Shroud Eater Announce East Coast Tour Dates; Strike the Sun out Now

Posted in Whathaveyou on August 9th, 2017 by JJ Koczan

shroud eater

Beginning on Sept. 2, Miami trio Shroud Eater will head out on an East Coast tour supporting their new album, Strike the Sun (review here). Booked by Midnite Collective, it’s a week-long stint to herald the arrival of the STB Records release back in July, and if you’ve yet to check out the record, you can hear in the stream at the bottom of this post that it’s a cause well worth supporting. Some six years-plus after the atmospheric sludge three-piece offered up their debut, ThunderNoise (review here), Strike the Sun benefits from all of the experimentation they’ve taken on since in a bevvy of shorter releases, singles, EPs, splits and so on.

It shames me to say that I’ve been writing about this band since their 2009 demo and I’ve still never seen them live. They’re not coming north of the Wall this time around (the Wall, if you’re wondering, is just on the other side of Providence, Rhode Island on I-95 North; everything above that is officially wildling territory), but given how right on Strike the Sun is, I feel pretty comfortable recommending you check them out anyway should you be able to do so.

Dates follow as culled from the social medias:

shroud eater tour

Shroud Eater Pilgrimage Nor’East

First stop of our northeastern pilgrimage is at The Jinx 912 in Savannah for Statts Pre-Game and Punk Rock Garage Sale, where we’ll be joining ROYAL THUNDER, Black Tusk, The Gumps, Reconsiler and more!

Thanks to the Wizards at @midniteclv for their incredible effort booking this tour for us… we are hitting the eastern coast in support of STRIKE THE SUN – hope to see y’all out there.

Saturday September 2
The Jinx, Savannah, GA

Sunday September 3
Test Pattern, Winston-Salem, NC

Monday September 4
Ottobar, Baltimore, MD

Tuesday September 5
St Vitus, Brooklyn, NY

Wednesday September 6
KungFu Necktie, Philadelphia, PA

Thursday September 7
McCormacks Irish Pub, Richmond, VA

Friday September 8
Harbor Tavern, Jacksonville, FL

Saturday September 9
The Brass Mug, Tampa, FL

Shroud Eater is:
Jean Saiz – guitar/vocals
Janette Valentine – bass/vocals
Davin Sosa – drums/vocals

https://www.facebook.com/shroudeater/
http://www.shroudeater.bandcamp.com/
http://stbrecords.bigcartel.com
http://www.facebook.com/STB-Records-471228012921184
https://stbrecords.bandcamp.com

Shroud Eater, Strike the Sun (2017)

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Review & Track Premiere: Shroud Eater, Strike the Sun

Posted in audiObelisk, Reviews on June 28th, 2017 by JJ Koczan

shroud-eater-strike-the-sun

[Click play above to stream ‘Awaken Assassin’ from Shroud Eater’s Strike the Sun. Album is out July 7 via STB Records.]

Check your calendar. It’s been a whopping six years — actually more like six and a half — since Miami sludge machine Shroud Eater released their debut full-length, ThunderNoise (review here). They’ve hardly been idle in the half-decade-plus since then; the three-piece have churned out a slew of shorter releases, from the 2013 Dead Ends EP (review here) that began to give some context to the band’s stylistic expansion from the raw foundation of their initial demo (review here) in 2009 that took place on ThunderNoise and would continue through 2015’s Face the Master single (video premiere here), 2016’s split EP with post-metallers Dead Hands (review here) or earlier 2017’s :th:ree: :cvrses: digital single, which found the trio of guitarist/vocalist Jean Saiz, bassist/vocalist Janette Valentine and drummer/vocalist/engineer Davin Sosa at their most experimental to-date, adding synth to a deeply atmospheric, cinematic but still noise-laden and extremely dark approach.

The stylistic reach Shroud Eater claimed as theirs across these offerings — some just one song long — and from their time spent touring and playing events like Psycho Las Vegas has made it increasingly difficult to predict where their awaited second full-length and STB Records debut, Strike the Sun, might lead them, and across 42 minutes/eight tracks, the band accordingly showcase six busy years’ worth of sonic lesson-learning. They still occasionally veer into the post-High on Fire gallop that typified their early work on a song like the penultimate “Unseen Hand” or parts of finale “Futile Exile,” but on the whole, they offer something much broader, more varied in tempo and mood, and more satisfying than anything they’ve done before.

As each of their outings to this point has brought something new to their approach, Strike the Sun does so as well, and in addition, offers an engaging summary of their evolution over the last eight years. Also worth noting, it is spell-out-the-letters h-e-a-v-y. One might find a tonal comparison point in Conan‘s more recent output for the kind of rumble Shroud Eater bring to “Iron Mountain” early on Strike the Sun or side B’s rolling “It Walks Among,” but even this is only a fraction of the whole when it comes to the complete, dark-hued narrative they’re conveying. The album breaks neatly in half for a two-sided feel, and each begins with an atmospheric intro — the washing drone of “Smokeless Fire” leads off, while “Dream Flesh” starts side B; both are infused with vague, melodic vocals — before digging into three tracks of pummel, drive, roll and nod. Whether it’s the landmark hook that “Awaken Assassin” provides in following “Iron Mountain” or the turn from wah-bass-infused stomp into ambient melodicism on “It Walks Among” — which of course is a setup for that track’s lumbering finale — Shroud Eater‘s dynamic has never sounded more alive.

Creative variety and arrangements of vocals between SaizValentine and Sosa give “Futile Exile” a growing aggression and “Iron Mountain” or the earlier stretch of “It Walks Among” a spacious, shouting echo, but the harmonies in “Awaken Assassin” are not at all out of place in either theory or execution. And neither are they less effective in conveying a mood than some of Strike the Sun‘s more destructive moments in the midsection of “Iron Mountain,” the apex of “Futile Exile” or the whole of “Unseen Hand” are in eliciting a physical listener response, be it fist pumping, headbanging, or some other signal of the righteousness on display. The bottom line is that Shroud Eater bring forth a multi-tiered triumph across the span of Strike the Sun, marked by an impeccable sense of craft, strength through diversity of approach and a cohesive vision of what they want to accomplish as a group. Any concerns of a six-year-later sophomore slump should be duly allayed.

shroud eater

That is, I’ll allow, a fan’s perspective on what Shroud Eater have done here, and there will invariably be those for whom Strike the Sun is their first exposure to the band. On that level, flourish like the subdued tension in “Smokeless Fire” and “Dream Flesh,” or the samples that top the noisy instrumental side A closer “Another Skin” seems all the more to bolster the impression of the record as a singular entirety. As SaizValentine and Sosa careen and crash through “Iron Mountain” and “Awaken Assassin,” the subsequent pairing of “Another Skin” and “Dream Flesh” — when listening in a linear format; digital or CD — emphasizes a between-songs flow with which full-lengths so outwardly heavy rarely concern themselves.

Likewise, as “It Walks Among” revives the full tectonic doom of their assault, it remains informed by the ambient stretch before it, and the material as a whole plays off itself in this way, giving Strike the Sun all the more a sense of consciousness behind its motivations that winds up summarized in “Futile Exile,” which in addition to being the finale is also the longest track at 7:20. Starting with a swell of volume and thundering crashes, it turns to nod and thrust early before finding a tension of toms as it heads to a more angular midsection, eventually dropping out to quiet in the second half and introducing melodic singing over thudding drums in setting up the crescendo that starts around 6:30 and will finish the record with a cold stop. A little bit of everything and a last warning from the band in that sudden end that they haven’t necessarily had their final word. So be it.

Up to this point, everything Shroud Eater has done has felt loaded with potential. All along, they’ve been a group headed somewhere on the level of individual aesthetic. More than anything before it, Strike the Sun comes across as the destination to which their progression has been leading. That doesn’t necessarily mean they’re done growing as artists — I don’t think they are, and nothing in these tracks indicates a readiness to stagnate — but there’s pivotal work being done here to establish what Shroud Eater‘s sound is, both to the band itself and to their audience, and in conveying that, Strike the Sun succeeds in a way that more than justifies the years in its arrival. Feeling greedy, one hopes it’s not so long before a third long-player surfaces, but if it is, at least we know their commitment to developing as artists is unflinching.

Shroud Eater on Thee Facebooks

Shroud Eater on Bandcamp

Shroud Eater’s website

STB Records webstore

STB Records on Thee Facebooks

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Holly Hunt to Release The Wait / Bowling Green May 18; East Coast Tour this Month

Posted in Whathaveyou on May 3rd, 2017 by JJ Koczan

holly-hunt-Photo-Credit-Walter-Wlodarczyk

I can only think of one kind of person who wouldn’t be excited at the prospect of new material forthcoming from Miami two-piece Holly Hunt, and that kind of person is a straight-up jive turkey. For the rest of us, word of a new single pressed to a 12″ platter is nothing but good news, to be sure. The instrumentalist duo had a glut of releases a couple years back and it was easy to get spoiled, but it’s been a while as we move deeper into 2017, so the arrival of preorders for The Wait / Bowling Green — even at just about seven minutes between them — is fine by me. It’s not an album, but, you know, it’s not nothing either. And it’s been nothing for a while now, so don’t be a jive turkey about it.

Jive turkey.

The May 18 release of The Wait / Bowling Green coincides with the May 20 start of a run up the Eastern Seaboard that Holly Hunt will undertake alongside Crud as the latter make their way to and through Maryland Deathfest 2017 at the end of this month. Dates follow the release info below:

holly hunt the wait bowling green

Holly Hunt – S/T 12”

May 18, 2017, Holly Hunt return with a new two-song, self-titled 12” single released by Sonic Titan. Both songs were recorded, mixed and mastered by Rat Bastard at Dan Hosker Studio in Miami Beach. A side, “The Wait” (4:00) is a melodic, melancholic song, and the B side is a heavy rager called “Bowling Green” (3:09). The record will be available through the band’s Bandcamp page, select record stores, as well as on their upcoming tour with Crud May 20th – May 31st.

Drummer Beatriz Monteavaro and guitarist Gavin Perry capture the meditative power of repetition; the ecstatic joy of tempered variation; infinitely undulating riffage; psychedelic drone paired with rock n’ roll rhythm in full splendor. Though stripped down to the most bare essentials, Holly Hunt produces a sound and style far beyond rudimentary tags like “heavy,” “hard,” or “brutal.”

Preorder now at hollyhunt.bandcamp.com
Photo credit: Walter Wlodarczyk.
Front cover illustration by Beatriz Monteavaro.

CRUD and Holly Hunt will be greasing through the East Coast in May. Catch the filth in your city.

5/20 Savannah, GA at The Jinx w/ Gaul
5/21 Raleigh, NC at Slims w/ Gaul*
5/22 Richmond, VA at McCormacks Irish Pub
5/23 Brooklyn, NY at Lucky 13
5/24 Philadelphia, PA at Century Bar
5/25 Baltimore, MD at Maryland Deathfest*
5/26 Columbus, OH at The Summit
5/27 Lexington, KY at The Green Lantern Bar
5/28 Murfreesboro, TN at Autograph Studios
5/29 Asheville, NC at Static Age Records
5/30 Atlanta, GA at The Earl w/ Junior Bruce
5/31 Gainesville, FL The Atlantic w/ Junior Bruce
*CRUD only

https://www.facebook.com/HOLLYHUNT.LTD/
https://www.facebook.com/events/1245418958872759/
https://twitter.com/HollyHunt666
hollyhunt.bandcamp.com

Holly Hunt, “Bill Ward”

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Cave of Swimmers Tour Starts this Weekend; New Song Available

Posted in Whathaveyou on February 24th, 2017 by JJ Koczan

Miami two-piece Cave of Swimmers have a new track available as a free download. I joined their mailing list just now and grabbed it for myself to check out. I’m of two minds when it comes to talking about it, because they’ve very clearly made efforts not to give away what it is. Part of me would like to say, “Oh yeah, they’re doing this and this and it’s called this,” and so on, but I almost don’t want to give it away. I’ll say that it’s a cover, and that if you ever listened to classic thrash, you’ll probably recognize it based on the title alone, but I think it’s probably best to leave it there out of respect for the band.

The link where you can get the track and find out or yourself what Cave of Swimmers are up to this time around is below. I’m sure it’ll be on Bandcamp eventually as well, though I’ve gotten no confirmation of that.

This weekend, Misters Perez and García start a Southern tour that will find them spending much of the next week in Texas. The run, dubbed ‘Southern Lights,’ includes dates with Scott Kelly and Jucifer, and the routing follows here:

cave-of-swimmers-southern-lights-tour

Cave of Swimmers will embark on their Southern Lights Tour February 26th. They will join Scott Kelly from Neurosis in that night’s lineup in Jacksonville. They will also join Jucifer on the Houston date. To top it off, make sure to check out the free song download on their website caveofswimmers.com/free

Cave of Swimmers Southern Lights Tour:
Feb 26 Jacksonville, FL at Raindogs w/ Scott Kelly
Feb 27 Murfreesboro, TN at The Boro
March 1 Memphis, TN, at Rickhouse Live
March 2 Tulsa, OK at Soundpony
March 3 Dallas, TX at The Double Wide
March 4 San Antonio, TX at Faust Tavern
March 5 Austin, TX at Hotel Vegas
March 6 Corpus Christi, TX at Black Monk Tavern
March 7 Houston, TX at Super Happy Fun Land w/ Jucifer
March 8 New Orleans, LA at Poor Boys
March 10 Sarasota, FL at Kelly’s Live
March 11 Gainesville, FL at The Atlantic

Cave of Swimmers is a band formed by two Venezuelan kids who met in the 4th grade. After moving to Miami in the mid 2000s, they reunited to form a band with an original take on heavy music. Fast, slow, spooky, sludgy, progressive, you name it: Cave of Swimmers does it their own way.

Cave of Swimmers is:
G.E. Perez: Vocals, Guitar, 6/4 Bass, Synth
Arturo García : Drums, Percussion, Vocals

http://caveofswimmers.com
http://caveofswimmers.bandcamp.com
https://twitter.com/caveofswimmers

Cave of Swimmers, Reflection (2015)

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Shroud Eater Premiere 13-Minute Single “:th:ree: :cvrses:”

Posted in audiObelisk, Reviews on February 1st, 2017 by JJ Koczan

shroud eater

On Feb. 8, Miami three-piece Shroud Eater will unleash a new 13-minute single different from everything they’ve done before. Known generally for a pummeling sludge, varying from all-out assault to being tinged with atmosphere, the trio’s last outing was also a single, 2015’s Face the Master (video premiere here), and it was a suitable follow-up to the intensity of 2013’s Dead Ends EP (review here) and their 2011 debut full-length, ThunderNoise (review here). The only bummer was there wasn’t more to go around. Their long-overdue sophomore album, Strike the Sun, was announced last summer as set for release through STB Records, and the band has continued to play shows all the while, but the new song “:th:ree: :cvrses:” — translated to “Three Curses” — is a suckerpunch wall of noise that, again, is unlike anything Shroud Eater have delivered to-date.

Well, there are three of them, and there are three curses, so if you want to find a decent place to start, that’s probably it. The reality of “:th:ree: :cvrses:,” though, has its makings in a night of Miami’s International Noise Conference curated by Beatriz Monteavaro of Holly Hunt. It gave the band an outlet perhaps they didn’t even know they were looking for in terms of experimentation and branching beyond the core aggression of their sound, and “:th:ree: :cvrses:” is a studio offshoot of that, finding guitarist/vocalist Jean Saiz, bassist/vocalist Janette Valentine and drummer/vocalist/engineer Davin Sosa all contributing synth. The primary vocal impression of the track comes from samples obscured by an opaque, murky wash of drone, as “:th:ree: :cvrses:” brazenly departs chugging and winding riffs in favor of an ambient sprawl that lasts for its entire runtime, but there are far-back screams and shouts as well, also buried alive under noise, that bring to mind something that might show up on a modern Burning Witch album were such a thing to exist. In other words, it is unremittingly dark.

shroud eater three cursesIf you’re having a really nice day, you might want to hold off. Or at very least prepare your psyche for a considerable turnaround in mood, because this is no mere dabble. In fact, if anything draws “:th:ree: :cvrses:” into a recognizable sphere for Shroud Eater, it’s the headfirst-dive, full-plunge they make into these atmospheric horrors. Boldness is nothing new for SaizValentine and Sosa, and that goes back to the band’s earliest output in their formative 2009 demo (review here), but there’s little they’ve done that would prepare the fanbase they’ve built for this turn. And that’s what makes it work. On a sheer level of sonics and in terms of methodology, the expansion that “:th:ree: :cvrses:” represents makes Shroud Eater‘s processes that much richer and carries the feeling of an exorcism — something the band had to purge out of their collective system. I asked them to tell me about the song’s origins — you can see their responses under the player below — because I wanted to know what impulses they were following in its making, and you’ll note as you read that all three members make particular mention of enjoying the prospect of what this might eventually bring to their core sound.

Sosa calls it “refreshing,” while Valentine puts forth the possibility of more noise-based releases and Saiz backs her up and confirms more experimentalism to come. The only question at this point is whether “:th:ree: :cvrses:” becomes a working model for one-offs — a noisy incarnation of Shroud Eater — or a general move toward ambience they’re able to apply progressively to the sludge songwriting that’s been more familiar from them. I do not know which way they’ll go, if either, but listening to the horror show that “:th:ree: :cvrses:” conjures across its consuming and extended span, one more thing that ties the piece to the rest of their work is the mountain of potential it represents. One hates to think of anything delaying their second album further as we move toward six years post-ThunderNoise, but they’ve opened a doorway here and given themselves a fresh side to explore, and one is likewise excited at the prospect of what they might find as they creep deeper within the contrast. We’ll see.

Please find the stream of “:th:ree: :cvrses:” below, followed by the aforementioned quotes from SaizValentine and Sosa. Once again, the official release date is Feb. 8.

Enjoy:

“:th:ree: :cvrses:” is performed by Shroud Eater: Jean Saiz (vocals, guitar, synthesizer), Janette Valentine (bass, synthesizer), Davin Sosa (vocals, drums, synthesizer). With additional instrumentation by Lauren Palma (guitars), Zeus Chirinos (bass). Recorded & engineered by Davin Sosa. Mixed & Mastered by Aric Meerbot.

Davin Sosa on “:th:ree: :cvrses:”:

The idea for the track came from our inclusion in last year’s INC (International Noise Conference), among other things. We prepared a 15-minute piece between two synthesizers and a noisemaker. Wielding the atmosphere instead of our guitars and drums was really damn fun, not to mention refreshing! It only made sense to try and record it proper. Another motivating factor for me was the new Boris x Merzbow record released around the same time. Their use of weird, affected vocals and overwhelming walls of sound was a big influence on my contributions to the track. Definitely wouldn’t mind doing more like this in the future!

Janette Valentine on “:th:ree: :cvrses:”:

I’ve been eager to try something different and new as a band and this was the perfect thing for us to tap into. I dig noise that is heavy, sinister and sad. Holding down the groove and mood on synths is something I plan to continue to do, and my hopes are that we can record a full EP that explores more of this dark and meditative realm.

Jean Saiz on “:th:ree: :cvrses:”:

In all honesty, the idea of creating noise as music was pretty foreign to me at first. After attending and watching friends perform at the International Noise Conference for a few years, there was definitely certain soundscapes and moods that I was really drawn to and resonated with me. During the summer of 2014, where we were sans-drummer and Davin had yet to join the band, I listened almost exclusively to weird, avant-garde, drone, noise, experimental stuff; I didn’t want to hear anything that sounded like a traditional rock/metal/whatever song. Fast forward a bit, and as previously mentioned we were asked to perform at INC on a night curated by Holly Hunt’s Beatriz Monteavaro, and immediately we all knew as a band we were going to ditch the guitar, bass, and drums formula and do something different. What followed was a kind of loose structure of synths, noisemakers and doped-out, meditative vocals that we used as a base for what would later be properly recorded on :th:ree: :cvrses:. We’ll definitely be doing more experimental recordings in the future, as the three of us really enjoyed the freedoms associated with creating something that’s so out there and starkly different from the usual Shroud Eater sound.

Shroud Eater on Thee Facebooks

Shroud Eater on Bandcamp

Shroud Eater’s website

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Shroud Eater & Dead Hand Team up for Split 7″ out Nov. 21; Preorders Available

Posted in Whathaveyou on October 28th, 2016 by JJ Koczan

I’m a pretty easy sell at this point on Shroud Eater anything. Presumably the Miami trio’s forthcoming split seven-incher alongside Georgian doomers Dead Hand will serve as a precursor to their upcoming STB Records full-length, Strike the Sun, which was announced over the summer and (also) presumably will be out early 2017. Not a moment too soon, frankly, and while I don’t know if their inclusion on the split, which will be out on Southern Druid Records and is available to preorder now, will show up on the LP as well, if it does then it’s a preview for the record and if it doesn’t then it’s a bonus for those who seek it out. Either way, it’s not like you really lose. But then again, like I say, I’m a pretty easy sell.

Release date for the split is Nov. 21. Info follows from the PR wire:

SHROUD EATER / DEAD HAND split 7″

Dead Hand and Shroud Eater join forces to deliver this sonic pummeling of a 7″.

Shroud Eater brings their Miami Sludge groove harder than ever on “Destroy the Monolith”. Dead Hand prove once again that they are masters of Doom with their track “Guaiacol”.

Pre-order ships on 11/21/16.

Brooding Miami riff sorcerers SHROUD EATER continue to deliver crushing alms to the altar of heavy. Riding high off the frenetic energy of their last release, the trio are releasing a newly recorded version of slow-churning wickedness in “Destroy the Monolith”. The song will be released on a split 7″ with Georgia’s tone lords Dead Hand. The split is set to be released 11-18-2016 via Jacksonville’s Southern Druid Records.

Starting as an idea in 2012, Dead Hand hit the ground running with a split 7 inch with Philly shredders, Repellers in Jan 2014 on Divine Mother Recordings.Mastered by Dan Randall of Mammoth Sound (Ash Borer, Noothgrush, Unearthly Trance), the split received stellar reviews. An EP in July 2014 and regional touring filled up the remainder of the year. In June 2015, Dead Hand released their first full length, “Storm of Demiurge” on Divine Mother Recordings in the USA and Third I Rex in Europe.

SHROUD EATER // “Destroy the Monolith”

Recorded by: Davin Sosa & Aric Meerbot / Guzu Recordings
Mixed & Mastered by: Aric Meerbot

Written & performed by: Shroud Eater
Jean Saiz – guitar, vox
Janette Valentine – bass, vox
Davin Sosa – drums, vox, synth

Art & Lyrics by Jean Saiz

DEAD HAND // “Guaiacol”
Recorded, mixed and mastered at Ledbelly Sound Studios by Matt Washburn

Art by Matt Mills.

http://southerndruidrecords.storenvy.com/products/18254516-shroud-eater-dead-hand-split-7
https://www.facebook.com/shroudeater/
https://shroudeater.bandcamp.com/album/shroud-eater-dead-hand-split
https://www.facebook.com/deadhandcollective/
http://deadhandcollective.blogspot.com/

Shroud Eater, Face the Master (2015)

Dead Hand, Storm of Demiurge (2015)

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Floor Announce Halloween Weekender

Posted in Whathaveyou on October 13th, 2016 by JJ Koczan

True story: I was sitting at the kitchen table the other day, across from The Patient Mrs., shooting the shit while we waited for some cauliflower to roast or whatever it was, and as we were listening to Floor‘s 2014 return album, Oblation (review here), I actually said the words, “Golly, I hope they do another record.” That outing is one to which I’ve continually gone back since its release and I’ve found that, in the spirit of its much-lauded self-titled predecessor, it’s only gotten better with time. I dug it when it came out too, as that review made pretty plain, but maybe Floor is a band whose work just needs to be digested for a while before it can be fully appreciated. I’ll be interested to see what I think of it in five years.

But in any case, “Golly, I hope they do another record” sums up my feelings on the matter. No news in that regard here, sadly, but Floor will head out for a Halloween weekender in Florida and Georgia at the end of this month — around Halloween, duh. If I hear of or see other dates abroad posted, I’ll let you know, but you don’t need me to tell that wherever Floor are, if that’s where you are, then that’s where you should be, but I feel like they continue to be undervalued, so I’ll say it anyway.

The stream of Oblation is below if you’d like an excuse to pay it a visit — it’s worth one — and here are Floor‘s live dates, courtesy of the PR wire:

floor

FLOOR announce new tour dates; The Fest appearance

Cult underground rock outfit FLOOR (Steve Brooks (also of TORCHE) – Guitar, Vocals, Anthony Vialon – Guitar, Henry Wilson – drums) have announced new tour dates that lead the band to and from The Fest in Gainesville, FL. The dates, which begin on Oct. 28, see the band playing Orlando, Gainesville, and Athens. More information can be found below.

FLOOR are touring in support of their first new album in over ten years. ‘Oblation.’

FLOOR tour dates
Oct. 28 Orlando, FL @ Backbooth
Oct. 29 Gainesville, FL @ The Wooly as part of The Fest
Oct. 31 Athens, GA @ Preserve

https://www.facebook.com/floorofficial/
https://officialfloor.bandcamp.com/album/oblation
http://www.season-of-mist.com/bands/search?search[band]=Floor&commit=OK

Floor, Oblation (2014)

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Cave of Swimmers Announce July/August Tour Dates

Posted in Whathaveyou on July 19th, 2016 by JJ Koczan

cave of swimmers

Floridian two-piece Cave of Swimmers hit the road later this week on an East Coast tour that will take them into the beginning of August. Later on next month, they head west to Psycho Las Vegas to play alongside Pentagram, Sleep, YOB, and, well, name a name. Whether or not they’ll tour around that appearance, I don’t know, but this tour would seem to be a precursor to that slot either way, and they go supporting their 2015 album, Reflection, having already toured this past Spring in the Midwest and Southeast.

Dates and info follow:

cave of swimmers tour-700

Miami heavy duo Cave of Swimmers will be on tour this summer doing a US east coast run before playing Psycho Las Vegas Festival in August along with Alice Cooper, Blue Oyster Cult, Electric Wizard and more.

Cave of Swimmers is a band formed by two Venezuelan kids who met in the 4th grade. After moving to Miami in the mid 2000’s, they reunited to form a band with an original take on heavy music. Fast, slow, spooky, sludgy, progressive, you name it: Cave of Swimmers does it their own way.

Their self-titled debut album gained critical acclaim last year after a few tours. They made a name for themselves as a band that’s real with a live show like no other, outta control, and full of raw energy. Their new album “Reflection” was released in the summer of 2015 and they toured February/March 2016 and hit the road again this summer supporting the release.

Cave of Swimmers on tour:
July 22 – New Orleans, LA – Siberia
July 23 – Atlanta, GA – The Highlander
July 24 – Memphis, TN – Murphy’s
July 25 – Nashville, TN – Foobar
July 26 – Winston-Salem, NC – Test pattern
July 28 – Baltimore, MD – The Sidebar
July 29 – Philadelphia, PA – Kung Fu Necktie
July 31 – Salem, MA – Koto
August 1 – Brooklyn, NY – Sunnyvale
August 2 – Richmond, VA – 25 Watt RVA
August 3 – Chapel Hill, NC – The Cave
August 5 – Jacksonville, FL House show
August 6 – Gainesville, FL – The Atlantic

http://caveofswimmers.com
http://caveofswimmers.bandcamp.com
https://twitter.com/caveofswimmers

Cave of Swimmers, Reflection (2015)

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