Posted in Whathaveyou on August 10th, 2016 by H.P. Taskmaster
Having been fortunate enough to witness two of Neurosis‘ 30th anniversary sets in-person at Roadburn 2016 earlier this year, I’ll say from personal experience that attendance should be considered mandatory for even the mildest fan of the band. They not only tackle the scope of their entire career — a seemingly impossible feat to blend the raw punk of their earliest work with the groundbreaking experimentalism that followed — they do so with all the on-stage force one could ask of Neurosis, who are among the most dynamic live bands in the world, regardless of genre. Somehow I doubt adding material from their forthcoming 11th studio LP, Fires Within Fires, is going to hurt.
Unless you don’t bring earplugs, that is.
The PR wire brings details of the two 30th anniversary shows that Neurosis will play in the UK this November. They’re also in Europe starting tomorrow. Words:
NEUROSIS Reveals Two Special UK Shows To Mark Their Thirty-Year Anniversary And Celebrate The Release Of Fires Within Fires
With NEUROSIS having marked their thirty-year milestone with three shows in San Francisco, two shows at the respected Roadburn Festival, and a Summer of touring across Europe on the horizon, the anticipation for something special in the UK is palpable. It therefore comes with great pleasure to announce two London shows in November this year with thrilling, and unexpected, special guests.
On Monday, November 7th, NEUROSIS shall be joined by Earth, and on Tuesday, November 8th, they will be joined by Discharge and Subhumans. These bands represent perfectly the cross-section of music which NEUROSIS as a collective deeply admire and relate to, which makes these two shows all the more important in this milestone year. Tickets go on sale today.
Prior to the UK shows, on September 23rd, NEUROSIS takes a dominant leap with their eleventh full-length, Fires Within Fires. Three decades in the making, and following 2012’s Honor Found In Decay, the album is a testament both to the history and future of Neurosis. In true Ouroborean style, Fires Within Fires gives due to its predecessors while progressing forward into the unfamiliar and formidable. Striking the band’s signature balance between light and dark, beauty and repulsion, dense sonic heaviness and reflective space. Fires Within Fires is succinct, raw and deeply soulful, an all-encompassing reminder that transfiguration in sound remains their most commanding and inimitable strength. Our first and only glimpse of the music on this record, prior to release date, is sampled in a new video which showcases the exquisite album artwork from the renowned Thomas Hooper.
The journey of their music has found the band relishing the unpredictable, embracing the unknown and exploring the possibility of where the music was capable of taking them. Going beyond the remarkable, NEUROSIS has become unforgettable. Fires Within Fires is the next powerful step towards a destination that has long been and continues to be the very heart of “becoming” for NEUROSIS.
Neurot Recordings will release Fires Within Fires on September 23rd worldwide. Preorders are now being taken via the Neurot webstore RIGHT HERE.
NEUROSIS Tour Dates: 8/10/2016 Brutal Assault Festival – Jaromer, CZ 8/11/2016 Festa Radio Onda D’Urto – Brescia, IT 8/12/2016 Rock Altitude Festival – Le Locle, CH w/ Tesa 8/13/2016 Oya Festival – Oslo, NO 8/14/2016 Arena – Vienna, AT w/ Ufomammut, Tesa 8/15/2016 UT Connewitz – Leipzig, DE w/ Tesa 8/16/2016 Gruenspan – Hamburg, DE w/ Tesa 8/17/2016 Patronaat – Haarlem, NL w/ Tesa 8/18/2016 Pukkelpop Festival – Hasselt, BE 8/19/2016 Substage – Karlsruhe, DE w/ Tesa 8/20/2016 Motocultor Festival – St. Nolff, FR 8/21/2016 Amplifest – Porto, PT w/ Tesa 11/07/2016 Koko – London, UK w/ Earth 11/08/2016 Koko – London, UK w/ Discharge, Subhumans
STEVE VON TILL Tour Dates: 8/10/2016 007 – Prague, CZ 8/22/2016 Passos Manuel – Porto, PT @ Amplifest
Posted in Whathaveyou on July 5th, 2016 by H.P. Taskmaster
Neurosis release their 11th album, Fires Within Fires, on Sept. 23 via Neurot Recordings. Today, the cover art and tracklisting for the album has been revealed, showing the titles for six included tracks that one can only imagine must at least in part be pretty long, but the cover brings to mind older Neurosis records as well — thinking of The Word as Law and maybe Times of Grace — and they’ve been paying homage to their 30th anniversary all year, so it’s entirely possible that will have played into the songwriting as well, though if one can ever expect anything from Neurosis, it’s forward movement.
Hands down my most anticipated album for the rest of this year.
From the PR wire:
NEUROSIS: MORE ALBUM DETAILS EMERGE AND ARTWORK IS REVEALED FOR THEIR ELEVENTH OPUS, FIRES WITHIN FIRES
Of all that humankind has inherited through our ancestry, no single language has transcended every age as powerfully as music. For thirty years, Neurosis have formed an unbreakable union, channelling that inheritance of sound with great command and authority. Showing their discontent with convention from the very beginning, Neurosis revealed what would become an instinct for transformation in sound and scope. Their sound has become interchangeable with vision of the conscious and unconscious, coexisting in an infinite audial spectrum. A vision that challenged not only the constraints of what listeners, and indeed the band themselves expected, but of themselves as beings. Going beyond the remarkable, Neurosis have become unforgettable.
The journey of their music has found the band relishing the unpredictable, embracing the unknown and exploring the possibility of where the music was capable of taking them. This year finds Neurosis taking a dominant leap with their eleventh full-length, Fires Within Fires. Three decades in the making, and following 2012’s Honor Found In Decay, the album is a testament both to the history and future of Neurosis. In true Ouroborean style, Fires Within Fires gives due to its predecessors while progressing forward into the unfamiliar and formidable. Striking the band’s signature balance between light and dark, beauty and repulsion, dense sonic heaviness and reflective space. Fires Within Fires is succinct, raw and deeply soulful, an all-encompassing reminder to all that transfiguration in sound remains their most commanding and inimitable strength.
Created by Scott Kelly, Steve Von Till, Jason Roeder, Noah Landis, and Dave Edwardson. The album features exquisite album artwork from the renowned Thomas Hooper and the stellar recording work of the group’s longstanding engineer Steve Albini. We are proud to reveal the artwork and track listing for the album below…
TRACK LIST 1. Bending Light 2. A Shadow Memory 3. Fire is the End Lesson 4. Broken Ground 5. Reach
Fires Within Fires is the next powerful step towards a destination that has long been and continues to be the very heart of “becoming” for Neurosis.
Neurot Recordings shall release the album on 23rd September worldwide, more information on pre-orders very soon. In the meantime, here’s where you can experience Neurosis live in the near future, including some newly added Steve Von Till shows…
NEUROSIS LIVE DATES: 10.08.2016 – CZ, Jaromer, Brutal Assault Festival (with Tesa) 11.08.2016 – IT, Brescia, Festa Radio Onda D’Urto (with Tesa) 12.08.2016 – CH, Le Locle, Rock Altitude Festival (with Tesa) 13.08.2016 – NO, Oslo, Oya Festival 14.08.2016 – AT, Vienna, Arena (with Tesa & Ufomammut) 15.08.2016 – GER, Leipzig, UT Connewitz (with Tesa) 16.08.2016 – GER, Hamburg, Gruenspan (with Tesa) 17.08.2016 – NL, Haarlem, Patronaat (with Tesa) 18.08.2016 – BE, Hasselt– Pukkelpop Festival 19.08.2016 – GER, Karlsruhe, Substage (with Tesa) 20.08.2016 – FR, St. Nolff – Motocultor Festival 21.08.2016 – PT, Porto – Amplifest (with Tesa)
STEVE VON TILL SOLO DATES: 10.08.2016 – CZ, Prague – 007 22.08.2016 – PT, Porto – Amplifest, Passos Manuel
Posted in Whathaveyou on June 23rd, 2016 by H.P. Taskmaster
I wonder if the shipping on exports costs more when they’re this heavy. This fall, venerable concern Life is Noise will present the thunderdoom pairing of Italian cosmic doom progenitors Ufomammut and Swedish riff-crushers Monolord, which if the point hasn’t gotten across yet is a formidable pairing indeed, both acts preceded by their reputation for being heavy as hell.
For Monolord, this six-show run will follow an extensive US tour with Beastmaker and Sweat Lodge that will be their first time in North America as headliners, while Ufomammut have reportedly been working on new material presumably with an eye toward a 2017 release. That’s the hope, anyway. They’ve also been playing fests and other select dates in Europe.
Life is Noise sent the following down the PR wire:
LIFE IS NOISE PRESENTS: UFOMAMMUT (ITA) & MONOLORD (SWE) AUSTRALIA & NEW ZEALAND TOUR
LIFE IS NOISE is proud to announce the first visit to our shores of Italian space doom virtuosos Ufomammut, along with masters of the riff, Swedish three-piece Monolord.
These two behemoths will be laying waste to cities across Australia and New Zealand this October in a truly huge doom double-header.
Playing an ear-destroying brand of sludge-filled doom that lurches from brooding slow menace to soul-crushing riff with a decent slab of psych thrown in for good measure, Ufomammut have released a stack of studio albums of unimpeachable heaviness, culminating in last year’s Ecate – truly a masterpiece of nuanced doom that perfectly encapsulates the band’s career to date.
Drawing on influences such as Sleep, Sabbath, Windhand, and Conan, Swedish trio Monolord take reverence to the riff to new extremes, with their second record, 2015’s Vænir, mixing glacial tempos with hypnotic and otherworldly vocals that coalesce into an album of both beauty and malevolence.
Catch Ufomammut and Monolord on the following dates:
Wellington – San Fran – October 3 Auckland – Kings Arms – October 4 Brisbane – Crowbar – October 6 Sydney – Bald Faced Stag – October 7 Melbourne – Max Watt’s – October 8 Perth – Rosemount Hotel – October 9
Posted in Reviews on June 22nd, 2016 by H.P. Taskmaster
Who’s ready for another round of 10 reviews in The Obelisk’s Quarterly Review? I know I am. We gotta hit 50 by Friday, and there’s still a lot — a lot — of ground to cover. Yesterday was all over the place style-wise and today has some of that going as well, but there’s a lot of quality in both, so hopefully you get to check some of it out. Today is the all important QR Hump Day, wherein we pass the halfway mark on our way to the total 50 reviews. If you’re wondering, it’s Lord Vicar who do the honors this time around at #25. Just kind of worked out that way, but I’ll take it. Down to business.
Quarterly Review #21-30:
Mirrors for Psychic Warfare, Mirrors for Psychic Warfare
Probably fair to call Mirrors for Psychic Warfare an offshoot of Corrections House, since its two members – Scott Kelly (also Neurosis) and Sanford Parker (producer extraordinaire/also Buried at Sea) – are also in that group, but the feel of their Neurot Recordings self-titled debut is substantially different, rawer and at times harsher. Parker handles beats and electronics, creating at times a wash of abrasive noise as in the culmination of “CNN WTZ,” the centerpiece of the five tracks, and elsewhere providing an industrial backdrop for Kelly’s voice for a gothic feel, as on “A Thorn to See.” Unsurprisingly, nothing about Mirrors for Psychic Warfare makes for particularly easy listening – though opener “Oracles Hex” has some commonality with Kelly’s solo work and his voice is resonant as ever – but as they round out the album with “43,” the keys, synth and guitar find some common ground, which leaves distorted shouts from Kelly to do the work of taking listeners to task. We already knew these two worked well together, and the partnership once again bears fruit here.
The four-song Death Thy Lover EP (on Napalm) is the first new studio offering of original material from Swedish doom legends Candlemass since their 2012 album, Psalms for the Dead (review here), marked the end of the tenure of vocalist Robert Lowe, also of Solitude Aeturnus. His replacement is the person who nearly had the job in the first place, Mats Levén (formerly Therion), who has a kind of stateliness to his presence in opener “Death Thy Lover” but suits the plod of “Sleeping Giant” well. Of course, at the center of the band is bassist/songwriter Leif Edling, whose style is unmistakable in these tracks, whether it’s the late-Iommi-style riffing of “Sinister ‘n’ Sweet” or “Death Thy Lover”’s chugging its way toward the hook. Candlemass save the most grueling for last with “The Goose,” as guitarists Mats “Mappe” Björkman and Lars “Lasse” Johansson intertwine a chugging rhythm and extended soloing over dirge-march drums from Jan Lindh to give the short release a darkened instrumental finale.
Talk about scope. Oh, only a country’s entire cultural history is fair game for Skuggsjá, the brainchild of Norwegian artists Ivar Bjørnson (also Enslaved) and Einar Selvik (also Wardruna) that crosses the line between black metal and Norse traditionalism probably better than anyone has ever done it before. A Piece for Mind and Mirror is the studio incarnation of the work the two composers and a host of others did as commissioned for the 200th anniversary of the Norwegian constitution, and though it’s broken into 10 movements for the album, it flows together as one orchestral entirety, the gurgle of Grutle Kjellson (Enslaved) recognizable in the eponymous track amid choral backing and a richly textured blend of traditional folk instruments and metallic thrust. The lyrics are Norwegian, but whether it’s the blowing horn of “Makta Og Vanæra (I All Tid)” or the lush melodies in the march of “Bøn Om Ending – Bøn Om Byrjing,” the sense of pride and the creative accomplishment of A Piece for Mind and Mirror ring through loud and clear.
Two years after making their self-titled debut, Baltimore heavy bluesfuzz trio Black Lung come swaggering back with the spacious vibes of See the Enemy (on Noisolution), which takes the establishing steps the first album laid out and builds on them fluidly and with a clear direction in mind. At eight tracks/45 minutes produced by J. Robbins, the album was clearly structured for vinyl, each half ending with a longer cut, the psych-jamming “Nerve” on side A, which resounds in an ending of scorching guitar from Adam Bufano atop the drums of Elias Schutzman (both of The Flying Eyes), and the closer “8MM,” on which Bufano, Schutzman, guitarist/vocalist Dave Cavalier and Robbins (who also contributes bass) roll out the record’s most massive groove and cap it with an impenetrable wall of noise. While the songs are striking in their cohesion and poise, there are moments where one wants Black Lung to really let loose, as after Trevor Shipley’s keyboard stretch in “Priestess,” but they have other ideas, feeding the title-track directly into “8MM” with no less a firm sense of control than shown earlier. All told, an excellent follow-up that deserves broader consideration among 2016’s finer offerings.
Offered through The Church Within Records as a paean to classic doom, Lord Vicar’s third LP, Gates of Flesh, nonetheless almost can’t help but put its own mark on the style. The Turku, Finland, outfit’s first album in five years, it finds guitarist Kimi Kärki (ex-Reverend Bizarre, Orne, E-Musikgruppe Lux Ohr, etc.), vocalist Chritus (also Goatess, ex-Saint Vitus, Count Raven, etc.), and drummer Gareth Millsted (ex-Centurions Ghost) — who, along with Kärki, also contributed bass after the band parted ways with Jussi Myllykoski and prior to adding Sami Hynninen as a temporary replacement — bold enough to shift into minimalist spaciousness on “A Shadow of Myself,” and really, they’re not through opener “Birth of Wine” before Kärki executes a gorgeous dual-layered solo. Trace those roots back to Trouble if you must, but there’s no question to whom the lurch of centerpiece “Breaking the Circle” or the sorrowful 10-minute closer “Leper, Leper” belongs, and the same holds true for everything that follows, be it the quiet start of “A Woman out of Snow” or the swinging second half of “Accidents.” Lord Vicar enact the doom of ages and take complete ownership of the sound, thus only adding to the canon as they go.
Like the stench of rotting, Dakessian’s The Poisoned Chalice provokes a visceral and physical response. The long-in-the-making debut release from the Portland-based duo of vocalist Kenny Snarzyk (also Fister) and multi-instrumentalist Aaron D.C. Edge (Lumbar, Roareth, so many others) had its music recorded back in 2013, and the vocals were added earlier this year, throat-searing screams and growls that top the noisy, claustrophobically weighted tones from Edge’s guitar. The onslaught is unrelenting, both longer songs like “Demons” and “Ten Double Zero” and shorter cuts “Nothing Forever” and the sample-laced opener “Choose Hate” brim with aggressive misanthropy, the will against. Even the penultimate “Baerial,” which offers a glimmer of melody, continues to crush, and starting with a slow drum progression, closer “Cosmic Dissolution” barely tops two and a half minutes, but it brings thorough reassurance of the project’s destructive force before its final drone rounds out. One never knows with Edge if a given band will ever have a follow-up, but as ever, the quality is consistent. In this case, brutally so.
Actually, if you want to get technical about it, Gypsy Chief Goliath are citizens of Ontario, but you’d never know it from listening to their third album, Citizens of Nowhere, which if you had to pin a geographic locale on it might be more of a fit for New Orleans than Canada. The Pitch Black Records release sees the triple-guitar-plus-harmonica six-piece outfit dug deep in Southern metal grooves, marked out by the burl-bringing vocals of frontman/guitarist Al “The Yeti” Bones, formerly of Mister Bones, Serpents of Secrecy and The Mighty Nimbus and the chug-and-churn of cuts like “Black Samurai” and the shuffle of “We Died for This.” The title-track winds its central riff with thickened-up ‘70s boogie, while “Elephant in the Room” and “The Return” space out a bit more, and the closing Black Sabbath cover “Killing Yourself to Live” (a CD bonus track) plays it loyal structurally while dude’ing up the original like it was on hormone therapy.
Hard-touring Richmond genre-benders Inter Arma are due for a landmark release. Their 2014 single-song EP, The Cavern, was wildly well received and earned every bit of praise it got. Their follow-up to that is Paradise Gallows, their third album and second for Relapse behind 2013’s Sky Burial (track stream here). Is Paradise Gallows that landmark? Hell if I know. Recorded, mixed and mastered by Mikey Allred, who also guests on trombone, bass violin, organ and noise, Inter Arma’s third brings an expansive 70 minutes of bleak progressivism, conceptually and sonically broad enough to be considered brilliant and still weighted enough that the prevailing vibe is extremity in their blend of sludge, doom, black metal, post-metal, atmospherics, and a moody acoustic closer. The only real danger is that it might take listeners time to digest – because it’s a lot to take in, all those twists and turns in “Violent Constellations,” particularly after the plod of the title-track – but I wouldn’t be the least bit surprised to find Inter Arma inhabiting any number of year-end lists for 2016. Once again, they earn it.
Virginian bruisers Helgamite manage to cover a deceptive amount of sonic ground on their second LP, Hypnagogia (on CD through Lost Apparitions with vinyl soon on Flesh Vessel), spending plenty of time in dense-toned sludge metal but using that as a foundation for a wider range of explorations, winding up in blastbeats by the time 13-minute side B finale “The Secret” comes around, but by then having torn through the aggro-thrash of “Origins,” lumbered through the mosher “Æstrosion” and topped off “Shaman’s Veil” with math-metal guitar fits melded to a saxophone arrangement. Growls from vocalist William Breeden and Jonah Butler’s drums tie it all together as guitarist Casey Firkin (also sax) and bassist Matthew Beahm pull off intermittently jazzy runs, but impressively, Helgamite never sound in danger of losing sight of the songs they’re serving, and Hypnogogia is stronger for its unwillingness to waste a second of its runtime, even in the aforementioned “The Secret” or its 10-minute side A counterpart, “Snowdrifter.”
Get it? Children of the Chron? I’ll admit it took me a second. While I was thinking about it, Allston, Massachusetts, duo Mollusk doled out sludge-punk-metal beatings via raw tones and shouts and a general sense of checked-out attitude, “Glacier” reminding of earliest, least-poppy Floor, but cuts like “Demon Queen” and “When You’re Gone” finding guitarist Hank Rose using a purposefully monotone vocal approach that works well over slower parts. Rose is joined in Mollusk by drummer Adam O’Day, and though I’ve already noted that the 11-track album is raw, their sound wants nothing for impact in the low end or any other end for that matter. Rather, the harsher aspects become part of the aesthetic throughout Children of the Chron and the band successfully navigates its own mire without getting lost in either its own “Torture Chamber” or “Zombie Apocalypse,” which like opener “Ride the #9,” is almost certainly a song about life in the Boston area.
Posted in Whathaveyou on June 22nd, 2016 by H.P. Taskmaster
I don’t recall hearing too many complaints when Oregon visionaries YOB and San Francisco demolition specialists Black Cobra hit the road together last fall in the US, and I don’t imagine they’ll come up against much resistance when they bring the show to Europe this September and October. YOB are still out supporting 2015’s album of the year, Clearing the Path to Ascend (review here), while Black Cobra head out under the banner of earlier-2016’s Imperium Simulacra (review here), for which they’ve already toured in the States alongside Bongzilla, Lo-Pan and Kings Destroy and which offers a broader take on their trademark tumult.
The tour will hit an impressive number of festivals, from Incubate to Smoke the Fuzz to Asymmetry to Up in Smoke to Desertfest Belgium, each one basically providing an anchor with club shows in between. Looks like it’ll be a great time.
YOB announced the tour thusly:
EU FALL TOUR ANNOUNCEMENT: All current festival and show dates for our European tour this fall with black cobra are below.
Check back for more dates and ticket info, as we’ll be updating again soon!
11/09/2016 – Tilburg NL – Incubate Festival – September 2016 12/09/2016 – Dortmund DE – FZW 13/09/2016 – Aarhus DK – Radar 14/09/2016 – Gothenburg SE – Sticky Fingers // Göteborg 15/09/2016 – Oslo NO – BLÅ 16/09/2016 – Copenhagen DK – Pumpehuset 17/09/2016 – Athens GR – Smoke The Fuzz gigs Fest 19/09/2016 – Wiesbaden DE – Schlachthof Wiesbaden 20/09/2016 – Munich DE – Feierwerk 21/09/2016 – Berlin DE – Musik & Frieden 22/09/2016 – Wroclaw PL – Asymmetry Festival 23/09/2016 – Leipzig DE – UT Connewitz 24/09/2016 – Nurnberg DE – Z-Bau 25/09/2016 – Vienna AT – Chelsea 26/09/2016 – Ljubljana SL – Club Gromka 28/09/2016 – Zagreb HR – VintageIndustrial Bar 29/09/2016 – Linz AT – Stadtwerkstatt 30/09/2016 – Milan IT – Lo Fi Milano 01/10/2016 – Pratteln CH – UP in SMOKE indoor festival in Z7 02/10/2016 – Orleans FR – L’Astrolabe – Orléans 04/10/2016 – Belfort FR – La Poudrière – Belfort 05/10/2016 – Paris FR – GLAZART 06/10/2016 – Tourcoing FR – Le Grand Mix 07/10/2016 – Bristol UK – The Fleece Bristol 08/10/2016 – Glasgow UK – The Garage 09/10/2016 – Birmingham UK – The Rainbow Venues 10/10/2016 – Manchester UK – The Ruby Lounge 11/10/2016 – Dublin IRE – Whelan’s 13/10/2016 – London UK – Scala 14/10/2016 – Antwerp BE – DESERTFEST ANTWERP 2016 15/10/2016 – Hannover DE – CAFE GLOCKSEE
Posted in Whathaveyou on June 21st, 2016 by H.P. Taskmaster
Neurosis have set a Sept. 23 release date for their new album, Fires Within Fires, via their own Neurot Recordings. It’s fitting that, four years after issuing their last outing, Honor Found in Decay (review here), the occasion should also come at a time when the band are continuing to mark their 30th anniversary, as they did earlier this year with special sets in San Francisco and at Roadburn 2016 (reviews here and here). Fires Within Fires was once again recorded with the band’s longtime producer, Steve Albini at Electrical Audio Studio in Chicago.
Not much more info at this point beyond the title and release date — no art, tracks, audio, or other teasers at this point — but this is my most anticipated album for the remainder of 2016. The fall season is still taking shape, but everyone who knows Neurosis knows that each record is a landmark.
So says the PR wire:
NEUROSIS Reveals Initial Information About Their Eleventh Album; Additional European Live Dates Revealed
As the key events of their thirty-year milestone unfold, NEUROSIS officially announces the name and release date of eleventh full length, Fires Within Fires.
The new album will be released worldwide on September 23rd via their own Neurot Recordings. The announcement of more specific details of Fires Within Fires is imminent, but in the meantime NEUROSIS announces a dozen new live performances across Europe in August, where they will be joined on select dates by Latvia’s fascinating experimental trio, Tesa.
NEUROSIS is in fine form following recent and rapturously received shows in San Francisco and Roadburn, celebrating their thirty-year anniversary. Stand by for further info on Fires Within Fires to be released in the weeks ahead.
NEUROSIS Live Dates: 8/10/2016 Brutal Assault Festival – Jaromer, CZ 8/11/2016 Festa Radio Onda D’Urto – Brescia, IT 8/12/2016 Rock Altitude Festival – Le Locle, CH w/ Tesa 8/13/2016 Oya Festival – Oslo, NO 8/14/2016 Arena – Vienna, AT w/ Ufomammut, Tesa 8/15/2016 UT Connewitz – Leipzig, DE w/ Tesa 8/16/2016 Gruenspan – Hamburg, DE w/ Tesa 8/17/2016 Patronaat – Haarlem, NL w/ Tesa 8/18/2016 Pukkelpop Festival – Hasselt, BE 8/19/2016 Substage – Karlsruhe, DE w/ Tesa 8/20/2016 Motocultor Festival – St. Nolff, FR 8/21/2016 Amplifest – Porto, PT w/ Tesa
Posted in Whathaveyou on April 22nd, 2016 by H.P. Taskmaster
The news that Ides of Gemini has a new rhythm section is doubly interesting since it means vocalist Sera Timms (also Zun, Black Mare, ex-Black Math Horseman) will no longer be playing bass, as she did on their 2014 sophomore outing, Old World New Wave (review here) and its 2012 predecessor, Constantinople, both of which were released by Neurot. Timms and fellow founder J. Bennett (guitar) have hooked up with bassist Adam Murray and drummer Scott Batiste for the new lineup, the latter splitting his time with Saviours, with whom Ides of Gemini will be playing this month as they get the new band settled in.
They’re at Stumpfest this weekend in Portland and Psycho Las Vegas in August, as the PR wire affirms:
IDES OF GEMINI Announces New Lineup + Band To Kick Off Short Run Of Live Dates This Weekend
Following a short slumber, IDES OF GEMINI are back and ready to bring their otherworldly odes to the stage once again on a weekend run of live performances this weekend. The short trek includes an appearance at Stump Fest in Portland, Oregon and will showcase not only some brand new psalms but also an updated lineup featuring drummer Scott Batiste of Saviours and bassist Adam Murray of Deth Crux alongside veteran IDES man, guitarist J. Bennett, and vocalist Sera Timms.
“These gentlemen are top-notch players and wicked handsome to boot,” issues Bennett of the new cast. “We’ll be breaking in the new lineup with a handful of West Coast shows with Saviours this month, during which we’ll be debuting some new songs.”
Additionally, the band will make an appearance at Psycho Vegas this August in Las Vegas, Nevada with more live rituals to be announced in the not so distant future. Stand by.
IDES OF GEMINI: 4/22/2016 The Chapel – San Francisco, CA 4/23/2016 Stump Fest – Portland, OR 4/24/2016 Starlite Lounge – Sacramento, CA 8/26-28/2016 Psycho Vegas – Las Vegas, NV
IDES OF GEMINI released their critically-hailed, Chris Rakestraw (Danzig)-produced Old World New Wave full-length in 2014 via Neurot Recordings as well as a special, limited Carthage/Strange Fruit seven-inch via Magic Bullet last year.
Posted in Whathaveyou on January 27th, 2016 by H.P. Taskmaster
Following up on their West Coast tour and cross-country stint with Neurosis last year, Seattle three-piece Brothers of the Sonic Cloth will head to the UK and Europe for two weeks in April. They go in support of their self-titled Neurot Recordings debut (review here), which was my pick for the best first-album of 2015, and in addition to a choice gig with Pombagira to start off at The Black Heart in Camden Town, London, they’ll wrap with a slot at Roadburn 2016 in the Netherlands, once again alongside Neurosis, who’ll be celebrating their 30th anniversary at the fest.
The PR wire counts down its own doomsday clock:
BROTHERS OF THE SONIC CLOTH Announces European Tour
The bellowing trio of BROTHERS OF THE SONIC CLOTH (Tad Doyle, Peggy Doyle and Dave French) will embark on their first European tour this coming Spring, in support of their astoundingly heavy, self-titled debut full-length, which saw release last year through Neurot Recordings. This tour will commence in London and rumble its way through France, Spain, Italy, Austria and Germany, before wrapping up with a set at this year’s edition of Roadburn, the spiritual home of all things low-end and high-powered.
BROTHERS OF THE SONIC CLOTH European Tour 2016: 4/02/2016 Black Heart – London, UK w/ Pombagira 4/04/2016 Glazart – Paris, FR 4/05/2016 La Scene Michelet – Nantes, FR 4/06/2016 Rocksound – Barcelona, ES 4/07/2016 Black Sheep – Montpellier, FR 4/08/2016 Freakout Club – Bologna, IT 4/09/2016 Lofi Club – Milan, IT 4/10/2016 TBA 4/11/2016 Chelsea – Vienna, AT 4/12/2016 Backstage – Munich, DE 4/13/2016 Comet – Berlin, DE 4/14/2016 MTC – Cologne, DE 4/16/2016 Roadburn Festival – Tilburg, NL
BROTHERS OF THE SONIC CLOTH is the sound of earthly decomposition and planetary demise; a slow, entrancing dance towards a looming apocalypse… thick, monolithic, deliberate and devouring. Fronted by Seattle’s legendary guitarist/vocalist Tad Doyle – formerly of TAD and Hog Molly — BROTHERS OF THE SONIC CLOTH is a trio of longtime rock soldiers that includes veteran bassist Peggy Doyle and drummer Dave French (The Anunnaki). Their full-length 2015 debut maintains a long-held tradition of conjuring some of the heaviest music from the darkest depths of the Pacific Northwest.