Vision Éternel Premiere Video for “Pièce No. Trois”

Posted in Bootleg Theater on August 28th, 2017 by JJ Koczan

vision eternel

Vision Éternel‘s ‘Pièce No. Trois’ is precisely that: a piece. It comes from 2015’s Echoes from Forgotten Hearts (review here), which is the latest release from the ambient solo-project of Montreal-based texture-weaver Alexandre Julien — formerly of psychedelic black metallers Vision Lunar, among others — and is one of seven pièces to be included on the offering. Each one works in a roughly similar vein of minimalist cinematic drama, something vague but hopeful in Julien‘s shimmering guitar tonality and gentle approach, but they remain distinctive with pauses between and, short as they are and short as the whole outing is, never get lost or too caught up in any individual moment. One might think of each Vision Éternel track as fleeting, and that would seem to be the intent.

Atmosphere over impact. Impression over reality. Evocation over direct narrative. Though it’s been two years since Echoes from Forgotten Hearts came out, and for a solo-project like this, that can be a long time, Vision Éternel has a considerable back catalog amassed of these headphone-ready meditations, and vision-eternel-echoes-from-forgotten-heartsas “Pièce No. Trois” explores layering in strum and drone guitar, the depths Julien brings to bear so quickly in a 90-second video impress all the more for the efficiency that both matches the scope of the band and doesn’t make the material feel rushed or overblown in terms of arrangement. There’s a grace to Vision Éternel‘s output across Echoes from Forgotten Hearts that carries into the mood and has a melancholy effect on the listener. It asks little for indulgence and delivers much in immersion.

The project has been celebrating its 10th anniversary throughout 2017, and along with new merchandise and an impending box set collecting past material together in one place, the occasion has called for a revisit to Echoes from Forgotten Hearts and a video that’s apparently been years in the making. Like the song itself, the visual accompaniment for “Pièce No. Trois” is deeply atmospheric, featuring strung together clips of Julien giving what essentially might be taken as a kind of sightseeing tour of Montreal — but, you know, an artsy sightseeing tour. No double-decker bus or anything. Nonetheless, he passes by landmarks subtly placed throughout that, if you happen to be familiar with places like the John Young Monument or the old railroad tracks, you might catch a glimpe of them here or there.

And even if not, it’s 90 seconds long. What the hell do you have to lose? Jeez. Included below is some more background from Abridged Pause Recordings on the video, copious links, and the full stream of Echoes from Forgotten Hearts from Vision Éternel‘s Bandcamp, in case you’d like to dig further.

Please enjoy:

Vision Éternel, “Pièce No. Trois” official video

As part of Vision Éternel’s 10-year anniversary celebration, it is with extreme pleasure that we are releasing a brand new music video for “Pièce No. Trois”. It’s been seven and a half years since Vision Éternel last released a music video, for “Season In Absence” in March of 2010. “Pièce No. Trois” is one of seven songs that appears on the concept EP “Echoes From Forgotten Hearts”, released through Abridged Pause Recordings on February 14th of 2015. This music video is long overdue after having its fair share of disasters and lost footage over the years.

A key filming location was the former Dalhousie Station where pre-production pictures had been snapped a month prior. Additional scenes were filmed nearby, above and under the Notre-Dame overpass and with the former Viger Station in the distance. Another shot was set up in the Saint-Dizier alleyway in the Old Port of Montreal which has old cobblestone paving and was wet from the melting snow and grainy from the salt, sand and rock pebbles used to deal with ice in the winter.

Vasily Atutov directed the music video for “Pièce No. Trois” from July 22nd to July 23rd of 2017. You can see more of Vasily Autotuv’s photography on Flickr and Instagram. He is now open to work with musicians on artwork and video editing, so get in touch with him at epicmap@gmail.com.

It took ten years to happen but Vision Éternel finally has band t-shirts available! The first set of shirts feature Jeremy Roux’s “classic” Vision Éternel logo, which he designed in the summer of 2008. The second batch of shirts feature Christophe Szpajdel’s “10-year anniversary” logo, which he drew in the spring of 2017. This logo honours the black metal origins of Vision Éternel; Alexandre Julien founded Vision Éternel as a side-project while playing in two black metal bands: Throne Of Mortality and Vision Lunar.

Vision Éternel, Echoes from Forgotten Hearts (2015)

Vision Éternel website

Vision Éternel on Thee Facebooks

Vision Éternel on Twitter

Vision Éternel on Instagram

Vision Éternel on Soundcloud

Vision Éternel on Spotify

Vision Éternel on Bandcamp

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A Devil’s Din Premiere Video for “Eternal Now”; One Hallucination Under God out Sept. 29

Posted in Bootleg Theater on August 23rd, 2017 by JJ Koczan

a-devils-din-photo-christine-deita

Montreal trio A Devil’s Din aim a little bit earlier than many in the current sphere of retro-minded rock, eschewing the proto-metallic boogie of the early ’70s in favor of the mid-to-late ’60s psychedelia that spawned it. On Sept. 29, they’ll issue their third long-player, One Hallucination Under God, via their own Island Dive Records imprint, and its influence in classic surf and garage-a-delic vibe is evident from the opening notes of “Eternal Now,” for which you can see a video premiere below marked out by colorful manipulation of old cartoons, found-seeming footage and, apparently, whatever else the band decided fit the spirit they were going for.

And quite a spirit it is. The hook of “Eternal Now” has some push of the earliest space rock from drummer Dom Salameh, but from the running bassline of Tom G. Stout to the vocal harmonies that would seem to be led by guitarist Dave Lines, the arrangement feels lush and warm in a way that more than earns its accompanying colorful swirl. True to their aesthetic, “Eternal Now” has a straightforward verse/chorus structure and at just under three and a half minutes there’s not much room to wander from it, but with the blend of keys and guitar, the wash of melody in the vocals and the pervasive sense of weirdness across its still-brief span, there’s plenty to dig into for those looking for a quick trip into the far and farther out.

I haven’t heard the full album yet, but I wouldn’t necessarily expect “Eternal Now” to speak for the entirety of One Hallucination Under God. To wit, in Dec. 2016, A Devil’s Din issued the 13-minute single-song digital EP, I’m Freaking Out: The Saga of the Missing Child, as the follow-up to their June-released sophomore full-length, Skylight — their debut was 2011’s One Day all this Will be Yours — and it was an entirely more progressive and theatrical affair, harder in the impact of its tones and less cosmically directed on the whole, though those elements were still there in the especially varied second half of the song. That may have been a one-off, but Skylight had plenty of diversity in its sound as well, so I’m just giving a heads up “Eternal Now” might not be the complete story when it comes to One Hallucination Under God, however much the long-player may all be part of one expanded-consciousness experience.

More info on One Hallucination Under God and some statement direct from A Devil’s Din follows the “Eternal Now” video below and comes courtesy of the PR wire. Once again, album is out Sept. 29 and will be available direct from the three-piece via their Bandcamp.

Please enjoy:

A Devil’s Din, “Eternal Now” official video

A Devil’s Din on “Eternal Now”:

“‘Eternal Now’ opens the album. It’s an upbeat song with a snazzy guitar riff and verse sung in three-part harmony. The chorus is the closest thing we have to a pop song, but when pop wasn’t a disposable, corporate-driven product. Overall, the theme of the album is about ‘Perception Versus Reality,’ how our world is essentially a subjective experience and a reflection of our individual thoughts and judgments. This idea is perhaps best expressed by semanticist Alfred Korzybski’s dictum, ‘The map is not the territory.’ Songs like ‘Sea of Time,’ ‘Eternal Now,’ ‘Where Do We Go?’ and the title-track all touch on this theme: how we are born into a reality and then conditioned into accepting that this version of reality is ‘it’… And anyone who’s been on the Psychedelic Path will tell you otherwise.

A Devil’s Din are the psychedelic brainchild of UK-born Montreal-based multi-instrumentalist David Lines; joined on his creative journey by disciple of the Rickenbaker bass Thomas Chollet, and virtuoso drummer Dom Salameh. They are a trio of sonic alchemists that together create a chemical wedding of cosmic chords, constantly seeking the philosopher’s stone of the perfect psychedelic song. And as we all know, it’s not the journey — it’s the trip!

A Devil’s Din has two fine albums under their collective kaftans, ‘One Day All This Will Be Yours’ (2011) and ‘Skylight’ (2016), and now, as though creating a trans-dimensional triptych, they unleash ‘One Hallucination Under God’.

‘One Hallucination Under God’ will be available as of September 29th, 2017.

A Devil’s Din is:
Dave Lines, Guitar/Keyboards/Vocals
Tom G. Stout, Bass/Guitar/Vocals
Dom Salameh, Drums/Perc/Vocals

A Devil’s Din on Thee Facebooks

A Devil’s Din on Twitter

A Devil’s Din on Bandcamp

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Coeur Atomique: New Project from Voivod Founder Announces Landscape of Emergency I Debut Album

Posted in Whathaveyou on May 22nd, 2017 by JJ Koczan

coeur atomique

Founding Voivod bassist Jean-Yves ‘Blacky’ Thériault has announced that his new project, Coeur Atomique, will release its debut album July 10. Preorders are up now for what’s been given the title Landscape of Emergency I from the low-end-centric experimentalist two-piece of Theriault and fellow bassist Monica Emond. Comprised of six songs, the 42-minute offering basks in progressive textures and markedly atmospherics, but holds firm to a sense of movement across its span as lines from Thériault and Emond intertwine and feel their way through songs like “Castle Bravo” and “The Waste,” both of which you can hear below.

Thériault, who co-founded Voivod in 1981 with still-missed guitarist Denis “Piggy” D’Amour, left that band following the release of their latest full-length, Target Earth, in 2013. Coeur Atomique — which seems to have originally been called Landscape of Emergency — will use its first long-player as the launch point for a series of releases exploring social themes through instrumentalist means, and already one finds considerable resonance in its focus on tonality, presentation and depth.

Landscape of Emergency I is available now to preorder direct from Coeur Atomique, and you’ll find the link in the info below, which comes courtesy of the band via the PR wire:

coeur-atomique-landscape-of-emergency-i

CŒUR ATOMIQUE is a bassists duo formed by Monica Emond and Jean-Yves Thériault (Voivod, The Holy Body Tattoo). During live performances, their music written for two basses and electronics is accompanied with powerful film projections. Art, they say, is meant to act and to resist! Watch our videos on Youtube.

Their first album called Landscape of Emergency I ~ will be released on vinyl by July 10th, 2017. Pre-order it now through coeuratomique.org. The digital format is already available. This album is the first part of the Landscape of Emergency series of releases which address the silencing machine of ignorance of indifference…

Landscape of Emergency I ~ Song List
1. Fail Safe
2. Calutron
3. Castle Bravo
4. The Waste
5. Berghof
6. Green Run

http://coeuratomique.org/
https://www.youtube.com/channel/UC6An1AAp1UQehEsvKzvOCVA

Coeur Atomique, “The Waste”

Coeur Atomique, “Castle Bravo”

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The Hazytones Announce Canadian Tour Dates

Posted in Whathaveyou on March 29th, 2017 by JJ Koczan

Montreal trio The Hazytones released their self-titled debut back in September 2016 via Sunmask Records and will head out next month on a long tour to support the album. They’ll take part in Canadian Music Week in Toronto circa April 20 to start, and stay out for the bulk of May as they hand-deliver their skillfully-crafted riffery (and hats!) to audience across the provinces. I’m not sure with whom they’ll be out or if they’re meeting up with locals or what, but songs like “Children of the Universe” and the forward-motoring “Kill to Survive” make a solid argument for showing up regardless, so keep an eye out.

This news is my intro to the band, and while I’m sure you’re O.G. Hazytones because you’re hip like that and I’m constantly behind the curve, on the off-chance you’re in a similar situation, feel free to check out the album stream via the Bandcamp player at the bottom of the post to get a proper hello.

The PR wire has the dates:

the hazytones

The Hazytones – Canadian Tour 2017

The Hazytones are a stoner rock group founded in 2015 in Montreal. The trio stuns the audience with their stage presence and intensity. Riff after riff, the group is known for their fat sound and heavy, overdriven saturation.

The band features the powerful voice and guitar playing of Mick Martel (former founding member of Madcooks), the accuracy of drummer Antoine St-Germain (current member of God Bless America) and the rigor of the bassist Frederic Couture (former founding member of Reckless Ride).

APRIL
20: Toronto @ Canadian Music Week
21: Toronto @ Canadian Music Week 2017
22: Toronto @ Canadian Music Week
23: Sault Ste-Marie @ American New Pub House
25: Kenora @ Lake Shore
26: Winnipeg @ The Cavern club
27: Selkirk @ The Merch
28: Régina @ Durty Nelly’s
29: Calgary @ Blind Beggar Pub

MAY
02: Kelowna @ Fernando’s Pub
03: Vancouver @ Media club
04: Nanaimo @ The Cambie Bar & Grill
05: Port Albany @ TBA
06: Victoria @ Logan’s
07: Kamloops @ The grind
08: Kelowna @ Munnin’s Post
10: Golden @ Rockwater
12: Edmonton @ The Forge
13: Lethbridge @ Smokehouse Bar n Grill
15: Fort Mcmurray @ Tavern on main
16: Moose Jaw @ TBA
17: Palmer @ Palmer Church
18: Prince albert @ TBA
19: Saskatoon @ The Capitol
20: Red Deer @ The Vat Pub
21: Calgary @ The Palomino
22: Arkola @ Buddy’s Pub
23: Arkola @ Buddy’s pub
25: Winnipeg @ The Handsome Daughter
26: Thunder bay @ Black Pirates Pub
27: Timmins @ The Working Class

https://www.facebook.com/TheHazytones/
https://www.instagram.com/thehazytones/
https://thehazytones.bandcamp.com/
https://www.facebook.com/sunmaskrecords/

The Hazytones, The Hazytones (2016)

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The Obelisk Radio Adds: Evil Acidhead, Gypsy Sun Revival, Albinö Rhino, Monarch, and Vision Éternel

Posted in Radio on February 20th, 2017 by JJ Koczan

the obelisk radio

My going motto for this site, which basically I repeat to myself like a mantra, is to do as much as I can when I can. Obviously that fluctuates, and I think that’s a good thing on many levels, but I’ve had more time recently to pay due attention to the goings on with The Obelisk Radio and I’m thankful for that. This is the second round of adds for this month, and in addition to the offerings highlighted below, another 30-plus releases have gone up to the server as of today, including some choice bootlegs from the likes of Lowrider, Brant Bjork, Vista Chino, Greenleaf, Acid King, Neurosis and Kyuss. I encourage you to check out the full list of adds here. It kicks a formidable amount of ass.

The Obelisk Radio adds for Feb. 20, 2017:

Evil Acidhead, In the Name of all that is Unholy

Evil-Acidhead-In-the-Name-of-all-that-is-Unholy

This 2015 reissue on Agitated Records of Evil Acidhead‘s In the Name of all that is Unholy becomes particularly relevant since 2017 marks 30 years since its original release. Offered as a cassette in 1987 by guitarist John McBain (Monster MagnetWellwater Conspiracy), it tops an hour and 17 minutes and crosses the first of its two LPs before it’s even finished with its four-part opener, and only then digs into the 23-minute “I Control the Moon.” A challenging listen front to back even three decades later, it holds to an experimentalist core of guitar effects, swirl, loops — which are near-maddening on side B’s “Part III: Possession” — and malevolent, droning abrasion. What’s stunning about it is if you said this was something McBain recorded a few months ago, there would be no choice but to call it forward-thinking. Imagine a record that 30 years later still offers a legitimate sense of being ahead of the day. Not that it never happens, but it’s certainly rare, and In the Name of all that is Unholy seems to willfully sidestep what we think of as reality in favor of its apparently timeless hellscapes. It’s far, far away from pleasant, but it sure as hell is impressive.

Evil Acidhead on Thee Facebooks

Agitated Records website

 

Gypsy Sun Revival, Gypsy Sun Revival

http://cdn.theobelisk.net/obelisk/wp-content/uploads/2017/02/gypsy-sun-revival-gypsy-sun-revival

Fort Worth trio Gypsy Sun Revival make their debut with this 2016 self-titled full-length and earn immediate notoriety for their blend of heavy psychedelic and straightforward rocker impulses as well as the fact that the vinyl version of the album sees release through ultra-respected purveyor Nasoni Records. One might recall the last time the Berlin-based label picked up a Texan band, it was Wo Fat, so it’s no minor endorsement of Gypsy Sun Revival‘s potential, and the three-piece of vocalist/bassist/organist Lee Ryan, guitarist/thereminist Will Weise and drummer Ben Harwood live up to it across the 46-minute seven-tracker, songs like “Cosmic Plains” finding a middle ground between sleek ’70s groove and modern thickness, setting up longer post-Zeppelin jams to come like “Idle Tides,” which, though fluid, rely less on effects wash to get their improvisational point across than the raw dynamic between the band itself. As a debut, Gypsy Sun Revival impresses for that, but even more for the level of immersion it enacts the further along it goes, so that when they get to languid instrumental closer “Radiance,” the band’s approach seems to be in full bloom when in fact they may only be beginning their forward creative journey.

Gypsy Sun Revival on Thee Facebooks

Nasoni Records website

 

Albinö Rhino, Upholder Live at Ääniwalli, Helsinki 17.12.2016

Albinö-Rhino-Upholder-Live

I’m pretty sure all those umlauts are going to crash the radio stream every single time this gets played, but a 41-minute digital live version — offered as a name-your-price download, no less — of Albinö Rhino‘s heavy psych epic “Upholder” recorded this past December in their native Helsinki is too good to pass up. The Finnish trio issued the studio edition of the three-so-far-part piece late in 2016 under the simple title Upholder (review here), and Upholder Live at Ääniwalli, Helsinki 17.12.2016 comprises a 41-minute single-track rendering of the first two parts brought together with onstage energy and a fitting showcase of the song’s longform jamming path. Led by Kimmo Tyni‘s guitar work — no less recalling early Natas via Sungrazer and Sleep here than in the studio recording — and gruff vocals, the live incarnation also benefits from the deep patience in Ville Harju‘s bass and Viljami Väre‘s drumming, as heard under Tyni‘s moog solo circa 14 minutes in. It’s soon for a revisit of Upholder itself, but as well as getting additional mileage out of the piece, Albinö Rhino bring a different flavor to the live execution of it to this digital-only outing, and if it catches more ears as a 41-minute single song as opposed to being broken up over two sides, there’s no way that’s going to hurt them. Either way you get it, its soul, heft and molten vibe resonate.

Albinö Rhino on Thee Facebooks

Albinö Rhino on Bandcamp

 

Monarch, Two Isles

monarch-two-isles

Not to be understated is the sense of poise that pervades Two Isles, the debut full-length from Encinitas, California, psychedelic progressives Monarch. Delivered via Causa Sui‘s imprint El Paraiso Records — the gorgeous art treatment is consistent with their hallmark style — and produced by Brian Ellis (AstraPsicomagia, etc.), it locks into classically winding turns or melodic flourish with equal ease on side A pieces like the opening title-track and “Assent,” proffering scope but not necessarily pretense. Call it prog in the new West Coast tradition if you must, “Dancers of the Sun” and the more insistent staccato of “Sedna’s Fervor” are dead on either way, and the five-piece of guitarist/vocalist Dominic Denholm, guitarists Nate Burns and Thomas Dibenedetto (see also Joy and Sacri Monti), bassist Matt Weiss and drummer Andrew Ware save their finest showcase for the just-under-10-minute finale “Shady Maiden,” summarizing their liquefied proceedings in more than able fashion, reaching ahead of themselves as the style warrants, and once more proving what might be hypnotic were it not such an active, exciting listen.

Monarch on Thee Facebooks

Monarch at El Paraiso Records

 

Vision Éternel, Echoes from Forgotten Hearts

vision-eternel-echoes-from-forgotten-hearts

Echoes from Forgotten Hearts is the latest EP from Montréal-based solo artist Alexandre Julien, who operates under the banner of Vision Éternel, and it comprises seven brief individual tracks numbered in French as “Pièce No. Un,” “Pièce No. Deux,” etc., of wistful guitar lines and serene dronescapes. The balance that a “Pièce No. Deux” is able to strike by sounding so broad and wide open and yet only being 1:47 is striking, and it makes the release flow together all the more as a work on a single emotional thematic, and while it all only winds up being 14 minutes in total, Julien is able to bring that thematic to life in that time with depth and grace, so that when the relative sprawl of the 3:45 closer “Pièce No. Sept,” takes hold, one only wishes it would go on further. Note this is one of several Vision Éternel offerings joining the playlist this week, and Julien has a boxed set in progress collecting a number of his outings to be released sometime later this year, including, I believe, this one, which originally came out in 2015. Hopefully it’s not long before he follows it with new material.

Vision Éternel on Thee Facebooks

Vision Éternel on Bandcamp

 

Thank you as always for reading and listening.

To see everything that joined the playlist today, please visit The Obelisk Radio.

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Mountain Dust Sign to Kozmik Artifactz

Posted in Whathaveyou on September 20th, 2016 by JJ Koczan

The interwebs went ape this summer for Mountain Dust‘s debut full-length, Nine Years, and I’m not inclined to argue. Based out of Montreal, the band successfully bring classic sounds forward a few decades, establishing a full sound on cuts like “Running Fool,” which you can hear below. I don’t love the artwork, but cartoon tits are getting on my nerves these days — can’t that shit just be over? — but the successful execution of the tracks brooks no disagreement, as further evidenced by the fact that respected German purveyor Kozmik Artifactz has picked up Nine Years for an early 2017 vinyl release.

They sent the following announcement down the PR wire:

mountain-dust-700

MOUNTAIN DUST Signs With KOZMIK ARTIFACTZ Records

Canadian stoner/psych-blues rockers Mountain Dust have penned a European deal with German label Kozmik Artifactz.

The Montreal based band released their debut full length record titled “Nine Years” independently over the summer, but only online and with an extremely limited pressing of CDs. Since its release, “Nine Years” has been making the rounds in stoner rock circles online, and the international orders have become overwhelming for the band.

“None of us were expecting this type of response when we set out to make this record,” said Mountain Dust frontman Brendan Mainville. “After we put the record online we started getting messages from people all over the world asking how they can get our music on vinyl. Who knew the internet was such a powerful place?” joked Mainville. “Being an independent band, we aren’t equipped to handle the demand we’ve been experiencing, so teaming up with Kozmik Artifactz is exciting, and also a bit of a relief.”

When asked about the signing, the folks at Kozmik Artifactz had this to say about the newest addition to their roster, “Looking for a band that will catch your attention in the first 10 seconds? Here you go! This is exactly what happened when we were surfing Bandcamp for good music one day. The voice, the mood, the feeling, the overall sound … Mountain Dust simply blew us away.”

Following an official release in early 2017, Mountain Dust is planning plenty of live performances support their new record. “Running Fool”, the first single from “Nine Years”, can be heard below.

Tracklisting:
1. Evil Deeds 04:26
2. Aveline 04:36
3. Running Fool 04:26
4. Tale of The Red Rain 06:07
5. Dead Queen 08:53
6. Lonely War 04:11
7. Nine Years 07:33

http://www.mountaindustofficial.com/
http://www.facebook.com/mountaindust
http://www.twitter.com/mountaindusty
http://www.instagram.com/mountaindust
http://www.mountaindust.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz/

Mountain Dust, “Running Fool”

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Dopethrone Release New EP 1312

Posted in Whathaveyou on August 31st, 2016 by JJ Koczan

dopethrone-700

Montreal doomscummers Dopethrone have issued a new EP titled 1312 as the follow-up to last year’s blazingly well received Hochelaga (review here) full-length. Unless I’m crazy, the trio were in Europe about a month ago and they’ll be back over there to play Smoke the Fuzz and more, continuing to destroy minds, reap souls, and all that other stuff that riffs do these days, and though likely a stopgap on their way to whatever’s next — more touring? another album? more likely both — fans could do a lot worse. They have a video for “Shot Down,” but frankly, the cover art for the EP is NSFW enough. Only so many titties I’m willing to post per day. Take that, patriarchy.

Oh yeah, and the download is free. From the PR wire:

dopethrone 1312

Montréal’s sludge blues trio DOPETHRONE hit hard once again, with the 100% free release of their new EP “1312” on Riff Dealer Records. This 3-track joint also comes with the intoxicating video for “Shot Down”.

DOPETHRONE’s new EP “1312” was written and recorded in the winter of 2015, and serves as a transition between the band’s largely acclaimed fourth album “Hochelaga” and their next full-length. The video for “Shot Down” features live footage and behind the scenes from the many festivals and clubs they have played in Europe and the U.S this year.

TRACKLISTING:
1. Shot Down
2. Drifter
3. Skag Reek
– Artwork by Alexandre Goulet –

After three records that have knocked out all sludge and doom fans across the globe, Canada’s insane weed-laden trio DOPETHRONE returned in 2015 with their fourth album “Hochelaga” – named after the band’s dodgy neighbourhood in Montréal. “Hochelaga” is simply their most infectious effort to date, which has been widely acclaimed by the international critic. Despite a severe leg injury for guitarist/vocalist Vince that led the band to cancel many shows, 2016 has been a very productive year for the band, who released a split record with US doom merchants Fister and the “1312” EP, as well as bringing their dirty grooves to many European and North America cities through an extensive summer and fall tour.

DOPETHRONE ON TOUR NOW
06.09 – Köln (DE) @ Sonic Ballroom
07.09 – Amsterdam (NL) Winston Kingdom
08.09 – Newcastle (UK) @ Cluny*
09.09 – Edinburgh (UK) @ Studio*
10.09 – Bolton (UK) @ Alma Inn*
11.09 – London (UK) @ Underworld*
17.09 – Athens (GR) @ Smoke the Fuzz Fest w/ Yob, Bongzilla, Sons of Otis…
23.09 – Québec (CA) @ Considered Dead Fest
24.09 – Trois-Rivères (CA)
27.09 – Montréal (CA) @ Katacombes
29.09 – Sherbrooke (CA)
30.09 – Toronto (CA) @ Music For The Masses w/ Sons Of Otis
*w/ GURT

http://dopethrone.bandcamp.com/
https://www.facebook.com/dopethrone.mthell
https://www.instagram.com/dopethroneband/

Dopethrone, 1312 EP (2016)

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The Great Sabatini Touring Europe Next Month

Posted in Whathaveyou on October 14th, 2015 by JJ Koczan

the great sabatini

Montreal noisemaker four-piece The Great Sabatini have announced a European tour set to kick off Nov. 5 that will find them supporting their 2014 third album, Dog Years. The band released Dog Years last June on Solar Flare Records and toured did a similar round of Canadian and US dates to mark its arrival, so they’re nothing if not covering their bases. Next year? Japan! Or maybe a new record or something else, I have no idea. Sometimes I get worried people are going to take me seriously when I say stuff like that. I need a talking-out-my-ass alert.

TOMA: The Great Sabatini announce tour of Martian riverbeds.

Not sure that’s clear enough. I’ll work on it.

In the meantime, here’s the Euro tour info and the Dog Years stream:

the great sabatini european tour

The Great Sabatini announce Europe dates.

Montreal noise rock/sludge/doom outfit The Great Sabatini will be touring Europe next month to help push their latest LP “Dog Years” which was released through France’s Solar Flare Records. Order your copy at www.thegreatsabatini.bandcamp.com

“Hey, here’s a thing we’re doing, called TOUR OF EUROPE, NOVEMBER 2015,” says the band. “We can’t wait for: vegan meals/beers in warm company, places to crash without begging, being told we are way loud most nights, righteous bands and friends we ain’t seen in a couple years, jet lag, drinking in public, tiny fuckin’ coffees that rule, etc. Oh god make it November now please. Poster design by Wurmzilla Art.”

Check the dates below:
11/05-Frankfurt, Germany @ Dreikönigskeller
11/06-Hamburg, Germany @ Astrastube
11/07- Hildesheim, Germany @ Thav
11/08-Vienna, Austria @ EKH
11/09-Budapest, Hungary @ Aurora
11/10-Burcharest, Romania @ Question Mark
11/11-Zilina, Slovakia @ Bullwar
11/12-Neratovice, Czech Republic @ U Nádraží
11/13-Paris, France @ La Mécanique Ondulatoire
11/14-Berlin, Germany @ He Sherer8
11/15-Antwerp, Belgium @ Music City
11/16-London, UK @ Powerlunches
11/17- Leeds, UK @ Chunk
11/18-Mons, Belgium @ Le Bateau Ivre
11/19- Renens, Switzerland @
11/20-Ilirska Bistrica, Slovenia @ Mknz
11/21-Clermont Ferrand, France @Raymond Bar

www.thegreatsabatini.bandcamp.com
https://www.facebook.com/thegreatsabatini
http://www.thegreatsabatini.com/
http://www.solarflarerds.com/

The Great Sabatini, Dog Years (2014)

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