Floor, Floor (2002)
The self-titled debut full-length from Floor is a monument to the gloriousness of weighted tonality. For me, particularly over the last couple years, it’s an album I’ve come to associate with motion, with going places. Reason being is that it was on an iPod I’d initially bought for The Patient Mrs. years back but wound up sort of appropriating after she more or less discarded it (this same iPod was also recently stolen out of my car by some jerk who remains at large), and with the relatively limited selection there as compared to my CD rack, I’d find it in the playlist usually while sitting in an airport and be all excited, pretty much each time out. So walking on airplanes, walking off airplanes, getting from here to somewhere else, Floor‘s Floor is the record for me by which that happens. It’s been my soundtrack for at least the last four trips to Roadburn.
It also seems fitting that it should be a travel album because the music itself is so compelling. Whether it’s “Scimitar,” or “Downed Star” or the one-two-three quick punch of “Twink,” “Sheech” and “Assassin,” which I still feel like I’m trying to catch up to, the album itself moves. The Miami trio of guitarist/vocalist Steve Brooks – who’d go on to found Torche following Floor‘s dissolution — guitarist Anthony Vialon and drummer Henry Wilson propelled themselves from one song to the next, sometimes in attention-deficit-disorder leaps that seemed to leave ideas incomplete in a punkish sort of tradition and sometimes just at the right time, but never with a moment wasted. To date, it remains one of heavy rock’s best examples of a lean record that still sounds mammoth and pummeling — that’s not to mention the upbeat tempos or pop influence — and its thrust and brash feel has had a considerable influence since the time of its release on No Idea Records in 2002. Probably too early to call it a classic just 12 years after the fact, but there’s nothing that seems like it’ll stop it from getting there as the years continue to progress.
All the more so because of Floor‘s reactivated status, and with this lineup. Earlier 2014’s Oblation (review here) was a worthy successor to Floor‘s original run, which came to an end with 2004’s sophomore outing, Dove. By then the lineup had changed and it was clear the dynamic in the band was shifted, but from the time Floor got back together following the welcome reception of their 10LP Below and Beyond box set through Robotic Empire (who also have a reissue of the self-titled for sale on their Bandcamp with outtakes), the question of a new album was always there, and they answered that question loudly and in progressive, still immensely heavy form. Brooks seems primed for a shift back to Torche in 2015 for their Relapse label debut, but Floor continue to play shows in support of Oblation as well, shifting from a “reunion” band to a working one. They’ll play Roadburn and Desertfest in 2015 and probably much more around Europe between. As a fan of the band, I hope they continue on and put out a follow-up fourth long-player, but the self-titled continues to hold a special place in my heart, even if that place seems to constantly be in motion.
Hope you enjoy.
Will keep it quick this time. Stay tuned next week. Hopefully I’ll have a review of the new Murcielago record, plus the Orange Goblin which I’m sure you’ve already heard, plus an interview one way or another, be it the Lowrider Q&A or one with Soph from Alunah. I’ve also got a track premiere and quickie Q&A with It’s Casual slated for Wednesday and maybe one or two audio-type tricks up my sleeve for the rest of the week as well. We’ll see how it shapes up.
I hope you have a great and safe weekend. Please check out the forum and radio stream.