They may share the album title Into the Sun with Texan rockers Dixie Witch, but Gothenburg-based four-piece Molior Superum are nothing if not of their environment. The youngins have their hearts in the right place, though, blending the ’70s grooves for which their native Sweden has developed such a consuming fetish of the last decade or so — to the benefit of all, I’d argue — with more straightforward stoner influences, both ’90s-derived and the modern incarnation of desert-styled rhythm-making. In fact, the closest comparison I can make, particularly as regards the vocals, is to the British act Stubb, whose “Soul Mover” cadence seems to find reinterpretation on Into the Sun opening cut “Decibel Grand.”
Self-released and with a vinyl issue reportedly forthcoming, Into the Sun follows last year’s Towards the Haze digital single, and two of the songs on that release — namely “Towards the Haze” and the bluesy “Plainrider” — show up here as well on the recording helmed by guitarist Kalle Lilja of retro specialists Långfinger, alongside the lasting impressions left by the fuzz boogie of “Sad Man’s Boogieland” or the Swedish language “Snygg och Stark,” which deepens the call and response arrangement between guitarist Carl Isaksson, bassist Lars Sandström and drummer Jens Fuglede (or some combination of them, anyway), all of whom provide vocals throughout the course of the record.
Molior Superum is rounded out by guitarist Oskar Öberg, and though they’re young, they seem to present a clear idea across Into the Sun of what they want to sound like, so unless they change their minds (always possible), they make a decent complement for bands like Mamont, Mud Walk, Deville, Skraeckoedlan, Snailking and others up and coming from Sweden’s next generation of heavy rock-influenced acts. The entirety of Into the Sun is streaming now at Molior Superum‘s Bandcamp page (the band is also on Thee Facebooks here), from which I snagged the player below: