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Temple of Void Announce New Album Lords of Death

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

temple of void

Hell yes. If nothing else, we can be sure Detroit’s Temple of Void know how to name a record. That was something the death-doom extremists proved with their 2014 debut, Of Terror and the Supernatural (review here), and it seems to be affirmed with the reveal of their follow-up sophomore outing, Lords of Death. Just try to say that out loud without turning one of your hands into a doom claw. Can’t be done. It’s impossible.

Been digging the viciousness these guys roll out since their Demo MMXIII (review here) hit like a full-stack falling on my head, and though I know their kind of ultra-dark, ultra-plodding, ultra-nastiness isn’t everybody’s cup of poisonous tea, they’ve done it so well to-date that I’ve been unable to hear anything in what they do other than righteousness. I didn’t know they’d have a new album out this year, but I’m definitely looking forward to it now.

And you vinyl types will want to get a load of this cover art too. It, the Lords of Death — claw! — tracklisting and more background info come courtesy of the PR wire:

temple-of-void-lords-of-death

TEMPLE OF VOID reveal cover art, tracklisting for new SHADOW KINGDOM album

Today, Shadow Kingdom Records reveals the cover art and tracklisting for Temple of Void’s highly anticipated second album, Lords of Death. Ever aptly titled, Lords of Death is an insanely, irrevocably MASSIVE slab of doom-DEATH, and the album by which Temple of Void will rightfully take their seat at the throne. Nearly three years in the making, Lords of Death is an experience like no other, and will surely go down as one of the top metal albums of 2017.

Temple of Void is an uncompromising collaboration from the depths of Detroit, Michigan. Comprising five musicians who have put in decades of time in the Detroit underground, Temple of Void entered this world with singular focus and methodical execution from the start. Temple of Void harkens back to the somber sound of early European doom, while channeling the energy and devastation of old-school American death metal. But Temple of Void is far more than the sum of its parts: Temple of Void destroys.

Temple of Void self-released their first demo in 2013. Four weeks later, they had signed to four different record labels to release Demo MMXIII and their imminent debut album across the world. The demo was met with staggering support from the underground, but just over a year later, Temple of Void unleashed their debut album, Of Terror and the Supernatural, via Saw Her Ghost Records for the double-LP vinyl version and on CD through Rain Without End Records. The day it was released, Shadow Kingdom contacted the band and requested dibs on re-releasing the album to a worldwide audience. Unleashed internationally in September 2015, the slab of barbarity otherwise known as Of Terror and the Supernatural quickly became a critically acclaimed cult hit amongst the press and those looking for the darkest, dirtiest doom-death.

But, with the bar set so high by that debut album, Temple of Void swagger forth to eclipse that achievement and soundly obliterate any comparisons with Lords of Death. A prescient title if there ever was one, Lords of Death casts Temple of Void in a slightly newer light: whilst unmistakably Temple of Void, this is the sound of the band shorn of any fat and fully representing the powerful, punishing experience of the band in a live setting. It’s still signature Temple of Void, to be sure, but Lords of Death emits an enviable amount of focus and forward momentum, with the band largely ditching the doomier tropes in favor of ones reflective of their all-consuming onstage power. Instead, Temple of Void emphasized the deathlier aspects of their debut, but pumped them full of addicting, headbanging energy. Put another way, whereas Of Terror and the Supernatural was doom with death metal, Lords of Death is death metal with doom. Fittingly, the production here is utterly CRUSHING, and once again recorded at Mount Doom in Detroit.

Completed by appropriately morbid artwork by Paolo Girardi, Lords of Death is that Rubicon-crossing moment where a band becomes masters. Recommended for fans of Autopsy, Bolt Thrower, Grave, Asphyx, Edge of Sanity, Obituary, Hooded Menace, Deicide, Cannibal Corpse, and the early works of Paradise Lost, Morbid Angel, and Opeth – behold the new lords of death, Temple of Void!

“An uncompromising record from the band that made one of the very best, if not THE best death/doom debut in last five years or so. Weighty death metal groove and suffocating, gloomy atmosphere in just the right mix together. Album-of-the-year material!” – Markus Makkonen (Hooded Menace / Sadistik Forest)

Release date, first track, and preorder info to be revealed shortly. Cover and tracklisting are as follows:

Tracklisting for Temple of Void’s Lords of Death
1. The Charnel Unearthing
2. Wretched Banquet
A Watery Internment
3. The Hidden Fiend
4. An Ominous Journey
5. The Gift
6. Graven Desires
7. Deceiver in the Shadows

www.facebook.com/templeofvoid
www.templeofvoid.bandcamp.com
www.shadowkingdomrecords.com
www.facebook.com/shadowkingdomrecords

Temple of Void, Of Terror and the Supernatural (2014)

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The Obelisk Presents: Burnin’ Turf II at Parisville Saloon, Ruth, MI, on June 3

Posted in The Obelisk Presents on February 13th, 2017 by JJ Koczan

I’m thrilled to count The Obelisk among the slew of sponsors for Burnin’ Turf II at Parisville Saloon in Ruth, Michigan, this June 3. After seeing the first installment come together last year and look like such a damn good time and catching wind of this year’s formidable lineup, it was a no-brainer to get involved in this small way immediately upon being asked, and between the chopper show, the van show, and the show-show itself, the event put together by the dudes from Bison Machine — who are also playing — looks like it’s going to be a killer party and something really special in a sense of more than just a show-up-and-stand-there-bands-changeover-gear kind of fest. All the better.

Ticket presale starts on April 20, but today marks the official unveiling of the lineup, which you can see in the announcement below, which the festival sent down the PR wire.

One more time, let me say out loud how much I appreciate being involved in this. Thanks to Anthony Franchina and all at work behind the scenes on making it happen.

Here goes:

burnin turf ii poster

BURNIN’ TURF II – June 3rd 2017 Parisville Saloon – Ruth, MI

“We wanna be free! We wanna be free to do what we wanna do. We wanna be free to ride. We wanna be free to ride our machines without being hassled by The Man! … And we wanna get loaded. And we wanna have a good time. And that’s what we are gonna do. We are gonna have a good time… We are gonna have a party.” -Russ Tamblyn (The Wild Angels)

The Gassers R/C, Parisville Saloon and Bison Machine want you to hop on your bike, pack up your van, grab your friends, grab your tent, leave everything else behind and head up to Parisville for one of the best parties of the year. Burnin’ Turf has returned and its bigger than ever. Seven bands, chopper games, raffles, prizes, drink until you can’t stand because no one needs to leave. Set up camp and live it up because you came to the right place. Everyone is here for the same reason.

Pre-sale goes live on April 20th 2017
More info to come!

LINE-UP
Bison Machine
BoneHawk
Wild Savages
Red Stone Souls
Dead Feathers
Gear Jammer
Rip Vanripper

Heavy boogie vinyl spun by DJ Smoak

SPONSORS
Lowbrow Customs
Small Stone Records
Rerun Cycle Works
The Obelisk
Bombs Away Moto Works
Lucifer’s Death Squad
Strange Cycle
Moto Cantina
Rumbleville
Wonderland Tattoo

https://www.facebook.com/events/985074104958214/
http://www.brownpapertickets.com/event/2870480
https://bandsintown.com/event/13873337-burnin-turf-ii-pre-sale-ruth-parisville-saloon-2017?artist=Burnin%27+Turf+II+Pre-Sale&came_from=192

Bison Machine, Live at Culture Clash Records, May 2016

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Against the Grain Post “Here to Stay” Video; Tour with Speedealer and Mothership Starts Tomorrow

Posted in Bootleg Theater on February 8th, 2017 by JJ Koczan

against the grain

Tomorrow night, Detroit bruisers Against the Grain head out on a tour alongside Mothership and the resurgent Speedealer. The heavy rockers continue to live up to the ethic set forth with 2015’s Road Warriors (review here), by doing more than simply putting in time on the road, instead seeming to take a step forward with each subsequent tour. Over the last two-plus years, they’ve been out with Lo-Pan, The Atomic Bitchwax, Bongzilla, Black Cobra and others. I’ve yet to hear a complaint from anyone who’s been fortunate enough to see them play.

Given the significant amount of touring, maybe it’s not such a surprise that Against the Grain‘s new video for “Here to Stay” — a funny claim for a band with so much “go” in their approach to be making — is made up of a lot of live footage. There are some other clips and stuff spliced in, but the bulk of the thing finds the four-piece kicking ass on stage, which by now is probably where they’re most at home in so doing. I’ve heard they’ve got new material on the way at some point this year — they were included last month in the most anticipated for 2017 list, if you missed it — and there can be little doubt that when it arrives, in whatever form it takes, the follow-up to Road Warriors will be yet another occasion for the band to get out on tour. Much to their credit, it doesn’t seem to take much to convince them.

You’ll find the live dates under the video player below for the Speedealer and Mothership tour. Note also that Against the Grain will be at Berserker Fest in Pontiac, Michigan, in April. One assumes there are more dates to follow as we head deeper into the year.

Enjoy:

Against the Grain, “Here to Stay” official video

Here’s our new music video for “Here To Stay”. Official video for “Here to Stay” off of 2015’s release “Road Warriors” available on Self Destructo/Failure Records.

See you on the road with Speedealer and Mothership!

Against the Grain live:

Southern Disruption tour w/ Speedealer and Mothership:
2/9 – Atlanta, GA – The Masquerade
2/10 – New Orleans, LA – Siberia
2/11- Birmingham, AL – The Nick
2/12 – Nashville, TN – The End
2/13 – Memphis, TN – Hi Tone Cafe
2/14 – Little Rock, AR – White Water Tavern
2/15 – Oklahoma City, OK – The Blue Note
2/16 – Austin, TX – The Sidewinder
2/17 – San Antonio, TX – Hi-tones
2/18 – Dallas, TX – Three Links
2/19 – Houston, TX – Fitzgeralds ( all ages, early show)

4/15 and 4/16 – Pontiac, MI – Crofoot – Berserker Fest

Against the Grain on Thee Facebooks

Against the Grain on YouTube

Against the Grain on Bandcamp

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Cruthu Announce Debut Album The Angle of Eternity Due in March

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

cruthu

In the interest of full disclosure, I’ll admit to a definite personal connection with Lansing, Michigan, doomers Cruthu, whose guitarist, “Postman Dan” McCormick, I consider a close friend despite geographic distance. Nonetheless, there comes a time when your friends put together albums, and they’re good, and you want to write about them, and I guess that brings us around to The Angle of Eternity, the forthcoming Cruthu debut album. Set for a limited LP release circa March and streaming now in its doomed entirety below, the record does well in balancing classic ideas of what doom is with some atmospheric nuance. Metal with a rock vibe, rock that’s too dark to not quite be metal, and so on. I’m predisposed to like it, particularly after their 2014 demo, Creation (review here), and seeing their prior lineup live in their hometown (review here), but screw it. I’d dig it anyway.

Distro is set through to be through respected Michigan-based purveyor Emetic Records. Here’s a press release I wrote as circled back through the PR wire:

cruthu the angle of eternity

Cruthu: Classic Doom Abounds on ‘The Angle of Eternity’

Midwestern doom metal outfit Cruthu have announced a March release for their debut full-length, The Angle of Eternity. Comprised of six tracks, the album follows their 2014 demo, Creation, and will be pressed in an edition of 500 jet-black LPs with distribution via Emetic Records.

Based in Lansing, Michigan, Cruthu is comprised of vocalist Ryan Evans, guitarist Dan McCormick, bassist Erik Hemingsen (Scott Lehman also plays on the album), and drummer Matt Fry. The Angle of Eternity was produced by McCormick and George Szegedy at The Black Lodge in Lansing, and features cover art by Dan McDonald Studios in a grim style perfectly suited to the band’s downer and ethereal songcraft.

“The album is traditional doom metal with heavy ’70s movements and passages — well structured and deliberate,” says McCormick in assessing the aesthetic. “We were going for a more lo-fi, circa-’70s sound. Our current goal is to progress the project into some early-NWOBHM over time without compromising our traditional influence.”

Songs like the lurching “Lady in the Lake” and “Bog of Kildare” will earn understanding nods from fans of doomed greats like Trouble, Pagan Altar and The Gates of Slumber, and the progressive edge brought to “Seance” and the closing title-track make a clear statement that Cruthu offer a richness of approach to coincide with their memorable riffing and thematic lyrics.

Recorded 100 percent to tape, The Angle of Eternity weaves a natural-sounding tapestry of doom across its course, capturing a raw vision of heavy metal’s roots as righteous in its execution as its foundations. It is doom by doomers, for doomers, and readily lets the rest be as damned as they are.

The Angle of Eternity tracklisting:
1. Bog of Kildare
2. Lady in the Lake
3. Seance
4. From the Sea
5. Separated From the Herd
6. The Angle of Eternity

Cruthu live:
03/15 Mac’s Bar, Lansing, MI w/ Castle, Sauron
03/17 State Street Pub, Indianapolis, IN w/ Apostle of Solitude, Tarpit Boogie
03/18 New Dodge Lounge, Hamtramck, MI w/ Apostle of Solitude, Tarpit Boogie

https://www.facebook.com/cruthuband/
https://cruthu.bandcamp.com/merch/vinyl-lp-presale-cruthu-the-angle-of-eternity
https://www.facebook.com/Emetic-Records-198699170144825/
http://www.emeticrecords.com/

Cruthu, The Angle of Eternity (2017)

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Bison Machine Announce March / April Tour Dates

Posted in Whathaveyou on January 23rd, 2017 by JJ Koczan

bison machine

Michigan four-piece Bison Machine will head out once again this Spring, following up on their Fall 2016 tour supporting the 2015 Kozmik Artifactz release of their debut album, Hoarfrost (review here) as well as their early-2016 split with Wild Savages and SLO (review here). When the last run was announced, the band sent word along with it that they’d soon hit the studio for their second long-player, and in the update below, they note the writing process is finishing up.

Accordingly, I’d expect a good deal of new songs to be in the set as they head south toward Texas and around the Midwest, keeping good company with Denver’s Cloud Catcher on several of the dates. Speaking of bands who should put out a split together. Where’s Ripple‘s Second Coming of Heavy series?

Looking forward to whatever Bison Machine do next, including the second edition of their Burnin’ Turf fest, which is set for June 3 and for which the lineup is yet to be announced. I’ll hope to have more on that as we get closer to the summer.

Till then, here’s the latest:

Bison Machine tour poster

New year, new van. Taking it on the road in 2017 and heading to Texas!

Excited to share the first four days of the tour with our buds from Denver in Cloud Catcher. We are currently finishing up writing the new album and will be working to hopefully get it out before the end of the year.

We have a lot on our plate this year and are stoked to announce we will also be reincarnating our Burnin’ Turf party this year, line-up coming soon!

BISON MACHINE – Sufficiently Van-Less Tour:
March 10th – Toledo OH – Ottawa Tavern
March 23rd – Fort Wayne IN – Brass Rail ^
March 24th – Detroit MI – Small’s ^
March 25th – Chicago IL – LiveWire Lounge ^
March 26th – Milwaukee WI – Riverwest Public House ^
March 27th – Minneapolis MN – Memory Lanes
March 29th – Kansas City MO – miniBar
March 30th – Denver CO – The Squire
March 31st – Oklahoma City OK – The Blue Note
April 1st – Arlington TX – Division Brewing
April 2nd – Houston TX – Rudyard’s
April 3rd – Austin TX – The Grand
April 4th – San Antonio TX – Hi-Tones
April 8th – Dayton OH – Jimmie’s Ladder 11 w/ Electric Citizen
June 3rd – Parisville MI – Burnin’ Turf II
^ with Cloud Catcher

Poster by Austin Zink out of Fort Wayne, IN.

https://www.facebook.com/bisonmachinedetroit/
https://www.instagram.com/bisonmachine/
https://bisonmachine.bandcamp.com/
https://twitter.com/bisonmachine
http://shop.bilocationrecords.com/

Bison Machine, “Cloak and Bones” official video

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Speedealer, Mothership and Against the Grain Announce Southern US Tour

Posted in Whathaveyou on December 27th, 2016 by JJ Koczan

Dallas octane rockers Speedealer played a few gigs in November that they highlighted as a ‘return’ for the band, but they seem to have been doing shows for a while before that as well. Their last studio release was 2003’s Bleed, so one way or another, it’s probably fair to call anything they do a return. One recalls (vaguely and through a Shiner Bock-filtered haze) seeing them at SXSW in the mid-’00s — was it the tiki bar joint on Red River with JJ Paradise Players Club? — and being fairly blown out of the room, though to be fair, that was kind of how it went in Austin at the time. I haven’t seen word of a new record or anything, but even if they’re doing 10 days out to test the waters, they gotta have a reason. These things don’t happen by mistake, you know.

The two bands joining them on the run, as it happens, are both heralding new albums. In the case of fellow Texas trio Mothership, it’s the forthcoming High Strangeness (info here), which is out March 17 on Ripple Music. Less is publicly known at this point about Against the Grain‘s next full-length, but the Detroit-based speed rockers have at least announced their intentions toward a 2017 release. There’s plenty of year ahead, so let’s get there first and then we’ll see what comes.

Run has been tagged as the “Southern Disruption Tour 2017.” Poster and dates follow here, as seen on the social medias:

speedealer mothership against the grain

Speedealer w/ Mothership & Against the Grain:
Feb 9 – Atlanta, GA – The Masquerade.
Feb 10 – New Orleans, LA – The Siberia.
Feb 11 – Birmingham, AL – The Nick.
Feb 12 – Nashville, TN – The End.
Feb 13 – Memphis, TN – Hi Tone.
Feb 14 – Little Rock, AR – White Water Tavern (no speedealer).
Feb 15 – Oklahoma City, OK – The Blue Note (no Speedealer).
Feb 16 – Austin, TX – The Sidewinder.
Feb 17 – San Antonio, TX – Hi-Tones.
Feb 18 – Dallas, TX – Three Links.
Feb 19 – Houston, TX – FitZgeralds.

https://www.facebook.com/Speedealer-16197817734/
https://www.facebook.com/mothershipusa/
https://www.facebook.com/Againstthegraindetroit/

Speedealer, “Inventor of Evil”

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Red Mesa & Blue Snaggletooth, The Second Coming of Heavy — Chapter Four: Deserts and Mystic Waters

Posted in Reviews on December 7th, 2016 by JJ Koczan

the-second-coming-of-heavy-chapter-4-red-mesa-blue-snaggletooth

One can’t help but wonder if, when Ripple Music first announced their The Second Coming of Heavy series of splits in early 2015, the California-based imprint had any idea what they were getting into. They committed at the outset to make it 10 releases, each one dubbed a “Chapter,” and aside from the logistical nightmare of coordinating such a thing from recordings to cover art to pressing and the invariable presence of bands outside their window in long jackets holding boomboxes over their heads playing their own songs to try to be a part of it, even timing out the arrival of each subsequent LP seems daunting. There’s a reason most “series” of splits or comps don’t get past their first installment, and it’s because they’re a monumental pain in the ass to put make happen.

After bringing together Borracho and Geezer (review here), Supervoid and Red Desert (review here), and BoneHawk and Kingnomad (review here), The Second Coming of Heavy — Chapter Four highlights two more acts from the American underground in desert-is-as-desert-does Albuquerque trio Red Mesa and Ann Arbor, Michigan, power rockers Blue Snaggletooth. As has been the custom of the series, each band gets a side on the limited edition vinyl to work with — Red Mesa‘s is about 22 minutes, Blue Snaggletooth‘s about 19 — and an opportunity to ply their wares to a wider audience and collectors alike by teaming up. Red Mesa and Blue Snaggletooth do this while at the same time complementing each other’s style and, ultimately, adding to the breadth of The Second Coming of Heavy as a whole, underscoring the core belief of the project that heavy rock and roll knows no boundaries or other limits of any kind. It can, and does, emerge from anytime, anyplace.

The first line of the release tops a speedy motor riff. It’s Red Mesa‘s “Cactus Highway,” one of their four inclusions, and the lyric is “Let’s go to the desert/Leave it all behind.” Immediately, the impression is straightforward, somewhere between a vocalized Karma to Burn and Kyuss, and through that opener and “Low and Slow,” which follows, it seems like that’s going to be the course of the thing. Nothing wrong with that. “Cactus Highway” has a touch of shuffle in the drumming of Duane Gasper, and the tone of guitarist/vocalist Brad Frye is well-suited to the Motörhead-style thrust of the track, on which he’s backed by bassist Shawn Wright, but particularly the second half of “Low and Slow” begins to hint at a broader approach. Slower overall as one would hope based on the title, it opens to a wider feel under the solo and then gets even more spacious after its final chorus. This makes it an even more jarring turn when Red Mesa shift into the jangly-party-time strum of “Goin’ to the Desert,” with its handclaps and howls and intentional barroom blues, vaguely countrified but only lasting about 90 seconds of the song’s seven minutes before thunder crashes, a cymbal washes and the three-piece shift into minimalist psychedelia, vocals and guitar gradually returning, leading to a crash-in at the midpoint of heavier riffing and subsequent build of Monster Magnet-esque heavy space rock noise wash, the apex of which gradually fades out over the last minute with more thunder and rain sounds remaining.

It’s a sudden, somewhat odd turn for “Goin’ to the Desert” to make — seeming to present people’s ideas about actually doing so measured against the terrifying reality of the ecosystem — and it completely shatters the expectation for what “Utopia,” which closes Red Mesa‘s side, might present. As plausible as it seemed going into “Cactus Highway” to get a handle on their aesthetic of dudely desertism, coming out of “Goin’ to the Desert” renders most guessing irrelevant. They finish over the course of the 6:51 track by trading volume back and forth between “Planet Caravan” impulses filtered through Southwestern nighttime skies and harder riffing, but shift into an acoustic-led psychedelic bridge in the midsection that acts as the foundation for their last build, setting up a return to the chorus that highlights the notion of just how much Red Mesa‘s side flows across its abbreviated course, and the outward progression the band effectively sets up. It feels way more like an EP than a split side simply bringing songs together — a genuine mini-album to follow their self-released 2014 self-titled debut — and hopefully speaks to where they’re headed in terms of sound overall.

the-second-coming-of-heavy-chapter-four-red-mesa-blue-snaggletooth-lp-700

Comparatively, Blue Snaggletooth have the benefit of experience over Red Mesa. With frontman and founder Chris “Box” Taylor at the fore, Blue Snaggletooth debuted in 2011 with Dimension Thule (review here) and followed that with 2014’s Beyond Thule (discussed here) and last year’s The Last Voyage of Amra EP, settling in the meantime on a formidable lineup with Taylor working alongside guitarist Casey O’Ryan (also Bison Machine), bassist Joe Kupiec (also Wild Savages) and drummer Mike Popovich, which is the four-piece present on these three tracks as well. Beginning with the 8:30 “Sand Witch,” an opener and longest inclusion (immediate points), Blue Snaggletooth reinforce the classic heavy basis from which modern riffery stems, all the while refusing to give into cliché vintage-ism or sacrifice a modern tonal presence in the name of worshiping at the altar of their forebears. Across “Sand Witch,” “Crystal’s Gaze” and “Mystic Waters,” they demonstrate a wah-prone take that owes more to 1972 than 1968, but takes the lessons of psychedelia and suits them to their straight-ahead, mostly structured purposes.

Some echo in the chorus of “Mystic Waters” goes a long way, for example, and the swirl of intertwining guitar leads with what may or may not be Deep Purple-style organ underneath the peak of “Sand Witch” makes for an exciting stretch worthy of any size stage that thinks it could contain it. Updating that classic heavy grandeur by blending it with a humbler semi-desert fuzz is a major factor in making “Sand Witch” work so well, but Blue Snaggletooth tie their three inclusions together through a consistency of songwriting that makes each chorus a standout, and whether it’s “Sand Witch” pushing out into that dual-guitar mythology creation, or “Crystal’s Gaze” calling to mind the early fuzz triumphs of Sasquatch and drenching them in wah, or “Mystic Waters” bringing the whole thing together and making it boogie, the four-piece hold firm to their own processes and thus their identity, executing their material with confidence and a fluidity that contrasts the linear outward course of Red Mesa, emphasizing a different manner of stylistic blend in the process.

As though in conversation with their side A companions, Blue Snaggletooth start at their farthest-out point and seem to work their way back in, and while that gives The Second Coming of Heavy — Chapter Four an overarching progression through its two sides, it’s worth noting that, like all of the offerings thus far issued as a part of the series, this LP draws strengths as much from the differences between the players involved as from the similarities. I don’t think I’ve let a review pass yet without noting my issue with the number in the name — that is, that “heavy” has had more than two comings at this point in its span of generations — but as The Second Coming of Heavy — Chapter Four clearly demonstrates, Ripple and the bands it’s selected to be a part of this increasingly pivotal project are less about looking back at history than casting a new place within it.

Red Mesa on Bandcamp

Red Mesa on Thee Facebooks

Blue Snaggletooth website

Blue Snaggletooth on Twitter

Blue Snaggletooth on Instagram

Ripple Music website

Ripple Music on Thee Facebooks

Ripple Music on Bandcamp

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Red Mesa & Blue Snaggletooth to Feature on The Second Coming of Heavy: Chapter Four Next Month

Posted in Whathaveyou on November 9th, 2016 by JJ Koczan

Ripple Music‘s steady ascent continues with the next edition of the label’s dubiously-titled The Second Coming of Heavy series of limited split LPs. After broadening the reach to international terrain the last time out in bringing together Michigan’s BoneHawk with Sweden’s Kingnomad (review here), The Second Coming of Heavy: Chapter Four once again pairs two US bands — Red Mesa from New Mexico and Blue Snaggletooth from Michigan — in keeping with earlier chapters that highlighted the work of Geezer and Borracho (review here) and Supervoid and Red Desert (review here). As with the entire series, cover art is supplied by Joseph Rudell and Carrie Olaje, and the release date is set for Dec. 9.

Each band has a song streaming now that you can check out under the PR wire info below:

the-second-coming-of-heavy-chapter-4-red-mesa-blue-snaggletooth

The return of Ripple Music’s The Second Coming Of Heavy; Chapter IV | New split album from Red Mesa and Blue Snaggletooth

The Second Coming Of Heavy; Chapter IV is released on vinyl on 9th December 2016

Already recognised as one of the world’s leading purveyors of Rock ‘n’ Roll, Stoner, Doom and Heavy Psych, Ripple Music upped the ante in 2015 with the arrival of one of the year’s most ambitious projects, The Second Coming Of Heavy Series.

Serving as an ongoing showcase for some of the best and heaviest bands emerging from the underground, each installment shines a light on those worthy of your attention. Consisting of one, 12” slab of multicoloured vinyl with full colour sleeves and inserts, the series is designed to be saved and treasured, like a fine anthology of books. So much so when the albums are filed next to each other, the complete collection of aligned spines form a mind-blowing image direct from the underground.

Following on from the series’ first installment released in 2015 featuring Geezer and Borracho; Chapter II’s split between Supervoid and Red Desert earlier this year and last June’s BoneHawk and Kingnomad offering, the latest installment brings you brand new music from Albuquerque trio Red Mesa and Ann Arbor quartet Blue Snaggletooth.

RED MESA – Coming at you from yonder, down the mountain atop the deserted mesas of New Mexico, like their name suggests Red Mesa instill a sense of desert haze. Touting a varied psychedelic-stoner sound that begs for maximum volume with a high octane, pedal to the metal attitude, the Albuquerque trio – consisting of vocalist/guitarist Brad Frye, bassist Shawn Wright and drummer Duane Gasper – will take you on a vivid journey. Utilizing elements of doom, punk rock and psychedelic fuzz, Red Mesa are the living embodiment of hard riffing hallucinogens.

BLUE SNAGGLETOOTH – If anyone is proving that you can honor hard rock’s past while pumping fresh blood into its future, it’s Blue Snaggletooth. Billing themselves as purveyors of “Psychedelic D&D Rock & Roll,” the Ann Arbor, Michigan quartet combine elements of hard rock, heavy metal, and psychedelia (all pre-1975), and fuse those styles with lyrics inspired by classic sci-fi and fantasy. While the results are likely to please anyone into stoner rock, Blue Snaggletooth have no truck with irony or tongue-in-cheek glances at the past, and instead embrace their classic influences to build a sound that’s physically powerful but with plenty of sinewy groove.

The Second Coming Of Heavy; Chapter IV will get an official vinyl release on 9th December 2016 and is limited to 300 copies in three alternative versions (100 of each) – The Resurrection Edition, The Risen OBI and The Ascension Edition.

Track Listing:
1. ‘Cactus Highway’ by Red Mesa
2. ‘Low And Slow’ by Red Mesa
3. ‘Goin’ To The Desert’ by Red Mesa
4. ‘Utopia’ by Red Mesa
5. ‘Sand Witch’ by Blue Snaggletooth
6. ‘Crystal’s Gaze’ by Blue Snaggletooth
7. ‘Mystic Waters’ by Blue Snaggletooth

https://redmesarock.bandcamp.com/
https://www.facebook.com/redmesaband
http://www.bluesnaggletoothmusic.com/
https://twitter.com/BSnaggletooth
https://www.instagram.com/bluesnaggletoothmusic/
http://www.ripple-music.com/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/

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