Dust, Dust (1971)
When Dust‘s 1971 self-titled debut was reissued on Sony Legacy in 2013 along with 1972’s Hard Attack, I was fortunate enough to interview original drummer Marc Bell, who of course later went on to become Marky Ramone of The Ramones, about the process of revisiting those two albums from early in his career. One of the things I asked him about the process of overseeing those remasters was whether it was strange to go back to hearing that material after so long and being so known for other work. Here’s what he had to say:
It wasn’t strange; it was more of a grateful opportunity to be able to do this because we were still in high school when we did these two albums. We were on a label called Buddha/Kama Sutra, which catered to bubblegum bands. So we really weren’t on the right label that could really push the genre of music, which was heavy metal. Looking back and knowing what we were facing and now, it was a little strange in a way. Because if we did a third album on a legitimate label that knew how to handle this kind of music, I think we would have went over the top with Dust. But in the studio we were remastering it a few months ago, we were thinking of the great memories we had.
Doing shows with Alice Cooper, John Mayall, Uriah Heep then coming back to the high school — Erasmus, where I went. Seeing the album in the windows in the record store. It was really amazing for an 18-year-old teenager to see this. Then everyone wanted to be my friend in high school. Even the people that hated me. It was strange but it brings back funny and youthful memories of how well we played as a unit, three people at that time. — Marky Ramone
He was pretty on-message the entire interview, by which I mean he had the story of the band and albums down and stuck to it for the duration of our talk — something with which, I should mention, I have no problem; as long as it’s cordial, I consider it a sign of professionalism for someone to know what they want to say going into a phoner — and he was vigilant in calling Dust a heavy metal band, and one of the first in America. Ever since, that’s kind of stuck in my head as the standout point. I don’t usually think of proto-metal as metal, or heavy rock as metal, and with its liberal use of slide guitar on opener “Stone Woman” and the classically swinging rhythm of “From a Dry Camel,” I’m still not sure I’d call the self-titled debut or its follow-up metal proper. For sure it was pushing in that direction, but it would still be five years before Judas Priest offered up the visionary Sad Wings of Destiny, and to call Dust‘s Dust metal diminishes the scope of the boom of heavy rock in which it arrived. Consider, for example, that Dust formed in 1969, the same year as fellow New Yorkers Cactus, though that band’s first record landed a year earlier in 1970. Dust were a standout for sure, but they didn’t exist in a vacuum, and to call them metal takes away from the progressive elements of “Often Shadows Felt” or “Goin’ Easy,” however much Bell, guitarist/vocalist Richie Wise and bassist Kenny Aaronson might push Mountain further on “Love Me Hard” or scorch in Motörheady fashion on closer “Loose Goose.”
In whatever genre you want to tag it, Dust‘s self-titled debut remains a classic of the original heavy rock era. The band would make arguably their greatest achievement on “Suicide” from Hard Attack, but their first outing is one not to be missed — frankly, I was surprised to find I hadn’t closed out a week with it before — and I hope as always that you enjoy.
Did you read that Buried Treasure post earlier this week? The one all about driving to Maryland and back? I still feel like I’m recovering from that trip, and as such, no Connecticut this weekend. Staying home. I’ll be back down that way in a couple weeks — both CT and MD, actually — so I honestly think the quiet time will do me some good. Plus I just finished my second week at the new job at Hasbro, and that’s been a pretty big change. Lots to get used to there, many different processes to figure out still. Everyone I talk to there says it takes time, and nothing I’ve seen leads me to think they’re wrong. It’s been good so far though. They dig their board games, and it’s awesome to be in surroundings where people is into what they’re doing.
I’ve been getting up at 5AM — yesterday was earlier, actually, but the alarm was set for five — in order to write reviews and then filling in news posts and such during the day, things like the Brant Bjork announcement yesterday going up as quickly as possible, and doing some writing at night as well, so the balance still needs to be worked out, but I’ll get there. That takes time too. For now, getting up early hasn’t been so bad, even if it’s meant I’m in bed by like 10PM each night. Worth it to get stuff done.
Speaking of, there’s a lot on the docket next week. Monday and Tuesday a couple new album announcements booked for stuff on Small Stone, and also look for reviews and streams from Hyponic, Mos Generator, 16, Naevus and The Company Corvette — that’s one a day for the whole week — as well as new videos from Sea, Monkey3 and Hey Zeus, as well as all the news that’s fit to cut and paste and whatever else I can come across. Should be plenty to keep me busy on those mornings.
It’s not really applicable here — though I could make arguments either way — but if you think it’s something you might also be into, I’ve been very much enjoying Monolith of Phobos by The Claypool Lennon Delirium, which I picked up this week. It’s Les Claypool of Primus and Sean Lennon, and the two play all the instruments and share vocal and keyboard duties and some of it has a really dead-on psychedelic vibe. I don’t think I’ll review it, but it’s worth checking out if you have a spare couple minutes to track it down on YouTube or something.
Alright, gotta run, but I hope you have a great and safe weekend, whatever you might be up to. Please check out the forum and radio stream.