Various Artists, Planet of Doom: First Contact EP: A Way to Break the Ice

Posted in Reviews on July 5th, 2018 by JJ Koczan

planet of doom first contact ep

The Planet of Doom: First Contact EP is something of a curio from the outset. What it effectively does is to retintroduce The Planet of Doom (discussed here), which is an upcoming animated feature helmed by artists Tim Granda and David Paul Seymour bringing together huge names from the graphics and sonics sides of the heavy underground to tell a story in varying chapters, each with its own designer and each with its own music. As projects go, it is breathtakingly ambitious. A generational work, and understandably, it’s been a few years in the making at this point. Last I heard, a 2019 release was expected, but in order to keep momentum going, keep the movie in the mind of potential viewers/fans, and give a taste of the general aesthetic of the work, The Planet of Doom: First Contact presents four songs in a relatively brief 22 minutes that essentially serve as a sampler of what’s to come.

In order, the release presents tracks from Port Orchard, Washington’s Mos Generator, who every bit deserve to be the leadoff with “Sword of the Sea,” Italian upstarts Messa, who bring the seven-minute “Serpent Libido,” Sweden’s Vokonis with “Runa” and Northern Ireland’s Slomatics, whose “Jagaer” closes out. They are just four among the likes of Order of the Owl, Phillip Cope (ex-Kylesa), Slow Season, Space Witch, Mother Crone, Granda himself, Ironweed, Destroyer of Light, Ufomammut, Cirith Ungol, Wo Fat, Orchid, Elephant Tree, who will ultimately feature on the finished product, but they’ve obviously been chosen as the first representatives because of the flow between the songs. Often with soundtracks, there’s an issue of sonic incongruity between individual cuts, and reasonably so. Different players, different tones, different recordings, different moods — it should sound different in the end result. With Mos Generator, Messa, Vokonis and Slomatics, though, it’s not an issue.

And not because the bands don’t have their own respective styles, from the pure heavy rock with just a slight darker tinge of Mos Generator through the atmospheric approach of Messa, the brash doomly bombast of Vokonis and Slomatics‘ futuristic engagement, there is enough of a leap between sounds that one would hardly be surprised if The Planet of Doom: First Contact wound up disjointed, but the progression toward Slomatics‘ “Jagaer” is such that from Mos Generator onward, there’s a downward motion brought to bear. We’re not just making First Contact with The Planet of Doom like Jean-Luc Picard showing up with a handshake and a gift basket from the United Federation of Planets — “Try the Alvanian snap peas!” — we’re being brought on a descent below its surface into some lurking subterranean cave, surrounding by an ancient murk and a looming sense of threat as we move deeper through. In that way, “Sword of the Sea” is a perfect lead-in.

the planet of doom first contact vinyl

With guest vocals alongside those of guitarist Tony Reed, the track builds on the moodier spirit of the band’s 2018 album, Shadowlands (review here), with a gradual unfolding that moves by 90 seconds in toward a more rocking tension that lets loose just before two minutes in. A sudden organ-laced break at around 2:20 leads to a section of progressive guitar textures and the aforementioned guest vocal spot, stopping again, this time to complete silence, before crashing out to a big rock finish that brings on Messa. Kind of a curious structure there, and if “Sword of the Sea” was left off Shadowlands — I don’t know that it was recorded during the same session or it wasn’t — that peculiarity might be why. In any case, Messa, who’ve reaped massive acclaim for their 2018 album, Feast for Water (review here), present the longest inclusion on the EP and earn their time well with a blend of ambiance and heft that serves as a distinguishing factor even among other accomplished purveyors of riffly wares. They’ll begin to hit the European festival circuit this Fall, and accordingly fall into the “one to watch” category, but even more than that, they’re one to listen to, since “Serpent Libido” does so well in its moody affect and loud/quiet tradeoffs, moving toward a plodding section that turns suddenly to blastbeats to end and set the stage for the initial roll of Vokonis‘ “Runa.”

The Swedish three-piece’s participation in The Planet of Doom: First Contact could hardly be better timed. They recently signed to The Sign Records and will record their third album in August to follow last year’s resounding The Sunken Djinn (review here). “Runa” was reportedly written specifically for The Planet of Doom, and though what it might have to do with the plot remains a mystery, the riff and crash of the band’s sound is well intact in the sharply delivered five-minute cut. It’s a solid showing of what they do and the individualized edge they’ve taken on developing since getting their start just a few years ago. They’ve become a vital outfit in the Euro underground, and “Runa” shows why in its blend of aggression and nod. They continue to both grow and impress, and while I don’t know if their next record will be out before the end of 2018, they very obviously are actively working to keep moving forward. The sudden collapse at the end of “Runa” gives Slomatics a bed of silence on which to begin the underlying synth of “Jagaer,” which soon enough unveils its tonal lumber and rolling rhythm.

I know there are plenty of heavy bands involved in The Planet of Doom, but Slomatics‘ blend of entrenched narrative, their otherworldly vocal echoes, and their inhuman, post-apocalyptic slow-motion assault from guitarists Chris Couzens and David Marjury and drummer/vocalist Marty Harvey is perfect for the film. “Jagaer” unfolds with patience and weight alike, and continues in the vein of the band’s 2018 split with Mammoth Weed Wizard BastardTotems (review here), to assure that Slomatics are in no way done after wrapping the trilogy story that finished on 2016’s Future Echo Returns (review here). That’s invariably good news to anyone who’d take on The Planet of Doom: First Contact, as their thud-and-swirl methodology wraps by diverting into a momentary wash of feedback and cutting to nothingness. Hints of more to come? One might say that, and as it’s convenient for me to do so, I will. Either way you take it, The Planet of Doom: First Contact augers remarkably well for the rest of the soundtrack when it finally arrives, and speaks to the curated sensibility of the entire proceeding. As samplers go, it is of impeccable quality and only adds to the well justified anticipation for The Planet of Doom itself.

The Planet of Doom website

The Planet of Doom on Thee Facebooks

The Planet of Doom on Instagram

The Planet of Doom on Kickstarter

Ripple Music on Thee Facebooks

Ripple Music website

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Review & Full Album Stream: Mos Generator, Shadowlands

Posted in audiObelisk, Reviews on May 11th, 2018 by JJ Koczan

mos generator shadowlands

[Click play above to stream Shadowlands by Mos Generator in its entirety. Album is out May 18 on Listenable Records and available to preorder here.]

Shadowlands, as a title and with its gorgeous single-knight-holding-a-lance-aloft-at-a-giant-dragon Adam Burke cover art, make an easy read as a metaphor for depression. Indeed, Mos Generator‘s latest full-length — their seventh or eighth, depending on what you count amid their complex discography of compilations, live records, studio LPs, splits and so on — opens with its title-track and seems immediately to touch on the issue in lines like, “Stranded in dark corners/Trapped by gods of suicide,” and “These shadows grow so tall/Will I ever find my way?,” and yet it’s important to note that whatever Mos Generator and its founding guitarist, vocalist, main songwriter, recording engineer and perceived auteur “Mastered by” Tony Reed might be working through or working out in the lyrics and songwriting itself, Shadowlands remains a pointedly upbeat album.

Its title-track does likewise, with the group’s trademark ’70s-via’90s shuffle brought to bear with an easy fluidity thanks to the rhythm section of bassist Sean Booth and drummer Jono Garrett, who came aboard prior to the band’s last album, Abyssinia (review here), in plenty of time to develop tour-born power trio chemistry with Reed at the helm of the group. Shadowlands, the eight tracks of which make an readily apparent vinyl break with four on each side and each side ending with a seven-minute-and-20-someodd-seconds cut after one three-minute song and two four-and-a half-minute songs — because symmetry! because structure! — is the fourth Mos Generator long-player (their third for Listenable Records) since the band made their return with 2012’s Nomads (review here) and were picked up by Listenable for Electric Mountain Majesty (review here) two years later, and with the significant road-time they’ve put in over the better part of the last half-decade (they’re on tour with Fu Manchu as I write this; dates here), they sound incredibly tight and ready to take on the stylistic turns these songs present.

Don’t get scared, but yes, Mos Generator are branching out. Their foundation, as ever, is in unfuckwithable songcraft and airlock-style performances from ReedBooth and Garrett that are nonetheless believable as a live sound. Cuts like “The Destroyer,” the rolling ’70s nod of the penultimate “Woman Song,” the opener and “Drowning in Your Loving Cup” — let alone the infectious-as-plague insistent hook of side B opener “Gamma Hydra” — are memorable standouts as Mos Generator seem remarkably to provide each time out in abundant fashion. Abyssinia, with Reed on keys in an ending section that pushed them further into classically progressive territory than ever before, is answered in the guitar work of each side’s finale here: “Stolen Ages” and “The Wind and Gentle Dogs,” as well as the tense intricacy of the almost post-punk “The Blasting Concept,” which works into and through a linear build en route to the more fluid groove of “Woman Song.”

“Gamma Hydra,” at 3:24 with its insistent but catchy verse riff, is both the shortest track on Shadowlands and a ready standout from its surroundings, but it’s for the longer-form material that Mos Generator save truly showcasing their classic progressive side on the extended cuts. The first of them, “Stolen Ages,” begins like an Endless Boogie jam before shifting into quiet guitar noodling and reemerging with at about 2:50 with chunkier riffing, leading into the push of the verse and a chorus marked out by airy guitar notes overlaid. The standout lyric comes as “Some dreams are over,” and that last line brings side A to a finish ahead of “Gamma Hydra.”

mos generator

Likewise, closer “The Wild and Gentle Dogs” brings in acoustics at the start and shifts into a more foreboding feel thereafter on a long instrumental build rife with sonic detailing headed to the noise wash that caps the album. These songs both represent relatively new ground for Mos Generator, who over the last several years have shown a burgeoning affinity for more progressive influences. The ending section of Abyssinia certainly played to this, as did their live-recorded 2016 outing, The Firmament (review here), but even in the more straightforward material, these ideas seem more ingrained throughout Shadowlands. Once more, I’ll go back to the maddeningly catchy “Gamma Hydra” at the start of side B.

Not only are its rhythmic turns complicated and its shifting lyrical semi-repetitions a challenge all their own, but even on a conceptual level — if “Shadowlands” at the beginning of the album is depression, then surely “Gamma Hydra” is the accompanying mania. As much as Mos Generator have made their reputation on high-energy live performances and records of excellently composed, pure heavy rock and roll — which, by the way, Shadowlands still is — the band are clearly reaching for new sonic ground in this material. That they would be perhaps even more interested than ever in growth at nearly 20 years into their tenure is impressive enough — though admittedly, the Reed/Booth/Garrett incarnation of the band hasn’t been together nearly that long — but that they’d be able to bring these ideas forward without giving up the sense of groove, or the penchant for hooks, or the sheer command of their sound that they’ve been able to harness makes them all the more a special band.

From the hard-driving opening salvo of “Shadowlands,” “The Destroyer” and “Drowning in Your Loving Cup” down through the frenetic payoff of “The Wild & Gentle Dogs,” Mos Generator prove once again to be a group unto themselves in the quality of their work and the clearheadedness with which they execute their creative will. They’ve made huge strides the last several years to become  heavy-rock-household name, and they’ve been to a large degree successful through constant road-dogging and a steady string of excellent releases, but as a fan of the band and of Reed‘s work in general, it’s hard not to still think of them as being underrated and to imagine that, as they embark on these new stylistic pursuits, their not only keep their loyal listenership with them for the journey, but be able to reach outside and turn new heads as well. At least that seems to be the idea, and Shadowlands makes it sound easily possible.

Mos Generator on Thee Facebooks

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Mos Generator at Listenable Records

Listenable Records on Thee Facebooks

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Mos Generator Set May 18 Release for Shadowlands; Album Details Announced; Touring in April & May

Posted in Whathaveyou on March 26th, 2018 by JJ Koczan

So anyway, yes, I’ve already put Adam Burke‘s cover for the new Mos Generator record, Shadowlands, on my list of 2018’s best artwork. It’s got a spot. I pretty much reserve a place for Burke on that list anyway, since he seems to so constantly feature there. Sure enough, his piece for Shadowlands looks like a D&D poster I’d want to hang on my bedroom wall — I was going to say “as a kid,” but screw it, I’d hang that shit now. Look at it. It’s awesome.

And though this is usually the part where I’d pretend I haven’t yet heard Shadowlands itself, that’s awesome too. Mos Generator being Mos Generator, delivering uncompromised heavy rock with a classic edge, progressive flourish, and songwriting to stand up to any you might put next to it. That’s who they are. That’s what they do.

Well, that and touring anyway. They head out with Fu Manchu in May and have some headlining shows before. The PR wire tells all:

mos generator shadowlands

MOS GENERATOR: Washington Heavy Rock Trio To Release Shadowlands Full-Length Via Listenable Records This May; Live Dates With Fu Manchu Confirmed

Long-running Washington-based heavy rock trio MOS GENERATOR will release a new full-length this May via Listenable Records. Titled Shadowlands, the eight-track studio offering was recorded in three sessions — June 2017, November 2017, and January 2018 — at the HeavyHead Recording Company in Port Orchard, Washington and comes swathed in the cover art of Adam Burke [Pilgrim, Satan’s Satyrs, Hooded Menace, Artificial Brain et al].

“Right from the opening song, Shadowlands is a record that, to me, feels more honest than our previous releases,” relays founding guitarist/vocalist/principal songwriter Tony Reed. “On this record, I introduce many other styles that I enjoy but they are intertwined so subtly that it doesn’t interrupt the classic MOS GENERATOR sound. That is a balance I’ve been looking for over the last few albums and I think the presence of [drummer] Jon Garrett and [bassist] Sean Booth have a lot to do with achieving that balance. It’s a heavy rock record that breaths and if I had to describe it further I would say it mixes ’70s style heavy rock, progressive rock, and also has some weird ’80s and ’90s underground rock nuances.”

Shadowlands will see release via Listenable Records in Europe on May 11th followed by a US street date of May 18th with preorder info to be announced in the coming weeks.

Shadowlands Track Listing:
1. Shadowlands
2. The Destroyer
3. Drowning In Your Loving Cup
4. Stolen Ages
5. Gamma Hydra
6. The Blasting Concept
7. Woman Song
8. The Wild & Gentle Dogs

In advance of the release of Shadowlands, MOS GENERATOR will take on a month-long, cross country US tour. Set to commence on April 20th, the Road Rats Tour 2018 will run through May 26th and includes sixteen dates supporting Fu Manchu! See all confirmed shows below.

MOS GENERATOR:
4/20/2018 Hogfish – Couer d’Alene, ID
4/21/2018 Rocky Mountain Riff Fest – Kalispell, MT
4/25/2018 The Valley – Tacoma, WA
4/26/2018 The Haul – Grants Pass, OR
4/27/2018 Thee Parkside – San Francisco, CA
4/28/2018 Dive Bar – Las Vegas, NV
4/29/2018 Alex’s Bar – Long Beach, CA
4/30/2018 The Kraken – Cardiff, CA
w/ Fu Manchu:
5/01/2018 Rebel Lounge – Phoenix, AZ
5/03/2018 Curtain Club – Dallas, TX
5/04/2018 Barracuda – Austin, TX
5/05/2018 White Oak Music Hall – Houston, TX
5/07/2018 Vinyl – Atlanta, GA
5/08/2018 Kings – Raleigh, NC
5/09/2018 Rock & Roll Hotel – Washington, DC
5/10/2018 Brillobox – Pittsburgh, PA *
5/11/2018 Underground Arts – Philadelphia, PA
5/12/2018 Bowery Ballroom – New York, NY
5/13/2018 Brighton Music Hall – Allston, MA
5/14/2018 Mohawk Place – Buffalo, NY *
5/15/2018 Grog Shop – Cleveland, OH
5/16/2018 Ace Of Cups – Columbus, OH
5/17/2018 El Club – Detroit, MI
5/18/2018 The Baby G – Toronto, ON *
5/19/2018 Bottom Lounge – Chicago, IL
5/20/2018 Total Drag Records – Sioux Falls, SD *
5/22/2018 Streets of London Pub – Denver, CO
5/23/2018 Streets of London Pub – Denver, CO
5/25/2018 Substation – Seattle, WA*
5/26/2018 The Manette – Bremerton, WA *
** MOS GENERATOR only

https://mosgenerator.bandcamp.com/
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
http://www.shop-listenable.net/fr/47_mos-generator

Mos Generator, Live in Glasgow, Scotland, Oct. 3, 2017

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Mos Generator Announce US Tour with Fu Manchu; New Album Update

Posted in Whathaveyou on February 1st, 2018 by JJ Koczan

mos generator

After hitting the road together last Fall, SoCal fuzz lords Fu Manchu and Port Orchard, Washington, heavy rock specialists Mos Generator are teaming up once again, this time to crisscross the entire country in Spring. Mos Generator will begin the run a few days early and include a stop at Rocky Mountain Riff Fest on April 21, and then it’s down the Pacific Coast, across the South, up to the Northeast and back through the Midwest to finish in their native Washington. Well, you knew they’d be up to plenty this year.

Back in October, founding Mos Generator guitarist/vocalist Tony Reed talked about the recording plans for the band’s next album for Listenable RecordsShadowlands. In addition to putting together the massive swath of live appearances, it seems progress has been continuing on that front as well. Below, Reed gives an update on where they’re at with the record and more.

Dig it:

mos generator fu manchu tour

2018 is already shaping up to be a great year for us. We just got done with the final writing / recording sessions for our next album “Shadowlands” and I’m in the process of sorting through the material and deciding what will be included on the album. We had the whole record in order last year and then we went out on the road for 7 weeks and decided we needed to re evaluate the kind of record we were making.

We ended up with something that had more energy than the initial tracks we thought would make up the album. It is also a more diverse album than I had envisioned. I think is due to the presence of Jono & Sean. This is the first album where it is just the three of us.

On Abyssinia, most of the songs were already written when they joined and half the songs either had me or original drummer shawn Johnson on drums. As it’s looking now I would say “Shadowlands” is a Heavy / Pop / Prog album. I’ve seemed to come to grips with my 22 year old self as well and I’m letting in songwriting styles that I have kept at bay for many years. It’s exciting.

Along with record making, we have been once again blessed in the touring department. We had a great time on the west coast with Fu Manchu last November and now we get to do an extended U.S. run with them, including many cities we’ve never been to. After that we are off tour Europe (details are in the works) and then back to the states for some shows in the fall including the Descendants of Crom and Doomed & Stoned festivals. There are still some cool announcements coming and more free music that we will be posting soon.

4/20 – Couer d’Alene ID – Hogfish
4/21 – Kalispell MT – Rocky Mountain Riff Fest
4/25 – Tacoma WA – The Valley
4/26 – Grants Pass OR – The Haul
4/27 – San Francisco CA – Thee Parkside
4/28 – Las Vegas NV – Dive Bar
4/29 – Long Beach CA – Alex’s Bar

On Tour with FU MANCHU*
5/01 – Phoenix AZ – Rebel Lounge*
5/02 – Albuquerque – NM
5/03 – Dallas TX – Curtain Club*
5/04 – Austin TX – Barracuda*
5/05 – Houston TX – White Oak Music Hall*
5/07 – Atlanta GA – Vinyl*
5/08 – Raleigh NC – Kings*
5/09 – Washington DC – Rock & Roll Hotel*
5/10 – Pittsburgh PA – Brillobox
5/11 – Philadelphia PA – Underground Arts*
5/12 – New York – Bowery Ballroom*
5/13 – Boston MA – Brighton Music Hall*
5/14 – Buffalo NY – Mohawk Place
5/15 – Cleveland OH – Grog Shop*
5/16 – Columbus OH – Ace of Cups*
5/17 – Detroit MI – El Club*
5/18 – Toronto ON – The Baby G
5/19 – Chicago IL – Bottom Lounge*
5/20 – Sioux Falls SD – Total Drag Records
5/22 – Denver CO – Streets of London Pub*
5/23 – Denver CO – Streets of London Pub*
5/25 – Seattle WA – Substation
5/26 – Bremerton WA – The Manette

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/track/the-dance-of-red-a-the-dance-of-maya-b-red
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
http://www.shop-listenable.net/fr/47_mos-generator

Mos Generator, The Dance of Red (2017)

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Thin Lizzy Tribute Bow to Your Masters Available to Preorder

Posted in Whathaveyou on January 3rd, 2018 by JJ Koczan

While one could hardly at all argue that the title Bow to Your Masters is in any way inappropriate for a tribute to Irish heavy rock legends Thin Lizzy, it seems the intention on the part of Glory or Death Records is to make it an ongoing series, perhaps featuring different acts along the way in the spirit of Magnetic Eye‘s homages to Jimi Hendrix, Helmet and Pink Floyd? That’s of course if I’m correctly reading the preorder info — and hey, I’m pretty much a clueless moron so there’s always a chance I’m not — below for the first LP of the two currently slated to arrive for Bow to Your Masters: Thin Lizzy early this year and including a special screenprint of the album art and immediate streaming option.

You can see the LP1 and LP2 tracklistings below. They, uh, rule.

No really, I mean it. Killer assemblage:

Welcome to the first release from Glory or Death Records Bow to Your Masters series of tribute albums. For this first release we chose something special: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

There are two vinyl options:
-“Glory” green LP1 vinyl and “Death” colored/patterned LP2 vinyl
-“Death” orange/black splatter LP1 vinyl and “Death” colored/patterned LP2 vinyl

There is also a tri-fold CD option!

All editions come with a 12×12 screen print of the album cover. Final shipping date TBD-likely early 2018.

LP1 live for preorder buyers now. Preorder on Big Cartel and we’ll send a link to listen to the entire first LP. You know you want it! Just to clarify, the preorder includes physical and digital files for both LPs!

Track Listing for LP1 (available to stream for preorder buyers)

Are you Ready – Mothership
Massacre – Mos Generator
Don’t Believe a Word – White Dog
Suicide – Egypt
Chinatown – Red Wizard
Thunder and Lightning – KOOK
She Knows – Slow Season
Cold Sweat – Great Electric Quest
Cowboy Song – Goya

Track Listing for LP 2 (not available to stream yet)

It’s Only Money – Wo Fat
Johnny – Worshipper
Jailbreak – DUEL
Emerald – Gygax
Still in Love with You – Isaiah Mitchell (Earthless)
Opium Trail – Jeff Matz (High on Fire), Mark Yalowitz (Zeke), Mike Scheidt (Yob), and more
The Rocker – Bow to Your Masters Supergroup
????? – High On Fire
And more…

http://gloryordeathrecords.bigcartel.com/product/bow-to-your-masters-volume-i-thin-lizzy
https://www.facebook.com/Gloryordeathrecords/

Thin Lizzy, “Cowboy Song”

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Mos Generator Reissue Nomads LP via Stickman Records

Posted in Whathaveyou on November 16th, 2017 by JJ Koczan

Like the ace in the hole of US heavy rock that they are, Washington trio Mos Generator are currently wrapping up a round of West Coast tour dates with legends-o’-fuzz Fu Manchu. Just last month, they announced their new album, Shadowlands, was in progress toward a 2018 release, and now Stickman Records has unveiled a reissue of 2012’s Nomads (review here), which if you think about it is where all this craziness got started in the first place.

When Mos Generator issued Nomads via a then-relatively-nascent Ripple Music, it was after several years of inactivity that found frontman Tony Reed directly exploring classic rock roots in Stone Axe. I don’t know who could’ve guessed at the time the furious rate of activity Nomads would kick off, but in addition to revamping the lineup and taking the show on the road as a complete touring act, Reed has overseen the release of two studio albums and more EPs, splits and singles than I can count, and turned Mos Generator into one of the West Coast’s most essential purveyors, all while also keeping up his studio work as producer/mixer/masterer of other people’s bands and sacrificing nothing of his own standard for top-crafted heavy rock and roll. To put it mildly, it’s been quite a half-decade.

I loved Nomads when it came out, and listening back to it via the Bandcamp player now for the first time in a while, turns out I still do. Stickman‘s LP reissue comes with a slew of digital bonus tracks. Info follows as culled from their store page:

MOS GENERATOR NOMADS REISSUE

Stickman Records – PSYCHOBABBLE 094 : Mos Generator – Nomads (re-release)

We’ve reissued Mos Generator’s classic album Nomads including a slew of bonus tracks for hardcore fans.

Mos Generator has been setting the standard in excellent rock music for the better part of the last twenty years, never letting trends or paradigm shifts get in the way. Tony Reed, guitarist and vocalist of the band, heads up the project as well as writing and producing the band‘s material. When the band released Nomads in 2012, their first record in 7 years, they had already established themselves as masters of their craft, not just able to write airtight songs but to do so with the same knack for originality as their famous progenitors.

The record‘s nine songs span a wide swath of classic rock territory, beginning with the heavy lumber of the space-themed “Cosmic Ark”, moving through mid-paced headbangers like the single “Lonely One Kenobi” and even giving a nod to the 80’s with a cover of Judas Priest’s “Solar Angels”. Reed has the natural conviction of a man with music in his DNA and the chops to back it up, but Nomads is a testament to the band’s pop sensibilities as much as their ability to rock. Once these riffs get in your head, they definitely won’t be leaving any time soon.

Stickman Records is re-releasing Nomads album on colored 180gr. vinyl including a download of the album, including 8 bonus tracks from the Nomads recording sessions. Long live rock n’ roll!

Tracklist:
Cosmic Ark
Lonely One Kenobi
Torches
Step Up
Solar Angels
For Your Blood
Can’t Get Where I Belong
Nomads
This is the Gift of Nature

Bonus material (included in digital download):
Step Up (7 Version)
Cosmic Ark (Demo)
Lonely One Kenobi (Demo)
Torches (Demo)
For Your Blood (Demo)
Can’t Get Where I Belong (Demo)
Lonely One Kenobi (Video Edit)

MOS GENERATOR supporting Fu Manchu*
11/17 Tacoma, WA the Valley
11/18 Bremerton, WA the Manette Saloon

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
https://www.stickman-records.com/shop/mos-generator-nomads/
https://www.facebook.com/Stickman-Records-1522369868033940/

Mos Generator, Nomads (2012)

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Mos Generator Announce Headlining Dates, Shadowlands Recording Plans

Posted in Whathaveyou on October 20th, 2017 by JJ Koczan

mos generator

Port Orchard, Washington, heavy rock specialists Mos Generator are currently wrapping up a round of dates in Europe supporting Saint Vitus. Not a bad gig, but then neither was Mos Generator guitarist/vocalist Tony Reed producing the doom legends’ last album, so there you go. Hopefully he does the next one as well, and by that I also mean hopefully there’s a next one.

As regards Reed‘s own band, there seems perpetually to be a “next one.” Dude does not sit still, and in drummer Jono Garrett and bassist Sean Booth, he’s got a rhythm section that seems to have no trouble keeping up with these existential tempo shifts. So the Vitus tour is almost done. Then Mos Generator have a few headlining dates lined up that carry them into early next month. They come home for a couple days, maybe — maybe — get over the jetlag, and then head out supporting Fu Manchu on the West Coast for what’s gotta be one of the flight-booking-worthiest pairings I’ve heard of this year.

After that? Oh, how about putting the finishing touches on their next album, which I’m happy to reveal today will be titled Shadowlands and out in 2018? Sounds badass all the way around, right? That’s because it is. Here’s the latest from the band, direct update from Reed, dates and all:

We are going to use the off dates to re-record some of the songs for our next album “Shadowlands”. I figure after 7 weeks on the road we will be able to better capture the energy of some of the songs we recorded earlier this year. Also, I’ve been writing on the road so we will be able to work some of those ideas out for possible inclusion as well.

Headlining dates:
25.10.2017 DE Dresden-Chemiefabrik
26.10.2017 DE Erfurt-Tiko
27.10.2017 DE Osnabruck-Bastard Club
28.10.2017 DE Siegen-Vortex
29.10.2017 CH Basel-Renee Bar
30.10.2017 DE Frankfurt-Dreikonigskel
31.10.2017 CH Olten-Coq D’or
01.11.2017 IT Parma
02.11.2017 IT Abano Terme-Laboratorio IM
03.11.2017 IT Torino-Blah Blah
04.11.2017 IT Trieste-Tetris

MOS GENERATOR
West Coast Tour supporting Fu Manchu*
11/7 San Francisco, CA Slim’s*
11/8 Eugene OR, Old Nick’s (w/Sasquatch)
11/9 Portland, OR Dantes*
11/10 Seattle WA Chop Suey*
11/13 Grants Pass, OR The Sound Lounge (w/ Mothership)
11/14 San Jose, CA Ritz*
11/17 Tacoma, WA the Valley
11/18 Bremerton, WA the Manette Saloon

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/track/the-dance-of-red-a-the-dance-of-maya-b-red
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
http://www.shop-listenable.net/fr/47_mos-generator

Mos Generator, The Dance of Red (2017)

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Desertfest Athens 2017: Black Rainbows & Mos Generator Added to Lineup

Posted in Whathaveyou on August 23rd, 2017 by JJ Koczan

desertfest athens 2017

An already formidable bill for Desertfest Athens 2017 only becomes more so with the additions of Italian heavy psych mavens Black Rainbows and US-based heavy rock purveyors Mos Generator. The two acts join the ranks of headliners Graveyard and Saint Vitus, as well as native Greek acts like Planet of ZeusMahakalaBusSadhusPuta VolcanoAllchiria and Krause, who along with stalwarts Orange GoblinChurch of MiseryStoned Jesus and Colour Haze will comprise the two-day event at Iera Odos early in October. More bands are reportedly still to be announced, so stick around.

In the meantime, Black Rainbows and Mos Generator would seem to have plenty in common at this point. Both have issued new singles this year — the former’s “The Red Sky Above” (posted here) landed as part of a Heavy Psych Sounds compilation, and the latter’s “The Dance of Red” (posted here) combining Mahavishnu Orchestra and King Crimson — and both have spent much of the last couple years banging out as many records and as many tours as possible. To wit, Mos Generator may or may not have a new full-length in the can that’s set for an early-2018 release, and though Black Rainbows frontman Gabriele Fiori is currently at work on the second LP from his offshoot project Killer Boogie, he’s been known to multitask before, and thankfully a new Black Rainbows release is never too far off. Again, stick around.

You might recall as well that Mos Generator‘s appearance at Desertfest Athens 2017 was hinted at when it was confirmed they’d support Saint Vitus‘ upcoming European tour (dates here). Nice to know for sure, either way. Announcement from the fest follows here:

BLACK RAINBOWS for their sophomore appearance at Desertfest Athens 2017!!! Do not miss them !!!

Mos Generator are coming to take over Desertfest Athens 2017!!!!

The two-day program of Desertfest Athens 2017 is:

Day1
Saint Vitus
Orange Goblin
Church of Misery
Stoned Jesus
Black Rainbows
Mos Generator
Mahakala
Bus

Day2
Graveyard
Planet of Zeus
Color Haze
Radio Moscow
Sadhus
Puta Volcano
Allochiria
Krause

Ticket prices are as follows: one-day tickets cost 30 euros and two days 55 euros until September 2.

Soon, many more names will be announced from Desertfest Athens 2017.

tickets
Single day: 30 Euro (up to 2/9)
Doubleday: 55 Euro (up to 2/9)

https://www.viva.gr/tickets/music/acro/desertfest-athens-2017/
https://www.facebook.com/events/141861139680368/
https://www.facebook.com/Desertfest-Athens-189161564797514/

Black Rainbows, “The Red Sky Above”

Mos Generator, “The Dance of Red”

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