Posted in Whathaveyou on April 2nd, 2015 by H.P. Taskmaster
A rather considerable regret I’ve had this past month is that I didn’t get to pick up a copy of the Mos Generator/Isaak split that Heavy Psych Sounds put out in January when I saw Mos Generator open for Elder in Rhode Island (review here). Looks like I’ll get a second chance in June, when the Port Orchard, Washington, trio return to the East Coast, this time bringing Seattle’s Wounded Giant with them. Not to say I called it that the two bands would be touring together as both were sharing spots on the Eye of the Stoned Goat 5 festival to be held in Long Island on June 13, but I did.
That fest will provide the closing argument on the eight-show run, and the rumor mill has it that Mos Generator have even more touring announcements to come — word has been kicked around of a trip to Europe alongside a certain Massachusetts trio who just released one of the year’s best albums, and with whom, if that doesn’t make it clear enough, Mos already toured in the States — and given guitarist/vocalist Tony Reed‘s work ethic, I can’t imagine that’ll be the end of it. MosGenerator‘s new live album, In Concert 2007-2014, is available now to preorder from Listenable Records at the links below.
Also pay particular note to who they’re playing with each show on this tour, because there’s not one band on the list who isn’t worth showing up to see:
Mos Generator Announce East Coast Tour with Wounded Giant
Port Orchard, Washington heavy rockers MOS GENERATOR fresh off of their six week US tour run have announced they will fire up another string of east coast dates with Seattle Washington’s WOUNDED GIANT. Starting off with eight stops along the East Coast with both bands featured on this Summer’s “Eye of the Stoned Goat 5” Festival in Long Island, New York.
MOS GENERATOR with Wounded Giant 6/5/15 Millcreek Tavern- Philadelphia, PA w/ Wasted Theory, Righteous Bloom 6/6/15 Sidebar Tavern- Baltimore, MD w/ Wasted Theory, Borracho, Foghound, Mountainwolf 6/7/15 The Pinch- Washington, DC w/ Wasted Theory, Borracho 6/9/15 Three Sheets – New Haven, CT w/ Bedroom Rehab Corporation 6/10/15 TT The Bear’s Place- Cambridge, MA w/ Elder, Worshipper 6/11/15 Dover Brickhouse – Dover, NH w/ Gozu, Iron Chin 6/12/15 Empire- Portland, ME w/ Murcielago 6/13/15 Amityville Music hall- Long Island, NY “Eye of the Stoned Goat 5 Festival” w/ Weed is Weed, Gozu, Brimstone Coven, Doctor Smoke, Curse The Son, Ol’ Time Moonshine, John Wilkes Booth
Posted in Reviews on March 9th, 2015 by H.P. Taskmaster
It was the release show for Elder‘s third album, Lore (review here), put out and put on by Armageddon Shop, but also the launch for the Massachusetts trio’s tour with Mos Generator, bringing a new incarnation of the long-running West Coast heavy rock outfit east for the first time. With Magic Circle taking a break from recording their forthcoming second album to open the show with plenty of material of their own to unveil, newness was a sort of running theme for the night. Parking near AS220, however, was not. After chickening out on a spot in front of a hydrant — kudos to whoever took it — I wound up in a pay lot before making my way into Providence’s foremost tour-stop for the first time.
Sandwich orders named for playing cards — Jack of Clubs, Queen of this or that, etc. — were shouted out from a counter opposite the bar, and the place was packed. It sold out, but I was early and managed to get in. Doors opened at 9PM and already there was a decent amount of people who showed up. Magic Circle can be pretty elusive, and by that I mean they’re not on Thee Facebooks, so the chance to see them on such a sans-filler bill wasn’t one to pass up. Armageddon Shop labelmates of Elder‘s, though much more entrenched in doom, they got going maybe a little after 9:30 and it was easy enough to see why AS220 was the kind of place where out-of-towners play. It’s a decent-sized room that still gives an impression of intimacy, with a wide stage, lights if you want them — Magic Circle frontman Brendan Ratigan asked almost immediately that they be turned down — and what seemed like full sound going through the house P.A. Standing in front, I wasn’t in the best place to judge the latter, but the two guitars of Magic Circle came across well if that’s anything to go by.
Their 2013 self-titled debut (review here) brooked little argument in cuts like “Winter Light,” “Rapture” and “Scream Evil,” which were aired, and since the last time I managed to see them was their first show, just over three years prior, their presence on stage had evolved markedly, Ratigan‘s theatrical movements timed to the changes from drummer Q and bassist Justin DeTore, or the riffing of guitarists Chris Corry and Dan Ducas, which seems to have gotten even more in line with traditional/classic metal on their newer songs. They didn’t give a name for the second record, but “The Damned Man,” “Lightning Cage” and set opener “Journey Blind” were distinguished by faster tempos offsetting doomed riffs and an aggressive — in the case of “Lightning Cage,” almost thrashing — rendering. That might have been a symptom of the live setting, or it might be Magic Circle tapping into their Boston hardcore roots. In any case, they made it work and having gotten a taste, I’m even more intrigued to find out what the whole of their sophomore outing will bring upon its arrival later this year.
They had new material. Mos Generator had a new band. Founding guitarist/vocalist Tony Reed swapped out drummer Shawn Johnson and bassist Scooter Haslip for Scotty VanDweller and Sean Booth, respectively, earlier this year, and as I understand it, at least part of the reason why was to facilitate touring. Reed announced from the stage that it was Mos Generator‘s first time on the East Coast in many years, and AS220 gave them due welcome as they ran through songs mostly from 2012’s Nomads (review here) and last year’s Electric Mountain Majesty (review here), making highlights of “Beyond the Whip,” the slower “Early Mourning” and the title-track of the latter, which offered the evening’s most unabashed boogie. “Lonely One Kenobi” and set-finale “This is the Gift of Nature” featured from Nomads and provided a fitting showcase for the burgeoning dynamic between Reed, Booth and VanDweller. They had been playing more or less nightly since the middle of February, and if I’m not mistaken, had driven two days from Minneapolis to Providence for this gig, so while one might’ve gotten the sense of this version of the band being a recent advent — and mind you, if I didn’t know that going in, I’m not sure I would have — they’d already had a couple weeks to start smoothing rough edges, and it showed.
And since it’s worth specifically pointing out, I stood in front of Booth‘s bass amp for the set and his tone was an absolute delight. VanDweller had more than enough swing to carry across Mos Generator‘s classic influences, and Reed made a charismatic frontman — the only other time I’ve seen him on stage was with Stone Axe, in which he played guitar and handled backup vocals — goading the crowd after each song and reminding the room “We’re working hard up here!” before laughing at how long he’s used that line, but in true West Coast form, Booth fed his bass through a Verellen Meat Smoke preamp, and at least from where I was positioned, there was a good part of the set that played out like a commercial for the thing. Obviously that’s not all there is to developing a tone, but it certainly didn’t hurt. Mos Generator will be back on the Eastern Seaboard this summer for the Eye of the Stoned Goat 5 after finishing out this tour and, if I’m not mistaken, hitting Europe, and I’ll look forward to checking out how the intervening time on the road has brought them together.
So we’ve gone from new material to new band, and with Elder, it’s a new album. Lore turned plenty of heads in the weeks leading up to its Feb. 24 release through Armageddon Shop (Stickman Records in Europe), and positioned as the evening’s headliner, drummer Matt Couto, bassist Jack Donovan and guitarist/vocalist Nick DiSalvo gave the album its due, playing it front to back for the packed-out AS220. No doubt the room would’ve been more familiar with the record a little further down the line, but it’s hard to call it a release show two months later, and “Compendium,” “Legend,” “Lore,” “Deadweight” and “Spirit at Aphelion” had no trouble winning the crowd over. Though it was upwards of 20 degrees and still very much winter outside as the sheets of ice and piles of dirty frozen snow on the sidewalk could attest, up near the stage it was broiling hot, and it’s not exactly as if Elder‘s winding riffs are simple or like the spiraling prog-rock apex of “Legend” requires little effort. Like Reed and company before them, Elder were also working hard up there.
For a good cause, though. Elder will spend most of the rest of this month on tour, hitting SXSW, the Midwest and of course the East Coast, and while they’ve done strings of dates in Europe before, and while they’ll play Psycho California this May ensuring at least a little time out west, their arrival as a “touring band” feels due. They could complete this run, do the Psycho CA fest, and not book anything else for the rest of the year. That’s entirely possible, but I don’t think it’s the way things are going to play out, and the vitality they showed on stage looked sustainable. That is to say, Elder seemed ready at AS220 for the task they’d set for themselves. Their sound has progressed from the stoner roots of their 2008 self-titled through 2011’s Dead Roots Stirring (review here) and the subsequent 2012 EP, Spires Burn/Release (streamed here), and Lore is a fitting snapshot of where their creative evolution is now: Clear-headed, crisp in its delivery and the beneficiary of some of the best elements of their prior work. I missed the extra Mellotron-esque guitar layers in what on the record is the highlight moment of the title-track, I’ll be honest, and there were some kinks to iron out in changes elsewhere, but their enjoyment of the songs felt earnest, and they played like a band hitting their stride, which is more than one could feasibly ask for the first night of a tour.
One could see it even in the visual continuity on stage between DiSalvo, Couto and Donovan, their comfort with each other’s style. Right down to how they stood, with Donovan turning to face the others, completing a sort of semi-circle with DiSalvo also angled slightly inwards and Couto in the middle, facing out, they looked like a professional band who had sorted out what they wanted to do and how they wanted to do it. Their sound was the same way, and though they’d played for an hour, when they were done and the house lights came up, people were still shouting for more. Rightfully so. On a night where each act had something fresh to offer the room, Elder not only presented their third album to mark the occasion of its release, but stood on the precipice of a new era for themselves, and jumped, loudly, into its beginning.
More pics after the jump. Thanks to you for reading, to John Pegoraro for the company and to Fred Struckholz for the poster.
Tickets go on sale March 6 for Eye of the Stoned Goat 5, set to take place June 12-13 at Amityville Music Hall, on Long Island. The Golden Grass and Mos Generator will headline, and the lineup has been finalized to include acts from the East Coast, the West Coast and in between — Lord Fowl, Wounded Giant and Brimstone Coven, if you need an example of each — in what’s without a doubt the most expansive Stoned Goat festival yet.
The poster for this year’s Stoned Goat is by Joe Mruk, and you can see the final version below (click to make it even larger) followed by the official lineup announcement from the fest:
‘Eye of the Stoned Goat 5’ announces official lineup for summer festival!
Snake Charmer Booking is pleased to announce the final artist lineup for the annual celebration of stoner-psychedelic rock and doom-heavy metal known as The Eye of the Stoned Goat Festival—now in its 5th year. The two-day fest, featuring some of the most exciting talent of the Mid-Atlantic, East and West Coast, will take place June 12th and 13th 2015 at the Amityville Music Hall in Long Island, New York.
Headlining the Friday night opener on June 12th are Brooklyn, New York trio The Golden Grass (Svart Records), whose catchy progressive psychedelic self-titled debut received numerous accolades as the “Best of 2014.” Another band that has received copious amounts of praise from rock blogs and music rags alike are none other than Long Island’s long-running rock outfit John Wilkes Booth, whose album ‘Useless Lucy’ was mentioned in many journalists “Best of 2014” lists. Also joining the bill from Long Island territory, those wildly eclectic heavy rockers Moon Tooth, who Metal Injection recently named one of “10 Awesome Underground Bands You Need in Your Life!”
Naturally, it wouldn’t be a ‘Stoned Goat’ show without giving attendees a healthy dose of band from the excellent Small Stone Records label. This year’s elite selection includes three bands that are simply a treat to bring to the stage: Boston’s master craftsmen and 2014 Desertfest alums, Gozu; local New York natives It’s Not Night: It’s Space; and returning ‘Stoned Goat’ retro rockers Lord Fowl, currently working on the follow-up to their 2012 riff encyclopedia, Moon Queen.
More contenders for total rock domination include Ripple Music stalwarts White Dynomite, composed of former members of such fine acts as Roadsaw, Lamont, and Wrecking Crew, to name a few. Also on the Ripple Music roster, from Frederick, Maryland: Weed is Weed, featuring Dave Sherman and Gary Isom of Pentagram, Earthride and Spirit Caravan fame. Additionally, hailing from Pittsburgh, Pennsylvania, fans will experience the infectious “sludge n’ space rock” vibe of Supervoid, who will be heading into the studio in February to record their follow-up to 2013’s Filaments.
For the first time, Seattle Washington’s own rising stars Wounded Giant will be bringing their blistering, monstrous, signature sound to this year’s festival. Also spearheading the volume-dealing campaign from STB Records is Connecticut’s Curse The Son, who’s latest offering Psychache (2014) was widely heralded as “the best of its kind in 2014” by The Sludgelord and other critics. Another band traveling a good distance to bring their doomy, occult craft to the east coast is Metal Blade Records’ newest acquisition, Brimstone Coven, who are currently working on their much anticipated next album for the label. Speaking of travelling a long distances, the festival will witness the U.S. debut of Toronto, Canada’s demonic stoner-blues rockers Ol’ Time Moonshine. Alongside this already hefty bill, ESG5 has decided to treat festival goers to the atmospheric retro-doom stylings of Totem Cat Records’ own Doctor Smoke.
One band that has been tenaciously trekking through the rock scene for over a decade now is Philadelphia’s working class groove dealers, Kingsnake. The four boys of Kingsnake have had the honor of performing alongside such acts as Clutch, The Sword, Scorpion Child, The Skull, and Vista Chino, to name a few. Also on board for the 5th installment of the festival, Long Island locals Borgo Pass—a popular act that has developed quite an impressive loyal following.
Last, but not least, officially closing out this year’s Eye of the Stoned Goat festival is none other than Port Orchard, Washington’s stoner rock torch-bearer’s Mos Generator. This marks the band’s first ever performance in New York. Mos Generator have released 5 studio albums, a retrospective album, numerous splits, and a live album, attracting such labels as Roadburn, Small Stone, Ripple, Nasoni, and Lay Bare. For charismatic singer/guitarist Tony Reed and crew, touring has been just as important to the profile of the band as making records. Over the years, Mos Generator has shared the stage with many great heavy rock bands, and in March of 2013 joined a 26-date European tour with Saint Vitus, earning a whole new fan base to their fuzzy, energetic sound. On stage, Mos Generator embodies the word “chemistry,” revolving their sound around swagger and groove, while improvising just enough to keep the songs feeling fresh from night to night—often with delightful results.
Tickets for ‘Eye of the Stoned Goat 5’ will officially go on sale on March 6th 2015. The Event will be 21+ with I.D. Tickets will be $15 per night, or $25 for a weekend pass. For more information on the Eye of the Stoned Goat festival, visitwww.TheEyeoftheStonedGoat.com
Posted in Whathaveyou on February 10th, 2015 by H.P. Taskmaster
The fact that Mos Generator are headlining Eye of the Stoned Goat 5 is good news for those of us on the East Coast, but I have the feeling this also means that the Feb./March tour the Port Orchard, Washington, trio are heading out on starting Friday night in Seattle won’t be their only round of US dates this year. As announced last week, the long-running heavy rock outfit have a new lineup around guitarist/vocalist/founder Tony Reed that includes bassist Sean Booth and drummer Scotty VanDweller, and it’s with that band that Mos will take their place a the top of the Stoned Goat bill. When and if other show announcements follow, I’ll obviously be posting. Word of a European run is expected any minute now.
In the meantime, Mos Generator will put out the live collection, In Concert: 2007-2014 via Listenable Records on March 23 (track stream here), and word has also come out that the band’s original lineup has a split 7″ due in April through H42 Records that finds Mos Generator taking on the track “Vol. IV” by their one-time Washington compatriots, Golden Pig Electric Blues Band. That outfit shares a lineage with Reed going back to mid-’90s death metallers Woodrot, and released two albums in their time (discussed here). “Vol. IV” comes from their 2003 self-titled debut, and a snippet of Mos‘ version can be heard via H42‘s Bandcamp below, following the announcement from Eye of the Stoned Goat 5 and their current tour dates:
We are proud to present to you the FINAL band appearing at Eye of the Stoned Goat 5 is none other than Mos Generator!!! This is a HUGE honor as this will be Mos Generator’s first time ever in New York. Come out and show them a time they will never forget!
MOS GENERATOR on tour: 2/13 Seattle, Wa @ Columbia City Theater 2/14 Port Angeles, Wa @ Coo Coo’s Nest 2/18 Fort Worth, Tx @ The Grotto 2/19 Austin, Tx @ The Lost Well 2/20 El Paso, Tx @ Low Brow Palace 2/21 Tuscon, Az @ The Rock (Borderland Fuzz Fiesta) 2/23 TBA 2/24 TBA 2/25 TBA 2/26 Grants Pass OR @ G Street Bar 2/27 Eugene, Or @ Black Forest 2/28 Portland, Or @ World Famous Kenton Club 3/3 TBA 3/4 TBA w/Elder* 3/6 Providence, RI @ As220* 3/7 Peterborough, Nh @ The Wreck Room* 3/8 Rochester, Ny @ Bug Jar* 3/9 Pittsburgh, Pa @ Gooski’s* 3/10 Columbus, Oh @ Ace of Cups* 3/11 Indianapolis, In @ 5th Quarter* 3/12 Chicago, Il @ Reggie’s* 3/13 Texarkana, @ Silver Dollar* 3/14 Dallas, Tx @ Double Wide* 3/16 Corpus Christi, Tx @ Boneshakers 3/17 Austin, Tx @ The Lost Well 3/18 Houston, Tx @ White Swan 3/20 Tulsa, Ok @ Downtown Lounge 3/21 TBA 3/23 Anahiem, CA @ The Doll Hut 3/24 San Diego, Ca @ The Merrow 3/25 Sacramento, Ca @ The Press Club 3/26 San Jose, Ca @ The Caravan 3/27 Oakland, Ca @ The Golden Bull (Ripple fest) 3/28 Arcata, Ca @ The Alibi 6/13 Amityville, Ny @ Eye of the Stoned Goat 5
Posted in audiObelisk on February 4th, 2015 by H.P. Taskmaster
Though it shares a basic cover design and a partial title with it, Mos Generator‘s upcoming Listenable Records live album, In Concert: 2007-2014 — out March 23 — isn’t to be confused with the 2013 In Concert (review here) on Lay Bare Recordings. That outing was one concert, captured on the Port Orchard, Washington, trio’s European tour with Saint Vitus, whereas the new release, as its title hints, is more of a compilation of material culled from years of gigs around the world, as early as Roadburn in 2008 and as recent as Freak Valley last year. Founding guitarist/vocalist Tony Reed explains it in the quote below.
Says Tony Reed:
“This release is compiled from five different shows over seven years and is a great representation of what we have sounded like live. It has at least one song from each of our albums and also showcases jams and the evolution of song arrangements from studio to stage. It was a challenge to mix these recording from different shows together to make it seem like one live experience but i think the result captures the energy and chemistry that was happening between the three of us on stage during these years. A few of our finest moments were captured here including songs from Roadburn Festival in 2008 and Freak Valley Festival in 2014. It’s also cool that this will be coming out just in time for our European tour in April of 2015 to get everybody in the spirit for live MOS GENERATOR.”
What Reed doesn’t mention there is that In Concert: 2007-2014 also serves as the capstone for an ending era of the band. In the wake of 2014’s Electric Mountain Majesty (review here) and with a desire to tour more than they have in years past, Reed has parted ways with drummer Shawn Johnson and bassist Scooter Haslip, bringing on board the rhythm section of bassist Sean Booth and drummer Scotty VanDweller (a touring name if e’er was one). Accordingly, Reed, Booth and VanDweller have Mos Generator‘s first full-US tour booked and set to begin this month, and after that, the plan is to head to Europe and make their presence felt there.
It’s entirely possible that at the end of 2015, one might think of Mos Generator as a completely different band than, say, the one that made such a righteous comeback in 2012 with the Nomads (review here) full-length on Ripple Music, but if anything’s certain at this point it’s that this is a year of change for the stalwart heavy rock specialists, and that the new lineup are meeting that change and the challenges it might bring head on. As a fan of the band and of Reed‘s work in general, I’m looking forward to finally getting the chance to see these songs played live.
If you’re in a similar boat, Listenable has offered up “Beyond the Whip” from In Concert: 2007-2014 for your streaming pleasure. As it was the opening track on Electric Mountain Majesty, presumably this comes from last year’s stop at Freak Valley, and it sounds like a damn good time. Please find it on the player below, followed by the live album tracklisting, the announcement from Reed about the new lineup and the tour and the dates for the US run.
Mos Generator, In Concert: 2007-2014 Tracklisting : 1. Lumbo Rock 2. Cosmic Ark 3. Lonely One Kenobi 4. Silver Olympus 5. On The Eve 6. Godhand Iommi 7. This Is The Gift Of Nature 8. Beyond The Whip 9. Step Up / Jam 10. Acapulco Gold 11. Breaker 12. Sleeping Your Way To The Middle / Jam 13. Dyin’ Blues 14. Electric Mountain Majesty
We’ve got a few big announcements coming at ya today. First off we have a nice run of U.S. tour dates coming up and we have posted the dates and a few fun posters to help promote the tour. We would like to thank all of the promoters and bands that have helped us book many of these dates and we would also like to thank Elder and Tone Deaf Touring for bringing us along on what will be the first ever east coast tour for Mos Generator. Plans are in the works for more touring in the U.S. and Europe during the first half of 2015. We would like to make it out to see all of you this year.
The second announcement doesn’t come easy for me. After 14 years, 8 albums and hundreds of shows together I have had to part with the original rhythm section of Shawn Johnson and Scooter Haslip. Touring is imperative to the success and public awareness of any band and we couldn’t do the work that it takes to rise above the countless bands out there putting their passion to the test. We made amazing music together, but that is not enough, not for me anyway. I want to show it to the world. Mos Generator will never be the same in the absence of Shawn and Scooter but challenge and growth are also a musician’s nature and with that I announce Sean Booth (Bass) and Scotty VanDweller (Drums). Sean and Scotty have spent years attending Mos Generator shows and admiring the playing of their respective instrumentalists. That respect and understanding will help us perform the older material with much of the energy and power as it had with the original band and soon we will be writing and taking the sound of Mos Generator to new and interesting levels. That is something I am truly looking forward to.
Cheers TR – Feb. 2015
MOS GENERATOR US Tour Feb/March 2015 2/13 Seattle, Wa @ Columbia City Theater 2/14 Port Angeles, Wa @ Coo Coo’s Nest 2/18 Fort Worth, Tx @ The Grotto 2/19 Austin, Tx @ The Lost Well 2/20 El Paso, Tx @ Low Brow Palace 2/21 Tuscon, Az @ The Rock (Borderland Fuzz Fiesta) 2/23 TBA 2/24 TBA 2/25 TBA 2/26 Grants Pass OR @ G Street Bar 2/27 Eugene, Or @ Black Forest 2/28 Portland, Or @ World Famous Kenton Club 3/3 TBA 3/4 TBA w/Elder* 3/6 Providence, RI @ As220* 3/7 Peterborough, Nh @ The Wreck Room* 3/8 Rochester, Ny @ Bug Jar* 3/9 Pittsburgh, Pa @ Gooski’s* 3/10 Columbus, Oh @ Ace of Cups* 3/11 Indianapolis, In @ 5th Quarter* 3/12 Chicago, Il @ Reggie’s* 3/13 Texarkana, @ Silver Dollar* 3/14 Dallas, Tx @ Double Wide* 3/16 Corpus Christi, Tx @ Boneshakers 3/17 Austin, Tx @ The Lost Well 3/18 Houston, Tx @ White Swan 3/20 Tulsa, Ok @ Downtown Lounge 3/21 TBA 3/23 Anahiem, CA @ The Doll Hut 3/24 San Diego, Ca @ The Merrow 3/25 Sacramento, Ca @ The Press Club 3/26 San Jose, Ca @ The Caravan 3/27 Oakland, Ca @ The Golden Bull (Ripple fest) 3/28 Arcata, Ca @ The Alibi
Posted in Features on January 2nd, 2015 by H.P. Taskmaster
It was close for a long time, but in the last week or so, one record pulled ahead to stake a definitive claim on the top spot. Even so, more than the 2013 poll, this was a fun one to watch, three albums duking it out, trading back and forth in the raw votes depending on who happened to submit a list at any given time. In the end, 355 people participated in this year’s poll, which is an average of over 11 per day — there was a significant push at the end — and up from 2013, which now that it’s 2015 will no doubt soon feel like ancient history.
To that end, Happy New Year and huge, huge thanks to everyone who took the time to contribute a list to the poll. Even if it was one or two records, the simple fact that you felt it was worth your time to type out the names of bands and albums and take part in this thing is unbelievably gratifying to me. I do a lot of the talking around here, apart from comments and the forum, so to have your participation in this really means a lot to me. It’s nice knowing you give enough of a crap to take part.
You’ll find two lists below. The first, measured in points, is the weighted tally. A 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one. After that comes the raw votes, a measure of what caught the most attention along the way.
After the jump, you’ll also find all the lists contributed to the poll — including my own, which seemed fair since I do a lot of reading on this site, mostly to experience shame at the typos and correct them hoping no one else noticed — presented in the order in which they were received. Thank you all again.
Top 20 of 2014 — Weighted Results
1. YOB, Clearing the Path to Ascend (560 points)
2. Wo Fat, The Conjuring (404)
3. Electric Wizard, Time to Die (367)
4. Pallbearer, Foundations of Burden (334)
5. Conan, Blood Eagle (275)
6. Orange Goblin, Back from the Abyss (254)
7. Greenleaf, Trails and Passes (240)
8. Truckfighters, Universe (237)
9. Brant Bjork and the Low Desert Punk Band, Black Power Flower (235)
10. Earth, Primitive and Deadly (230)
11. Fu Manchu, Gigantoid (225)
12. Blues Pills, Blues Pills (211)
13. Lo-Pan, Colossus (202)
14. Eyehategod, Eyehategod (198)
15. Monolord, Empress Rising (190)
16. Mastodon, Once More ‘Round the Sun (188)
17. Mars Red Sky, Stranded in Arcadia (161)
18. John Garcia, John Garcia (156)
19. Bongripper, Miserable (141)
20. Radio Moscow, Magical Dirt (127)
Honorable mention to:
Goat, Commune (126)
Swans, To be Kind (117)
Monster Magnet, Milking the Stars (116)
Blood Farmers, Headless Eyes (105)
Floor, Oblation (104)
Mothership, II (104)
Stubb, Elephant Tree, Thou and plenty of others also did very well in the voting, but everything else I could find was less than 100 points. Again, it was close for a while between Wo Fat, Electric Wizard and YOB — and Pallbearer wasn’t so far behind them, either — but YOB pulled it out in the end and jumped way in front of everyone else. A lot of number-one votes for Clearing the Path to Ascend, which I can understand completely, since I happened to agree with the position.
On to the raw votes:
Top 20 of 2014 — Raw Votes
1. YOB, Clearing the Path to Ascend (138 votes)
2. Wo Fat, The Conjuring (111)
3. Electric Wizard, Time to Die (104)
4. Pallbearer, Foundations of Burden (89)
5. Orange Goblin, Back from the Abyss (78)
6. Conan, Blood Eagle (72)
7. Fu Manchu, Gigantoid (71)
8. Truckfighters, Universe (66)
9. Earth, Primitive and Deadly (65)
10. Greenleaf, Trails and Passes (64)
11. Blues Pills, Blues Pills (63)
12. Brant Bjork and the Low Desert Punk Band, Black Power Flower (60)
13. Lo-Pan, Colossus (58)
14. Eyehategod, Eyehategod (55)
15. Monolord, Empress Rising (52)
16. Mars Red Sky, Stranded in Arcadia (48)
16. Mastodon, Once More ‘Round the Sun (48)
17. John Garcia, John Garcia (47)
18. Bongripper, Miserable (41)
18. Radio Moscow, Magical Dirt (41)
19. Goat, Commune (37)
19. Mothership, II (37)
20. Swans, To be Kind (32)
And some honorable mentions:
Dwellers, Pagan Fruit (31)
Floor, Oblation (31)
Monster Magnet, Milking the Stars (31)
Mos Generator, Electric Mountain Majesty (30)
Thou, Heathen (30)
The Well, Samsara (30)
A couple ties here make the raw votes list a little more inclusive, and since it’s not like we’re giving out olympic medals, it didn’t seem fair to count out ties and sacrifice other numbers. The top 20 has 23 entries? Yeah, sounds about right. Again, not much mystery ultimately to who came out on top, but it was a more thrilling race than the final numbers might suggest. Cool to see some differences in placement emerge between the two lists as well, Greenleaf and Brant Bjork doing really well in the weighted results since they obviously inspire some strong support, and a couple of others working their way into the raw votes top 20. I’m not really a numbers guy, but it’s been cool putting this together.
About not being a numbers guy: All the lists that came in appear after the jump below. If you find some glaring error in my math, or something seems like it really got enough votes to be included in one or the other, it’s possible I just missed it. I hope you’ll point it out in the comments so that if there is a mistake, I can get on correcting it as soon as possible. Your vigilance is sincerely appreciated.
And thank you again so much for being a part of this readers poll. It’s been a really great experience and I look forward to doing it again come Dec. 2015.
Please find everybody’s list after the jump, and have fun browsing:
Posted in Whathaveyou on December 29th, 2014 by H.P. Taskmaster
Sharing a base of operations with the Southwest Terror Fest in Tucson, Arizona, the upcoming Borderland Fuzz Fiesta will make its initial showing in 2015 an impressive round of acts including Fireball Ministry — as seen on Motörhead‘s Motörboat above, with none other than Scott Reeder on bass — Wo Fat, Mos Generator, Powered Wig Machine and plenty of others, plus a light show from the venerable Mad Alchemy to add visual psychedelia to what’s sure to be a well-distorted evening Feb. 21 at The Rock. Not a bad way to start out, if you’re starting out.
Put together by Wayne and Joseph Rudell of Powered Wig Machine, the whole deal was announced via the PR wire as follows:
BORDERLAND FUZZ FIESTA: Tucson, Arizona’s First Annual Riff Party Reveals 2015 Lineup Including FIREBALL MINISTRY, WO FAT, MOS GENERATOR & More
The desert city of Tucson, AZ is host to a wide array of annual events in the musical realm and this coming February will see the addition of a still another: The Borderland Fuzz Fiesta. Conceived and curated by the Rudell brothers of regional desert rockers Powered Wig Machine and Fuzz Evil, the inaugural show will take place on February 21st at The Rock.
Borderland Fuzz Fiesta 2015 Official Lineup:
Fireball Ministry Wo Fat Mos Generator Powered Wig Machine Goatroper Skulldron Asimov Yeti Ender Conqueror Worm Methra
When: February 21, 2015 Where: The Rock, 136 North Park Avenue, Tucson, AZ 85719
“My brother and I have always wanted to put together a stoner rock themed fest and we’re definitely excited about this first year’s lineup,” comments an enthusiastic Wayne Rudell. The bill for the event certainly serves up ample helpings of the stoner genre with its fine mix of bands from the Southwest region and beyond, including Fireball Ministry, Wo Fat, Mos Generator, Powered Wig Machine, Skulldron, Asimov, Goatroper, Yeti Ender, Conquerer Worm, Methra and the Mad Alchemy Liquid Light Show.
While the lineup is definitely under the wider umbrella of the stoner rock genre, there is a great diversity of sounds among the bands, from sprinklings of the psychedelic to slabs of doom and scorching thrash riffs, or pretty much something for every pair of ears inclined towards heavy music. Mr. Rudell certainly believes so: “We really feel that fans of this music would appreciate this event and will hopefully get behind it in the time to come, we’re going to be striving to make the Borderland Fuzz Fiesta bigger and better every year.”
Tickets for Borderland Fuzz Fiesta are $15 in advance, $20 at the door, and are available nowRIGHT HERE.
Sponsored by Eminence Speakers, Lace Pickups, Hovercraft Amplifiers, Greeson Custom Guitars, Tucson Maidens of Metal, Electric Beard of Doom, Radio, Sludged.com, and Wildcat Screen Repair.
Here is the Music Player. You need to installl flash player to show this cool thing!
Since I don’t do theme podcasts or anything, the thoroughly unofficial subtitle of this latest one is “SOME of the Best of 2014.” Truth be told, it’s four hours long and I feel like I barely scratched the surface, so definitely the emphasis should be on “some.” By no means is it meant to be comprehensive, or am I claiming that it’s all the best and the rest sucked or anything like that. But some of the best stuff is here, so, you know, I hope you enjoy.
My intent was to make it three hours long, and then I got there and it just didn’t feel done without another hour’s worth of extended psych jams. That’s an odd habit to have. Could be worse. For what it’s worth, I was thinking of this as a companion for some of the year-end coverage that’s already been posted and is still to come. Some of this was inspired by picks from the Readers Poll, the submissions for which are still open. If you haven’t added your list yet, I’d greatly appreciate it.
And once again, hope you dig it:
YOB, “Nothing to Win” from Clearing the Path to Ascend
Fu Manchu, “Radio Source Sagittarius” from Gigantoid
Radio Moscow, “Death of a Queen” from Magical Dirt
The Golden Grass, “Stuck on a Mountain” from The Golden Grass
Monster Magnet, “No Paradise for Me” from Milking the Stars: A Reimagining of Last Patrol
Pallbearer, “The Ghost I Used to Be” from Foundations of Burden
The Skull, “Sick of it All” from For Those Which are Asleep
Electric Wizard, “Time to Die” from Time to Die
Orange Goblin, “The Devil’s Whip” from Back from the Abyss
Moab, “No Soul” from Billow
Sleep, “The Clarity” from The Clarity 12”
Mars Red Sky, “Hovering Satellites” from Stranded in Arcadia
Floor, “Rocinante” from Oblation
Slomatics, “And Yet it Moves” from Estron
Conan, “Foehammer” from Blood Eagle
Druglord, “Feast on the Eye” from Enter Venus
Apostle of Solitude, “Die Vicar Die” from Of Woe and Wounds
Pilgrim, “Away from Here” from II: Void Worship
Blood Farmers, “The Road Leads to Nowhere” from Headless Eyes
Lo-Pan, “Regulus” from Colossus
Elephant Tree, “Vlaakith” from Theia
The Well, “Mortal Bones” from Samsara
Lucifer in the Sky with Diamonds, “Counting Time” from The Shining One
Brant Bjork and the Low Desert Punk Band, “Stokely up Now” from Black Power Flower
Joy, “Driving Me Insane” from Under the Spell of Joy
Greenleaf, “Depth of the Sun” from Trails and Passes
Mothership, “Priestess of the Moon” from Mothership II
Truckfighters, “Get Lifted” from Universe
Mos Generator, “Enter the Fire” from Electric Mountain Majesty
Mammatus, “Brain Drain” from Heady Mental
Øresund Space Collective, “Beardlandia” from Music for Pogonologists
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One
The Cosmic Dead, “Fukahyoocastulah” from Split with Mugstar
Montibus Communitas, “The Pilgrim to the Absolute” from The Pilgrim to the Absolute