to June, as they’ll team up with Wasted Theory for a weekender at the end of March in support of last year’s The Witching Hour full-length on Totem Cat Records.

Newly signed to Ripple MusicSupervoid join the Eye of the Stoned Goat 5 lineup with late-2013’s Filaments full-length (review here) and 2014’s The Other Side single (streamed here) as their latest releases, and their melodic and metallic approach to heavy rock is sure to stand out from the crowd, but they’re no less hopped up on riffs than anyone, and no doubt they’ll find welcome when they hit Amityville. I’ll be particularly interested to see if they get paired off with Moon Tooth, whose sound also has a bit of bite to it, or if they’re split up over the two days.

Presumably we’ll find out sometime after the last band is announced, when the schedule comes out. Here’s the announcement from the fest for these two:

ESG5 is proud to announce, from Totem Cat Records, Ohio’s newest doom masters Doctor Smoke!!!

Also making their ESG5 debut in Long Island NY is Pittsburgh’s space-sludge warriors Supervoid!!!

Only 1 more artist to announce.. stay tuned kids, It’s gonna be a monster!

http://www.theeyeofthestonedgoat.com/
https://www.facebook.com/TheEyeOfTheStonedGoat
https://www.facebook.com/SuperVoid.PGH
http://supervoid.bandcamp.com/
https://www.facebook.com/drsmokedoom
http://doctorsmoke.bandcamp.com/

Supervoid, Filaments (2013)

Doctor Smoke, The Witching Hour (2014)

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Eye of the Stoned Goat 5: The Golden Grass and Borgo Pass Added to Lineup

Posted in Whathaveyou on February 2nd, 2015 by H.P. Taskmaster

eye of the stoned goat 5

Lineup additions continue to trickle out in pairs from this year’s Eye of the Stoned Goat fest, to be held June 12 and 13 in Amityville, Long Island. Last we heard, the fest reached across the nation to pluck Wounded Giant out from their Seattle base of operations and have them join with Connecticut’s Curse the Son, and today it’s feelgood Brooklynite trio The Golden Grass and LI’s own Borgo Pass who’ve hopped on board.

To be honest, it would be more of a surprise if Borgo Pass didn’t play Eye of the Stoned Goat 5. The long-running bruise rockers are an institution out on Long Island, gigging regularly and consistently throughout the region for nearly 20 years while staying true to their roots in classic heavy metal, loosely Southern-styled sludge rock and burly groove. Releases have proved infrequent — their latest full-length, Deadwater (review here), came out in 2011, six years after the prior Nervosa — but Borgo Pass have never shied away from a Long Island stage, and to have both them and John Wilkes Booth on the bill, no one could accuse Eye of the Stoned Goat 5 of showing up to Long Island without giving native acts their due.

As regards Brooklyn’s The Golden Grass, their appearance at Eye of the Stoned Goat 5 will follow a trip to Europe for a stop at this year’s Roadburn festival to follow-up on their across-the-pond live debut last fall, with which their latest 7″, A Curious Case/The Pilgrim, was issued to coincide. Their 2014 self-titled full-length (review here) was released by Svart and served as one of last year’s finest first-albums, and they’ll have along with them their new bassist Morgan McDaniel, who joined either at the start of the year or late in 2014 to replace Joe Noval in the trio lineup with guitarist/vocalist Michael Rafalowich and drummer/vocalist Adam Kriney, whose prior outfit, the psych-freakout-prone La Otracina, also seem to be rearing their head once more.

The Eye of the Stoned Goat 5 announced their additions as follows:

Alright Long Island, you wanted them.. You got ‘em!

Announcing that appearing on the ESG5 stage this year is none other than New York’s sonic bulldozers… BORGO PASS!!! Additionally, we are absolutely thrilled to announce for the first time on the ‘Eye of the Stoned Goat’ is Brooklyn’s psych-rockers The Golden Grass!!!

https://www.facebook.com/TheEyeOfTheStonedGoat
https://www.facebook.com/BORGOFKNPASS
https://www.facebook.com/thegoldengrass

The Golden Grass, A Curious Case/The Pilgrim (2014)

Borgo Pass, Deadwater (2011)

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The Obelisk Questionnaire: Pat Harrington of Geezer

Posted in Questionnaire on January 9th, 2015 by H.P. Taskmaster

pat harrington

With his gravelly voice and a demeanor that’s gone above and beyond friendly every time I’ve been fortunate enough to encounter it, Geezer guitarist/vocalist Pat Harrington cuts an immediately warm figure. All the more so when he breaks out the slide for his guitar. Though after the STB Records vinyl release last year of Geezer‘s Gage (review here) sophomore full-length — and the impending Feb. 5 CD/digital issue of the same album on Ripple Music – and his continued success with his Electric Beard of Doom podcast, he’s become a formidable presence in the heavy underground, his pedigree includes a lead guitar stint in mid-aughts NYC hard rockers Slunt and a run from 2008-2013 with Killcode, his ongoing trio Gaggle of Cocks which also includes Geezer bassist Freddy Villano, and no doubt others who’ve taken advantage along the way of Harrington‘s soulful, classic soloing style.

To herald the CD release of GageGeezer – the three-piece rounded out by drummer Chris Turco — will support High on Fire and Mountain of Wizard on Jan. 13 at The Chance Theater in Poughkeepsie, New York. Already veterans of The Eye of the Stoned Goat festival and having a seemingly permanent residence set up at The Anchor in their native Kingston, NY, where their Live! Full Tilt Boogie limited tape (review here) was recorded, Geezer will look to expand their reach in 2015 and beyond.

The Obelisk Questionnaire: Pat Harrington

How did you come to do what you do?

I guess in relation to my current projects, that being the band Geezer and the Electric Beard Of Doom podcast, I ended up here by finally embracing that which makes me happy. As a musician and creative person, I spent too many years falling into the trap of chasing the brass ring; the now antiquated idea that one has to fit into a certain formula or jump through some ever-changing hoops just to get the approval of some gatekeeper who then deems you worthy of being a part of the mainstream music scene. Much like being knighted by some boy king who doesn’t even know how to hold a sword correctly.

Okay, now that I’ve used up all my metaphors… I love heavy music, I love the blues, I love creating music, I love listening to music and I love sharing music with other likeminded individuals. Thanks in large part to this wonderful underground heavy scene that we have here, I get to do all that now… my way… with no apologies. The fact that people have been so receptive to the band and the podcast is validation of a lifetime spent worshiping the riff.

Describe your first musical memory.

When I was about three or four, I remember being put to bed by a babysitter, my next door neighbor Joanie Maddie. She used to put on music to help me go to sleep. One of the albums she used to put on was Led Zeppelin IV and I distinctly remember hearing “Stairway to Heaven.” Sometimes when I hear that song, I can almost relive those moments. By the time I was five, I was getting KISS albums for Christmas. By the time I was eight, I was walking around school singing Doors songs.

Music has always been a huge part of my life. Thanks Joanie!

Describe your best musical memory to date.

I’ve been lucky enough to have done some substantial touring of both the US and parts of Europe with my old band SLUNT. We toured with Marilyn Manson, Motörhead and C.O.C. We even opened for Paul Stanley on a solo tour. I got to meet some of my heroes, get loaded with some of them and geek out about music. I got to travel more than ever before in my life. I got to play music in front of hundreds (sometimes thousands) of people virtually every night of the week with people that I truly loved. Nothing can compare to the feeling of freedom I felt during those times, I hope to feel that freedom once again.

When was a time when a firmly held belief was tested?

I play heavy rock music in America in the 21st Century. I’m 42 years old. I have a wife, a small child, a mortgage and an unruly dog. My beliefs get tested every damn day.

The point is, being an artist is a lot of fun, but it is extremely hard to stay committed to it in today’s world. Just the fact that I even made it this far and I’m still inspired to be a better musician and create music that I dig: that’s the biggest test of all.

Where do you feel artistic progression leads?

In a perfect world, artistic progression should lead to enlightenment, to empathy, to community, to a better world and a sense of togetherness. Art should evoke emotions, it should make people angry, it should comfort you when you hurt and it should be a joyous expression.

As we can see today, many people are afraid of art, they literally are trying to kill it. This is because it is a threat to power structures and false ideologies. It is a way of communicating ideas without using literal translations that can be exposed and distorted. Art ultimately leads to truth. We need that now more than ever.

How do you define success?

Happiness.

What is something you have seen that you wish you hadn’t?

I could’ve done without those ass-tulip videos. And I NEVER look at those videos nowadays of people squeezing zits or have spiders crawling out of their legs. Seriously, who the fuck watches those things?!?

Describe something you haven’t created yet that you’d like to create.

Not to be crass, but I’d like to create an artistic career that has some kind of sustainable income. I don’t need to be rich and famous, but I’d like to at least be able to give my wife a little relief from the financial burden of being married to a musician.

Something non-musical that you’re looking forward to?

My wife and I have been talking about getting a van, RV or Airstream, taking the kid and do some extended traveling across the country. He’s two now, so I’d like him to be a little older so he will at least remember it, so maybe in a year or two. I loved being on the road and traveling all across this country of ours, being able to share that feeling with my family would be amazing.

Geezer, Gage (2014/2015)

Geezer on Thee Facebooks

Electric Beard of Doom

Geezer on Bandcamp

STB Records

Ripple Music

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Blood Farmers’ Headless Eyes Vinyl out Tomorrow

Posted in Whathaveyou on December 8th, 2014 by H.P. Taskmaster

blood farmers (Photo by Maija Lahtinen)

Unquestionably one of 2014’s finest doom releases, Blood Farmers‘ long awaited studio return, Headless Eyes (review here), is set to be released tomorrow on vinyl through PATAC Records. Their sophomore outing and first with drummer Tad Leger (ex-Toxic) alongside bassist/vocalist Eli Brown and guitarist Dave Szulkin (also of The Disease Concept), it’s an unpretentious slab of classic-minded horror doom, rife with memorable tracks like its sprawling 10-minute title cut and “Gut Shot,” but immersive, eerily psychedelic and spiraling continually downward.

Since Headless Eyes was 19 years in following-up Blood Farmers‘ self-titled debut, your guess is as good as mine when they might get around to putting out a third one, so all the more reason to note the occasion of the LP coming out. If you haven’t heard it yet — and I’m sure you have, because you’re up on it like that — the title-track “Headless Eyes” is on the YouTube player under PATAC‘s announcement below.

Dig in:

blood farmers headless eyes

Blood Farmers ‘Headless Eyes’ will be hitting stores worldwide 12/09/2014! Be sure to pick up the doom metal masterpiece on vinyl!

150 on Red Vinyl
450 on Black Vinyl

“Who would have thought that the within doom circles well appreciated band Blood Farmers would ever release a follow-up to their ‘Blood Farmers’ debut? Okay, the band had reunited in 2007 and did play live quite frequently, but unfortunately bass player Dr. Phibes passed away in 2010. Vocalist Eli Brown took over bass duty and the band continued with in 2009 on drums Tad Leger. Tad Leger, you say? Yes, the tad Leger of Toxik’s two albums fame. First technical thrash and now doom, that is a different ballpark entirely. In 2011 Blood Farmers even played at the renowned Roadburn festival. But at the time I didn’t expect any new studio work. Pleasantly surprised I was that nineteen years after their debut there is now a follow-up in the guise of ‘Headless Eyes’ in front of me.

But will the band be able to achieve the same level as before? Well, I shouldn’t have worried for a second. What a scorcher of an album ‘Headless Eyes’ turned out to be. Still traditional doom in the vein of Saint Vitus and Internal Void with quite a bit of stoner. Six absolute top songs is what this album contains, be it the title song or the instrumental ‘Night Of the Sorcerers’ which clocks in at over ten minutes or closing cover song ‘The Road Leads To Nowhere’ which is taken from 1972 horror film ‘The Last House On The Left’. All doom diamonds of the purest form. ‘Headless Eyes’ is up to now the doom album of the year for me and I am of the opinion that this album can become a true genre classic. I am as happy as a kid in a sweetshop with the return of Blood Farmers in recorded form.”Limited to 600 copies. 150 copies on opaque red vinyl, 450 copies on black vinyl. All copies include a double-sided ‘grindhouse’ insert and 5?x5? sticker of the cover art.

Originally formed in 1989, BLOOD FARMERS combine the atmosphere of ’70s horror with heavy doses of psychedelia and doom in the tradition of BLACK SABBATH and SAINT VITUS. The band’s 1995 debut on the legendary Hellhound Records has been cited as an influential underground classic by such bands as ELECTRIC WIZARD and CHURCH OF MISERY.

BLOOD FARMERS‘ current lineup includes Dave Szulkin (guitar), Eli Brown (vocals) and Tad Leger (drums; ex-TOXIK).

“Headless Eyes” track listing:
01. Gut Shot (6:17)
02. Headless Eyes (10:49)
03. The Creeper (4:51)
04. Thousand-Yard Stare (6:34)
05. Night Of The Sorcerers (10:15)
06. The Road Leads To Nowhere (5:59)

http://www.patacrecords.com/
https://www.facebook.com/pages/Blood-Farmers/527975720656239
https://bloodfarmers.wordpress.com/

Blood Farmers, “Headless Eyes”

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Sun Voyager Post New Track; Split with Greasy Hearts Coming Soon

Posted in Whathaveyou on November 25th, 2014 by H.P. Taskmaster

sun voyager

A couple interesting points about the new Sun Voyager track, “God is Dead.” It is declarative (or at least without punctuation) where the Black Sabbath song of the same name from last year’s 13 full-length was an interrogative. Neither is the first to use the title, though, and looking at the lyrics to Sun Voyager‘s cut, it doesn’t seem to be in conversation with the other. Fair enough. It’s also a preview of Sun Voyager‘s forthcoming full-length, which is now slated to release in Jan. 2015 on King Pizza Records, and it arrives as part of a compilation from the label, which specializes primarily in punk, and on which it is the longest song at 4:28.

It also brings word that Sun Voyager will have a split tape out in a couple weeks with Greasy Hearts, who are labelmates and also featured on the same compilation, which is titled Surfin’ on Pizza Lightning, because of course it is.

sun voyager god is dead single

NEW SONG PREMIERE ON NEW KING PIZZA COMP

HEY Y’ALL,

We’re not going to bore you with a too lengthy of an update today….

BUT WE HAVE A NEW SONG.

It’s on King Pizza Records’ new compilation titled “Surfin’ On Pizza Lightning,” which features songs by a bunch of our friends including a song by Greasy Hearts which will be on our SPLIT. Yea, that’s right. We have a split coming out in about 2 weeks. It’s with Greasy Hearts and it’s rad. Can’t wait for you guys to hear it. This song, which is called GOD IS DEAD, is not on the split but it WILL be on the full length along with Gypsy Hill and will be released in January.

Here’s the comp: https://kingpizzarecords.bandcamp.com/album/surfin-on-pizza-lightning

Here’s GOD IS DEAD: https://soundcloud.com/sunvoyager/god-is-dead

my god is dead but your god’s dead too
our father left us with everything but the truth
drifting and drowning in this sea called life
my god is dead but your god’s dead too

Carlos – Vocals, Guitar
Stefan – Bass
Kyle – Drums

Recorded at Ghostload Sound May 2014
Engineered by Seth Applebaum
Mastered by Jeff Rendano

https://soundcloud.com/sunvoyager
https://www.facebook.com/sunvoyagerband
https://sun-voyager.bandcamp.com/track/god-is-dead-single
https://www.facebook.com/kingpizzarecs
http://kingpizzarecords.storenvy.com/

Sun Voyager, “God is Dead”

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Friday Full-Length: Cactus, One Way… or Another

Posted in Bootleg Theater on November 21st, 2014 by H.P. Taskmaster

Cactus, One Way… or Another (1971)

“I know some of you people like to dance
And I know some of you people just like to roll and rock
And roll and rock
So come on honey, it’s alright
We’ll do whatever YOU feel like…”
— Cactus, “Whatever You Feel Like”

The exact recording dates, I’m not sure, but Cactus‘ second album, 1971’s One Way… or Another, was put to tape at Electric Lady Studios in Manhattan sometime after the release of their 1970 debut, and listening to Tim Bogert swagger out the second “roll and rock” in “Whatever You Feel Like,” no question Jimi Hendrix was a presence in mind at the time. All that’s missing is a little “uh huh” after “rock.” Considering the studio opened in Aug. 1970 and Hendrix was dead less than a month later, it seems only fair to think Cactus would’ve been working with some of his influence in following up their first record, their fluid tempo shifts on “Rock and Roll Children” and the wah/acoustic layering on “Song for Aries” are easy enough to see in that light as well, though of course Cactus were foremost indebted to blues rock, and there’s plenty of that to be had on One Way… or Another as well.

Immediately, as it happens. One Way… or Another opens with the Little Richard cover “Long Tall Sally,” also done by Elvis and The Beatles and many, many others. But Cactus take the original and slow it down to a vicious, sleazy groove, guitarist Jim McCarty basically giving bassist Tim Bogert — who usually handled backup vocals to Rusty Day‘s leads, but took the fore on “Whatever You Feel Like” (Day got his moment in a harmonica solo) — and drummer Carmine Appice all the room they could ever ask for to swing through and then some. Cactus‘ Cactus was a little more unhinged, a little more dangerous overall, but the fullness of sound and tonal satisfaction that One Way… or Another provides isn’t to be understated. That’s not to say “Big Bad Mother Boogie” doesn’t have its edge, just that if you listen back to their take on “Parchman Farm” from the first record it sounds like the song is about to fly out from under them.

Their take on Chuck Willis‘ “Feel so Bad” gives a bluesy start to a side B that branches out soon with “Song for Aries” and hits possibly its most righteous note in “Hometown Bust,” a heavy return that’s as huge as anything that might’ve been called metal at a later point in the decade, McCarty wailing out a lead that, yeah, there’s Hendrix again, and killing it in the process while Day throws in some chops on harmonica. The closing title-track rests on an up-down nod of a riff not frantic but still maddening in its turns, Bogert and McCarty playing off each other brilliantly before the last chorus return, Day‘s vocals doubled for maximum effect en route to the last, all-too-quick fade.

Cactus had one more album, 1971’s Restrictions, with the same lineup, though the changes that would result in lineup shifts for 1972’s ‘Ot ‘n’ Sweaty – bringing in Leaf Hound‘s Peter French to replace Rusty Day — were already taking root. I’m not sure which I’d pick over the other, Cactus or One Way… or Another, but both are heavy rock classics and definitely the sophomore record makes some compelling arguments in its case, the upped Hendrixery among them.

Hope you enjoy.

In case you’re also wondering, no, I have no idea where November went. Next week is Thanksgiving, which is another one of those US holidays celebrating a fiction — this one about peace between European colonists and the native people being colonized — like Xmas or Columbus Day or Labor Day, and so on and so on, but screw it, a day off is hard to argue with. The Patient Mrs. and I are heading south for the occasion — I know you’re shocked — to New Jersey. I expect family time will consume the bulk of the week, but I’ll have some posts along the way where and when I am able as well, including a new podcast on Wednesday, so if you’re traveling for the holiday, or just sitting on your ass (it works either way), you might want to grab that when it’s up. I’m gonna shoot for Wednesday morning, but we’ll see how it goes.

Also look out for a Murcielago review hopefully on Monday and something or other on Tuesday to fill time while I pack to head to Jersey on Tuesday night. I’m looking forward to seeing family and friends and, if I’m honest, to not being in the house for a while but also knowing where I’m going, ever. After a year of where-the-hell-am-I-what’s-the-fastest-way-to-the-highway-and-which-highway-do-I-want-anyway, it’s starting to wear a little thin. Novelty fades. Inconvenience is forever.

I hope you have a great and safe weekend. I’ll be mentally preparing myself for the onslaught of the holidays by sitting as quietly and as still as possible. It’s like meditation except it involves watching hours of Star Trek episodes at a time.

Be well, and please check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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Here’s Kings Destroy Doing “Smokey Robinson” in Rhode Island

Posted in Bootleg Theater on November 17th, 2014 by H.P. Taskmaster

kings destroy (Photo by Tim Bugbee)

Here’s a fun fact: I fucking hate videos I’m in. Photos too. Really anything. If I can go without seeing, hearing, reading myself, seeing my name, feeling like I exist, escaping for 20 seconds from crippling neurotic self-awareness, whatever, that’s the way to go. The conundrum here is that even by saying that, I’m pointing out the fact that I’m in this video, but I think even if you didn’t know it was me and you watched it, you might be wondering to yourself, “Who’s the longhair dick up front taking pictures?” I’m that dick. That’s the guy. Get him.

I didn’t write about it in the tour report, but before the doors opened at The Met in Providence, I was sitting at the bar with The Patient Mrs., and one of the dudes who works there or owns the place or whatever came up and started asking where we got our passes all in an accusing tone of voice and shit, like we broke into the Pentagram show and stole them off the table or something. I was like, “The guy standing next to you gave them to us,” and then asked him if he wanted to fight about it. Got a winner of a look for that one — and rest assured, if he or the dude with him had wanted to fight, I’d have gotten my ass handed to me — but whatever. By then I’d been 12 nights out of 12 nights on that run and wasn’t ready to greet dickitude with anything other than the same.

Hope you enjoyed the digression. The mind makes these associations, event with place, place with time, song with season, and so on. To the best of my achingly limited understanding, this is the first video of Kings Destroy playing the song “Smokey Robinson.” It comes from that Providence show and was filmed by Pentagram drummer Sean Saley. I’m happy to report that even though I pollute the thing early on with my existence, the giant head that shows up right in front of the camera at the end belongs to someone else. We have to take our victories where we can get them.

Kings Destroy‘s next show is Dec. 12 at Brooklyn’s St. Vitus bar with YOB and Tombs. I am hoping to attend. “Smokey Robinson” will be featured on their third album, which will be out next year, and has been stuck in my head for the better part of the last three weeks even though I know about one-third of the words, and that’s being generous. It’s not something I’m posting because I feel obligated, or to fill space, or whatever. It’s a quality song and I had something to say about the video, so fucking there you go.

Dig:

Kings Destroy, “Smokey Robinson” Live at the Met, Providence, RI, Nov. 2, 2014

Kings Destroy on Thee Facebooks

Kings Destroy on Bandcamp

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