audiObelisk Transmission 043

Posted in Podcasts on December 23rd, 2014 by JJ Koczan

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Since I don’t do theme podcasts or anything, the thoroughly unofficial subtitle of this latest one is “SOME of the Best of 2014.” Truth be told, it’s four hours long and I feel like I barely scratched the surface, so definitely the emphasis should be on “some.” By no means is it meant to be comprehensive, or am I claiming that it’s all the best and the rest sucked or anything like that. But some of the best stuff is here, so, you know, I hope you enjoy.

My intent was to make it three hours long, and then I got there and it just didn’t feel done without another hour’s worth of extended psych jams. That’s an odd habit to have. Could be worse. For what it’s worth, I was thinking of this as a companion for some of the year-end coverage that’s already been posted and is still to come. Some of this was inspired by picks from the Readers Poll, the submissions for which are still open. If you haven’t added your list yet, I’d greatly appreciate it.

And once again, hope you dig it:

First Hour:
YOB, “Nothing to Win” from Clearing the Path to Ascend
Fu Manchu, “Radio Source Sagittarius” from Gigantoid
Radio Moscow, “Death of a Queen” from Magical Dirt
The Golden Grass, “Stuck on a Mountain” from The Golden Grass
Monster Magnet, “No Paradise for Me” from Milking the Stars: A Reimagining of Last Patrol
Pallbearer, “The Ghost I Used to Be” from Foundations of Burden
The Skull, “Sick of it All” from For Those Which are Asleep
Electric Wizard, “Time to Die” from Time to Die
Orange Goblin, “The Devil’s Whip” from Back from the Abyss
Moab, “No Soul” from Billow

Second Hour:
Sleep, “The Clarity” from The Clarity 12”
Mars Red Sky, “Hovering Satellites” from Stranded in Arcadia
Floor, “Rocinante” from Oblation
Slomatics, “And Yet it Moves” from Estron
Conan, “Foehammer” from Blood Eagle
Druglord, “Feast on the Eye” from Enter Venus
Apostle of Solitude, “Die Vicar Die” from Of Woe and Wounds
Pilgrim, “Away from Here” from II: Void Worship
Blood Farmers, “The Road Leads to Nowhere” from Headless Eyes

Third Hour:
Lo-Pan, “Regulus” from Colossus
Elephant Tree, “Vlaakith” from Theia
The Well, “Mortal Bones” from Samsara
Lucifer in the Sky with Diamonds, “Counting Time” from The Shining One
Brant Bjork and the Low Desert Punk Band, “Stokely up Now” from Black Power Flower
Joy, “Driving Me Insane” from Under the Spell of Joy
Greenleaf, “Depth of the Sun” from Trails and Passes
Mothership, “Priestess of the Moon” from Mothership II
Truckfighters, “Get Lifted” from Universe
Mos Generator, “Enter the Fire” from Electric Mountain Majesty
Mammatus, “Brain Drain” from Heady Mental

Fourth Hour:
Øresund Space Collective, “Beardlandia” from Music for Pogonologists
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One
The Cosmic Dead, “Fukahyoocastulah” from Split with Mugstar
Montibus Communitas, “The Pilgrim to the Absolute” from The Pilgrim to the Absolute

Total running time: 4:02:57

 

Thank you for listening.

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Monster Magnet, Milking the Stars: Second Launch

Posted in Reviews on November 4th, 2014 by JJ Koczan

monster-magnet-milking-the-stars

For Monster Magnet fans, there are two things to like about Milking the Stars: The concept and the execution. The long-running New Jersey outfit seemed to be making a turn to come full-circle on 2013’s Last Patrol (review here), bringing in a more psychedelic feel for the first time in over a decade, not quite trying to recapture their brilliance in early albums like 1991’s Spine of God, 1993’s Superjudge and 1995’s Dopes to Infinity, but definitely making a departure from the hard rock sound they’d developed since then on 1998’s landmark Powertrip, 2001’s God Says No, , 2004’s Monolithic Baby!, 2007’s 4-Way Diablo, and 2010’s Mastermind (review here), their sound becoming more straightforward and — though the 2010 outing was probably the “biggest” they’ve ever come across on tape — increasingly formulaic. Last Patrol boldly turned that progression on its head, daring to brood on songs like “Paradise” and “I Live behind the Clouds” and jamming out righteous wah-soaked space rock on “Last Patrol” and the driving “End of Time.” Particularly for those who’d been longing for such a step from the band, it was the best Monster Magnet outing in 15 years’ time and one of the highlight releases of 2013. With Milking the Stars (out on Napalm Records), the full title of which is Milking the Stars: A Reimagining of Last Patrol, frontman, founder and principal songwriter Dave Wyndorf pushes himself further into satisfying a weirdo trippy impulse, reworking cuts and including material not included on the original Last Patrol to get something new from them and create a record that, even if you didn’t hear the first one, stands on its own, its John Sumrow cover art dogwhistling its companion status to the album before it.

The reason I say the concept should be pleasing to Monster Magnet fans is because what it shows is that Wyndorf — joined at this point in Monster Magnet by guitarists Phil Caivano and Garrett Sweeney, bassist Chris Kosnik (who makes his recorded debut with the band on a couple live bonus tracks), and drummer Bob Pantella — is not only in a place feeling creative enough to take on the material of Last Patrol and give it a thorough screwing with, which is something that’s never been done before in Monster Magnet‘s 25-year history, but also that he’s making it weirder. Some of Milking the Stars‘ cuts, like “End of Time (B-3)” and “I Live behind the Clouds (Roughed up and Slightly Spaced)” don’t depart as much from their original incarnations — though neither will I downplay how much of a game-changer that Hammond is on “End of Time” — but in “No Paradise for Me” Wyndorf takes the moody original to a more open-sounding place and changes the lyrics to more directly address his disappointment with pop modernity: “I guess I’ll have to make up what I want to see.” And so he does. That’s basically what this album is, but that only makes it a more honest work. Opener “Let the Circus Burn” (also the longest cut at 7:26; immediate points) tweaks, slows down and spaces out the original “Last Patrol,” and “Mindless Ones ’68” pulls back on the heavy rocking original for a more garage-rock interpretation, bright lead guitar forward in the mix, tambourine and organ taking the place of snare stomp and a wailing solo. The title-track, “Milking the Stars” was left off Last Patrol and it’s easy enough to speculate why. At 7:26, it would’ve pushed that album to nearly an hour long, and while it has an effective linear build and might’ve bridged a gap between “End of Time” and “Last Patrol” and some of that record’s shorter, more verse/chorus-minded cuts, it makes a better focus cut than secondary player, even if its title can give the idea that the band are simply “milking” their last album for more material — a notion that no doubt occurred to them in picking the title and was taken on with tongue in cheek.

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And as for the execution, while I’m not prepared to say Milking the Stars is a better or worse album than Last Patrol — the two are best considered in league with each other — several of the songs are markedly improved here from their originals. “Hallelujah (Fuzz and Swamp)” even more calls Larman Clamor to mind in its blown-out revivalism, “Stay Tuned (Even Sadder)” lives righteously up to its parenthetical, and the drum track and extra guitar that appear in closer “The Duke (Full on Drums ‘n’ Wah)” give that song a personality beyond what one could’ve expected from the first incarnation. Not only are these particular cuts well conceived, but the reality of the listen proves just as satisfying as the idea, and Milking the Stars works as a whole front-to-back listen, rather than a collection of one-off reinterpretations, like a remix record or something. It’s not that. “Reimagining” sounds ambitious, but it’s as close to the fact of what’s taking place here as anything I can come up with, and works all the better perhaps in conveying the adventurous spirit behind the motivation in making the album in the first place. Last Patrol was a brazen step, but Milking the Stars makes it seem like just the beginning of a new phase in Monster Magnet‘s ongoing evolution. As someone who’s a fan of the band, and a fan of Last Patrol, it’s all the more exciting to think that Wyndorf and company might approach songwriting with such an anything-can-happen creative sensibility a quarter-century on from the group’s start. It makes the prospects for where they might go next all the more vast, considering if they can take on Last Patrol and remold it into Milking the Stars, there’s really no telling where they might go from here. All the better. What seemed like it might’ve been Monster Magnet‘s final round looks instead to have become the catalyst for a new phase in their career, and my only hope is they keep getting weirder from here on out.

Monster Magnet, “No Paradise for Me”

Monster Magnet on Thee Facebooks

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Monster Magnet to Release Milking the Stars: A Reimagining of Last Patrol on Nov. 18

Posted in Whathaveyou on September 10th, 2014 by JJ Koczan

monster magnet

There really isn’t a word for what Milking the Stars is in relation to Last Patrol. “Reimagining,” which is what they went with in the title, comes about as close as anything I can think of, but really what Monster Magnet are doing here goes beyond simple reinterpretation. It’s not like they’re just playing fast songs slow or heavy songs acoustic or vice versa, they’re tripping way the fuck out and giving a glimpse at just how liberated these cats are after making their “return” to heavy psychedelia. So the version of “The Duke (of Supernature)” on Last Patrol (review here) was kind of sweet and subdued? Well here’s Bob Pantella‘s snare drum to punch you in the face. “Mindless Ones” was a hard rock rager? Well here it is as echoed-out psych pop. Oh, let’s absolutely drench “End of Time” in Hammond! It’s like listening to Dave Wyndorf‘s studio impulsiveness come to life.

The pivotal New Jersey five-piece will release Milking the Stars: A Reimagining of Last Patrol on Nov. 18 through Napalm Records, complete with a new cover (you’ll notice the cosmic Bullgod is facing the opposite direction as on Last Patrol as he destroys whichever planet that was, probably ours) by John Sumrow. The title-track is also brand new, put to tape during the Last Patrol sessions, and other parts have been re-recorded as needed. Also worth noting that the two live bonus tracks are the recorded debut of bassist Chris Kosnik (The Atomic Bitchwax) in the band.

PR wire facts, comment from Wyndorf and audio of “No Paradise for Me” — a reworking of Last Patrol‘s “Paradise” — follow:

MONSTER MAGNET to Release Milking the Stars: A Reimagining of Last Patrol – Artwork, Track Listing and First Song Revealed

Available November 18th on Napalm Records

2013 saw the release of MONSTER MAGNET’s latest album Last Patrol. Now comes Milking the Stars a reimagining of Last Patrol. Met with critical acclaim and supported by a world tour, Last Patrol has become a staple in the MONSTER MAGNET discography.

Today the artwork, track listing and first song from Milking the Stars have been released. Wyndorf’s pick for the first song he wanted fans to be exposed to is “No Paradise For Me”. The song according to Wyndorf is ‘interesting, fucked up and old school sounding’. Listen to “No Paradise For Me” HERE.

Wyndorf on Milking the Stars:

“Milking the Stars is a “re-imagined” version of Last Patrol featuring four new songs and live tracks.

“This was a happy experiment for me. It’s not a re-mix record by the current definition. It’s more like Last Patrol in a “what if?” style alternate reality.

“What if these songs were recorded in 1968?” “What would happen if I turned a pretty song into an angry one?” How would adding creepy organs and Mellotrons affect the emotional vibe of a song?” These are just a few of the questions that roll around in my head when I write and record any album but this time I decided to actually answer them with fully fleshed out, recorded and mixed examples.

“The process actually created new songs. That’s the icing on the cake for me. New sounds, new vocals, different instruments and arrangements make for a weird 1960’s vibe totally apart from Last Patrol which was fun for Phil, Bob, Garrett, mixer Joe Barresi and myself to explore.

“Finally there’s expanded versions of the songs “Last Patrol” and “Three Kingfishers” as recorded live at the AB club in Belgium, 2014. Both those songs were re-arranged for “maximum rock and psych” before we hit the road last year and feature the debut performance of new MAGNET bassist, Chris Kosnik. Personally, I think they beat the original versions.

Rock on!”

Milking the Stars Track Listing:
1. Let the Circus Burn
2. Mindless Ones ‘68
3. No Paradise For Me
4. End of Time (B-3)
5. Milking the Stars
6. Hellelujah (Fuzz And Swamp)
7. I Live Behind The Clouds (Roughed Up And Slightly Spaced)
8. Goliath Returns
9. Stay Tuned (Even Sadder)
10. The Duke (Full On Drums ‘N Wah)
11. Last Patrol (Live)
12. Three Kingfishers (Live)

For More Info Visit:
http://www.zodiaclung.com
https://www.facebook.com/monstermagnet
http://www.napalmrecords.com

Monster Magnet, “No Paradise for Me”

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