Nebula Interview & Full Album Stream Pt. 3: Dos EPs

Posted in audiObelisk, Features on February 27th, 2018 by JJ Koczan


[Click play above to stream the new reissue of Nebula’s Dos EPs in its entirety. Album is out March 2 via Heavy Psych Sounds.]

Please note: This interview is part three in a series of three. Part one is here. Part two is here.

With its graceful execution of desert psych in “Back to the Dawn,” the full-on fuzz assault of “Fall of Icarus” and the quintessential nodder groove and Rhodes-infused jammy excursion of “Fly On,” Nebula‘s Dos EPs represents the end of an era. It was originally issued in 2002 via MeteorCity, and it’s the last of the band’s releases to feature the trio’s original lineup of guitarist/vocalist Eddie Glass, bassist Mark Abshire and drummer Ruben Romano. That in itself would be enough to earn it a place as a footnote in heavy rock history, but while it was culled together by collecting tracks from two prior short outings and thee previously unreleased cuts, here’s the thing about Dos EPs: it worked really well as a full-length album.

Eerily well.

Better, certainly, than it should have. Credit to the flow in Nebula‘s material generally, I suppose, that the 11 tracks on Dos EPs should just be molten enough generally to ooze together as a cogent single offering despite being captured in different sessions and initially put out separately in 1999 as the Man’s Ruin-released Sun Creature EP — “Rollin’ My Way to Freedom,” “Sun Creature,” “Smokin’ Woman” and “Fly On” — and a split with Sweden’s Lowrider — “Anything from You,” “Full Throttle,” “Back to the Dawn,” “Fall of Icarus.” These plus the new songs “Rocket,” the maddenly infectious “Long Day” and “Bardo Airways” comprise Dos EPs, and in so doing end up summarizing the scope from hard-driving heavy rock à la most-stoned-Motörhead to kraut-inspired layers of acoustic and electric guitar swirl. Though technically speaking, 2001’s Charged was the final Nebula long-player to be recorded with GlassAbshire and Romano, more often it’s Dos EPs marked out as the last full-length work the band did before they jumped from Sub Pop to short-lived Century Media offshoot Liquor and Poker Records and, losing Abshire in the interim, released  Atomic Ritual in 2003.

The new remaster of Dos EPs from Heavy Psych Sounds — aside from sounding fucking fantastic, as you can hear in the player above you stream the album ahead of its official March 2 release date– reorders the songs so that they apprear not mixed together as they originally were, but in the order from their initial releases. That is, you get the Lowrider split tracks, then you get the stuff from Sun Creature, then you get the material that had yet to show up anywhere else. Then of course on this version there are two bonus tracks included. This gives Dos EPs a somewhat more organized and linear feel, though again, the real highlight of the thing is the vibe Nebula are able to bring to bear in these songs. It’s something that, across whatever the band did afterwards and no matter who was involved, would never be quite the same again.

Before I wrap up this series, I’d like to thank Ruben Romano (now of The Freeks) personally for taking the time to discuss these three releases. It’s been great getting his side of the story about what any consider Nebula‘s highlight years. Thanks as well to Claire Bernadet for facilitating. The final Q&A follows here.

Please enjoy:

nebula dos eps

Where did the idea come from to compile Sun Creature and the Lowrider split onto a single disc? What about adding “Rocket,” “Long Day” and “Bardo Airways” to that mix? Do you consider Dos EPs a full-length album?

I think it was recording those three songs that gave us the idea to combine the two EP’s. It was like, we got three kick ass songs! What are we going to do with them? Man’s Ruin was done and the Sun Creature EP reverted back to us. MeteorCity was looking for a second release, whether it was a contractual thing or not I don’t know. Can’t remember everything. But Jadd Shickler was stoked on putting the MeteorCity stamp on it, so yes, we turned it into a full-length that never got released on vinyl until now with these reissues.

How did working with Man’s Ruin come about for Sun Creature? What did you think when you first saw Frank Kozik’s cover art? How about getting paired with Lowrider for that split? How did the two of you get hooked up?

I think that just being on the road a lot at that time, being a band from that era and in that scene is how it really came down to happening. Having the Fu Manchu connection, the Kyuss and QOTSA connection on top of kicking ass is how we got in with Frank and Man’s Ruin.

I have always enjoyed rock art! I have no idea how it happened but all of a sudden, in high school, I started receiving “art rock” catalogs. They were like 10-page pamphlets selling old rock posters from Rick Griffin, Stanley “Mouse” Miller, Victor Moscoso, etc. I would gaze at them for hours. It also featured comic art like Furry Freak Brothers, Wizard of Id, and a lot of Crumb. So when Kozik came around and then started dealing music I was thrilled. I expected more of that Kozik comic book character cover, like the label’s cat logo or his classic bunny rabbits, so when I saw this girl eating a mango I was totally surprised. And I thought to myself, She’s HOT!!!

We had nothing to do with the pairing with Lowrider, Man’s Ruin did all that. However, I remember the first time I met Peder [Bergstrand] from Lowrider, it was at Loppen in Christiania. This was way before that split happened, I believe we were touring with Unida at that time. I feel bad now because at that time he kind of annoyed me because I was trying to eat and he kept asking me questions that I couldn’t answer because I had food in my mouth. But after that, and then with the split, we became friends. Then I once had a random encounter with him in Barcelona, Spain. Ran into him while we were both on holidays, so we got our ladies and went out and had dinner together. I can say I’m totally still friends with him, a cool and funny person for sure.

This was the last release with the original lineup. Looking back on it now, how do you feel about what you, Eddie and Mark were able to accomplish in those early years together? Any specific memories of recording or touring you’d like to share from this time?

They were my brothers, I was completely and totally loyal to Nebula at that time. I mean, I was totally loyal to Fu Manchu as well when I was a part of that. When I’m into something, I’m into it 110 percent. I declined so many invitations and missed opportunities to jam with other people and other bands because I was already in a band that I truly believed in, admired and was devoted to. We were a gang! We did accomplish a lot, there’s no doubt about it. The memories I have could fill a book — how cliché is that? — but it’s true.

From tour managers getting into fistfights with bus drivers to getting teeth knocked out trying to tackle the roadie. From getting left behind in Sweden while the bus is already in Denmark. Hitting every go kart track that we saw on the highway no matter how late we were. Having to save someone from imminent jail time for tossing a cigarette butt on a Spanish tarmac while flipping the bird at the pilot because I was the only one who spoke Spanish. Always looking back and Ninja Luke always being there without fail and on cue ready to torch the gong! Being told “Hey, those aren’t walnuts, those are psychedelic truffles! Did you eat all those?”

All those times and many more were all specific! The places I’ve seen, the people I met and the friends I’ve made. Man, I loved touring and those two were right there beside me.

Anything else you’d like to say about Dos EPs in particular?

Out of all these reissues, I always loved the cover for Dos EPs the best. Taken from a book cover I found in the children section of the public library entitled “LSD” and having Mark superimpose us within it. It came out beautiful! I am so stoked to finally see that one released as a 12”.

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Nebula Interview & Full Album Stream Pt. 2: To the Center

Posted in audiObelisk, Features on February 13th, 2018 by JJ Koczan


[Click play above to stream the new reissue of Nebula’s To the Center in its entirety. Album is out Feb. 16 via Heavy Psych Sounds.]

Please note: This interview is part two in a series of three. Part one is here. Part three arrives Feb 27.

Recording with Jack Endino.Road-dogging it on tour so you don’t have to say home and pay rent. Signing to Sub Pop after running into label head Megan Jasper in the produce aisle at a grocery store and winding up signed to of the most influential undergoing imprints of all time as a result. Seeming to consume an entire interstellar mycelial network of mushrooms in the process. To hear original drummer Ruben Romano tell it, it was just all part of being in Nebula around the time of their 1999 debut LP, To the Center.

No wonder it’s one of the best stoner rock records of all time, with a band of laid back electric and acoustic guitars, a bevvy of languid desert grooves and some more driving fare for the punkers in the crowd. Nebula‘s proper debut EP, Let it Burn (discussed here). Still, as Nebula were living out this process of rock and roll daydreams, all was no exactly well in the band, and by the time they got around to releasing 2001’s Charged, their second and final offering for Sub Pop, it would prove to be the final outing for the original Nebula lineup of Romano, guitarist/vocalist Eddie Glass and bassist Mark Abshire as well.

But at this point, with To the Center and its languid blend of more-laid-back-than-thou riffs and acoustic strums, psychedelic sitars and space rocking freakout jams, with its Randyo Holden and Stooges covers — “Between Time” and “I Need Somebody,” respectively — it was a goddamn party and it certainly sounds like one on the album. In the interview that follows, Romano tells a couple quick but choice stories about what it was like to be in Nebula at this time.

You’ll find the Q&A under the artwork for To the Center, which again, is out on Heavy Psych Sounds Feb. 16.

Please enjoy:

nebula to the center

To the Center Q&A with Ruben Romano

How did the band change coming off of Let it Burn and moving into To the Center? Was there anything specific you knew you wanted to do from one release to the other?

What changed was that we now were total road dogs. Touring was all we did and when we were not on the road we were always in the rehearsal room. The specific thing that we wanted to do from one release to the other was to keep on doing it! All we wanted was to keep Rolling our way to Freedom.

Tell me about writing the album. How did the songs come together and what was that period of time like for you as a band?

We toured so much that we became a super tight band and things happened naturally. Playing with Eddie and Mark came easy. While we were on the road we would be jamming a riff at soundcheck, those brief in between tour moments were spent in rehearsal rooms jamming. Eddie also had a back catalog of four-track demo songs that we pulled from, and one that he wrote with his friend Neil Blender was pulled as well. Then jamming on covers of songs that we all loved, liked The Stooges and Randy Holden started sounding and feeling good. So we included those as well and all of a sudden we had 12 songs that comprised To the Center. At that period of time the band was extremely busy. It kept us from having to pay rent, so the time off the road became shorter and shorter.

You’d already recorded with Jack Endino for Sun Creature and the Lowrider split. What was it about the experience that brought you back to him? What did he capture in Nebula’s sound?

Jack was a cool guy. We worked well with him the first time around and he really dug what we were doing. I think we really impressed him during those To the Center sessions with our knowledge of great obscure underground music, like The Groundhogs. He was the biggest fan of Tony McPhee and The Groundhogs and was stoked when we brought them up in giving him production ideas of what we wanted to achieve. After that he wore his Groundhogs shirt a few times during those sessions. The other thing that he captured for Nebula was clamping the Sub Pop deal. How did that happen? Well, before that session started, we finished a European tour and flew back to New York were we crashed for a good week. That’s when we entered LoHo Studios and recorded the other half of those two EPs. If I recall properly we also just finished a deal and got signed to a label called Zero Hour. So, going into record for them, that’s where the plan to return to Jack came about as we got into the van and toured back across the

US ending in Seattle. That’s where Jack was, so returning to recording with Jack fit perfect. A week after the session started is when Zero Hour just disappeared – no contact at all! The phone was dead. Jack was so cool that he goes, “Let’s finish this anyways and figure it out later.” Now, at the same time we took a food break and, with Jack, we went to a grocery store. In that grocery store we happened to bump into Megan Jasper in the produce department. Head of Sub Pop. Her and Jack spoke a bit and that’s where the spark happened, that’s how we got connected to Sub Pop: a random meeting at a grocery store in Ballard, Washington.

Anything else you’d like to say about it in particular?

I liked Ballard, Washington. What a great memory!

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Heavy Psych Sounds Announces Vol. III Label Sampler

Posted in Whathaveyou on February 7th, 2018 by JJ Koczan

You gotta watch out for these. They’re sneaky. Label samplers can be tricky in general — sometimes it’s nothing but rehashed tracks from years ago with one or two new songs from a band somebody’s trying to push, but with Heavy Psych Sounds, their annual sampler series has been a way of sneaking new tracks out for first public showcases. Last year, new Black Rainbows showed up, and sure enough they appear here as well, and there also seems to be some new stuff from The Freeks included, which as far as I’m concerned is reason enough on its own to chase the thing down. Also Tons will have a track on there ahead of their album release in April, and new Killer Boogie, so yeah, plenty to grab onto, and even the stuff that’s already out — Mother Engine, Fvzz Popvli, The Lords of Altamont, Nick Oliveri — is all still current, and righteous. That “Kyuss Dies” song is hilarious.

Full tracklisting follows here, courtesy of the PR wire:

heavy psych sounds sampler iii

As every Year, my little dear, what we have here is: HPS074 ***HEAVY PSYCH SOUNDS SAMPLER VOL.3***

We’re so proud to announce the new Sampler, is the third year we are going to release this, and tracklist look awesome!

You will find it in your HPS boxes when you will purchase from the site, or at some good festival in Europe for free at the merch table, or on tour with HPS bands…

16th MARCH 2018

8th FEBRUARY 2018

Enjoy the tracklist!

Avon – Red Barn
Black Rainbows – High To Hell
Deadsmoke – Emperor Of Shame
Fvzz Popvli – Lost In Time
High Reeper – Die Slow
House Of Broken Promises – Toranado
Killer Boogie – Atomic Race
Monsternaut – Landslide
Mother Engine – Tokamak
Nebula – Between Time
Nick Oliveri (Kyuss Lives) – Kyuss Dies
The Freeks – American Lighning
The Lords Of Altamont – Going Downtown
Tons – 99 Weed Balloons
Turn Me On Dead Man – Vimana
Wedge – Lucid

VA, Heavy Psych Sounds Records Sampler Vol. II

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Nebula Interview & Full Album Stream Pt. 1: Let it Burn

Posted in audiObelisk, Features on January 23rd, 2018 by JJ Koczan


[Click play above to stream the new reissue of Nebula’s Let it Burn in its entirety. Album is out Jan. 26 via Heavy Psych Sounds.]

Later this week, Heavy Psych Sounds begins an exploration of Nebula‘s early works by reissuing the California fuzz-psych innovators’ 1998 debut EP, Let it Burn. It is the first of a three-part series of bonus-track-inclusive versions the label will put out from Nebula on CD and LP, and will be followed in the coming weeks by their 1999 debut full-length, To the Center (previously discussed here) and the 2002 compilation Dos EPs, covering the sum total of the output the trio released with its original lineup of guitarist/vocalist Eddie Glass, bassist Mark Abshire and drummer Ruben Romano.

Accordingly, as each new offering arrives, I’ll be hosting a full stream of the new version and a corresponding three-part interview with Romano about the making of that given release, what life was like in Nebula at the time, the band’s enduring legacy, what he recalls from the recording sessions, and much more. Today the discussion begins with recollections from the Let it Burn era.

Nebula‘s origin story is fairly well known, with Romano and Abshire departing Fu Manchu and joining on with Glass in the then-new power trio, thereby setting in motion the beginnings of a legacy that, 20 years later, is nothing if not worthy of the attention these reissues are paying it. From the rolling nod of “Down the Highway” to the already-gone-far-out shift from “Raga in the Bloodshot Pyramid” into the scorching, later-added “Sonic Titan,” Let it Burn remains the nexus point of Nebula‘s enduring and international influence.

The new version’s bonus tracks come in the form of a performance of the title-cut from Roskilde Festival in 2000 and a 1997 Glass-recorded home demo of “Devil’s Liquid” that’s as effective in capturing the urgency of the three-piece in their nascence as it is raw sounding. The Stooges would hear it and be jealous. Together, they emphasize different aspects of the force that Nebula were from their outset, and I could not be more thrilled to have Romano telling that story across this and the other two interview chapters to follow. Really. Keep an eye out for the others on Feb. 13 and Feb. 27, respectively, because this is whole thing awesome.

Please enjoy:

nebula let it burn

Let it Burn Q&A with Ruben Romano

Tell me about being in the band at this point. What was the vibe like in Nebula when you first got going?

The vibe was exciting, it was a no-holds-barred, in-your-face-type vibe with a lot of energy. We were free and ready to roll with nothing holding us back and there was nothing getting in our way. At least that was how I was feeling at the time. My ears were open, my eyes were open and my mind was open. I yelled bring it on at the top of my lungs and Eddie was right there beside me. Charge, Blitz, Attack and Kick Ass! Elevate! That was the vibe I wanted to exhibit and include everybody into. That’s the kind of record Let it Burn was and why “Elevation” was a great track to start it off with!

What do you remember about the recording process? These years later, what most stands out about the experience, and how does it feel to revisit these songs now?

We spent three days if I recall up at Rancho de la Luna with Fred Drake. It was a typical recording session in a not so typical place. Man, listening to them again brings it all back. We tracked drums with guitars together live then overdubbed all the spice on top. Eddie played his ripping leads, I played the sitar. When we did percussions, Eddie and I did it all together and live. We totally collaborated on this record.

Eddie wrote the tunes and I wrote a lot of the lyrics on that one. “Let it Burn,” “Down the Highway,” “Dragon Eye” were all majority my words and Eddie throwing in on a verse and chorus here and there. “Dragon Eye” was my favorite as it was about my hunt for the elusive Quaalude or Mandrax in the UK that disappeared around 1985. It had all the references in there like “When you hear the lion RORER, pass the 714″ — Rorer 714 was the inscription on the pill — “the sky is
lemon” (methaqualone), “yellow” (L.S.D.), “got a rainbow outside my door” (barbituates). Like I said, I opened my mind plenty at that time in my life and always had a pad of paper with a pencil in my pocket. It was cool having older cousins who told me stories about the good ones, ya know.

Back to recording, Eddie played bass on it. That’s how the Tee Pee Records version is, (the tracklisting on that version is also wrong, got “Dragon Eye” and “Vulcan Bomber” mixed up). Mark joined the band after we recorded it and then later we recorded “Sonic Titan” and “Devil’s Liquid” with him and that got added to the Relapse version of Let it Burn. At first, It was initially just a six-song demo and we actually duped about 50/100 cassettes, I cant remember how many, maybe even as little as 25, as we were broke. I drew up a silly logo and xeroxed it to make a cover for it and passed it to people looking for a label to release it.

We hooked up with Steve Kutcher and Rob Gill, whom we met at a CMJ conference while we were still in Fu Manchu, and sent them the tape. They were the only ones who would even talk to us, They wanted to manage us so we agreed and then we met Tony Presedo. I was asked to pick him up at the airport in L.A. and when I did, he had no real place to stay so I invited him to crash at our pad and that’s how it happened. Eddie and I were roommates then, subleasing a sweet condo off Alan Glass, Eddie‘s brother. We had some killer times at that place. When the leasing office found out we were evicted so fast!!

How was the response when it was first released, and what do you think has allowed Let it Burn to stay relevant 20 years later?

Our immediate friends either loved it or didn’t know how to tell us that it sucked. People weren’t fully ready for it I guess. We got that “Well, um yeah,” reaction by some and, “F’Yeah! This is INSANE!” reactions by others. As I said before, it was an in-your-face record that took a lot of chances. I mean, we had a sitar instrumental on it!!

Funny story about that: My old high school friend Tommy, who I bought the sitar from, was hanging around a lot at that time, just drifting in L.A. He’s the only one who caught the naive notion that the tune’s title was so geographically wrong! He said, “Funny that you call it a raga, from India, but include a pyramid from Egypt — that’s two totally different continents.” I responded, “Well, its got the sitar and I’ve been reading a lot of Robert Anton Wilson books about the Illuminatus, so for me it fits.” At least I had a response, right?

Anything else you’d like to say about Let it Burn in particular?

With Let it Burn we knew we had to come out of the gate kicking ass with something. The Fu thing kind of beat us down, at least it tried to, as it taught me that typical chewed up and spat out music industry thing. However, mentally we were in full motion still with so much pent up energy that Fu Manchu did not allow us to emit. We, at least I was, “C’mon already!” and when we freed up from all that, we really came on with it! It was definitely an exciting moment in my life! Definitely proud of my involvement with Eddie and this release, no doubt.

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SonicBlast Moledo 2018: Conan, Kadavar, Naxatras & Nebula Confirmed for Lineup

Posted in Whathaveyou on January 10th, 2018 by JJ Koczan

sonicblast moledo 2018 FIRSTBANNER

In the several years now that I’ve been keeping up with lineup announcements for the Portuguese SonicBlast Moledo festival, I don’t think I’ve ever encountered one that didn’t immediately set me to daydreaming about making the trip to the Iberian coastline to experience it for myself. It’s like a Pavlovian response at this point — drool and all. The first word from SonicBlast Moledo 2018 is, of course, no different, and as I sit in my dimly-lit Massachusetts kitchen with my hood up and three layers of pants on because I’m so god damned cold and cracks in my right-hand fingers so deep that it’s actually physically hurting me to type this sentence right now, August seems like the perfect time to go. Or, you know, tomorrow.

First four for SonicBlast Moledo 2018? Conan, Kadavar, Naxatras and Nebula. That’s just fun to say. Go ahead, give it a shot. Out loud.

Here’s details from the PR wire:

SONICBLAST MOLEDO 2018: Stoner Doom Psych Heavy

Sea Beach Camping Pool Surf Skate

With the dates settled for August 10th and 11th, the lineup of the eighth edition of SonicBlast Moledo starts to take shape with the first confirmations: Kadavar, Nebula, Conan and Naxatras!

Almost five years later after their debut at the third edition of SonicBlast Moledo and their exponential growth, Kadavar return to Portugal to show the best that is done within the Retro Rock world. Following their sudden cancellation on the last edition, the power trio present themselves with their newest work, entitled “Rough Times”, released by the label Nuclear Blast Records, which shows the group’s superiority to create masterpieces of 70’s influenced Hard Rock, always with the excellent capacity of incorporating new elements in their music.

Conceived by the guitarist Eddie Glass, after departing Fu Manchu, Nebula are considered, without any doubt, one of the great and more influential precursors of the Stoner Rock movement. Two decades after their formation and seven years after their indefinite hiatus, the desert legends reborn for their new space incarnation, prepared to rule any soul with their distinctive dose of energetic fuzz, frenetic feedbacks and lots of psychedelia.

Barbarians by the name and by the sound, the British Conan have been defined, for more than 10 years, as caveman battle Doom, marked by distorted devastating guitars, sepulchral voices, and instruments tuned always below the low. With their live shows, we can expect storms of dark and raw riffs, projected by overwhelming walls of sound and brutally slow tempos that put us into a monolithic hypnotism.

Although relatively young, the Greeks Naxatras have already conquered their captive place within the European underground rock. Moved by their fascinating and peaceful psychedelic, together with their nuances of dreamy Hard Rock, this power trio is distinguished by its bold touches of Jazz, Funk, Progressive or desert influences, surely providing a live trip essential to be experienced.

Kadavar, Live in Vienna, Oct. 28, 2017

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Nebula Announce Bonus Material for Let it Burn, To the Center and Dos EPs Reissues

Posted in Whathaveyou on December 26th, 2017 by JJ Koczan

I mean, don’t get me wrong, you had me at ‘Nebula reissues,’ but it looks like the impending Heavy Psych Sounds pressings for the Cali fuzz troupe’s early works — Let it Burn, To the Center and Dos EPs — will arrive with the added ceremony of some pretty cool bonus stuff. The thought of hearing the classic trio lineup playing the Let it Burn title-track at the 2000 Roskilde Festival is pretty rad, plus a home demo there, and a couple live cuts on To the Center from that era are cool too. No complaints. I think it’s Dos EPs that really comes out the winner though, with two brand new remixes by original producer Jack Endino done just this past Fall for “Anything from You” and “Rollin’ My Way to Freedom.” That’s what I’m talking about.

Again, I was already on board, but I’m especially eager to hear what Endino circa 2017 brings to the work of Endino circa ’99. What a great idea. Sign me up.

The PR wire has all the details:

nebula reissues

unveilng the previously unreleased bonus tracks of the upcoming 3 Nebula reissues !!!

We are really stoked to announce the previously unreleased bonus tracks of the upcoming NEBULA reissues: Let It Burn, To The Center and Dos EPs !!!

Let It Burn
Live at Roskilde Festival 30 June, 2000

Devil’s Liquid (Demo Version)
Recorded by Eddie Glass 1997, on 8 Track Portastudio

So Low
(Live at Knaack, Berlin, Germany May 17, 1999)

To The Center
(Live at The Empty Bottle, Chicago IL, June 9, 2000)

Anything From You
(Recorded October 20, 1999 by Jack Endino, Crocodile Seattle – Mixed November 11, 2017 By Jack Endino)

Rollin’ My Way To Freedom
(Recorded October 20, 1999 by Jack Endino, Crocodile Seattle – Mixed November 11, 2017 By Jack Endino)

LET IT BURN – 26.01.2018
TO THE CENTER – 16.02.2018
DOS EP’S – 02.03.2018

All the albums will be available in:

CD (3 Panels Digipack)
LP (Black Single Vinyl-Gatefold Sleeve)
LTD LP (Coloured Splatter Single Vinyl-Gatefold Sleeve)
(Digital available the release date of each title)

Grab your copy here:

Nebula, To the Center (1999)

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Nebula Announce Reissue Trilogy of Early Works for 2018 Release

Posted in Whathaveyou on September 28th, 2017 by JJ Koczan

The flurry of news from the camp of Nebula continues today with word that Heavy Psych Sounds has decided to do the entire universe a favor and reissue three of their crucial early works: 1998’s Let it Burn, 1999’s To the Center (discussed here) and 2002’s Dos EPs, which includes the material originally released on 1999’s Sun Creature and the Nebula/Lowrider split (discussed here). In other words, Nebula at their most unfuckwithable. The reissues are being done to celebrate the 20th anniversary of the band, and will be staggered as they come out in Jan., Feb. and March 2018, with presales for all three going live on Oct. 13.

You don’t need me to tell you how necessary these records are, though if you really want to talk about it, I’d be happy to — they’re a lot of fun to talk about — but since I wrote the press release that appears below, I’m kind of going to one way or the other anyhow.

Here’s how it all shakes out:

nebula reissues heavy psych sounds

Nebula to Reissue Let it Burn, To the Center & Dos EPs on Heavy Psych Sounds

Heavy Psych Sounds is proud to announce it will work with Californian fuzz/psych legends Nebula to reissue three of the band’s most landmark offerings. Originally released in 1998, 1999 and 2002, respectively, Let it BurnTo the Center and Dos EPs comprise an essential trilogy for worshipers of riffs and heavy desert rock, and will be made available early in 2018 as special editions to mark the 20th anniversary of the band.

When guitarist/vocalist Eddie Glass joined forces with bassist Mark Abshire and drummer Ruben Romano — both previously of Fu Manchu — they found magic together and no one before and no other band since has been able to capture that sound in the same way, though plenty have tried. With Let it Burn, they established a place for themselves between druggy psych and forward-driving fuzz rock, and as they moved through the subsequent Sun Creature EP, their split with Sweden’s Lowrider and the To the Center full-length the next year, they only grew, progressed and refined this approach into something all the more their own.

The two short releases were later compiled as Dos EPs, and the flow contained there is no less pivotal than either Let it Burn or To the Center. Working exclusively in cooperation with the original members of Nebula, Heavy Psych Sounds will release Let it BurnTo the Center and Dos EPs in January, February and March, 2018 in vinyl, limited vinyl, CD and digital editions, each containing bonus material, extra songs and more.

Says Gabriele Fiori of Heavy Psych Sounds on working with Nebula: “It is an honor to have Eddie, Mark and Ruben come together to stand behind these three issues. These records are classics and have had a huge influence on me and an entire generation of artists and I can’t wait to get them back out there for people to dig into all over again!”

Preorders begin Oct. 13, 2017. Distribution will be through Heavy Psych Sounds, Forced Exposure (US), Cargo Records (DE, UK), Clearspot (Benelux), Goodfellas (World), iTunes, Spotify, etc.

Nebula have announced 2018 live dates with the lineup of Eddie Glass, bassist Tom Davies and drummer Mike Amster (Blaak Heat, Abrams), including stops at Desertfest London and Berlin with more to follow.

Nebula, Dos EPs (2002)

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Desertfest Berlin 2018 First Announcements: Monster Magnet, Nebula, Eyehategod, Jex Thoth, Planet of Zeus & The Necromancers

Posted in Whathaveyou on September 25th, 2017 by JJ Koczan

Desertfest Berlin 2018 made its actual first announcement the other day when it unveiled that it was moving from its traditional home at Astra Kulturhaus to Arena Berlin. I’m not familiar with the space, but one assumes the move is at least in part to accommodate the gradual upping of scale that Desertfest as a whole has undertaken over the last few years.

As ever, Desertfest Berlin will apparently share a decent amount of lineup with the London incarnation of the fest, and fair enough — that’s kind of the idea — but in addition to headliners Monster Magnet and the confirmations for EyehategodNebulaJex Thoth and Planet of ZeusDesertfest Berlin 2018 will also feature The Necromancers, who’ve yet to be added to London if they will be at all, and so we see the German event beginning to cast its own shape as well.

More to come, of course. Here’s what came in on the PR wire so far:


Tickets On Sale Now!

Desert rockers! It’s about time to unveil the first bunch of bands for next year’s Desertfest Berlin, which will take place between May 4th – 6th 2018 at the ARENA BERLIN!

Ladies & gentlemen, breath in deep, as this first line-up news will come to revive your spirit: We’re more than thrilled to announce that the Spacelord, Dave Wyndorf will hit our main stage in 2018. MONSTER MAGNET comes as the first headliner we can proudly present to you today! With their hazed heavy sound on groundbreaking records such as ‘Tab’, ‘Spine Of God’, ‘Dopes To Infinity’ or ‘Powertrip’, MONSTER MAGNET transformed themselves into the Olympus of modern power rock and became the godfathers of psychedelic and stoner rock.

More big news are coming ahead, Desert Rockers! We are extremely happy that LA´s legendary psych stoner outfit NEBULA will celebrate their Re Union at our stages!!! Formed in 1997 by Fu Manchu member Eddie Glass, NEBULA have been on indefinite hiatus since early 2010 but have not broken up. We are much looking forward to welcome Eddy Glass and his gang at Desertfest Berlin 2018!

Oh and for all of you dear Sludge rockers, don’t worry we haven’t forgot about you. What about a heavy dose of mighty EYEHATEGOD in 2018? Yes, you have heard right. The kings of Sludge from New Orleans, who emerged from the Nola Metal scene since 1988 belong to the most influencing bands. Heavy, detuned, and bluesy guitar riffs, combined with walls of feedback and tortured vocals to create a harsh misantrophic vibe, EYEHATEGOD will make sure to take over our new home at the ARENA BERLIN!

Next on the bill we’re very proud to inform you, that the queen of darkness JEX THOTH will bring the Doom and Psychedelic Rock as its finest to Desertfest Berlin. Fronted by the eponymous Ms. Jessica Thoth, the Wisconsin- based 5 piece band delivers delicate tones that are soaked in mystery and aura as well as generate astounding depth atop a musical landscape of intelligently constructed Sabbath-ian blues vibes and fuzzy distortion.

Athen’s rumbling heavy rock machine PLANET OF ZEUS will set the stage on fire with their outstanding live performance. Last but not least in this announcement we are welcoming THE NECROMANCERS! This young band from France raised a lot of attention with the release of their outstanding debut album a few weeks ago.

We hope you all like this first bunch of bands and be sure there are many more exciting acts and news to follow soon! In 2018 we will break new grounds and preparing for an unforgettable Desertfest Berlin experience.

Join us in the capital of the almighty riff – DESERTFEST BERLIN 2018!!!

Limited amount of early birds avaialble now!
85 € ( + 7.-€ service fee)

Head over and make sure to get yours right HERE:

Desertfest Berlin 2018 first announcements teaser

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