Vision Éternel Post Documentary Footage; Announce Contest Winner; Discuss New Music

Posted in Bootleg Theater on May 31st, 2018 by JJ Koczan

vision eternel box set documentary

Many doings in the camp of Montreal’s Vision Éternel. Like, a whole bunch. You might recall in April when the one-man ambient outfit co-hosted a contest here to giveaway a copy of the newly issued An Anthology of Past Misfortunes boxed set. The set is ultra-comprehensive, entries were emailed direct to Alexandre Julien, and a winner picked to receive the five EPs the band has done to-date, the demos/rarities tape, as well as a shirt, flyers, the liner notes and other sundry goodies. Like I said, it’s a comprehensive set.

Never content to rest on his recent laurels or, apparently, ever, Julien has now announced that he’s working on a sixth EP for his outfit, and that in addition to that, he’s given away a digital discount to everyone who entered the contest, and gone out to the woods — because, yes, the woods — to make a bit of a documentary talking about how the boxed set came together, what’s included, and so on. Looks like he found a nice spot for the chat, and as he opens up number 001 of the limited release, he talks about the timing of the EPs, when they came together and how, as well as some of the aesthetic development of the project, the designers he’s worked with and more.

The video is six minutes and in that time, Julien gives a clear sense of the heart that’s gone into the project and into this particular aspect of it. That seems to be what’s at the core of Vision Éternel and just about everything Julien does with the band. It’s a deeply personal work and the thought and emotion put into it is plain to both see and hear in the output.

Clip and news follow. Please enjoy:

Vision Éternel, An Introduction to An Anthology of Past Misfortunes Boxed Set

On May 24th, Vision Éternel undertook an excursion in the Laurentian Mountains forest to film a new documentative video. Luckily, it was a beautiful sunny day, and despite the bugs enjoying the weather as much as we were, we had a lot of fun. We found a nice clearing in the middle of the woods where we set up the shot with cinematographer Rain Frances.

The new footage was filmed to showcase and discuss the band’s newest release, the “An Anthology Of Past Misfortunes” boxed set, released through Abridged Pause Recordings last month. Vision Éternel founder Alexandre Julien made himself comfortable in the woods and explained how the boxed set was conceptualized and went over all of the contents of the package.

Contest Winner

On April 11th of 2018, Vision Éternel announced a giveaway contest in promotion of the band’s new retrospective boxed set, “An Anthology Of Past Misfortunes”. Contestants had a full month to enter the drawing by sending an email to the band with their favourite Vision Éternel t-shirt color and size. Vision Éternel, Abridged Pause Recordings and The Obelisk would like to thank all the wonderful people and fans of the band who participated in this contest.

Today, the band is proud to announce a lucky winner who will not only receive a full boxed set, which in itself holds five compact discs, one cassette, two stickers, six business card flyers and a two-page postcard insert, but in addition to that, two sold-out posters, a t-shirt and the band’s entire remastered digital discography. The boxed set is autographed and personalized to the winner.

The winner is: Randy Blood! Congratulations!

But wait! There’s more!

The band is so appreciative of everyone who participated in the giveaway that everyone will be receiving consolation prizes. No one leaves empty-handed. All participants have been emailed a free download of Vision Éternel’s entire 2017-remastered digital discography and a 15% discount coupon code valid on any and all items at Vision Éternel’s web store (even the boxed set). This will be arriving in a separate email so look for it!

New EP?

For the last eight years, Vision Éternel founder Alexandre Julien has been working on the retrospective boxed set “An Anthology Of Past Misfortunes” to give a proper physical home to the band’s previous releases (2007-2015). Now that it’s out, the band is eager to move forward with new material. Vision Éternel is now actively writing and demoing new songs for a planned sixth extended play.

A handful of new Vision Éternel songs were demoed at Mortified Studios in the summer of 2017 while the band celebrated its ten-year anniversary. It is unknown if any of these ideas will evolve into material for the planned sixth EP. A few more songs have already been demoed in 2018. The band hopes to complete the extended play by the end of the year and is aiming for an early 2019 release. Graphic illustrator Costin Chioreanu has already been secured to design the concept album’s artwork.

In addition to the forthcoming extended play and the previously announced impending music video for “Sometimes In Longing Narcosis”, Vision Éternel is also considering putting out a single and a cover song in 2018.

Vision Éternel website

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Vision Éternel on Twitter

Vision Éternel on Instagram

Vision Éternel on Soundcloud

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Mountain Dust Release Seven Storms this Week; Euro Tour Starts May 24

Posted in Whathaveyou on May 14th, 2018 by JJ Koczan

mountain dust

If you’ve got three minutes and are looking for a good time, click play at the bottom of this post to check out ‘Inside the Rift,’ the newly posted single from Quebecois heavy rockers Mountain Dust. You might recall the four-piece were recently added to Freak Valley 2018 and they’ll also appear at Sweden’s Muskelrock, supporting their new album, Seven Storms, which sees release this Friday, May 18, as the follow-up to 2016’s Nine Years, which was picked up by the venerable Kozmik Artifactz for LP/CD issue. Well, if you do or don’t, it happened.

Laced with organ and a kind of latter-day Graveyardy soul, like I said, it’s three minutes of a good time. Hell, you’ve got three minutes. Don’t pretend you don’t.

Dig it:

mountain dust seven storms

Mountain Dust has just released the second cut from their sophomore album Seven Storms, which is set to come out May 18. A European Tour will follow the release.

The new song “Inside The Rift” has the same captivating storytelling and sonic energy that attracted fans to their debut album Nine Years (2016) – released on Kozmik Artifactz Records. It features a guest vocal appearance from Mikey Heppner (Priestess).

The songs on Seven Storms reference new influence from the soundtracks of science-fiction TV shows and old Western films, and Mountain Dust use a variety of instruments to create interesting new textures and soundscapes. Vocalist Brendan Mainville’s lyrical imagery paints vivid pictures of both pain and triumph.

When the new record drops on May 18th, Mountain Dust head to Europe for a run of 17 shows across 8 countries including stops at 2 festivals – Freak Valley in Germany, and Muskelrock in Sweden.

Their debut record Nine Years (2016) was nominated for Rock Album of the Year at home in Quebec, Canada, and caught the attention of German-based record label Kozmik Artifactz. The resulting partnership has helped Mountain Dust spread their music into areas of Europe they will visit during their spring 2018 tour.

Check out tour dates, and their new song “Inside The Rift” below:

May 24 – Antwerp, Belgium
May 25 – Lyon, France
May 26 – Piacenza, Italy
May 27 – Mantia, Italy
May 29 – Liege, Belgium
May 30 – Netphen, Germany
May 31 – Copenhagen, Denmark
June 01 – Tyrolen, Sweden
June 02 – Berlin, Germany
June 03 – Wroclaw, Poland
June 04 – Brno, Czech
June 05 – Prague, Czech
June 06 – Chemnitz, Germany
June 07 – Wurzburg, Germany
June 08 – Hagen, Germany
June 09 – Paris, France
June 10 – Le Havre, France

Mountain Dust is:
Vocals / Lyrics / Guitar: Brendan Mainville
Organ / Synthesizer / Guitar: Patrick Bennett
Bass: Hal Jaques
Drums / Percussion: Blair Youngblut
Guest Vocals: Mikey Heppner

http://www.facebook.com/mountaindust
http://www.twitter.com/mountaindusty
http://www.instagram.com/mountaindust
https://mountaindust.bandcamp.com/
http://www.mountaindustofficial.com/

Mountain Dust, “Inside the Rift”

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Review & Full Album Premiere: Tunguska Mammoth, Breathless

Posted in audiObelisk, Reviews on May 8th, 2018 by JJ Koczan

Tunguska Mammoth Breathless

[Click play above to stream Tunguska Mammoth’s Breathless in its entirety. Album is out May 11 on Deathbound Records.]

Consider for a moment the Quebecois regional delicacy poutine. The dish in its most basic form consists of french fries and cheese curds smothered in hot gravy. Variations exist in other regions of Canada and the Northern US, but poutine itself, which sometimes adds sausage or really just about anything else to the mix, is identified as being distinctly of Quebec. In thinking about Breathless, the Deathbound Records-issued second long-player from neo-dudely Montreal four-piece Tunguska Mammoth, I bring up poutine for this reason: Quebec didn’t invent french fries. It didn’t invent cheese curds or gravy. And yet, by putting these elements together in a specific way, it was able to span a recipe that has gained affection both in and out of Canada’s borders.

Similarly, Tunguska Mammoth‘s new collection of eight tracks running 45 minutes doesn’t necessarily create a new style out of thin air, but it adopts various pieces of other styles, whether it’s the shout-and-chug aggression of closer “We are the Night,” the Amorphis-style death metal growls after the harmonies of “Yellow Sign” or the modern heavy rock nod of the opening title-track. The band — guitarist/vocalist Maxime Bellerose, guitarist Mathieu Savage, bassist Paolo Di Stefano and drummer/recording engineer/mixer Pierre-Hughes Rondeau (who recorded everything except the drums themselves, which were done by Marc-o at The Grid — didn’t invent the heavy riffing, melodies and more aggressive factors at play throughout Breathless, but by putting it all together in the specific way they do, they make a familiar sound their own.

They’re not the only band to do this either, and yet, Breathless is striking in executing its sense of identity. Whether it’s the Torche-style harmonies and roll toward the end of “New Sun” or the earlier, more severe metallurgy (and metallurgency) of “Phenix,” Bellerose resides well in the frontman position and is forward enough in Rondeau‘s mix to be a significant presence without necessarily being overbearing. “Phenix” is one of two inclusions on Breathless with lyrics in French, and the other is the later “Le Vent” — one per side, it would seem — but whatever language they’re working in, Tunguska Mammoth have little trouble getting their hard-hitting point across.

Tunguska Mammoth

The production is smooth and professional, but there’s still impact in the drums and heft in the bass and guitar, and the clarity only becomes an asset in terms of highlighting the songwriting and the delivery on the whole, which even in the screams of “Le Vent,” remains under control for the duration, the band skillfully steering their material onto one side or the other of the line between heavy rock and metal, led by the guitars and finding room for both sides to peak through on second and longest track “Kings and Queens” (6:40), which turns after its midsection into a snare-punctuated cacophony of shouts and meatier riffing, a wah lead poking through all the emergent low end. “Yellow Sign” seems to follow a similar linear course, though the culmination it leads to is more aggressive and darker in its realization, and it ends the presumed side A with marked ferocity.

If this is to be the textured fabric — sorry to move off the poutine analogy; nothing against them, but I’m kind of tired of thinking of cheese curds — from which Breathless is woven, so be it. As they move onto side B, “New Sun” finds Bellerose working in layers of cleaner vocals and harsher growls as Rondeau adds double-kick flair and an impressive guitar solo leads the way out. “Le Vent” returns to the French lyrics, as noted, and the penultimate “Lily” provides a standout moment for bringing in choral vocals from Anne Lauzière and Pascal Desjardins and a special guest appearance from Mississippi BonesJared Collins, who brings a Soundgardenesque touch to the uptempo, rocking progression he tops — a decided departure from the screams in the second half of “Le Vent” — and sets up the chunkier finish of the six-plus-minute “We are the Night,” which would have its work cut out for it in summarizing everything Tunguska Mammoth have heretofore presented on their second long-player.

Instead, the finale moves with precision through post-Baroness modern heavy one more time before ending with a few last shouts and a fading rumble. The precise execution in the last moments speaks to the crispness of Breathless as a whole, and whatever Tunguska Mammoth might at any given moment have in common with sludge in terms of groove or general aggro-ness, their root is far more metallic than it is hardcore or punk, and that comes through for sure in the songwriting. As Breathless follows five years behind the band’s 2013 self-titled debut, I’m not sure I’d look for a follow-up anytime soon, but as a band, they sound hungry and ready to engage audience well beyond the confines of their hometown.

Tunguska Mammoth on Thee Facebooks

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Deathbound Records website

Deathbound Records on Bandcamp

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Dopethrone Announce Euro & US Tours; Transcanadian Anger out May 25; Video Posted

Posted in Whathaveyou on May 2nd, 2018 by JJ Koczan

dopethrone

They may be the reigning champs of scum sludge Canadian or otherwise, but you can’t accuse Montreal trio Dopethrone of being unproductive. Having just pounded out a few dates around 4/20, the three-piece will embark on a European tour beginning June 22 at Hellfest in France in order to support their new album, Transcanadian Anger, which is out May 25 via Totem Cat Records. When they’re done with that, they’re home for a month — maybe long enough to shower — and then back out in the US for a stint that covers most of the East Coast and finds them playing a Western exclusive at Psycho Las Vegas. Oh, and they’ve got a new video. See what I mean? Dudes keep busy.

I’m not sure I’d be quite so mad if I had so many cool shows coming up alongside the likes of Church of Misery and Sons of Otis, but when you’ve got a thing that works for you, don’t mess with it. And being pissed off certainly works for Dopethrone.

Here’s details from the PR wire and that video:

dopethrone tour posters

DOPETHRONE share NSFW lyric video for “Snort Dagger” ; new album and European & US tour coming

Montréal’s premium sludge merchants DOPETHRONE are back in the game with a NSFW lyric video for their brand new song “Snort Dagger”, streaming now. The band will unleash their fifth album “Transcanadian Anger” this May 25th through Totem Cat Records.

DOPETHRONE plays “Slutch Metal”, a foul Canadian mix of yellow snow, crackhead diarrhea, blood, tears and broken dreams. “Transcanadian Anger” follows in with the trio’s widely acclaimed fourth full-length “Hochelaga” (2015) and pushes their pervasive, filthy brand of sludge metal to its most extreme and intoxicating levels. This is eight punishing tracks of the highest order, a downtuned-as-hell, no-frills-given riff carnage that will entrance both the fans and fiends of sleazy and groovy heaviness overall.

This summer, DOPETHRONE will be hitting the European and North American roads for an extensive tour that will include long-awaited performances at Hellfest (Fr), Stoned From The Underground (DE) and Psycho Las Vegas (US), see dates below:

EUROPEAN TOUR (w/ Bongzilla & Sons Of Otis + *with Church Of Misery)
22.06 – HELLFEST OPEN AIR (FR)*
23.06 – BRUSSELS (BE), Magasin 4* (no Bongzilla)
24.06 – KÖLN (DE), Jungle *
25.06 – EINDHOVEN (NL), Effenaar
26.06 – BRIGHTON (UK), Green Door State
27.06 – BRISTOL (UK), The Fleece
28.06 – BIRMINGHAM (UK), Asylum 2
29.06 – EDINBURGH (UK), La Belle Angèle
30.06 – MANCHESTER (UK), Rebellion Club
01.07 – LONDON (UK), The Underworld
02.07 – UTRECHT (NL), Tivoli De Helling
03.07 – DEVENTER (NL), Burgerweeshuis
04.07 – WIESBADEN (DE), Schlachthof *
05.07 – ROSTOCK (DE), M.A.U
06.07 – GÖTEBORG (SWE), Truckstop Alaska
07.07 – STOCKHOLM (SWE), Kraken
08.07 – OSLO (NOR), Blitz
09.07 – TBA (SWE)
10.07 – COPENHAGEN (DK), KB18
11.07 – HAMBURG (DE), Hafenklang
12.07 – BERLIN (DE), Cassiopeia
13.07 – RED SMOKE FESTIVAL (PL)
14.07 – STONED FROM THE UNDERGROUND (DE)
15.07 – BREGENZ (AT), The Between

NORTH AMERICAN TOUR
18.08 – CHICAGO, IL, Reggie’s
19.08 – PSYCHO LAS VEGAS (West exclusive)
20.08 – ALBANY (NY), Paulys Hotel
21.08 – BALTIMORE (MD), Metro Gallery
22.08 – RALEIGH (NC), Pour House
23.08 – SAVANNAH (GA), The Jinx*
24.08 – MEMPHIS (TN), Growlers*
25.08 – SAINT LOUIS (MO), Sinkhole*
26.08 – INDIANAPOLIS (IN), Black Circle Brewery*
27.08 – CANTON (OH), Buzzbin Shop*
28.08 – SCRANTON (PA), Irish Wold Pub*
29.08 – PHILADELPHIA (PA), Kung Fu Necktie*
30.08 – NEW YORK (NY), Saint Vitus Bar*
31.08 – BOSTON (MA), Once*

DOPETHRONE New album “Transcanadian Anger”
Out May 25th on vinyl, CD and digital via Totem Cat Records

All albums for free download on Bandcamp

TRACK LISTING:
1. Planet Meth
2. Wrong Sabbath
3. Killdozer
4. Scuzzgasm
5. Tweak Jabber
6. Snort Dagger
7. Kingbilly Kush
8. Miserabilist

https://www.facebook.com/dopethrone.mthell
https://www.instagram.com/dopethroneband/
https://dopethrone.bandcamp.com/
http://totemcatrecords.bigcartel.com/

Dopethrone, “Snort Dagger” official video

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GIVEAWAY: Win Vision Éternel’s An Anthology of Past Misfortunes Boxed Set!

Posted in Features on April 11th, 2018 by JJ Koczan

vision eternel

[To enter giveaway: send an email to contest@visioneternel.com with your shirt size and color preference. Yup, that’s it.]

So yeah, the process is a little different this time around. Usually for giveaways, people leave comments on a post or whatnot. This time, just send an email to Vision Éternel at contest@visioneternel.com and you’ll be entered to win a copy of the Canadian one-man experimental outfit’s new boxed set, An Anthology of Past Misfortunes. The prize itself is significant, and includes flyers, five CDs, a tape, stickers, posters, on and on, as well as a full-catalog download. Safe to say Alexandre Julien, the man behind the band, has gone all out, and it is duly appreciated.

I’m going to keep my words minimal because Julien explains the prize below and that’s a fairly lengthy process, but if you look down at the bottom of this post, you’ll find the exclusive track premiere for “Love Within Narcosis (Demo),” which opens the set. At 2:27, it’s one of Julien‘s longer pieces, and in fact one of the things I find so fascinating about his work is that rather than simply ride out drone waves into ceaseless oblivion, he presents shorter pieces almost like scenes that flow together to make up a film.

That, and thanks to Julien for letting me host the track and the giveaway, comprise my piece on the matter. Once again, if you want to enter the contest, send an email to contest@visioneternel.com. If you want to leave a comment here, well, they’re always welcome, but it won’t count as an entry.

Here are the prize details:

vision eternel giveaway

One lucky winner will not only receive a full boxed set, which in itself holds five compact discs, one cassette, two stickers, six business card flyers and a two-page postcard insert, but in addition to that two sold-out posters and a t-shirt. A total retail value of $120, including shipping to any location worldwide. The winner gets all of this for free!

The five compact discs included in the boxed set are all five Vision Éternel extended plays released to date, covering 2007-2015: “Seul Dans L’obsession” (2007), “Un Automne En Solitude” (2008), “Abondance De Périls” (2010), “The Last Great Torch Song” (2012) and “Echoes From Forgotten Hearts” (2015). The cassette compilation, “Lost Misfortunes: A Selection Of Demos And Rarities (Part One)” features nineteen rare and unreleased b-sides, demos and alternate versions spanning 2007-2010. All of this audio content has been remastered and most of it appears in a physical format for the very first time!

The boxed set also includes a handful of bonus material: business card-sized reproductions of the original promotional flyers for each of the five extended plays as well as the 2009 flyer for a Japanese-exclusive compilation; two stickers: one of the 2008 band logo designed by Jeremy Roux and another of the 2017 band logo designed by Christophe Szpajdel; and two postcards with original artwork by Rain Frances and Pierrette Bourdon backed by liner notes. The assortment is packaged in a deep blue keepsake box, limited and hand-numbered.

Additionally, the winner of this giveaway package will receive two out-of-print original posters taken from band-member Alexandre Julien’s personal archives. The first of these posters was designed by Alexandre Julien for Frozen Veins Records in 2009 and was sold exclusively in Japan with a compilation compact disc. The second poster was pressed in 2015 by Abridged Pause Recordings and features Marina Polak’s photography used for the band’s 2010 extended play “Abondance De Périls”.
*Poster frames seen in the giveaway package pictures are not included.*

Furthermore, a 10-Year Anniversary t-shirt designed by world-renowned illustrator Christophe Szpajdel is included. The winner has a choice of shirt size (Small, Medium, Large, Extra Large or Double Extra Large) and shirt colour (Solid Black, Solid Aqua, Heather Deep Teal, Heather Forest or Heather Dark Grey). The choice of colours can be seen in detail on Vision Éternel’s Online Store.

Last but not least, the winner will receive a complimentary discography download of Vision Éternel’s entire remastered catalog in high-quality audio of their choice (WAV, FLAC, AIFF, MP3, AAC, etc), to keep him or her company while the mail-order package arrives.

How To Enter The Giveaway:
To enter Vision Éternel’s “An Anthology Of Past Misfortunes” boxed set package giveaway, simply send an email to contest@visioneternel.com, and let the band know your shirt size and shirt colour preference. It’s that easy! You will receive a confirmation email once you’ve been entered. The winner will be picked on May 14th of 2018 and he or she will be contacted via the same email used to enter the contest.

Vision Éternel, “Love Within Narcosis (Demo)” official premiere

Vision Éternel website

Vision Éternel on Thee Facebooks

Vision Éternel on Twitter

Vision Éternel on Instagram

Vision Éternel on Soundcloud

Vision Éternel on Spotify

Vision Éternel on Bandcamp

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Wykan Premiere “Wykan (The Shamanic Trance)” from Debut EP Solace

Posted in audiObelisk on March 28th, 2018 by JJ Koczan

wykan

Montreal riff metallers Wykan make their debut April 13 with the Solace EP. It is not intended for background listening. Even at three tracks/24 minutes, it’s not the kind of thing you “just put on” while you’re picking up around the house or working or whatever you might be doing. It demands attention and demands it early. Wrapped together in a shroomy, ritualistic thematic, its component pieces are presented shortest to longest — “Lahppon Olmmos” opens at 6:50 with a guest appearance from Cryptopsy‘s Matt McGachy (because Montreal), “The Gathering” (8:00) follows, and “Wykan (The Shamanic Trance)” (9:17) rounds out — and seems to move toward ever more extreme fare as it goes. The opening movement of “Lahppon Olmmos?” It has more in common with Alabama Thunderpussy than anything vicious or brutal, but Wykan get there one way or the other.

One might think of it as a new face of sludge, but the sound is too clean, too calculated for that. Sludge is fucked up and just kind of happens — this material has been thought out. For example, the Opeth-gone-black-metal scream along of “The Gathering” carefully melds a post-metallic plod to its raw-throated cruelties, and likewise, “Lahppon Olmos” keeps itself willfully in two wykan solaceworlds in terms of sound, its chug never quite reaching the mathy complexity for which Montreal’s extreme underground is known (one more time: hello, Cryptopsy), but clearly solving its own stylistic equation as it goes. Likewise, “The Gathering” plods through its scream-topped midsection with a particularly charred-sounding lumber, but keeps room for answering back with classic elements like squigglies and a more chug-happy, sample-inclusive ending movement.

The semi-eponymous “Wykan (The Shamanic Trance)” might be the EP’s crowning achievement, however, beginning with sampled spoken word over ambience before a build of quiet guitar starts in, vocalist/guitarist Jeremy Perkins leading bassist Daniel Paras and drummer Morgan Zwicker toward an Ensalved-esque movement of progressive black metal that fleshes itself out with marked flow over the next several minutes as an instrumental before the vocals finally join in following a midpoint slowdown, turn toward chugging plod and shift back into blastbeaten rush just before the six-minute mark. Raspy vocals again scorch the ground before them and at about 7:45, Wykan move into the kind of chug that might, say, have one headbanging in front of one’s laptop, before another speedy verse takes hold and they finish at their rawest and most extreme point.

This linear movement across Solace‘s three tracks might speak to the mindset of Perkins (also of black metallers Eohum) and company when it comes to a full-length release. The hard work before them will be to continue to integrate disparate stylistic elements into a cohesive whole, but they’ve clearly begun that process here, and the results are enticing even in their most purposefully abrasive stretches.

You can listen to “Wykan (The Shamanic Trance)” and get a closer look at the EP’s David Paul Seymour artwork below. PR wire info, as ever, follows.

Please enjoy:

Wykan, “Wykan (The Shamanic Trance)” official track premiere

Hitting the jam space and recruiting some special guests Matt McGachy (Cryptopsy) and Barrie Butler (Eohum), WYKAN’s debut EP “Solace” features three punishing tracks full of atmosphere and mystery where you can hear black metal rage meet the finest components of blues and harsh psych stoner riffs. The theme of the EP follows inspiration of Ethnobotany and magic along with a tribal take on ritual and ceremony. More specifically with the Northern European Tribes known as the Saami from Finland/Norway/Sweden areas of today and their usage of Amanita Muscaria mushroom for Shamanic practices. Overall, the EPs concept is a reminder of the brisk realities of our lives in relation to the spirit world.

“Wykan (The Shaman Trance) is the short-story / poetic take on the ceremony of drinking the brew of clarity (Amanita prepared brew) among the shaman’s hut and the trip commencement under influence of the Amanita Muscaria,” says band founder Jeremy Perkins.

Produced by Sowilo Arts
Written by Jeremy Perkins
Lyrics and Thematic by Jeremy Perkins
Artwork by David Paul Seymour

Recorded & Mixed at Silverwings Studios in Montreal Feb 2018 by Jonathan Lefrancois-Leduc.

Wykan is:
Vocals (intro) and Guitars: Jeremy Perkins
Drums: Morgan Zwicker
Bass: Daniel Paras

Featuring guest vocalist: Barrie Butler ( Eohum )

Wykan on Thee Facebooks

Wykan on Bandcamp

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The Hazytones Announce Jan./Feb. Tour Dates

Posted in Whathaveyou on December 15th, 2017 by JJ Koczan

the-hazytones-photo-brooke-dee

Quebecois neo-psych rockers The Hazytones will play from Jan. 6 through Feb. 20 on their upcoming tour — shows all across the US as well as in Mexico and Canada — with a total of three days off. Three days in 46. There is a word for that kind of tour:

“Significant.”

It’s the kind of tour with three shows in Michigan. The kind of tour that hits Manhattan and Brooklyn on consecutive nights after Jersey, Boston and Upstate NY. The kind of tour that does Tempe and Flagstaff and then circles back around to Yuma before heading south of the border. You get the idea. I think “significant” covers it.

They go supporting their self-titled album, out on Ripple Music and Oak Island Records and streaming at the bottom of this post. Supporting the crap out of it, I would say.

Here are the dates:

the hazytones tour

THE HAZYTONES ANNOUNCE HUGE WINTER TOUR

Here’s the tour dates for our next tour! Mainly in the USA but also in Mexico and Canada. A total of 43 shows in 46 days this will be the ride of our lives. We can’t wait to see you all on the road! Art by DK13 Design.

The Hazytones on tour:
01.06 Albany NY The Low Beat
01.07 Boston MA O’Brien’s Pub
01.08 Asbury Park NJ The Saint
01.09 Manhattan NY The Shrine
01.10 Brooklyn NY Saint Vitus
01.11 Philadelphia PA The Pharmacy
01.12 Pittsburgh PA Smiling Moose
01.13 Indianapolis IN Black Circle
01.14 Nashville TN The Crying Wolf
01.15 Memphis TN The Hi Tone
01.16 New Orleans LA Santos
01.18 Houston TX Acadia Bar and Grill
01.19 Austin TX The Spider House Chapel
01.20 Lawton OK Railroad Saloon
01.21 Albuquerque NM Burt Tiki Lounge
01.22 Santa Fe NM Boxcar
01.23 El Paso TX Rockhouse Bar and Grill
01.24 Tempe AZ Yucca Tap Room
01.25 Flagstaff AZ The Green Room
01.26 Las Vegas NV The Dive Bar
01.27 Yuma AZ Maverick Bar
01.28 Mexicali MX-BCN Taberna Lebaron
01.30 Tijuana MX-BCN Mous Tache
01.31 San Diego CA The Merrow
02.01 Los Angeles CA Viper Room
02.02 San Jose CA Caravan Lounge
02.03 San Francisco CA Thee Parkside
02.04 Sacramento CA Blue Lamp
02.06 Santa Cruz CA Subrosa
02.07 Reno NV Jub Jub’s Thirst Parlor
02.08 Salt Lake City UT Urban Lounge
02.09 Denver CO Bar Bar
02.10 Lawrence KS Replay Lounge
02.11 Kansas City KS The Riot Room
02.12 Omaha NE The Lookout Lounge
02.13 Minneapolis MN Kitty Kat Club
02.14 Milwaukee WI Kochanski’s Concertina Beer Hall
02.15 Chicago IL Reggies
02.16 Detroit MI PJ’s Lager House
02.17 Lansing MI The Avenue Cafe
02.18 Ypsilanti MI West Cross Station

The Hazytones are:
Mick Martel – guitar/vocals
Adam Gilbert – bass/backing vocals
Antoine St-Germain – drums

https://www.facebook.com/TheHazytones/
http://www.twitter.com/TheHazytones/
https://www.instagram.com/thehazytones/
https://thehazytones.bandcamp.com/releases
https://www.facebook.com/theripplemusic/
ripplemusic.bandcamp.com
https://www.facebook.com/oakislandrecords/
http://shop.bilocationrecords.com/index.php?k=1072&lang=eng

The Hazytones, The Hazytones (2016)

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The Hazytones Sign to Ripple Music & Oak Island Records; Album out Nov. 3

Posted in Whathaveyou on October 2nd, 2017 by JJ Koczan

Attitude-laden heavy garage-psych doomers The Hazytones have inked not one, but two new label deals for their self-titled debut. The Montreal three-piece of Mick Martel, Adam Gilbert and Antoine St-Germain also issued the album digitally on their own in 2016 and subsequently earlier this year on tape through Hellas Records in Indonesia and Canada’s own Sunmask Records, so it’s safe to say at this point that the record has engendered some significant response.

Listening back through the nine-track offering and basking in the bassy groove of “Day of the Dead,” the space-cultistry of centerpiece “Children of the Universe” and the forward thrust of “Fool’s Paradise,” yeah, I get it. They’re right in between a couple different lines of subgenre and play to one side or another very well in these tracks, all the while casting an identity of their own in the process. I posted about the band back in Spring when they were headed out on tour and the record made enough of an impression on me then to keep them in mind. They definitely seem like suitable fodder for a wider release. Cheers all round.

Here’s info and announcements gathered from the social medias:

the-hazytones-photo-brooke-dee

The Hazytones – Ripple Music & Oak Island Records

It’s a big day today, we announce our signature on Ripple Music!!! Vinyl’s and cd’s are coming November 3rd. In a week we will have all the USA dates for our tour in January.

Here’s the other big news we had in store. Announcing our partnership with Kozmik Artifactz. They will be distributing our album, as well as producing Cd’s/Vinyl’s through their sub label Oak Island Records. Release date is November 3rd!

Says Ripple Music:

Please welcome to the family. Canadian retro doom rockers, The Hazytones!! Debut album due out this November with a new new album to follow next year. So psyched to work with these guys and bring them into the family.

Says Oak Island Records:

We are extremely excited to be partnering with our good friends at Ripple Music to bring you guys the rockin’ debut by Montreal power trio, The Hazytones

The debut will drop early November with Ripple handling the US release and Oak Island Records distributing throughout Europe. These guys rock hard, so be sure to check them out!

The Hazytones is a group of stoner rock founded in 2015 in Montreal. In September 2015, The Hazytones began the production of their debut album recorded and mixed at ReelRoad studio located in Rosemont – La Petite-Partie in Montreal. After a few month of labor, the band launched his first single ‘’Living On The Edge’’, followed by a music video. To mark the imminent release of their first titled album, the trio got on the road across Canada(23 shows) from August to September 2016.

The band launched their first titled album on September 22nd at La Rockette bar in Montreal at the Pop Montreal festival. The album was well received by the stoner/psychedelic community in Canada, USA and Europe.

More recently, the band toured Europe (UK, Belgium, Switzerland and France) for 28 days and 10 days after they embarked on a Canadian tour that led them all the way to Vancouver and back.

For the Hazytones future, a full U.S.A tour is scheduled in January and a second album is on its way. The band has been signed to two labels, Ripple Music and Kozmik Artifacts. Both labels will produce Cd, Vinyls and handle the digital distribution. Everything is set to be release on November 3rd.

The Hazytones are:
Mick Martel – guitar/vocals
Adam Gilbert – bass/backing vocals
Antoine St-Germain – drums

https://www.facebook.com/TheHazytones/
http://www.twitter.com/TheHazytones/
https://www.instagram.com/thehazytones/
https://thehazytones.bandcamp.com/releases
https://www.facebook.com/theripplemusic/
ripplemusic.bandcamp.com
https://www.facebook.com/oakislandrecords/
http://shop.bilocationrecords.com/index.php?k=1072&lang=eng

The Hazytones, The Hazytones (2016)

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