Neurosis Set Aug. Release for The Word as Law Reissue

Posted in Whathaveyou on July 7th, 2017 by JJ Koczan

neurosis (Photo Stefaan Temmerman)

Just the facts, because the facts are enough: Neurot Recordings will reissue Neurosis‘ 1990 sophomore outing, The Word as Law, on Aug. 25. Preorders are up now and the revamped artwork comes courtesy of Josh Graham. The release date follows the long-running post-metal innovators’ tour with Converge and Amenra, as well as their stop at Psycho Las Vegas, and precedes their headlining slot in October at Baltimore’s inaugural Days of Darkness fest, put on by the same crew as Maryland Deathfest. Neurosis just wrapped a quick run of European shows that began with a slot at Roskilde festival in Denmark and in December they’ll head to South America for the first time in their 31-year career, going in order to support their 2016 album, Fires Within Fires (review here).

Like its predecessor, 1988’s Pain of Mind, The Word as Law showcases Neurosis‘ roots in hardcore punk. By the time they got to Souls at Zero just two years later, they’d be on quickly expanding sonic ground, but one could argue that with the rawness at the core of Fires Within Fires, the band’s earliest offerings have never been more relevant than they are now. All the better on the timing here, then.

From the PR wire:

neurosis the word as law

NEUROSIS To Reissue Out-Of-Print Second Album The Word As Law In August

NEUROSIS will reissue the band’s second LP, The Word As Law, in August, the album having remained out-of-print since the 1990s.

While listening to NEUROSIS’ discography in chronological order, their sound gradually shifts in a very steady and somewhat seamless progression with each record, though their first few albums are undoubtedly cut from their 80s punk influences and surroundings. The Word As Law was initially released on vinyl only in 1990 through Lookout! Records, alongside the likes of Operation Ivy, Green Day, Screeching Weasel, and other Bay Area punk acts of the time. Upbeat rhythms and enraged vocals fuel The Word As Law, the record picking up where their Pain Of Mind debut’s ripping punk sound left off, while the band simultaneously began experimenting with more dissonant, melancholic, and demoralizing tones that would carve the foundation for their next few albums and their signature sound.

NEUROSIS had yet to infuse keyboards or synthesizers into the mix when The Word As Law was recorded by Mark Lemaire at Sound & Vision in San Francisco of December 1989. The blend of vocals delivered by guitarist Scott Kelly, bassist Dave Edwardson, and new inductee on this album, guitarist Steve Von Till, driven by the powerful rhythms of drummer Jason Roeder, coalesce to formulate an eerie and original sound on The Word As Law, which results in the album’s cult status as an incredibly groundbreaking album for countless crust punk, hardcore, and experimental metal artists worldwide.

While prior reissues of the album featured several re-recorded bonus tracks from the band’s prior singles and releases, the 2017 Neurot reissue of The Word As Law will bear the album’s initial eight tracks, all completely remastered by Bob Weston at Chicago Mastering. Additionally, the album’s cover artwork has been reworked and modernized by NEUROSIS’ former live visual architect Josh Graham to match the label’s previously-reissued Souls At Zero, Enemy Of The Sun, and other titles.

NEUROSIS’ own Neurot Recordings will reissue The Word As Law on CD, LP, and digital formats on August 25th, directly following their US tour with Converge and Amenra and their performance at Psycho Las Vegas. See all confirmed tour dates below and find preorder links for The Word As Law at THIS LOCATION.

The Word As Law Track Listing:
1. Double Edged Sword
2. The Choice
3. Obsequious Obsolescence
4. To What End?
5. Tomorrow’s Reality
6. Common Inconsistencies
7. Insensitivity
8. Blisters

NEUROSIS Tour Dates:
7/27/2017 Empty Bottle – Chicago, IL w/ Amenra
7/28/2017 Thalia Hall – Chicago, IL w/ Converge, Amenra
7/29/2017 St Andrews – Detroit, MI w/ Converge, Amenra
7/30/2017 Rex Theatre – Pittsburgh, PA w/ Converge, Amenra
8/01/2017 Metropolis – Montreal, QC w/ Converge, Amenra
8/02/2017 Danforth Music Hall – Toronto, ON w/ Converge, Amenra
8/03/2017 College St. Music Hall – New Haven, CT w/ Converge, Amenra
8/04/2017 Warsaw – Brooklyn, NY w/ Converge, Amenra [SOLD OUT]
8/05/2017 Warsaw – Brooklyn, NY w/ Converge, Amenra
8/06/2017 Royale – Boston, MA w/ Converge, Amenra
8/07/2017 Union Transfer – Philadelphia, PA w/ Converge, Amenra
8/18-20/2017 Hard Rock Hotel & Casino – Las Vegas, NV @ Psycho Las Vegas
10/28-29/2017 Ram’s Head Live – Baltimore Maryland @ Days Of Darkness
12/08/2017 Clash Club – São Paulo, BR w/ Deafkids
12/09/2017 Teatro Vorterix – Buenos Aires, AR
12/10/2017 Club Blondie – Santiago, CL

http://www.neurosis.com
http://www.facebook.com/officialneurosis
https://neurotrecordings.merchtable.com
http://www.twitter.com/neurosisoakland
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

Neurosis tour trailer

Neurosis, Fires Within Fires (2016)

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Neurosis Announce First-Ever South American Tour

Posted in Whathaveyou on June 23rd, 2017 by JJ Koczan

Neurosis have already been to Australia and New Zealand this year, and next month they head to Europe for select shows around a performance at Roskilde Festival in Denmark ahead of a North American stretch alongside Converge and Amenra, but they’re still not done. 31 years into one of underground music’s most influential tenures, the band will head to South America for the very first time this December, playing Brazil, Argentina and Chile on shows presented by Abraxas in support of their 2016 album, Fires Within Fires (review here). Adding another continental notch to their collective belt is significant, but it seems all the more perfect in terms of timing as the band look back over the stretch of their career at the same time while adding new accomplishments in creativity and reach. I have no doubt these shows will be utter madness, and rightfully so.

Guitarist/vocalist Steve von Till offers some comment below, and you’ll find all Neurosis‘ dates down there in blue as well, courtesy of the PR wire:

neurosis south america tour

NEUROSIS To Play Their First-Ever South American Shows In December; European And North American Summer Dates Loom

Thirty years of anticipation will come to an end this December: South American fans can finally experience the live intensity of heavy music pioneers, NEUROSIS. For the first time, the band will bring its cathartic live experience to South America, performing three shows in Brazil, Argentina, and Chile.

“We are honored and humbled by the opportunity to experience a new sonic adventure on a new continent,” says Steve Von Till. “Finally, after all this time, we are able to come to South America and experience first-hand the legendary and passionate heavy music scene there.”

Over three decades, NEUROSIS has produced eleven studio albums, performed on stages around the planet – each record, each song, each show and each studio experience pushing the band one step further along on a lifelong path of spirit and sonic experimentation. For the first time in South America, local audiences will feel the trance like power of NEUROSIS’ massive riffs. These South American shows are produced by Brazilian booking agency Abraxas in partnership with Xaninho Discos, beginning in São Paulo, Brazil, on December 8th at Clash Club, followed by shows in Buenos Aires, Argentina, on December 9th at Teatro Vorterix and Santiago, Chile, December 10th at Club Blondie. Ticket information for these three shows will be announced in the coming weeks.

NEUROSIS’ Summer tour is rapidly approaching, beginning with a European venture the first week of July, leading with a set at Roskilde Festival and followed by shows with Wolfbrigade, Author & Punisher, labelmates Dark Budda Rising, and more. In late July and early August, NEUROSIS will storm the Eastern US and lower Canada with a week-and-a-half of tour dates alongside Converge and labelmates Amenra. This tour will be followed by NEUROSIS’ participation in Psycho Vegas in Las Vegas, August 18th through 20th, performing with the likes of King Diamond, The Brian Jonestown Massacre, Swans, Sleep, The Melvins, Wolves In The Throne Room, and countless others. NEUROSIS will also headline the Days Of Darkness festival in Baltimore, Maryland on October 28th and 29th, the two-day gala also including sets by Manilla Road, Om, Cirith Ungol, Warning, Captain Beyond, Boris, Elder, and many more.

Released in September, NEUROSIS’ acclaimed Fires Within Fires is available now on CD, LP, cassette, and all digital platforms through the band’s own Neurot Recordings; see all bundles and options RIGHT HERE.

NEUROSIS Tour Dates:
7/01/2017 Roskilde Festival – Roskilde, DK
7/02/2017 Kraken – Stockholm, SE w/ Wolfbrigade & Author & Punisher
7/03/2017 Pustervik – Gothenburg, SE w/ Author & Punisher
7/04/2017 Tavastia – Helsinki, FI w/ Dark Buddha Rising
7/05/2017 Eistnaflug – Neskaupstadur, IS
7/27/2017 Empty Bottle – Chicago, IL w/ Amenra
7/28/2017 Thalia Hall – Chicago, IL w/ Converge, Amenra
7/29/2017 St Andrews – Detroit, MI w/ Converge, Amenra
7/30/2017 Rex Theatre – Pittsburgh, PA w/ Converge, Amenra
8/01/2017 Metropolis – Montreal, QC w/ Converge, Amenra
8/02/2017 Danforth Music Hall – Toronto, ON w/ Converge, Amenra
8/03/2017 College St. Music Hall – New Haven, CT w/ Converge, Amenra
8/04/2017 Warsaw – Brooklyn, NY w/ Converge, Amenra [SOLD OUT]
8/05/2017 Warsaw – Brooklyn, NY w/ Converge, Amenra
8/06/2017 Royale – Boston, MA w/ Converge, Amenra
8/07/2017 Union Transfer – Philadelphia, PA w/ Converge, Amenra
8/18-20/2017 Hard Rock Hotel & Casino – Las Vegas, NV @ Psycho Las Vegas
10/28-29/2017 Ram’s Head Live – Baltimore Maryland @ Days Of Darkness
12/08/2017 Clash Club – São Paulo, BR
12/09/2017 Teatro Vorterix – Buenos Aires, AR
12/10/2017 Club Blondie – Santiago, CL

http://www.neurosis.com
http://www.facebook.com/officialneurosis
https://neurotrecordings.merchtable.com
http://www.twitter.com/neurosisoakland
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

Neurosis, Fires Within Fires (2016)

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Friday Full-Length: Neurosis, A Sun that Never Sets

Posted in Bootleg Theater on May 26th, 2017 by JJ Koczan

Neurosis, A Sun that Never Sets (2001)

It is arguable that A Sun that Never Sets represents the moment when Neurosis most defined the course of what would come to be called post-metal. In fact, I’ve argued it several times. It’s not a hard argument to make, and if you’ve ever heard the album, which was released by Relapse Records in 2001 as the seventh outing from the Oakland-based outfit, you very likely already know where I’m going with this. It’s the riff. That riff. Neurosis end A Sun that Never Sets with “Stones from the Sky,” and to this day, every post-metal record I encounter in one way or another — often in directly ripping it off — tries to capture that moment where the sweeping final riff of the album devolves and deconstructs into a genuine cacophony of noise before cutting out like a transmission from another world has just been shut down. I’m not going to take anything away — at all — ever — from the work Neurosis did on albums like 1992’s Souls at Zero, 1993’s Enemy of the Sun, 1996’s primal Through Silver in Blood or the sprawling chaos of 1999’s Times of Grace. Neurosis‘ output has always been and still is marked and defined by a forward creative development — it continued after this record as well — but to consider A Sun that Never Sets anything less than a landmark in that process is to simply miss the point.

The difference? Patience. A sense of brooding in the title-track. The flow of arrangements in “The Tide” and “From the Hill” early on. Comprised of guitarist/vocalists Scott Kelly and Steve Von Till, bassist/vocalist Dave Edwardson, keyboardist/sampler Noah Landis and drummer Jason Roeder, Neurosis were no strangers to intensity. Going back to their earliest hardcore punk output on 1988’s Pain of Mind debut or 1990’s The Word as Law, it was an essential ingredient, and it has remained one even as they passed their 30th anniversary, but listening to songs like “Crawl Back In” and the tribalist “From Where its Roots Run,” A Sun that Never Sets brimmed with a tension that even Times of Grace had only begun to explore, and while it would ultimately be in “Stones from the Sky” that that tension found its (merciful) release, the lurch of pieces like “Watchfire” or the earlier “From the Hill” seemed nearly orchestral in its swell and cascade, providing the listener with a progressive course of ups and downs that stretched across a masterfully executed, deeply textured 68 minutes that served as one of the best and most pivotal albums of its decade — all the more an accomplishment for being released in the first year of it. From the drum march that begins the title-track to the noise experiments in intro “Erode” and the penultimate interlude “Resound,” A Sun that Never Sets turned volume into ritual, and it remains singular in its dynamic, both within the Neurosis catalog and in the wider sphere of heavy music as a whole. As many as have tried to imitate it — and who could argue with trying? — none have found results that come close to touching its power, presence or vision.

And of course, for Neurosis, it was another step along the way. They’d soon enough develop Neurot Recordings as an outlet for their own material, solo works, and other artists admired by the band, today resulting in one of the underground’s most respected imprints. 2003 brought the Neurosis & Jarboe collaboration and 2004 pushed further into atmospheric soulfulness with The Eye of Every Storm — and if you don’t know what I mean by “soulful,” revisit “A Season in the Sky” — and saw the band all but absent from touring before 2007’s Given to the Rising reintroduced a more aggressive feel and stark trades in volume. Density of intent persisted through the vast scope of 2012’s Honor Found in Decay (review here), and as they looked back on 30 years together with special live sets and a return to prominence as a touring act, last year’s Fires Within Fires (review here) continued to forge new creative ground even as it embraced some of their rawest and most seething output since their earliest days. Through these changes and the ongoing evolution of Neurosis as a project, they have always remained committed to a natural progression, and taken in succession, their albums tell a story of that progression across a span of decades in one of heavy music’s richest and most individualized histories.

Neurosis don’t exist in a vacuum, and with releases as essential as A Sun that Never Sets, the temptation is often to see them that way — which is to say it’s not the only record that helped shape post-metal — but there’s no question they stand among the most important groups of their generation, and as an audience we’re all the more fortunate that their contributions are as ongoing as they are distinctive.

As always, I hope you enjoy.

This coming Monday is the Memorial Day holiday here in the States. It is an unfortunate cause for celebration, what with the perpetual war generally and the ensuing jingoism and unthinking patriotism that always seems to accompany the day — even the baseball teams wear camo; it’s a downer — but a day off is a day off, and at this point I’ll take it.

I took today off as well and The Patient Mrs., the impending Pecan, the little dog Dio and I all came down to Connecticut last night to spend an extra day at the beach. Four day weekend? Shit yeah, son. That’s the way life should always be.

After some debate on the matter at the office this week, my final day of work is June 16. As you might imagine, my feelings on this are somewhat conflicted. Happy to not be working anymore; worried about the prospects of no income, excited, curious and a bit terrified at the notion of being a stay-at-home dad come October. Wondering if something comes next or if I’m leaving the workforce for good at 35. Kind of a scary thought.

I’ve been giving serious thought of late to taking a few classes and setting up an office as some kind of nutrition counselor, trying to help people frame how they think about food and how it interacts with their life. Since I’ve lost (just over) 170 pounds in the last year and a half, I’ve gotten many questions from people about how I did it, how I feel, how they might go about losing weight, and so on, and I think from just hearing out their stories to helping plan a week of meals, that’s something from which I might derive professional satisfaction. Plus, I’d be working for myself, which is basically the only way I would want to work at all at this point. Done with offices. Done with other people. Done with the culture of professionalism. If I can’t have my dog around when I’m working, then that’s work I don’t want to be doing.

We’ll see how that goes. I get these ideas. Pipe dreams 95 percent of the time. Plus I’ve been on anti-depressants now for about three weeks, so if I was ever going to have a I’m-gonna-change-my-life-type notion, I need to recognize that this is probably the time it would happen. Ambition as symptom of chemical change. “My brains are going into my feet,” and so on.

As regards business, here’s what’s in the notes for next week, subject to change as always:

MON: Demon Head review & Drug Honkey video.
TUE: Witchthroat Serpent track premiere & Arbouretum video.
WED: Six Dumb Questions with Abrams.
THU: Second Coming of Heavy review.
FRI: Anathema review.

Kind of a quiet week thus far, with the holiday and whatnot, but I expect things will pick up toward the end and there may be some shuffling as per usual. That Anathema review is set in stone though. The Second Coming of Heavy one I’ve already moved a few times, so that should probably get done as well. I don’t know. It’ll come together. Not worried about it.

Traditionally one barbecues for Memorial Day, and I expect my feed on Thee Facebooks this weekend will be full of showoff pictures of various smoked/smoking meat products, beers, and so on. That’s cool. Whatever you’re up to, I hope it’s a great time. Be safe and have fun. Listen to good music, because that makes good days even better.

Thanks for reading and please take some time to check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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Desert Survival: How to Do Psycho Las Vegas on a Budget

Posted in Whathaveyou on May 18th, 2017 by JJ Koczan

psycho las vegas 2017 banner

Hey, if you’re going to go broke, let’s face it: You’re not likely to run into many causes as worthy as the lineup culled together for Psycho Las Vegas. It ain’t cheap — any event that advertises a payment plan obviously knows it’s a considerable ask — but whether you’re going to see Slo Burn for their only US gig or King Diamond doing Abigail or Mulatu Astatke because going to see Mulatu Astatke is a life-event, the arguments in favor are plentiful and convincing. Whatever else you want to say, Psycho Las Vegas is the first annually-held American festival with a focus on heavy and underground rock to really establish itself as world class.

That in itself is a reason to support the cause, whether it’s through a day ticket or a pass for the entire weekend, but it doesn’t necessarily lesson the expense of making the trip or staying in one of the US’ most lucrative tourist traps, let alone things like band merchandise, meals and the occasional adult beverage if you’re inclined to have one. The thought of seeing NeurosisSleep and Carcass share a stage over the course of a weekend or watching Conan, the new trio-incarnation of Pentagram and Yawning Man poolside or from the balcony of a room in the Casino Tower is incredible, and after hearing stories from those who undertook the journey in 2016 or attended the prior Psycho California in 2015, the idea wants nothing for appeal. Fiscal issues can be a bummer. By the time August rolls around, I’ll have been out of paid work for two months. I know how it goes.

And I’m hardly the most responsible person when it comes to money, but the truth of the matter is there are ways to mitigate costs for travel, lodging and other concerns, and if the thing preventing you from picking up a ticket to the show has been the seeming impossibility of affording a stay at the Hard Rock or of finding a cheap-enough flight to get there, maybe it’s worth trying to shift finances around to make it happen. Music is important, and when debt collectors are spamming your phone it’s hard to think about the non-cash value of life experiences, but the fact is the bills you need to pay will still be there. The bill with Corrosion of Conformity in a lineup alongside Kylesa‘s Laura Pleasants, Domkraft, Swans, Elephant Tree and Heavy Temple? Much less so.

Here are a few pointers that hopefully can save you a couple bucks. Some of it’s day-one stuff, but things like hotel picks and transportation nuances are good to know either way.

Check it out:

psycho-las-vegas-2017-poster

Flying In
• Buy tickets on a Tuesday for the cheapest rates.
• Use a discount flight search.
• If you can, fly in on Thursday and leave on Monday for better rates, search different days and times to come in and leave.
• Book early. Rates go up in the summer.

Getting There
• Ride apps cost less than cabs.
• The Hard Rock is less than a mile from the airport. Cheap trip anyway.
• There are free shuttles from most Vegas hotels to the strip and tourist attractions.

Staying There
• This one is huge… don’t stay at the Hard Rock if you can’t afford it! Alexis Park, RUMOR, Red Roof Inn are all across the street and cheap. Scope out a position on a map if you need to; that’s what Street View is there for.
• Partner up to share rooms. You’ve got social media and it’s not like you’re going to do more than sleep and (hopefully) shower there anyway. Might as well join forces and save expense where you can.

Drinks
• BYO. Vegas has open-container laws. If you think hooch is too expensive at the Hard Rock, get loaded on the sidewalk before you go in.
• One way or another, hydrate. You’re staying in the desert in August. Don’t be stupid.

Psycho Las Vegas 2017 Lineup
Abbath, Ace Frehley, Black Anvil, Blood Ceremony, The Brian Jonestown Massacre, Buzzov*en, Carcass, Celeste, Chelsea Wolfe, Cirith Ungol, Cloud Catcher, Code Orange, Conan, Corrosion of Conformity, Cough, Cult Leader, Cult Of Luna With Julie Christmas Diamond Head, Domkraft, Earthless, Elephant Tree, Eternal Tapestry, Fister, Floorian, Gatecreeper, GEQ, Gojira, Gost, Graf Orlock, Heavy Temple, Hollow Leg, Inter Arma, Khemmis, King Diamond, Laura Pleasants & Special Guests, Magma, Manilla Road, Merlin, Minsk, Morne, Mothership, Mouth of the Architect, Mulatu Astatke, Murder City Devils, Mustard Gas & Roses, Myrkur, Neurosis, North, Oathbreaker, Pelican, Pentagram, Psychic TV, The Rods, Ruby the Hatchet, Sasquatch, Saturndust, Sleep, Slo Burn, Slomatics, Snail, Sons of Otis, Sumac, Summoner, Swans, The Skull, Toke, Urchin, Usnea, Vhol, Weedeater, Windhand, Wizard Rifle, Wolves in the Throne Room, Yawning Man, Year of the Cobra, Youngblood Supercult, Zeal & Ardor.

http://www.vivapsycho.com
https://www.facebook.com/psychoLasVegas
https://www.instagram.com/psycholasvegas

Pentagram, “Relentless / Broken Vows” Live in Richmond, VA, 2017

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Neurosis Announce Summer Tour with Converge and Amenra

Posted in Whathaveyou on April 10th, 2017 by JJ Koczan

You know, the trouble is, Neurosis announce a summer tour — or pretty much anything — and then I go to their merch webstore, and then I stare longingly at the half-oxblood/half-black vinyl reissue of The Eye of Every Storm AGAIN. And then I get sad. So yeah, don’t get me wrong, I’m stoked at the prospect of seeing them play again, maybe in Connecticut, maybe in Montreal if I’m unemployed and doing the bohemian thing by then, or maybe a trip to Brooklyn is in order, but wherever it happens, my enjoyment of that prospect is tempered by the simple fact that I don’t own that LP. It’s even on sale right now through the end of the month. The Patient Mrs. response? Literally, “Buy it. I don’t give a fuck.” But she does. I hear we haven’t paid the water bill in six months.

My fiscal concerns notwithstanding, we’ll see if I last through April without placing that order. In the meantime, you can check out the latest tour dates for the post-metal forebears below. They go supporting last fall’s scathing Fires Within Fires (review here) and in the substantial company of Converge and Belgian acolytes Amenra, as the PR wire affirms:

neurosis tour poster

NEUROSIS: North American Summer Tour With Converge And Amenra Announced

NEUROSIS declares new tour dates for 2017, announcing a new run of North American Summer performances with Converge and Amenra.

As the band continues to perform the works from their acclaimed eleventh studio album, Fires Within Fires, the upcoming tour will find NEUROSIS bringing their immersive live experience to the East Coast and Midwestern US, and Southeastern Canada. The tour will embark out of Chicago on July 28th, with shows in Detroit, Pittsburgh, Montreal, Toronto, New Haven, Brooklyn, Boston, and Philadelphia confirmed through August 7th. Iconic punk/metal experimenters Converge will supply direct support for NEUROSIS, and leading the charge will see Neurot labelmates Amenra making their long-awaited return to North American shores.

NEUROSIS is also confirmed to headline the Days Of Darkness festival in Baltimore, Maryland on October 28th and 29th, the two-day gala also including sets by Warning, Manilla Road, Elder, Gost, Unearthly Trance, Dälek, and Bongripper, and more. Additional NEUROSIS tour dates are to be expected.

Released in September, NEUROSIS’ acclaimed Fires Within Fires is available now on CD, LP, cassette, and all digital platforms through the band’s own Neurot Recordings; see all bundles and options RIGHT HERE.

NEUROSIS Tour Dates:
7/28/2017 Thalia Hall – Chicago, IL w/ Converge, Amenra
7/29/2017 St Andrews – Detroit, MI w/ Converge, Amenra
7/30/2017 Rex Theatre – Pittsburgh, PA w/ Converge, Amenra
8/01/2017 Metropolis – Montreal, QC w/ Converge, Amenra
8/02/2017 Danforth Music Hall – Toronto, QC w/ Converge, Amenra
8/03/2017 College St. Music Hall – New Haven, CT w/ Converge, Amenra
8/04/2017 Warsaw – Brooklyn, NY w/ Converge, Amenra
8/06/2017 Royale – Boston, MA w/ Converge, Amenra
8/07/2017 Union Transfer – Philadelphia, PA w/ Converge, Amenra
10/28-29/2017 Ram’s Head Live – Baltimore Maryland @ Days Of Darkness

http://www.neurosis.com
http://www.facebook.com/officialneurosis
https://neurotrecordings.merchtable.com
http://www.twitter.com/neurosisoakland
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

Neurosis tour trailer

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Days of Darkness Lineup Finalized: Om to Headline Second Night; Captain Beyond, Boris, Cavity, Crypt Sermon and More Added

Posted in Whathaveyou on March 9th, 2017 by JJ Koczan

The first lineup announcement for the inaugural Days of Darkness festival came through last month and brought with it confirmation that the autumnal two-dayer presented by the crew behind the Maryland Deathfest wasn’t screwing around either on scale — Neurosis headlining — or in scope, bring on board multi-genre acts from across a swath of underground styles. Well, the lineup is now complete. Om join Neurosis as headliners, and Cirith Ungol act as classic metal counterpart to the previously-announced Manilla Road near the top of the bill. Sizable additions like Captain Beyond, and Boris join the likes of WarningDälek and Elder — whose new album will be out by then — and Bongripper and Unearthly Trance find further tonal-onslaught companionship with word that Cavity will take part. All in all it looks like a pretty fucking good show.

Tickets are on sale now, and though they might not go before Maryland Deathfest proper, held in May as ever, I would be surprised if there were any left by the time Oct. 28 and 29 gets here. I’d think Neurosis or Om could probably sell out Rams Head on their own, never mind with the stellar support cast they’re both given across the Saturday and Sunday event. Bringing in Om has me wondering if maybe they’ll have a new record release coming up — that’s a long trip to the East Coast — but that might just be wishful thinking on my part. Either way, they’ll of course find welcome once they hit the stage, because they’re Om, and only jerks don’t like Om. That’s science. It’s proven.

Here’s the poster and the lineup as posted by the fest, as well as the link to get tickets:

days-of-darkness-2017-final-poster

Maryland Deathfest presents: Days of Darkness Festival

October 28 & 29, 2017
@ Rams Head Live, Baltimore, MD

Saturday, October 28th:
Neurosis
Manilla Road
Captain Beyond
Perturbator
Elder
Cavity
Dance with the Dead
Dälek
Computer Magic
Crypt Sermon
Alms

Sunday, October 29th:
Om
Cirith Ungol
Warning
Boris
GosT
Unearthly Trance
Le Matos
Bongripper
Magic Sword
Night Demon
Asthma Castle

No refunds. All sales final!

https://www.eventbrite.com/e/days-of-darkness-festival-tickets-31832083619
https://www.facebook.com/events/257886397969977/
http://www.facebook.com/daysofdarknessfestival
https://www.facebook.com/MarylandDeathfest/

Om, Live at Saint Vitus Bar 2015

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Steve Von Till’s Harvestman to Release Music for Megaliths May 19

Posted in Whathaveyou on February 22nd, 2017 by JJ Koczan

It’s been seven years since last we heard from Harvestman, the could-go-anywhere, tripped-out experimentalist alter-ego of Neurosis guitarist/vocalist Steve Von Till. That outing was a Hawkwind tribute three-way split with U.S. Christmas and Minsk (review here), and the project’s last proper album was In a Dark Tongue (review here), which preceded in 2009. Of course, Von Till has been plenty busy in the interim, with two Neurosis albums in 2012’s Honor Found in Decay (review here) and last year’s Fires Within Fires (review here) — and perhaps even more crucially, that band’s return to prominence as a touring act — as well as his 2015 solo outing, A Life unto Itself (review here), but that’s all the more reason to think he wouldn’t be reviving Harvestman at all if there wasn’t something he specifically wanted to say with it as his vehicle.

One more reason to look forward to Music for Megaliths, the new Harvestman full-length, which is due out May 19 on Neurot Recordings. Self-recorded and mixed with a guest appearance by Neurosis drummer Jason Roeder (also of Sleep), it may be a long while coming, but I’ve no doubt the album’s resonance will be something taking place far outside of time.

The PR wire brings the available details:

steve-von-till-photo-niela-von-till

HARVESTMAN: Neurosis Frontman Steve Von Till’s Exploratory Project Returns With Music For Megaliths

Neurot Recordings presents the fourth full-length recorded document from HARVESTMAN – one of Neurosis vocalist/guitarist Steve Von Till’s solo ventures – with the impending release of Music For Megaliths.

As with prior HARVESTMAN and other solo releases by Steve Von Till, Music For Megaliths sees the artist handling a wide array of instruments and approaches, including vocals, electric and acoustic guitars, bass, synthesizers, hurdy gurdy, effects, and more, fully performed, recorded, and mixed at his own The Crow’s Nest studio in Northern Idaho. Neurosis’ Jason Roeder also provides drums to the album’s fifth track, “Levitation.” The seven sonically and mentally expansive tracks were mastered by James Plotkin, and the album completed with artwork by Thomas Hooper.

Confirming the album for release on May 19th, Neurot has unveiled the artwork, track listing, and more for the exploratory new album, with audio samples and more to be released in the coming weeks.

Music For Megaliths Track Listing:
1. The Forest Is Our Temple
2. Oak Drone
3. Ring Of Sentinels
4. Cromlech
5. Levitation
6. Sundown
7. White Horse

“Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Over the course of three albums, Steve Von Till has, under the guise of HARVESTMAN, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, his latest album, Music For Megaliths, further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the “kosmische” outposts of krautrock and noise: not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all.

Recorded over a period of several years in the dawn hours of creation, Music For Megaliths is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole. Utilizing repetition, manipulation, and modulation, it’s a hallowed frequency dial that ranges across the pulse-regulated drone of “The Forest Is Our Temple,” revving up like a generator powered by arcane currents, the blissful gaze of “Ring Of Sentinels,” “Sundown”‘s ominous waves of interference and “White Horse”‘s rite of dissolution and regeneration, nomadic and devout. Music For Megaliths is a crossing over, whose multiple routes are testament to a singular and sensuously dilated vision.” – words by Jonathan Selzer, 2017

https://www.facebook.com/heathenpsych
https://harvestman.bandcamp.com
https://www.facebook.com/SteveVonTill
http://www.neurosis.com
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings
https://neurotrecordings.bandcamp.com
https://twitter.com/OfficialNeurot
neurotrecordings.merchtable.com/artists/harvestman

Harvestman, In a Dark Tongue (2009)

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Days of Darkness Festival First Lineup Announcements: Neurosis, Warning, Elder, Unearthly Trance and More to Play

Posted in Whathaveyou on February 10th, 2017 by JJ Koczan

Expand or die, right? Certainly the idea isn’t a new one for the crew behind the famed Maryland Deathfest, which already has brand extensions in place in California and the Netherlands, but the newly-announced Days of Darkness Festival — for which early-bird tickets are on sale circa now — feels immediately different. Set for late October at the Rams Head Live, for one thing, it takes place in Baltimore, the home-base of the Maryland Deathfest itself. Second, it abandons the “Deathfest” title, in favor of the less genre-adherent “Darkness.” Third, its lineup seems way more of the doomed/post-metal/psychedelic/classic metal variety than any of the extremity one might find at the other Deathfest-promoted fests. These things make Days of Darkness 2017 distinct. The fact that Neurosis headline and Warning will appear playing Watching from a Distance in its entirety — something they’re also doing at Roadburn this April — means they mean business.

Compared to the core Maryland Deathfest, which runs four days at this point, the two for Days of Darkness feels a bit like testing the waters, and indeed that may be exactly what’s happening, but while a number of heavy festivals have popped up and disappeared after one shot — whither thou, Planet Caravan? — far fewer have the kind of production machine behind them as this one. Accordingly, one looks forward with great anticipation to seeing how Days of Darkness 2017 continues to develop its lineup and set itself apart not only from the central Deathfest brand, but also the slew of heavy fests in what seems to still be a surging US sphere.

More to come, in other words. Here’s the initial word in the meantime:

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Maryland Deathfest presents: Days of Darkness Festival

October 28 & 29, 2017 @ Rams Head Live – Baltimore, MD

Lineup:
Neurosis
Warning (Watching from a Distance set)
Manilla Road
Elder
GosT
Unearthly Trance
Dälek
Bongripper

A limited amount of early bird passes go on sale this Friday, February 10th at 11 am EST. Save the link:
https://www.eventbrite.com/e/days-of-darkness-festival-tickets-31832083619

Many more bands will be announced soon!

https://www.facebook.com/events/257886397969977/
http://www.facebook.com/daysofdarknessfestival
https://www.facebook.com/MarylandDeathfest/

Warning, Watching from a Distance (2006)

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