Friday Full-Length: Colour Haze, All

Posted in Bootleg Theater on September 14th, 2018 by JJ Koczan

Colour Haze, All (2008)


Ten years of All. A decade since this album came out, and that stretch has done nothing to dull its luster. Colour Haze didn’t invent the idea of warmth in a recording, but they might well have perfected it over their years. All swept in and was my album of the year pick in 2008, and its warmth is no small part of why, but it’s also the point at which Colour Haze — already past the 10-year mark themselves by then and on their ninth LP and fourth through Elektrohasch Schallplatten — began to show just how expansive their intentions really were. And how progressive.

It was a new level of maturity in their songwriting and a new level of patience even beyond that which they brought to 2006’s Tempel or their 2004 self-titled (discussed here), both also pivotal offerings both for the band and for European heavy psychedelia in general. Those records seemed to establish the pattern, and All, with its 65-minute 2LP run and its 10 one-word tracks that all streamed together to deliver the message, “silent moon turns lights; if stars all fall one remains,” came through as a new realization of many of the ideas Tempel and Colour Haze put forth, let alone 2003’s 2CD Los Sounds de Krauts, 2001’s Ewige Blumenkraft (reissue review here) or any of their earlier, more desert rock-influenced work preceding.

By the time they got to All, the three-piece of guitarist/vocalist Stefan Koglek — also, if it needs to be said, the head of Elektrohasch — bassist Philipp Rasthofer and drummer Manfred Merwald, had already defined what their core sound was going to be, but in the mellow strums and backwards drums of “Turns,” and in the funk of “Moon” preceding, in the incorporation of organ on “Lights” and the hyper-immersive flow of its title-track, All demonstrated that as groundbreaking as Colour Haze had been up to that point, their exploration was really just getting started.

I don’t want to say All blew everything Colour Haze had previously done out of the water, because that’s not really true. Those other records stand up to any scrutiny one might want to give them and then some, each marking a point in the ongoing forward motion of the band’s continued growth. You cannot have one without the others before it, and that’s true of their work to-date. When they got around to All, however, there was a clear shift in terms of the scope at work. Tempel was and remains defined by its chemistry between KoglekRasthofer and Merwald — the same can be said to a degree of everything the band does — but had an inward-looking feel, where true to its title, All was more expansive and outward-directed.

Given a lot of the sonic exploration underway in songs like opener “Silent,” the sitar/acoustic-based “Stars,” and the tense, churning shuffle of “If” before it, it’s fair to say Colour Haze‘s reach had never been so much a factor in their arrangements, which had always beencolour haze all creative, and an overarching sense of poise held firm throughout, no matter where an individual song seemed to meander. It would be four more years before they put out a song called “Grace,” but All had plenty to go around.

Perhaps nowhere more so than on the extended pairing of “All” and “Fall.” I’ll gladly admit to being more familiar with the CD version — though once I did get to hold the limited edition cloth-cover double vinyl in my hands and I immediately felt unworthy — and while on the LP that’s the split between sides C and D, on the, ahem, CD, it’s a linear shift from one into the next, and it’s the point at which the fluidity that so much permeates the album as a whole finds its high water mark.

The arrival of the keys behind the driving apex toward the end of “Fall” is an obvious culmination point for the entire outing, but even before that, in the patience and gorgeous unfolding of “All” itself and the manner in which it takes on what’s essentially Colour Haze‘s signature riff and with Rasthofer‘s bass as a foundation builds upon it in a new and glorious way. The solo in the second half. The quiet noodling that follows with Merwald‘s cymbal-mute stops keeping the tension going. The build back up to full volume again, and indeed, the keys that emerge late; it’s nothing if not aptly titled “All.” It’s the kind of work that reaffirms hope for the species, even 10 years after the fact.

Repetitions of “We’ve got to get together/We’ve got to be all one” and a well-timed return of sitar make “One” more than an afterthought following “Fall,” and the quiet stand-mostly-alone guitar of “Remains” that caps the album is a statement unto itself. That they would finish not in grand crescendo, but instead peacefully making their way out — it’s another subtle but key decision that makes All the masterpiece it still is.

Colour Haze would, of course, continue the thread. As alluded to, in 2012, after copious delays on the technical side they released She Said (review here), which dived even deeper into expanded arrangements, with horns and strings pulled in alongside the core trio on cuts like “Transformation” and the aforementioned “Grace.” Late-2014’s To the Highest Gods We Know (review here) followed and drew back to a more rooted and jammier vibe, but still had its progressive aspects readily on display, and after the 2016 live record, Live Vol. 1 – Europa Tournee 2015 (review here), 2017 brought In Her Garden (review here), which again was one of the year’s best albums and renewed their commitment to the tenets of classic progressive rock while retaining the organic melodic and rhythmic sensibilities that seem at this point to be indispensable to their sound.

I had the opportunity to see them in London back in May of this year for the first time in half a decade, and they were nothing short of incredible. An absolute treasure of a band. They’ll make an annual sojourn to Keep it Low in their native Munich next month and play Sankt Hell in Berlin to round out the year, and I would not be at all surprised if 2019 brought a new release from them of one sort or another. Whatever that might be, it’d only be welcome.

I sincerely hope you enjoy All, and thanks for reading.

My early mornings doing Obelisk stuff have kind of become overnight shifts. I got up sometime around 1:30AM to start this post, and it’s coming on 4AM now. Most of this week I’ve been up between 2 and 2:30. I slept until my alarm went off at 3:30AM the other day and felt like I was behind all day because I didn’t get enough done before the baby woke up. And the truth is I was. One attempts to find a balance.

Attempts.

Hey, looks like I might be going back to Norway. I tend to never consider these things settled until I’m through security and getting on the flight — though even that wasn’t far enough when that volcano went off on my way to Roadburn in 2010 — but things are in motion to get me back to Høstsabbat in a couple weeks and it has The Patient Mrs.’ seal of approval. Electric Moon, Asteroid, Toner Low, Elephant Tree, on and on, playing in a church in Oslo? Yeah, you can go right ahead and sign me up for that one. Keeping my fingers crossed all the confirmation comes through okay. Naturally, if it happens, I’ll be covering. More info on the fest is here. It’s sold out.

Also looks like I’m getting a show on Gimme Radio. I turned in a sample playlist and they dug it so, it’s kind of a thing I’m trying out. I did college radio at WSOU, and kind of have missed being on-air ever since, so this could be a cool way to do that. Plus there are good people involved and that’s always key. More to come. I need to send them pictures of myself. Sadly, I’m awful-looking, so this is a source of some anxiety. Like, life-long.

In the meantime, The Little Dog Dio continues a steady decline. We’ve been hand-feeding her chicken breast and Polly-O string cheese for I guess two weeks now, and she just ate a bunch and drank some water and went out to pee, so clearly the steroids we’ve been giving her are doing their job, but she’s less comfortable between doses of pain meds than she’s been. Last night she was hunched up standing with her head down, clearly uncomfortable, and it had been a while since we saw that. Just now she got up out of her bed in the kitchen and came to lay down by my feet, which she ordinarily wouldn’t do — a shar pei wants to be nearby, but likes its space — so yeah. I’ve loved this dog for a long time. Another vet appointment next week to follow-up and see where we’re at. I’ll just give scritches and belly rubs until then. How about a billion dollars to whoever cures cancer first? I’d donate to that Kickstarter.

I don’t even want to get up and get another cup of coffee for fear of disturbing her.

That’s been hard. The worst part is there are moments where she’s eating and I forget and I feel like she’s maybe getting better and I look at the GIANT FUCKING TUMOR in her shoulder and just feel like I’ve been punched in the stomach. She’s not going to get better. We’re buying time. Buying time and drawing it out. I told The Patient Mrs. a few days ago that I always imagined she wouldn’t so much die as evolve beyond her corporeal form and become a being of pure light like in that episode of The Next Generation. I was kidding, of course, but let that be indicative of my overall ability to emotionally handle what’s coming. Eating made her hurt. It happened last night too and it happened just now. Ugh.

Okay.

The Patient Mrs.’ semester has also started, so the week’s been kind of a mess on that end too. Summers “off” is nice — or would be; she has to work all the time anyway, between research, reading, writing and meetings for sundry university service projects, so while she’s not teaching, “summers off” is mostly a myth — but having your schedule upended every couple months, especially now with The Pecan running the show as he is, I’m trying to figure out when’s naptime not the least so I can sleep too. We’ll get there. We’re not there yet.

If you’re in North Carolina or anywhere in Hurricane Florence’s path, good luck and stay safe. My grandmother who passed away last year was named Florence. If she were alive and lucid, I’d like to think she’d see it as a fitting tribute. If anyone sees people after the storm selling “I survived Florence” t-shirts, I want one in every size available. Black shirts preferred. I’ll PayPal you the cash.

I’m streaming a track from the new Sherpa album — so good — and I’m going to try to review the new All Them Witches next week, and I’ve got stuff slated into the middle of the week already, news and such, but yeah, I’m going to finish working it all out over the weekend, so I’ll just leave it there for now.

Like always, I hope you have a great and safe weekend. Please have fun, hug your loved ones and take care of yourself in the best way you can.

And like always, please check out the Forum and Radio stream. It is appreciated.

The Obelisk Forum

The Obelisk Radio

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Keep it Low 2018: Crowbar and Ananda Mida Join Lineup

Posted in Whathaveyou on July 13th, 2018 by JJ Koczan

keep it low 2018 banner

Keep it Low 2018 — AKA Keep it Low #6 — continues to add to its formidable lineup with New Orleans sludge forebears Crowbar and Italian psych-proggers Ananda Mida joining the bill. I like how even down to the lineup announcements, Keep it Low plays it a little more mellow than most other fests. It’s a Sound of Liberation product — see also Up in Smoke, the Desertfests in Berlin and Belgium, and any number of other tours and whatnots — so it’s not like they don’t know how to position it, but still, especially this year, the lineup announcements have come through more like a communique from one friend to another rather than a festival talking to its audience. How you frame these things matters. Not just as a part of branding, but as part of defining the experience of the fest itself.

To wit, as they add Crowbar and Ananda Mida — one band legendary and another band an upstart — the announcement makes the simple assumption that the person reading it knows who both bands are. It says quickly who the bands are and then moves on to plug the ticket link. This helps distinguish Keep it Low from other fests because it speaks more directly to the specific audience it’s working to capture. It’s a different way of saying “we’re fans too” than coming right out and saying it, and while I won’t take away from any other method a festival might choose to employ, it’s nonetheless an effective means of communicating that idea. And frankly, I believe it.

The update follows here, courtesy of the festival’s social media:

Keepers!

We are stoked to tell you today that New Orleans’ sludge metal veterans Crowbar join the Keep It Low Festival 2018 line-up (on Saturday) along with Italian stoner/psych collective ANANDA MIDA (on Friday)!

Our line-up now features 19 bands split over the 2 days! 2-day passes are long gone, but you can still grab day tickets right here: www.keepitlow.de/tickets-keep-it-low!

Do not wait for too long, Keep It Low is sold out evey year!

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Crowbar, “Existence is Punishment” official video

Ananda Mida, Live Dec. 27, 2017

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Keep it Low 2018 Adds High Fighter & The Devil and the Almighty Blues

Posted in Whathaveyou on July 3rd, 2018 by JJ Koczan

The lineup for Keep it Low 2018, which already feels like a birthday present with the likes of Colour HazeAcid KingElderLowriderWo FatSasquatch and Child on the bill — among others — continues to get even richer. Two more bands have been newly added between German aggro sludge metallers High Fighter and Norwegian heavy blues purveyors The Devil and the Almighty Blues, and as distinct as the two acts’ sounds are, they each have a foothold in the capital-H ‘Heavy’ that unites them with each other and with the rest of Keep it Low‘s lineup, which might be the strongest I’ve yet seen from the festival in its six incarnations. And I don’t think they’re done adding bands, either.

High Fighter recently announced a string of UK dates for August supporting their visceral 2016 Svart Records debut, Scars and Crosses (review here), while The Devil and the Almighty Blues issued their second album, II (review here), last year via Blues for the Red Sun Records. I’m not sure if either appearance at Keep it Low 2018 will be part of larger touring plans, but it certainly isn’t out of the realm of possibility for either act.

Keep it Low 2018 is presented by Sound of Liberation and is set for Oct. 19 and 20. The latest announcement follows:

keep it low 2018 poster

Keepers,

As promised, here are 2 new bands confirmed for Keep It Low Festival 2018: Heavy-Blues Rockers The Devil And The Almighty Blues that we are thrilled to have back in Munich on Oct. 19th after the incredible show they played at Feierwerk in May; and the ferocious High Fighter to fuel your appetite with mean and dirty Blues, Stoner, Doom & Sludgy riffs on Oct. 20th!

Tickets are selling fast (2-day passes already gone), so do not wait too long to grab yours !
https://www.keepitlow.de/tickets-keep-it-low

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

High Fighter, “Darkest Days” official video

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Keep it Low 2018 Adds Elder, The Well & Dune Pilot to Lineup

Posted in Whathaveyou on May 31st, 2018 by JJ Koczan

I have said on multiple occasions over the years that of all the European autumntime festivals that have emerged, Keep it Low in Munich is the one I’d most care to attend. Not a year passes that the lineup isn’t stellar and digging right to the heart of heavy rock and doom — plus Colour Haze is there pretty much annually — and not a year goes by that I don’t imagine myself hopping on a plane to Germany for a kickass weekend among awesome bands and awesome people. They call them “Keepers,” which is pretty clever if you think about it.

The lineup this year? Already excellent, with Wo Fat, the aforementioned Colour Haze, Acid King, Sasquatch, Child and so on, but certainly tossing Elder into that mix doesn’t hurt either. They’re the latest adds along with Texan riffmarchers The Well and Munich’s own Dune Pilot, who, if it needs to be said, play desert rock.

Sound of Liberation, which presents the fest, announced them as follows:

keep it low 2018 poster

Keepers!

We are glad to unveil 3 more bands for Keep It Low Festival 2018 (the fantastic Elder, the entoxicating The Well & the vigorous DUNE PILOT) as well as the daysplit! More bands will be announced later, but as our 2-day passes are sold-out, we wanted to release the day tickets as soon as possible, and give you the infos to make your choice :)

Hard-Tickets & e-tickets for Friday & Saturday are available right here: www.keepitlow.de/tickets-keep-it-low!

—-

Elder is the definition of a work in progress, as the group continues to meld the familiar sounds of Sleep‘s colossal riffage with their ever-evolving vision of soaring melodies and sonic soundscapes. Listeners will find themselves locked into the trio’s lengthy epics, which toe the line between the chasms of classic stoner metal and mindblowing psychedelia.

Austin-based power trio The Well redefine heavy rock by merging massive riffs with sophisticated melodies. Their progressive sound stems from a nostalgic desire to blend different musical styles as diversified as Joy Division to Blue Cheer. At a time when rock music is fading among the masses, The Well inject an intoxicating dose of raw adrenaline into a fatigued genre. Their nostalgic reverence, simple structure and modern expression put them at the forefront of today’s heavy rock.

The Munich based band DUNE PILOT is celebrating desert rock just like the founding fathers of this genre would have imagined it. Certainly with beards, fuzz and plenty of low tones but also with groove, riffs and a sound that would bring tears of joy to the eyes of Josh Homme or Dave Wyndorf. However, they did not earn their reputation of being one of the most authentic German stoner bands through just their recordings. On stage, they are also one of the most vigorous stoner-bulldozers.

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Elder, Reflections of a Floating World (2017)

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Colour Haze on Tour Now

Posted in Whathaveyou on May 11th, 2018 by JJ Koczan

colour haze

If I can be perfectly honest with you, yeah, it’s cool that Colour Haze are on tour. It’s cool they’re playing places in Croatia, Austria, Italy, France, Spain, Portugal, the UK, Belgium and of course their native Germany. All that stuff. Super cool. It’s cool they’re bringing out keyboardist Jan Faszbender, who played on 2017’s blissfully progressive In Her Garden (review here). That’s awesome. The tour starts tonight and I hope it goes really well, though I have a hard time imagining Colour Haze showing up to a town and not being greeted as liberators. Call me crazy.

So yeah, all that stuff is cool, but the real reason I’m posting about Colour Haze‘s European tour? It’s because it gives me the excuse to listen to Colour Haze, oh, all afternoon. And I don’t know about you, but where I come from, an afternoon spent listening to Colour Haze is never part of a bad day. I’m happy to spread the word on Colour Haze getting out and all that — most of the shows they’ve done in the last few years have been fest appearances — but I’m even happier to put on In Her Garden and make my day that much better for it.

Sound of Liberation is presenting the tour and posted the following:

colour haze tour poster

Colour Haze kick-off their European Tour tomorrow! They will be on the road with a fourth member, keyboards player Jan Faszbender, with who they worked on their latest album “In Her Garden”. Good times ahead for sure!

11.05.18 | AT | Vienna | Arena (+ MY SLEEPING KARMA)
12.05.18 | AT | Graz | PPC (+ MY SLEEPING KARMA)
13.05.18 | CRO | Zagreb | Kset
14.05.18 | IT | Scorze | Novak
15.05.18 | IT | Savonna | Raindogs
16.05.18 | FR | Toulouse | Rex
17.05.18 | SP | Barcelona | Razzmatazz 3
18.05.18 | SP | Madrid | Nazca
19.05.18 | PO | Porto | Hard Club
20.05.18 | SP | Bilbao | Stage Live
21.05.18 | FR | Nantes | Le Ferrailleur
22.05.18 | UK | London – The Garage
23.05.18 | UK | Glasgow | Audio
24.05.18 | UK | Manchester | Rebellion
25.05.18 | B | Hasselt | Muzikodrom
26.05.18 | D | Wiesbaden | Schlachthof (+ MY SLEEPING KARMA)

www.soundofliberation.com/colour-haze
http://colourhaze.de/
www.elektrohasch.de

Colour Haze, In Her Garden (2017)

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Keep it Low 2018: Wo Fat, Child & Supersoul Added

Posted in Whathaveyou on April 10th, 2018 by JJ Koczan

Three bands, three different continents. Wo Fat, from Texas (a continent unto itself), Supersoul from Athens, and Child from Melbourne. Sometimes you just have to tip your hat, and that’s pretty much where I am as regards the latest round of adds to Keep it Low 2018. The festival, set for Oct. 19 and 20 in Munich, Germany, features familiar faces like Colour Haze and Acid King, and has its annual skatepark and biergarten going for it, but I think a pretty clear message is being sent here about scope as well. Like I said, three bands, three continents. That’s an impressive amount of reach.

I’ll be curious to see if Wo Fat announce a Fall 2018 European tour and, if they do, if it coincides with a new album release. They’re about due for a next record, and while I’d believe they might just fly over for one show, if they’re doing an entire European run, it might be to mark the occasion of a new LP. I’m not saying I know that, because I don’t, but it’s just something that makes sense to me.

Speaking of new material, Child have a new EP out. And I know nothing about Supersoul beyond the fact that they’re named after a badass Dozer song, but according to the fest, their first record came out in Sept. 2017.

Get yourself informed:

keep it low 2018 poster

We’re thrilled to unveil three more band confirmed Keep It Low – Festival 2018 today: Dallas swampadelic fuzz monsters Wo Fat, Melbourne heavy blues rockers CHILD (who release their new EP “I” 2 weeks ago) and Athens rock’n’roll trio SuperSoul (whose debut album “Faith Bender” came out last September)!

Once again, Keep It Low – Festival is going to be rad, and tickets are selling faster than ever, so better be quick and get yours while you still can!

KEEP IT LOW FESTIVAL 2018

2 days of Heavy Rock, Stoner, Doom, Psych fest featuring about 20 bands on 3 stages + Beergarden, Outdoor skate park, Rock Art Exhibit… So, all you Riffers, Rockers and friends of the low tunes, don´t miss Munich`s best Heavy Rock Fest! October 19th & 20th 2018!

KEEP IT LOW #6 (2018) COLOUR HAZE – ACID KING – WO FAT – THE PICTUREBOOKS – SASQUATCH – CHILD – THE GREAT MACHINE – SUPERSOUL – SUNDOG

Hard Tickets & Print-at-home Tickets available on:
www.keepitlow.de/tickets-keep-it-low

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Wo Fat, Midnight Cometh (2016)

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Keep it Low 2018: Colour Haze, Acid King, The Picturebooks, Sasquatch, Sundog & The Great Machine Confirmed

Posted in Whathaveyou on March 12th, 2018 by JJ Koczan

keep it low 2018 banner

If I can be completely honest for a moment, of all the European festivals that happen each Fall, none of them sets me to daydreaming quite like Keep it Low. Is it the fact that a headlining set from Colour Haze is pretty much guaranteed at this point? Well, that certainly doesn’t hurt. But in addition to that, it’s the vibe of the thing. Every year, fests start spewing out their lineups and try to outdo each other, and I have no doubt that 2018 won’t be any different. It’s a lot of fun, but Keep it Low tends to sidestep the hype in favor of a more laid back approach, and to me that speaks to the kind of vibe I’d like to check out on a cool October weekend in Munich. Acid King, Colour Haze and Sasquatch playing Keep it Low 2018? Pardon me while my mind wanders…

What follows here are actually the first two announcements from the festival via social medias. I put them together as one thing because, like with Up in Smoke the other day, I wasn’t getting Sound of Liberation‘s updates. Once again, that problem has hopefully been fixed at this point, so I should be able to keep up from here on out.

Emphasis on “should.”

Here’s the latest, anyhow:

keep it low 2018 poster

Keep it Low #6 – Oct. 19 & 20, 2018

The first three bands confirmed for Keep It Low – Festival 2018: Acid King, Sasquatch & The Great Machine! Regular Tickets are also now available! Grab yours quick (remember that Early Birds were gone in only 1 day!)

Acid King – Bathed in distortion and baptized in a plume of smoke, the Bay Area trio fronted by talented Lori S. is rocking the heavy scene for more than 2 decades and we are just thrilled to host them for our sixth edition of the festival.

Sasquatch – Californian Dudes are riffrockers to the core: mixing elements of 70s rock, metal and psychedelia…we’re all in for a hell of a party !

The Great Machine – Three piece heavy rock machine from Tel Aviv, Israel, known for their intense and straight forward live performances. Check them out, you won’t regret it!

Today, we’re thrilled to tell you that Colour Haze will be playing their yearly & exclusive Munich show at Keep It Low – Festival! The band has recently added a fourth bandmember (piano/organ/keys) and as usual you can expect an outstanding live set. We’re also stoked to welcome the amazing alternative-blues-rock duo The Picturebooks, and Munich-based heavy-blues outfit Sundog (who by the way will release their new EP “Where My Bones Lie” on March 17th at Feierwerk, you should check them)!

Last bunch of Keep It Low Hard Tickets: http://woolheads.com/shop-2/festivalmerchandise/keep-it-low-2-fays-festival-ticket-2018-early-bird

Keep It Low E-Tickets:
https://www.sol-tickets.com/produkte/24-tickets-keep-it-low-festival-feierwerk-area-muenchen-am-19-10-2018
http://www.eventim.de/tickets.html?affiliate=EVE&doc=artistPages%2Ftickets&fun=artist&action=tickets&erid=2131092&includeOnlybookable=true&xtmc=keep_it_low&xtnp=1&xtcr=1

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Colour Haze, Live at Keep it Low 2017

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Keep it Low 2017 Adds Mammoth Mammoth; Individual Day Lineups Announced

Posted in Whathaveyou on July 31st, 2017 by JJ Koczan

Check out the vibe that seems set to develop over the three days of Keep it Low 2017. Always among the fall’s most daydream-worthy festivals anyhow, it starts the first night with the classic warmth of Colour Haze and the ultra-boogie of Radio Moscow, shifts into the riffy grooves for night two with Brant BjorkStoned Jesus and Mars Red Sky (also the crush-your-skull heft of Monolord, lest it go unmentioned) and then dives headfirst into searing doom with Saint VitusUfomammut and Church of Misery for night three. Awesome. There’s variety in each day, but Sound of Liberation, which puts on this fest among many others, clearly has put special regard into executing Keep it Low 2017 with a conceptual foundation behind it, and that only makes the lineup look even more impressive.

Speaking of that lineup, Australian chicanery-bringers Mammoth Mammoth just joined it. They play the first night. Looks like there’s still one band to be added to the bill, but three-day tickets are gone already, and I’d expect the one-day tickets to go in short order as well.

Here’s the latest word from the fest:

keep it low 2017 day splits

Keepers, we have some updates for Keep It Low Festival 2017:

1. We’re happy to present you one more band: Australia’s Heavy Rockers MAMMOTH MAMMOTH! Yeah!

2. we can finally present you the day-split, so please check below which band plays on which day

Fri. Oct. 20
Colour Haze
Radio Moscow
Belzebong
Mammoth Mammoth
Kaleidobolt
Mount Hush
A Great River in the Sky

Sat. Oct. 21
Brant Bjork
Stoned Jesus
Mars Red Sky
Monolord
Conan
Beastmaker
Naxatras
Elephant Tree
Black Lung
Godsground
+1 more TBA

Sun. Oct. 22
Saint Vitus
Ufomammut
Church of Misery
Mos Generator
Mother Engine
Usnea
The Necromancers

3. The 1-day tickets are on sale NOW! Get them here:
http://bit.ly/2nsvJwP

As the 3-day tickets were sold out quite fast you shouldn’t wait too long with a 1-day ticket!

Enjoy your summer and…Keep It Low!

October 20 | 21 | 22 2017
Feierwerk München

After an amazing and once again sold out edition in 2016 you can expect 3 days, 27-30 bands, amazing people and good vibes at Keep It Low 2017! For the very first time we will have the “Doom-Frühschoppen” with some HEAVY bands on the last day of the Festival.

https://www.facebook.com/events/201489380309269/
https://www.facebook.com/keepitlowfestival/

Mammoth Mammoth, “Sleepwalker” official video

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