Desertfest Berlin 2018 First Announcements: Monster Magnet, Nebula, Eyehategod, Jex Thoth, Planet of Zeus & The Necromancers

Posted in Whathaveyou on September 25th, 2017 by JJ Koczan

Desertfest Berlin 2018 made its actual first announcement the other day when it unveiled that it was moving from its traditional home at Astra Kulturhaus to Arena Berlin. I’m not familiar with the space, but one assumes the move is at least in part to accommodate the gradual upping of scale that Desertfest as a whole has undertaken over the last few years.

As ever, Desertfest Berlin will apparently share a decent amount of lineup with the London incarnation of the fest, and fair enough — that’s kind of the idea — but in addition to headliners Monster Magnet and the confirmations for EyehategodNebulaJex Thoth and Planet of ZeusDesertfest Berlin 2018 will also feature The Necromancers, who’ve yet to be added to London if they will be at all, and so we see the German event beginning to cast its own shape as well.

More to come, of course. Here’s what came in on the PR wire so far:

DESERTFEST BERLIN ANNOUNCES FIRST BANDS & HEADLINER FOR 2018

Tickets On Sale Now!

Desert rockers! It’s about time to unveil the first bunch of bands for next year’s Desertfest Berlin, which will take place between May 4th – 6th 2018 at the ARENA BERLIN!

Ladies & gentlemen, breath in deep, as this first line-up news will come to revive your spirit: We’re more than thrilled to announce that the Spacelord, Dave Wyndorf will hit our main stage in 2018. MONSTER MAGNET comes as the first headliner we can proudly present to you today! With their hazed heavy sound on groundbreaking records such as ‘Tab’, ‘Spine Of God’, ‘Dopes To Infinity’ or ‘Powertrip’, MONSTER MAGNET transformed themselves into the Olympus of modern power rock and became the godfathers of psychedelic and stoner rock.

More big news are coming ahead, Desert Rockers! We are extremely happy that LA´s legendary psych stoner outfit NEBULA will celebrate their Re Union at our stages!!! Formed in 1997 by Fu Manchu member Eddie Glass, NEBULA have been on indefinite hiatus since early 2010 but have not broken up. We are much looking forward to welcome Eddy Glass and his gang at Desertfest Berlin 2018!

Oh and for all of you dear Sludge rockers, don’t worry we haven’t forgot about you. What about a heavy dose of mighty EYEHATEGOD in 2018? Yes, you have heard right. The kings of Sludge from New Orleans, who emerged from the Nola Metal scene since 1988 belong to the most influencing bands. Heavy, detuned, and bluesy guitar riffs, combined with walls of feedback and tortured vocals to create a harsh misantrophic vibe, EYEHATEGOD will make sure to take over our new home at the ARENA BERLIN!

Next on the bill we’re very proud to inform you, that the queen of darkness JEX THOTH will bring the Doom and Psychedelic Rock as its finest to Desertfest Berlin. Fronted by the eponymous Ms. Jessica Thoth, the Wisconsin- based 5 piece band delivers delicate tones that are soaked in mystery and aura as well as generate astounding depth atop a musical landscape of intelligently constructed Sabbath-ian blues vibes and fuzzy distortion.

Athen’s rumbling heavy rock machine PLANET OF ZEUS will set the stage on fire with their outstanding live performance. Last but not least in this announcement we are welcoming THE NECROMANCERS! This young band from France raised a lot of attention with the release of their outstanding debut album a few weeks ago.

We hope you all like this first bunch of bands and be sure there are many more exciting acts and news to follow soon! In 2018 we will break new grounds and preparing for an unforgettable Desertfest Berlin experience.

Join us in the capital of the almighty riff – DESERTFEST BERLIN 2018!!!

Limited amount of early birds avaialble now!
85 € ( + 7.-€ service fee)

Head over and make sure to get yours right HERE: https://www.desertfest-tickets.de/produkte/150

www.desertfest.de
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Desertfest Berlin 2018 first announcements teaser

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Desertfest London 2018 First Announcements: Monster Magnet, Nebula Reunion, Eyehategod, Jex Thoth, Planet of Zeus, Black Moth and The Black Wizards

Posted in Whathaveyou on September 22nd, 2017 by JJ Koczan

Desertfest London 2018 comes out of the gate with some pretty huge confirmations for next Spring. The fest will feature Monster Magnet headlining and a return appearance from Eyehategod, as well as — just days after they announced their reunion lineup — the reformed heavy psych rockers Nebula. The set at Desertfest London 2018 is the first confirmation from Eddie Glass and company, and I’m thrilled to say I wrote the announcement for that one as well as for Monster Magnet, which I totally scammed myself into doing, citing the New Jersey connection in the process.

Also confirmed for the bill are the doomily delightful Jex Thoth, Greek burl-bringers Planet of Zeus and the also-worthy-of-alliteration-but-really-enough-is-enough Black Moth and The Black Wizards. All told it’s an immediately awesome and varied bill that sets up the fest — to be held from May 4-6 in Camden Town — with multiple avenues for further expansion. And no doubt it will expand, with more lineup announcements to come along with ticket info and all the rest over the coming months as we move into the end of 2017 and the arrival of the New Year.

But one way or another, the season has started. Check it out:

desertfest london 2018

MONSTER MAGNET, NEBULA AND MORE KICK OFF DESERTFEST 2018!

Desertfest aims to get bigger and better every year, and for our 7th edition it’s no different. Ladies and gentlemen, bow down to the Bullgod because Monster Magnet are headlining Desertfest 2018!

That’s right, New Jersey’s finest rock exports, Monster Magnet, are set to steamroll through Camden as headliners of Desertfest. The bona fide stoner psych living legends are approaching three decades of bringing the world acid freakouts and riff rock anthems; freakouts and anthems which, it’s no understatement to say, helped shape the stoner rock scene.

From their boundary breaking psych in early releases to the hard rock stomp through the noughties and their recent return to early influences, Monster Magnet have a knack for putting out iconic albums, before doing it all better live. We were always going to have Monster Magnet play eventually and 2018 is the year it happens. We can’t wait to be part of the biggest singalong in Desertfest history when Powertrip hits.

Joining them are the recently resurrected early stoner kings, Nebula, who return from an eight year hiatus in 2018. Steered by the riffs of Eddie Glass, Nebula tore through the turn of the millennium thanks to releases such as To The Center and Charged; must own LPs for anybody reading these words.

Also on the bill are barons of the Bayou, Eyehategod. Shaped by destruction, the sludge metal heroes have a life beaten coarseness that brings a next level of harshness to their sound. Pioneering sludge with their 1990 release, In the Name of Suffering, Eyehategod’s brutal assault through the nineties is something to behold. Then, after a decade away, the band came back stronger with 2014s self-titled, rawer, angrier and more driven than before. Having smashed The Electric Ballroom to pieces in 2015, Eyehategod are back at Desertfest.

We also have performances from High Priestess of occult rock Jex Thoth, stoner strut from champions of the Greek underground Planet of Zeus, the garage infused sound of Black Moth and the soulful proto-doom of The Black Wizards. Of course, that’s only the beginning. We have dozens of huge bands to announce over the next few months so keep your eyes open.

Alongside that mammoth announcement, tickets are now on sale for Desertfest 2018. As ever, we’re offering affordable hotel and hostel packages, which you can find out about here. Also, for the first time ever, we’re also offering a split payment plan. With our payment plan, you’ll pay half now and half early next year, making it easier to get your ticket for Desertfest 2018. For more info on our payment plan, click here.

It’s going to be another huge weekend in Camden. We can’t wait for you to see what we have in store for our 7th edition of Desertfest.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Monster Magnet, Live in Lakewood, NJ, Oct. 1, 2016

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Monster Magnet, Spine of God & TAB: Quintessential

Posted in Reviews on September 18th, 2017 by JJ Koczan

monster-magnet-spine-of-god

Simply put, Monster Magnet‘s 1991 debut, Spine of God, stands among the best heavy psych records ever made. It might be the single greatest achievement of sonic lysergism the East Coast has ever produced, and even if not, it’s superlative enough that, while it’s on, I can’t think of another to match it. It is an album that could be reissued every year and would still be worth buying, and it earns every bit of hyperbole that can be heaped upon it (and has; previously discussed here). Together with its space-rocking freakout companion-piece, the TAB EP (also often written as 25… Tab, Tab 25 and numerous other variations thereon; the band’s official discography lists it as you see in all-caps), it is a landmark that when originally released through Caroline and Glitterhouse Records helped set in motion not only the stoner rock scene in Monster Magnet‘s native New Jersey that continues to this day and has resulted in groups current and past like CoreSolaceThe Atomic BitchwaxSolarizedHalfway to GoneInfernal Overdrive, and so on.

A full 26 years after its initial release, Spine of God‘s nine original tracks and TAB‘s three still resonate their sleaze and druggy haze — Monster Magnet frontman/founder Dave Wyndorf has said since getting clean he never wrote a song while under the influence, but he’s also the guy who gave the world the line, “It’s a Satanic drug thing — you wouldn’t understand,” so there’s a grain of salt to be taken there — on the new Napalm Records reissue editions, pressed to vinyl and CD. Going by the artwork, general sound of the remasters and inclusion of the “Ozium (Demo)” and “Spine of God (Live)” bonus tracks on Spine of God and TAB, respectively, these are the same versions of the two outings that SPV/Steamhammer issued in 2006, but even that was 11 years ago at this point and, again, it would be hard to consider such a rate of refresher overkill given the quality of the albums themselves. More of a public service.

Roughly concurrent, it’s a matter of some varying opinion which was recorded and released first — then you get into released first where, which is a whole different issue between various labels in the US and Europe — but it’s proper to take TAB and Spine of God together in any case, and one generally thinks of Spine of God as the band’s debut full-length following their 1990 self-titled EP, earlier demos, and the formative tape Love Monster (discussed here), reissued in 2001, as well as other odds-and-ends single-type releases. From the raw, swirling drums effects and dirt-coated fuzz of “Pill Shovel” onward, it is a launch point for an era of Monster Magnet for which much of their fanbase still pines — Wyndorf joined by guitarist John McBain, bassist Joe Calandra, drummer Jon Kleinman and Tim Cronin, who also played drums on “TAB” — and as the opener, it sets the band adrift on a sea of acid, that will solidify and reliquefy throughout the intense push of “Medicine” and the longer “Nod Scene” and “Black Mastermind,” both jammy freakouts marked by vague spoken word parts buried under scorching, layered leads from McBain and a wash of effects, the sounds of inhaled smoke and seemingly whatever else Wyndorf and company could think to throw into the mix.

monster magnet tab

A later cover of Grand Funk Railroad‘s “Sin’s a Good Man’s Brother” is indelibly made Monster Magnet‘s own, but it’s cuts like the subdued, late-’60s melancholia of “Zodiac Lung” and the addled, arrogant threat of the title-track of Spine of God that truly bring to light both the enduring appeal of the band’s rawness at this stage in their development and the accomplishment of songwriting that this record actually is. At over 50 minutes in its original edition (this one is longer, obviously, with the “Ozium” demo included), Spine of God is definitely of the CD era, and its immersion works very much in linear fashion, pushing through “Pill Shovel” and “Medicine” through “Nod Scene” and “Black Mastermind” en route to its moment of arrival in “Zodiac Lung” and “Spine of God” before a back-to-earth, aggressive aftermath of “Snake Dance” and the aforementioned Grand Funk cover lead the way into the closer “Ozium” and the final moment of glorious psych worship of that last cut’s hook. It’s not a minor trip, but another aspect of its execution that keeps Spine of God so relevant is the band’s immediate sense of reach and dynamic. To think of it even this many years later as a first full-length makes it all the more staggering, and it’s one of those rare releases that lives up to the cliché of hearing something new in it each time it’s put on. All the more justification for a reissue.

Though it’s not much shorter in topping 50 minutes, TAB is generally considered an EP, and fair enough, though one might argue that its 33-minute title-track is a long-player unto itself. A massive, swirl-and-churn space rock jam, it unfolds languid and broad over its time, with added percussion, cursing speech and other psychedelic weirdo elements one finds playing out across the likes of “Black Mastermind” and “Nod Scene” as well, and eventually devolves into a wash of stoned-out noise before the 13-minute “25/Longhair,” instrumental apart from what may or may not be some effected vocalizations and rawer in its sound, takes hold as the side B complement. The break between the two parts is clear and happens shortly after eight minutes in, but there’s just about no interrupting the flow at that point, and while “Lord 13” is clearer and more straightforward — and shorter at just over four minutes — it retains the vibe oozed forth by the preceding slabs and holds court as a buried treasure of this era of Monster Magnet still satisfying to those who dig in far enough to find it. It doesn’t have the same kind of thrust as “Medicine” or the fullness of attack of “Snake Dance,” but there’s an underlying tension in its rhythm that satisfying all the same, and with the live version of “Spine of God” tacked on, TAB ties directly to that album even further and emphasizes how well they fit together as one consuming work.

As a setup for what Monster Magnet would go on to do with 1993’s Superjudge and 1995’s Dopes to Infinity before the true takeoff of their commercial ascent with the singles-driven Powertrip in 1998 and God Says No in 2001, never mind the greater impact they had outside the band and the greater impact they continue to have in influencing now multiple generations of bands the world over, Spine of God and TAB are essential works of heavy psychedelia that still manage to excite when engaged despite being more or less burned into the consciousness of the style itself. Spine of God itself nigh on unparalleled, and with TAB in company, the picture it paints becomes even deeper and more complete. There should ultimately be little about either or both of them that needs to be said beyond that, and they should be considered required reading for newcomer listeners to the style and those who’ve perhaps followed Monster Magnet‘s more recent output without truly digging into their past, as well as anybody who’s ever wanted to have their mind blown out through their ears because, yeah, that will happen. It’s hard to overstate how pivotal they are and hard to recommend them vehemently enough.

Monster Magnet, Spine of God (1991)

Monster Magnet, Tab (1991)

Monster Magnet website

Monster Magnet on Thee Facebooks

Monster Magnet on Instagram

Monster Magnet at Napalm Records website

Monster Magnet at Napalm Records webshop

Napalm Records on Thee Facebooks

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Monster Magnet, Brant Bjork, Sasquatch & Lo-Pan to Play Ozzfest Meets Knotfest Preshow

Posted in Whathaveyou on August 1st, 2017 by JJ Koczan

With the prior announcement that Orange Goblin would open the Main Stage as their only US appearance for 2017 and word that High on Fire, Kyng and Tombs would take part on the Second Stage, Ozzfest Meets Knotfest offers a bit of intrigue beyond the sheer commercial enterprise. The initial PR wire release called it “the biggest metal festival in North America ever,” which simply isn’t true either in scope or the audience it’s likely to bring in, but along with others like Psycho Las Vegas, it is emblematic that the growth of US fest culture doesn’t just mean eight or 12 bands getting on stage the same day. These are genuine events coming together and with underground heavy as a part of that — even a minor part, as with Ozzfest Meets Knotfest — I’m intrigued to find out what the next few years bring.

Today’s kickass news? It’s right there in the headline: Monster MagnetBrant BjorkSasquatch and Lo-Pan are playing a special free preshow for Ozzfest Meets Knotfest campers on Nov. 3 before the fest proper starts on Nov. 4. Forgive me for saying so, but as I see it, that’s a stronger lineup than either day of the fest itself offers on the Main Stage — much as I love Orange Goblin. But then, I’ve never been much for Eighteen Visions. In any case, good for Sasquatch and Lo-Pan particularly. I hope all parties involved kick ass and make a lot of money on t-shirt sales.

Just in from the PR wire:

ozzfest-meets-knotfest-kickoff-show

OZZFEST MEETS KNOTFEST

WEEKEND KICKS OFF WITH FREE FRIDAY PRE-EVENT CONCERT FOR ALL WEEKEND CAMPERS

SATURDAY, NOVEMBER 4 (OZZFEST) AND SUNDAY, NOVEMBER 5 (KNOTFEST) AT GLEN HELEN AMPHITHEATER AND FESTIVAL GROUNDS IN SAN BERNARDINO, CA

This year’s OZZFEST MEETS KNOTFEST–Saturday, November 4 (OZZFEST) and Sunday, November 5 (KNOTFEST) at Glen Helen Amphitheater And Festival Grounds in San Bernardino, CA–will once again kick off with a special campers only pre-event concert. The exclusive free Friday, November 3 camping kick-off concert will give campers early access to the campsite, allowing them time to prepare for a night of performances from Monster Magnet, Brant Bjork, Sasquatch, and Lo-Pan. VIP camping lines open at 4:00 PM, general camping load in begins at 5:00 PM. Doors to the Friday night camping kick-off party open at 7:00 PM with live music set to kick off at 8:00 PM.

In addition, beginning Tuesday, August 1 at 10:00 AM (PT) a $99 all in bundle two ticket, two day ticket price is available through Saturday, August 5 at 12:59 PM (PT) for the multi-stage, two-day weekend camping event that will include more than 40 acts.

The OZZFEST MEETS KNOTFEST line-up (as of August 1) is as follows:

OZZFEST
SATURDAY, NOVEMBER 4

MAIN STAGE
Ozzy Osbourne
Prophets of Rage
Deftones
Children of Bodom
Orange Goblin

SECOND STAGES
Kreator
Baroness
High on Fire
Iron Reagan
1349
Havok
Kyng
Tombs
Night Demon
Thrown Into Exile

NUCLEAR BLAST EXTREME STAGE
Possessed
Suffocation
Fallujah
Rings of Saturn

KNOTFEST
SUNDAY, NOVEMBER 5

MAIN STAGE
Rob Zombie
Marilyn Manson
Stone Sour
Eighteen Visions
Prayers

SECOND STAGES
Testament
Life of Agony
Black Dahlia Murder
Upon a Burning Body
Goatwhore
Death Angel
Code Orange
ONI
Stitched Up Heart
DED

NUCLEAR BLAST EXTREME STAGE
Repulsion
Exhumed
Warbringer
Ghoul

www.Ozzfest.com
www.facebook.com/ozzfestofficial
www.knotfest.com
https://www.facebook.com/KNOTFEST/

Lo-Pan, In Tensions (2017)

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Monster Magnet to Release New Album; Spine of God & Tab Reissues Due in Sept. 1

Posted in Whathaveyou on June 30th, 2017 by JJ Koczan

New Jersey legends Monster Magnet will issue a new album before the end of 2017 on Napalm Records. Their next full-length will follow two redux releases that reworked prior material — 2015’s Cobras and Fire (review here), which took on 2010’s Mastermind (review here) and 2014’s Milking the Stars (review here), which expanded on the impulses behind 2013’s triumphant return to weirdness, Last Patrol (review here) — and will be the band’s fifth and reportedly final offering through Napalm.

A release date, title, art, tracks, etc., for the new outing have all yet to be revealed, but hopefully that will be coming soon, and in the interim, Napalm has announced it will also put its stamp on the remasters of Spine of God and Tab that were originally put out during the band’s time on SPV. I recall when those came out they weren’t particularly well received, but I never had any complaints either way. Frankly, any opportunity to go out and buy another copy of Spine of God and I’m a happy man. I can think of few better uses for money than that.

The PR wire brings confirmation of the new record and info on the reissues, which are available to preorder now, vinyl and CD:

 

Monster Magnet release re-issues of “Tab” and “Spine Of God”

1989 marks the year of birth of New Jersey’s spacerock legends MONSTER MAGNET. Three years after their first EP on Glitterhouse, the band released their official debut album “Spine Of God” on Caroline Records, which became a full on genre classic literally in an instant. The original debut album “Tab” was recorded a year earlier then “Spine of God”, but only saw the light of day because of the overwhelming success of its actual successor. The drug hazed heavy sound of both releases helped in cementing MONSTER MAGNET’s reputation of being the only legit descendants of the likes of psychedelic and stoner rock Godfathers Hawkwind, Black Sabbath, and their electrifying punk siblings in MC5. Following those groundbreaking records, the band centered around charismatic master mind Dave Wyndorf went on to issue their first major label release “Superjudge”, followed by critically acclaimed albums “Dopes To Infinity” and “Powertrip”. That’s how MONSTER MAGNET transformed themselves into the Olympus of modern power rock and became legends themselves. The rest is history…

Napalm Records now proudly presents the re-issues of those legendary musical beginnings of this incredible band that no doubt can be considered the founding fathers of Stoner Rock. Both classic albums “Tab” and “Spine Of God” will be released on September 1 worldwide and can be pre-ordered HERE! The albums will be available on vinyl and CD!

MONSTER MAGNET will also release a brand new studio album later this year, so stay tuned for more info!

“Tab” track listing:
1 Tab
2 25
3 Longhair
4 Lord 13

“Spine Of God” track listing:
1 Pill Shovel
2 Medicine
3 Nod Scene
4 Black Mastermind
5 Zodiac Lung
6 Spine Of God
7 Snake Dance
8 Sin’s A Good Man’s Brother
9 Ozium
10 Ozium (Demo Version)

http://www.zodiaclung.com
https://www.facebook.com/monstermagnet
http://www.napalmrecordsamerica.com/store/monstermagnet
https://www.instagram.com/monstermagnetofficial/

Monster Magnet, Spine of God (1991)

Monster Magnet, Tab (1991)

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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Friday Full-Length: Monster Magnet, Dopes to Infinity

Posted in Bootleg Theater on August 26th, 2016 by JJ Koczan

Monster Magnet, Dopes to Infinity (1995)

Have you looked to your orb lately? Of all the warning systems ever designed by humanity, orb-based is probably the most crucially overlooked. Nonetheless, Dopes to Infinity, Monster Magnet‘s third album, is 21 years old. In its and the band’s home state of New Jersey, it could drink legally, though something about cuts like “Dopes to Infinity,” “Negasonic Teenage Warhead,” “Third Alternative,” “Blow ’em Off” and “King of Mars” makes me suspect the record wouldn’t have waited until now to imbibe. Even more than two decades later, Dopes to Infinity is still way more the snotty 14-year-old kid in a way-too-big leather jacket in the woods with a bottle of his dad’s Whatever teasing anyone in the vicinity who sips and is surprised at the taste. I was fortunate enough to see the band perform this album live — though the songs weren’t in the same order, as I recall — in Brooklyn in 2012 with Naam and Quest for Fire on the bill, either of whom could easily be considered an acolyte on some level, and nearly five years after that, the resonant impression remains that this was the moment where the band’s early freakout impulses really began to meet with a more straightforward hard rock style that the band would develop to wider commercial success. Don’t get me wrong, their 1991 Spine of God debut should be considered among the finest East Coast psychedelic records ever tracked — we’re talking Velvet Underground-style pedestal-putting, in a perfect world — but even as “All Friends and Kingdom Come” tripped out, it also kept a sense of hook, and in the years to come, it was that impulse which more fully took hold.

What’s fortunate about that is that Monster Magnet — then Dave Wyndorf on vocals, guitar, bass, percussion, theremin, production, etc., Ed Mundell on guitar and bass, Joe Calandra on guitar and bass, and Jon Kleiman on drums and bass — had the songwriting chops to make landmark choruses seem like tossoffs, like something thrown together over the course of an afternoon. And maybe they were, I don’t know. The point is that although Monster Magnet would eventually become a much different band and be a much different band for a long time on 1998’s Powertrip, 2001’s God Says No and 2004’s Monolithic Baby!, Dopes to Infinity catches a crucial transitional moment in action coming off Spine of God and its 1993 follow-up, Superjudge, also essential. Of course, after 2010’s Mastermind (review here), the band — Wyndorf as the last original member still present — made a stylistic pivot back toward a more psychedelic vibe with 2013’s Last Patrol (review here) and would continue to develop their rediscovered weirdo impulses over the course of two revisionist works, 2014’s Milking the Stars (review here) and 2015’s Cobras and Fire (review here), revisiting Last Patrol and Mastermind, respectively. But even as they made that sonic shift, Dopes to Infinity could easily be said to be the model being followed more even than the two records before it, precisely because of that memorable songcraft one hears coming to the fore on “I Control, I Fly” and the brilliant lyrical proclamations of “King of Mars.”

Monster Magnet toured Europe this Spring “celebrating the A&M years” — A&M Records having released their work between 1993-2001 — and that’s fair enough, but as relevant as Dopes to Infinity still is, Monster Magnet keep moving forward even when looking back on older material. I don’t know what they’ll do at this point other than to say it’s a safe bet they won’t be touring the US anytime soon, but one hopes their progression will continue going into their next record. And I hope they keep getting weirder. We’ll see when we get there.

As always, I hope you enjoy.

Total comedown this week from the first-ever The Obelisk All-Dayer (wrap here) at Saint Vitus Bar in Brooklyn last Saturday. A return to real life that found me working at about 30 percent consciousness until, well, I’ll be generous and say Wednesday. Plenty of good music to help me keep my head up, but yeah. The week dragged and was a drag.

One more time, thank you if you came out to the Vitus Bar for making the day so special. The day had its ups and downs, but in the end it was exactly the vibe I was hoping to capture. I hope I remember it for as long as I can remember anything.

As I write this it’s early Friday morning and the sun is just rising. I can still hear nighttime crickets. It’s nearly 6AM now; I’ve been up since about four. I’ve been going to bed early at night and getting up early to write reviews and posts like this on weekdays, and it’s helped me keep sane during the work week and try to balance job things and Obelisk things in a way that might otherwise prevent my head from exploding. Doesn’t do much for my ability to get to shows generally — I’m 34 years old and can’t wait for that midlife crisis to kick in so I can start going out again to non-fest gigs — but I’m doing what I can to write as much as possible. That’s what matters to me.

The Patient Mrs. is going south to Connecticut this weekend. I am not. Aside from the fact that it’s August and that’s not exactly my idea of beach weather — I recognize this does not apply to the rest of humanity — I think a quiet Saturday in the air conditioning will go a long way toward continued recovery from last weekend and this week. Plus there’s laundry to do. It just seemed like the way to go. So yeah, I’ll be around. I’m sure by Saturday night/Sunday morning I’ll be so bored out of my head I won’t know what to do with myself. That’s the hope, anyway.

Next week, look out for a full stream and review of the Swans-related record from Quin Galavis that’s noisy and folky and bizarre in a lot of the right ways, as well as a review/video premiere (a rare one-two combo) of the new Monkey3 album, a review of the new and apparently final The Wounded Kings full-length, and a whole lot more. I’m also hoping to nail down my travel plans to Norway next month for Høstsabbat, and will keep you posted on how that goes.

In the meantime, thank you for reading. Please have a great and safe weekend and please check out the forum and the radio stream.

The Obelisk Forum

The Obelisk Radio

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H42 Records Releasing Desertfest London Split with Monster Magnet and Raging Speedhorn

Posted in Whathaveyou on February 3rd, 2016 by JJ Koczan

Since it was first announced the other day, I’ve been squinting my eyes at what were purposefully-blurred out logos of the two bands taking part in H42 Records‘ second annual Desertfest London split single, but today I’m happy to announce that it will be UK sludge aggressors Raging Speedhorn and New Jersey heavy psych legends Monster Magnet teamed up for the release. Art is a switched up form of the cover for last year’s Sons of Alpha Centauri and Karma to Burn split by Alexander von Wieding, preorder info is still to come, and the release is out April 29, which also happens to be the night Desertfest London 2016 kicks off.

Long defunct, Raging Speedhorn will include the track “Halfway to Hell,” which was also released as their first 7″ since reuniting, and Monster Magnet contribute “Hallucination Bomb,” presumably the version that appeared on last year’s excellent Cobras and Fire (review here), though I don’t have confirmation of anything other than that the songs will be included in some form.

The 7″ will invariably be limited to some small number yet to be revealed, and it’ll be available exclusively at Desertfest. More info follows from the PR wire:

desertfest-split-monster-magnet-raging-speedhorn-cover

NEW DESERTFEST LONDON 7″-SINGLE 2016 ANNOUNCEMENT

In 2015 H42 Records started the cooperation with the DESERTFEST LONDON with the split single Six/66 by KARMA TO BURN and SONS OF ALPHA CENTAURI:

2016 Festival line-up is complete and just around the corner and H42 Records are working hard on the new Festival 7″ Part 2. To provide a unified art we choose the old art but a bit modified! Responsible for the art is once again the great Alexander von Wieding (www.Zeichentier.com).

Once again we were able to win two grandiose bands: The Saviours of British Metal meets a psych-rock whirlpool from the USA! The single will be released again in very limited quantities available at the DesertFest London and H42 Records!

Tracklisting:
Raging Speedhorn – Halfway to Hell
Monster Magnet – Hallucination Bomb

Release is 29th April (DesertFest London). Presale date and editions info coming later in February/March.

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Raging Speedhorn, “Halfway to Hell”

Monster Magnet, “Hallucination Bomb”

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