Posted in Radio on August 15th, 2014 by H.P. Taskmaster
It’s a pretty wide stylistic swath with this week’s adds to The Obelisk Radio, but I don’t think that’s a bad thing. If you check out the playlists for the last couple days, you’ll see a considerable variety of track picked out — also a lot of Clutch – and that only bolsters the appeal of the stream as far as I’m concerned. Straight-up riffs all the time is cool, I guess, but sometimes a left turn out of nowhere can make your whole day seem richer. Maybe that’s what I’m going for with this week’s picks. Either way, it’s a lot of quality, so your tuning in is appreciated.
The Obelisk Radio Adds for Aug. 15, 2014:
Ides of Gemini, Old World/New Wave
The Sera Timms-fronted three-piece return with Old World/New Wave, their second album on Neurot Recordings with a suitable foll0w-up collection of otherworldly melodies and ethereal instrumental explorations, setting a balance between doomly undulation and minimalist ambience. Also handling bass, Timms (ex-Black Math Horseman) is of course in command of her form vocally, and guitarist J. Bennett and drummer/backing vocalist Kelly Johnston play more than a complementary role, the trio functioning even tighter than on their 2012 debut, Constantinople, hitting on psychedelic mastery with “White Hart” and rolling out a classic riffly chug on the later “Fememorde.” Mood and ambience are never far from being the central focus, but Ides of Gemini let loose a bit on “The Chalice and the Blade,” with Bennett‘s guitar taking forward position in the mix with an echoing lead tone that seems to be in direct conversation with Timms‘ vocals. It’s a dialog worth hearing, and one that makes Old World/New Wavea markedly rich, immersive listening experience, the spaces the three-piece create in their songs seeming inevitably destined for headphone-on isolation, and in that context, flourishing. Ides of Gemini on Thee Facebooks, Neurot Recordings.
Michael Rudolph Cummings, “Long Haul”
A single following the earlier-2014 solo release, Get Low, from Pennsylvania-based Backwoods Payback guitarist/vocalist Michael Rudolph Cummings, the new song “Long Haul” finds Cummings partnered with his Backwoods bandmate Jessica Baker (bass), as well as guitarists Dan Metzker and Pat Shannon and drummer/vocalist Mike Bardzik under the adopted moniker mRc and the Souvenirs. The feel of the track is accordingly full-band, casting off most of the punk influence and heavy tonality that distinguishes Backwoods Payback‘s riff-led take in favor of warmer, classic rock vibing. Cummings‘ voice is suited to the change, and especially following Get Low, “Long Haul” feels like an exploration in progress — new ground being felt out — and I’d argue it’s successful in its push toward creating something distinct from Cummings‘ other solo work and the Backwoods itself. He’s reportedly got an EP coming with The Souvenirs, and as a first taste of what that might sound like, “Long Haul” holds promise of good things to come. Michael Rudolph Cummings on Bandcamp, Backwoods Payback on Twitter.
Kikagaku Moyo, Mammatus Clouds
Improvisational five-piece Kikagaku Moyo are obviously comfortable working in longer forms. The Tokyo outfit’s second offering, Mammatus Clouds, was initially released as limited tape through Sky Lantern Records and has been picked up by Cardinal Fuzz for a deluxe 2LP. No real question why — its three tracks, “Pond” (27:50), “Never Know” (16:50) and “There is No Other Place” (3:19), enact a lush wash of hypnotic, sitar-laced psychedelia. “Pond” is especially satisfying in its exploration, drones and melodies playing out over a consistent rhythmic bed, driving further and further out into ambient breaks and louder payoffs until dropping out to spacious waves of noise, but I won’t discount the appeal of realizing that Kikagaku Moyo are playing off The Beatles‘ “Tomorrow Never Knows” in their own “Never Know” either, taking a recognizable sitar line and burying it deep within their own impulses, truly making an individualized work of it. Likewise, the closer “There is No Other Place” comes as a surprise, an effects-drenched psych rocker quick in its pulse and building to MammatusClouds‘ noisy conclusion. The sound here is richer than the average heavy jam, and the effectiveness of the ambience is not to be understated. I haven’t heard the vinyl or the tape, but I have a hard time imagining a format on which this music isn’t absolutely beautiful. Kikagaku Moyo on Thee Facebooks, Cardinal Fuzz webstore, Sky Lantern Records on Bandcamp.
Witch Charmer, The Great Depression
Multi-vocalist UK bruiser doomers Witch Charmer debut on Argonauta Records with The Great Depression, the follow-up first full-length to their 2013 Euphoric CurseEP. Mixed and mastered as that release was by Mos Generator‘s Tony Reed, The Great Depressionworks well to establish a varied if not necessarily stylistically diverse sound, frontwoman Kate McKeown, guitarists Len Lennox and Adam Clarke and drummer Dave McQuillan all contributing vocals — the band is completed by bassist Richard Maher — over dense and accordingly depressive riffing. I’m not sure which of them does the Kirk Windstein-style growls, but they’re pretty dead on, as “A Watching of Wolves” will attest, and the tradeoffs both keep the record moving and keep a sense of spontaneity to coincide with the rolling riffs and longer arrangements, leading to the extended closer “Stare into the Sun,” which hides a sample-topped acoustic outro. Not sure why they’d feel the need to bury those impulses, but their first outing may be setting the stage for an unfolding creative progression, and cohesive as it is, I’m not going to knock it for solid riffs front to back and a doomed-out feel. Witch Charmer on Thee Facebooks, Argonauta Records.
Spindrift, Exotic Detonation EP
Underrated cowboy psych outfit Spindrift — now featuring guitarist Thomas Bellier of Blaak Heat Shujaa — apparently had some material leftover from last year’s Spindrift: Ghost of the West, and three new songs surface as the Exotic Detonation EP via Tee Pee Records, bringing The Twilight Zone to mind immediately on the opening title-track before launching into the snare-march Morricone-isms in which they so readily trade. That Spindrift would wind up doing soundtrack work — to their own movie, no less — isn’t surprising, since their style is so cinematic, but I guess “Exotic Detonation,” the desert-jammy “Ghosts Go West” and the minimalist finale “High Plains Spindrifter” didn’t fit on the initial release. Issuing them on a complementary EP makes sense, and from the standpoint of the radio stream, it’s three more Spindrift songs that weren’t there before, so fair enough. They continue to reside in a very particular niche that’s very much theirs, and for fans of those who might happen into them live, Exotic Detonationwill seem right at home among their other Western thrills. Spindrift on Thee Facebooks, Tee Pee Records.
I could tell you how long this took me to put together, but frankly it’s embarrassing. Still, this is but a portion of the albums added to The Obelisk Radio this afternoon. To see the full list (it includes Pallbearer), check out The Obelisk Radio Updates and Playlist page.
Posted in Features on July 8th, 2014 by H.P. Taskmaster
Before I even start, let’s get one thing out of the way. I want a new Sleep album too. My not including them on this list isn’t due to the fact that I don’t think a new Sleep album is a good idea, but just because I haven’t seen anything about it being recorded or released in the next five-plus months. If it hits on Jan. 1, 2015, I’ll be the happiest Baby New Year you ever saw, but that’s a different list altogether.
Ditto that Om and High on Fire. The latter were writing as of May, and I know Om did some recording way back in January, but I’ve yet to see solid word of new records at all, let alone before the end of the year. Either or both or all three may happen, but until I see some hint of it, all I can go on is the info I can find.
Seriously though, how badass would it be if all three put out albums before the New Year? That excitement is kind of what this list is about. Some of these records I’ve heard, but most I haven’t, so it’s just basic speculation about what I think could be some of the best releases in the next couple months. You’ll note that while there are plenty of dates TBA, nothing listed arrives in November, so as 2014 winds down, there’s bound to be even more quality stuff than appears here.
In fact, I struggled to take things out to get it down to 30. And it still goes to 31! I figured no one would mind. They’re numbered, but the list is in alphabetical order.
If I left something out you’re dying to hear, please let me know in the comments.
Thanks in advance for reading:
1. Alunah, TBA (Sept.)
Birmingham’s Alunah, like several others below, are a holdover from the Most Anticipated Albums list back at the start of the year. The difference between now and then is that, while its title still hasn’t been revealed so far as I know, their Napalm Records debut has been recorded, mixed and mastered, the latter by Tony Reed, the former by Greg Chandler of Esoteric, and given a September release date. Two years after Alunah made riffy doom sound easy on their sophomore outing, White Hoarhound (review here), I look forward to hearing how they’ve grown and shifted in their approach to warm-sounding tones and memorable hooks. They’ve set a pretty high standard for themselves. Alunah on Thee Facebooks, Napalm Records.
2. Apostle of Solitude, Of Woe and Wounds (Oct.)
These guys. I don’t mind telling you it was a thrill when Indianapolis doomers Apostle of Solitude were announced as having signed to Cruz del Sur to release their third album, Of Woe and Wounds, this fall. Their second outing, 2010′s Last Sunrise (review here), didn’t get the attention it deserved, but the handful of songs they’ve made public since have shown much promise, and as the first Apostle of Solitude full-length to feature guitarist/vocalist Steve Janiak (also Devil to Pay) in harmony with guitarist/vocalist Chuck Brown — the band is completed by bassist Dan Davidson and drummer Corey Webb — this is definitely going to make for a doomly autumn. Apostle of Solitude on Thee Facebooks, Cruz del Sur Music.
3. Blackwolfgoat, Drone Maintenance (Aug. 26)
Recorded late last year at Amps vs. Ohms in Boston, the third album from Maple Forum alum Blackwolfgoat — the prog-drone alter ego of guitarist Darryl Shepard (Milligram, Black Pyramid, The Scimitar, Roadsaw, etc.) — is the project’s most expansive outing yet, and it seems Shepard is moving more in a song-based direction, rather than some of the building loops of the past two offerings. Of course, there will be plenty of those as well, but watch out for some acoustic guitar, and deep-in-the-mix vocals, as they could easily hint of things to come. Or Darryl could turn it on its head and do a calypso record. Either way, I’m on board with no pretense of impartiality. Blackwolfgoat on Bandcamp, Small Stone’s Bandcamp.
4. Blues Pills, Blues Pills (Aug. 5)
The much-heralded Swedish/French/American psych-blues conglomeration Blues Pills will make their self-titled debut (short review here) next month, and while it’s probably going to be a bigger deal in Europe than in the States — at least until Nuclear Blast brings them over here for a tour, then the country is going to go apeshit for them — the songwriting and soulful execution of their tracks justifies the hype. There’s a bit of retro posturing to what they do, some Graveyard shuffle (it feels inevitable at this point with a ’70s-influenced band), but the grooves are easy to dig into and the potential is basically limitless for where they want to go. It’s scary to keep in mind, but this is just the beginning. Blues Pills on Thee Facebooks, Nuclear Blast.
5. Bongripper, Miserable (July 7)
You may notice something strange about the date above for a list of upcoming albums in that July 7 was yesterday. Well, Chicago’s Bongripper posted their new three-track full-length monster Miserable on their Bandcamp for stream and download ahead of the vinyl’s arrival, and it was just too righteous to leave out. Those seeking landmark riffing need look no further than the 19-minute centerpiece “Descent,” which meters out stomp enough that future “scientists” will study its footprint, and closer “Into Ruin” (28:25) is guaranteed to be the heaviest half-hour you’ll spend today. Miserable feels like a no-brainer, but maybe that’s just because Bongripper have such a propensity for pounding skulls into mush. Bongripper on Thee Facebooks, Miserable on Bandcamp.
6. Botanist, VI: Flora (Aug. 11)
I feel like I missed a couple numbers from San Francisco-based environmentalist black metal unit Botanist along the way, but they’ll nonetheless issue VI: Flora on The Flenser next month, furthering their marriage of destruction and beauty and insistent percussive expression. The spaces Botanist — a one-man project from Robert Martinelli — create feel ritualistic without the dramatic posturing that pervades much of the genre, and sound, somewhere between raging and mournful, is hypnotic. Whatever your expectation might be, Martinelli seems pleased to use it to their advantage, and ultimately, defy it. Post-human, hammered dulcimer-laden black metal. It would be harder for Botanist to not be unique. Botanist on Thee Facebooks, The Flenser.
7. Brant Bjork, TBA (TBA)
When Brant Bjork‘s next album might show up, I don’t know. I know he’s signed to Napalm, and I know the photo above was snapped as he finished some vocals before going on tour with his Low Desert Punk band that includes guitarist Bubba DuPree, bassist Dave Dinsmore and drummer Tony Tornay, but whether or not the album they made is the funk-inspired Jakoozi that’s been in the offing for a while, or another collection of songs, and if Napalm will get it out before the end of the year remain a mystery. I do find it interesting that for his first “solo” outing post-Vista Chino (that band being on hiatus), Bjork has assembled a new band to work with rather than record multiple instruments himself, but no matter who’s involved, when it’s Brant Bjork writing the songs, it’s gonna be high rock from the low desert. Can’t wait to dig into whatever comes. Brant Bjork on Thee Facebooks, Napalm Records.
8. Earth, Primitive and Deadly (Sept.)
The headline for Earth‘s new album is it’s the one where they experimented with vocalists. And hey, if you’re going to toy around with the idea, you might as well get Mark Lanegan involved. The former Screaming Trees frontman is one of several singers appearing on Primitive and Deadly, due in September on Southern Lord, and it would appear that Earth‘s sound — always evolving, always somehow changing — is about to take another considerable turn. Fortunately, the Seattle band, led by guitarist Dylan Carlson and now approaching their 25th year, have long since proven worthy of trusting with their own direction. Earth will never be huge, by the simple nature of what they do, but their influence resounds and the quality of their output is unmatched. Earth on Thee Facebooks, Southern Lord Recordings.
9. Electric Wizard, Time to Die (Sept.)
“Wake up baby/It’s time to die.” So goes the title-track hook of Electric Wizard‘s new album and Spinefarm Records debut, Time to Die. As ever, it’s simple, hateful, drenched-in-fuzz misanthropy, and Electric Wizard revel in it accordingly. Their witchcult continues to grow in their native UK and abroad, and while their last two records have divided some listeners, they’ve invariably gained more ground than they’ve lost. A legal dispute with Rise Above finds them on the new label, and if there’s even the slightest chance that change will bring them to the US for a tour, I’ll take it. Expect 66 minutes of glorious filth. Electric Wizard on Thee Facebooks, Spinefarm Records.
10. Fever Dog, Second Wind (TBA)
Palm Desert youngsters Fever Dog have been kicking around the last few years finding their sound in varying elements of heavy rock and psychedelic experimentation. Most recently, they impressed with the single “Iroquois” (review here) taken from their new album Second Wind, and in looking forward to the full-length, I’m eager to learn how their style has solidified and what sort of vibes they conjure over its course. They’ve shown plenty of propensity for jamming in their prior work, so hopefully there’s a bit of that on hand as well. I’ve said before they’re a trio of marked potential, and nothing I’ve yet heard has dissuaded me from that impression. Fever Dog on Thee Facebooks, Fever Dog on Bandcamp.
11. Goat, Commune (Sept. 23)
Somehow, a band from Sweden who dress up in tribal costumes (problematic) and play Afrobeat psychedelia became a very, very big deal. I couldn’t explain it if I wanted to, and I won’t try, but I know that when Sub Pop releases Goat‘s second album, Commune, it’s going to be to a flurry of hype and heaps of critical fawning. It would be tempting to call Goat a novelty act, but their 2012 debut, World Music (discussed here), showcased a legitimately creative musical approach to go with the visual aspects of their presentation, and I find the fact that I have no idea what to expect from Commune to be refreshing. Goat on Thee Facebooks, Sub Pop Records.
12. Grifter, The Return of the Bearded Brethren (Aug. 11)
UK heavy rockers Grifter will make a welcome resurgence on Ripple Music with The Return of the Bearded Brethren, an album that builds on the straightforward, catchy sounds of their 2011 self-titled label debut (review here) and takes their infectiousness to new places lyrically, such as exploring issues of aging via an ode to Princess Leia from Star Wars. That particular brand of humor and is writ large on Grifter‘s second Ripple outing, and the trio set to work refining their take without losing the engaging feel of their self-titled. It feels like a long three years since that record hit, and I’ll be glad to have a follow-up in-hand. Grifter on Thee Facebooks, Ripple Music.
13. Ice Dragon and Space Mushroom Fuzz, New Blue Horizon/A Peak into the Future (TBA)
Unclear at this point whether Boston outfits Ice Dragon and Space Mushroom Fuzz collaborated on New Blue Horizon/A Peak into the Future, or if it’s a split. Either way, the prolific acts make a sound pairing. Both are vehemently creative and exploratory, psychedelic and progressive each in their way, and if what’s presumably a single finds them working together, all the better, but even if not, new material from either is nothing to balk at, particularly when topped off by such gorgeous artwork. Neither act is ever long from putting something out, so to have them come together one way or another makes a weird brand of sense, which I’m relatively sure the songs will as well. Ice Dragon on Thee Facebooks, Space Mushroom Fuzz on Thee Facebooks.
14. Ides of Gemini, Old World New Wave (Sept. 16)
Ides of Gemini‘s 2012 Neurot Recordings debut, Constantinople (discussed here), established the three-piece as freely inhabiting either side of the imaginary line between ambience and heaviness, J. Bennett and Kelly Johnston providing sometimes minimal, sometimes consuming foundations for vocalist Sera Timms (ex-Black Math Horseman, also Black Mare) to cast ethereal melodies. What Old World New Wave will hold sound-wise, I don’t yet know, but Ides of Gemini‘s otherworldly resonance and ultra-patient approach makes it well worth finding out. Ides of Gemini on Thee Facebooks, Neurot Recordings.
15. John Gallow, Violet Dreams (Aug. 4)
Frontman of Blizaro and Orodruin guitarist John James Gallo adds a ‘w’ to his last name and steps out solo on the I, Voidhanger Records release, Violet Dreams, the title hinting at some of his on-his-sleeve affinity for Italian psych-doom master Paul Chain and Swedish legends Candlemass. Gallo‘s work in Blizaro has a tendency to lean toward the progressive and cinematic, but as John Gallow, the focus is more on classic doom riffing and darkened metallurgy. As one would expect, he’s well in his element on the hour-long album, and I hope he decides to call the next one Ancient Theatre. Also note the incredible artwork of Costin Chioreanu. John Gallo on Thee Facebooks, I, Voidhanger Records.
16. John Garcia, John Garcia (Aug. 5)
A long-discussed solo debut for the former Kyuss frontman following a stint alongside Brant Bjork in Vista Chino, John Garcia‘s John Garcia (review here) finds the singer right in his comfort zone, topping desert rock riffs with his trademark guttural vocals. To be perfectly honest, I’m not sure I’d trade a second Vista Chino outing for it if given the choice — that band seemed to be on course for a sound of its own, separate from Kyuss‘ legacy, and that struck me as worth pursuing — but these songs have a similar enough production style that it’s easy to think of the one as an offshoot of the other, and of course Garcia calls his shots well throughout. John Garcia on Thee Facebooks, Napalm Records.
17. King Buffalo, TBA (TBA)
Including King Buffalo here was pretty speculative on my part, but I dig the Rochester, NY, outfit and didn’t want to leave the prospect of their STB Records debut long-player out. It probably won’t land until 2015 — the future! — but their demo (review here) still gets regular plays around these parts, and I’m very much looking forward to catching them with similarly-minded Nashville blues rockers All Them Witches when they tour together next month. Whatever King Buffalo‘s recording/release plans might be, they’re definitely one to keep an eye on in the back half of this year. King Buffalo on Thee Facebooks, STB Records.
18. Kings Destroy, Kings Destroy (TBA)
Love these guys, love this band. I make no bones about it. Their third record, self-titled and produced as the last two were by Sanford Parker, is as close as they’ve yet come to capturing their live sound, and while they’ve yet to nail down an exact release date, they have a couple very cool tours in the works for this fall, including dates next month with Eric Wagner‘s Blackfinger, that will make a fitting lead-in to their best outing yet. I’ve heard this and had the chance to see some of the material live, and they’ve outdone themselves again, which, considering the esteem in which I continue to hold their 2013 sophomore full-length, A Time of Hunting, is really saying something. Kings Destroy on Thee Facebooks, War Crime Recordings.
19. The Kings of Frog Island, V (Fall)
Easily one of the LPs I’m most eager to hear over the next few months, and specifically on vinyl. The Kings of Frog Island have shown themselves to be so dedicated to the format that their early-2013 album, IV (review here), was presented as two bundled sides even digitally. They recently gave a taste of what their fifth album will in-part hold via a video for “Sunburn” and I’m told more jamminess ensues elsewhere to complement that track’s easygoing flow and platter-ready hook. All the better. The Kings of Frog Island on Thee Facebooks, The Kings of Frog Island on YouTube.
20. Lonely Kamel, Shit City (Sept. 9)
I’d be lying if I said part of my immediate interest in Oslo heavy rockers Lonely Kamel‘s fourth record wasn’t due to the cheeky title, but it’s been three years since the Napalm Records four-piece released their last album, Dust (track stream here), and as they’ve put in plenty of road-time, it doesn’t seem unreasonable to go into this time around with elevated anticipation. I’m not sure you could get away with calling an album Shit City unless you meant business. Got my fingers crossed that’s precisely the case with Lonely Kamel. Lonely Kamel on Thee Facebooks, Napalm Records.
21. Lo-Pan, Colossus (Oct. 7)
Fucking a. Doing the research for this list was the first I’d seen the Jason Alexander Byers cover art for Lo-Pan‘s fourth album, Colossus, or its Oct. 7 Small Stone release date. I haven’t heard the tracks yet — they recorded in Brooklyn back in March, and while I got 2012′s Salvador (review here) pretty early, the Columbus four-piece seem to be keeping a tighter lid on the follow-up — and I can’t help but feel like that’s my loss. Judging by what I’ve heard of the material live, Lo-Pan have dug further into their individual brand of riff-led soulful heavy, and I’ve got a high wager that a few months from now, Lo-Pan‘s latest will make an appearance on another list. More to come. Lo-Pan on Thee Facebooks, Small Stone Records.
22. Novembers Doom, Bled White (July 15)
One of doom’s most fascinating and largely ignored progressions is that of Chicago melancholists Novembers Doom, who, when they started out 25 years ago, did so largely as a death metal band, and then moved on to pioneer an American interpretation of what’s commonly thought of as European doom, until, over their last several records, as they’ve started to move back to a more extreme, double-kick-drummed style. Bled White, on The End Records, continues along this path, but especially in the cleaner vocals of frontman Paul Kuhr there remain shades of the morose emotionality that typified what’s now become their mid-period doom idolatry. Unheralded, Novembers Doom keep exploring deeper, darker terrain. Novembers Doom on Thee Facebooks, The End Records.
23. Pallbearer, Foundations of Burden (Aug. 19)
Foundations of Burden is unquestionably among the second half of 2014′s most anticipated albums. Arkansas-based doom four-piece Pallbearer will mark its release with extensive European and North American tours, and where their 2012 Profound Lore debut, Sorrow and Extinction (review here), came out and caught listeners off-guard with its unabashed emotional core, their sophomore outing finds them positioned at the forefront of American doom. Already the hype machine is rolling out the red carpet for the Billy Anderson-produced Foundations of Burden, but no one can say these guys haven’t put their work in, and the record is indeed one to look forward to. Pallbearer on Thee Facebooks, Profound Lore Records.
24. The Skull, TBA (TBA)
For The Skull to put out an album of original material is a unique challenge. Their earlier-2014 first single (stream/review here) found them standing up to it on the new song “Sometime Yesterday Mourning,” but at least half the point of the band since its inception has been to pay homage to legendary doomers Trouble, from whence vocalist Eric Wagner, bassist Ron Holzner and drummer Jeff “Oly” Olson come. For their Tee Pee Records debut full-length — yet untitled and hopefully out before 2015 — it’ll be most interesting to see how guitarists Matt Goldsborough (ex-Pentagram) and Lothar Keller (Sacred Dawn) rise to the occasion of building off some of doom metal’s most celebrated tones. Fingers crossed on this one. The Skull on Thee Facebooks, Tee Pee Records.
25. Snail, Feral (TBA)
Nothing has been formally announced yet, but on Small Stone Records‘ website, they list Snail‘s Feral among their upcoming releases. It would make a suitable pairing, the West Coast riffers having previously worked with MeteorCity on their 2009 post-reunion outing, Blood (review here), prior to independently releasing 2012′s Terminus (review here), and Small Stone seems like a good home for their fourth overall record and return to form as a trio, which was their original incarnation before their original dissolution circa 1994. How they expand on the heavier crunch of Terminus remains even more a point of fascination, and surely their cult following will be glad to find out. I know I will. Snail on Thee Facebooks, Small Stone Records.
26. Steak, Slab City (Sept. 9)
After two strong EPs in 2012′s Disastronaught (review here) and 2013′s best-title-ever-boasting Corned Beef Colossus (review here), it’s time for London stoner rockers Steak to step up their game for their Napalm Records debut full-length. The four-piece headed to the Californian desert to record Slab City, and so it’s fair to think some of that atmosphere may have worked its way into the material. Would be an awfully long way to go, otherwise. In either case, Steak have showcased considerable songwriting chops already, now it’s just a matter of sustaining it for a full album’s runtime and keeping enough variety in their approach. I have no doubt they’re ready for this next step. Steak on Thee Facebooks, Napalm Records.
27. Stubb, Cry of the Ocean (TBA)
It is with simple, unabashed warm feelings that I look forward to hearing Cry of the Ocean, the second long-player and Ripple Music debut from UK riffers Stubb. They’ve traded out drummers since 2012′s self-titled (review here), bringing aboard Tom Fyfe with guitarist/vocalist Jack Dickinson and bassist/vocalist Peter Holland, but I’m excited to hear what changes and shifts in sound Cry of the Ocean might have in store to match its provocative title. Goes without saying the photo above isn’t the final artwork, but instead Tony Reed‘s mastering sheet from back in May when he worked on the tracks. No solid release date yet, but hopefully soon. Stubb on Thee Facebooks, Ripple Music.
28. Torche, TBA (TBA)
Torche‘s new album and Relapse Records debut was originally slated for the end of the summer. Given that no official word has come out about a title or anything like that and the members of the band have been busy with other projects, it seems unlikely as of now that they’ll hit that target, but after something of a break so frontman Steve Brooks could focus on the resurgent trio Floor, Torche are in fact getting going again, beginning with their first tour of Australia this fall. Maybe their LP will be out by the time they go and maybe it won’t, but word on the street is that whenever the thing arrives, it’s gonna be heavy, which I have no problem believing. Torche on Thee Facebooks, Relapse Records.
29. The Well, Monomyth (Late Summer)
I’ve been waiting since the March announcement that Austin trio The Well signed with RidingEasy Records for further word of their debut full-length, Monomyth (pretty sure that’s not the cover above), but thus far to no avail. Their 2012 single, Seven (review here), was a repeat-listen thriller, and anticipation abounds for what sort of psychedelic garage riffing they’ll conjure up for the album itself. It’s been a couple months at this point, and maybe it’ll be 2015 before Monomyth gets out, but screw it, a boy can hope. The Well on Thee Facebooks, RidingEasy Records.
30. Witch Mountain, Mobile of Angels (Sept.)
Please note: The original cover art with this post was not final and has been replaced with the above band photo.
Portland, Oregon’s Witch Mountain have spent much of the two years following their 2012 third LP, Cauldron of the Wild (review here) on tour in the US and abroad, playing fests, headlining, supporting, but generally putting in a lot of time. As such, Mobile of Angels, which will be out on Svart in Europe and Profound Lore in North America, comes as the end product of a considerable touring cycle. Has all that gigging worn Witch Mountain into the ground, or will they rise above it with metal-loving doom-blues supremacy? They’ve got a vinyl-ready 38 minutes on tap for September and if they’ve ever been in a position to make their case, it’s now. Watch out for the killer sway in “Can’t Settle,” the title of which seems a fitting theme for the band. Witch Mountain on Thee Facebooks, Profound Lore Records.
31. YOB, Clearing the Path to Ascend (Sept. 2)
Yet again — as was the case back in January — alphabetical order forces me to end with YOB, whose seventh full-length and Neurot debut might just be my most anticipated of all on this list. The recently-unveiled Orion Landau cover speaks to a brooding sentiment, and from the one time I was fortunate enough to hear it to-date, the four-track album from the Eugene, Oregon, natives corresponds to its visual side in being a more aggressive push than was 2012′s Atma (review here), but also more exploratory and contemplative in its approach. Now statesmen in American doom and the forebears of a cosmic-minded sound, YOB stand ready to showcase a creative progression that has yet to find its end point. YOB on Thee Facebooks, Neurot Recordings.
Other Notable Mentions
Just a couple of these I’d be remiss if I didn’t note. Some were carried over from earlier this year, others just come up along the way. Not sure on all the release dates, but these are worth keeping an ear out for:
Acid King — Were listed in January, but their record has a Feb. 2015 release date.
Bright Curse — Second album recorded at Skyhammer Studios.
Brothers of the Sonic Cloth — My understanding is the album is done and they’re waiting to secure a label. Seems like a good occasion for Southern Lord to step forward, if not Profound Lore or Neurot.
Eggnogg — Not sure if it’s their full-length, You’re all Invited, or something else that’s coming, but whatever. More stoner-funk riffing needs to be had.
40 Watt Sun — There was some word of this early in the year, but nothing since.
Godflesh — Their first in 15 years, A World Lit Only by Fire, will be out Oct. 7. A fuckup not including them on the list proper.
It’s Not Night: It’s Space — Eagerly awaiting the Small Stone debut from this instrumental outfit, but it might be next year.
Karma to Burn — New album, Arch Stanton, out in August. I emailed for a review promo and never heard back. Always a great feeling.
Larman Clamor — Solo-project from Alexander von Wieding has a new one in the can, but I’m not sure on the release schedule.
Lowrider — They’re working on it, but don’t hold your breath to have it out by December.
The Machine — Kind of a slow year for Elektrohasch, but the new one from these Dutch fuzzers would be a nice way end up.
Nachtmystium — Century Media releases their final album, The World We Left Behind, on Aug. 5.
Orange Goblin — Seriously debated putting them on the list, since I know they’ve recorded, but they seem to be promoting a recent reissue of 2007′s Healing through Fire and their upcoming European tour with Saint Vitus rather than their new album, so unless news comes out about it like this week from Candlelight, I wouldn’t expect it until early in 2015.
Pink Floyd – Believe it when I see it, but I honestly couldn’t care less either way if I tried.
Ruby the Hatchet — Their full-length Tee Pee debut is due sometime in the next couple months.
Sun Voyager — Upstate NY youngsters had hinted at new recordings.
Again, if I forgot anything — and I’m sure I did — please let me know in the comments.
In the second video teaser to herald the album’s September release below, YOB guitarist/vocalist Mike Scheidt discusses the motivations at work in the songwriting for the forthcoming Neurot Recordings debut, Clearing the Path to Ascend, citing an emotional basis in the material that’s brought out more than ever before, and talking about the band as part of a general quest for the defining of self and the making of who they are. There’s a music clip in it too, but hearing Scheidt speak candidly about what hedoes is always fascinating (I’ve been fortunate more than once; see here and here and also here) for the thoughtfulness of his perspective, and that manages to come through in the clip, brief though it is.
Clearing the Path to Ascendis out in September on Neurot, and in addition to their European tour with Pallbearer, a handful of YOB dates for the West Coast have been announced, including the previously noted Hoverfest on Aug. 23. The PR wire has details under the video.
YOB, Clearing the Path to Ascend Teaser 2
YOB: Oregon Doomsmiths Post Second Clearing The Path To Ascend Video Teaser; US Tour Dates Announced
Oregon doomsmiths, YOB, will released their long-awaited full-length, the aptly titled Clearing The Path To Ascend, via Neurot Recordings this Fall. Recorded at Gung Ho Studio in Eugene, notorious for its reserve of vintage equipment, alongside longtime collaborator/iconic sound-sage Billy Barnett, and mastered by Brad Boatright (Sleep, Beastmilk, Nails) at Audiosiege Engineering, Clearing The Path To Ascend is undoubtedly the crowning achievement for a band whose journey now nears two decades of creating music as commanding as it is cathartic. As is the YOB way, the tracks here don’t simply offer a vacuous glimpse into the already riff-soaked doom genre. These songs demand the tandem attention of mind, body, and soul – etching a mark across a sound that finds YOB as formidable and unequaled as they’ve ever been. The path to ascend is clearly an arduous one, fraught with the peril of mediocrity. Thankfully, YOB pummels that path, climbing upward into a realm that sets the band in a heavy metal place that has been and will always remain wholly their own.
As a precursor to the release, YOB is offering up a second Clearing The Path To Ascend video teaser. Produced by William F. Haldane of Solder House, the near four-minute video details the writing process, concept and emotional journey that embodies the record as a whole.
In related news, YOB will bring their otherworldly riff rituals to the stage later this month on a handful of West Coast live excursions that will include performances in Sacramento, Oakland and Seattle as well as a headlining performance at Portland’s Hoverfest alongside Witch Mountain, Lord Dying, Eight Bells and more!
The tour comes in advance of the band’s previously announced overseas trek this Fall. Slated to commence on September 3rd, 2014 in Utrecht, the Netherlands, the band will level twenty-eight cities, the tour coming to a close on October 11th, 2014 at Desertfest in Antwerp, Belgium. YOB will be joined by Little Rock doom bringers, Pallbearer.
YOB: 7/25/2014 Starlite Lounge – Sacramento, CA w/ Giant Squid, Will Haven 7/26/2014 Oakland Metro – Oakland, CA w/ Black Cobra, Augurs 8/01/2014 Space Eugene – Eugene, OR w/ Hell, Diseased Reason, Broken Dead 8/09/2014 El Corazon – Seattle, WA w/ Wounded Giant, Transient 8/23/2014 Hoverfest – Portland, OR w/ Witch Mountain, Lord Dying, many more…
UK/EU Tour 2014 w/ Pallbearer: 9/03/2014 Tivoli de helling – Utrecht, NL 9/04/2014 The Fleece – Bristol, UK 9/05/2014 Roadhouse – Manchester, UK 9/06/2014 Audio- Glasgow, UK 9/07/2014 Brudenell Social Club – Leeds, UK 9/08/2014 The Underworld – London, UK 9/10/2014 FZW – Dortmund, DE 9/11/2014 Vera – Groningen, NL 9/12/2014 Atlas – Aarhus, DK 9/13/2014 Truckstop Alaska – Gothenburg, SE 9/14/2014 Hostsabbat @ Betong – Oslo, NO 9/16/2014 Tavastia – Helsinki, FI 9/17/2014 Slakthuset – Stockholm, SE 9/18/2014 Loppen – Copenhagen, DK 9/19/2014 Connewitz – Leipzig, DE 9/20/2014 Firlej – Wroclaw, PL 9/21/2014 Bi Nuu – Berlin, DE 9/23/2014 Klub 007 – Prague, CZ 9/24/2014 Arena – Vienna, AT 9/25/2014 PMK – Unnsbruck, AT 9/26/2014 Gaswerk – Winterthur, CH 9/29/2014 Le Romandie – Lausanne, CH 10/02/2014 Razzmatazz3 – Barcelona, ES 10/03/2014 Villamanuela – Madrid, ES 10/04/2014 Amplifest – Porto, PT 10/05/2014 ES ESonora – Erandio, ES 10/10/2014 Kyttaro Club – Athens, GR 10/11/2014 Desertfest – Antwerp, BE
Clearing The Path To Ascend will be released on September 1st, 2014 in the UK and Europe and in the US on September 2nd, 2014 via Neurot Recordings.
Posted in Whathaveyou on June 25th, 2014 by H.P. Taskmaster
Yes, I am well aware these dates were posted on Monday when Pallbearer announced the run. I couldn’t care less. The press release from YOB gives me an excuse to post the live video of “Nothing to Win” — you’ll note the maddening drums from Travis Foster — shot at this year’s Roadburn fest, and that’s really all I need, if the sheer fact that it’s YOB isn’t enough.
YOB‘s new album, Clearing the Path to Ascend, on which “Nothing to Win” appears, is out Sept. 2 in the US on Neurot Recordings. One whole day before they start this tour in the Netherlands. Pallbearer‘s Foundations of Burden will be out by then as well.
Info follows, fresh off the PR wire:
YOB: Doom Metal Trio Announces Mammoth UK/European Tour In Support Of Clearing The Path To Ascend
Long-running Oregon doom metal conjurors and recent Neurot signees, YOB, will embark upon a massive overseas trek this Fall. Slated to commence on September 3rd, 2014 in Utrecht, the Netherlands, the band will levy their cathartic riff rituals upon twenty-eight cities, the tour coming to a close on October 11th, 2014 at Desertfest in Antwerp, Belgium. YOB will be joined by Little Rock doom bringers, Pallbearer.
The tour coincides with the release of the trio’s long-awaiting new full-length, Clearing The Path To Ascend. Recorded at Gung Ho Studio in Eugene, notorious for its reserve of vintage equipment, alongside longtime collaborator/iconic sound-sage Billy Barnett, and mastered by Brad Boatright (Sleep, Beastmilk, Nails) at Audiosiege Engineering, the four tracks comprising Clearing The Path To Ascend don’t simply offer a vacuous glimpse into the already riff-soaked doom genre; these songs demand the tandem attention of mind, body, and soul, etching a mark across a sound that finds YOB as formidable as they’ve ever been. True ascension requires a destruction of those barriers that prevent any movement forward. Unsurprisingly, YOB pummels any and all of these obstacles with absolute authority, clearing the way for a genuinely visceral listening experience and climbing upward into a realm that sets the band in a heavy metal place that has been and will always remain wholly their own.
YOB UK/EU Tour 2014 w/ Pallbearer: 9/03/2014 Tivoli de helling – Utrecht, NL 9/04/2014 The Fleece – Bristol, UK 9/05/2014 Roadhouse – Manchester, UK 9/06/2014 Audio- Glasgow, UK 9/07/2014 Brudenell Social Club – Leeds, UK 9/08/2014 The Underworld – London, UK 9/10/2014 FZW – Dortmund, DE 9/11/2014 Vera – Groningen, NL 9/12/2014 Atlas – Aarhus, DK 9/13/2014 Truckstop Alaska – Gothenburg, SE 9/14/2014 Hostsabbat @ Betong – Oslo, NO 9/16/2014 Tavastia – Helsinki, FI 9/17/2014 Slakthuset – Stockholm, SE 9/18/2014 Loppen – Copenhagen, DK 9/19/2014 Connewitz – Leipzig, DE 9/20/2014 Firlej – Wroclaw, PL 9/21/2014 Bi Nuu – Berlin, DE 9/23/2014 Klub 007 – Prague, CZ 9/24/2014 Arena – Vienna, AT 9/25/2014 PMK – Unnsbruck, AT 9/26/2014 Gaswerk – Winterthur, CH 9/29/2014 Le Romandie – Lausanne, CH 10/02/2014 Razzmatazz3 – Barcelona, ES 10/03/2014 Villamanuela – Madrid, ES 10/04/2014 Amplifest – Porto, PT 10/05/2014 ES ESonora – Erandio, ES 10/10/2014 Kyttaro Club – Athens, GR 10/11/2014 Desertfest – Antwerp, BE
Clearing The Path To Ascend will be released on September 1st, 2014 in the UK and Europe and in the US on September 2nd, 2014 via Neurot Recordings.
Posted in Whathaveyou on June 19th, 2014 by H.P. Taskmaster
If you’re looking at the tracklisting below and wondering why Ides of Gemini might have named one of the tracks “May 22, 1453″ sophomore Neurot Recordings outing, Old World New Wave, it was the date of a partial lunar that occurred during the siege of Constantinople, during the fall of the Byzantine Empire. Perhaps that gives some glimpse of the otherworldly feel that the trio are bound to bring to the historical thematic of their second album and the follow-up to their like-minded debut, 2012′s Constantinople(discussed here), though if you’d like to dig further there’s an audio/visual sample to go with as well that’s easily worth the three minutes it takes to watch.
No word on which of these tracks is featured in that teaser, but the tracklisting and the artwork by drummer Kelly Johnston-Gibson have been revealed, and she and vocalist Sera Timms (also of Black Mare and hopefully one of these days the Gary Arce collaboration Zun) give some perspective on where they’re coming from this time around.
The PR wire has it as such:
IDES OF GEMINI: Ethereal Doom Contortionists Prepare To Release Old World New Wave; Artwork + Track Listing Revealed
Ethereal doom trio, IDES OF GEMINI, are preparing to unveil their sophomore offering, Old World New Wave, via Neurot Recordings this Fall.
IDES OF GEMINI features guitarist Jason Bennett, drummer Kelly Johnston-Gibson and the haunting vocal prowess of singer/bassist Sera Timms, also of Los Angeles dark-psych conjurors Black Mare. The follow-up to the band’s 2012 Constantinople debut, Old World New Wave was recorded at Valley Recording in Burbank, California, engineered and mixed by Chris Rakestraw (Danzig), mastered by Grammy award winning producer Matt Hyde (Slayer) and boasts the striking hand-drawn cover art of Johnston-Gibson.
Comments Timms of the offering, “For Old World New Wave we all really coalesced as a band, and were able to work off one another’s strengths. J came up with the basic concept and musical framework of the album, and Kelly and I gave it form and identity. For me, my own personal musical identity, taste, preferences etc. were eclipsed by the power of the music which worked as an animate force unto itself — so much so that I cannot listen to any of it objectively, or tell you if it’s good or bad, but I can tell you that it’s distinctively IDES OF GEMINI.”
Adds Johnston-Gibson of the images surrounding the record, “The artwork is an interpretation of Sera’s lyrical narrative, which carries over themes from Constantinople, as well as symbolic of transformations experienced by us as individuals and inevitably as a band. The minimalist, direct style of the cover and accompanying illustrations is indicative of our energies combined to create one clear, singular force, as experienced through the music, while the visual content has more to do with the story: essentially a conflict between opposing energies leading to destruction, therefore allowing a clean slate for integration of opposites into a resurrected whole.”
Old World New Wave Track Listing: 1. Black Door 2. The Chalice & The Blade 3. Seer Of Circassia 4. White Hart 5. May 22, 1453 6. The Adversary 7. Fememorde 8. Valediction 9. Scimitar
Old World New Wave will be released on CD and digitally via Neurot Recordings and on vinyl via SIGE Records on September 16th, 2014.
Posted in Whathaveyou on June 12th, 2014 by H.P. Taskmaster
YOB have set a September release date for what’s still my most anticipated album for the rest of this year despite the fact that I’ve heard it (once) front to back, Clearing the Path to Ascend. Also their Neurot Recordings debut, it’s comprised of four songs, three of which were aired live at this year’s Roadburn festival in the Netherlands. It’s been a long time since I last heard a YOB record I didn’t make my album of the year, so yeah, this is definitely one I’m looking forward to. I’m sure you are as well, so I won’t delay the info further.
From the PR wire:
YOB: Clearing The Path To Ascend Artwork + Track Listing Revealed; Record To See Release This September Via Neurot Recordings
This September, two years after leveling the expectations of critics and listeners alike with Atma, doom trio powerhouse, YOB, will unveil Clearing The Path To Ascend, an aptly titled album for what will undoubtedly be the crowning achievement for a band whose journey now nears two decades of creating music that is at once commanding and cathartic.
As is the YOB way, the four tracks comprising Clearing The Path To Ascend don’t simply offer a vacuous glimpse into the already riff-soaked doom genre; these songs demand the tandem attention of mind, body, and soul, etching a mark across a sound that finds YOB as formidable as they’ve ever been. True ascension requires a destruction of those barriers that prevent any movement forward. Unsurprisingly, YOB pummels any and all of these obstacles with absolute authority, clearing the way for a genuinely visceral listening experience and climbing upward into a realm that sets the band in a heavy metal place that has been and will always remain wholly their own.
YOB’s music is not unlike the path that’s let them to their current place among heavy metal’s elite, slowly building from a hushed ethereal vapor into the thunderous and masterful tumult of sound domination. The ethereal mists of Eugene, Oregon no doubt provided the perfect catalyst for founding member and vocalist Mike Scheidt to call up the signature of surging doom that would soon come to garner YOB its current position as one of the most respected and revered bands in all of heavy metal. While giving due sonic credit to the cornerstone influences such as Cathedral, Sleep, Electric Wizard, and Black Sabbath — YOB immediately set out to define a sound wholly singular and utterly devastating in its cathartic enormity.
Those threads of progressive rock and drone that have always underscored the music of YOB are now fully realized with Clearing The Path To Ascend. Drummer Travis Foster wields his signature rhythmic furor here with bombastic precision while bassist Aaron Rieseberg coils around the sonic tide with an unforgiving churn all the while in a deadly synchronicity with Scheidt’s uncanny vocal range and its pendulous movement between the triumphant howls of a medieval madman and the earth splitting growls of a war-battered titan.
With Clearing The Path To Ascend, YOB explores a thunderous dimension that’s familiar in its auditory clout but completely new in the execution of its trajectory, taking the band’s sound into a remarkable place as ethereally compelling in its aesthetic, as it is merciless in the magnitude of its sound.
Comments Scheidt, “Writing this album felt like being plugged into a main. Emotionally, it’s our heaviest. But it also has some real beauty and light. We dug the deepest we ever have to get to the heart of these tunes.” Behold the artwork that will adorn this work of art, and check out the track listing below:
Clearing The Path To Ascend Track Listing: 1. In Our Blood 2. Nothing To Win 3. Unmask The Spectre 4. Marrow
Posted in Whathaveyou on May 20th, 2014 by H.P. Taskmaster
Oh, I certainly would like to see Neurosis again. And I’d certainly like to see them play with SunnO))) and Goatsnake and Pelican and -(16)- in Tucson at the third Southwest Terror Fest this October. While I contemplate which of my limbs to donate to science and/or the illegal black market in order to make that happen, check out the rather considerable list of tour dates Neurosis have coming up. It’s been more than a minute since one could really think of them as a touring band, but they seem to be working their way back up to it.
I think when they put out The Eye of Every Storm they played, what, five shows? Now here they are going to Australia for the first time in their career, which hits its 30th year in 2015. Pretty astounding.
The PR wire puts it like this:
NEUROSIS Confirms Stateside Performances Including Southwest Terror Fest; First Australian Tour Booked
Directly following their recent declaration of an impending European Summer tour, which includes several major festival appearances and performances in territories where they’ve never before played, NEUROSIS now announces new stateside shows as well as their first tour of Australia.
Continuing their most intense bout of touring in more than two decades, still steadily supporting their heralded 2012-released, Honor Found In Decay, NEUROSIS will return to European soil this Summer. From June 28th through July 3rd, the Euro routing includes performances at both the massive annual Graspop Metal Meeting in Bessel, Belgium, as well as the Tuska Open Air Metal Festival in Helsinki, Finland, after which they’ll plow through Germany, Croatia and Greece.
Exactly one month after returning from Europe, NEUROSIS will finally make their way across the southern Pacific, bound for Australia on their first ever tour of the continent. The six-city Australian inundation will see the pack ripping through Brisbane, Adelaide, Perth, Melbourne and Sydney between July 4th and 9th, with two shows scheduled in Sydney.
NEUROSIS has also been confirmed as one of the key headliners at Arizona’s Southwest Terror Fest III: The Western Front. The third installment of this ever-expanding, now four-day event, will consume Tucson October 16th through 19th, with main acts Goatsnake and Sunn O))) in addition to NEUROSIS, who will headline Saturday, October 18th with support from The Body, Author & Punisher and Sorxe. In conjunction with their SWTF trip, the band will invade Denver on Sunday, October 19th with support from Subrosa and In The Company Of Serpents before dispersing and returning to their respective homes.
NEUROSIS Tour Dates: 6/28/2014 Graspop Festival – Bessel, Belgium 6/29/2014 Tuska Open Air Metal Festival – Helsinki, Finland 6/30/2014 Schlachthof – Wiesbaden, Germany 7/01/2014 Jedinstvo-Pogon – Zagreb, Croatia 7/02/2014 Astra – Berlin, Germany 7/03/2014 Fuzz Live Music Club – Athens, Greece 8/04/2014 The Hi Fi – Brisbane, Australia w/ Hope Drone 8/05/2014 HQ – Adelaide, Australia w/ Space Bong 8/06/2014 Capitol – Perth, Australia w/ Drowning Horse 8/07/2014 The Corner Hotel – Melbourne, Australia w/ Clagg 8/08/2014 The Hi Fi – Melbourne, Australia w/ Whitehorse 8/09/2014 Manning Bar – Sydney, Australia w/ Adrift for Days 10/18/2014 Rialto Theatre – Tucson, AZ @ Southwest Terror Fest 10/19/2014 The Gothic Theatre – Denver, CO w/ Subrosa, In The Company Of Serpents
This is the first audio that’s been made public from YOB‘s due-in-September seventh album and Neurot Recordings debut, Clearing the Path to Ascend, and mostly, it confirms that YOB are still YOB. The landmark Oregonian cosmic doom trio haven’t decided to become YOB Lion and do a reggae record — though no doubt they’d pull it off — and they haven’t lost the balance of weight and atmosphere that’s made their work so influential over the last decade. They’re still YOB. Good.
What it doesn’t do is show off quite how far out YOB go on Clearing the Path to Ascend. It doesn’t give a sense of the patience at work in the album or some of its expansive elements into classic rock, experiments in furthering parts of YOB‘s approach that may have always been there but have come clearer into focus. But time’s limited and for a first listen to the album and a first look at the artwork, I’ll take it.
From the PR wire:
YOB, Clearing the Path to Ascend Teaser
YOB: DOOM METAL CONJURERS REVEAL FIRST VIDEO TEASER; FORTHCOMING NEW FULL-LENGTH TO BE UNVEILED VIA NEUROT THIS AUTUMN
Long-running Oregon doom metal conjurors and recent Neurot signees, YOB, are pleased to unveil the first taste of their forthcoming new long player. Titled Clearing The Path To Ascend, the trio’s latest audio exploration was recorded at Gung Ho Studio in Eugene, notorious for its reserve of vintage equipment, alongside longtime collaborator/iconic sound-sage Billy Barnett, who mastered YOB’s Atma, The Great Cessation, The Unreal Never Lived and The Illusion Of Motion. Mastering was handled by Brad Boatright (Sleep, Beastmilk, Nails) at Audiosiege Engineering. The result is a wholly cathartic, sonicly enormous, riff-soaked sound collage of dark and light.
Comments founding vocalist/guitarist Mike Scheidt, “Writing this album felt like being plugged into a main. Emotionally, it’s our heaviest. But it also has some real beauty and light. We dug the deepest we ever have to get to the heart of these tunes.”
Posted in Whathaveyou on May 9th, 2014 by H.P. Taskmaster
My only issue with Neurosis touring Europe is that I’m not there to see them. Other than that, we’re cool. Go get ‘em.
The progenitors of post-metal, who remain influential even beyond crafting the blueprint for that subgenre in their wake, continue to support 2012′s Honor Found in Decay(review here). They’ve played pretty steadily since the album’s release, not all-out touring, but making regular live appearances, which they haven’t always done over the course of the last decade-plus. 2015 marks 30 years since they first got together, and though I’ve seen no word yet of how they’ll mark that anniversary, shows and fest slots in the interim is never something to complain about. Six in a row this time.
Honor found on the PR wire:
NEUROSIS Announce European Live Shows This Summer
Neurosis have announced more live shows in Europe this summer, continuing their voyage in support of the staggering album, Honor Found In Decay, and as part of their journey, they shall be heading to places they’ve never played before.
Here is the complete run-down of Neurosis’ European live shows:
June 28th – GRASPOP Festival, Bessel, Belgium June 29th – Tuska Open Air Metal Festival, Helsinki, Finland June 30th – Schlachthof, Wiesbaden, Germany July 1st – Jedinstvo-Pogon, Zagreb, Croatia July 2nd – Astra, Berlin, Germany July 3rd – Fuzz Live Music Club, Athens, Greece
Steve Von Till comments…”We feel very lucky to be able to return to European soil this summer. This brief journey will mark only our second time in Finland, and the first time ever for Neurosis to bring our music to Croatia and Greece. How very fortunate we are to be able to perform there, see new places and meet new people. And of course it is always good to be with friends and family in Germany!”
Posted in Whathaveyou on February 13th, 2014 by H.P. Taskmaster
This morning brings the news that Oregonian cosmic doom forerunners YOB will issue their next full-length through Neurot Recordings. Fans will recall that Neurosis guitarist/vocalist Scott Kelly also appeared on YOB‘s last album, 2011′s Atma (review here), and the two bands have played shows together enough that the alliance between YOB and Neurosis‘ label certainly makes sense. Details on the record itself are slim, but YOB will be at Roadburn this year, and hopefully one of their sets will have some room for material from their forthcoming seventh album.
Hot off the PR wire:
YOB: Oregonian Doom Metal Trio Join The Neurot Recordings Family
Neurot Recordings is pleased to welcome long-running Eugene, Oregon-based doom metal trio, YOB, to their expanding household of eclectic, thought-provoking music. The band — founding vocalist/guitarist Mike Scheidt, drummer Travis Foster and bassist Aaron Rieseberg — will release their seventh studio offering this Fall preceded by an appearance at the illustrious Roadburn Festival in Tilburg, The Netherlands in April.
Comments Scheidt of the recent union, “YOB is very happy to have signed to Neurot for our new album. Travis, Aaron and I agree that Neurosis is the epitome of forward-thinking heavy music, made with zero compromise. Our love for their music is total. Neurot’s dedication to putting out uncompromising music is no different. To have this opportunity to put an album out on their label is an honor that runs deep. We cannot wait to share our new music with Neurot and our friends worldwide.”
Neurosis’ Steve Von Till notes, “This was meant to be. Neurot has always sought out to work with those who share in the purification of spirit through sound and who harvest their sound from originality and intensity. When I listen to YOB, see them leave it all on the stage, or share a conversation with them about life, I can say beyond a shadow of a doubt that they embody what Neurot stands for completely and we are so very honored that we get the opportunity to work together with them on their next album.”
Adds Scott Kelly, “YOB, as with all things that actually matter, there is only one. They have built their temple with a foundation concreted in absolute truth. The truth is the riffs, the truth is in the delivery, it’s in the unwavering commitment, and in the handshake and the look in their eyes. If you don’t know them, then you are fucking up your own lifes’ truth. There’s is nothing heavier on the face of this earth than this band. The Neurot Family is honored to be a part of legacy of this, the monolithic treasure of sonic achievement that is YOB.”
Further details on YOB’s forthcoming new release to be unveiled in the coming weeks. Stay tuned.
Posted in Whathaveyou on February 3rd, 2014 by H.P. Taskmaster
Partnering alternately with Syndrome, The Leaving and Oldseed, Scott Kelly and the Road Home will begin a run of European tour dates this week that will carry them through the rest of this month and into next, supporting 2012′s The Forgiven Ghost in Me (review here). This will reportedly be the first time the trio of Scott Kelly (Neurosis), Noah Landis (Neurosis) and Greg Dale hit the road together in Europe, so not that you needed an excuse to go if you happen to live or find yourself in that part of the world, but you’ve got one just in case.
Dates and a promo video follow:
Scott Kelly and The Road Home: European Tour 2014
After nearly 100 European Shows Scott Kelly, guitarist and singer of Neurosis, proved that his solo work stands out alone.
Now, for the first time, he will come to Europe with “the Road Home”. His Band. The Band that recorded the highly acclaimed Scott Kelly and the Road Home – “The Forgiven Ghost In Me” LP/CD.
The Road Home are Noah Landis of Neurosis (Keyboards/Sounds) and Greg Dale who lately was on tour with Neurosis.
Together Scott, Noah and Greg continue to explore The Great Mystery.
Scott Kelly & The Road Home European Tour 2014! Tue 04.02. BE Brussels @ DNA Wed 05.02. BE Liege @ La Zone (1) Thu 06.02. BE Arlon @ L’Entrepot (1) Fri 07.02. FR Paris @ Espace B (1) Sat 08.02. FR Bayonne @ Atabal Sun 09.02. ES Mungia (Vizcaya) @ Olalde Aretoa Mon 10.02. ES Coruña @ Mardi Gras Tue 11.02. PT Oporto @ Passos Manuel Wed 12.02. PT Lisbon @ Galeria Ze Dos Bois Thu 13.02. ES Madrid @ La Boite Fri 14.02. ES Barcelona @ Hangar Sun 16.02. IT Bologna @ Freakout Club Mon 17.02. AT Vienna @ Arena 3Raum (2) Tue 18.02. CH Zurich @ Ziegel oh Lac (2) Wed 19.02. CH Geneva @ La Gravière (2) Thu 20.02. CH Martigny @ Sunset Bar Fri 21.02. HR Zagreb @ Klub Mocvara Sat 22.02. SI Velenje @ Klub eMCe Plac Sun 23.02. HU Budapest @ A 38 Mon 24.02. SK Trnava @ Mala Synagoga Tue 25.02. PL Krakow @ Lizard King Wed 26.02. CZ Prague @ Klub Pilot Thu 27.02. GER Dortmund @ Pauluskirche (3) Fri 28.02. GER Leipzig @ UT Connewitz Sat 01.03. GER Hamburg @ tba Sun 02.03. DK Copenhagen @ KB18 Tue 04.03. NO Drammen @ Union Scene Wed 05.03. SE Stockholm @ Lilla Hotellbaren Thu 06.03. FI Tampere @ Klubi Fri 07.03. LV Riga @ Cinema – K. Suns. Sat 08.03. PL Warsaw @ Chmury (1) Support: Syndrome (2) Support: The Leaving (3) Support: Oldseed
Posted in Whathaveyou on January 30th, 2014 by H.P. Taskmaster
In just a few short months, Portland-based four-piece Stoneburner will mark their first release on Neurot Recordings with their sophomore full-length, Life Drawing. Really, for any heavy band, to have the endorsement of Neurosis behind seems about as close to “living the dream” as you’re gonna get, though if the newly-revealed artwork for Life Drawingis anything to go by, Stoneburner are keeping a pretty similar mindset to that which came across on their 2012 Seventh Rule debut, Sickness Will Pass(discussed here), which was plenty nasty and heavy to spare. Good for them, both in terms of living the dream and not fixing what clearly isn’t broken.
Harken to the PR wire, for it brings you knowledge, and only knowledge can kill Zardoz:
STONEBURNER: Portland Sludge Slingers Reveal Album Details
Portland sludge slingers and recent Neurot family additions, STONEBURNER, are readying to unleash their forthcoming new full-length, Life Drawing. The follow-up to their 2012 debut, Sickness Will Pass, features nine rumbling odes of bottom-heavy hostility and emotional decay. Recorded, mixed and produced by Fester at Haywire Studios, mastered by Adam Gonsalves at Telegraph Mastering — both in Portland — and swathed in the visually abrasive cover art of J.J. Shirey, Life Drawing promises to hurl STONEBURNER’s habitually chest-caving sludge mantras to entirely new realms of earth-deteriorating heaviness.
Comments the band in a collective statement: “Lyrically we’ve always focused on personal matters, and one theme that particularly seems to keep coming up on this record is the struggle to be a decent person in a world that keeps doing its best to cause you not to be. J.J. Shirey, who paints our album covers, is part of the STONEBURNER brotherhood and we have absolute faith in him. We have him sit in on rehearsals, read our lyrics, and then we send him off to come up with whatever he thinks best suits the material. We feel that this piece absolutely captures the mood of trying to grow and heal, but constantly finding yourself falling back into the darkness caused by emotional and physical addictions. The world isn’t always a happy, beautiful place, and neither is our music. Thanks to J.J. you’re going to sense that before you even hear the album.”
Life Drawing Track Listing: 1. Some Can 2. Caged Bird 3. Drift 4. An Apology To A Friend In Need 5. Pale New Eyes 6. Giver Of Birth 7. Done 8. You Are The Worst 9. The Phoenix
STONEBURNER features a persuasive musical ancestry that winds through Buried At Sea, Buried Blood, Heathen Shrine and others. Named after a subterranean weapon from the novel Dune, STONEBURNER deliver a wholly organic orchestration of captivating, crustified doom metal, their torrid hymns bathed in internal agony, anguish and despair. To define STONEBURNER, one need only look to the list of bands with whom they’ve shared the stage: Yob, Sleep, Eyehategod, Neurosis, Buzzov-en, Weedeater, Saint Vitus, Watain, Tragedy, Noothgrush, Graves At Sea, Lord Dying, Drop Dead, Whitehorse, Wind Hand, Bastard Noise…
Life Drawing will be unleashed via Neurot Recordings later this Spring. Stay tuned for further info.
Posted in Whathaveyou on December 6th, 2013 by H.P. Taskmaster
Kudos to Portland, Oregon-based sludgers Stoneburner on signing to Neurot Recordings. The heavy, heavy (yup, they’re heavy enough to say it twice) four-piece will issue their new album, Life Drawing, through the venerable imprint this coming spring. Their last album, Sickness Will Pass(discussed here), was their full-length debut and came out in 2012 on Seventh Rule.
Having already shared the stage with an impressive list of bands that you can see below, Stoneburner will join Eyehategod, Graves at Sea and others at the Oakland Metro Operahouse on Jan. 24 for what’s sure to be one of the crustiest nights in the early New Year. Poster for that and announcement of the signing follow here, courtesy of the PR wire:
STONEBURNER: Portland Sludge Metallers Join The Neurot Recordings Family
The Neurot Recordings family is pleased to welcome the audio devastation that is Portland’s STONEBURNER to their expanding roster of forward-thinking music.
Featuring four members with a compelling musical ancestry that winds through Buried At Sea, Buried Blood, Heathen Shrine and more, STONEBURNER — named after a subterranean weapon from the novel Dune — spews forth a groin-churning orchestration of crust-strewn, hypnotic, sludge metal, their torrid odes glazed with pain and distress. The band will unleash the follow-up to their 2012 debut full-length, Sickness Will Pass, which The Sludgelord fittingly crowned, “an ugly, visceral and truly terrifying beast of an album,” via Neurot Recordings this Spring. Titled Life Drawing, the offering promises to take their sonic crush to entirely new levels of heaviness.
Notes the STONEBURNER collective on their union with Neurot: “We’ve been working on the material for this album for a long time now and couldn’t feel better about how it’s come together. We’re humbled and honored that Neurot have asked to be involved. Since the band formed, we’ve always done our best to work with people we respect and know personally, signing to Neurot is an extension of that…another step in combining our personal and musical lives and bringing it all full circle.”
STONEBURNER was spawned in early 2008 though the bands’ familial roots reach back two decades. To describe STONEBURNER’s music one need only look to the list of bands with whom they’ve shared the stage: Yob, Sleep, Eyehategod, Neurosis, Buzzov-en, Weedeater, Saint Vitus, Watain, Tragedy, Noothgrush, Graves At Sea, Lord Dying, Drop Dead, Whitehorse, Windhand, Bastard Noise and so on. For STONEBURNER, it’s all about domination through amplification and soul-cleansing catharsis.
STONEBURNER personnel: Elijah Boland – guitar Jason Depew – guitar Damon Kelly – bass/vocals Jesse McKinnon drums/vocals
Further STONEBURNER intel, including Life Drawing release date and track listing, to be announced in the coming weeks.
Posted in Whathaveyou on December 4th, 2013 by H.P. Taskmaster
Corrections House‘s debut LP, Last City Zero, is out now on Neurot. It’s received no shortage of hyperbole around its apocalyptic atmospherics, and I guess at some point soon I’ll probably add a dose of my own to that mix — please try to contain your excitement. Currently on tour in Europe and with two slots at Roadburn ahead of them, the considerably-pedigreed outfit will start 2014 on the road down the West Coast of the US. They’ve also got a new video out for the song “Bullets and Graves” from Last City Zeroand while I wouldn’t recommend it for epileptics, you can watch at your own risk on the player that follows the PR wire info below.
It’s like this:
CORRECTIONS HOUSE: Nihilistic Collective Announces Stateside Takeovers; March Through Europe Underway
Having just begun their march through Europe, today the CORRECTIONS HOUSE legion — Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza), Sanford Parker (Minsk) and their minister of propaganda, Seward Fairbury — announce a short run of Stateside takeovers to usher in 2014. Set to commence January 2nd in Seattle, CORRECTIONS HOUSE will pillage their way through Portland, Los Angeles, San Diego, and San Francisco, leaving souls in torment and stages in ruins.
CORRECTIONS HOUSE are currently touring in support of their Last City Zero debut, issued via Neurot Recordings in late October. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero is an audio product of societal ruin and psychological decay. At once beautifully hideous, graceful and terrifying, the record travels far beyond the confines of any one specific genre and continues to reap the applause of exploratory fans and critics globally.
In related news, CORRECTIONS HOUSE recently unleashed a video for the track “Bullets And Graves” upon unsuspecting masses. Directed by Brian Sowell, “Bullets And Graves” is a flagrantly violent, roadside nightmare dominated by shady characters, vicious beatdowns and nameless destinations. Shot completely in black and white, the production is as captivating as it is disconcerting.
CORRECTIONS HOUSE Live Actions 2013/2014 [remaining dates]: 12/04/2013 Loppen – Copenhagen, DK 12/06/2013 Srattbad – Berlin, DE 12/07/2013 DB’s – Utrecht, NL 12/08/2013 VK Club – Brussels, BE 12/09/2013 Patronaat – Haarlem, NL 12/10/2013 La Fleche D’or – Paris, FR 12/11/2013 Le Sonic – Lyon, FR 12/12/2013 Le Romandie – Lausanne, CH 12/13/2013 Dachstock – Bern, CH 12/14/2013 Cycle Club – Calenzano (Florence), IT 12/15/2013 Garage – Saarbrücken, DE 12/16/2013 Feierwerk/ Hansa39 – Munich, DE 12/17/2013 Arena – Vienna, AT 12/18/2013 Klub Pilot – Prague, CZ 12/19/2013 Dürer Kert – Budapest, HU 12/20/2013 Kitsch Off Scena – Krakow, PL 12/21/2013 Pod Palacykiem – Wroclaw, PL 1/02/2014 The Highline – Seattle, WA w/ Wrekmeister Harmonies 1/03/2014 Dante’s – Portland, OR w/ Wrekmeister Harmonies 1/05/2014 Echoplex – Los Angeles, CA w/ Wrekmeister Harmonies, Author & Punisher 1/06/2014 Soda Bar – San Diego, CA w/ Wrekmeister Harmonies, Author & Punisher 1/07/2014 Great American Music Hall – San Francisco, CA w/ Wrekmeister Harmonies, Sutekh, Hexen 4/10/2014 013 Venue – Tilburg, NL 4/11/2014 Het Patronaat – Tilburg, NL
Last City Zero is available via Neurot Recordings atTHIS LOCATION.
Posted in Whathaveyou on November 1st, 2013 by H.P. Taskmaster
I have to wonder how one gets appointed the “minister of propaganda” for a band like Corrections House. Seems like a pretty good gig. Probably pretty cushy too, since the aim of propaganda is to win opinions to your side, and with the lineup of vocalist Michael IX Williams (Eyehategod), guitarist Scott Kelly (Neurosis), vocalist/saxophonist/etc.-ist Bruce Lamont (Yakuza) and programmer/engineer Sanford Parker (Minsk/Buried at Sea), the band sells itself. If nothing else, they are not short on built-in appeal.
The full-length debut from Corrections House, Last City Zero, is out now on Neurot, and in addition to the revelation this week that they’d be playing Roadburn in 2014 — performing solo sets and as the full band in a manner similar to what they did on their debut US tour earlier this year (review here) — word has come down of an earlier European campaign for this December.
Ever reliable, the PR wire puts it like this:
CORRECTIONS HOUSE Announce Live Takeovers Including Two Special Performances At Roadburn 2014; Last City Zero Out NOW Via Neurot Recordings
CORRECTIONS HOUSE – the collective musical extractions of Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza), Sanford Parker (Minsk) and their minister of propaganda, Seward Fairbury – is pleased to announce their European takeover this December. The rituals will commence on December 3rd in Hamburg, Germany and sully more than a dozen European metropolises before coming to a close December 21st in Wroclaw, Poland.
Fairbury made the following statement on the adventures: “There is no possible way to capture and enslave what has already been freed from within. The destruction that is given is also forgiven and so begets the path that we all have chosen. CORRECTIONS HOUSE is on this path, the one and same path as those who have walked, crawled and bled before them. Europe, you are on this path. CORRECTIONS HOUSE will see you in December of 2013. And so it begins.”
Additionally, CORRECTIONS HOUSE will preach the end-time message atop the main stage of the 013 venue in Tilburg, at Roadburn 2014. On Thursday April 10th they shall be hoaxing the system and smashing out selections from Last City Zero. On Friday, April 11th at Het Patronaat, Kelly, Williams, Parker and Lamont will each perform solo material, aided and abetted by a selection of others as they see fit. As a precursor to the overseas assaults, CORRECTIONS HOUSE will level the Empty Bottle in Chicago on November 30th with additional stateside presentations to be announced in the coming weeks.
CORRECTIONS HOUSE will be touring in support of their Last City Zero debut released worldwide earlier this week via Neurot Recordings. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero offers up eight psychologically alarming hymns that span well beyond the traditional confines of sound. CORRECTIONS HOUSE is a meeting of minds and ideologies that sees all four members incorporating their obvious individual talents and voices while simultaneously carving paths away from the sounds for which they are usually known. On Last City Zero, they traverse tectonic plate-shifting doom and the downcast gloom of Kelly’s usual ouevre into mutated industrial hissing and clanging EBM beats from Parker, squalls and drones of oblique saxophone from Lamont and Williams’ familiar phlegm-drenched fire-spitting ire and all points in-between. Together they embrace the unkind, the diseased, the forgotten, the morose, their lush anti-soundscrapes and shadowy verses – at once beautifully hideous, graceful and terrifying — a manifestation of societal ruin and psychological decay. Cold, mechanical, prosaic and pungent, Last City Zero is boundless in its genre voyage.
CORRECTIONS HOUSE Live Actions 2013: 11/30/2013 The Empty Bottle – Chicago, IL 12/03/2013 Hafenklang – Hamburg, GER 12/04/2013 Loopens – Copenhagen, DK 12/07/2013 DB´s – Utrecht, NL 12/08/2013 VK Club – Brussels, BE 12/09/2013 Patronaat – Harlem, NL 12/10/2013 La Fleche D’or – Paris , FR 12/11/2013 Le Sonic – Lyon, FR 12/12/2013 Le Romandie – Lausanne, CH 12/13/2013 Dachstock – Bern, CH 12/14/2013 Cycle Club – Calenzano (Florence), IT 12/15/2013 Garage – Saarbrücken, GER 12/17/2013 Arena – Vienna, AT 12/18/2013 U Pilotu – Prague, CZ 12/19/2013 Dürrer Kert – Budapest, HU 12/20/2013 Lizard King – Krakow, PL 12/21/2013 Pod Palacykiem – Wroclaw, PL 4/10/2014 013 Venue – Tilburg, NL 4/11/2014 Het Patronaat – Tilburg, NL