Posted in Whathaveyou on January 26th, 2017 by JJ Koczan
[Click play above to stream ‘Reach’ from PH’s Eternal Hayden. Album is out March 10 on Svart Records.]
If you think your mind might be up to the task, PH‘s Eternal Hayden best offers its ethereal, droning delights of cosmic doom in full headphone submersion. The question is whether one can listen without being overwhelmed by its pulsations, by its strong lines of synth, by the guitar that scours underneath and by the vocals that speak through the wash no less a part of it. Eternal Hayden is the first album by the Finnish collective through Svart Records, and the first to be released under the moniker of PH after a trilogy of full-lengths issued as Mr. Peter Hayden between 2010 and 2014. Those records, 2010’s Faster than Speed (review here), 2012’s Born a Trip (review here) and 2014’s Archdimension Now (review here) all arrived via Kauriala Society and were works of increasing scope one into the next until the band, at the end of Archdimension Now, seemed finally to obliterate themselves through sonic means.
In other words, I thought they were done. And maybe they were, but, taking the new name PH from the illuminated logo/symbol they play beneath on stage — also seen on the Eternal Hayden cover art, in a fitting declaration of purpose — the band seem to be willfully embarking on a new era with these five tracks, and where the first three Mr. Peter Hayden albums broadened exponentially, first to over an hour, then to about two hours, their first as PH seems to reset the sphere, clocking in at a manageable, single LP’s 37 minutes. Hell, the second to last song, “Higher,” is under four minutes — and it’s one of three cuts included that would qualify individually as the shortest song the band has ever done. Clearly a shift in approach is underway.
And PH are well aware of it. Consciousness and purpose at the root of their work are nothing new — all along, they’re what’s made it breathtakingly progressive instead of haphazard in its experimentalism — but Eternal Hayden itself seems to become the band’s process of resetting, as much how they’re explaining it to themselves as how they’re explaining it to their audience. They begin with 16:45 of self-examination on “Looking back at Mr. Peter Hayden,” the opener and longest track (immediate points) that directly tackles the issue of where they were and where they are through an emergent noise wash and richly atmospheric build, post-metal as much as it’s post everything else, but underscored by low end rumble enough to keep the guitars, synth, vocoder-style effects-laden singing and open-spaced ambience from spiriting itself away into nothingness. Its drones have underlying movement, in other words, and if Eternal Hayden is starting off with this extension of its self-awareness, then PH‘s conclusion doesn’t seem to be without its sentimentality, though after about seven minutes in, the band goes into full-crush mode and plunders for the next minute-plus until drones, synth and other un-drummed atmospherics take hold for the duration, hypnotic, immersive and — yes — potentially overwhelming on headphones, depending largely on the volume at which one consumes/is consumed by them.
At various moments minimal and others seemingly endless in its depth, the ending of “Looking back at Mr. Peter Hayden” feeds seamlessly into the resonant crashing of “We Fly High,” which Mr. Peter Hayden released as a single in 2014 (review here), prior to the release of Archdimension Now. Re-recorded and at least somewhat reinterpreted from its first showing, it ups the plod factor from the opener while holding to the post-Jesu vocal-style and wash of keyboard melody, coming to a swirling apex as it hits the halfway mark and receding into ambience from there. Crashes are peppered throughout, and the bassline remains consistent to hold it together, but “We Fly High” soothes as much as it crushes, and its position between the past and the future makes it the perfect linear fit as PH move into Eternal Hayden‘s final trio of cuts.
All three of Eternal Hayden‘s final titles — “Reach,” “Higher” and “Rock and Roll Future” — give some indication of moving forward, and they do likewise in their sound as well, feeding one into the next and finding a place between heavy post-rock, cosmic drone and doomly lumbering. “Reach” is backed by a swirl that holds for the entirety of its four and a half minutes, and though these songs are all shorter, as noted, PH maintain the sense of sprawl brought to “Looking back at Mr. Peter Hayden” and “We Fly High” as they execute the turn into this new aural reality. Even the keys in “Higher” seem to nod, and the guitar line is happy to follow suit, a crash gradually arising that echoes “We Fly High” without being quite as direct until the last minute or so, when joined by what might be buried vocals, more layers of guitar and further wash. It’s not necessarily about stripping down from where PH were at the start of Eternal Hayden so much as redirecting how the elements at play function to create a song — “Higher” could’ve just as easily been titled “More Efficient,” and as a standalone piece, it doesn’t lose anything for its sense of compression, particularly as its crescendo leads into the closer.
The last movement of this miniaturized trilogy, “Rock and Roll Future” brings the guitar line forward to emphasize the well-punctuated post-rock drift and the push that PH are able to bring to it, so that their material seems to drone even as its motion carries toward a clearheaded ending. One or two measures is all it takes. As “Rock and Roll Future” approaches the four-minute mark, the noise wash rises quickly, the song dissipates and that’s it. To conclude Eternal Hayden in such a fashion only highlights the purpose of the album as a whole — PH have made the transition to set themselves on a new path with this fourth and/or first record — and they’ve done so while sharing the process with their listeners on a meta level. That honesty of approach is rare, but moreover, as PH assess their past and their way forward, they engage the audience as a part of it. This is crucial to the immersion that Eternal Hayden creates with its depth of mix and atmospherics, and it makes it plain that as Mr. Peter Hayden become simply PH, they’re carrying pivotal lessons with them as to what that process means.
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
42. Beaten Back to Pure
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
73. Green Desert Water
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
87. Merlin, The Wizard
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
108. The Sonic Dawn, Into the Long Night
110. Spidergawd, IV
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
122. Youngblood Supercult, The Great American Death Rattle
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
140. Devil Worshipper
144. Electric Moon
145. Elephant Tree
147. The Flying Eyes
148. Freedom Hawk
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
164. Mondo Drag
166. Mountain God
167. The Munsens
169. Never Got Caught
175. Purple Hill Witch
176. Ruby the Hatchet
178. Satan’s Satyrs
179. Serpents of Secrecy
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
191. Zone Six
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
201. Kings Destroy
202. Lord Fowl
204. Masters of Reality
207. Queens of the Stone Age
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
Posted in Whathaveyou on January 16th, 2017 by JJ Koczan
Yes, yes, yes, yes, yes, yes and yes. You know who’s really excited at the prospect of a new PH record? Me. I am. I’ll admit, I was somewhat concerned that when the Finnish progressive experimentalists formerly known as Mr. Peter Hayden wrapped up a trilogy of LPs with the cosmic breadth drone of 2014’s Archdimension Now (review here), that would be it for them. Doneski. But it seems instead to have closed one era and begun another. Now dubbed PH after the logo/symbol they carry with them on stage, and now signed to Svart — which is easily the most logical place I can think of for them in this universe of illogic — they’ll issue Eternal Hayden on March 10. And as I say, I’m really excited about it.
They have a new teaser streaming now that’s not much more than a couple rumbles, but still — get stoked. More to come.
This from the PR wire:
PH set release date for new SVART album, reveal teaser video
Finnish meta-rocking freebirds Mr. Peter Hayden, now referring to themselves just by their PH insignia, are back with a new album. Their fourth full-length, Eternal Hayden, will be released through Svart Records on March 10th. The release will be celebrated by a Scandinavian tour in March and the rest of Europe during the fall of this yar.
“This album is all about letting go and achieving, reaching something more after giving up everything,” comments the band. “It is a guide to spiritual growth, ascension, and overall progression towards freedom. At the same time, it is a pre-written vision coming true aptly depicting our journey as a band and a spiritual entity.”
Eternal Hayden is the capstone not only for their discography so far, but also for their whole existence. Their return from the voyage through a trilogy of albums exploring the depths of mind, time, and dimensions finally to reveal what it was all about. This album is everything they have ever done before and a fair share of what they are going towards in the future, but performed in a manner none of the earlier albums were. It’s as much a return to the time before the trilogy as it is a brand-new start, the future and the past.
“The trilogy started as an experiment, but became an experience as we were caught within it,” they explain. “In the end, it also become a guide for others to go through the same journey and to gain what we have gained. And only after reaching the archdimension were we able to write and perform this album. Also being born again, we felt obligated to simplify our name from ‘Mr. Peter Hayden’ to the PH monogram, which we have used as our insignia for over 15 years already.”
This is something new lurking between the petrified genre definitions and still merely the first step down the group’s path to be cleared. A tantalizingly short teaser video for Eternal Hayden can be viewed HERE. Cover and tracklisting are as follows:
Tracklisting for PH’s Eternal Hayden 1. Looking Back At Mr. Peter Hayden 2. We Fly High 3. Reach 4. Higher 5. Rock And Roll Future
Posted in Whathaveyou on October 2nd, 2015 by JJ Koczan
At this point, you almost expect that sooner or later in the lineup-addition stage of any Roadburn, you’re going to have to throw your hands up in the air and say, “Fucking hell, Roadburn,” because the roster of bands has become that ridiculous and/or the scope of the thing has just become so overwhelmingly righteous that you’re pretty much left with no alternative beyond staring in awe. Seems early in the season for it, but that’s me, right now. Fucking hell, Roadburn.
Tickets are on sale today.
Before I get into how stoked I am on the Finnish takeover, let me say how awesome I think it is that Tau Cross will play — an exclusive, mind you — set on the same day as Amenra and Neurosis. Seems like maybe a similar feel that brought Enslaved into Wardruna into Skuggsja this year, the vibe building as the day goes on, leading to an inevitable apex that speaks to the whole and expands on it. I hold my breath and hope I get to go back, because that apex will be Neurosis celebrating their 30th anniversary in 2016.
Lee Dorrian adds Pentagram and Galley Beggar. Fucking a. Roadburn continues its affinity for creative black metal, adding Iceland’s Misþyrming as what seems like a particularly daring artist-in-residence. Fucking a. Swedes Hills and reactivated German psych-jammers Zone Six get added, and I start to feel like the universe is doing me favors.
AND THEN we get around to the Finnish takeover. Dark Buddha Rising still haunt from the last time they played Roadburn. Hexvessel were already announced, but I’m particularly stoked at the mere possibility I might get to catch MPH — Mr. Peter Hayden — again or see Atomikylä, whose blown-out blackened psych extremity seems to be a direct summary of a lot of what Roadburn is about these days. Very cool band that I think have thus far flown under a lot of people’s radar. Obviously not that of Roadburn 2016.
Like the headline says, it’s a massive update. Have at you:
Further additions to ROADBURN FESTIVAL ahead of ticket launch
TAU CROSS to play their first European show at Roadburn 2016
PENTAGRAM and GALLEY BEGGAR are the first bands confirmed for Lee Dorrian’s curation.
ROADBURN’S Artists in Residence are confirmed as Icelandic pioneers MISÞYRMING
Plus even more bands announced ahead of tickets going on sale today – October 2nd.
TAU CROSS TAU CROSS, the veteran punk / metal collective, revolving around Amebix bassist/frontman Rob Miller, Voivod drummer Michel ‘Away’ Langevin, and members of cult crust outfit Misery, will be playing a one off show at Roadburn 2016, along with Neurosis and Amenra, on Saturday, April 16th at the 013 venue in Tilburg, The Netherlands.
“TAU CROSS are delighted to announce that we have been invited to play at the 2016 Roadburn Festival. This will be our only upcoming European show, we are all looking forward to playing at this very special event” – Rob Miller.
Having TAU CROSS on the main-stage is causing us joy of unbridled proportions. Miller and Langevin are not only mutual admirers and peers, but their bands have been a huge influence on all things Roadburn. With all of the seminal bands and great musicians taking part on Saturday, it’s guaranteed to be epic.
To find out more about TAU CROSS at Roadburn, click HERE
LEE DORRIAN’S FIRST CURATED BANDS When Lee was asked to curate part of Roadburn 2016, there was an expectation of great things. And his first choices do not disappoint. On his choice to add the legendary PENTAGRAM – who will perform a special “best of” set – to the line up, he comments:
“They have been one of my all time favourite bands since first hearing them back in the mid 80’s. I became an obsessive fan covering my old apartment with flyers and intensely collecting as many live tapes, videos, photo’s and whatever else I could get my hands on back then. I’m am completely honoured that they agreed to accept my invitation to appear at my curated event, Rituals For the Blind Dead! This greatest hits performance will be a big party in celebration of the bands long and treasured career. With Victor back flying out those riffs like flaming balls of fire it’s going to be so relentless, I simply cannot wait.”
Dorrian’s second addition is London’s GALLEY BEGGAR. The six-piece acid folk troupe released their third album earlier this year – a record that is sure to feature in Roadburn’s album of the year lists. He comments:
“They are one of very few bands around today that understand the timeless beauty of acid-tinged folk-rock. In the true spirit of classic era Fairport, Trees, Spriguns, Mellow Candle and other contemporary kindred spirits their gentle, yet melancholic will act as the perfect refrain from all the dark, beastly heaviness surrounding the event.”
To find out more about PENTAGRAM click HERE, and GALLEY BEGGAR click HERE
ARTISTS IN RESIDENCE: MISÞYRMING Historically speaking, Roadburn’s Artist in Residence is usually an older, established act or musician, one who’s spent decades honing their skills and cultivating a worldwide reputation, but this year will be different. In 2016, Roadburn will welcome a new, young band that has exploded onto the international stage with the force of a neutron bomb, thanks to a crystal-clear, forward-thinking vision and the impeccable quality of their work.
During their residency, Misþyrming will play three shows at Roadburn.The first, Algleymi, (Thursday 14 April) will see the band debuting highly-anticipated new material. The second and most transcendent appearance is Úlfsmessa (Friday 15 April) Joined by the Icelandic black metal and black metal-influenced ritual drone bands Naðra, NYIÞ and Grafir, Misþyrming will present an intense, immersive collaborative performance, ten members strong, that will both reaffirm and redefine any devotee’s commitment to black metal supremacy. The final chapter of their residency will be Söngvar elds go óreiðu (Saturday 16 April) which will comprise a performance of their earth-shaking first album in its entirety.
To find out more about MISÞYRMING (with thanks to Kim Kelly and Noisey) at Roadburn, click HERE
THE FINNISH TAKEOVER. With a clutch of such definitive and inventive bands all hailing from Finland, it’s no surprise that we’re giving over a corner of Roadburn to the amazing artists hailing from this beautiful country.
We recently announced HEXVESSEL to the Roadburn 2016 bill, but we’re now excited to announce a second show. They will be joined on Friday 15 April on stage at Roadburn by the archaic elementals of Arktau Eos for a one-off performance of a rite featuring music and themes from Hexvessel’s debut album Dawnbearer, and Arktau Eos’ debut Mirrorion (which celebrates its tenth anniversary). Arktau Eos will also perform their own set on Thursday 14 April.
To find out more about HEXVESSEL & ARKTAU EOS, click HERE.
The other Finnish bands taking over Roadburn 2016 are: Dark, droning psych-lords DARK BUDDHA RISING on Friday 15 April. Experimental black metal innovators ORANSSI PAZUZU on Thursday 14 April. Psych drone purveyors feat. members of Dark Buddha Rising and Oranssi Pazuzu – ATOMIKYLÄ will perform at Roadburn on Saturday 16 April. Again featuring members of Dark Buddha Rising and Oranssi Pazuzu, ABYSSION are a coarse mix of punk, black metal and even post punk, they play on Thursday 14 April. Specialising in dramatically drawn out cosmic doom – MPH play on Sunday 17 April.
To find out more about the Finnish takeover click HERE
FURTHER ADDITIONS TO THE BILL In addition to the above bands we have also confirmed: Cinematic Italian doomers, ABYSMAL GRIEF – click HERE for more information Fellow Italian’s EPITAPH – click HERE for more information. Folk-tinged droners CRUMBLING GHOST – click HERE for more information. Cosmic neo-krautrockers ZONE SIX – click HERE for more information. Psychedelic Swedes HILLS – click HERE for more information. Progressive black metallers TERZIJ DE HORDE – click HERE for more information. Seven piece Texan metal horde – DEAD TO A DYING WORLD – click HERE for more information.
FURTHER TICKETING INFORMATION Tickets to Roadburn Festival 2016 will go on sale October 2 2015. Ticket sales will start at 21:00 CET (20:00 GMT | 22:00 Finland, Greece | 3pm East Coast USA | 12pm West Coast USA). Three-day tickets will be available for 165 Euros (excl. service fees); four-day tickets will cost 185 Euros (excl. service fees). Sunday-only tickets will cost 39 Euros (excl. service fees). Camping tickets are also available through Ticketmaster.
Additional information for people who wish to buy their tickets in person: Sounds in Tilburg will be open for you to purchase tickets in person from 18.30 – 20.30, and showing your Roadburn ticket at the door will get you entry to two Roadburn-approved gigs in the city that evening.
Roadburn Festival takes place at the recently upgraded, state of the art 013 venue, Tilburg, The Netherlands, between 14 – 17 April 2016. The line up this year includes Neurosis (30th anniversary), Paradise Lost (performing Gothic in full), curation by Lee Dorrian, Amenra, The Skull, La Muerte, Of The Wand And The Moon, and Green Carnation.
At best, this stuff is a crapshoot. Until something’s just about in your hand, you never really know when or if it’s going to come out. But they’re fun, and it’s exciting to think of good music being released, so you do it anyway. On the whole, I don’t think I did that badly between the two lists. Of course there was stuff that wasn’t anticipated — Colour Haze‘s new album, To the Highest Gods We Know, walks by and waves en route to its Dec. 15 release date — but for what we got, it worked out well.
That’s the general overview, but because I hold myself to a standard of accountability more rigorous than, say, my nation’s torture-happy secret police, here’s a full rundown of the list as it was, now (as then), presented alphabetically and with the titles listed as they were at the time:
42 of 2014’s Most Anticipated Albums — REVISITED!
1. Acid King, TBA: Word is Acid King‘s first in 10 years was mastered last month and will be out in Feb. 2015 on Svart.
2. Alcest, Shelter: Was way less post-black metal than their prior stuff, and I think it threw a lot of people off. Not a bad record (review here), but worked against lofty expectations.
3. All Them Witches, TBA: I remember including this because they said they were going back into the studio. Turned out they were recording the Effervescent EP/jam (review here). No regrets.
4. Alunah, TBA: Their new one was their Napalm Records debut, Awakening the Forest (review here). It was awesome. Score one for the list.
5. Blackwolfgoat, Drone Maintenance: Yeah, it was cheating to include this since I was there when it was recorded. Still a killer record though.
7. Conan, Blood Eagle: What does complete dominance sound like? Sounds like Conan to me.
8. Eggnogg, You’re all Invited: Was dying to hear what the Brooklyn trio came up with. No word on it yet.
9. Elder, Live at Roadburn 2013: Still don’t have a copy of this. Maybe I can pick one up when I get their forthcoming third studio album, Lore, out early next year.
10. 40 Watt Sun, TBA: More like “MIA” than TBA. Anyone heard from these guys?
11. The Golden Grass, TBA: Their self-titled debut (review here) was one of the finest first-albums I heard all year.
12. Greenleaf, Trails and Passes: Any Greenleaf is a treat. Trails and Passes (review here) was no exception.
13. Grifter, The Return of the Bearded Brethren: Solid follow-up (review here). Grifter‘s humor and lack of pretense serves them well.
14. Hull, TBA: Well, they had the Legend of the Swamp Goat single (review here) to coincide with their Euro tour. Waiting on the album.
15. Lowrider, TBA: I wouldn’t mind if this materialized right now. Or now. Or now. Or 2015. Or 2016.
16. The Machine, TBA: Might’ve jumped the gun on this. Hopefully in 2015.
17. Mars Red Sky, TBA: Easily one of the year’s best records. Stranded in Arcadia (review here) continues to get regular spins.
18. Mos Generator, Electric Mountain Majesty: A highlight of early 2014. Darker record (review here), but inarguable songwriting.
19. Mr. Peter Hayden, Archdimension Now: Fitting end to their trilogy and hopefully not their last outing.
20. Pallbearer, TBA: Their Foundations of Burden has topped year-end lists already. It’s still on my desktop. I’ve barely listened to it.
21. Papir, IIII: Very, very good. They seem to be developing, but IIII (review here) was a satisfying chronicle.
22. Pilgrim, TBA: Can’t say II: Void Worship (review here) wasn’t a win for the band since they did a month on the road with Spirit Caravan. Maybe overshadowed by more recent stuff, but a quality record.
23. Radio Moscow, Magical Dirt: Their incendiary heavy blues was in top form on Magical Dirt (review here). Glad I got to see them live once or twice (or 18 times) as well this year.
24. Sigiriya, Darkness Died Today: Also residing on my desktop. A vocalist switch caught me off guard and I feel like I still haven’t given it a fair shot.
25. Sixty Watt Shaman, TBA: Really? I had Sixty Watt on the list? That seems ambitious. No doubt they’ll have something new eventually, but that was a pretty high expectation it would be out this year.
26. Skraeckoedlan, Gigantos: If this came out, no one told me. Seems like not yet.
27. The Skull, TBA: A stunner. As much as I looked forward to it, For Those Which are Asleep (review here) exceeded the excitement.
28. Sleep, TBA: Included as wishful thinking. Their The Clarity single (review here) was something to celebrate.
29. Slough Feg, Digital Resistance: I was really looking forward to this one. Kind of fell off with Digital Resistance (review here) after a while. Hard to argue with Slough Feg though.
30. Snail, Feral: Waiting on it for 2015.
31. Steak, TBA: The London four-piece followed two strong EPs with Slab City(review here), as heartfelt a showing of desert rock loyalty as I’ve heard.
Damn, this was a long list.
32. Stubb, TBA: I had my doubts it would arrive, but Stubb‘s Ripple Music debut, Cry of the Ocean (review here), found welcome when it did.
33. SunnO))) & Ulver, Terrestrials: One of two collaborations SunnO))) would have out in 2014. Heard a lot about it at the beginning of the year. Less now.
34. Tombs, Savage Gold: Good band, doing interesting stuff. I have a hard time transitioning from appreciating it to actually being a fan.
35. Triptykon, Melana Chasmata: Sorry, but when Tom G. Warrior puts out a record, you hop to. I didn’t review it to save myself having to buy a copy, but dug it anyway.
36. Truckfighters, Universe: I feel like this one picked up steam as the year went on. I didn’t go back to it as much as its predecessor, but Universe (review here) was a logical next step for them.
37. Valley of the Sun, Electric Talons of the Thunderhawk: Nothing to complain about with the Ohio three-piece’s debut (review here) or the effort they put into supporting it throughout the year.
38. Weedeater, TBA: Nope. At least I knew it at the time.
39. Wolves in the Throne Room, TBA: Surprised a lot of people when Celestite (review here) was a companion piece for their last record instead of a new album proper, myself included.
40. The Wounded Kings, Consolamentum: 2014 was quite a year for doom, and The Wounded Kings were right there at the start. This lineup may be gone, but Consolamentum (review here) holds up.
41. Yawning Man, Gravity is Good for You: Rumor is guitarist Gary Arce has a few projects in the works for next year. Not sure if this is one of them or not.
42. YOB, TBA: We certainly know how this worked out, don’t we? If the votes in the Readers Poll are anything to go by, yes. Clearing the Path to Ascend (review here) was a landmark, and this won’t be the last year-end list around here on which YOB make a showing.
The list from July had a few winners on it as well — Apostle of Solitude, Blues Pills, Bongripper, Brant Bjork, Earth, Lo-Pan, The Well, Witch Mountain, etc. — but I think we’ve probably got enough as it is.
With the year starting to wind down, I’ll be putting together my Top 30 Albums of 2014 in the next week or so. Please keep an eye out for that, and thanks for reading.
The word “epic” gets tossed around these days for everything from Homeric poetry to late-night burritos, so one hesitates to use it for fear it might be taken with a watered-down meaning. I’m at a loss, however, for how else to describe the monumental, otherworldly reality presented in the third installment in a trio of albums from Finnish five-piece Mr. Peter Hayden, Archdimension Now. Comprised of two hyper-extended cosmic drone-doom masterpieces and released as its predecessors were through Kauriala Society, Archdimension Nowis simply in a class of its own in terms of its scope. A 2CD, limited-numbers release housed in a sort of gatefold digi-box, its bright orange cover glaring, it is a staggering work and one that lives up to its theme. The Satakunta outfit’s debut, 2010’s Faster than Speed(review here), dealt with the idea of time travel as a transcendent moment, casting off the constraints of the dimension. Their 2012 follow-up, Born a Trip(review here), was a portrayal of leaving form behind, a sort of transitional stretch laid out as a single 68-minute track. With Archdimension Now, we arrive.The title seems to be as much a notation of where as when, and yet, when one makes their way through the 67-minute first disc or the 57-minute second disc of the album, the experience is bound to be one of lost time entirely, so hypnotic and engrossing is the material the band concocts. On the most basic level, Archdimension Nowmakes Faster than Speedsound like the product of a simpler age, and where Born a Tripstill held to some of the structure the first album worked with — wide open as it was — these two parts go beyond it altogether. They’re what’s left after the dimensions are stripped away.
It is a very, very cool concept.
Sound-wise, what Mr. Peter Hayden do is take the claustrophobic elements of post-metal and cosmic doom and turn them on their head. Archdimension Nowhas stretches of lumbering, noisy weight, to be sure — by about 10 minutes in, the first disc has risen to its first crest — but with the context of the drones and ambience surrounding and within these parts, they’re not oppressive nearly as much as they are life-affirming. And more than these movements of tectonic heft and psychedelic wash, what stands out in listening to Archdimension Nowis the sheer impossibility of the audio. That is to say, if Mr. Peter Hayden were to attempt to recreate these pieces — either of them — in a live setting, the sheer nature of the effects barrage, the waves of drone, the crashing drums and the wah-drenched guitars makes it inevitable that they would come across differently. As much as Archdimension Nowis intended to be the space outside of time, then, it is also invariably a moment captured within it. I do not know how much if any of it was improvised or built on layers in the studio, but the broad-ranging, volcanic nature of the audio feels like a painting one could never recreate. A long stretch of 40-plus minutes’ atmospherics follows that first push proves to be the heart of the work. They’re not building tension — at least not yet — but exploring an aural space even as they make it. By 35 minutes in, they’ve broken it down to guitar-minimalism backed by progressive keys, and it’s from there that the second-half build of the track begins, so patient and fluid as to be almost undetectable on a minute-by-minute scale, but definitely there when you pull back to look at the larger picture. If the record was less than two hours long, one might almost call it subtle. The final thrust of the first disc has a foundation in a slow drum progression, so there’s something binding it to the earth, but atop that is space rock liquefied into its molten prog elements. Noise, feedback, guitar effects, keys — all come together to provide a fullness of sound, and when the song begins to fade after its 65th minute, and elements start to dissipate, one gets the impression that Mr. Peter Hayden could just as easily have kept going.
There are two reasons I’m posting about the Mr. Peter Hayden and Dark Buddha Rising tour and they are as follows: Mr. Peter Hayden and Dark Buddha Rising.
I’ve been looking forward to the new Mr. Peter Hayden album, Archdimension Now, since streaming part of their in-betweener single “We Fly High” here back in January. The third in a trilogy of outings, the first two of which were cosmically-minded, exploratory and, when they wanted to be, demolition-grade heavy, I don’t doubt that it will hit under the radar for some, but those who catch it will be glad they did. If this post entices someone to check out that single or 2012’s Born a Trip (review here), all the better.
And though Dark Buddha Rising‘s Dakhmandal got lost last year amid the mess of digital promos, I was at Roadburn 2012 when they played (review here) and so the prospect of that set coming out on tape is enticing indeed. They were among the bleakest acts I’ve ever seen at that festival, and their droning doom remains deeply individual, very much their own.
So you see, the two bands touring together, even nowhere I’ll be able to see them, is an event worth marking. The PR wire puts it thusly:
Dark Buddha Rising and Mr. Peter Hayden collaborative European tour dates for April 2014 announced
Finnish heavy-weight deep space psychedelic travellers Dark Buddha Rising and Mr. Peter Hayden will be touring Europe in April 2014. Trips will be served on eight nights, starting on April 19th in Bülach, Switzerland and ending seven nights later in Stockholm, Sweden. Prepare your minds!
Dark Buddha Rising have released four albums of their signature monolithic dark psychedelic art and gained full acceptance throughout Europe. Last year they opened for Neurosis and are now back to challenge your senses. Mr. Peter Hayden are known from their lengthy compositions and in-depth instrumental approach on sonic psychedelia. Now they are putting out a two-hour piece of music in form of a double album and returning to Europe to continue where they left off at last years Roadburn Festival.
Prior to the tour Mr. Peter Hayden will release a double album entitled Archdimension Now. This will complete the album trilogy they have been working on since 2009. Album will be released through Kauriala Society on April 11th.
Also Dark Buddha Rising have a new release coming up. Live at Roadburn 2012 will be released through Future Lunch on cassette only on April 4th. Finnish masters of dark psychedelia proceed onward after their last years epic release of three 12” EP’s entitled Dakhmandal. Now their debut live recording is being released from their much celebrated performance at Roadburn Festival 2012 in Tilburg, Holland via Future Lunch. Known from their black psychedelic art and performances, the group has gained major acceptance beyond borders. They are now serving you a unique glimpse of their previous guidelines as presented in this 2012 one-of-a-kind event. An event in which minds were trembled and all mountains shook up.
Dark Buddha Rising & Mr. Peter Hayden : “Archmandal” – European tour, 19. – 26.4.2014 19.4. Guss39, Bülach, Switzerland 20.4. Doomed Gatherings, Glazart, Paris, France 21.4. Little Devil, Tilburg, Netherlands 22.4. Hühnermanhattan, Halle, Germany 23.4. Crass Pub, Chemnitz, Germany 24.4. Werk4, Magdeburg, Germany 25.4. Stengade, Copenhagen, Denmark 26.4. Püssy a Go Go, The Liffey, Stockholm, Sweden
Posted in Features on January 13th, 2014 by JJ Koczan
Getting ready to type this list is like standing on the precipice of a canyon. Maybe that’s a little dramatic, but you get the idea. Last year was an all-out assault of music. I couldn’t have heard it all even if I’d wanted to, and while it’ll probably be June before I feel like I’m sufficiently caught up on 2013, the new-car-smelling rush of 2014 is already underway.
And the only thing to do is press on — though I’ve tried on several occasions, I can’t seem to stop time and review everything that I’m fortunate enough to encounter — and that means glancing ahead to what’s coming in 2014. I know I said so before, but once again, Happy New Year.
One of my favorite things to do is to look forward to a new album. I consider it a sign of the endurance of the human spirit not only that new creative works are being completed and distributed at such a constant rate, but that we can still anticipate the resonance of those works upon their arrival. I don’t mind telling you this is the largest of any such list I’ve ever written for this site. Even as I start it, I’m finding more to add, and I’m sure when it’s done it won’t be complete. So it goes.
There’s more to say, but I’ve delayed enough. We’ll go alphabetically, which is only unfortunate because it puts YOB last. Thanks in advance for reading.
1. Acid King, TBA
We start the same place we started in 2013, with Acid King. The San Francisco giants have sworn up and down they’ll have a new record out this year, and while I’ve yet to see any solid word of its coming manifest, I remain hopeful that it happens. Of course, that was also pretty much the case going into 2013, but they toured Europe last fall and even came out to the East Coast for a show and played some new material (review here), so if it’s to be that IIIfinally gets a follow-up some nine years later, it’s worth keeping an eye out ahead of time. Acid King on Thee Facebooks.
2. Alcest, Shelter
To be released this coming week on Prophecy Productions, the fourth Alcest full-length, Shelter (review here), is billed as a major sonic turn away from the France-based outfit’s black metal influences toward brighter sonic fare. It is that, but the nostalgic melodies and crucial emotionality that has always been the root of Alcest’s sound remains intact. It will be interesting to see what the response is upon its release, but Shelteris an early point of fascination for 2014. Alcest on Thee Facebooks.
3. All Them Witches, TBA
I’m not sure what they’re doing in the studio, if it’s a single, an EP or a full-length album, but this past weekend, on Jan. 11, Nashville heavy psych rockers All Them Witches posted the above picture with the simple tagline “Recording.” Fair enough. It seems soon for them to have another LP after 2013’s excellent Lightning at the Door (discussed here), but that album seemed to arrive soon after 2012’s Our Mother Electricity (reissued by Elektrohasch in 2013; review here), so who knows? It’ll be fun to find out either way. All Them Witches on Bandcamp.
4. Alunah, TBA
UK doomers Alunah will make their debut on Napalm Records with yet-untitled third album. With wider distribution at their disposal than that received by their 2012 outing, White Hoarhound (review here), I wouldn’t be surprised to see Alunah really leave a mark on 2014, but more fascinating to me than how many people get to hear it is how the band — who’ve swapped out bassists since their last outing — will follow-up the tremendously memorable songs on White Hoarhound. No doubt they can do it, it’s just hard not to be impatient. Alunah on Thee Facebooks.
5. Blackwolfgoat, Drone Maintenance
I was fortunate enough to be invited down to Amps vs. Ohms in Boston when Blackwolfgoat (aka Darryl Shepard, also of Black Pyramid, The Scimitar, ex-Hackman, Roadsaw, etc. and a new project I don’t think I’m allowed to talk about yet) was tracking the follow-up to 2011’s Dronolith, which was released on this site’s in-house label, The Maple Forum. Raw tracks can sometimes prove to tell little about the finished product of an album, but each piece on Drone Maintenancethat I heard had a distinct atmosphere, and “Cyclopean Utopia” was heavy enough on its own to warrant inclusion here. Rumor also has it that Black Pyramid offshoot The Scimitar will release a studio debut this year. Blackwolfgoat on Bandcamp.
6. Causa Sui, Live at Freak Valley
Holding the promise of over 90 minutes of live-recorded material from the 2013 Freak Valley festival in Germany, Causa Sui‘s Live at Freak Valley will see release through the band’s own El Paraiso Records and should provide further insight as a companion piece to their 2013 studio full-length, Euporie Tide. As that album boasted such an engaging live and progressive feel, successfully meshing desert and krautrock influences, I’d expect no less from the live outing, which though they’ve put out studio jams before — their three-volume 2008-2009 Summer Sessionsis a joy worthy of the season — is their first official concert recording. El Paraiso Records website.
7. Conan, Blood Eagle
Six devastating tracks that both continue Conan‘s sonic dominance and usher in a new era for the band. Not only is their second full-length, Blood Eagle, their debut on Napalm Records, but it’s also the first Conan LP to be recorded at Skyhammer Studios, which was built and is owned by guitarist/vocalist Jon Davis. Producer Chris Fielding worked with the band previously on 2012’s Monnos (review here) and 2010’s Horseback Battle Hammer EP (review here), and Blood Eagle benefits from that now familiar collaboration, bridging the gap between the faster, catchy sides of Monnos and the complementing ultra-plod of its longer tracks. Album opener “Crown of Talons” also ranks among the heaviest things they’ve ever done, and “Foehammer” takes it’s name from Gandalf’s sword, Glamdring, so I don’t know what more you could ever ask of a full-length than that. Conan on Thee Facebooks.
8. Eggnogg, You’re all Invited
With the addition of bassist Corey Dozier to the rhythm section with drummer Jason Prushko, Brooklynite doom-funk stompers Eggnogg have been able to move vocalist Bill O’Sullivan to guitar from bass, giving Justin Karol a chance to act all the more as a lead player. How this new four-piece dynamic might play out on You’re all Invited — or even if Dozier played on it — remains to be seen, but from what I’ve caught live, it’s turned them into a thicker, fuller-sounding band, and on new material and old, Eggnogg are coming into their own. They’re still a better band than they know, and one hopes they can get some road time in as well as release the LP to continue to refine their approach. Eggnogg on Thee Facebooks.
9. Elder, Live at Roadburn 2013
Granted it’s been available through Burning World Records digitally since last November, but Elder‘s Live at Roadburn 2013 is set for physical issue early this year through the label, and having stood in front of the stage to witness the set myself at Het Patronaat in Tilburg and then seen the line running outside the venue and down the block, I can tell you it’s a beast. Put it on vinyl with cover art by Adrian Dexter and maybe a photo or two by yours truly and you’ve got a good way to get a preview for what their sets at the two Desertfests might hold this year. Elder on Thee Facebooks.
10. 40 Watt Sun, TBA
Speaking of Roadburn, emotive UK doomers 40 Watt Sun are set to make a return appearance at the fabled fest in the Netherlands, and the word was they’d do so with material from the follow-up to their 2011 Metal Blade debut, The Inside Room (review here), which established the band, led by guitarist/vocalist Patrick Walker (Warning), as a deeply affecting act with a rich sonic texture. No word of an exact release date for the sophomore effort yet, but one expects it will receive no shortage of fanfare prior to and upon its arrival. 40 Watt Sun on Thee Facebooks.
11. The Golden Grass, TBA
Brooklyn trio The Golden Grass‘ One More Time b/w Tornado debut single was one of the best short releases of 2013, and the sunshiny classic heavy rockers will look to follow it with a first long-player this year. Recording is completed — the tracking was helmed by Andréa Zavareei, who also did the 7″ — and so is mixing, done by Jeff Berner (Naam, etc.), so with mastering in progress, hopefully it’s not too long before The Golden Grass can offer a right-on cure for wintry blues. It will be interesting to hear how they sustain and work within their positive vibes over the course of a complete LP. The Golden Grass on Thee Facebooks.
12. Greenleaf, Trails and Passes
Trails and Passes will be Greenleaf‘s first outing since 2003’s Secret Alphabets not to be fronted by Oskar Cedermalm (also of Truckfighters) and also finds the Swedish unit both with a new drummer (hello, Sebastian Olsson) and down from two guitars to one. It was five years between their third album, 2007’s Agents of Ahriman and 2012’s Nest of Vipers (review here), so with a quicker turnaround and a stripped-down songwriting approach that seems geared more toward a live-sounding heavy rock presentation, Greenleaf could easily be positioning themselves as a full(er)-time touring act. The more the merrier. Greenleaf on Thee Facebooks.
13. Grifter, The Return of the Bearded Brethren
UK power trio Grifter surprised some with the quality of songwriting on their 2011 self-titled debut (review here), the lacking pretense of which was in proportion to its classic heavy rock influence, but The Return of the Bearded Brethren, which is set to release on Ripple Music, won’t have the advantage of sneaking up. If they’re throwing down a gauntlet, the confrontational pose of the shirtless tattooed beardo on their LP cover would seem to indicate it’s a considerable one indeed, but I wouldn’t be shocked if Grifter made following up on their self-titled sound as easy as they made infectious hooks sound the last time out. Grifter on Thee Facebooks.
14. Hull, TBA
Down from a five-piece to a foursome after having lost one of their three guitars since the release of 2011’s stellar second LP, Beyond the Lightless Sky (review here), 2014 marks an interesting point for singular Brooklyn post-thrashers Hull. With a Roadburn appearance slated and a limited vinyl reissue of their 2007 Viking Funeral debut EP in hand, they’ll look to bring their conceptual songwriting into a new presentational arc, and while that’s a fascinating prospect, I’m also looking forward to their new album because it promises to be heavy as fuck whenever it happens to arrive, hopefully by the end of the year. Hull on Thee Facebooks.
15. Lowrider, TBA
Were this list numbered in anticipatory rather than alphabetical order, Lowrider would be much closer to the top than lucky number 13. The Swedish four-piece will be recording their first outing since 2000’s genre-landmark Ode to Io this year after reuniting on stage at Desertfest 2013 — they’ll return to London next month with Dozer — and while I don’t know if it’ll be out by the time 2014 is done, I do know that the sheer prospect of a new Lowrider makes this year much better than it would be otherwise. I already invited myself to Sweden for an in-studio. More to come. Lowrider on Thee Facebooks.
16. The Machine, TBA
A couple weeks back, Dutch heavy psych rockers The Machine — whose split with now-defunct countrymen Sungrazer (review here) was my favorite short release last year — held a poll on their Thee Facebooks page to name their upcoming fifth album, which will follow 2012’s Calmer than You Are (review here) on Elektrohasch. My suggestion? Come to Light. It has the advantage of sounding psychedelic with an undertone of enlightenment to speak to the band’s continuing progression and it keeps with the prior album in being a reference to The Big Lebowski. No word on whether or not they’ll use it, but I’ve got my fingers crossed. The Machine’s website.
17. Mars Red Sky, TBA
Currently in the mixing stage, the second Mars Red Sky long-player will arrive on the heels of 2013’s Be My Guide EP (review here) and the Bordeaux fuzz trio’s self-titled 2011 debut (review here) and a host of tours and festival appearances. While their plans to record in the California desert reportedly didn’t pan out, the trio put much of the album to tape over the course of a week in Brazil following dates in South America, so it should boast plenty of sunshine either way. The album is due for release in April — a pro-shot live video of the new song “Satellites” was recently unveiled — and Mars Red Sky will also play at Hellfest in their native France in June. Mars Red Sky on Bandcamp.
18. Mos Generator, Electric Mountain Majesty
The Washington trio’s first album for Listenable Records and their second since picking back up after several years of inactivity while guitarist/vocalist Tony Reed concentrated on Stone Axe, Electric Mountain Majesty is done and mastered as of Jan. 5. Recorded by Reed himself, it will follow a pair of live outings in 2013 (reviews here and here) and 2012’s infectious return, Nomads(review here). I am fully prepared to have these songs stuck in my head for most of 2014, so bring it on. A March release has been floated, which would come ahead of an appearance at Freak Valley in late May. Mos Generator on Thee Facebooks.
19. Mr. Peter Hayden, Archdimension Now
Triumphantly creative Finnish cosmic doomers Mr. Peter Hayden will complete a trilogy with Archdimension Now that began with 2010’s Faster than Speed (review here) and 2012’s single-song 68-minute LP, Born a Trip (review here). Crushing tones and a formidable scope don’t seem like unreasonable expectations, though what really interests me is how the Satakunta five-piece will expand on the sound of their last album, which still seems to reveal something new each time I put it on. Their new single “We Fly High,” was streamed here recently and bodes well. Mr. Peter Hayden on Bandcamp.
20. Pallbearer, TBA
Pallbearer have toured hard since their 2012 debut, Sorrow and Extinction (review here), hit a nerve with doomers across the globe, and the four-piece from Arkansas are set to begin recording their next LP (presumably) for Profound Lore in February. If that puts a release for sometime in late Spring/early Summer, I would imagine it will come coupled with no shortage of live dates, since the band seems most at home on tour. Should be intriguing to have a document of how all that stage time has manifested in solidifying and adding confidence to their approach, and this is another one preceded by much anticipation. Pallbearer on Thee Facebooks.
21. Papir, IIII
It would seem I have some purchases to make in order to catch up with Danish heavy psych jammers Papir. Aside from their recent collaboration with Electric Moon, the upcoming IIII will sure enough be their fourth album. Available now to preorder through El Paraiso Records, it is a vinyl-ready 47 minutes of smoothly shifting transitions between lush atmospherics and driving fuzz-heavy rock, ready to stand in line with progressive European instrumentalists like 35007, My Sleeping Karma and indeed their label honchos, Causa Sui. I had caught wind of 2013’s IIIpreviously, but deeper back catalog investigation is definitely warranted. Papir on Thee Facebooks.
22. Pilgrim, TBA
Just before they left to tour Europe with Windhand, Providence, Rhode Island, doomers Pilgrim recorded their sophomore full-length at Moonlight Mile Recording in scenic Jersey City, NJ. After the huge response garnered — and, I should say, earned — by their 2012 debut, Misery Wizard, the band jumped from Alan Averill of Primordial‘s Metal Blade imprint, Poison Tongue Records, to Metal Blade proper for the new one, which along with Pallbearer, 40 Watt Sun, Serpent Venom and The Wounded Kings (and no doubt others) makes a prospect for a thoroughly doomed 2014. So be it. Pilgrim on Thee Facebooks.
23. Radio Moscow, TBA
As I type these words, heavy rockers Radio Moscow are mixing their yet-untitled fourth album (fifth if you count 2012’s 3 & 3 Quarters, which was comprised of early unreleased material) at Big Fish Recording in Encinitas, CA. Details on the release are sketchy at best at this point, and by that I mean nil, but at least there’s progress being made, and since it’s still January, it seems entirely likely the album will surface one way or another in the next 11 months, barring disaster. The bombastic blues jammers led by Parker Griggs toured Europe last fall and rumor is there’s a run in the works for the US at the end of February into March. Radio Moscow on Thee Facebooks.
24. Sigiriya, Darkness Died Today
What’s not to like about a new Sigiriya album? The UK four-piece premiered “Tribe of the Old Oak” from Darkness Died Todayhere last month, and in addition to the considerable pipes of new vocalist Matt Williams, the track showcased a somewhat moodier psychedelic vibe from the band, who continue to distance themselves from Acrimony, of which bassist Paul Bidmead, guitarist Stuart O’Hara and drummer Darren Ivey were members, while also exploring new avenues from those of Sigiriya‘s debut, 2011’s Return to Earth(review here). I haven’t heard the whole thing yet, but they set a high standard last time. Sigiriya on Thee Facebooks.
25. Sixty Watt Shaman, TBA
Reason to Live, was released by Spitfire Records (remember them?) in… wait for it… 2002. Some 12 years ago. Now, these dudes have been kicking around in other bands since Sixty Watt Shaman sort of melted away in the manner that underrated bands often unfortunately do, but with the announcement of their appearances this year at Desertfest (info here) in April and The Eye of the Stoned Goat 4 in May (info here) came word of a new studio release. EP or LP unknown at present. As killer as Reason to Live was, it just doesn’t seem fair to expect Sixty Watt Shaman to be the same band they were more than a decade ago. As such, I don’t know what’s coming, but I’m keen to find out. Sixty Watt Shaman on Thee Facebooks.
26. Skraeckoedlan, Gigantos
The 2011 debut from upstart Swedish heavy-hitters Skraeckoedlan, titled Äppelträdet (review here), was recorded by Oskar Cedermalm of Truckfighters and had much of that band’s fuzzy compression in blend with their own Mastodon-ic plod. It was a combination that worked so well I thought for sure the young outfit would return to Studio Bombshelter for their next outing, but no dice. As a result, I’m not sure what to expect from Gigantos, but I dug what I heard in a recent live video from them, so we’ll see how it turns out when the LP is done and I’m not about to judge either way until then. Skraeckoedlan on Thee Facebooks.
27. The Skull, TBA
I have no interest in downplaying any of the original members of Trouble‘s contributions to that legendary Chicago doom band (nor the work they’re doing now or those contributing to it), but there can be no question that Eric Wagner‘s voice is a signature element, and right now, that’s something The Skull has over the outfit from whence they sprang. Add to that Ron Holzner‘s bass and Jeff “Oly” Olson‘s drums and you’re well on your way to some foundational heavy. Among the best signs is that The Skull were recording with Billy Anderson (Sleep, the Melvins, Acid King, etc.), who obviously knows his shit and is likely to capture their sound as it should be: Completely doomed. Also keep an eye out for Wagner‘s side-project, Blackfinger, who have an LP coming. The Skull on Thee Facebooks.
28. Sleep, TBA
This would be the mother of them all, I guess. A new Sleep album. In addition to hinting at new studio outings by his own three-piece Om and Matt Pike‘s High on Fire, bassist/vocalist Al Cisneros let it slip casual-style in an interview somewhere that Sleep were working on new material, thus snapping my Thee Facebooks feed in half. Fair enough. Working on material doesn’t mean we’ll see a record this year, or at all, but obviously if there’s a chance a new album might happen (I’ve been nerding out about the idea for a while; see here and here), it would be proof of justice in the universe. Seems an obvious thing that Billy Anderson would record this as well, and all the better. Can the Sons of Sabbath prove there’s life after Dopesmoker? For now, only the Antarcticans know. Sleep’s website.
29. Slough Feg, Digital Resistance
Slated for release through Metal Blade — they’re taking preorders — what if I’m not mistaken is the 32nd Slough Feg LP is due on Feb. 18. As much as I’m looking forward to the release of the record itself, having very, very much enjoyed 2010’s The Animal Spirits (review here), I’m even more interested to see if I finally get up the gumption to interview guitarist/vocalist Mike Scalzi. Something about a dude who doubles as a philosophy professor and who’s been putting out records in his band since I was nine and long before anyone gave a shit I’ve always found intimidating. We’ll see if I’m up to it this year. @Slough_Feg.
30. Snail, Feral
Last summer, West Coast riffers Snail announced the departure of guitarist Eric Clausen, which means that their fourth outing, Feral, will be their first as the trio of guitarist/vocalist Mark Johnson, bassist Matt Lynch and drummer Marty Dodson since their 1993 self-titled debut full-length (reissue review here). Should be interesting to see how the shift to their original lineup changes the tenor of Feral as opposed to their two albums with Clausen, 2009’s comebacker Blood (review here) and 2012’s Terminus (review here), but as the first audio from the record begins to surface, Snail‘s sound seems to still very much have its core intact. Terminusbrought in something of a rawer heavy metal influence coming off the languid, dreamy Blood, but as they’ve been back together now for going on half a decade, no doubt a few more twists are in store. Snail on Thee Facebooks.
31. Steak, TBA
Quickly emerging at the fore of London’s enviable up and coming heavy rock scene — and, in the case of guitarist Reece Tee, helping shape it as one of the architects of Desertfest — Steak are set to debut this year on Napalm Records with what will be their first full-length following two EPs, 2012’s Disastronaught (review here) and 2013’s Corned Beef Colossus (review here). They’ve put in time on tour — they’ll play in Spain with Monster Magnet and in London with Lowrider and Dozer in February — and seem to be ready to take the next step in releasing an album, and after the conceptual elements of both EPs, I’m eager to see where the next chapter of their story goes. Steak on Bandcamp.
32. Stubb, TBA
Tracking is to begin a few weeks from now for Stubb‘s second album at Jon Davis of Conan‘s Skyhammer Studios. After the release of their 2013 single, Under a Spell (review here), and the departure of drummer Chris West, guitarist/vocalist Jack Dickinson and bassist/vocalist Peter Holland acquired Tom Fyfe to fill the position, and subsequently found a label home on Ripple Music. It’ll be a different Stubb than they were on their 2012 self-titled debut (review here), but the fuzz runs strong in them however the changes might manifest in the finished product from the studio, and I can’t even think of “Under a Spell” without hearing the chorus in my head, so yeah, I’m on board.Stubb on Thee Facebooks.
33. SunnO))) & Ulver,Terrestrials
A collaboration between drone lords SunnO))) and Norwegian post-black metal progenitors Ulver probably isn’t the kind of thing that’s going to make you crush a beer can on your forehead and call your bros to come over and check it out (actually, I don’t know what kind of music does that, but it probably sucks), but Terrestrials has the potential to be one of 2014’s most unique releases all the same. After Ulver‘s delving into orchestral minimalism on 2013’s Messe I-IX, it’s really anyone’s best guess what this will sound like when it comes out on Feb. 4. SunnO))) explored some cinematic ground with 2009’s Monoliths and Dimensions (review here), but still, to speculate seems like setting myself up to be a fool later. Southern Lord Recordings website.
34. Tombs, Savage Gold
For their third album for Relapse, Brooklyn three-turned-four-piece Tombs headed south to Florida to record with Hate Eternal‘s Erik Rutan. If vague Thee Facebook posts are anything to go by, the resulting LP is 57:18 and titled Savage Gold. I’m not sure when it’ll be out, but as the follow-up to 2011’s widely and loudly lauded Path of Totality, whatever it’s called and whenever the new Tombs shows up, chances are it’s going to receive as much extremity as it doles out. Tombs on Thee Facebooks.
35. Triptykon, Melana Chasmata
Heirs to the black, shiny and probably spiky throne of Celtic Frost, ultra-dark metallers Triptykon will answer 2010’s Eparistera Daimones (review here) with Melana Chasmata, which though it’s somewhat easier to type is no doubt even more gleefully excruciating a listen. As with the debut, they’ll mark the release with an appearance at Roadburn (info here). No audio has surfaced yet, but with a release date set for April 24, that can’t be too far off. Will Tom G. Warrior push Triptykon further away from their Celtic Frost lineage? I don’t know, but if there’s beauty in darkness, he’s the one to find it. Triptykon on Thee Facebooks.
36. Truckfighters, Universe
Feb. 4 is the stated release date for Universe (review here), the fourth album from Örebro fuzzdudes Truckfighters. The Swedish three-piece explore ground that at the same time is more emotionally complex than their last outing, 2009’s Mania (review here), and also more straightforward in the songwriting, resulting in a collection of tracks not necessarily as upbeat as some of what they’ve done in the past, but ultimately working toward a different kind of realization. No doubt hard touring will follow throughout the rest of this year, so if you want to catch Truckfighters, you’re likely to get your chance. Truckfighters on Thee Facebooks.
37. Valley of the Sun, Electric Talons of the Thunderhawk
Like Truckfighters, Midwestern heavy rockers Valley of the Sun will issue their new album, the somewhat cumbersomely-titled Electric Talons of the Thunderhawk on Fuzzorama Records, and the two acts are slated to tour together in Europe from Feb. 8 through March 14 ahead of Valley of the Sun‘s April 1 release date. If you contributed to their crowdfunding campaign, you might already have a copy of Electric Talons of the Thunderhawkon vinyl, but either way, the official release is worthy of note, particularly for as much growth as the full-length (their debut) shows from 2011’s already-impressive The Sayings of the Seers (review here). Valley of the Sun on Thee Facebooks.
38. Weedeater, TBA
Not certain how to tell you this, but I’m not sure we’re going to see a new Weedeater album this year. Between the North Carolina sludgers’ busy tour schedule and Season of Mist reissuing their other four albums, it seems like an awful lot for Weedeater to then also write and record a follow-up to 2011’s Jason… the Dragon (review here). I’m not saying it can’t be done — hell, for all I know they’ve finished writing and the studio is booked — but if a new Weedeater arrives, although it was mentioned with their West Coast tour dates that start this week, right now it seems like it would be later in 2014 or maybe early 2015 by the time it gets here. Hey, I could be wrong. I’d prefer it that way. Weedeater on Thee Facebooks.
39. Wolves in the Throne Room, TBA
They put out BBC Session 2011 Anno Domini last year as a kind of holdover release, but last month brought news of new songs for 2014, which would be Wolves in the Throne Room‘s first since Celestial Lineage in 2011. They toured their heaviest yet that record, so a bit of a break wasn’t necessarily out of order, but for an act who inspire the kind of loyalty that Wolves in the Throne Room do, three years can be a long time. Not much by way of specifics on the new release, whether it’s a full-length or not, when they might record, where, or when it might surface, but we know they’ve got new material, and that’s a step. Wolves in the Throne Room’s website.
40. The Wounded Kings, Consolamentum
Due Feb. 24 on Candlelight, Consolamentum is the fourth long-player in the tumultuous career of British progressive doomers The Wounded Kings, who despite a seemingly endless series of lineup shifts have managed to release their four albums in a span of six years. With guitarist/founder Steve Mills at the core and the eerie but powerful vocals of Sharie Neyland over top, The Wounded Kings have tapped into a doom quick to separate itself from the pack, and Consolamentum conjures some of their most oppressive atmospherics yet, with expansive cuts like “Gnosis” and “The Silence” fed into by ambient passages and interludes. The Wounded Kings on Thee Facebooks.
41. Yawning Man, Gravity is Good for You
Desert legends Yawning Man released a split with Fatso Jetson in 2013 — only appropriate, since the two acts share Mario Lalli — but Gravity is Good for You, like whatever Acid King might have in store, is a holdover from last year’s list. Guitarist Gary Arce of the long-running and hugely influential instrumental jammers has reportedly been in the studio with Lalli and Third Ear Experience drummer Erik Mouness (video surfaced), but there’s yet to be concrete word on when Gravity is Good for You, reportedly a double album and the band’s follow-up to 2010’s Nomadic Pursuits(review here), might be finished. Got my fingers crossed it’s this year. Yawning Man on Thee Facebooks.
42. YOB, TBA
Feels like a terribly long way to go only to get to one of the albums I’m most looking forward to hearing, but the alphabet works in mysterious ways sometimes. On Jan. 7, Eugene, Oregon, überdoomers YOB posted the following on their Thee Facebooks: “Had an amazing YOB practice. The new songs are fully in focus. 2 mega DOOM bludgeoners, one “faster” song, and the most beautiful arrangement we’ve ever written to close. 4 songs, 55 minutes.” Last I heard, they were to begin recording for their seventh (man, time flies) LP this week with a release in the months to follow, and since YOB haven’t put out an album since 2004 that I didn’t pick it as my Album of the Year, you can bet your ass I’m looking forward to what they do next. Particularly that part about “the most beautiful arrangement we’ve ever written.” Sold. YOB on Thee Facebooks.
Others to keep an eye on, some mentioned above, some not:
Ararat, III (Another 2013 holdover) The Atlas Moth, The Old Believer (Out in June) Brant Bjork, Jakoozi Blackfinger, Blackfinger Godhunter, City of Dust Ice Dragon (Some older releases are being physically pressed and new stuff is never far off) King Buffalo (Their demo ruled) King Dead (First audio just surfacing, but holds promise) Lo-Pan (Been a while in the making at this point, hopefully 2014) Pet the Preacher, The Cave and the Sunlight The Proselyte (EP coming on Gypsyblood Records) Rainbows are Free, Waves ahead of the Ocean Saint Vitus (Began writing last Fall) Salem’s Pot, Lurar ut dig på prärien The Scimitar (Debut from Black Pyramid offshoot) Seedy Jeezus (Recording in Australia now with Tony Reed) Serpent Venom, Of Things Seen and Unseen Spirit Caravan (Nothing announced but you never know)
Various Artists, Songs of Townes Van Zandt Pt. II Wino & Conny Ochs (Maybe, maybe not) The Wisdoom, Hypothalamus Wo Fat (New album recorded)
I’m quite positive that the first thing to happen after this is posted is that someone will chime in with something I forgot. At least I hope that’s what happens. As large as this list has turned out to be (much, much larger than I thought it would be when I started taking notes for it), there’s no way it could cover everything, and I hope if there’s an upcoming release in particular that you’re looking forward to, you’ll please let me know in the comments.
Thank you so much for reading and for all of your support. Here’s to an amazing 2014.