Posted in Whathaveyou on December 18th, 2014 by H.P. Taskmaster
After delivering 2014 an elephantine boot to the ass with their much-anticipated reunion full-length, Oblation (review here), Floor are set to continue their run in 2015. The Miami trio will launch a European tour at Roadburn on April 9 and be joined by Minsk for shows in Germany, the Czech Republic, France, Austria, Belgium, Italy and a stop in London for Desertfest. It’s a stint that ends on April 25, which is just enough time to give guitarist/vocalist Steve Brooks a breather before Torche‘s own recently-announced European tour kicks off on May 2 in Leipzig, where Floor will have been less than a month earlier for the Doom over Leipzig festival.
A cruel schedule for Brooks, perhaps, but sure to be time well spent in Floor alongside guitarist Anthony Vialon and drummer Henry Wilson meeting the riffy demands of a hungry public. If you need a refresher, Oblation can be heard in full under the PR wire news below:
FLOOR announce European tour
Cult underground rock outfit FLOOR (Steve Brooks (also of TORCHE)- Guitar, Vocals, Anthony Vialon – Guitar, Henry Wilson – drums) have announced a European tour. The European tour, their first, sees them travel throughout a half dozen countries and play several European festivals, including Roadburn, Desert Fest London, Doom over Leipzig, and Solomacello Fest. Support on this tour comes from MINSK, and a full list of confirmed tour dates can be found below.
FLOOR are touring in support of ‘Oblation’, their first new album in over ten years. ‘Oblation’, which is available for purchase here, and for digital download here.
FLOOR Tour Dates: (All dates with MINSK) 4/9 Tilburg, Holland @ Roadburn (FLOOR ONLY) 4/10 Leipzig, Germany @ Doom Over Leipzig 4/11 Hamburg, Germany @ Hafenklang 4/12 Berlin, Germany @ Cassiopeia 4/13 Warsaw, Poland @ Hydrozagadka 4/14 Prague, Czech Rep @ 007 4/15 Innsbruck, Austria @ p.m.k. 4/16 München, Germany @ Feierwerk 4/17 Bologna, Italy @ Freakout 4/18 Milano, Italy @ Lo Fi Club, Solomacello Fest 4/20 Paris, France @ Espace B 4/21 Nantes, France @ La Scene Michelet 4/22 Lille, France @ La Peniche 4/23 Dortmund, Germany @ FZW 4/24 London, UK @ Desertfest 4/25 Antwerp, Belgium @ Kavka
Posted in Whathaveyou on December 3rd, 2014 by H.P. Taskmaster
A Torche album is always easy to get excited about, but you’ll pardon me if I’m particularly stoked to hear what their impending full-length, Restarter, has to offer. Not only is it their debut release for Relapse Records, which seems like a label home they could settle into for a while, but it’s also their first outing since guitarist/vocalist Steve Brooks‘ reunion stint with Floor, and since word has been kicked around of it being Torche‘s heaviest work yet since I think probably before it was even done being written, I’m eager to hear how the vibe plays out. Their third album, 2012’s Harmonicraft (review here), was a solid showing, but I think particularly with the title they’ve given it, Restarter could be shooting for a fresher approach. We’ll know when we get there, I guess.
The PR wire has details and tour dates:
TORCHE REVEAL RESTARTER DETAILS; UNVEIL TEASER TRAILER WITH NEW MUSIC
ADD ADDITIONAL TOUR DATES IN EUROPE AND UNITED STATES
Torche, whose eagerly awaited Relapse Records’ debut, Restarter, is slated for a Feb. 24 release, have shared more details about the 10-track album including full track list and information on various editions.
The Florida/Georgia based quartet are also giving fans the first taste of music from the highly-anticipated album with a thirty-second teaser trailer featuring a portion of album opener “Annihilation Affair,” which is available now.
Restarter will be released on CD/LP/Deluxe 2xLP/Cassette/Digital, with pre-orders beginning Dec. 8. Two bonus tracks, “Harmonslaught” and “Rock ‘N’ Roll Mantasy,” are included on deluxe editions.
Restarter track list:
Annihilation Affair Bishop in Arms Minions Loose Men Undone Blasted No Servants Believe It Barrier Hammer Restarter
The album was recorded at the band’s Miami studio, Pinecrust, with bass player Jonathan Nuñez overseeing production and Converge’s Kurt Ballou once again returning to handle mixing. Speaking with Loudwire, Nuñez discussed the band’s approach to writing and recording Restarter: “I feel that with time you kind of expand and hopefully progress. Hopefully this record is a good reflection of that. I feel it’s strong sonically and harder hitting than the previous record [Harmonicraft]. I’m happy with the last record, but I feel on this record, it’s just more solid song to song. You’ve got to move forward. You can’t release the same record over and over.”
Torche launch a round of U.S. dates later this month as they join Clutch and Lionize for a brief outing; a week of dates with Municipal Waste come mid-January. The band has also added three weeks to their previously announced European and UK dates:
December 27 Cincinnati, OH Bogart’s December 28 Cleveland, OH House of Blues December 29 Sayreville, NJ Starland Ballroom December 30 Philadelphia, PA Electric Factory December 31 Washington, DC 9:30 Club January 3 Atlanta, GA Center Stage January 4 Lake Buena Vista, FL House of Blues January 6 New Orleans, LA House of Blues January 7 Houston, TX House of Blues January 8 Dallas, TX House of Blues January 9 Tulsa, OK Cain’s Ballroom January 10 Austin, TX Emo’s January 16 Winston-Salem, NC Ziggy’s January 17 Wilmington, NC Ziggy’s by the Sea January 18 Tallahassee, FL Pug’s Live January 19 Gainesville, FL The Atlantic January 20 Ybor City, FL Crowbar January 21 Miami, FL Grand Central
May 2 Leipzig, DE Taubchental May 3 Wroclaw, PL Asymmetry Festival May 4 Prague, CZ 007 May 5 Munich, DE Ampere May 6 Milan, IT Lo Fi Club May 8 Barcelona, SP Rocksound May 9 Madrid, SP Boute Live! May 10 Lisbon, PT Musicbox May 11 Bilbao, SP Kafe Antzokia May 13 Zurich, SZ Dynamo May 14 Wiesbaden, DE Schlachthoff May 15 Cologne, DE Underground May 16 Berlin, DE Hafenklang May 18 Nijmegen, NL Merelyn May 19 Haarlem, NL Patronaat May 20 Paris, FR Glazart May 21 Antwerp, BE Kavka May 22 London, UK Underworld May 23 Leeds, UK Belgrave Social Club May 24 Galway, IR Roisin Dubh May 25 Cork, IR Craine Lane May 26 Dublin, IR Grand Social May 27 Belfast, IR The Limelight May 28 Glasgow, UK CCA May 29 Manchester, UK Sound Control May 30 Bristol, UK Temples Festival May 31 Nimes, FR This is Not a Love Song June 1 Nantes, FR Le Ferrailleur
Part Chimp, Kings and Henry Blacker open on all headlining European dates.
The self-titled debut full-length from Floor is a monument to the gloriousness of weighted tonality. For me, particularly over the last couple years, it’s an album I’ve come to associate with motion, with going places. Reason being is that it was on an iPod I’d initially bought for The Patient Mrs. years back but wound up sort of appropriating after she more or less discarded it (this same iPod was also recently stolen out of my car by some jerk who remains at large), and with the relatively limited selection there as compared to my CD rack, I’d find it in the playlist usually while sitting in an airport and be all excited, pretty much each time out. So walking on airplanes, walking off airplanes, getting from here to somewhere else, Floor‘s Floor is the record for me by which that happens. It’s been my soundtrack for at least the last four trips to Roadburn.
It also seems fitting that it should be a travel album because the music itself is so compelling. Whether it’s “Scimitar,” or “Downed Star” or the one-two-three quick punch of “Twink,” “Sheech” and “Assassin,” which I still feel like I’m trying to catch up to, the album itself moves. The Miami trio of guitarist/vocalist Steve Brooks – who’d go on to found Torche following Floor‘s dissolution — guitarist Anthony Vialon and drummer Henry Wilson propelled themselves from one song to the next, sometimes in attention-deficit-disorder leaps that seemed to leave ideas incomplete in a punkish sort of tradition and sometimes just at the right time, but never with a moment wasted. To date, it remains one of heavy rock’s best examples of a lean record that still sounds mammoth and pummeling — that’s not to mention the upbeat tempos or pop influence — and its thrust and brash feel has had a considerable influence since the time of its release on No Idea Records in 2002. Probably too early to call it a classic just 12 years after the fact, but there’s nothing that seems like it’ll stop it from getting there as the years continue to progress.
All the more so because of Floor‘s reactivated status, and with this lineup. Earlier 2014’s Oblation (review here) was a worthy successor to Floor‘s original run, which came to an end with 2004’s sophomore outing, Dove. By then the lineup had changed and it was clear the dynamic in the band was shifted, but from the time Floor got back together following the welcome reception of their 10LP Below and Beyond box set through Robotic Empire (who also have a reissue of the self-titled for sale on their Bandcamp with outtakes), the question of a new album was always there, and they answered that question loudly and in progressive, still immensely heavy form. Brooks seems primed for a shift back to Torche in 2015 for their Relapse label debut, but Floor continue to play shows in support of Oblation as well, shifting from a “reunion” band to a working one. They’ll play Roadburn and Desertfest in 2015 and probably much more around Europe between. As a fan of the band, I hope they continue on and put out a follow-up fourth long-player, but the self-titled continues to hold a special place in my heart, even if that place seems to constantly be in motion.
Hope you enjoy.
Will keep it quick this time. Stay tuned next week. Hopefully I’ll have a review of the new Murcielago record, plus the Orange Goblin which I’m sure you’ve already heard, plus an interview one way or another, be it the Lowrider Q&A or one with Soph from Alunah. I’ve also got a track premiere and quickie Q&A with It’s Casual slated for Wednesday and maybe one or two audio-type tricks up my sleeve for the rest of the week as well. We’ll see how it shapes up.
I hope you have a great and safe weekend. Please check out the forum and radio stream.
Posted in Whathaveyou on August 21st, 2014 by H.P. Taskmaster
Neato news that Torche are touring a bit in the US before heading out for their previously announced first run in Australia, but this is also the first concrete word I’ve seen updating on the release for the Miami outfit’s next album, the follow-up to their 2012 outing, Harmonicraft, and their debut on Relapse Records. The label isn’t giving out a specific Tuesday or anything at this point, but at least with “early 2015,” we know not to expect it before the end of the year.
As I understand it, the album’s been in the can for a while, but sometimes the timing has to be just right, and as this is a big release for both band and imprint, it doesn’t seem unreasonable to get all the ducks in a row before actually issuing the thing.
The PR wire does it like this:
TORCHE Announce US Tour Dates
Band to Tour US September 20 through October 1st
TORCHE, the Florida-meets-Georgia heavy rock quartet have announced a short run of US headlining dates this September / October. The dates kick off September 18th in Miami, FL and run through October 1st in Orlando, FL. The band has also recently announced a headlining Australian tour in October. A complete listing of dates is available below.
The band, who recently signed to Relapse Records, completed recording their newest full-length earlier this year at Pinecrust Studio in Miami, with bassist Jonathan Nunez behind the boards. The album was then mixed by Converge’s Kurt Ballou and will see a release in early 2015 via Relapse.
Sep 18 Miami, FL Churchill’s Pub Sep 19 Jacksonville, FL Burro Bar Sep 20 Gainesville, FL The Atlantic Sep 21 Atlanta, GA 97 Estoria Sep 22 Nashville, TN The End Sep 23 Columbus, OH Ace of Cups Sep 24 Akron, OH Musica Sep 25 Chicago, IL The Promontory Sep 26 Pittsburgh, PA The Smiling Moose Sep 27 Brooklyn, NY St. Vitus Sep 29 Chapel Hill, NC Cat’s Cradle Back Room Sep 30 Tampa, FL The Orpheum Oct 01 Orlando, FL Backbooth
I remember when I got this album when it came out in 2005 — nine years ago now. It was the “former members of Floor” that caught my eye when Robotic Empire was getting ready to release it, but it was as soon as the hook of “Mentor” came on, I had my “holy shit” moment with Torche‘s Torche, and I guess a lot of other people did as well. Listening back to the album now, there’s so much more to it than that — the weird experimentalism of “Fuck Addict,” or the feedback-drenched “The Last Word” — things that Torche moved past on subsequent releases in their drive toward a cleaner, more daringly poppy sound, but that make this album’s threat seem all the more glaring. There was nothing like them when they started. This record could be so sweet sounding and still push past the limits of accessibility.
Of course, the context is different, hearing it now. Nearly a decade’s worth of hindsight, several follow-up LPs and a Floor reunion later, Torche‘s self-titled debut still comes across as brazen, but now it sounds more like a beginning point than the bold declaration it was. I haven’t heard much about Torche‘s impending full-length from Relapse, maybe you have the inside track, but something steered me toward this album today, and it wasn’t an impulse I was about to deny. Maybe Torche are a little too fresh, too recent in the consciousness, to start talking about classics, but in another nine or 10 years, I wouldn’t be at all surprised if we come to see their debut in that light. My thinking was that maybe you hadn’t heard it in a while, and maybe you’d be as glad to revisit as I was.
Point being, I hope you enjoy.
Quick week, but aren’t they all. Nice to get three bigger reviews done this week and to take a little time and note how grateful I was to The Patient Mrs. for doing a bit of shopping on my behalf while in Greece. I also took some time to make a list of the shows I want to see this and next month and into October. There are five in August starting on the ninth in Portland, Maine, with We’re all Gonna Die, Blackwolfgoat and Murcielago, and going on from there. Five this month, six next. I don’t know if I’ll actually make it to all of them, but it’ll be good to end this summer’s shut-in lifestyle as we move into fall, however much I end up getting out.
Tonight? Chinese delivery and looking to spend a cloudy evening watching baseball. Not much for Friday night excitement, but I kind of felt like I never woke up today — was up in the middle of the night for an hour-plus — and yeah, been in a haze ever since. I guess some thrills came in the form of my dinner, which arrived, cost me upwards of $40 with the delivery tip factored in, and was uncooked. I’ve lived in this area a year now and have yet to find a place that’s got anything more than barely acceptable takeout. Granted I don’t get it every week or anything, but I’m up to five or six different spots now and only one was worth going back to. Yelp is no assistance whatsofuckingever. All anyone ever talks about is the fucking “crab rangoons.” It’s god damn deep fried crab meat and cream cheese! Of course it’s fucking delicious! The highlight of the meal was when the dog sat and stayed at the door while I futzed with my cash to give the delivery guy. It was all downhill from there.
Next week, look out for streams from Joy and Blackwitch Pudding, reviews of Heavy Temple and Witch Mountain and hopefully I’ll get the John Garcia interview posted, which I actually filed away thinking it already went up when clearly it did not. Whoops. Little late on that one, but so it goes.
Alright, onward to my evening of awful raw meat greasy-flavor aftertaste and watching the off-brand peckerwood Yankees lose to the Red Sox. I hope you have an excellent and injury-free weekend.
Posted in Whathaveyou on July 4th, 2014 by H.P. Taskmaster
Presumably by the time Torche get on the plane to Australia in October, their new album and debut on Relapse Records will be out. Guitarist/vocalist Steve Brooks has been working with the reunited Floor for much of the year so far, while drummer Rick Smith and bassist Jonathan Nuñez have recorded with their other band Shitstorm and guitarist/vocalist Andrew Elstner has an LP coming out with his other band, Tilts, so everybody’s been busy, but I guess the new Torche LP is going to squeeze in there somewhere before they go to Oz. Or not. I’m sure people would still show up for Torche‘s first Aussie tourif they don’t have a record out that week.
Life is Noise, which is presenting the run, sent the following particulars down the PR wire:
life is noise presents for the first time in our fair land: TORCHE (USA)
Australian Tour October 2014
From their blistering melodies to their bulldozer guitar riffs, the Miami four-piece are one of the most innovative bands in metal today, eschewing the genres’s clichés and standards for an entrancing mix of melody, sludge and jubilant doom…
No one else sounds quite like Torche.
Formed after the demise of stoner metal band Floor, Torche’s influences come from far and wide. The usual suspects are there – Melvins, Helmet, Sabbath – but the subtleties of their sound come from all over the canon: Guided by Voices, Jawbox, Superchunk and even Cheap Trick, all of it punctuated by Steve Brooks’ bellowing roar. The result is a dense and distinct wall of noise, one that’s as heavy as it is irresistibly catchy. How many other bands can you say that about?
Torche deal in anthems: every song brims with contagious hooks, rabid riffs and thunderous major-key progressions. Maybe that’s owing to the aesthetic of their beachside hometown – album number three, 2012’s Harmonicraft, was labelled “summer record of the year” by just about everyone who talked about it. But the quartet have no interest in wallowing. Every second of every song is an opportunity for high octane, unapologetic rocking-the-fuck-out.
Better yet, Torche promise their fourth album – slated for later this year on their new label Relapse Records – is heavier than ever.
We can’t wait.
Catch Torche on the following dates:
Thursday October 16 – Crowbar, Brisbane – tickets from lifeisnoise.com, oztix and the venue Friday October 17 – Rosemount Hotel, Perth – tickets from lifeisnoise.com, oztix and the venue Saturday October 18 – Corner Hotel, Melbourne – tickets from lifeisnoise.com, oztix and the venue Sunday October 19 – Oxford Art Factory, Sydney – tickets from lifeisnoise.com, moshtix, oztix and the venue
Posted in Whathaveyou on June 18th, 2014 by H.P. Taskmaster
Miami-by-way-of-Venezuela duo Cave of Swimmers have announced an East Coast tour for this July in support of their self-titled EP’s re-release through Illinois imprint The Path Less Traveled Records. The guitar/drum two-piece operate across a pretty broad stylistic spectrum, from the upbeat Red Fang-style hooks of “Hangman” to to the weirdo shuffle that takes hold in “Catch” backed by swells of synth and the resonant pop of snare drum. They bill themselves as progressive and I’m not inclined to argue, except to point out that the stoicism that a “prog” designation sometimes indicates doesn’t seem to apply here.
The EP is available now and the tour starts June 27. Behold the teachings of the PR wire:
Cave of Swimmers announce summer tour & EP release through The Path Less Traveled Records
Cave of Swimmers, a prog-rock duo from Miami, have just announced a US summer tour in support of their recently released self-titled EP on The Path Less Traveled Records.
Originally issued as a limited cassette by the band under their original moniker, ‘The Tunnel’, Cave of Swimmers now have a much deserved wider release on CD. July 2014 will see them storm through the Eastern states to promote their 4 track effort.
Described as a ‘truly progressive’ outfit by Destructive Music, COS have made quite a name for themselves in their home region, known for their blend of progressive rock, latin fusion, and even some operatic flair thrown in for good measure.
Tour dates: June 27 Fubar – St. Pete, FL June 30 Eisenhouser – Murfreesboro, TN July 1 The Grotto – Boone, NC July 2 Nice Price Books – Raleigh, NC July 3 Club K, Baltimore, MD July 4 Bloody Pit of Horror House – Philadelphia, PA July 5 Sammy’s Patio – Boston, MA July 6 Lit Lounge – New York, NY July 7 Gallery 5 – Richmond, VA July 9 Hippo Records – Greensboro, NC July 10 Foxfield Bar & Grill – Columbia, SC July 11 Rain Dogs – Jacksonville, FL July 12 Cabana Inn – Sarasota, FL
Posted in Whathaveyou on April 28th, 2014 by H.P. Taskmaster
Also releasing a new album with Floor this week and hitting the road in support of it, Henry Wilson steps to the front on guitar and vocals with House of Lightning‘s Lightworkeralbum, continuing some of the same ideas Wilson brought to the table with his post-Floor project, Dove. As the PR wire informs below, Dove‘s no longer with us (their 2004 self-titled remains a piece of buried treasure from among the Floor-related milieu), but House of Lightning‘s Lightworkercame out on Easter via Fair Warning Records and is a solid burner. If you missed it, Floor‘s Anthony Vialon spoke highly if it in his interview last week as well.
Details and music follow, the PR wire vigilant as always:
HOUSE OF LIGHTNING is coming—look busy. Proudly hailing from Winter Haven Florida, they feature current and former band members of FLOOR, DOVE, and CAVITY. The death of DOVE finally gives rebirth to HOUSE OF LIGHTNING…Rising from the ashes like a mighty phoenix. The resurrection occurs on Easter Sunday 4/20 in the form of a 10-song, 40-minute riff-rollercoaster, “Lightworker.”
House Of Lightning’s long-awaited debut album does more than just pick up where DOVE left off five years ago; they blast off out of the known universe and into a completely new and unknown dimension. From the mad-genius mind of HENRY WILSON, comes an almost uncategorizable yet positively spiritual incorporation of Heavy Metal, Thrash, bits of Math, a sprinkle of Prog, a pinch of 1984, and a dash of 5150. Sounds wild, you say? That’s because IT IS. Lightworker is difficult to simply just pin a label onto; you are better off hearing this one for yourself. All aboard the rocketship!
“April is a busy month for our brother HENRY WILSON. Not only does this cat have a new FLOOR album dropping, but his long-awaited much-belabored HOUSE OF LIGHTNING record finally gets unleashed, taking what he started with DOVE, upping the riff-tornado and generally fucking with your dome. Nothing else sounds like this and it comes out 4/20 via brethren Fair Warning Records.”—Andy Low, Robotic Empire
Henry Wilson – Guitar, Vocals, Synth John Ostberg – drums
Recorded by Mark Nikolich at Atomic Audio Sleeve Art by Francesco LoCastro (of Floor ‘Oblation’ fame)
Posted in Features on April 24th, 2014 by H.P. Taskmaster
A little over four years ago, when Miami’s Floor reunited for a couple shows to coincide with the release of the 8CD box set, Below and Beyond, on Robotic Empire, I was fortunate enough to interview guitarist Anthony Vialon about the band’s getting back together for what seemed then to be a very limited run. Now, as they prepare to release their new album, Oblation (review here), next week on Season of Mist and embark a day later on a cross-country tour that will place them squarely on the other side of the line between a “reunion band” and a working one, it seemed only fitting to follow-up with Vialon about Floor‘s progress these last several years and how they got to where they are.
Because when they first booked three gigs back in 2010 in Florida and Georgia, the going impression — I think on the part of the band as much as fans — was that was it. Then the response they got was huge enough that it turned into a few more shows, and a tour, and then some more shows, and it kept rolling on until next thing you knew, they had been picked up by Season of Mist and streaming new material. It’s been a few years getting to this point, but for Floor – the trio of Vialon, guitarist/vocalist Steve Brooks (also of Torche) and drummer Henry Wilson (also of House of Lightning) — the progression seems to have been natural, one step taken at a time, building momentum as they might otherwise with a series of crushing bomb-string riffs.
Certainly that seems to be the method on Oblation. Set in the shadow of Floor‘s by-now-legend 2002 self-titled, what could’ve easily been a project doomed from the start — and not in the good way — has turned out to mark not only a successful return on the part of the band, but a creative evolution that gives a sense of where they left off and where they are now. Songs penned and constructed by Vialon, Wilson and Brooks like “Rocinante” and “War Party” call to mind the unabashed pop hooks of Floor‘s first run, while the eight-minute “Sign of Aeth” takes these elements to places they haven’t yet gone, so that Oblationisn’t nostalgic, but looking forward.
Doubtless a good part of Floor‘s legacy will remain linked to the self-titled, but in talking to Vialon yesterday, that only seemed like something for the trio to be proud of. Oblation releases in the EU and elsewhere tomorrow, April 25, and is out in North America next Tuesday, April 29. Floor begin their tour April 30 in Miami and will finish in Atlanta on June 1 (dates here). In the interview, Vialon discusses writing for the band again, the response the reunion has gotten these last few years, his affinity for Rush, and much more.
Enjoy the Q&A after the jump, and thanks for reading.
Posted in Reviews on April 22nd, 2014 by H.P. Taskmaster
It’s been just over four years since Miami trio Floor played a one-off reunion show that warned, “One show. One chance. Don’t blow it,” and it’s been a decade since the band’s sophomore outing, Dove, was released in 2004. Since that time, the band has spawned a family tree rivaled by few, members of the lineup throughout their 12-year initial run going on to play in acts like Torche, Dove, House of Lightning, MonstrO, Holly Hunt and Cavity (the latter of whom ran concurrent to Floor and who seem like fodder for a reunion of their own), among others. The biggest impact in terms of audience has unquestionably been by Torche, who, led by guitarist/vocalist Steve Brooks, inherited much of their pop-meets-bomb-drop-sludge-riffing ethic directly from Brooks‘ work in Floor, continuing to refine those methods and ultimately creating something new from them. Both bands now active, Floor release their first album since Doveand first new material since their reunion — 2009’s 8CD discography box set Below and Beyondnotwithstanding — in the form of Oblationon Season of Mist. Its title refers to “an offering,” and that may well be what Floor have in mind, but while the core focus on tone and pop melody remains intact, there have been some very distinct changes in the approach of Floor – the trio of Steve Brooks, guitarist Anthony Vialon (2010 interview here) and drummer Henry Wilson — since they issued their landmark 2002 self-titled debut and they show up audibly in the listening experience of Oblation.
That’s to be expected, right? It has been a decade. To expect Floor to get back together and release Floor Pt. 2seems unreasonable and unfair. As righteous as that album is, for Brooks, Vialon and Wilson to have come in with the intent of recapturing that magic — and it is the self-titled lineup that’s reunited — would be shooting themselves in the foot before they started. No. Oblationis a collection of songs poised not to surrogate the hooks of old, but to serve as a beginning for this new stage of the band. In short, Floor have grown up. Oblation is not the work of a three-piece experimenting with their sound and happening into brilliance. There is poise, confidence, and awareness at its root, and whether it’s the ultra-thick underlying chugging of the spacious opening title-track or the ensuing upbeat rush of “Rocinante” — one of Floor‘s sonic gifts was to not only have tones so thick, but to make them move, and that remains the case here — or the standalone megastomp of “Love Comes Crushing,” the band offer crisp, assured songcraft and a defining clarity of intent. While the songs remain exciting well beyond the simple novelty of their existence, a new Floor album seeming like an impossibility for years, that clarity necessarily comes in trade for the spontaneous sensibility of their earlier work. That’s the nature of creative progression — once you know what you’re doing, your approach to it changes. The middle section of Oblationthat runs from “New Man,” through “Sister Sophia,” “The Quill” and the aforementioned “Love Comes Crushing” before getting to the catchy “War Party” still works as a fitting summary for Floor‘s aesthetic — thick, at times lush, alternately crawling, running, but always moving, etc. — but it does so more in triumph at its level of execution than in raw punkish urgency.
Posted in Whathaveyou on April 15th, 2014 by H.P. Taskmaster
Having recently had the pleasure of seeing Florida’s Holly Hunt live, their upcoming EP, Prometheus, will arrive all the more anticipated. The Miami-based duo of guitarist Gavin Perry and drummer Beatriz Monteavaro made their intent clear on their Year Onedebut, embroiled in a sonic demolition of big riffs and big stomp that hopefully continues its tide of destruction on the new release. I’m looking forward to checking it out.
Time and the PR wire shall tell:
Holly Hunt – Prometheus (Other Electricities/Sonic TITAN) Out April 29, 2014
Following their highly lauded full-length album Year One, Holly Hunt returns with a 3-song, 12’’ EP, Prometheus. Recorded by Jonathan Nuñez of Torche and mastered by New Alliance East, the record builds on the two-piece’s reputation for metal that’s crafted with the heaviest alloys, and a most magisterial patterning – the type that drones vehemently and drowns in the blues.
Drummer Beatriz Monteavaro (Floor, Cavity) and guitarist Gavin Perry have demonstrated themselves as a loud and lumbering giant of the Miami music scene. The visceral impact of sound – the raising heart rate, neck chills, the warmth spreading throughout your torso – this is Holly Hunt’s raison d’être. Prometheus manages to transmit an almost perfect rendering, delivering listeners to a heightened physical (and mental and spiritual) state. The record conjures the image of an approaching behemoth, striking paranoia and fear until the final, exhilarating sweep of humanity’s total destruction.
Where Year One established the bedrock of Holly Hunt’s punishing sound, Prometheus thunders with the clarity of a crack of lighting. It establishes a supremely balanced, critical distance between amp worship and riff devotion, rising and falling with ecstatic highs and sublime lows. And while Year One represented the genesis of the band’s existence; Prometheus stands as a churning, threatening hint of things to come.
Posted in Whathaveyou on March 19th, 2014 by H.P. Taskmaster
Time does strange things. It’s 2014. Floor, Sleep, Spirit Caravan and most of Kyuss are back together. Black Sabbath won a Grammy. The whole fucking world is upside down, the underground is over(ground), and all these things that seemed impossible to see are right in front of us. And yet we still use the combustion engine. Go figure.
I got sidetracked. Floor. The point is Floor are touring again, and the key difference is they’ll have a new album out — Oblation, which will be their first in a decade. Season of Mist will have the collection in the public’s greedy mitts come April 29, and wouldn’t you know the tour starts the day after? One would almost swear these things were coordinated ahead of time.
So says the PR wire:
FLOOR announce North American tour
Cult underground rock outfit FLOOR (Steve Brooks (also of TORCHE)- Guitar, Vocals, Anthony Vialon – Guitar, Henry Wilson – drums) have announced a North American tour this spring. The Noisey/Vice sponsored tour starts on April 30th in Miami, FL, and will see FLOOR travel throughout the month of April, before ending on May 1 in Atlanta, GA. A full list of confirmed tour dates can be found below.
FLOOR will be touring in support of their forthcoming album, ‘Oblation’. ‘Oblation’ will be released via Season of Mist on April 29 in North America (April 25 worldwide). ‘Oblation’ can be pre-ordered in various formatshere.
‘Oblation’ track list: 1. Oblation 2. Rocinante 3. Trick Scene 4. Find Away 5. The Key 6. New Man 7. Sister Sophia 8. The Quill 9. Love Comes Crushing 10. War Party 11. Homegoings and Transitions 12. Sign of Aeth 13. Raised to a Star 14. Forever Still
The Florida-based trio was originally formed by Brooks and Vialon in 1992, and issued singles on respected underground labels like No Idea, Bovine, Rhetoric and more. The band’s wildly influential self-titled album was recently inducted into the Decibel Magazine Hall of Fame.
FLOOR Tour Dates 4/30 Miami, FL @ Churchills 5/2 Gainesville, FL @ The Wooley 5/3 Charlotte, NC @ The Casbah @ Tremont Music Hall 5/4 Washington, DC @ Rock & Roll Hotel 5/5 Brooklyn @ Saint Vitus 5/6 Philadelphia, PA @ The Barbary 5/7 Boston, MA @ Great Scott 5/8 Buffalo, NY @ The Tralf 5/9 Pittsburgh, PA @ Smiling Moose 5/10 Grand Rapids, MI @ Pyramid Scheme 5/11 Chicago, IL @ Double Door 5/13 Denver, CO @ Moon Room 5/14 Salt Lake City, UT @ Bar Deluxe 5/16 Portland, OR @ Branx 5/17 Seattle, WA @ Chop Suey 5/19 San Franciso, CA @ Elbo Room 5/24 Los Angeles, CA @ The Satellite 5/25 Fullerton, OC @ SlideBar 5/26 Phoenix, AZ @ Yucca Tap Room 5/27 Albuquerque, NM @ Launchpad 5/29 Austin, TX @ Red 7 5/30 Dallas, TX @ Club Dada 5/31 Birmingham, AL @ Bottletree 6/1 Atlanta, GA @ The Earl
Posted in Whathaveyou on January 7th, 2014 by H.P. Taskmaster
I got a copy of Orbweaver‘s 2013 album, Strange Transmissions from the Neuralnomicon, to review because when I first heard it I was like, “Fuck yeah, this is awesome!” For what it’s worth, I was right about that, but when it came time to actually sit down and write it up, it felt like I was trying to get a square peg in a round hole and that as much as I dug the extreme and progressive death metal influence that the Miami outfit thickened to sludge viscosity, I couldn’t really make it fit. I felt bad (as I always do, and as I still do) that the band went out of their way to be cool enough to send the disc. The moral of the story was it wasn’t Orbweaver‘s fault, it was mine.
Obviously not the end of the world, but I prefer to keep my commitments when I’m able. The band seems to be doing just fine, as they’ve teamed up with fellow Miami crushers Shroud Eater for a winter tour that will take them to the West Coast and back over the course of February into March. With the dates though, I’ve included the Bandcamp stream of Strange Transmissions from the Neuralnomicon, in case maybe you didn’t get the chance to check it out. Not the usual fare you find around these parts, but badass nonetheless:
SHROUD EATER 2014 WINTER TOUR
Sludge juggernaut to decimate stages in Feb/March 2014
We are proud to announce that Miami’s Shroud Eater will be touring US cities from February 19 to March 10 2014. The band will be decimating stages from Florida to California with experimental death metallers Orbweaver.
Get ready to have your face melted, your brain warped and your senses pulverized!
Wed. Feb. 19 – Orlando, FL – Will’s Pub with: Ad Nauseum, Ex Vietnam Thurs. Feb. 20 – Tallahassee, FL – The Shark Tank with: Atrocitus, Short Walk Fri. Feb. 21 – Pensacola, FL – The Handlebar Sat. Feb. 22 – New Orleans, LA – Siberia with: Lord Dying, Gristnam Sun. Feb. 23 – Austin, TX – Beerland with: Crawl, Khringe Tues. Feb. 25 – Riverside, CA – Kim’s Sports Bar Wed. Feb. 26 – Oakland, CA – The Metro Thurs. Feb. 27 – San Luis Obispo, CA – Frankie Teardrops with: Hashmouth Fri. Feb. 28 – Los Angeles, CA – The Complex with: Lightning Swords of Death Sat. March 1 – Phoenix, AZ – The Yucca Taproom Sun. March 2 – Santa Fe, NM – TBA Mon. March 3 – Dallas, TX – Taquerias Pedritos Tues. March 4 – Little Rock, AR – Vino’s Pizza Pub & Brewery with: Crankbait Wed. March 5 – Nashville, TN – TBA Thurs. March 6 – Greensboro, NC -TBA Fri. March 7 – Charlotte, NC – TBA Sat. March 8 – Atlanta, GA – TBA Sun. March 9 – Jacksonville, FL – Burro Bar with: Porter, Atma Mon. March 10 – St. Petersburg, FL – Fubar Downtown with: Landbridge, Ulcer, Cosm
Posted in Whathaveyou on August 27th, 2013 by H.P. Taskmaster
Floridian trio sans-connerieShroud Eater have announced that they’ll take to the road in their native Southeast for a handful of tour dates next month. The run comes in support of the Miami three-piece’s destructive 2013 EP, Dead Ends, which as fate would have it is available this very minute on Primitive Violence and The Path Less Traveled in a variety of physical and digital formats. You may recall I found the tape particularly alluring, though whatever delivery system it arrives by, Dead Endsis worthy of a fervent nerding-out. Mark my words when I say that one of these days I’m going to actually get to see this band play. On a stage. At a place. Where I am.
While I carve that bold declaration in the particleboard of my desk with my Lord of the Rings letter opener, please go ahead and peruse the tour dates below, making changes to your calendar as need be to allow for travel. On Sept. 8, Shroud Eater will join with The Body, Deadbird, Pallbearer, Rwake, The Dirty Streets and Black Oak Arkansas at the Mutants of the Monster fest. You know you always wanted to visit Little Rock in the fall.
SEPTEMBER 2013 TOUR DATES: Thursday 9/5/13 MIAMI, FL @ Churchills Pub Friday 9/6/13 ATLANTA, GA @ The Masquerade (Purgatory) Saturday 9/7/13 NASHVILLE, TN @ The Owl Farm Sunday 9/8/13 LITTLE ROCK, AK @ Mutants of the Monster Fest III Monday 9/9/13 BIRMINGHAM, AL @ The High Note Tuesday 9/10/13 JACKSONVILLE, FL @ Warehouse 818
Floridian outfits Hollow Leg and Orbweaver have teamed up for a long weekender from Aug. 2-5. Playing four nights in their native state, both bands will be supporting new releases — in the case of Hollow Leg, it’s their new full-length collection Abysmal, which is out on Last Anthem Records on July 30. For Orbweaver, the Strange Transmissions from the NeuralnomiconEP will mark their studio debut with a release on Primitive Violence.
Taking from the titles of both, the Abysmal Transmissions tour runs from Orbweaver‘s home in Miami to Hollow Leg‘s in Jacksonville. The poster below has specifics:
Hollow Leg & Orbweaver – Abysmal Transmissions Tour 2013
Hollow Leg & Orbweaver tour dates:
Aug. 2 Churchills Pub, Miami, FL
Aug. 3 Will’s Pub, Orlando, FL
Aug. 4 Bowman Motorcycles, St. Petersburg, FL
Aug. 5 Burro Bar, Jacksonville, FL