The Atomic Bitchwax’s Gravitron Available for Preorder

Posted in Whathaveyou on February 19th, 2015 by H.P. Taskmaster

the atomic bitchwax

Not that I’ve heard it yet or anything, but I think The Atomic Bitchwax‘s impending sixth full-length, Gravitron, is going to surprise a lot of people who believe they know what to expect from the stalwart New Jersey trio. Set for release April 21 via Tee Pee and available now to preorder, Gravitron has the kind of tight-knit, winding riffs one has come to identify as signature Bitchwax, but the production is heavier and crisper and the whole band seems to hit harder — suffice it to say, it’s a kick in the ass. And for those who think they’ve got a pretty good idea of what the three-piece do, the album shows that book’s not really closed yet.

And hey, they named the record after my favorite ride at the fair, so that rules too. They’ll launch Gravitron with slots at Desertfest in London and Berlin. Below, the PR wire offers album details and that preorder link:

the atomic bitchwax gravitron

THE ATOMIC BITCHWAX to Release New Album Gravitron April 21

New Jersey Rock Icons and Monster Magnet Members Ready Sixth Full Length LP

New Jersey’s legendary, riff-centric power trio THE ATOMIC BITCHWAX (aka TAB) will release its long-awaited, sixth full length LP, Gravitron on April 21 via Tee Pee. Filled with gargantuan riffs and jaw-dropping psych sonics, Gravitron was recorded at Shorefire Studios (Blondie, Bruce Springsteen, Bon Jovi) in Long Branch, NJ and was mastered by Alan Douches (Motörhead, Tombs).

Gravitron is available for pre-order purchase now at this location.

Since its formation in 1993, THE ATOMIC BITCHWAX has inspired hundreds of developing rock and metal bands, but no group of musicians has come close to matching TAB’s unique style of fun, frenetic and formidable R’N’R! Now featuring TWO members of MONSTER MAGNET — bassist/vocalist Chris Kosnik and drummer Bob Pantella — alongside shred-tastic gunslinger Finn Ryan, the band has perfected its unique style of NYC hard rock that High Times appropriately tabbed, “thunder-boogie”.

On Gravitron, THE ATOMIC BITCHWAX’s Rush-like riff mazes and carpal-tunnel-inducing riffs are on full display; every note bleeds with urgency. There’s far too much exuberant energy on the record to lazily tag this as “Stoner Rock”; this is high-octane, ’70s-based hard rock infused with stabs of psychedelia and landslides of Tommy Bolin-inspired guitar heroics?! Gravitron is an A-level masterclass in bad ass Rock ‘N’ Roll? and cements the THE ATOMIC BITCHWAX as an undeniable force in today’s heavy music landscape.

Gravitron track listing:

1.) Sexicutioner
2.) No Way Man
3.) It’s Alright
4.) War Claw
5.) Coming in Hot
6.) Fuckface
7.) Proto World
8.) Down With the Swirl
9.) Roseland
10.) Ice Age “Hey Baby”

More information on THE ATOMIC BITCHWAX’s Gravitron, including new music, will be issued soon. Stay tuned to TeePeeRecords.com

https://www.facebook.com/pages/The-Atomic-Bitchwax/86002001659
http://teepeerecords.com/

The Atomic Bitchwax, “Shitkicker” Live at Voice of Art Festival 2014

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Monster Magnet European Tour Starts Tonight

Posted in Whathaveyou on January 30th, 2015 by H.P. Taskmaster

Beginning tonight, New Jersey heavy rock stalwarts Monster Magnet hit the road for a return trip to Europe in support of 2014’s Milking the Stars: A Reimagining of Last Patrol (review here), which took tracks from 2013’s Last Patrol (review here) and twisted them in different directions, whether it was mixing out the guitar, adding Hammond B-3, redoing the vocals, pretending it’s 1968, and so on. Monster Magnet‘s last tour in North America — also their first in more than a decade — was late 2013 heralding Last Patrol and wound up being canceled before it was finished owing to illness on the part of frontman Dave Wyndorf. No word on if they’ll tour again in the States, but Athens is the launch point for a month on the road and it’ll be March by the time these guys get home.

The PR wire invites you to let the circus burn:

MONSTER-MAGNET

MONSTER MAGNET – NOW ON TOUR IN EUROPE!

MONSTER MAGNET is Rock ‘n’ Roll at its best, Rock ‘n’ Roll in its strongest propagation, loud & flashy Psychedelic Rock! Right at the raging psychedelic maze: Front man Dave Wyndorf, is a dazzling figure of light and leading figure in personal union.

MONSTER MAGNET are now on tour all over Europe! Germany, Belgium, UK, Sweden, Norway, Denkmark – to name just a few stops! Catch them live on the road & check all upcoming tour dates here:

30.01.2015 GR – Athens / Stage Volume 1
31.01.2015 GR – Thessaloniki / Principal Club Theater
02.02.2015 CH – Lausanne / Les Docks
03.02.2015 DE – Frankfurt / Batschkapp
04.02.2015 DE – München / Backstage
06.02.2015 AT – Vienna / Szene
07.02.2015 CH – Lyss / Kufa
08.02.2015 DE – Oberhausen / Turbinenhalle
10.02.2015 NL – Deventer / Burgerweeshuis
12.02.2015 BE – Antwerp / Trix
13.02.2015 UK – Nottingham / Rock City
14.02.2015 UK – Glasgow / Garage
15.02.2015 UK – London / Electric Ballroom
17.02.2015 DE – Saarbrücken / Garage
18.02.2015 NL – Eindhoven / De Effenaar
20.02.2015 DK – Arhus / Voxhall
21.02.2015 SE – Gothenborg / Sticky Fingers
22.02.2015 NO – Oslo / Parktheatret Scene
23.02.2015 NO – Stavanger / Folken
25.02.2015 DE – Bremen / Schlachthof
26.02.2015 DE – Hannover / Capitol
27.02.2015 DE – Dresden / Reithalle
28.02.2015 NL – Rotterdam / VanNelle Fabriek

For More Info Visit:
www.monstermagnet.net
www.facebook.com/monstermagnet

Monster Magnet, “End of Time (B-3)” from Milking the Stars (2014)

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audiObelisk Transmission 042

Posted in Podcasts on November 26th, 2014 by H.P. Taskmaster

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

Tomorrow here in the US it is Thanksgiving, which has some questionable origins but in practice is actually one of our less-abominable holidays, with a focus on togetherness, good food, and enjoying the company of loved ones. Today, the day before, is traditionally the busiest travel day of the year while people get to wherever they’re going. Even if you don’t manage to find it until after the holiday is over, it seemed only fitting to make a new podcast so that anyone who might want to take it along for the ride would be able to do so.

My head has started to get into year-end wrap-up mode, so don’t be surprised if one or two or three of these bands show up in subsequent “Best Of” coverage. Maybe even four, looking at the list. It’s been a crazy good year, and as it starts to wind its way down and we make our way into the next one, I hope you’ve enjoyed listening to these podcasts and hopefully discovered something you wouldn’t have heard otherwise. That’s really the whole idea.

If you’re traveling by road, rail, or air, I wish you a pleasant journey, and even if you’re staying put, the same applies.

First Hour:
Stubb, “Heavy Blue Sky” from Cry of the Ocean
Murcielago, “Way too Far” from Murcielago
Dune, “Of Blade and Carapace” from Aurora Majesty
The Skull, “Send Judas Down” from For Those Which are Asleep
Elephant Tree, “Attack of the Altaica” from Theia
Renate/Cordate, “Laudanum” from Growth
Mothership, “Serpents Throne” from Mothership II
Space Guerrilla, “Event Horizon” from Boundless
Monster Magnet, “End of Time (B-3)” from Milking the Stars
Memnon Sa, “Megalith” from Citadel

Second Hour:
Soldat Hans, “Meine Liebste; Sie Zerbricht Sich” from Dress Rehearsal
Atavismo, “Meeh” from Desintegración
Øresund Space Collective, “Remnants of the Barbonaeum” from Music for Pogonologists

Total running time: 1:53:26

 

Thank you for listening.

Download audiObelisk Transmission 042

 

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Monster Magnet, Milking the Stars: Second Launch

Posted in Reviews on November 4th, 2014 by H.P. Taskmaster

monster-magnet-milking-the-stars

For Monster Magnet fans, there are two things to like about Milking the Stars: The concept and the execution. The long-running New Jersey outfit seemed to be making a turn to come full-circle on 2013’s Last Patrol (review here), bringing in a more psychedelic feel for the first time in over a decade, not quite trying to recapture their brilliance in early albums like 1991’s Spine of God, 1993’s Superjudge and 1995’s Dopes to Infinity, but definitely making a departure from the hard rock sound they’d developed since then on 1998’s landmark Powertrip, 2001’s God Says No, , 2004’s Monolithic Baby!, 2007’s 4-Way Diablo, and 2010’s Mastermind (review here), their sound becoming more straightforward and — though the 2010 outing was probably the “biggest” they’ve ever come across on tape — increasingly formulaic. Last Patrol boldly turned that progression on its head, daring to brood on songs like “Paradise” and “I Live behind the Clouds” and jamming out righteous wah-soaked space rock on “Last Patrol” and the driving “End of Time.” Particularly for those who’d been longing for such a step from the band, it was the best Monster Magnet outing in 15 years’ time and one of the highlight releases of 2013. With Milking the Stars (out on Napalm Records), the full title of which is Milking the Stars: A Reimagining of Last Patrol, frontman, founder and principal songwriter Dave Wyndorf pushes himself further into satisfying a weirdo trippy impulse, reworking cuts and including material not included on the original Last Patrol to get something new from them and create a record that, even if you didn’t hear the first one, stands on its own, its John Sumrow cover art dogwhistling its companion status to the album before it.

The reason I say the concept should be pleasing to Monster Magnet fans is because what it shows is that Wyndorf – joined at this point in Monster Magnet by guitarists Phil Caivano and Garrett Sweeney, bassist Chris Kosnik (who makes his recorded debut with the band on a couple live bonus tracks), and drummer Bob Pantella – is not only in a place feeling creative enough to take on the material of Last Patrol and give it a thorough screwing with, which is something that’s never been done before in Monster Magnet‘s 25-year history, but also that he’s making it weirder. Some of Milking the Stars‘ cuts, like “End of Time (B-3)” and “I Live behind the Clouds (Roughed up and Slightly Spaced)” don’t depart as much from their original incarnations — though neither will I downplay how much of a game-changer that Hammond is on “End of Time” — but in “No Paradise for Me” Wyndorf takes the moody original to a more open-sounding place and changes the lyrics to more directly address his disappointment with pop modernity: “I guess I’ll have to make up what I want to see.” And so he does. That’s basically what this album is, but that only makes it a more honest work. Opener “Let the Circus Burn” (also the longest cut at 7:26; immediate points) tweaks, slows down and spaces out the original “Last Patrol,” and “Mindless Ones ’68” pulls back on the heavy rocking original for a more garage-rock interpretation, bright lead guitar forward in the mix, tambourine and organ taking the place of snare stomp and a wailing solo. The title-track, “Milking the Stars” was left off Last Patrol and it’s easy enough to speculate why. At 7:26, it would’ve pushed that album to nearly an hour long, and while it has an effective linear build and might’ve bridged a gap between “End of Time” and “Last Patrol” and some of that record’s shorter, more verse/chorus-minded cuts, it makes a better focus cut than secondary player, even if its title can give the idea that the band are simply “milking” their last album for more material — a notion that no doubt occurred to them in picking the title and was taken on with tongue in cheek.

monster-magnet

And as for the execution, while I’m not prepared to say Milking the Stars is a better or worse album than Last Patrol – the two are best considered in league with each other — several of the songs are markedly improved here from their originals. “Hallelujah (Fuzz and Swamp)” even more calls Larman Clamor to mind in its blown-out revivalism, “Stay Tuned (Even Sadder)” lives righteously up to its parenthetical, and the drum track and extra guitar that appear in closer “The Duke (Full on Drums ‘n’ Wah)” give that song a personality beyond what one could’ve expected from the first incarnation. Not only are these particular cuts well conceived, but the reality of the listen proves just as satisfying as the idea, and Milking the Stars works as a whole front-to-back listen, rather than a collection of one-off reinterpretations, like a remix record or something. It’s not that. “Reimagining” sounds ambitious, but it’s as close to the fact of what’s taking place here as anything I can come up with, and works all the better perhaps in conveying the adventurous spirit behind the motivation in making the album in the first place. Last Patrol was a brazen step, but Milking the Stars makes it seem like just the beginning of a new phase in Monster Magnet‘s ongoing evolution. As someone who’s a fan of the band, and a fan of Last Patrol, it’s all the more exciting to think that Wyndorf and company might approach songwriting with such an anything-can-happen creative sensibility a quarter-century on from the group’s start. It makes the prospects for where they might go next all the more vast, considering if they can take on Last Patrol and remold it into Milking the Stars, there’s really no telling where they might go from here. All the better. What seemed like it might’ve been Monster Magnet‘s final round looks instead to have become the catalyst for a new phase in their career, and my only hope is they keep getting weirder from here on out.

Monster Magnet, “No Paradise for Me”

Monster Magnet on Thee Facebooks

Napalm Records

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Friday Full-Length: Monster Magnet, Spine of God

Posted in Bootleg Theater on September 27th, 2014 by H.P. Taskmaster

Monster Magnet, Spine of God (1991)

Nothing against SPV Records — their reissue of Spine of God and other earlier Monster Magnet albums was fair game as they were out of print and unavailable to a bunch of fans who came aboard during the band’s more commercial hard rock era — but if you want to listen to Spine of God, you really need to go for the original. Caroline Records, in a jewel case, some of the finest heavy psych rock ever crafted. Still ahead of its time. We’re still playing catchup to where Spine of God is at. We’ll get there one of these days, then we’ll all crack our skulls doing airplanes and get our heads just right and so on. Cover me with skin and hair. Fucking a.

Spine of God is more than a great Monster Magnet record — they’ve got a few by now — but an absolute landmark. In New Jersey, the state in which I was born and raised, an entire generation of bands came up in the wake of Monster Magnet‘s branching out, and that scene is still going, moving forward. So are Monster Magnet, albeit with a much different lineup than they had 23 years ago, but to go back and look at the development of Red Bank, NJ, as a center in which heavy rock flourished on the East Coast in bands like GodspeedCoreThe Atomic BitchwaxSolarized, later Halfway to GoneSolace, The Ribeye Bros., and on and on, Monster Magnet are a big branch on that bizarre family tree, and Spine of God, which was their debut — to mix metaphors — was the root for a lot of what came after. Add to all that it’s an absolute masterpiece, and yeah, I’m gonna close out the week with it.

I’ll further admit that while it was ultimately the classicitude of Spine of God which made me break it out on this late night/early morning, a close second in motivation was the band’s upcoming Milking the Stars, the November release of which was announced earlier this month. I’ve been spending a lot of time with that record, which is comprised of reworked tracks from Monster Magnet‘s 2013 opus, Last Patrol (review here), as well as the previously unreleased title-cut and some other odds and ends, and almost as much as I dig what frontman/songwriter/founder Dave Wyndorf did in remaking the songs, I think the adventurous spirit of the album and the willingness to screw with work that by most definitions would be “finished” already emphasizes a lot of what’s made Monster Magnet so great all these years, and bodes ridiculously well for their proper follow-up to Last Patrol, since basically they can go anywhere at this point. I’ll have a review up of Milking the Stars sometime in the next month or so, but it’s on my mind already.

Enjoy Spine of God. It’s one of my favorite records.

Is is really three in the morning? Ah jeez. I rolled in not at all long ago from seeing Uncle Acid and the Deadbeats and Danava in New York. Quite a night. I was going to go to Boston last night, but as I mentioned on Thee Facebooks, it was my 10th wedding anniversary — the only holiday about which I give even the remotest of fucks — and, well, 10 years isn’t nothing. Kind of a big deal. If it was seven years, or some other in-between number, I might be able to get away with that. But 10? Nah. As of Sunday, The Patient Mrs. and I will have been together for a total of 17 years, which is more than half of both of our lives. Wild to think about. How stupid lucky I am.

Next week though I’ll review the Uncle Acid gig, and I’ve also got a new track from Eternal Tapestry going up on Monday. If I’m up to it Sunday, I might put up the first recorded demo from Righteous Bloom, which is the new spinoff band from Beelzefuzz. And of course there’s the podcast. Thanks if you got to check that out. Apparently I’m up to 40 of them. Got a thing for round numbers lately, I suppose.

Obviously there’s a lot more than that to come, but I have no idea what it might be. The Patient Mrs. and I are in Connecticut for the weekend, celebrando, so at least I didn’t have to go all the way back to Massachusetts tonight. Felt good to be back in New York. Even Manhattan on a Friday night, which is nightmare of inflated ego, inflated bank accounts and terrifying hawtness. Good to go a show there, I guess. City still smells like pee. I had some point about being in Connecticut. It’s long gone. God damn this Monster Magnet record is awesome.

Have a great and safe weekend. PLEASE check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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Monster Magnet to Release Milking the Stars: A Reimagining of Last Patrol on Nov. 18

Posted in Whathaveyou on September 10th, 2014 by H.P. Taskmaster

monster magnet

There really isn’t a word for what Milking the Stars is in relation to Last Patrol. “Reimagining,” which is what they went with in the title, comes about as close as anything I can think of, but really what Monster Magnet are doing here goes beyond simple reinterpretation. It’s not like they’re just playing fast songs slow or heavy songs acoustic or vice versa, they’re tripping way the fuck out and giving a glimpse at just how liberated these cats are after making their “return” to heavy psychedelia. So the version of “The Duke (of Supernature)” on Last Patrol (review here) was kind of sweet and subdued? Well here’s Bob Pantella‘s snare drum to punch you in the face. “Mindless Ones” was a hard rock rager? Well here it is as echoed-out psych pop. Oh, let’s absolutely drench “End of Time” in Hammond! It’s like listening to Dave Wyndorf‘s studio impulsiveness come to life.

The pivotal New Jersey five-piece will release Milking the Stars: A Reimagining of Last Patrol on Nov. 18 through Napalm Records, complete with a new cover (you’ll notice the cosmic Bullgod is facing the opposite direction as on Last Patrol as he destroys whichever planet that was, probably ours) by John Sumrow. The title-track is also brand new, put to tape during the Last Patrol sessions, and other parts have been re-recorded as needed. Also worth noting that the two live bonus tracks are the recorded debut of bassist Chris Kosnik (The Atomic Bitchwax) in the band.

PR wire facts, comment from Wyndorf and audio of “No Paradise for Me” — a reworking of Last Patrol‘s “Paradise” — follow:

MONSTER MAGNET to Release Milking the Stars: A Reimagining of Last Patrol – Artwork, Track Listing and First Song Revealed

Available November 18th on Napalm Records

2013 saw the release of MONSTER MAGNET’s latest album Last Patrol. Now comes Milking the Stars a reimagining of Last Patrol. Met with critical acclaim and supported by a world tour, Last Patrol has become a staple in the MONSTER MAGNET discography.

Today the artwork, track listing and first song from Milking the Stars have been released. Wyndorf’s pick for the first song he wanted fans to be exposed to is “No Paradise For Me”. The song according to Wyndorf is ‘interesting, fucked up and old school sounding’. Listen to “No Paradise For Me” HERE.

Wyndorf on Milking the Stars:

“Milking the Stars is a “re-imagined” version of Last Patrol featuring four new songs and live tracks.

“This was a happy experiment for me. It’s not a re-mix record by the current definition. It’s more like Last Patrol in a “what if?” style alternate reality.

“What if these songs were recorded in 1968?” “What would happen if I turned a pretty song into an angry one?” How would adding creepy organs and Mellotrons affect the emotional vibe of a song?” These are just a few of the questions that roll around in my head when I write and record any album but this time I decided to actually answer them with fully fleshed out, recorded and mixed examples.

“The process actually created new songs. That’s the icing on the cake for me. New sounds, new vocals, different instruments and arrangements make for a weird 1960’s vibe totally apart from Last Patrol which was fun for Phil, Bob, Garrett, mixer Joe Barresi and myself to explore.

“Finally there’s expanded versions of the songs “Last Patrol” and “Three Kingfishers” as recorded live at the AB club in Belgium, 2014. Both those songs were re-arranged for “maximum rock and psych” before we hit the road last year and feature the debut performance of new MAGNET bassist, Chris Kosnik. Personally, I think they beat the original versions.

Rock on!”

Milking the Stars Track Listing:
1. Let the Circus Burn
2. Mindless Ones ‘68
3. No Paradise For Me
4. End of Time (B-3)
5. Milking the Stars
6. Hellelujah (Fuzz And Swamp)
7. I Live Behind The Clouds (Roughed Up And Slightly Spaced)
8. Goliath Returns
9. Stay Tuned (Even Sadder)
10. The Duke (Full On Drums ‘N Wah)
11. Last Patrol (Live)
12. Three Kingfishers (Live)

For More Info Visit:
http://www.zodiaclung.com
https://www.facebook.com/monstermagnet
http://www.napalmrecords.com

Monster Magnet, “No Paradise for Me”

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Friday Full-Length: Halfway to Gone, High Five

Posted in Bootleg Theater on August 15th, 2014 by H.P. Taskmaster

Halfway to Gone, High Five (2001)

Put Halfway to Gone against any Southern heavy band you want to — including the late, great Alabama Thunderpussy, with whom they once shared a split — and see if they don’t stand up. Of course, they weren’t actually from the South, unless you consider Central New Jersey the South, which some people I know in North Jersey most definitely do. Born in 1999 as an offshoot of Solarized, Halfway to Gone came out of the same Red Bank scene that gave planet earth gifts like The Atomic Bitchwax, Solace, Core and the mothers of them all, Monster Magnet. They released three records on Small Stone in their time — 2001’s High Five was the debut (after the aforementioned ATP split), followed by 2002’s Second Season and a 2004 self-titled — and toured hard at the time, but have played only intermittently over the last eight or nine years. Guitarist Lee “Stu” Gollin and his brother, drummer Danny Gollin, continued on for a while in A Thousand Knives of Fire, whose 2007 outing, Last Train to Scornsville, was recorded in part by Halfway bassist/vocalist Lou Gorra, but that petered out when their bassist moved away. Gorra in the meantime founded his studio and set about recording other bands, including mine, Halfway to Gone getting together every now and again to play Long Branch’s The Brighton Bar, perpetually killing the place.

If I’m not mistaken, they did a show there last year. Last I saw them was 2012, and they were still a force on stage. There was talk at the time of a long-awaited fourth album, though to-date nothing has come of it. Gorra was playing bass with Sourvein this year for their European tour — it was a beyond-pleasant surprise to run into him at Roadburn — but knowing this band and knowing these dudes, I’d never quite count them out. Still, it’s good to go back to the beginning and revisit High Five, which from where I sit is a Jersey classic. Dig that slide guitar on “Story of My Life,” or the reworked Gettysburg Address in “Kind Words for the Southern Gentleman” — the band taking the “you’re not Southern!” contingent head on — and the hook in “Devil Spit (The Van Zant Shuffle)” or the slow roll of “Limb from Limb.” Gorra does whiskey-soaked vocals without the chestbeating Down-ery that seems to have unfortunately become the hallmark of the style over the last decade, and Stu and Danny tear it up, a thick-toned power trio ahead of their time as much as they were behind it. They’d tighten up further structurally on the second record and branch out stylistically on the third, but as far as starting points go, there’s not much for which I’d trade High Five.

Hope you enjoy.

In Connecticut for the weekend. Was here last weekend as well. Actually, the only reason I drove back to Massachusetts on Tuesday was to see High on Fire at The Sinclair – my first show in Boston in, uh… I don’t even know, since Fu Manchu maybe? — and I didn’t get in. It was a free show! No ticket for me. Ugh. I was so beat by the time I’d stood on line for half an hour, right at the front, and listened to the stupid-assed conversations of those around me after driving two-plus hours to get back up there that when I couldn’t get in, I didn’t even have the energy to make a case for myself. I walked back to my car through college-bound Cambridge and went the fuck home to bury my head. What a bummer.

Next weekend is Sleep at the House of Blues with Earthless and Heavy Blanket jamming out to open. Got my fingers crossed for that. The day before, I’ll be in Pennsylvania for All Them Witches and King Buffalo, so a bit of travel there as well. Whatever. I won’t regret it.

This weekend though, some rest and some research. I’ve got a few things in the works that I’m hoping fall into place over the next couple weeks — all very hush hush, or I’d give you the details outright — so it’s important to keep my head straight. Getting there is pretty much my intent for the next couple days.

Reviews coming up for Witch Mountain and maybe the Fatso Jetson/Herba Mate split, but after doing Powered Wig Machine today and Demon Eye yesterday, I’m starting to feel pretty good about tackling the pile, so I might keep up with that as well. I’ll play it by ear and do as much as I have the energy to do. You know how it goes by now. I pretty much post until I feel like I’m ready to fall over and then I stop for a few hours and then post again.

Clacky clacky clacky. Always with the keyboard.

For now though, I’m gonna go watch some Star Trek with The Patient Mrs. and call it a night.

Please have a great and safe weekend and please check out the forum and radio stream, because they are awesome.

The Obelisk Forum

The Obelisk Radio

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The Atomic Bitchwax Start European Tour this Week

Posted in Whathaveyou on July 28th, 2014 by H.P. Taskmaster

A lot has happened in the three years since NJ’s The Atomic Bitchwax made their triumphantly riffed return to Tee Pee Records with The Local Fuzz (review here), what with bassist/vocalist Chris Kosnik joining drummer Bob Pantella in Monster Magnet, sundry tours in Europe and so on, but they’re still (shit-)kicking, and this Thursday, they’ll start yet another European run in Berlin. The modus this time around seems to be fest appearances, and right on since the Bitchwax kill no matter what the setting might be. If you’re over there, look for them at Void Fest, Lake on Fire, Yellowstock and the others listed below.

No word on a new release from my beloved Garden State’s most powerful power trio, but the tour is presented by Sound of Liberation and if there’s a chance of a new song or two in the set, all the more reason to show up.

Dig:

The Atomic Bitchwax’s summer tour : Kick-off on Thursday!! 23 dates in Austria, Belgium, Denmark, France, Germany, Luxembourg, Netherlands, Poland, Portugal & England! Do not miss them!

Check-out the dates right here :

31.07 (Ger) BERLIN – Jaegerklause
01.08 (Ger) BAD KOETZTING – Void Fest
02.08 (Ger) GOESSNITZ – Open Air Goessnitz
03.08 (Pol) WARSAW – Fonobar
04.08 (Pol) WROCLAW – Alive
05.08 (Ger) COTTBUS – La Casa
06.08 (Ger) KARLSRUHE – Alte Hackerei
07.08 (At) MILLSTATT – Bergwerk Sauzipf Warm Up
08.08 (At) WALDHAUSEN – Lake On Fire Festival
09.08 (Bel) GEEL – Yellowstock Festival
10.08 (Uk) LONDON – Borderline
11.08 (Fr) PARIS – Glazart
12.08 (Lux) LUXEMBOURG – Rorcas
13.08 (Ch) MARTIGNY – Palp Festival
14.08 (Ch) OLTEN – Coq d’Or
15.08 (Ger) HOHENSTEIN – Voice of Art Festival
16.08 (Por) MOLEDO – Sonic Blast Festival
18.08 (Ger) COLOGNE – Underground
19.08 (Nl) NIJMEGEN – Merleyn
20.08 (Ger) HAMBURG – Hafenklang
21.08 (Dk) COPENHAGEN – Loppen
22.08 (Ger) KIEL – Schaubude
23.08 (Ger) MANNHEIM – Psi Rock Festival

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The Atomic Bitchwax, Live at Roadburn 2011

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