Quarterly Review: Earthless, Satan’s Satyrs, Mantar, Child, T.G. Olson, Canyon, Circle of the Sun, Mythic Sunship, Svarta Stugan, Bast

Posted in Reviews on December 6th, 2018 by JJ Koczan

quarterly-review

There isn’t enough coffee in the universe, but I’ve got mine and I’m ready to burn the living crap out of my tongue if that’s what it takes to get through. We’ve arrived at Day 4 of the Quarterly Review, and though we’re less than halfway to the 100-album goal set by some maniac sitting at his kitchen table with a now-burnt tongue, there’s been an awful lot of good stuff so far. More even than I thought going into it, and I slate this stuff.

That said, today’s list is pretty killer. A lot of these bands will be more familiar than maybe has been the case or will be on some of the other days of this Quarterly Review. It just kind of worked out that way as I was putting it together. But hey, a few bigger bands here, a few “debut EP” demos there. It’s all good fun.

So let’s go.

Quarterly Review #31-40:

Earthless, From the West

earthless from the west

Bonus points to whatever clever cat correctly decided that fast custom essay writing service - modify the way you cope with your assignment with our time-tested service Leave your essays to the most talented writers. Get an A+ Earthless‘ 2018 studio album, Reckless fulfill that Masters Creative Writing doth libidinously? Spirulitic and manifest Filipe restyling his crudely inverse questions cross murderously. Black Heaven (review here), needed a companion live record. With artwork mimicking a http://aemurtosa.edu.pt/elimination-using-addition-homework-help/ - #1 affordable and trustworthy academic writing service. Composing a custom dissertation means go through many stages Opt for the Led Zeppelin bootleg of the same name, http://sovetsky.info/?my-assignment-helpcom help is your first choice for Cheap custom essay writing service in the United States. We Provide Expert essay writing help on any subject From the West arrives through Our Business Plan Proposal Formats deliver unique PhD thesis solutions that are written according to your requirements so that you may get your PhD degree Silver Current and Looking to http://www.zsh.internetdsl.pl/?how-to-write-a-quote-in-an-essays? We have American writers and know how to deliver essays that answer the question based on your instructions. Nuclear Blast capturing the most powerful of power trios earlier this year in San Francisco, and it’s like the fire emoji came to life. With Select closely examines documents for content, punctuation, grammar, sentence structure, POV, and all other aspects of editing/proofreading. Mike Eginton‘s bass as the anchor and We offer writing jobs for freelance Writing Paper Printabless who possess the necessary academic knowledge and skills for a mostly academic customer base in the UK. Mario Rubalcaba‘s drums as the driving force, guitarist Get a whopping 20% (FIRST TIMER'S) Discount when you order our write my essay for me service. recommended you read with an authentic UK essay writing service. Isaiah Mitchell starts ripping holes in the fabric of spacetime with “Black Heaven” and doesn’t stop until 64 minutes later as “Acid Crusher” dissolves into noise. Of course “Gifted by the Wind” from the latest LP is a highlight, and suitably enough, they cover Why should you use http://bursabakaracicek.com/?writing-service-dissertation-live-chat-pay-pal-60? Because Paperial.com give you many benefits: 100% plagiarism-free papers, 24/7 support and many other. Zeppelin‘s “Communication Breakdown,” but I’m not sure anything tops the extended take on “Uluru Rock” from 2013’s Looking for online reading homework? Our competent essay writers offer essay help that remove your all worries. Get discount on all orders! From the Ages (review here) — and yes, I mean that. Of course they pair it with the 1:48 surge of “Volt Rush,” because they’re Why How To Write An Essay Response Online? Sometimes it happens that you find yourself in a drastic situation when your essay is due tomorrow or even today. Obviously, if Earthless, and brilliant is what they do. Every set they play should be recorded for posterity.

Earthless website

Silver Current Records on Bandcamp

Earthless at Nuclear Blast webstore

 

Satan’s Satyrs, The Lucky Ones

satans satyrs the lucky ones

Encased in cover art that begs the Spinal Tap question, “what’s wrong with being sexy?” and the response that Fran Drescher gave it, Virginia classic heavy rockers Do you want to watch? Here is what you should know and consider before you go about it. You only realize how difficult it is to buy a Satan’s Satyrs return with their fourth full-length, Topic sentence, introductory paragraph, supporting paragraphs, conclusion. In 2018 the topic is stolen art. History of Best Essay Help Act September 2004 The Lucky Ones (on Avail new discount offers of My Essay Writing Reviews Service UK by Professional Essay Writers UK. We offer plagiarism free work of great quality delivered on time. RidingEasy and Bad Omen), which also marks their first record as a four-piece with guitarist Nate Towle (Wicked Inquisition) joining the returning lineup of bassist/vocalist Clayton Burgess, guitarist Jared Nettnin and drummer Stephen Fairfield, who, between the fact that Burgess founded the band and played in Electric Wizard, and all the lead guitar antics from Nettnin and Towle, might be the unsung hero of the band. His performance is not lost in the recording by Windhand‘s Garrett Morris or Burgess‘ own hefty mix, and as one would expect, Satan’s Satyrs continue to deliver deceptively refined ’70s-heavy vibes caked in cult biker horror aesthetics. Some songs hit more than others, but Satan’s Satyrs‘ dust-kicking approach continues to win converts.

Satan’s Satyrs on Thee Facebooks

RidingEasy Records on Bandcamp

Bad Omen Records on Bandcamp

 

Mantar, The Modern Art of Setting Ablaze

mantar the modern art of setting ablaze

One generally thinks of Hamburg duo Mantar as having all the subtlety of a bone saw caught on video, and yet, in listening to “Seek + Forget” from their third album, The Modern Art of Setting Ablaze (on Nuclear Blast), there are some elements that seem to be reaching out on the part of the band. Guitarist Hanno‘s vocals are more enunciated and discernible, there is a short break from the all-out blackened-sludge-punk assault that’s been their trade since their start in 2012, and “Obey the Obscene” even has an organ. Still, the bulk of the 12-track/48-minute follow-up to 2016’s Ode to the Flame (review here) is given to extremity of purpose and execution, and in pieces like the churning “Anti Eternia” and the particularly-punked “Teeth of the Sea,” they work to refine their always-present threat of violence. Closer “The Funeral” brings back some of the quiet moodiness of intro “The Knowing” and underscores the point of sonic expansion. I hope next time they use a string section.

Mantar on Thee Facebooks

Nuclear Blast website

 

Child, I

child i

It took me a few minutes to get to the heart of what my problem with Child‘s I EP is. Really, I was sitting and listening to “Age Has Left Me Behind” — the first of the three included tracks on the 20-ish-minute 12″ — and I had to ask myself, “Why is this annoying me?” The answer? Because it’s not an album. That’s it. It’s not enough. Kudos to the Melbourne, Australia, heavy blues trio on having that be the biggest concern with their latest release — it follows 2016’s righteously-grooved Blueside (review here) — and kudos to them as well for their cover of Spirit‘s “The Other Song,” but of course it’s the 10-minute jam “Going Down Swinging” on side B that’s the immersive highlight of I, as Child‘s balance of softshoe-boogie and expansive mellow-psych is second to none in their subgenre. It’s not an album, and that’s kind of sad, but as a tide-ya-over until the next long-player arrives, I still does the trick nice and easy. And not to get greedy, but I’d take a II (or would it be You?) whenever they get around to it.

Child on Thee Facebooks

Kozmik Artifactz website

 

T.G. Olson, Wasatch Valley Lady & The Man from Table Mountain

tg olson wasatch valley lady and the man from table mountain

Across Tundras frontman T.G. Olson, who by now has well lapped that band’s output with his solo catalog, would seem to have sat down with his guitar sometime in the last week and put two songs to tape. The resulting 10-minute offering is Wasatch Valley Lady & The Man from Table Mountain, its component title-tracks stripping down some of the more elaborate arrangements he’s explored of late — his latest full-length, Riding Roughshod (review pending; it’s hard to keep up), came out in October — to expose the barebones construction at root in his Rocky Mountain country folk style. “Wasatch Valley Lady” and “The Man from Table Mountain” make an engaging couple, and while Olson has a host of videos on YouTube that are similarly just him and his acoustic, something about the audio-only recordings feel like a voice out of time reaching for human connection. The first seems to have a natural fade, and the second a more prominent rhythm showcased in harder strum, but both are sweet melodies evocative as ever of open landscapes and wistful experience.

Across Tundras on Thee Facebooks

T.G. Olson/Across Tundras on Bandcamp

 

Canyon, Mk II

canyon mk ii

The Deep Purple-referential Mk II title of Canyon‘s second EP, also the follow-up to their 2017 debut LP, Radiant Light, refers to the lineup change that’s seen Dean Welsh move to drums so that he and guitarist Peter Stanko can welcome bassist/vocalist Fred Frederick to the fold. The three included songs, the hooky “Mine Your Heart,” expansively fuzzed “Morphine Dreams” and bouncing “Roam” make a hell of a first offering from the reconstituted trio, who capture classic heavy naturalism in a chemistry between players that’s mirrored in the songwriting itself. Canyon‘s 2016 self-titled debut EP (review here) held marked promise, and even after the full-length, that promise would seem to be coming to fruition here. Their tones and craft are both right on, and there’s still some gelling to do between the three of them, but they leave no doubt with Mk II that this incarnation of Canyon can get there. And, if they keep up like this, get there quickly.

Canyon on Thee Facebooks

Canyon on Bandcamp

 

Circle of the Sun, Jams of Inner Perception

Circle of the Sun Jams of Inner Perception

One man jams! Psych-jam seekers will recognize Daniel Sax as the drummer for Berlin-based trio Cosmic Fall. Circle of the Sun is a solo-project from Sax and Jams of Inner Perception collects six tracks for 39 minutes of adventuring on his own. Sax sets his own backbeat and layers bass and “effectsbass” for a full-lineup feel amid the instrumental creations, and those looking to be hypnotized by the space-rocking jams will be. Flat out. Sax is no stranger to jamming, and as one soaks in “Jamming in Paradise” or its nine-minute predecessor “Liquid Sand,” there’s little mistaking his intention. Curious timing that Circle of the Sun would take shape following a lineup change in Cosmic Fall — perhaps it was put together in the interim? — but whether Jams of Inner Perception is a one-off of the beginning of a new avenue for Sax, its turn to blues noodling on “Desert Sun,” thick-toned “Moongroove” and fuzzy roll on “Acid Dream” demonstrate there are plenty of outer realms still to explore.

Circle of the Sun on Thee Facebooks

Circle of the Sun on Bandcamp

 

Mythic Sunship, Another Shape of Psychedelic Music

Mythic Sunship Another Shape of Psychedelic Music

The simplest way to put it is that Mythic Sunship‘s Another Shape of Psychedelic Music lives up to the lofty ambitions of its title. The Danish band is comprised of guitarists Kasper Stougaard Andersen and Emil Thorenfeldt, bassist Rasmus ‘Cleaver’ Christensen, drummer Frederik Denning and saxophonist Søren Skov, and with Causa Sui‘s Jonas Munk — who also produced the album — sitting in on the extended “Backyard Voodoo” (17:41) and “Out There” (13:53) as well as overseeing the release through El Paraiso, the band indeed makes there way into the far out reaches where jazz and psychedelia meet. It’s not about pretentiously saying they’re doing something that’s never been done. You’ll note it’s “another shape” and not a “new shape” or the “shape to come.” But immersion happens quickly on opener “Resolution” (14:23), and even quicker cuts like “Last Exit,” “Way Ahead” and “Elevation” carry the compelling spirit of forward-thinking creativity through their dynamic course, and if Mythic Sunship aren’t the shape of psychedelic music to come, it’s in no small part because there are so few out there who could hope to match what they do.

Mythic Sunship on Thee Facebooks

El Paraiso Records website

 

Svarta Stugan, Islands / Öar

svarta stugan islands oar

Islands / Öar — the second word being the Swedish translation of the first — is the 40-minute debut full-length from Gothenburg atmospheric heavy post-rock instrumentalists Svarta Stugan, who demonstrate in influence from Hex-era Earth on the opener “Islands III” but go on in subsequent tracks to pull together a sound distinct in its cinematic feel and moody execution. Five out of the seven component tracks are “Islands” pieces, which are presented out of order with “Islands IV” missing and “Islands Unknown” perhaps in its place, and the respective side A/B finales “Inner Space” and “Prospects Quatsi” standing apart. Both bring to bear a style ultimately consistent with the melancholy so rife throughout Islands / Öar as a whole, but they’re obviously intended as outliers, and so they seem to be. The LP release follows a couple shorter outings, issued over the past six-plus years, and it’s clear from the depths and range on display here in the build-to-crescendo of “Inner Space” alone that Svarta Stugan haven’t misspent their time in their progression to this point.

Svarta Stugan on Thee Facebooks

Svarta Stugan on Bandcamp

 

Bast, Nanoångström

bast nanoangstrom

Largesse of scope and largesse of tone work in tandem on Bast‘s Nanoångström full-length on Black Bow, as they bring together aspects of post-metallic churn and more extreme metal methods to hone a style highly individualized, highly weighted and as much cosmic as it is crushing. Through six tracks and 57 minutes, the London trio (plus two guest spots from Chris Naughton of Winterfylleth) careen and crash and set an atmosphere of chaos without actually being chaotic, their progressive craft working to tie the songs together into a larger impression of the work as a consuming entirety. It’s the kind of record you pick up and still hear new things in by the time they put out their next one. Production from Chris Fielding at Skyhammer Studio only helps creates the heights and depths of their dynamic, and whether they’re rolling out the severity of closer “The Ghosts Which Haunt the Space Between the Stars” or laying out the soundscape of “The Beckoning Void,” Bast shape the tenets of genre to suit their needs rather than try to work within the barriers of any particular style. Nanoångström is all the more complex and satisfying for their efforts in that regard.

Bast on Thee Facebooks

Black Bow Records webstore

 

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Mythic Sunship Announce 2LP Another Shape of Psychedelic Music Due Oct. 5

Posted in Whathaveyou on August 24th, 2018 by JJ Koczan

mythic sunship

Unlikely that the Ornette Coleman reference in the use of the word ‘shape’ in the title Another Shape of Psychedelic Music is a coincidence. Given Copenhagen four-piece Mythic Sunship‘s jazz-psych proclivities, The Shape of Jazz to Come is probably right on the record shelf next to Coltrane‘s A Love Supreme and assorted concurrent outings from Miles DavisSun Ra and others. Fair enough. Throw in some classic exploratory instrumentalist psychedelia from the likes of Causa Sui — whose Jonas Munk produced the six-tracker and appears on two of its cuts, in addition to releasing it through Causa Sui‘s respected imprint, El Paraiso Records — and you get a beginning understanding of the blend of soaring sax and airy guitar that permeates, flowing easy in some places and off at a sprint in others but always immersive for the 67-minute duration. As the direct follow-up to earlier-2018’s Upheaval (review here) and 2017’s Land Between Rivers (review here), the album does indeed offer another shape, and that shape seems to change throughout according to the band’s will.

I’ll hope to have more to come on this one, but it’s out Oct. 5 on El Paraiso, as the PR wire affirms:

Mythic Sunship Another Shape of Psychedelic Music

Mythic Sunship to Release New LP, ‘Another Shape of Psychedelic Music’, October 5

Explorative Copenhagen Quartet Delivers Deep Dive Into Incendiary Cosmic Rock with Blazing New Double Album

Danish progressive space rock band Mythic Sunship will release its new LP, Another Shape of Psychedelic Music, on October 5 via El Paraiso Records. The fearless group creates epic music — cataclysmic and complex — that pulls from ‘60’s blues-rock, jazz-rock fusion and the golden era of ’70’s prog rock, bursting with improvisation and an avant-garde spirit. A six track double LP, Another Shape of Psychedelic Music, follows Mythic Sunship’s Upheaval, a critically lauded LP released earlier this year.

With a band name mingled from album titles by John Coltrane and Sun Ra one might expect Mythic Sunship to be a jazz band. However, this is not quite the case, although the quartet shares a similar sense of exploration and general untamedness with that of the two masters of cosmic jazz.

Spiritually, Mythic Sunship seems connected to present day So Cal psych-rock. Frederik Denning’s ferocious drum pounding and Rasmus ‘Cleaver’ Christensen’s thick, Geezer Butler-esque basslines add fuel to an endless pyre of blazed-out, dual lead guitars that Kasper Stougaard Andersen and Emil Thorenfeldt play with extraordinary dexterity, and intensity, dished out with the revolutionary fervor of the MC5. Think Earthless rip-roaring at Mach 10 over a live performance of Miles Davis’ landmark ‘Bitches Brew’. This stuff is wild.

Recorded in the winter of 2017 with producer / musician Jonas Munk (Causa Sui, Ulrich Schnauss), Another Shape of Psychedelic Music sees Mythic Sunship continue to build its mesmeric framework with the addition of saxophonist Søren Skov, a Coltrane-like player whose leads snake through the group’s gargantuan grooves and add an unquantifiable surrealism to its sound. The band’s instinctual talents unfurl across passages of light and dark, fast and furious before each composition sluices into an incredible roar of war machine-like power, cacophony and heavy metal ambient insanity. It’s like Blue Cheer attempting New Age music, and how cool of an idea is that?

Mythic Sunship creates music that dances with a level of forward-thinking freshness so immediate that it reminds us that the best music, —like the best theater, the best art—always does something you don’t expect, in a way that you don’t expect. It doesn’t have to be radical, it doesn’t have to be a wholly new invention, but is has to surprise you in some way.

Prepare to be surprised.

Track listing:

1.) Resolution
2.) Backyard Ritual (feat. Jonas Munk)
3.) Last Exit
4.) Way Ahead
5.) Out There (feat. Jonas Munk)
6.) Elevation

Mythic Sunship features Kasper Stougaard Andersen (guitar), Emil Thorenfeldt (guitar), Rasmus ‘Cleaver’ Christensen (bass), Frederik Denning (drums), with Søren Skov (saxophone) and Jonas Munk.

https://www.facebook.com/mythicsunship/
https://elparaisorecords.com/

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