Colour Haze to Record New Album in April; Live Vol. 2 Coming Soon; Touring in Spring

Posted in Whathaveyou on February 20th, 2019 by JJ Koczan

Let’s get right to it: Colour Haze are going to begin recording their next album in April. I was thinking the other day they might have something in the works to follow-up 2017’s In Her Garden (review here), and it’s all the more fitting that they do, as they’re also celebrating their 25th anniversary on a previously announced tour this Spring that includes stops at Desertfest in London and Berlin both. New Colour Haze, all the more as the trio has expanded to a four-piece, is among the most welcome things a given year can bring. To say it’s one to look forward to is like saying you look forward to vacation. Of course you’re looking forward to it. It’s vacation. That’s how it is with new Colour Haze.

They’ll also have a new live album out that was recorded at Duna Jam in 2007 — which puts it square in the Tempel era; win — as well as a reissue of Los Sounds de Krauts that will also be remixed. I’ll be interested to hear how that album changes in the new version. Other digital reissues are currently in progress as well.

And I haven’t heard yet, but one assumes they’ll be at Keep it Low in Munich this October for their annual appearance there — one more reason to want to go to that fest — and they may have more anniversary touring in the works as well. We’ll see. Either way, the more active they are, the better a place the planet is to be.

From the PR wire:

colour haze 2 (Photo by JJ Koczan)

25 years Colour Haze

In August 1994 Tim Höfer, Christian Wiesner and me founded Colour Haze. After uneasy first years Mani and Philipp completed the band in 1998. Last year Jan Faszbender joined us. After more than 450 shows all over the world, 2 live- and 12 studio-albums foremost we wish to say:

THANK YOU! Thanks to all who went to our concerts and bought the records. Thanks to our crew, the promoters, local staffs and all who helped. Thanks to all the bands who shared the stage with us and all the musicians who contributed to our recordings. Thanks to all who wrote and spread the word. Thanks to our families who tolerate and support all this!

Thanks for all the friendship we found and could share!

And we have a lot of plans for 2019:
– we keep on working through our back-catalogue and will add more remastered Hi-resolution downloads to our webshop.
– After all the old digital data could be restored Los Sounds De Krauts finally will be remixed and reissued on DLP, 2CD and download.
– Live Vol. 2 will be released soon – recordings from Duna Jam 2007 – parts of the legendary Tempel-concert and a wonderful session on the beach….
– For April we already booked the studio for the basic-track recordings of our upcoming album….

And we want to play live a lot – a first tour is already booked – after the shows with Jan were received so very well last year you can look forward to see us as a fourpiece again in May ; )

02.05. Nürnberg, Hirsch ( + Monkey 3)
03.05. Berlin, Desertfest
04.05. NL-Nijmegen, Sonic Whip
05.05. UK – London, Desertfest
06.05. F – Paris, Petit Bain ( + The Devil and the almighty Blues)
07.05. Aachen, Musikbunker ( + Monkey 3)
08.05. Hannover, Musikzentrum ( + Monkey 3)
09.05. Leipzig, Werk 2
10.05. Stuttgart, Universum ( +The Devil and the almighty Blues)
11.05. Passau, Zauberberg

www.soundofliberation.com/colour-haze
http://colourhaze.de/
www.elektrohasch.de

Colour Haze, In Her Garden (2017)

Tags: , , , ,

Keep it Low 2019 Adds Nebula, Steak and Braindead Wavelength to Lineup

Posted in Whathaveyou on February 13th, 2019 by JJ Koczan

keep it low 2019 banner

True, those of us who obsess over things like who’s gonna tour and when are consistently intrigued by things like fest-lineup-announcements way in advance. Nebula are said to be working on a new album. Will it be out by the time the band hits the road in Europe this Fall to play Keep it Low 2019 in Munich? They’ll be at a decade’s remove from their last LP, so they’re nothing if not due. Will Steak have a new record out? And what of mysterious hometown outfit Braindead Wavelength? Questions abound as we’re so many months away from October. Keep it Low announced another band as well in this batch, so they continue to build a strong lineup as part of what will no doubt be a strong Fall fest and touring season.

If you missed the first Keep it Low 2019 announcement, it was Lo-PanThe MachineDesert Storm and Dopelord, and I know Lo-Pan have a new record coming out this year — though much to my chagrin, I haven’t heard it yet. Could Europe get a Lo-Pan and Nebula tour? Jeepers that’d be awesome.

See? This is how I spend my time. Thinking about this stuff. That’s my day. I don’t know if I should be bragging about that or embarrassed. Maybe both?

Anyway, here’s the partial Keep it Low announce:

Keepers,

It’s time for a second announcement, as we secured 4 more bands for Keep It Low Festival 2019!

Today we are excited to tell you that stoner rock legends Nebula (currently working on their long-awaited new album) will join our 7th edition in October, along with… London based fuzz rockers Steak, and Munich’s Post Grunge infused Metal band Braindead Wavelength!

Regular 2-day tickets can be purchased right here:
www.keepitlow.de/tickets-keep-it-low
(Limited Hard Tickets & Print-at-home Tickets)

https://www.facebook.com/events/250328939168797/
https://www.facebook.com/keepitlowfestival
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/

Nebula, “To the Center” live at Camden Underworld, London, UK, July 6, 2018

Tags: , , , , , ,

Colour Haze Announce 25th Anniversary Tour; Playing Desertfest in London and Berlin

Posted in Whathaveyou on February 6th, 2019 by JJ Koczan

colour haze

Congratulations to Colour Haze on 25 years of making the world a better place, and yes I mean that. I get asked every now and again who’s my favorite band, and no matter mood or any other factor that might come into play, Colour Haze always seem to be in the conversation. The forebears of European tonal warmth and heavy psychedelia didn’t start out as the progressive monolith they’ve become over time, but through their formative years and their heavy rocking era and into the brilliance that’s followed, the band has never stopped moving forward and have remained unflinchingly committed to challenging themselves as players and songwriters.

That’d be worthy of celebration in and of itself, but the fact of the matter is their work is still unparalleled. Up to and including the 2017 outing, In Her Garden (review here), and the expansion to a four-piece four the subsequent touring that included keyboardist Jan Faszbender alongside the core trio of guitarist/vocalist Stefan Koglek, bassist Philipp Rasthofer and drummer Manfred Merwald, they’ve succeeded not only in growing their sound and becoming an influential act in and out of Germany, but in maintaining a level of excellence that stands among the most reliable to be found anywhere. Few phrases can elicit the joy to match that of “new Colour Haze.”

I hope to hear that one soon, speaking of.

They’ll be at Desertfest Berlin and London as part of the 25th anniversary tour, and they’ve got dates with The Devil and the Almighty Blues and Monkey3 as well, so all the better.

From Sound of Liberation via the social medias:

colour haze tour poster

***Colour Haze – 25th ANNIVERSARY TOUR***

Friends! No big explanations needed:

The legends gonna celebrate 25th years of Colour Haze in 2019 and invite YOU to celebrate with them! Tour dates below.

DATES:
02.05.19 Nürnberg | Hirsch *
03.05.19 Berlin | Desertfest
04.05.19 Nijmegen | Sonic Whip
05.05.19 London | Desertfest
06.05.19 Paris | Petit Bain **
07.05.19 Aachen | Musikbunker *
08.05.19 Hannover | Musikzentrum *
09.05.19 Leipzig | Werk2
10.05.19 Stuttgart | Universum **
11.05.19 Passau | Zauberberg

* with monkey3
** with The Devil And The Almighty Blues

www.soundofliberation.com/colour-haze
http://colourhaze.de/
www.elektrohasch.de

Colour Haze, In Her Garden (2017)

Tags: , , , ,

Keep it Low 2019: The Machine, Lo-Pan, Desert Storm and Dopelord Added to Lineup

Posted in Whathaveyou on December 19th, 2018 by JJ Koczan

This makes me happy for two reasons. First, Keep it Low has been a regular feature of my autumnal daydreams for years now. The Munich-based, Sound of Liberation-helmed festival, aside from regularly featuring hometown heroes Colour Haze — which would be reason enough to travel — consistently puts together quality lineups with a not-overblown vibe that resonates even to my dopey ass sitting across the Atlantic. So first and foremost, I’m glad they’re doing it again. I don’t they were two weeks outside of Keep it Low 2018 this past October before they were setting the dates for Keep it Low 2019, however, so that’s not exactly news if you keep up on social media.

However. The second reason is that Lo-Pan will be there. The Columbus, Ohio, natives are releasing a new full-length in 2019 that’ll be their first since 2014’s Colossus (review here), and as it stands right now, it’s my most anticipated album of the year. I’m glad to know they’ll be returning to Europe to support it in no small part because that means the record is definitely happening. I know it’s in the can and all that, but making tour plans is a confirming sign nonetheless. One doesn’t book such travel lightly, and I don’t imagine this will be the only Fall fest they play. There are certainly a few around, as subsequent lineup announcements will show.

But any way you look at it, the news is good. So here it is:

keep it low 2019 square

Keep It Low Festival 2019

11. & 12. October 2019
Feierwerk München

Early Bird Tickets sold out! Regular 2-day tickets now on sale.

Here come the first 4 bands confirmed for Keep It Low Festival 2019!

We are thrilled to welcome back the trippy The Machine (who played the very first Keep It Low in 2013), and bring for the first time at Keep It Low, the groovy Lo-Pan (Usa), the gloomy Dopelord (Pl) and the sludgy Desert Storm (Uk)!

Regular 2-day tickets can be purchased right here:
www.keepitlow.de/tickets-keep-it-low
(Limited Hard Tickets & Print-at-home Tickets)

https://www.facebook.com/events/250328939168797/
https://www.facebook.com/keepitlowfestival
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/

The Machine, Faceshift (2018)

Tags: , , , , , , ,

Friday Full-Length: Colour Haze, All

Posted in Bootleg Theater on September 14th, 2018 by JJ Koczan

Colour Haze, All (2008)


Ten years of All. A decade since this album came out, and that stretch has done nothing to dull its luster. Colour Haze didn’t invent the idea of warmth in a recording, but they might well have perfected it over their years. All swept in and was my album of the year pick in 2008, and its warmth is no small part of why, but it’s also the point at which Colour Haze — already past the 10-year mark themselves by then and on their ninth LP and fourth through Elektrohasch Schallplatten — began to show just how expansive their intentions really were. And how progressive.

It was a new level of maturity in their songwriting and a new level of patience even beyond that which they brought to 2006’s Tempel or their 2004 self-titled (discussed here), both also pivotal offerings both for the band and for European heavy psychedelia in general. Those records seemed to establish the pattern, and All, with its 65-minute 2LP run and its 10 one-word tracks that all streamed together to deliver the message, “silent moon turns lights; if stars all fall one remains,” came through as a new realization of many of the ideas Tempel and Colour Haze put forth, let alone 2003’s 2CD Los Sounds de Krauts, 2001’s Ewige Blumenkraft (reissue review here) or any of their earlier, more desert rock-influenced work preceding.

By the time they got to All, the three-piece of guitarist/vocalist Stefan Koglek — also, if it needs to be said, the head of Elektrohasch — bassist Philipp Rasthofer and drummer Manfred Merwald, had already defined what their core sound was going to be, but in the mellow strums and backwards drums of “Turns,” and in the funk of “Moon” preceding, in the incorporation of organ on “Lights” and the hyper-immersive flow of its title-track, All demonstrated that as groundbreaking as Colour Haze had been up to that point, their exploration was really just getting started.

I don’t want to say All blew everything Colour Haze had previously done out of the water, because that’s not really true. Those other records stand up to any scrutiny one might want to give them and then some, each marking a point in the ongoing forward motion of the band’s continued growth. You cannot have one without the others before it, and that’s true of their work to-date. When they got around to All, however, there was a clear shift in terms of the scope at work. Tempel was and remains defined by its chemistry between KoglekRasthofer and Merwald — the same can be said to a degree of everything the band does — but had an inward-looking feel, where true to its title, All was more expansive and outward-directed.

Given a lot of the sonic exploration underway in songs like opener “Silent,” the sitar/acoustic-based “Stars,” and the tense, churning shuffle of “If” before it, it’s fair to say Colour Haze‘s reach had never been so much a factor in their arrangements, which had always beencolour haze all creative, and an overarching sense of poise held firm throughout, no matter where an individual song seemed to meander. It would be four more years before they put out a song called “Grace,” but All had plenty to go around.

Perhaps nowhere more so than on the extended pairing of “All” and “Fall.” I’ll gladly admit to being more familiar with the CD version — though once I did get to hold the limited edition cloth-cover double vinyl in my hands and I immediately felt unworthy — and while on the LP that’s the split between sides C and D, on the, ahem, CD, it’s a linear shift from one into the next, and it’s the point at which the fluidity that so much permeates the album as a whole finds its high water mark.

The arrival of the keys behind the driving apex toward the end of “Fall” is an obvious culmination point for the entire outing, but even before that, in the patience and gorgeous unfolding of “All” itself and the manner in which it takes on what’s essentially Colour Haze‘s signature riff and with Rasthofer‘s bass as a foundation builds upon it in a new and glorious way. The solo in the second half. The quiet noodling that follows with Merwald‘s cymbal-mute stops keeping the tension going. The build back up to full volume again, and indeed, the keys that emerge late; it’s nothing if not aptly titled “All.” It’s the kind of work that reaffirms hope for the species, even 10 years after the fact.

Repetitions of “We’ve got to get together/We’ve got to be all one” and a well-timed return of sitar make “One” more than an afterthought following “Fall,” and the quiet stand-mostly-alone guitar of “Remains” that caps the album is a statement unto itself. That they would finish not in grand crescendo, but instead peacefully making their way out — it’s another subtle but key decision that makes All the masterpiece it still is.

Colour Haze would, of course, continue the thread. As alluded to, in 2012, after copious delays on the technical side they released She Said (review here), which dived even deeper into expanded arrangements, with horns and strings pulled in alongside the core trio on cuts like “Transformation” and the aforementioned “Grace.” Late-2014’s To the Highest Gods We Know (review here) followed and drew back to a more rooted and jammier vibe, but still had its progressive aspects readily on display, and after the 2016 live record, Live Vol. 1 – Europa Tournee 2015 (review here), 2017 brought In Her Garden (review here), which again was one of the year’s best albums and renewed their commitment to the tenets of classic progressive rock while retaining the organic melodic and rhythmic sensibilities that seem at this point to be indispensable to their sound.

I had the opportunity to see them in London back in May of this year for the first time in half a decade, and they were nothing short of incredible. An absolute treasure of a band. They’ll make an annual sojourn to Keep it Low in their native Munich next month and play Sankt Hell in Berlin to round out the year, and I would not be at all surprised if 2019 brought a new release from them of one sort or another. Whatever that might be, it’d only be welcome.

I sincerely hope you enjoy All, and thanks for reading.

My early mornings doing Obelisk stuff have kind of become overnight shifts. I got up sometime around 1:30AM to start this post, and it’s coming on 4AM now. Most of this week I’ve been up between 2 and 2:30. I slept until my alarm went off at 3:30AM the other day and felt like I was behind all day because I didn’t get enough done before the baby woke up. And the truth is I was. One attempts to find a balance.

Attempts.

Hey, looks like I might be going back to Norway. I tend to never consider these things settled until I’m through security and getting on the flight — though even that wasn’t far enough when that volcano went off on my way to Roadburn in 2010 — but things are in motion to get me back to Høstsabbat in a couple weeks and it has The Patient Mrs.’ seal of approval. Electric Moon, Asteroid, Toner Low, Elephant Tree, on and on, playing in a church in Oslo? Yeah, you can go right ahead and sign me up for that one. Keeping my fingers crossed all the confirmation comes through okay. Naturally, if it happens, I’ll be covering. More info on the fest is here. It’s sold out.

Also looks like I’m getting a show on Gimme Radio. I turned in a sample playlist and they dug it so, it’s kind of a thing I’m trying out. I did college radio at WSOU, and kind of have missed being on-air ever since, so this could be a cool way to do that. Plus there are good people involved and that’s always key. More to come. I need to send them pictures of myself. Sadly, I’m awful-looking, so this is a source of some anxiety. Like, life-long.

In the meantime, The Little Dog Dio continues a steady decline. We’ve been hand-feeding her chicken breast and Polly-O string cheese for I guess two weeks now, and she just ate a bunch and drank some water and went out to pee, so clearly the steroids we’ve been giving her are doing their job, but she’s less comfortable between doses of pain meds than she’s been. Last night she was hunched up standing with her head down, clearly uncomfortable, and it had been a while since we saw that. Just now she got up out of her bed in the kitchen and came to lay down by my feet, which she ordinarily wouldn’t do — a shar pei wants to be nearby, but likes its space — so yeah. I’ve loved this dog for a long time. Another vet appointment next week to follow-up and see where we’re at. I’ll just give scritches and belly rubs until then. How about a billion dollars to whoever cures cancer first? I’d donate to that Kickstarter.

I don’t even want to get up and get another cup of coffee for fear of disturbing her.

That’s been hard. The worst part is there are moments where she’s eating and I forget and I feel like she’s maybe getting better and I look at the GIANT FUCKING TUMOR in her shoulder and just feel like I’ve been punched in the stomach. She’s not going to get better. We’re buying time. Buying time and drawing it out. I told The Patient Mrs. a few days ago that I always imagined she wouldn’t so much die as evolve beyond her corporeal form and become a being of pure light like in that episode of The Next Generation. I was kidding, of course, but let that be indicative of my overall ability to emotionally handle what’s coming. Eating made her hurt. It happened last night too and it happened just now. Ugh.

Okay.

The Patient Mrs.’ semester has also started, so the week’s been kind of a mess on that end too. Summers “off” is nice — or would be; she has to work all the time anyway, between research, reading, writing and meetings for sundry university service projects, so while she’s not teaching, “summers off” is mostly a myth — but having your schedule upended every couple months, especially now with The Pecan running the show as he is, I’m trying to figure out when’s naptime not the least so I can sleep too. We’ll get there. We’re not there yet.

If you’re in North Carolina or anywhere in Hurricane Florence’s path, good luck and stay safe. My grandmother who passed away last year was named Florence. If she were alive and lucid, I’d like to think she’d see it as a fitting tribute. If anyone sees people after the storm selling “I survived Florence” t-shirts, I want one in every size available. Black shirts preferred. I’ll PayPal you the cash.

I’m streaming a track from the new Sherpa album — so good — and I’m going to try to review the new All Them Witches next week, and I’ve got stuff slated into the middle of the week already, news and such, but yeah, I’m going to finish working it all out over the weekend, so I’ll just leave it there for now.

Like always, I hope you have a great and safe weekend. Please have fun, hug your loved ones and take care of yourself in the best way you can.

And like always, please check out the Forum and Radio stream. It is appreciated.

The Obelisk Forum

The Obelisk Radio

Tags: , , , , ,

Keep it Low 2018: Crowbar and Ananda Mida Join Lineup

Posted in Whathaveyou on July 13th, 2018 by JJ Koczan

keep it low 2018 banner

Keep it Low 2018 — AKA Keep it Low #6 — continues to add to its formidable lineup with New Orleans sludge forebears Crowbar and Italian psych-proggers Ananda Mida joining the bill. I like how even down to the lineup announcements, Keep it Low plays it a little more mellow than most other fests. It’s a Sound of Liberation product — see also Up in Smoke, the Desertfests in Berlin and Belgium, and any number of other tours and whatnots — so it’s not like they don’t know how to position it, but still, especially this year, the lineup announcements have come through more like a communique from one friend to another rather than a festival talking to its audience. How you frame these things matters. Not just as a part of branding, but as part of defining the experience of the fest itself.

To wit, as they add Crowbar and Ananda Mida — one band legendary and another band an upstart — the announcement makes the simple assumption that the person reading it knows who both bands are. It says quickly who the bands are and then moves on to plug the ticket link. This helps distinguish Keep it Low from other fests because it speaks more directly to the specific audience it’s working to capture. It’s a different way of saying “we’re fans too” than coming right out and saying it, and while I won’t take away from any other method a festival might choose to employ, it’s nonetheless an effective means of communicating that idea. And frankly, I believe it.

The update follows here, courtesy of the festival’s social media:

Keepers!

We are stoked to tell you today that New Orleans’ sludge metal veterans Crowbar join the Keep It Low Festival 2018 line-up (on Saturday) along with Italian stoner/psych collective ANANDA MIDA (on Friday)!

Our line-up now features 19 bands split over the 2 days! 2-day passes are long gone, but you can still grab day tickets right here: www.keepitlow.de/tickets-keep-it-low!

Do not wait for too long, Keep It Low is sold out evey year!

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Crowbar, “Existence is Punishment” official video

Ananda Mida, Live Dec. 27, 2017

Tags: , , , , ,

Keep it Low 2018 Adds High Fighter & The Devil and the Almighty Blues

Posted in Whathaveyou on July 3rd, 2018 by JJ Koczan

The lineup for Keep it Low 2018, which already feels like a birthday present with the likes of Colour HazeAcid KingElderLowriderWo FatSasquatch and Child on the bill — among others — continues to get even richer. Two more bands have been newly added between German aggro sludge metallers High Fighter and Norwegian heavy blues purveyors The Devil and the Almighty Blues, and as distinct as the two acts’ sounds are, they each have a foothold in the capital-H ‘Heavy’ that unites them with each other and with the rest of Keep it Low‘s lineup, which might be the strongest I’ve yet seen from the festival in its six incarnations. And I don’t think they’re done adding bands, either.

High Fighter recently announced a string of UK dates for August supporting their visceral 2016 Svart Records debut, Scars and Crosses (review here), while The Devil and the Almighty Blues issued their second album, II (review here), last year via Blues for the Red Sun Records. I’m not sure if either appearance at Keep it Low 2018 will be part of larger touring plans, but it certainly isn’t out of the realm of possibility for either act.

Keep it Low 2018 is presented by Sound of Liberation and is set for Oct. 19 and 20. The latest announcement follows:

keep it low 2018 poster

Keepers,

As promised, here are 2 new bands confirmed for Keep It Low Festival 2018: Heavy-Blues Rockers The Devil And The Almighty Blues that we are thrilled to have back in Munich on Oct. 19th after the incredible show they played at Feierwerk in May; and the ferocious High Fighter to fuel your appetite with mean and dirty Blues, Stoner, Doom & Sludgy riffs on Oct. 20th!

Tickets are selling fast (2-day passes already gone), so do not wait too long to grab yours !
https://www.keepitlow.de/tickets-keep-it-low

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

High Fighter, “Darkest Days” official video

Tags: , , , , , ,

Keep it Low 2018 Adds Elder, The Well & Dune Pilot to Lineup

Posted in Whathaveyou on May 31st, 2018 by JJ Koczan

I have said on multiple occasions over the years that of all the European autumntime festivals that have emerged, Keep it Low in Munich is the one I’d most care to attend. Not a year passes that the lineup isn’t stellar and digging right to the heart of heavy rock and doom — plus Colour Haze is there pretty much annually — and not a year goes by that I don’t imagine myself hopping on a plane to Germany for a kickass weekend among awesome bands and awesome people. They call them “Keepers,” which is pretty clever if you think about it.

The lineup this year? Already excellent, with Wo Fat, the aforementioned Colour Haze, Acid King, Sasquatch, Child and so on, but certainly tossing Elder into that mix doesn’t hurt either. They’re the latest adds along with Texan riffmarchers The Well and Munich’s own Dune Pilot, who, if it needs to be said, play desert rock.

Sound of Liberation, which presents the fest, announced them as follows:

keep it low 2018 poster

Keepers!

We are glad to unveil 3 more bands for Keep It Low Festival 2018 (the fantastic Elder, the entoxicating The Well & the vigorous DUNE PILOT) as well as the daysplit! More bands will be announced later, but as our 2-day passes are sold-out, we wanted to release the day tickets as soon as possible, and give you the infos to make your choice :)

Hard-Tickets & e-tickets for Friday & Saturday are available right here: www.keepitlow.de/tickets-keep-it-low!

—-

Elder is the definition of a work in progress, as the group continues to meld the familiar sounds of Sleep‘s colossal riffage with their ever-evolving vision of soaring melodies and sonic soundscapes. Listeners will find themselves locked into the trio’s lengthy epics, which toe the line between the chasms of classic stoner metal and mindblowing psychedelia.

Austin-based power trio The Well redefine heavy rock by merging massive riffs with sophisticated melodies. Their progressive sound stems from a nostalgic desire to blend different musical styles as diversified as Joy Division to Blue Cheer. At a time when rock music is fading among the masses, The Well inject an intoxicating dose of raw adrenaline into a fatigued genre. Their nostalgic reverence, simple structure and modern expression put them at the forefront of today’s heavy rock.

The Munich based band DUNE PILOT is celebrating desert rock just like the founding fathers of this genre would have imagined it. Certainly with beards, fuzz and plenty of low tones but also with groove, riffs and a sound that would bring tears of joy to the eyes of Josh Homme or Dave Wyndorf. However, they did not earn their reputation of being one of the most authentic German stoner bands through just their recordings. On stage, they are also one of the most vigorous stoner-bulldozers.

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Elder, Reflections of a Floating World (2017)

Tags: , , , , , , ,