Primitive Man and Unearthly Trance Split LP Due Aug. 17

Posted in Whathaveyou on July 6th, 2018 by JJ Koczan

Every now and then, two bands being labelmates works out well for everyone. And by everyone, I don’t just mean the bands. To wit, uniting Brooklyn’s reignited post-doomers Unearthly Trance with Denver everything-crushers Primitive Man? Yeah, that’s just a win all around. I hope whoever made that pairing happen got a promotion, or at least a bonus, or maybe one of those awesome Relapse Records hoodies that you always see the staff wearing around Philly and get mad jealous. Also, in that scenario, you is me. I mean, we’re all one anyway, but specifically there I’m talking about myself.

Anyway, the point here is that Primitive Man and Unearthly Trance getting together for a split seems like it would be far less likely to happen were it not for the fact that they’re both on Relapse Records, and if that’s what it takes, to manifest that kind of devastation, then all the better. If you missed them, both bands released records last year — Primitive Man assaulted the senses with Caustic (review here) while Unearthly Trance marked a return from a long hiatus with Stalking the Ghost (review here) — and if the ultra-quick teaser for the joint intro to the split is anything to go by, the new outing is going to be noisy as hell.

Primitive Man and Unearthly Trance both will play Psycho Las Vegas next month, and Primitive Man have further touring in Europe set for Aug./Sept. alongside also-labelmates -(16)-. Nothing like keeping good company.

From the PR wire:

primitive man unearthly trance split

PRIMITIVE MAN & UNEARTHLY TRANCE Announce Split LP Coming August 17th Via Relapse Records; Trailer Posted

One year after each releasing two of 2017’s heaviest albums, Denver’s PRIMITIVE MAN and New York City’s UNEARTHLY TRANCE unite for an exercise in complete and total suffering, coming this August via Relapse Records. Across seven apocalyptic tracks,both bands tap into some of the most uncomfortable, vile realms of blackened doom and dissonant, harsh noise put to tape in the new millennium.

Watch the official split album trailer featuring opening track “Merging,” recorded by both bands, HERE. New music from each band will be available in the near future.

PRIMITIVE MAN & UNEARTHLY TRANCE’s split LP is due out August 17th on CD, LP and digital formats through Relapse.com. Physical packages, digital downloads, and streaming services are available HERE.

Additionally, PRIMITIVE MAN has recently announced a European headlining tour with labelmates -(16)-. The tour begins August 29th in Dortmund, Germany and ends September 15th at Bloodshed Festival in Eindhoven, Netherlands. PRIMITIVE MAN will perform at various Summer festival appearances such as Psycho Las Vegas, Electric Funeral Fest, and Temple Of Ascension Vol. 1. All confirmed tour dates are available below.

PRIMITIVE MAN & UNEARTHLY TRANCE Split LP Track Listing:
1. PRIMITIVE MAN & UNEARTHLY TRANCE – Merging (Intro)
2. PRIMITIVE MAN – Naked
3. PRIMITIVE MAN – Love Under Will
4. UNEARTHLY TRANCE – Mechanism Error
5. UNEARTHLY TRANCE – Triumph
6. UNEARTHLY TRANCE – Reverse The Day
7. UNEARTHLY TRANCE – 418

PRIMITIVE MAN:
7/12/2018 Bluebird Theater – Denver, CO w/ Yob, Bell Witch
8/17/2018 Temple Of Ascension Vol. 1 – Edmonton, AB
8/18/2018 Psycho Las Vegas @ Hard rock Hotel And Casino – Las Vegas, NV
w/ -(16)- :
8/29/2018 Junkyard – Dortmund, DE
8/30/2018 IFZ- Leipzig, DE
8/31/2018 KB18 – Copenhagen, DK
9/01/2018 1000fryd – Aalborg, DK
9/02/2018 Hafenklang – Hamburg, DE
9/03/2018 Magasin4Brussels, BE
9/04/2018 Tiefgrund – Berlin, DE
9/05/2018 Poglos – Warsaw, PL
9/06/2018 Fuga – Bratislava, SK
9/07/2018 Desszert Feszt Budapest Opening Party – Budapest, HU
9/08/2018 Reflektor Venue – Timisoara, RO
9/09/2018 Something For The Core VII – Bucharest, RO
9/10/2018 Mocvara – Zagreb, HR
9/11/2018 Circolo Magnolia – Milano, IT
9/12/2018 Sunset Bar – Martigny, CH
9/13/2018 Gaswerk – Winterthur, CH
9/14/2018 Jubez – Karlsruhe, DE
9/15/2018 Bloodshed Fest 2018 – Eindhoven, NL

http://www.primitivemandoom.com
http://www.facebook.com/primitivemandoom
http://www.instagram.com/primitivemandoom
http://twitter.com/PRIMITIVEMANE
http://www.facebook.com/UnearthlyTrance
http://www.instagram.com/unearthlytrance
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords
http://www.twitter.com/RelapseRecords

Primitive Man & Unearthly Trance, Split LP trailer

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A Storm of Light Announce New Album Anthroscene

Posted in Whathaveyou on June 22nd, 2018 by JJ Koczan

Hard to believe it’s been five years since the last album from A Storm of Light came out. That record was Nations to Flames on Southern Lord and their new one, dubbed Anthroscene in a clever play on the you-are-here era of planetary extinction in which we currently live, will be out via Consouling Sounds in Europe and Translation Loss in the States this Fall as the band get ready to tour overseas with Mono. It’s a pretty significant run that starts in the UK and ends in Russia, but of course A Storm of Light will be up to the task. In addition to frontman Josh Graham‘s work on graphics for Neurosis, Soundgarden, and a host of others, they’ve always kept plenty busy on the road.

Info and dates follow from the PR wire:

a storm of light

A STORM OF LIGHT ARE BACK WITH A NEW ALBUM TO BE RELEASED IN TIME FOR LIVE DATES WITH MONO THIS OCTOBER

A Storm of Light return with news of a new record. Five years after their last studio album (Nation To Flames, Southern Lord), Josh Graham and his companions Chris Common, Dan Hawkins and Domenic Seita have been working on their fifth full length Anthroscene which shall be released via Consouling Sounds (EU and UK) and Translation Loss (US) this Autumn.

A Storm Of Light will be presenting their new album across Europe in October, performing alongside Mono – see the list of dates below.

A STORM OF LIGHT LIVE WITH MONO
01/10 – UK Bristol, The Fleece
02/10 – UK Norwich, Arts Centre
03/10 – UK Glasgow, Classic Grand
04/10 – UK Newcastle, The Cluny
05/10 – UK Leeds, Left Bank
06/10 – BE Ghent, De Central
07/10 – NL Utrecht, Tivoli De Helling
08/10 – DE Bremen, Tower
09/10 – DE Dresden, Beatpol
10/10 – DE Wiesbaden, Schlacthof
11/10 – CH Aarau, Kiff
12/10 – FR Lyon, CCO
13/10 – ES Barcelona, AMFest
14/10 – FR Toulouse, Le Rex
15/10 – FR Bordeaux, Iboat
16/10 – FR Orleans, Astrolabe
17/10 – NL Heerlen, Nieuwe Nor
18/10 – DE Oberhausen, Drucklufthaus
19/10 – NL Leeuwarden, Into The Void
20/10 – GR Athens, Fuzz Club
22/10 – RU Moscow, Zil
23/10 – RU St. Petersburg, Zal

https://www.facebook.com/astormoflight
https://astormoflight.com/
https://astormoflightsl.bandcamp.com/
https://consouling.be/
https://www.translationloss.com/

A Storm of Light, Nations to Flames (2013)

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Mick’s Jaguar Premiere “Where We Go” from Fame and Fortune

Posted in audiObelisk, Reviews on May 31st, 2018 by JJ Koczan

micks jaguar

New York-based heavy rockers Mick’s Jaguar make their debut on RidingEasy Records June 22 with Fame and Fortune. It’s not the first time the L.A. imprint has extended its hand to the other side of the country to pick up a band, but something here feels different. While unsurprisingly given both the snark in the band’s moniker — they started out playing Rolling Stones covers — and the blood-and-sex rawness of the album art, it’s safe to say attitude plays a large role in their approach, the brand of heavy rock and roll (with emphasis on both the rock and the roll) is nigh on definitively of New York. The myth is that New York rock died. It didn’t. It just got priced out of Manhattan, like everything else that wasn’t J.P. Morgan or owned by the president or a racist coffee chain. But to be a band “from New York” is to invite immediate suspicion. You say you’re from New York? Prove it. Like someone wants to see your birth certificate or something.

To wit, the first line in Fame and Fortune opener “The Real Boss” is, “I was born in New York City,” and then, as if to prove the ultimate New York perspective, there follows, “What a horrible, smelly town.” Love New York, defend it vigorously to outsiders, and then despise it. To be fair, Manhattan in summertime, no matter how much of a billionaire playground it has become since Rudy Giuliani had the homeless secretly killed — don’t worry, 15-plus years of returning veterans has made sure there’s plenty more homeless to replace them — smells like urine, but New York’s love/hate relationship with itself is an essential facet of its culture, and Mick’s Jaguar, who present a clean, classic-feeling 10 tracks in the 38-minute stretch of their first album, are smart to put it front and center. That theme of intelligence continues throughout the six-piece’s lyrics, which contain several Stones and other references — “sticky fingers,” paraphrasing the Stooges with “street-walking jaguars,” shouting out Miles Davis, etc. — amid shifts in sound from heavy rock to early metal of “Here Comes the Night” the aggro-boogie of “Where We Go” to the crash-led “Country & Punk,” which in the span of 1:49 gracefully manages to be neither.

micks jaguar fame and fortuneApart from its attitude, what draws the album together throughout these twists and turns of style is a consistent sans-frills production and a penchant for big hooks in cuts like opener “The Real Boss” and its side B counterpart, “Hellride,” as well as “Pay to Play,” “Hellride,” the twin-guitar-led “Blood on the Snow,” and so on. Songwriting, in other words. It’s one of those records that seems to come across like vinyl no matter the actual format being played, and the visceral sound of the recording is a benefit as much to the actual impact of the material as to the aesthetic statement being made, but without that core of craft beneath the recording would have nothing to stand on. The movement from the ’70s-chugging “Here Comes the Night” — who doesn’t love a good song about “the night?” — the barroom twin leads of “Blood on the Snow” and the hard rocking cynicism of “Hellride” would simply fall flat. As the album progressed, I’ll admit I was a little sad when “Damnation” wasn’t an Opeth cover, but its lyrical journey tying together the late ’60s/early ’70s and the early ’90s is fairly emblematic of the roots of heavy rock and the roots from which Mick’s Jaguar are ultimately working. Then, naturally, they throw a wrench in the gears with “Country & Punk,” because screw you for thinking you know what you’re getting.

If Mick’s Jaguar are a New York band, as the narrative — blessings and peace upon it — argues fervently they are and I tend to agree when it comes to their style and specific grit-coated swagger, then it’s only fitting they should be as self-aware as they are. From the start of the record through the harmonica-laced closer “New Orleans Blues,” with its lap-steel-gone-psychedelic and anchoring drum progression, they’re telling their own story both lyrically and instrumentally. Their style ultimately has more reach than many will give it credit for, and they move through Fame and Fortune with a fluidity that belies this being their first album; I don’t actually know this, but if you were forcing me to guess I’d say some of these songs have been around a while, as they sound like they’ve been chopped down to their most essential pieces. Whether Mick’s Jaguar can bring the same intelligent confrontationalism to their work and still manage to develop stylistically over the longer term of course will remain to be seen, but what they bring to Fame and Fortune isn’t to be undervalued as a statement of their purpose and a declaration of their penchant for mining classic elements and reshaping them to suit their needs.

I have the pleasure today of hosting a track from Fame and Fortune as a premiere that you’ll find on the player below, followed by more info from the PR wire. Once again, the album is out June 22 on RidingEasy Records.

Please enjoy:

Rock and roll is dead in New York City. Long live New York City rock and roll. Mick’s Jaguar is bringing noisy, wild, unafraid big rock back to NYC. Crazy rents, corporatized venues, and kids listening to DJ’s: it’s hard being a band in this town.

This isn’t LA and Mick’s Jaguar is a product of their environment: a windowless dungeon practice space 20 feet below the trash covered sidewalk of the Lower East Side. Rats, grime, the sounds of the city; Mick’s Jaguar gleefully pillages the history of rock music to create thoroughly modern, but classic rock and roll. Not quite punk, but not metal either, this is hard rock and roll that’s been put through the brain blenders of 6 musicians who pair their Judas Priest shirts with Steely Dan hats. They claim no musical lineage to New York – they just live there. If you need to compare them to something, the night AC/DC played CBGB’s would be about as close as you can get.

The group formed as a drunken Rolling Stones cover band, and after a few years of mainlining Stones songs and playing sporadic shows marred by violence and sprayed by beer, they started writing originals that attracted the attention of RidingEasy Records. And their new album, Fame and Fortune, sounds absolutely nothing like the Stones. The three guitarists — yes three guitars — open the album with a riff of buzzsaw intensity that would make a Ramone proud. But then like Jim Morrison sashaying into a wine shop, it drunkenly careens into a big sounding rock and roll album somewhere in between Van Halen and Tres Hombres. Guitar solos abound, Thin Lizzy harmonies soar, the bass and drums make a groove that will shake the asses on the dance floor and put a rumble in your loins. Songs about life, death, cars, blood, murder, sex, drugs and booze are the world of Mick’s Jaguar. Don’t forget – this is what rock and roll is all about. Listen close and you’ll hear hat tips to your bands, Mick’s Jag knows their history and likes to rip it apart.

Recorded in Brooklyn at Figure 8 Recording by engineering wizard Philip Weinrobe, and fueled by a steady diet of Allen’s Coffee Brandy, the Fame And Fortune sessions resulted in only one hospital visit and it just might be your favorite album of 1978, 1988, or 2018. This is music that’s made for listening to while driving fast in your car, and while relaxing at the local strip club. It’s okay to have fun. Cute indie bands make everyone puke. That shit stops now. Let there be rock.

Fame and Fortune will be available on LP, CD and download on June 22nd, 2018 via RidingEasy Records. Preorders are available at ridingeasyrecs.com

MICK’S JAGUAR LIVE:
06/19 Brooklyn, NY @ Saint Vitus

Artist: Mick’s Jaguar
Album: Fame and Fortune
Label: RidingEasy Records
Release Date: June 22, 2018

01. The Real Boss
02. Pay to Play
03. Where We Go
04. Here Comes the Night
05. Blood On the Snow
06. Hellride
07. Damnation
08. Country & Punk
09. Call the Guy
10. New Orleans Blues

Mick’s Jaguar on Thee Facebooks

Mick’s Jaguar on Instagram

Mick’s Jaguar on Bandcamp

RidingEasy Records website

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The Mad Doctors Tour Starts Tonight; New Single Streaming

Posted in Whathaveyou on May 28th, 2018 by JJ Koczan

the mad doctors

You know, I was going to start out this post by wondering if Brooklyn trio The Mad Doctors knew that there was already a sequel to the 1992 movie Sister Act. It also starred Whoopi Goldberg, came out in ’93, and it was called Sister Act 2: Back in the Habit. But you know what? I bet The Mad Doctors already knew that shit. And if you think about it, doesn’t that just kind of make the joke funnier? So the title of their new single, “Sister Act II: Electric Boogaloo (What if Idris Elba was the Next James Bond),” isn’t only a goof reference on the first Sister Act, it’s even more tongue-in-cheek because it’s a fake sequel to that movie when there’s already a real one. Plus, that whole thing with Idris Elba in the parenthesis. I believe the answer is, “white people on the internet got really pissed off about something that doesn’t matter in the slightest,” which, you know, is kind of the answer to any such “what if” scenario.

Because white people love bitching about shit that doesn’t matter. Like the deficit.

Other point: the title of the new The Mad Doctors single is clever as hell and the band are headed out on a Northeastern run as of this very evening to support it. I doubt they’ll be explaining the joke to everyone as they go, like, “It’s funny because there’s already a movie,” but you know, it’s still pretty funny. And the song’s streaming at the bottom of this post and a name-your-price download, so even better.

Details

the mad doctors tour

The Mad Doctors – Sneakin Out The Web Tour

Northeast coffee fiends, booze hounds (and pitbulls), party rock boys, and folks of all things n stuff – after PIZZAFEST V we’re hitting the road for a week and spending some good quality time with our pals Fire Heads from Wisconsin!! It’s gunna be fuzzy! Check us out in the following places:

M 5/28 – Saratoga NY – Desperate Annie’s
Tu 5/29 – Portland ME – Matthew’s Pub*
W 5/30 – Salem MA – Koto*
Th 5/31 – Pawtucket RI – News Cafe*
F 6/1 – Stamford CT – Riot at Amadeus*
Sa 6/2 – Rutherford, NJ – The Jungeon
* = Fire Heads (WI)

Tour poster by Erick Freuhling (of Fire Heads)

The Mad Doctors are:
Seth Applebaum – Gtr/vox
Joshua Park – Bass
Greg Hanson – Drums

https://www.facebook.com/events/2021766151389187/
http://facebook.com/themaddoctors
https://themaddoctors.bandcamp.com/
http://kingpizzarecords.storenvy.com/
https://www.facebook.com/kingpizzarecs/

The Mad Doctors, “Sister Act II: Electric Boogaloo (What if Idris Elba was the Next James Bond)”

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End of Hope Release First Demo; Live Debut this Week

Posted in Whathaveyou on May 3rd, 2018 by JJ Koczan

end of hope

It’s a demo, so that’s what they called it. The recorded-in-Gowanus debut two-songer from Brooklyn four-piece End of Hope, titled, yes, Demo, runs a little over five minutes long and is comprised of two tracks that look to bridge the gap between the tones of Northeastern heavy with the push and attitude of classic New York hardcore. What ties the two sounds together, largely, is a sense of aggression, and both “Guilt Trip” and “Last Night” have that work for them to be sure, as vocalist Davey Gunner shouts over Ken Wohlrob‘s riffing. The second track is shorter, faster and meaner than the first, so it could well be that the band ultimately plays to both styles as they move toward making their first long-player this Fall.

The underlying point, of course, is I’m curious to find out, which means that Demo has done its job thoroughly. You can hear it streaming at the bottom of this post. The band make their live debut in Brooklyn tomorrow. Here’s info:

end of hope demo

End of Hope — featuring members of Kraut, St. Bastard, Reign of Zaius, and Eternal Black — release their first demo and announce a debut show on May 4th, 2018

End of Hope — a new band comprised of members from several well-known New York City acts including Kraut, St. Bastard, Reign of Zaius, and Eternal Black — have released their first demo via their Bandcamp page (endofhope.bandcamp.com). The demo can be streamed or downloaded for free. They will be playing their debut show at Hank’s Saloon in Brooklyn on Friday, May 4th, 2018.

The band consists of Davey Gunner of New York Hardcore legends Kraut and Bowhead on vocals, Dave Richman of the one-man sludge-and-doom project St. Bastard on drums, Davis Schlachter of Brooklyn’s ape-rock purveyors Reign of Zaius on bass, and Ken Wohlrob of Brooklyn doom heavyweights Eternal Black on guitar.

According to vocalist Davey Gunner, End of Hope is “A collaboration of four musicians with many years of experience in the New York City music scene, with marinating musical tastes that produced quick, hard, and heavy results.”

The demo consists of two new songs, “Guilt Trip” and “Last Night.” They were recorded by the band at their rehearsal space in Gowanus with Davis Schlachter handling all production duties. Both combine the band’s approach of melding Motörhead with Black Flag, punk and speed rock played at maximum volume with anthemic choruses. In addition, they already have enough songs written for a full album which they will record in the Fall of 2018.

End of Hope’s debut show will be at Hank’s Saloon in Brooklyn on Friday, May 4th. Joining them on the bill will be Elefant Killer, Eyes of The Living, and Banth. The show will start at 8 P.M.

End of Hope Demo track listing:
1. Guilt Trip
2. Last Night

End of Hope is:
Davey Gunner: Vocals
Dave Richman: Drums
Davis Schlachter: Bass
Ken Wohlrob: Guitars

https://endofhope.bandcamp.com/
https://www.facebook.com/endofhopenyc/
https://www.instagram.com/endofhopenyc/
https://twitter.com/endofhopenyc
https://soundcloud.com/endofhope

End of Hope, Demo (2018)

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Mirror Queen Premiere “Inviolate” Video; European Tour Starts Tonight

Posted in Bootleg Theater on April 13th, 2018 by JJ Koczan

mirror queen

This very evening, New York classic heavy/progressive rockers Mirror Queen head out on the European tour that will bring them to Roadburn 2018 after a string of other gigs in Germany, Belgium and the Netherlands. They go ostensibly supporting their 2017 full-length, Verdigris (review here), with frontman Kenny Sehgal joined (I believe) by guitarist Morgan McDaniel (ex-The Golden Grass), bassist James Corallo and drummer Jeremy O’Brien. However, even as they caught their flight the other day — presumably from JFK — and headed across the Atlantic, they went knowing they were about to unveil the new single “Inviolate,” which I’m thrilled to premiere in the video below by Simona Prives.

What will surely and probably shortly wind up as a 7″ single with its B-side, a cover of Scorpions‘ “This is My Song” from 1974’s Fly to the Rainbow, seems to be something of a turn from most of the material on Verdigris. Sure, that record had no shortage of lower-register moments, as on “Sorrow’s End/Dark Kiss of the Sun,” and an undercurrent of proto-metal has never been too far from Mirror Queen‘s sound — the crunch of New York concrete manifest in guitar tones, at least to some degree; it’s not like we’re talking about Unsane here or anything — but “Inviolate” takes a different approach. One can hear it in Sehgal‘s vocals as well, and while I think the heavy ’70s will likely always be where their heart lies, there’s a definitive ’90s-style alt rock spirit to it as well. Not quite grunge, not quite not grunge, the catchy four-and-a-half-minute piece nonetheless manages to avoid aping ’90s-era stoner rock, but the even the slight shift in balance when it comes to decades of influence makes it an immediate standout.

Also, is that a Swedish accent Sehgal is singing in?

Either way, the point is the song is worthy of focus as a single, and its accompaniment underlines the band’s continuing affinity for the titan of early heavy rock. Mirror Queen‘s take on “This is My Song” doesn’t stray that far from the original, but the hippie lyrics and call for universal love certainly take on a new context these 44 years later in the current climate of who-the-hell-knows-what as a general state of being.

Again, I’m pretty sure “Inviolate” will be pressed up for public consumption in good time, so keep an eye out for that, and in the meantime, you can dig into Simona Prives‘ awesome-looking video for the track below, followed by more info and dates off the PR wire.

Please enjoy:

Mirror Queen, “Inviolate” official video premiere

Mirror Queen is proud to unveil the new song ”Inviolate”! The accompanying video was created by NYC based mixed media artist Simona Prives, whose collagist abstractions match the expansive, dreamy, and gritty music; imagery and impressions plucked from the streets of New York and the landscapes of our evermore cluttered minds. The B-Side is a reverent, revved-up version of The Scorpions’ brilliant “This Is My Song”. Release details TBA.

Mirror Queen European tour:
13/4 Onsabrück, DE Westwerk
14/4 Siegen, DE Vortex
15/4 Brussels, BE Magasin 04
16/4 Nijmegen, NL Merleyn
17/4 Tilburg, NL Little Devil
19/4 Tilburg, NL Roadburn Festival @ Cul de Sac

Mirror Queen live:
May 2nd St Vitus, BK, NY w/ Rawhide and Pyrolatrous
June 22 Doomed & Stoned Fest @ Kingsland BK, NY w/ Heavy Temple, Bang, Corky Laing

Mirror Queen on Thee Facebooks

Tee Pee Records on Thee Facebooks

Tee Pee Records on Twitter

Tee Pee Records on Instagram

Tee Pee Records on Bandcamp

Tee Pee Records website

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Rattlesnake Premiere New Single “Dirt in My Eyes”

Posted in audiObelisk on March 22nd, 2018 by JJ Koczan

In a collaboration between In for the Kill Records and H42 Records, newcomer New Yorker classic-style Southern rockers Rattlesnake will issue their debut seven-inch in May. The two-tracker boasts brand new material from the four-piece-maybe-turned-trio which features the likes of Adam Kriney of The Golden Grass and La Otracina on drums/vocals, J.P. Gilbert of JP and the Gilberts on guitar/vocals as well as bassist Don Berger, and comes in three different vinyl incarnations, all of course subject to limited pressings. Because that’s how it goes. If you don’t get it, it’s gone.

rattlesnake posterRattlesnake made a not-at-all-quiet entry last year, playing their first show in May and offering the three-song cassette demo, Outlaw Boogie (review here), that served as one of 2017’s best short releases. Its aesthetic seemed locked in, its presentation was professional, and the songwriting was ace in its structure and execution. “Dirt in My Eyes,” the premiere of which you can listen to via the YouTube player below, is no different but takes a step forward in its melodic reach and its meld of boogie and harder-edged impulses. It shares a brightness of perspective with The Golden Grass, but has an edge of its own in its harmonies and uptempo pulse. And yes, if you’re wondering, it’s maddeningly catchy.

In my experience, Kriney isn’t someone who embarks on a new project lightly. It could well be that Rattlesnake was started on a whim after a night of boozing among friends, but I doubt it. The Golden Grass had a plan, a timeline, goals, and given how much effort Rattlesnake puts into “Dirt in My Eyes,” I wouldn’t be the least bit surprised if they do as well. Fair enough as far as I’m concerned. All that means is we’re likely to hear from them again soon, which I think as you dig into the interplay of bass and airy guitar in the second half of the track before the final “woo!” is delivered, you’ll agree isn’t a negative in the slightest.

You can read more about the three versions of Dirt in My Eyes / Picture Perfect and head to the preorders via the PR wire info below — the test pressing is signed and limited to 20, if that piques your interest– and of course get a preview of “Dirt in My Eyes” via the player immediately following.

Please enjoy:

Rattlesnake, “Dirt in My Eyes” official premiere

Rattlesnake “Dirt In My Eyes”
A-side of the Rattlesnake “Dirt In My Eyes”/”Picture Perfect” 7″ issued on H42 Records/In For The Kill Records May 2018.

For those who dig the heavy strut of Classic Southern Rock, when it dipped it’s country shufflin’ toes into the sweet honey of Progressive Rock & early-Heavy Metal, well you’re gonna find a real treat in this debut 7” from RATTLESNAKE. A rock-solid display, both earnest & creative, overflowing with killer vocal harmonies, powerful guitar solos, tough riffs, devastating bass runs, & tasty drum fills (featuring Adam Kriney of THE GOLDEN GRASS on vocals/drums, JP GILBERT of J.A.C.K. on vocals/guitar & Don Berger on bass/vocals).

*Available in black or yellow or green vinyl. Black vinyl comes in the brown sleeve. Yellow & Green vinyl comes in the green sleeve. Please specify vinyl colour choice in the comments section on the order form!

*Also available in a limited edition of 20 test pressings, with special signed and numbered “skull” sleeves!

*Comes with digital download card.

North American Preorder available via: http://www.goo.gl/GdCuoC

Rest of the World Preorder available via: http://www.h42records.8merch.com/services/store

Rattlesnake on Thee Facebooks

Rattlesnake on Bandcamp

H42 Records website

H42 Records on Thee Facebooks

In for the Kill Records on Thee Faceboks

In for the Kill Records webstore

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Eternal Black Release Bleed the Days on Limited Vinyl

Posted in Whathaveyou on March 7th, 2018 by JJ Koczan

eternal black (photo by Harry Booth)

It was a doomer’s delight last year when New York trio Eternal Black made their debut with Bleed the Days (review here). The band immediately brought their own stamp to what we think of as the genre’s traditions, and though you’d listen to it for sure and recognize its East Coast origins, there was something about it a little darker, a little more aggressive than a lot of the fare that comes out of Maryland. No escaping the intensity of the band’s NYC home-base, I guess.

Dudes have taken it upon themselves to put the album out on deluxe, gorgeous-looking limited vinyl — a no-compromises 2LP with a silkscreened side D that would seem to be little more than a gift for those who knew enough to pick up what they were putting down with the record. If you didn’t hear it last year, you’re by no means too late. Stream the full thing on the player below and bask in the dirge rhythms, weighted tones and general downer-metallurgy of the whole experience. You might just decide to pick up a record after doing so.

Yup, that’s me, spending your money.

Dig it:

eternal black bleed the days lp

ETERNAL BLACK’S ‘BLEED THE DAYS’ IS NOW AVAILABLE IN TWO LIMITED EDITION COLOR VARIANTS RELEASED VIA OBSIDIAN SKY RECORDS.

Eternal Black have announced their debut full-length ‘Bleed The Days’ is now available on vinyl pressing through the band’s own Obsidian Sky Records. The Brooklyn, NY doom metal trio battered the heavy music world in a bleak sea of crushing waves with their August 2017 album. Originally released on digital, CD and cassette, ‘Bleed The Days’ is now available in two limited-edition vinyl variants, with a ‘Die Hard’ colored vinyl bundle option and ‘Standard’ edition.

In August 2017, Brooklyn-based doom metal band ETERNAL BLACK unleashed their debut full-length album, ‘Bleed the Days’, on CD, Cassette (sold out), and Digital formats via their own Obsidian Sky Records label. Today the trio formally announce the February 4th release of ‘Bleed the Days’ available in two limited edition vinyl presses.

‘Bleed the Days’ is the band’s third release, following their 2015 self-titled EP, as well as a live recording from 2017, ‘Live at WFMU’.

According to the band, “Sonically, we were aiming for somewhere between Black Sabbath’s ‘Master of Reality’ and The Obsessed’s ‘Lunar Womb’. We wanted the album to be an obvious step forward in the progression of our sound; darker and heavier than anything you’ve heard from us before, with the grit of old school Doom.”

– ‘Die Hard’ Edition – Limited to 120 copies. Double vinyl set, clear with black smoke vinyl. Side D is a silk-screened razor blade graphic. Includes a custom silk-screened graphic/lyric insert and patch.
– ‘Standard’ Edition – Limited to 115 copies. Double vinyl set, black vinyl. Side D is a silk-screened razor blade graphic.

“Bleed The Days” Track List:
A1. The Lost, The Forgotten, and The Undying
A2. Snake Oil and Coffin Nails
B1. Sea of Graves
B2. Into Nothing
B3. Stained Eyes on a Setting Sun
C1. Bleed The Days
C2. All Gods Fall
D side is a silk-screened graphic

https://eternalblack.bandcamp.com/merch
https://www.amazon.com/gp/product/B07476RQL8/
https://itunes.apple.com/us/album/bleed-the-days/1263331681
https://open.spotify.com/album/4AgiDSE4pDn4nSc9CsqxZG

Eternal Black, Bleed the Days (2017)

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