Lavamoth Post Video for “Moving On”

Posted in Bootleg Theater on August 2nd, 2016 by H.P. Taskmaster

lavamoth-(Photo-by-Chris-Lawrence)

It’s very true that Detroit trio Lavamoth could’ve just made a regular old performance video — three longhair dudes in a room playing a song but not really playing it while maybe the camera changes a couple times. They went a different route. Yeah, they’re rocking out in their new clip for “Moving On,” but they’re doing it in a spaceship after being beamed off the surface of the planet and jumping to light speed. I don’t know what video game they got that background from, but they make the most of it and I’m sorry, but watching the stars go by while they play really only adds charm to the straight-ahead heavy rock they’ve got on offer.

You might recognize guitarist/vocalist/synthesist Kevin Edwards and drummer Mick Stone from 500 ft. of Pipe, who had three records out between ’97 and ’03 before going the way of most of the pre-social media generation of second wave (maybe third wave?) stoner rockers. They’re joined by bassist Wayne Crouton of metallers Shotgun Logic, and the groove is right on from the start. I don’t know if they’ve got an album together or a demo or an EP or a split or any other kind of release, or if it’s just this single for now, but the track was cool and the video was right on, and I don’t really need much more than that to go on at any given point.

Thanks to Chris Taylor of Blue Snaggletooth for the recommendation on this one.

Enjoy:

Lavamoth, “Moving On” official video

LAVAMOTH’s video for “Moving On” teleports them on a journey through time and space at hypersonic speeds…They Rock there way through the galaxy and beyond…(c) 2016 The High Clopse Music BMI

Fuzzed-out,anthemic guitar riffs,combined with tribal,pounding drum and bass. Stoner Rock songs about space and time travel,messed up dope deals,dirty cops, and life in Detroit…Former members of Detroit’s own 500 Ft. Of Pipe & Shotgun Logic…laying down some new tracks to melt your brains…

Kevin Edwards~ Guitar/Vocals/Moog Synth
Mick Stone~ Drums
Wayne Crouton-Bass

Lavamoth on Thee Facebooks

Lavamoth on YouTube

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BoneHawk & Kingnomad, The Second Coming of Heavy — Chapter Three: Carousers and Revelers

Posted in Reviews on August 1st, 2016 by H.P. Taskmaster

the-second-coming-of-heavy-chapter-three-bonehawk-kingnomad

It would seem that as Ripple Music‘s split series presses forward in number it’s doing likewise in sound. As well it should. The Second Coming of Heavy — Chapter Three once again brings together two acts on a single LP, two bands in the earlier stages of their career but who each seem to be working toward making a stylistic mark.

Topped off as were the prior editions (and reportedly all those still to come) with artwork by Joseph Rudell and Carrie Olaje, this next installment in the ambitiously-titled run pairs Michigan heavy rockers BoneHawk and Swedish semi-cultist harmonizing newcomers Kingnomad, who represent the biggest geographic leap The Second Coming of Heavy has yet taken — they’re the first non-US band to be featured — and a coinciding stylistic shift, nestling as they do into a storytelling laid back fuzz never quite given to boogie rock, but definitely taking some cues from that scene as well as garage doom, finding a place between the two almost immediately and residing there comfortably until the jammy trip-out on closer “The Suicide King.” For them, this represents the first physical release they’ve had since getting together, and for BoneHawk, their four songs here provide a follow-up to their well-received 2014 debut LP, Albino Rhino, of which Ripple also did a pressing earlier this year.

The two bands share little in common tonally or conceptually apart from a basic affinity for riffs, but those who’ve followed The Second Coming of Heavy through its first two chapters with Geezer and Borracho (review here) and Supervoid and Red Desert (review here) should come into this matchup with fairly open expectations. Thus far, Ripple has done well in finding complementary but still distinct acts.

Prior to this, BoneHawk issued a Spring 2016  7″ honoring Thin Lizzy, and right at the start of their first track on side A, “The Scout,” that vibe comes through in the dual guitars Matt Helt (also vocals) and Chad Houts (also backing vocals), who are joined in the immediate bounce and shuffle by bassist Taylor Wallace and drummer/backing vocalist Jay Rylander, though their tones are of course thicker and more purposefully fuzzed, and they owe perhaps more of their raucous, party-style vibe to Red Fang. That’s an easy tag these days for upbeat heavy rock bands, and I think Red Fang‘s reach is still expanding, but it’s by no means the end of the story for BoneHawk, who cast their identity in the classic rock interplay of guitar and remind of the also-predatory-fowl-minded Virginian troupe Freedom Hawk on second cut “Fire in the Sky,” which slows the roll from the opener a bit in order to bask in a smooth nod that comes not at the expense of a hook, but rather to enhance it.

bonehawk kingnomad

In terms of tempo, they play this back and forth twice, and in doing so demonstrate a clear attention to presentation that I would imagine extends to their live show as well. Either way, “Los Vientos” — driven by Rylander‘s creative drumming — revives the forward momentum of the opener while stepping away a bit from the party vibe of the opener, the energy of which is maintained through pacing but not necessarily mood. “Aurora,” their six-minute finale, starts with an introductory bassline from Wallace and digs into a fluidity marked by toy piano flourish in its chorus and and a funky groove in the second half that gives way to double-guitar freakery deftly brought back to earth before the ending fade.

An aesthetic shift is quick to perceive as Kingnomad‘s “Lucifer is Dead” lurches to life with warm-toned fuzz, laid back roll and vocals one might be tempted to call shoegazing were they not so intricately harmonized. They craft a hook around the title-line, and the song, which the band — guitarist/vocalist Mr. Jay, bassist Maximilian, guitarist Marcus and drummer Mr. N — has stated was the first thing they wrote together, explores these textures somewhere between Dead Meadow and the eerie melodicism of Ghost, but brings something rawer to it as well in the shuffling second half of the track and on the trippier fuzz of “Sibylline Oracles” as well.

More developed in terms of the two guitars working together, “Sibylline Oracles” also brings in an organ and ends with acoustic strum, so the growing reach of the band becomes evident barely 10 minutes into their half of the split, which can only serve them well going forward. “God of Stone and Sand” revels in its spacious tonality and imbues a classic stoner riff with a sense of individualized personality thanks to more harmonies in the vocals, while “The Suicide King,” as noted, steps back to let a jammier, more psychedelic feel take hold. Like BoneHawk before them, Kingnomad have crafted an easy flow to their portion of the LP, and much to their credit as a new band, they don’t give into the cliche of having “The Suicide King” set up for a linear build, showing patience and a will to let their songs go where they want to go.

Easy to get why Ripple would include both bands as they seek to expand the definition of the “heavy” whose coming they’re heralding, and as The Second Coming of Heavy — Chapter Three rounds out, one looks forward even more to the next collection for the increase in scope this one represents. This second coming — and I’ve quibbled about the numerology in each of these reviews so far, so you’ll pardon me if I skip it this time — is only growing more multifaceted, like heavy rock itself.

BoneHawk & Kingnomad, The Second Coming of Heavy — Chapter Three (2016)

BoneHawk on Thee Facebooks

BoneHawk on Bandcamp

Kingnomad on Thee Facebooks

Kingnomad on Bandcamp

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Ripple Music on Bandcamp

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Bison Machine Premiere “Cloak and Bones” Video

Posted in Bootleg Theater on July 20th, 2016 by H.P. Taskmaster

bison machine-700

“Cloak and Bones” is the first song to be made public from Bison Machine‘s impending sophomore LP. The album doesn’t yet have a name, but apparently it’s at least partially recorded. Whenever it comes out, it will serve as the follow-up to 2015’s debut full-length, Hoarfrost (review here), initially self-released and subsequently picked up by Kozmik Artifactz for physical issue. They also had two tracks out earlier this year on a split with Wild Savages and SLO called Sweet Leaves! Volume One (review here), but the new record will be the first album put together since guitarist Casey O’Ryan (also Wild Savages) joined the band.

I wouldn’t expect “Cloak and Bones” to represent the entirety of Bison Machine‘s second long-player, but there are a few things we can clean from listening to it, most of all that the band has continued to progress since Hoarfrost was released. “Cloak and Bones” feels less directly influenced by heavy ’70s-style rock, but still benefits from an undercurrent of boogie behind its quick pace. A shuffle in fast-forward — not quite Motörheadian, but not far off from The Atomic Bitchwax-style winding — the song moves through six minutes without losing its momentum, and O’Ryan, vocalist Tom Stec, bassist Anthony Franchina and drummer Breck Crandell sound duly locked into the rhythm while still offering a hook along their speedy way.

The video shows the band getting raucous in a variety of settings, including their own Burnin’ Turf fest/gathering in their native Michigan, held last month with a 2017 edition already brewing. And speaking of brewing — master of the segue! — there’s also a Bison Machine beer in the works from Oliver Brewing Co. for those of a drinkly persuasion, which will be available at their July 30 show with Castle and Brimstone Coven, and about which you can read more following the video below.

Please enjoy:

Bison Machine, “Cloak and Bones” official video

Bison Machine is proud to debut the video for their new single ‘Cloak & Bones’, This is the first track released off of their yet to be titled second album. Bison Machine has acquired a new guitarist since the release of ‘Hoarfrost’. Casey O’Ryan (Wild Savages, Blue Snaggletooth) has added a new dynamic to thebison machine july 30 show-700 band and they have hit the ground running with multiple Midwest tours and plans on heading out further in the near future.

While currently working on their second album, Bison Machine has also been busy promoting and organizing ‘Burnin Turf’, a Chopper/Vanner gathering in the northern tip of “the thumb” in Ruth MI. This first year brought bands from around Michigan and beyond. Bonehawk from Kalamazoo MI, Grand Mammoth from Dayton Ohio and Wild Savages from Ypsilanti MI joined the Bison dudes for what turned into a night of cycle savagery and heavy vannin’. Next year’s event looks to expand on an already perfect formula of Midwestern riffs and rust. Footage from this year’s event was included in the music video.

In addition to the video, Bison Machine is also pleased to announce thatbison machine beer they have teamed up with Stephen Jones at Oliver Brewing Company in Baltimore for the release of a Russian Imperial Stout that Oliver Brewing Co was gracious enough to name after our track, “Speed of Darkness” While this brew is limited to OBC’s distribution channels, the band will have a number of bottles available at their next hometown show with Castle (SF), Brimstone Coven (OH) and Detroit shredders, Anguish.

Expect a November tour announcement in the near future…

Bison Machine on Bandcamp

Bison Machine on Thee Facebooks

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BoneHawk Announce West Coast Tour

Posted in Whathaveyou on July 7th, 2016 by H.P. Taskmaster

bonehawk-700

Michigan heavy rockers BoneHawk have announced their first tour of the West Coast, set to start July 15 in Chicago as they make their way out and toward Portland, Oregon, before swinging south and back around to finish curiously far away from where they started, in Nashville, Tennessee. They go supporting two new offerings, a Thin Lizzy tribute vinyl and a split with Sweden’s Kingnomad recently released as part of Ripple Music‘s The Second Coming of Heavy series (review pending). They’re keeping good company along the way in Ripple compatriots Blackwülf and the run includes a stop at Summer Spell IV in San Bernadino, where they’ll join The Great Electric Quest, Red Wizard, Desert Suns and others.

Dates and info came down the PR wire:

bonehawk-tour-poster

BoneHawk – West Coast Shows, New Split LP & More!

It is our most devious pleasure to announce Kalamazoo, Michigan’s BoneHawk will be hitting the hot pavement for their first ever, extensive West Coast tour (from July 15-July 30)! This coming on the heels of Hornacious Wax’ release of their “Southbound – a Tribute To Thin Lizzy” 7” EP and Ripple Music’s “The Second Coming of Heavy – Volume III” split LP with Sweden’s Kingnomad.

BoneHawk released their “Albino Rhino” album on vinyl only on Hornacious Wax Records in October 2014 to much acclaim, selling out 2 pressings quickly. The record is on its third pressing of wax and saw worldwide issue on compact disc on Ripple Music in April of this year, garnering new listeners in the process. But the band has toured extensively as of yet (responsibilities can be a bummer sometimes, right?!)…until now! And we’re glad to announce they’re bringing their high energy, fuzzed out, guitar harmony soaked live show to the West Coast this July!

“We’re super stoked that we were able to sell so many copies of ‘Albino Rhino’ on our own,” guitarist Chad Houts said. “But it’s been almost 2 years since we released it, so we’re even more stoked by the ‘Second Coming’ split LP (on Ripple Music) and the Thin Lizzy tribute – both of which have led us to get off our asses and out on the road!”

“We plan on getting out of Michigan a whole lot more through the rest of this year and into next year,” guitarist/vocalist Matt Helt added. “Touring has been a long time coming for us, and we hope to have a new record out next Spring and more touring to go with it.”

The band will have plenty of wax with them on tour (probably most of it in their ears, so speak loudly)! Please follow along with them on all social media, if you’re so inclined (listed below for your convenience).

Behold BoneHawk’s July 2016 West Coast tour:

-Friday, July 15 @ the Township in Chicago, IL w/Bionic Caveman and Thee Arthur Layne
-Saturday, July 16 @ Lefty’s in Des Moines, IA w/Office & Sundog
-Sunday, July 17 @ Cowboy Saloon in Laramie, WY w/Bondurant
-Wednesday, July 20 @ the Liquor Store in Portland, OR w/Pseudoboss & Old Kingdom
-Thursday, July 21 @ the Hemlock in San Francisco, CA w/Blackwulf & the Living
-Friday, July 22 @ the Tower Bar in San Diego, CA w/Archons, Loom & Beira
-Saturday, July 23 @ Summer Spell IV @ the Office Saloon in San Bernardino, CA w/ Red Wizard, the Great Electric Quest, Desert Suns & many more
-Monday, July 25 @ Strangers in El Centro, CA
-Tuesday, July 26 @ Yucca’s in Phoenix, AZ
-Wednesday, July 27 @ Depot O’Bar in Lubbock, TX
-Thursday, July 28 @ Hi-Tone’s in San Antonio, TX w/Lawman & the Bolos
-Friday, July 29 @ the Grotto in Fort Worth, TX w/Southern Train Gypsy
-Saturday, July 30 @ the Young Avenue Deli in Memphis, TN w/Stone Rangers (members of Heavy Eyes) & Native Blood

https://www.facebook.com/bonehawkkzoo/
https://www.instagram.com/bonehawk_band/
https://twitter.com/bonehawkmusic
http://bonehawk.bandcamp.com
http://bonehawk.bigcartel.com

BoneHawk & Kingnomad, The Second Coming of Heavy: Chapter Three (2016)

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The Second Coming of Heavy — Chapter Three out June 24

Posted in Whathaveyou on May 16th, 2016 by H.P. Taskmaster

Ripple Music is keeping pace with its split series The Second Coming of Heavy. The second installment — or chapter, as it were — included cuts from Supervoid and Red Desert (review here), while the first paired Geezer and Borracho (review here). For the third, it’s Sweden’s Kingnomad and Michigan good-timers BoneHawk doing the honors, and the limited-run LP (300 copies) will be released June 24. I don’t know if Ripple‘s plan is one per year, two per year or “as often as we feel like,” but they’re working at a good clip to get through the series, which last I heard was going to have 10 installments, all of them already booked.

Info from the PR wire on The Second Coming of Heavy — Chapter Three follows, as well as tracks from Kingnomad (who I hadn’t heard before but sound awesome) and BoneHawk (less of a surprise, but still cool), which you can stream:

the second coming of heavy chapter iii kingnomad bonehawk

The return of Ripple Music’s The Second Coming Of Heavy; Chapter III | New split album from BoneHawk and Kingnomad

The Second Coming Of Heavy; Chapter III is released on vinyl on 24 June 2016

Already recognised as one of the world’s leading purveyors of Rock ‘n’ Roll, Stoner, Doom and Heavy Psych, Ripple Music upped the ante in 2015 with the arrival of one of the year’s most ambitious projects, The Second Coming Of Heavy.

Serving as an ongoing showcase for some of the best and heaviest bands emerging from the underground, each instalment shines a light on those worthy of your attention. Consisting of one, 12” slab of multicoloured vinyl with full colour sleeves and inserts, the series is designed to be saved and treasured, like a fine anthology of books. So much so, when the albums are filed next to each other, the complete collection of aligned spines forms a mind-blowing image direct from the underground.

Following on from the series’ first instalment released last summer featuring Geezer and Borracho, and February’s Chapter II’s split between Supervoid and Red Desert, the latest chapter, released this June offers up new music from hard hitting Michigan quartet BoneHawk and Sweden’s Kingnomad.

The Second Coming Of Heavy; Chapter III will get an official vinyl release on 24th June 2016 and is limited to 300 copies in three alternative versions (100 of each) – The Resurrection Edition, The Risen OBI and The Ascension Edition.

https://bonehawk.bandcamp.com/
https://www.facebook.com/bonehawkkzoo/
https://www.instagram.com/bonehawk_band/
https://www.facebook.com/kingnomadofficial/
https://kingnomad.bandcamp.com/releases
https://www.instagram.com/kingnomadofficial/
http://www.ripple-music.com/
https://www.facebook.com/Ripple-Music-369610860064/
https://ripplemusic.bandcamp.com/

BoneHawk, “The Scout”

Kingnomad, “Lucifer is Dead”

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BoneHawk Release Albino Rhino on Ripple Music

Posted in Whathaveyou on April 26th, 2016 by H.P. Taskmaster

bonehawk

Michigan heavy rockers BoneHawk have issued their debut album, Albino Rhino, via Ripple Music. The awaited offering follows behind a late-2014 self-released edition and a limited vinyl run through Hornacious Wax Records. There was a second pressing of that, but like the first one, it went quickly. No word on a third for the LP, but Ripple‘s CD edition is out now, and to the best of my knowledge it’s the first compactular discus edition, and no doubt its reception will be as here-and-gone as was the vinyl.

The PR wire brings copious background for those who’d dig in:

bonehawk albino rhino

BoneHawk: Share brand new album from hard hitting Michigan quartet, out now on Ripple Music

The story of BoneHawk is one that started as early as third grade, in an unassuming Kalamazoo school, where guitarist/vocalist Matt Helt and guitarist Chad Houts first met and bonded instantly over a shared appreciation of video games, pizza, poster girls and rock and roll. At the age of fourteen, Helt, already an accomplished drummer would jam along with Houts in the family’s basement to songs handpicked from the pair’s ever growing record collections. As the years passed by with each feeding the other on a steady diet of thrash metal and classic rock, when Helt eventually succumbed to the bug and traded in his drum set for a guitar, the duo quickly discovered that being in a band meant everything.

After toiling in various local outfits for years, around 2006 Helt and Houts formed Mesa with close friend Joel Wick (Quixote, Jihad), with the three deciding to put together something that paid homage to the heavy riffs they discovered as teens growing up in the mid 90s. Specifically, that beguiling breed of heavy rock directly influenced by the mighty Black Sabbath. The band would only release one record during this period, a 7” on Michigan’s UFO Dictator Records before breaking up to clear a path for the official formation of BoneHawk in 2011.

Helt and Houts envisioned combining Iron Maiden and Thin Lizzy-esque harmonies with the straight-up grooves of Sabbath, Led Zeppelin and the twin guitar assault of Judas Priest and Kiss. Enlisting old band mate Chris Voss on bass, after the departure of Wick the trio set about recording their debut album Albino Rhino, with Helt taking on vocal duties and returning to the drum stool.

Recorded and mixed by Jim Diamond at Ghetto Recorders in Detroit and initially released as a limited run of ‘Albino vinyl’ through Hornacious Wax Records in 2014, with newly appointed personnel in the form of drummer Jay Rylander and bassist Taylor Wallace (formerly of Wilson) the band played packed out local shows in support of the record. In less than two months all double LP copies of Albino Rhino had sold out, calling for a second ‘Ultraviolet Purple’ pressing and leaving Ripple Music boss Todd Severin in no doubt about the band’s true potential.

“We’re thrilled to be working with Bonehawk,” explains Severin. “From the moment I heard their two guitar blitz I was hooked on their sound. Albino Rhino is a masterwork of modern harmony guitar and post NWOBHM heaviness, with real stoner grit. A true gem of an album and we’re excited to be involved in the worldwide release of this CD.”

To order a copy of BoneHawk’s Albino Rhino on CD visit Ripple Music:
http://ripplemusic.bigcartel.com/product/bonehawk-albino-rhino-cd

https://bonehawk.bandcamp.com/
https://www.facebook.com/bonehawkkzoo/
https://www.instagram.com/bonehawk_band/
https://twitter.com/bonehawkmusic
http://www.ripple-music.com/
https://www.facebook.com/Ripple-Music-369610860064/
https://ripplemusic.bandcamp.com/

BoneHawk, Albino Rhino (2014/2016)

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Beast in the Field Call it Quits; Announce Last Detroit Show

Posted in Whathaveyou on April 6th, 2016 by H.P. Taskmaster

Some bummer news out of Michigan imprint Saw Her Ghost Records, the longtime imprint of crushing instrumental duo Beast in the Field (among others), which has announced that the band has decided to break-up. Based in Midland, MI, and comprised of drummer Jamie Jahr and guitarist Jordan Pries, Beast in the Field will play what will reportedly be their final Detroit show on April 30 at Small’s with Nuke and Bison Machine. There may be more dates after that, as the band says in the works, but it would seem like pending that, they’re done.

Beast in the Field issued five full-lengths together on Saw Her Ghost between 2007 and 2013, the last of which, The Sacred Above, The Sacred Below (review here, streamed here), offered a consuming 71 minutes of thick-toned, hard-hit obliteration. Deeply atmospheric in spite of being so outwardly heavy, it pushed the band’s Satanic themes on 2011’s Lucifer, Bearer of Light to the side in favor of statements more grounded in social issues of environment and the atrocities committed against Native Americans. That they managed to make such a statement, and make it so loudly, without the use of lyrics, only seemed to make the album’s artwork more evocative.

Their final release was the comic book (also wordless) and live album combo The Astral Path to Satan’s Throne (review here), which reaffirmed the impact of their onstage assault that I was fortunate enough to also see in 2014. To my knowledge, they never toured widely outside of the Midwest, and it looks like they never will, but Beast in the Field crafted a reputation for devastating heft delivered through a mountain of amplifiers, and cut their progression short at a moment when it seemed like they were just beginning to branch out in new and exciting ways. I was looking forward to their next album. They’ll be missed.

Here’s word from the label and a few brief notes from the band:

beast in the field (Photo by Chantal Roeske)

It’s been hard to keep this to myself, but April 30 at Small’s will be Beast In The Field’s last Detroit show. Jamie and Jordan are calling it quits. They’re two of my best friends. Anyone who really knows us knows how close we are and how intertwined our musical lives have been for the near decade long span of Beast. I’ve seen most of this country with them and lived some of the best experiences a guy could ever wish for, not to mention having the honor and thrill of releasing all of their music.
We always had the most fun.

Whether you’ve seen them a hundred times or never, I encourage everyone to come out and be a part of this show. It’s always an experience.

Thanks friends.

Said Beast in the Field:

LAST DETROIT SHOW FOR BEAST IN THE FIELD. YEP, WE ARE ALL DONE SOON. TRYING TO SET UP A SMALL RUN FOR THE CITIES THAT REALLY ENJOYED US AND WE ENJOYED. THE END.

https://www.facebook.com/beastinthefield/
https://www.facebook.com/Saw-Her-Ghost-Records-54739172715/
http://sawherghost.net/

Beast in the Field, “Wakan Tanka” official video

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BoneHawk Post Video for “Los Vientos”

Posted in Bootleg Theater on January 26th, 2016 by H.P. Taskmaster

bonehawk los vientos

I’m pretty much working with a caveman brain here, but let me see if I’ve got this right: Kalamazoo, Michigan, heavy rocking post-Red Fang good-timey dual-guitar four-piece BoneHawk released their debut album, Albino Rhino, in 2014. Sold out vinyl, gatefold 2LP, purple and bone versions, the whole bit. Very nice. They have a second pressing of that record coming out next month. Meanwhile, Ripple Music has stepped in and is going to release the same album on CD on April 22.

Seems straightforward enough until you get around to BoneHawk‘s new video for “Los Vientos.” It’s loaded with stonerly charm, pizza, an oracle in what appears to be a Pulp Fiction-style briefcase, beards, etc., but that track isn’t on Albino Rhino, and even as BoneHawk get ready to reissue their debut album, they’re putting out this new song, which will be included on an installment of Ripple‘s The Second Coming of Heavy split series later this year.

Again, caveman brain, but I’m pretty sure that’s the deal. So what you wind up with is a new release coming and a new video out now but the two things are not really connected. You think that’s quirky, you should go ahead and check out the video. It was directed by Three Goats Moving Pictures, and if you’re up for a little lipreading, it has all kinds of WTF-ery going on.

More background under the player below. Enjoy:

BoneHawk, “Los Vientos” official video

BONEHAWK: Hard hitting Michigan quartet to release debut album through Ripple Music | Stream and share new video for ‘Los Vientos’

Ripple Music is thrilled to announce the signing of Michigan quartet Bonehawk, and with it the worldwide CD release of their debut album, Albino Rhino.

The story of BoneHawk is one that started as early as third grade, in an unassuming Kalamazoo school, where guitarist/vocalist Matt Helt and guitarist Chad Houts first met and bonded instantly over a shared appreciation of video games, pizza, poster girls and rock and roll. At the age of fourteen, Helt, already an accomplished drummer would jam along with Houts in the family’s basement to songs handpicked from the pair’s ever growing record collections. As the years passed by with each feeding the other on a steady diet of thrash metal and classic rock, when Helt eventually succumbed to the bug and traded in his drum set for a guitar, the duo quickly discovered that being in a band meant everything.

Recorded and mixed by Jim Diamond at Ghetto Recorders in Detroit and initially released as a limited run of ‘Albino vinyl’ through Hornacious Wax Records in 2014, with newly appointed personnel in the form of drummer Jay Rylander and bassist Taylor Wallace (formerly of Wilson) the band played packed out local shows in support of the record. In less than two months all double LP copies of Albino Rhino had sold out, calling for a second ‘Ultraviolet Purple’ pressing and leaving Ripple Music boss Todd Severin in no doubt about the band’s true potential.

“We’re thrilled to be working with Bonehawk,” explains Severin. “From the moment I heard their two guitar blitz I was hooked on their sound. Albino Rhino is a masterwork of modern harmony guitar and post NWOBHM heaviness, with real stoner grit. A true gem of an album and we’re excited to be involved in the worldwide release of this CD.”

BoneHawk’s Albino Rhino is officially released on CD through Ripple Music on 22nd April 2016 and is preceded by the release of ‘Los Vientos’ as part of the label’s Second Coming Of Heavy series which will be released later in the year.

BoneHawk:
Matt Helt – Guitars/Vocals
Chad Houts – Guitars/Backing Vocals
Jay Rylander – Drums/Backing Vocals
Taylor Wallace – Bass Guitar/Backing Vocals

BoneHawk on Bandcamp

BoneHawk on Thee Facebooks

BoneHawk on Instagram

Ripple Music website

Ripple Music on Bandcamp

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