Friday Full-Length: Monster Magnet, Dopes to Infinity

Posted in Bootleg Theater on August 26th, 2016 by H.P. Taskmaster

Monster Magnet, Dopes to Infinity (1995)

Have you looked to your orb lately? Of all the warning systems ever designed by humanity, orb-based is probably the most crucially overlooked. Nonetheless, Dopes to Infinity, Monster Magnet‘s third album, is 21 years old. In its and the band’s home state of New Jersey, it could drink legally, though something about cuts like “Dopes to Infinity,” “Negasonic Teenage Warhead,” “Third Alternative,” “Blow ’em Off” and “King of Mars” makes me suspect the record wouldn’t have waited until now to imbibe. Even more than two decades later, Dopes to Infinity is still way more the snotty 14-year-old kid in a way-too-big leather jacket in the woods with a bottle of his dad’s Whatever teasing anyone in the vicinity who sips and is surprised at the taste. I was fortunate enough to see the band perform this album live — though the songs weren’t in the same order, as I recall — in Brooklyn in 2012 with Naam and Quest for Fire on the bill, either of whom could easily be considered an acolyte on some level, and nearly five years after that, the resonant impression remains that this was the moment where the band’s early freakout impulses really began to meet with a more straightforward hard rock style that the band would develop to wider commercial success. Don’t get me wrong, their 1991 Spine of God debut should be considered among the finest East Coast psychedelic records ever tracked — we’re talking Velvet Underground-style pedestal-putting, in a perfect world — but even as “All Friends and Kingdom Come” tripped out, it also kept a sense of hook, and in the years to come, it was that impulse which more fully took hold.

What’s fortunate about that is that Monster Magnet — then Dave Wyndorf on vocals, guitar, bass, percussion, theremin, production, etc., Ed Mundell on guitar and bass, Joe Calandra on guitar and bass, and Jon Kleiman on drums and bass — had the songwriting chops to make landmark choruses seem like tossoffs, like something thrown together over the course of an afternoon. And maybe they were, I don’t know. The point is that although Monster Magnet would eventually become a much different band and be a much different band for a long time on 1998’s Powertrip, 2001’s God Says No and 2004’s Monolithic Baby!, Dopes to Infinity catches a crucial transitional moment in action coming off Spine of God and its 1993 follow-up, Superjudge, also essential. Of course, after 2010’s Mastermind (review here), the band — Wyndorf as the last original member still present — made a stylistic pivot back toward a more psychedelic vibe with 2013’s Last Patrol (review here) and would continue to develop their rediscovered weirdo impulses over the course of two revisionist works, 2014’s Milking the Stars (review here) and 2015’s Cobras and Fire (review here), revisiting Last Patrol and Mastermind, respectively. But even as they made that sonic shift, Dopes to Infinity could easily be said to be the model being followed more even than the two records before it, precisely because of that memorable songcraft one hears coming to the fore on “I Control, I Fly” and the brilliant lyrical proclamations of “King of Mars.”

Monster Magnet toured Europe this Spring “celebrating the A&M years” — A&M Records having released their work between 1993-2001 — and that’s fair enough, but as relevant as Dopes to Infinity still is, Monster Magnet keep moving forward even when looking back on older material. I don’t know what they’ll do at this point other than to say it’s a safe bet they won’t be touring the US anytime soon, but one hopes their progression will continue going into their next record. And I hope they keep getting weirder. We’ll see when we get there.

As always, I hope you enjoy.

Total comedown this week from the first-ever The Obelisk All-Dayer (wrap here) at Saint Vitus Bar in Brooklyn last Saturday. A return to real life that found me working at about 30 percent consciousness until, well, I’ll be generous and say Wednesday. Plenty of good music to help me keep my head up, but yeah. The week dragged and was a drag.

One more time, thank you if you came out to the Vitus Bar for making the day so special. The day had its ups and downs, but in the end it was exactly the vibe I was hoping to capture. I hope I remember it for as long as I can remember anything.

As I write this it’s early Friday morning and the sun is just rising. I can still hear nighttime crickets. It’s nearly 6AM now; I’ve been up since about four. I’ve been going to bed early at night and getting up early to write reviews and posts like this on weekdays, and it’s helped me keep sane during the work week and try to balance job things and Obelisk things in a way that might otherwise prevent my head from exploding. Doesn’t do much for my ability to get to shows generally — I’m 34 years old and can’t wait for that midlife crisis to kick in so I can start going out again to non-fest gigs — but I’m doing what I can to write as much as possible. That’s what matters to me.

The Patient Mrs. is going south to Connecticut this weekend. I am not. Aside from the fact that it’s August and that’s not exactly my idea of beach weather — I recognize this does not apply to the rest of humanity — I think a quiet Saturday in the air conditioning will go a long way toward continued recovery from last weekend and this week. Plus there’s laundry to do. It just seemed like the way to go. So yeah, I’ll be around. I’m sure by Saturday night/Sunday morning I’ll be so bored out of my head I won’t know what to do with myself. That’s the hope, anyway.

Next week, look out for a full stream and review of the Swans-related record from Quin Galavis that’s noisy and folky and bizarre in a lot of the right ways, as well as a review/video premiere (a rare one-two combo) of the new Monkey3 album, a review of the new and apparently final The Wounded Kings full-length, and a whole lot more. I’m also hoping to nail down my travel plans to Norway next month for Høstsabbat, and will keep you posted on how that goes.

In the meantime, thank you for reading. Please have a great and safe weekend and please check out the forum and the radio stream.

The Obelisk Forum

The Obelisk Radio

Tags: , , , , ,

The Atomic Bitchwax, Lo-Pan & The Dirty Streets Announce Coast-to-Coast Tour

Posted in Whathaveyou on July 21st, 2016 by H.P. Taskmaster

A couple months ago, while out on a run with The Obsessed and Karma to BurnTone Deaf is killing it with the package tours this year — bassist/vocalist Chris Kosnik of The Atomic Bitchwax sustained an injury to his arm that forced the band to cancel about half the dates. Sierra filled in, but still kind of a bummer for the stalwart NJ trio, whose 2015 Tee Pee Records album, Gravitron (review here), was among the year’s finest.

No doubt they’d get back out, and this time they’ll be headlining a coast-to-coast stint with Ohio’s Lo-Pan and Memphis blues rockers The Dirty Streets. For Lo-Pan, it will mark the four-piece’s first tour with new guitarist Chris Thompson, who was just announced as having joined the band earlier this week. They’re on the tour from Aug. 19 through Aug. 27 only, it looks like, so presumably the next night will serve as their stop at Psycho Las Vegas. The Dirty Streets, on the other hand, have an off-night as the Bitchwax and Lo-Pan roll into Tucson on Aug. 27, so I guess that’s when they’ll be playing the Vegas megafestival.

In any case, glad to see The Atomic Bitchwax heading off again and continuing to keep excellent company. Dates were posted by the band:

the atomic bitchwax lo pan dirty streets tour-700

Arm is healed up so let’s try this again!!

W/ LO PAN (8/19-9/27) and THE DIRTY STREETS (8/19-9/10 excluding 8/27)
08/19/2016 Charlotte NC The Milestone w/ Lo-Pan, The Dirty Streets
08/20/2016 Hattiesburg MS The Tavern w/ Lo-Pan, The Dirty Streets
08/21/2016 New Orleans LA Siberia w/ Lo-Pan, The Dirty Streets
08/22/2016 San Antonio TX Limelight w/ Lo-Pan, The Dirty Streets
08/23/2016 Houston TX White Oak Music Hall w/ Lo-Pan, The Dirty Streets
08/24/2016 Austin TX Grizzly Hall w/ Lo-Pan, The Dirty Streets
08/25/2016 Ft Worth TX Rail Club w/ Lo-Pan, The Dirty Streets
08/26/2016 Albuquerque NM Ned’s Bar w/ Lo-Pan, The Dirty Streets
08/27/2016 Tucson AZ Flycatcher w/ Lo-Pan
08/28/2016 San Diego CA Soda Bar w/ The Dirty Streets
08/29/2016 Los Angeles CA Viper Room w/ The Dirty Streets
08/30/2016 San Francisco CA Elbo Room w/ The Dirty Streets
08/31/2016 Portland OR Dante’s w/ The Dirty Streets
09/01/2016 Vancouver BC Biltmore w/ The Dirty Streets
09/02/2016 Seattle WA El Corazon w/ The Dirty Streets
09/03/2016 Bellingham WA Shakedown w/ The Dirty Streets
09/06/2016 Minneapolis MN Grumpy’s w/ The Dirty Streets
09/07/2016 Chicago IL Double Door w/ The Dirty Streets
09/08/2016 Cleveland OH Grog Shop w/ The Dirty Streets
09/09/2016 Philadelphia PA Kung Fu Necktie w/ The Dirty Streets
09/10/2016 Brooklyn NY Black Bear w/ The Dirty Streets

The Atomic Bitchwax, Live in Toulouse, France

Tags: , , , , , , , , , , ,

Heavy Flow Release I & II EP Compilation

Posted in Whathaveyou on July 6th, 2016 by H.P. Taskmaster

heavy flow

New Jersey duo Heavy Flow mix garage rawness with warm-toned fuzzy psychedelia, and yeah, they have a song that sounds kind of like Misfits. That one is “Hangin’ Round,” from their newly-issued 2016 second EP, Heavy Flow 2, which along with its self-titled 2014 predecessor, has just been compiled onto a new tape release by King Pizza Records. The band played a release show this past weekend and also took part in the label’s recent Pizzafest, which is pretty much how you win at naming festivals. All tracks are available for streaming and take about 10 seconds to dig into, so if you’re unwilling to make that effort, I’ve got nothing for you, but otherwise, have at it and enjoy.

The release info came down the PR wire for lazy summer perusal:

heavy flow i ii

Heavy Flow I & II: It’ll Give You Goosebumps

Our favorite nasty two-piece from the dirty shores of the dirty Jerz have just released their first tape and we’re excited. It’s a combo of their first and second EP’s and they both rip.

Heavy Flow is James Matheson whose growling vocals and heavy blues licks are paired with Matt Weisser’s pounding drumming and howling backing vocals. II is the newest release from the duo and it’s the latter half of the tape (tracks 7-12) available through King Pizza. Fat, reverb-drenched guitars pierce the cave-like production with Matheson’s gravelly shouts and Weisser’s thumping beats hanging low overhead, warning of impending doom. Lick the salt and come with me to a forbidden land where we can gallop and headbang in peace and harmony with Mother Heavy and Father Riffs.

Additional info below:

1. Rubber/Glue
2. My Own Name
3. Down and Out
4. Cold as Stone
5. Trouble Find Me
6. Daydream
7. Shelter
8. Holy Roller
9. Hangin’ Round
10. Let Me Down EZ
11. Close
12. Won’t Be Me

Heavy Flow, II (2016)

Tags: , , , , ,

Friday Full-Length: Ruby the Hatchet, Valley of the Snake

Posted in Bootleg Theater on July 1st, 2016 by H.P. Taskmaster

Ruby the Hatchet, Valley of the Snake (2015)

Two Fridays ago, we closed out the week with Internal Void‘s 1993 debut, Standing on the Sun, in honor of the band’s appearance at Maryland Doom Fest 2016. Now that the fest is over, it seems only fair to follow that up with something more current representing another side entirely of the offerings last weekend in MD. Philly/New Jersey’s Ruby the Hatchet are one of the groups I was most looking forward to seeing throughout the weekend for the simple reason that I’d never seen them before and their early 2015 Tee Pee label debut and second album overall, Valley of the Snake (review here), was positively entrancing, taking Uncle Acid-style garage doom to more psychedelic places with a classic sensibility in its swing and organ-inclusive melodies.

The songs were also catchy as hell, and that never hurts.

Comprised of six tracks for a 40-minute run, Ruby the Hatchet‘s second LP broke cleanly into its two sides and asked little more of the listener than to nod along to cuts like the strong opening duo of “Heavy Blanket” and “Vast Acid,” the latter of which seemed to wink directly at Uncle Acid‘s ultra-influential “I’ll Cut You Down,” but still come out of it with a personality of its own, and both of which were highlights of their performance at the fest. Frontwoman Jillian Taylor was responsible for a lot of that, and her vocal command is a major appeal throughout the record, but guitarist John Scarperia, bassist Mike Parise (since replaced by Lake Muir), drummer Owen Stewart and organist Sean Hur each have their say as well, and as they shift into the drawl of side A closer “Tomorrow Never Comes,” it’s Ruby the Hatchet as a whole working cohesively to elicit the doomed feel.

That song plays a bit of back and forth with tempo late, but its primary impression is slower than the two cuts before it. When they start side B with “The Unholy Behemoth,” the feeling is very much like they’ve gone back to the start, but “The Unholy Behemoth” and “Demons,” which follows, are both more the band’s own. Unafraid to break out an upbeat winding intro riff, “Demons” boasts plenty of swing and is still definitely cult rock in its atmosphere, but there’s a sense of Ruby the Hatchet putting their stamp on the sound more than playing to style. The hooks are no less prevalent, fortunately, and as they move into the sunshiny heavy psychedelia of the closing title-track, introducing it with some underlying noise, acoustic guitar and organ, they are completely in their own space. Some heft emerges later on as toms and electric guitar kick in, but Valley of the Snake‘s closer remains golden-hued all the same, capturing a sentimental vibe to finish that’s as resonant emotionally as it is sonically individual.

Post-MDDFRuby the Hatchet spent this week on tour with Black Mountain, and will wrap with the dates below:

Ruby the Hatchet live:
7/1 – Ithica, NY @ The Haunt*
7/2 – Boston, MA @ The Sinclair*
*supporting Black Mountain
**supporting The Obsessed

As this is posted, I’m making my way back down to Maryland. The Patient Mrs.‘ car, which broke down on the final day of Maryland Doom Fest — literally right as I pulled into the parking space outside Cafe 611 as Mangog were getting ready to start — is still at a garage in Frederick. The alternator has been fixed, which is super, but Frederick is about seven hours in the car from where I live on the best of days, let alone the Friday before the July 4 holiday. Traffic sucked pretty bad last week. I don’t expect this trip will be any better.

My first (four-day) week of work at my new job is under my belt. It was good, I think. Actually managed to do something semi-productive yesterday — like an actual task that will be a part of my job going forward — without completely screwing it up, so that was a nice feeling. Other than that, it’s been a lot of meetings, a lot of meeting people, a lot of information overload, pretty typical stuff. I was good and beat by Wednesday night, yesterday dragged some, but today was a half-day, as are all Fridays, so getting out at 1 is pretty much what’s making it possible to get to Maryland, and I’m thankful for that. Can’t keep a rental car forever.

It’s a crowded office, and I share a cubicle, but the people seem nice and nobody’s told me to fuck myself yet. I wore sandals today and yesterday, and a t-shirt with an open short-sleeve button-down, so you know, could be worse. I figure I’ll lose the button-down altogether sooner or later. Don’t think it will be an issue. Too many people here for anyone to care.

Before I check out and take over driving from The Patient Mrs., I’d like to extend a special thanks to Sean “Skillit” McEleny for absolutely killing it on the poster for The Obelisk All-Dayer (tickets here) Aug. 20 at Saint Vitus Bar. If you didn’t see it, click below to enlarge:

the obelisk all-dayer poster skillit

It turned out better than I could’ve hoped and his monumental effort is massively appreciated. Superlatives all around. Dude is amazing.

Been a stressful week, gonna be a stressful next day or two down to MD and back to CT, then MA, but whatever. I hope you have a great and safe weekend. Might put one or two posts up Monday relevant to Europe if anything comes through, or might just let it ride until Tuesday. Maybe a podcast! It’s been forever. Gonna play it by ear.

Please check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

Tags: , , , ,

Green Dragon Posts Artwork Video for “Time for Now”

Posted in Bootleg Theater on May 23rd, 2016 by H.P. Taskmaster

green dragon time for now

Northern New Jersey-based trio Green Dragon released their latest single, Time for Now, on Record Store Day 2016 via Gloom Records/Gern Blandsten Records. It’s their first offering since their initial demo, titled Demo (review here), was issued in the waning hours of 2013. Not an impossibly long time, but still, it’s been a minute. Pressed to white or green vinyl , the Time for Now 7″ brings two new tracks, “Time for Now” and “Mercury is Heavy,” with the returning lineup of guitarist/vocalist Zack Kurland (Sweet Diesel), bassist Jennifer Klein (The Plungers) and drummer Nate Wilson (Devoid of Faith) proffering low-frills fuzz and pretense-free heavy grooves.

The recording, unsurprisingly, is an upgrade in professionalism from the demo, with Kurland following upbeat but still thick riffs that maybe betray some of the band’s roots in hardcore and punk, but still have those rounded Sabbathian edges tonally and in their execution. One of the things I’ve dug most about Green Dragon (formerly The Green Dragon) in the nearly four years since I first posted their video for “Downflame” is that they’re completely what-you-see-is-what-you-get. It’s friends getting together every now and again and rocking out. No agenda, no “we’re gonna take over the world” BS. Just a group of players writing songs for their own enjoyment and that of whoever else happens to encounter them. When you get that, and it’s genuine, there are few things as appealing.

I’ve called them a garage band in the past. I guess “Time for Now,” the lyrics to which bring a kind of carpe diem message, holds up on that to a certain extent, but the relative smoothing out of the sound on the 7″ gives it a different feel. You can make your own assessment, I know, but the vibe I got was slowdown Black Flag filtered through pre-grunge-era alt-rock. You can check out the artwork for the 7″ in the video below and order it at the link that follows that.

Hope you enjoy:

Green Dragon, “Time for Now” artwork video

Time for Now – A Side of Green Dragon s/t 7″ limited green vinyl Record Store Day edition and White vinyl on Gern Blandsten/Gloom Records. Featuring ex-members of Devoid Of Faith, Sweet Diesel, The Plungers, Monster X, Das Oath, Your Adversary.

Green Dragon on Bandcamp

Green Dragon website

Gern Blandsten Records

Tags: , , , , , ,

Dinosaur Eyelids Post “Vernal Equinox” Video

Posted in Bootleg Theater on April 26th, 2016 by H.P. Taskmaster

dinosaur eyelids

New Jersey-based heavy rockers Dinosaur Eyelids are currently in their seventh year and working on their fifth album. Their last offering, Bypass to Nowhere — even as I know the exact bypass they’re talking about I can’t help but wonder why it always comes back to highways with New Jersey — was released in 2014 and among its featured tracks is the spacey, jammy “Vernal Equinox.” And it just so happens that Dinosaur Eyelids have a new video for that song put together with satellite/ISS views from space, performance footage that I’m pretty sure comes from the Court Tavern in New Brunswick, some cool sunspots and so on.

Point is I doubt it’s anything you’d see paired with the track itself and think it’s out of place. While I think I’ll always hear an underlying edge of aggression in anything from my formerly beloved Garden State, Dinosaur Eyelids are at very least toning it way down here, I guess leaving the crunchier vibes for album cuts like “Halo Judgment” and “Talkin’ to Me” while the bulk of the record basks in a post-grunge alternamelodic looseness, and if it’s disaffection, well, at least it’s disaffection in the summertime humidity. These guys have always been right on the line between what I think fits around here and what doesn’t, and I won’t speak for their currently-in-progress next record, but at least this song works.

Find the “Vernal Equinox” video below, and enjoy:

Dinosaur Eyelids, “Vernal Equinox” official video

Official music video from the album “Bypass to Nowhere”

We’d like to take a moment to clear up some of the rumors currently circulating in the media. Yes, we are in the studio working on our fifth album. Yes, it is better than anything we’ve ever done. Yes, we are working with music legend Ed Wilson as our producer. Yes, Mark has impregnated all of the Kardashians.

We hope this clears things up.

Thanks to everyone who came out to our ALS Benefit Show at John in Peter’s (New Hope, PA) in December! We raised almost $1,000 for a very good cause. Thank you also to everyone who came to our big return to the Court Tavern (New Brunswick, NJ) on March 4th. It was our 20th show in the basement and definitely one of the best.

Dinosaur Eyelids on Thee Facebooks

Dinosaur Eyelids on Bandcamp

Dinosaur Eyelids website

Tags: , , , , ,

The Obsessed, Karma to Burn and The Atomic Bitchwax to Tour North America

Posted in Whathaveyou on April 5th, 2016 by H.P. Taskmaster

That is a gosh darn significant lineup. The ObsessedThe Atomic Bitchwax and Karma to Burn? I mean, really. Who’s gonna complain about that show? Unless you happen to live in/near a city not being hit by the tour, I can’t really see anything to bitch about when it comes to pairing those acts up. Each offers something different from the others, but is completely excellent at what they do, whether that’s The Obsessed‘s trailblazing Maryland doom, The Atomic Bitchwax‘s frenetic winding riffage or Karma to Burn‘s instrumental crunch. Seems reasonable to expect these will be some killer evenings.

Word came out from The Obsessed a bit ago, but Karma to Burn — still in the midst of a current European tour — newly announced the run as follows via the PR wire:

the obsessed karma to burn the atomic bitchwax tour

KARMA TO BURN Announce North American Tour With The Obsessed and The Atomic Bitchwax

In support of their new release Karma To Burn will hit the road this spring with The Obsessed and The Atomic Bitchwax. The tour starts May 13th in Washington, DC and runs through June 11th in Atlanta, GA. A complete list of dates can be found below.

The band commented on the upcoming tour:

“What better way to follow a full European tour than following The Obsessed and Atomic Bitchwax around America? How about a month off in Sardinia, followed by a year living in the Netherlands. As much as we would like that, we should do the tour, it’s only our second full US tour in 5 years, so we’re a bit overdue in our own country. The stacked lineup and extensive schedule should make up for our absence. THE OBSESSED…Wino…the demi-god of DOOM…we couldn’t pick a better US band to support. But honestly we’re most excited about the burritos and burgers. See you on the road.”

There’s no indication that things are about to slow down for this band – what with their spring 2016 tour coming up, which has already been confirmed. So no signs of fatigue in the Karma To Burn camp. “More than 20 years ago, people told me that a purely instrumental band could never work in the long run,” William Mecum recalls. “But Karma To Burn are like a boxer with a big heart, amazing stamina and a talent for getting back on his feet again and again.” Which is just as well, seeing that in this case there’s a mountain to be conquered.

KARMA TO BURN W/ The Obsessed and The Atomic Bitchwax,
5/13: Washington DC @ Black Cat
5/14: Pittsburgh PA @ Altar Bar
5/15: Harrisonburg PA @ Golden Pony
5/16: Brooklyn NY @ Saint Vitus Bar
5/18: Richmond VA @ Strange Matter
5/19: Philadelphia PA @ Kung Fu Necktie
5/20: Huntington WV @ V Club
5/21: Indianapolis IN @ 5th Quarter Lounge
5/22: Chicago IL @ Beat Kitchen
5/23: Minneapolis MN @ 7th Street Entry
5/24: Rock Island IL @ Rock Island Brewing Co.
5/25: St. Louis MO @ Fubar
5/26: Kansas City MO @ Riot Room
5/28: Denver CO @ 3 Kings
5/30: Seattle WA @ El Corazon
5/31: Portland OR @ Dante’s
6/2: San Francisco CA @ Slim’s
6/3: Los Angeles CA @ Complex
6/4: San Diego CA @ Brick By Brick
6/5: Phoenix AZ @ Club Red
6/7: Austin TX @ Dirty Dog
6/8: Ft. Worth TX @ Tomcats West
6/9: Houston TX @ Walter’s
6/10: New Orleans LA @ Siberia
6/11: Atlanta GA @ Drunken Unicorn

Karma to Burn, “62” official video

Tags: , , , , ,

The Atomic Bitchwax Post Video for “Ice Age”

Posted in Bootleg Theater on February 29th, 2016 by H.P. Taskmaster

the atomic bitchwax

True, The Atomic Bitchwax‘s sixth album, 2015’s Gravitron (review here), hit really hard. A lot of it was all-out, full-on, other-hyphenated-phrases-that-mean-really-fast winding riffage, the New Jersey trio of bassist/vocalist Chris Kosnik, guitarist/vocalist Finn Ryan and drummer Bob Pantella leaving most bands in their dust while also writing catchy, memorable songs. Think that’s easy? Try it.

But the Bitchwax do as the Bitchwax does, and while so much of Gravitron raged ahead with frenetic impact, closer “Ice Age” took a more laid back approach. They never lack for groove either way, but the album’s finishing track recalled some of the band’s more pop-informed fare, like “Wreck You” from 2008’s TAB4 in the unmitigated centrality of its hook, but still fitting with Gravitron‘s vibe overall. They’ve got a new video for “Ice Age” that reminds of how easy it was to get the song stuck in your head.

Actually, on the back of the CD, the song is listed as “Ice Age ‘Hey Baby'” with the “Hey Baby” in double quotes, and the promo I got had it as “Ice Age Hey Baby,” but the video calls it “Ice Age,” and since it’s the band putting it together, I won’t ague. By any other name, it’s still catchy as hell. Both the phrase “ice age” and the phrase “hey baby” get repeated enough either way that you’ll be able to pick up immediately which song it is if you heard the record, and if you didn’t, shit, you’re in for a treat.

Have at it:

The Atomic Bitchwax, “Ice Age” official video

New Jersey’s legendary, riff-centric power trio THE ATOMIC BITCHWAX returns with gargantuan riffs and jaw-dropping psych sonics on its sixth full length LP “GRAVITRON”.

Now featuring TWO members of MONSTER MAGNET – bassist/vocalist Chris Kosnik and drummer Bob Pantella – alongside shred-tastic gunslinger Finn Ryan, the band has perfected its unique style of NYC hard rock that High Times appropriately tabbed, “thunder-boogie.” On Gravitron, THE ATOMIC BITCHWAX’s Rush-like riff mazes and carpal-tunnel-inducing riffs are on full display; every note bleeds with urgency. There’s far too much exuberant energy on the record to lazily tag this as “Stoner Rock”; this is high-octane, ’70s-based hard rock infused with stabs of psychedelia and landslides of Tommy Bolin-inspired guitar heroics ! Gravitron is an A-level masterclass in bad ass Rock’N’ Roll and cements the THE ATOMIC BITCHWAX as an undeniable force in today’s heavy music landscape.

The Atomic Bitchwax on Thee Facebooks

Tee Pee Records

Tags: , , , , ,